#or. technically one and her past design

[human-souls-buy-dopamine]

Did a small doodle page ft. Randy, Oliver, an OC (and her past design), our universe-hopping sona aaand our goofy doodle sona :3 yes I gave the computer sona a fiction merch shirt shhhh I'm sooo mentally well /j

Thinking about remaking Jamie's old, dsaf-based phonehead design into a dialtown oc ngl... wonder what would happen to Cyn's old design in that case, considering he was never an object head :3

(Separated doodles + version without blur below the cut)

[shooks-stupid-stuff]

webcomic-era/current masumii redesign (she also just needed to be slightly simplified lol)

i was going to draw takoshi next to her but i'm tired and redrew his face like 20 times bc it wasn't looking right so. i'll draw him tomorrow-

[pavo-dence]

dunno if anyone's brought this up but is the person on the hades 2 steam page hecate?? there's slight differences to the design like lack of multicoloured cord and patterns so i'm not sure if its an earlier design or if its a different character altogether

EDIT: it's an earlier iteration of hecate confirmed by an sgg dev!

[pallases]

IM FREEEEEE

[honks-n-stonks]

oh... I never posted my little CROB dragon oc here did I...?

Originally drew this fella back on April 1st! Admittedly, I'd like to go back and change the design + maybe simplify some parts so I don't die whenever I want to draw them...

I kinda tried to sorta follow along with the designs of the other dragons, but uh. Their horns are a bit too prominent. Ah whatever, it's a lot more fun to just do your own thing sometimes.

Oh, and their name is Koi Dragon Cookie! Maybe. I'm. not good with names!!! I think you can guess a bit of what their backstory is just by the name alone though, ahah.

They look a bit smug here, but I promise they're pretty chill. I think. Their whole story has just been brewing silently in my head.. I have to actually write it out sometime. Whoops!!

[genderdog]

every time i listen to ugly death no redemption i go fucking insane about ice the last generation again

[arolesbianism]

Finally got around to designing some of the oldest members of the og magic cat world story, yknow only took me like 5 years fhfksgkfg

[nasa]

Black Scientists and Engineers Past and Present Enable NASA Space Telescope

The Nancy Grace Roman Space Telescope is NASA’s next flagship astrophysics mission, set to launch by May 2027. We’re currently integrating parts of the spacecraft in the NASA Goddard Space Flight Center clean room.

Once Roman launches, it will allow astronomers to observe the universe like never before. In celebration of Black History Month, let’s get to know some Black scientists and engineers, past and present, whose contributions will allow Roman to make history.

Dr. Beth Brown

The late Dr. Beth Brown worked at NASA Goddard as an astrophysicist. in 1998, Dr. Brown became the first Black American woman to earn a Ph.D. in astronomy at the University of Michigan. While at Goddard, Dr. Brown used data from two NASA X-ray missions – ROSAT (the ROentgen SATellite) and the Chandra X-ray Observatory – to study elliptical galaxies that she believed contained supermassive black holes.  

With Roman’s wide field of view and fast survey speeds, astronomers will be able to expand the search for black holes that wander the galaxy without anything nearby to clue us into their presence.

Dr. Harvey Washington Banks 

In 1961, Dr. Harvey Washington Banks was the first Black American to graduate with a doctorate in astronomy. His research was on spectroscopy, the study of how light and matter interact, and his research helped advance our knowledge of the field. Roman will use spectroscopy to explore how dark energy is speeding up the universe's expansion.

NOTE - Sensitive technical details have been digitally obscured in this photograph. 

Sheri Thorn 

Aerospace engineer Sheri Thorn is ensuring Roman’s primary mirror will be protected from the Sun so we can capture the best images of deep space. Thorn works on the Deployable Aperture Cover, a large, soft shade known as a space blanket. It will be mounted to the top of the telescope in the stowed position and then deployed after launch. Thorn helped in the design phase and is now working on building the flight hardware before it goes to environmental testing and is integrated to the spacecraft.

Sanetra Bailey 

Roman will be orbiting a million miles away at the second Lagrange point, or L2. Staying updated on the telescope's status and health will be an integral part of keeping the mission running. Electronics engineer Sanetra Bailey is the person who is making sure that will happen. Bailey works on circuits that will act like the brains of the spacecraft, telling it how and where to move and relaying information about its status back down to Earth.  

 Learn more about Sanetra Bailey and her journey to NASA. 

Dr. Gregory Mosby 

Roman’s field of view will be at least 100 times larger than the Hubble Space Telescope's, even though the primary mirrors are the same size. What gives Roman the larger field of view are its 18 detectors. Dr. Gregory Mosby is one of the detector scientists on the Roman mission who helped select the flight detectors that will be our “eyes” to the universe.

Dr. Beth Brown, Dr. Harvey Washington Banks, Sheri Thorn, Sanetra Bailey, and Dr. Greg Mosby are just some of the many Black scientists and engineers in astrophysics who have and continue to pave the way for others in the field. The Roman Space Telescope team promises to continue to highlight those who came before us and those who are here now to truly appreciate the amazing science to come. 

To stay up to date on the mission, check out our website and follow Roman on X and Facebook.

Make sure to follow us on Tumblr for your regular dose of space!

[talekinesis]

I need Stan and Ford to see their mom again

Like let's say she's still alive and in her 80s, she's in a wheelchair (ambulatory, she has customized canes) she still lives in their old home because a part of her hoped Stanford would come back, and she didn't want to leave their home, so he'd know where to go back to.

She wanted to stay put in case Ford came back.

So imagine her shock when both her boys come back home to her

Obviously Stan immediately starts apologizing for faking his death, putting her through grief, her arranging and attending his funeral, but she stops him like "I'd much rather it be fake than real." That's her baby boy, back from the dead, something most people don't get, so to her it's a miracle.

Her Jersey accent is thick, and it actually brings out the twins' accents that had faded over time (Stan's sounds natural to him since he always retained it a little, but everyone finds it funny when Ford's accent comes back because he just doesn't seem like the type to speak like that)

THEY MOVE HER INTO THE SHACK

The boys wanna take care of their mama and keep her around since it's been so long, and Caryn is delighted to be moved out of a loud city with rough memories and into a quiet little town where the people are odd but nice. Ford and Stan both work together to make the Shack accessible for her. Ford actually sat in her wheelchair to test everything and make sure she could get around on her own.

They catch her up on everything, and at first they don't think she'll fully believe them but she's like "Stanford built an international portal and got lost for 30 years? Stanley took his place and turned his home into tourist trap? Yeah, that seems like something my boys would do."

When she learns Stan taught himself engineering to re-build the portal, she's obviously very proud of him. "You were never dumb, Stanley, ya just learned different. Honestly, I always thought ya had A-D-H-D but Pa never wanted ya tested. But look how smart and creative ya turned out, son! I think ya did good." And Stan is definitely not crying.

Personal headcanon: Caryn was also really smart and picked up on things quick. The boys had to have gotten it from somewhere, and it wasn't Filbrick. He just took the credit because 1) he was the worst, and 2) times were different back then and no one would have really taken her seriously. But she's the one who would fix things around the house since she taught herself how to keep the place together and running since Filbrick wouldn't pay anyone to come and repair anything.

Imagine little Stan standing behind her with a flashlight while she fixes the wiring in the wall because an outlet stopped working. Both of the boys helping her while she fixes the car for the third time that week because it keeps breaking down. Mama Pines taught herself how to keep things up and running because no one else would or could.

Caryn meets Mabel and Dipper when they come back in the summer, and Mabel is THRILLED

She's technically met them before but they were still newborns at the time so they don't remember her, and she hadn't gotten a chance to see who they'd become

Mabel makes her a sweater and she wears it with pride. And I really think it would go like that scene from Elemental

Caryn: You made this?

Mabel: Oh, yeah, it's nothing-

Caryn: Nothin? Babygirl, my designer dresses were made by 'nothin.' Oh sweetie, you have got to do somethin' with this skill. And to think, I have an original 'Mabel Pines.'

And don't think I'm leaving Dipper out of this, he gets his great-grandma's attention too. She loves talking to him and listening to him tell stories about the monsters they've encountered in the past. She sees a lot of Ford in him, but she also sees a lot of Stan in him in other ways.

I think Dipper's love for "girly" music is something Stan used to share before Filbrick "disciplined" him for it. Child Stan used to sit in the kitchen with his Ma and sing along to the radio, usually listening to whatever she had put on.

Now all three of them sit in the kitchen and listen to the radio while Stan cooks.

Ford feeling like a failure for putting everyone in danger, and Caryn just goes, "Come talk to your mama." And he does. He goes and talks to his mama, like he always has in the past. She's in her 80s and they're grown men in their late 50s, but she's still their mom, and you never really quit being a mom.

I might actually write a short fic about this, I love it so much.

[demonic0angel]

Part 4 of Phantom’s Royal Court (click for clarity)

Extra notes:

+ Paulina and Dash are the two models in the picture :) (with a tiny Star at the bottom). They and all of their friends who bullied Danny have chosen to work inside of his castle in order to make up for their past. I hate the idea of “victim forces their bullies to become their servant for revenge”, so I choose to believe that Paulina and Dash voluntarily chose to become Danny’s employees. They technically just count as extra bodyguards and do some errands for him when they have free time, unlike Sam and Tucker who are with Danny 24/7.

+ Because the Observants are so paranoid, most humans inside of the Phantom Castle do not have weapons (except for Jazz, Valerie, and Wes). However, Danny didn’t like the thought of them being defenseless, so he advocated for them and Tucker developed their wrist guards, which form shields when the buttons are pressed. Said shields are able to protect them from both ghost attacks and human bullets but can’t really do much else.

+ Paulina and her friends help Sam and Valerie in defending Danny when needed. They rarely attack people, but when they do, it’s incredibly vicious. Dash and the boys tackle people when protecting Danny tho lmao

+ Wes works as Valerie’s attendant and assistant and mainly works with Jazz and Tucker in counsel/advising and informative work. He wears a mask similar to Valerie’s and wears red in order to differentiate himself from the others. He also receives a few weapons from Valerie to protect himself bc he’s Valerie’s closest ally and she does not fully trust anyone else.

+ I like Wes as Valerie’s best friend bc I believe that when she heard that Wes was investigating Phantom, she immediately befriended him for his investigative abilities and bc she was so lonely when she lost all of her friends. (Also, I think it’s funny asf to imagine Wes pulling his hair out bc Valerie won’t believe him when he says Danny is Phantom, even tho she literally fights him everyday.)

+ The design for both Paulina and Dash both look servant-like, despite how I tried to avoid it. It is somewhat unintentional because I wanted them to have formal, but practical clothing without looking like any of the others. The fact that they’re uniforms doesn’t help 😞

+ Like Jazz, the black veil is meant to resemble a mourning veil. The idea was that Danny’s human friends would wear it as a sign of mourning for him, while the “gods” wore masks as burial shrouds and to hide their human faces. The only two humans who don’t wear a veil are Valerie, who was chosen to kill Danny if he ever went rogue, and Wes, who is loyal only to Valerie.

Part one

Part two

Part three

[bluegekk0]

Finally decided to work on the designs for all the side characters in the FPK AU, mostly residents of Dirtmouth as that's where the main portion of the AU takes place

Here's the full height chart including the FPK family members

(short bios for each of the characters under the cut)

Vyrm (alternate spelling of "Wyrm") - once the king of Hallownest, now a simple resident of Dirtmouth tormented by the guilt of his past actions and his own emotional trauma. Following the return of the infection, he disappeared in a self-manifested realm where he hibernated for years until he was woken up by Little Ghost. He woke up without his powers and completely alone, which forced him to hunt animals for food in order to survive. That was until he was found by Hornet and taken to Dirtmouth, where he reunited with Holly and Grimm, who would later become his partner and husband. He embraces his instincts by hunting animals and eating raw meat, though he is far from a dangerous beast. He owns a small tinkerer's shop in Dirtmouth, where he sells his creations.

Grimm - the exiled god of nightmares, banished from Godhome by his sister, The Radiance many years ago. A very alluring type with a past of promiscuous endeavors. He travels with his Troupe to perform and complete rituals, through which he replaces his physical body. He spent hundreds of years feeling loneliness, unable to find love due to his immortality, until he met Vyrm. They became close friends, though they were not able to confess their love and start a relationship until after Vyrm’s hibernation. Grimm and his Troupe now permanently reside in Dirtmouth, from which they travel to other kingdoms to perform their shows and the ritual. He drinks blood to prolong the lifespan of each physical body, and he has a fondness for fruits.

Hornet - the beloved daughter of Vyrm and the Deepnest queen Herrah. She grew up showered with her father’s love and formed a very close bond with him. Unfortunately, following her father's disappearance, she was forced to spend years all on her own, which turned her bitter and difficult to approach. She now struggles with anger issues and intense fear of getting attached, but deep down she cares a lot about her family. She moved to Dirtmouth following the end of the infection and now works as a hunter and gatherer..

Holly - the child of Vyrm and The White Lady, and the only known surviving vessel. A very gentle soul who finds joy in art of many forms. Now that The Radiance is gone, they enjoy a quiet and peaceful life living in the Vyrm family home in Dirtmouth. With their arm missing and their body weakened, they are unable to hold their nail, instead they focus on more relaxing activities to pass their time. They wear a prosthetic arm made by their father.

Lewk - Vyrm and Grimm's first child, a very curious and kind pup who attends Dirtmouth's school and constantly looks for ways to help others. Unlike his siblings, he shares some physical traits with the Grimmchild form of Grimm's ritual cycle, which is how he got his wings.

Milo and Asta - twins, the newest addition to the family. Milo, technically the youngest member of the family, is weak and sickly compared to his twin sister, struggling to keep up with his peers, which makes him very grumpy. Asta is stronger than her brother, full of energy and mischief, though underneath all of that there is a very compassionate individual who is very protective of her little brother.

Zote - a self proclaimed knight of great renown, in reality a lonely young bug living in a world of delusions. He was rejected by his hometown and his family, and so he traveled until he reached Hallownest. After the end of the infection, he found himself “adopted” by Vyrm’s family, and is on a slow journey of becoming less arrogant and mean.

Ogrim - one of the great knights of the Pale King, the last one that remained in Hallownest, best friends with Vyrm and a close friend of the family. Found by Hornet following Vyrm's return from hibernation, and invited to live in Dirtmouth alongside them. Leaving his duty as the knight behind, he put away his armor in favor of more comfortable clothing. He eventually embraced his long forgotten hobby of cooking and opened a small diner in the town. Liked by everyone thanks to his contagious optimism and supportive attitude.

Brumm - Grimm's right-hand man and trusted friend. Runs the Troupe in Grimm's absence and assists him during the rituals, and in his spare time directs the Troupe's music crew. He is a quiet individual focused on his job. In the past he had one-sided feelings for Grimm, now years later his eyes are set on one of the Nailmaster brothers, Mato.

Divine - Grimm's closest friend, she and her team are responsible for the costumes in the Troupe, and later also clothes for the Dirtmouth community. Once a lady from a distant land, she was invited to the Troupe following a war that destroyed her home. She's chatty and glamorous, and loves advising Vyrm on romantic matters.

The White Lady - Vyrm's former life and once the Queen of Hallownest. Cold and emotionally distant, often comes off as self-absorbed. She was blind to Vyrm's needs during their time together, and ended up neglecting and hurting him. Before the marriage, she was the Lady of the Queen's Gardens Mansion, and this is where she resides following the end of the infection. Years spent in the cocoon made her reflect on her past behavior, and while her interactions with Vyrm these days are rare, she puts effort into being more thoughtful towards him and his family.

Mato - one of the Nailmaster brothers, he got attached to Ghost of Hallownest after briefly teaching them. Following the end of the infection, he traveled from the Howling Cliffs to Dirtmouth to find out what happened to them, and after discovering that the town was now full of life, he began visiting it more often.

Bretta - a young writer and a hopeless romantic, she used to be infatuated by Zote before finding out he was full of lies, though she ended up forgiving him. She writes short stories and poems under an alias, and shares Holly's interest in plush sewing. She has a crush on Hornet, and finds both her and Grimm to be very inspiring to write about.

Iselda - the owner of Dirtmouth's cartography shop, Cornifer's wife. She is a close friend of Vyrm after helping treat his wounds following the Grimmkin incident. After the end of the infection, she began joining her husband on his map marking adventures. She can be a little intimidating, at times she sounds perpetually annoyed, but she always proves to be very caring about others.

Cornifer - Iselda's husband, co-owns the cartography shop. Frequently travels around Hallownest, mapping each location thoroughly. He is good friends with Vyrm, whom he enjoys discussing the Hallownest architecture and geography with. He's extremely detail focused which sometimes makes him miss the bigger picture, though he more than makes up for it with his very approachable personality.

Elderbug - one of the older residents of the town and a respected figure. He's very pessimistic and grumpy, and is especially annoyed by public displays of affection, suggesting that something in his past might have made him sensitive to it. He can usually be found in the town centre or in his little garden.

Tiso - an arrogant troublemaker and Hornet's self-proclaimed rival. Lives in the City of Tears but frequently visits Dirtmouth to challenge her to fights. He planned to battle in the Colosseum but changed his mind last minute out of cowardice. He's extremely sensitive about this subject and reacts with anger anytime it's brought up.

Quirrel - a curious wanderer and once an apprentice to Monomon the Teacher, tasked with protecting her dreamer mask. Holding the mask halted his aging process, and after her death, he aged visibly. With no purpose left, he planted his nail by the Blue Lake, but continued his life of wandering and exploration until he reached Dirtmouth, where he would become a teacher to the town's youth. He's very patient and understanding, though he can be a little absent-minded, likely due to his age and his struggles with memory.

Lemm - owner of the relic shop in the City of Tears. Following the end of the infection and the city's consequent revival, he became a respected shop owner, which made him quite wealthy. After Vyrm's return, he quickly realized his true identity, and began pestering him about his past in hopes of learning more about the kingdom, until Grimm's threats stopped him. He's very abrasive and unpleasant, though his passion for history and the relics in his possession is remarkable.

Lurien - the last of the Dreamers, who managed to survive after Ghost of Hallownest chose to unite the void and become the Shade Lord before reaching his spire. He holds the position of the highest authority in the City of Tears, willing to do anything to bring it back to its former glory and reclaim all of its districts from the criminals that plague it since the end of the infection. He struck a deal with Grimm, thanks to which he is able to keep the criminal population in check.

[enteroctopusdarkysilis]

✨More Clones Brickheadz !✨

Since I acquired the Small Cody (40675), I found that there was an untapped mine. Why would they only make one ? Well. I don't have an answer to that, but I decided to take matters into my own one; so behold : 11 more. I went mostly for commanders here, but then I went a bit astray and so I added some captains to the mix.

In order, row by row :

Tukk (Not cannon but the colours are so beautiful)/Vaungh (died too soon-)/Rex (obviously)/Fordo (I did Rex, so I had to)

Gree/Doom/Thorn/Neyo

Bly/Cody/Fox/Wolffe

It was a really fun project, and I hope to do more of them in the future - maybe even phase 1s, some day~); supposedly not commanders because I did most of them (except Bacara, I know...The helmet was too tough).

And because I really like challenges, if you want to see another clone turned into one of these (Be it cannon or one of your ocs) feel free to send requests in my aksbox !)

Anyway this post is already far too long for anyone's dashboard, so closeups and details will be under the cut !

Let's start with the easy ones : Cody, Doom, Fox, Thorn

Obviously, Cody was easy, I just rebuilt the original one virtually - Nothing too hard. The printed pieces here are not the right ones, because Cody's are not available on STUDio yet, but the storm trooper ones were relatively similar, so I used these for most of these models. Of course, it means I'm lacking the sun bands, and a few other distinctive elements, but it works well enough for now.

Now, Doom is essentially a colour variation (minus a few antennas). I also used an old space piece, which has this big yellow arrow printed on it. I's not exactly what Doom has, but I feel like it's close enough for a first attempt.

Then, Fox is relatively similar to Doom, but with two DC-17s. I also moved the printed torso brick up to get that red line he has.

Thorn works in a similar way to Cody too, except I removed both accessories on the side of the helmet. I also added this tile with diagonal lines to figure the wings he has. One day I'll slap some real wings on there, but I haven't found the right image yet. I also gave him a Z-6, obviously. I really like it, so I might actually make that one physically, because the way it's build (with old binocular pieces) is pretty nice; although I doubt the pieces are available in black.

Moving on to two captains : Vaughn and Tukk !

Admittedly, not really that different either, except for one thing : I learnt to do custom prints now ! Yay ! Well, these are really basic : the blue line for Vaughn, and some trapezoids for Tukk's helmet (which are, indeed, not visible here - shame, I spent so long making these fit). The Ahsoka pattern was already in STUDio (because Ahsoka already has her own brickheadz, which I'll get my hands on someday~)

I must also add that having some cyan in this whole thing added some much needed colours in here, I'm grateful some people give their clones amazing colours (If somehow someone doesn't know who Tukk is, well just check High Ground Animation. Right now. It's really cool, trust me). Anyway.

As for design changes, I modified the faces slightly by adding 1x1 tiles, to allow for different colours variations on the face. It makes them look slightly blockier, but given the overall size of the head, it doesn't do much.

I also gave Vaughn a DC-15A. It's a bit messy, but it works out well enough. Past me forgot to render it, so here is a raw, in-software picture of it (from Fordo(s hand, but it's the same design for both) :

BARC helmets ? Wolffe, Fordo, Neyo

As I've been told, these look a bit wonky, and I'll admit its wasn't exactly easy, but in my defence, it's relatively hard to get such round shapes with bricks (lego cheated by adding the visor). Anyway, given that doing that with a printed piece was out of the question, I tried to replicate the filter's shape with actual bricks, and I used a printed piece which, technically, is Lando's moustache, but downward. I'd say it does the job relatively well.

I also added a rangefinder to Wolffe, which is a little big compared to everyone else's antennas, but It's still relatively to scale with the head itself. No custom prints for him (not sure where I would find the correct pattern images ?), but I've done it for Fordo and Neyo. Fordo obviously has his well deserved Jaig eyes (and who knew it would be that difficult to find a picture of that on internet ?), and Neyo has his symbol on the helmet, chest plate, and the shoulder not shown here.

The really tinkered ones : Gree, Bly, Rex :

Here, it was a matter of trials and errors to figure out just how to get the shapes right.

I actually started with Bly, by removing the previous visor and adding the macrobinoculars first, then I tried to shape the helmet around. Truth is, it doesn't make sense technically : the two separated parts of the helmet do not connected at all, if you remove the equipment. Luckily, no one has to know that.

Next is Gree. It took me some time to figure out how to properly get a round feel, but I feel like it's as good as I can make it like this. Colour-wise, it was surprisingly difficult to find how to balance the different shades of green, and equally hard was to figure out which silvery colour would render well in STUDio. The answer lied, as it always does, in Bionicle. Of course, none of these pieces exist in this colour, but it's not really my main problem (because none of the coloured printed pieces exist either).

Finally, Rex...He gave me some trouble, I have to admit. Firstly, the part-designing software decided to have some trouble with custom prints, which was problematic, because I simply couldn't do Rex without jaig eyes (and Fordo already had his). Then, I started with Gree's base and tried to go from there to fit Rex's custom helmet. I ended up using Boba Fett's printed visor piece for Rex, because these were all triangles. I also got rid of the printed chest piece and used some black plates to simulate the pouch he has; while also adding a a few more custom printed pieces for the arms and pauldron (barely visible, but they're here. I'm not entirely happy with it, but I don't see much other solutions than more and more custom prints, which isn't my goal, so it'll stay like that for now.

Anyway, that's way too much rambling for one post, so I'll just end by saying that next week I'll post an alt version of this whole build [here !], with some 'slight' colour alterations. Definitely nothing big.

[blueskittlesart]

without dropping anything super specific what do you think of EoW's story? in particular i'm kinda worried over if they made Zelda basically replaceable with any other silent protag and i'm holding back on getting the game if that's the case...

I think they handled a playable zelda incredibly well actually! In particular I was impressed that although she is a silent protagonist, she is NOT link, and the game takes care to remind you of that in everything from dialog to physical gameplay. Though she does technically have the ability to wield link's sword, in practice it's almost always more practical to use echoes, her own unique form of gameplay, to get through combat instead, which is a good reminder to the player that this isn't link's story, and we're not going to be able to beat it link's way. You're required to be ZELDA and think like zelda, utilizing mechanics unique to her, in order to progress through the story, and those mechanics emphasize creative problem-solving in a way that clearly envokes her core trait of wisdom. so in that regard i'd say she's definitely a unique protagonist and I never felt like she could have been replaced with someone else! (mild spoilery note: in the final battle you do actually have link fighting alongside you, and because of that, your sword ability is removed entirely, meaning you HAVE to end the game on zelda's terms, with zelda's abilities, which I thought was a nice touch.)

In terms of actual story, it's honestly a fairly classic zelda formula, but the twists and turns were well-written and kept me VERY engaged throughout. The act of searching for link felt different not because chasing after a captured friend is uncommon in a loz game, but because HE was different. The things you learn about link and how he ended up in this story compel you to keep searching for him in a way that you almost... don't need when you're link chasing zelda, because OF COURSE the hero is going to go after the princess. but this game had to engineer a situation in which the PRINCESS wanted to go after the HERO, and a hero she'd never met before at that. and that to me is what made the story interesting.

I will say, don't go into this game expecting it to have the same amount of story as a 3d installment like botw or totk. this is a topdown classic-style game, and it treats itself like one. the story is good, but it's not pushing the boundaries of the genre or anything. eow is a game that knows what it is and what it wants to do, and it does it exceptionally well. I think where the game really shines is in the implied narrative of the worldbuilding--pieces of personal memorabilia in characters' houses, little hints of the past and references to previous games in map design and details that allow you as the player to theorize and put together the less overt pieces of the story on your own. this has always been one of the things that I personally really enjoy about zelda games, so I absolutely LOVE how much detail is left for the player to find in eow if they're paying attention.

[helluvapoison]

First Date Time At LuLu World

Lucifer Morningstar x Reader

Lucifer smoothed any creases from his ivory suit and checked his hair four times in the nearby reflection. He wasn’t nervous! He just… needed tonight to go well. It’s the first date he’s had in years— or it might technically be his first date in history? Everything happened so fast with Lilith! He can’t remember if he ever properly asked her on a date. They did end up getting married though, so it worked out… until it didn’t. Fuck, there’s a lot of pressure on this now

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

• Steeling his nerves in place before he lost them, he allowed his knuckles to tap “the shave and a hair cut” on your door

• His smile (and ego) tripled in size when you opened it not a moment after. For the sake of his restless mind he let himself picture you waiting in anticipation on the other side, dreaming you might be just as excited as he was helped him a bit

• Lucifer twisted his cane in one hand and offered you his other, “Are you ready for the best night of your life?”

• “Hm, that’s a big expectation,” You reply playfully, bypassing his hand and hugging onto his arm, “Are you sure a theme park will live up to all that?”

• He scoffs and rolls his eyes but inwardly he’s hyper aware of the new proximity you’ve granted him, “LuLu World is not just any theme park! It’s my theme park. I designed and built it with my two hands!”

• “And maybe a tablespoon of magic?”

• “A teaspoon, at most.” He winks

• Your laughter was delightful, a sign that the night was starting off perfect. He just hoped it would end the same way

• LuLu World was big and chaotic, sending every sense you had buzzing with adrenaline and you hadn’t even done anything yet!

• Lucifer’s stuck for a solid minute just reveling in your awe. You like it! He made this and you already like it!

• He drags out of your stupor by pulling you to the teacups. He has one hand on his hat to keep it from flying while the other attempts to help you spin the wheel

• After Devil’s Drop (a terrifying 500ft plunge) you begged to go into the Haunted Dollhouse. Lucifer of course indulged you but couldn’t hide his boredom. Nothing here would scare him. He doubled over in laughter when a real ghost made you jump though

• The two of you rotated turns picking and choosing what to do next after that

• Giga coasters with butterfly loops, swings that went backwards, bumper cars, a massive carousel with actual unicorn horns— LuLu World had it all!

• Lucifer was bouncing in place, excitedly watching you bite into an infamous LuLu World caramel apple when he noticed how dark it had gotten

• He’d long forgotten his plan to make everything perfect and the schedule he was supposed to keep you on

• “H-Hey let’s go on the ferris wheel! Like right now!”

• You hardly have a moment to swallow the crunchy treat, asking with a full mouth, “Right now?”

• “Right now!” He repeats seriously with a tight smile

• The line would be ridiculously long, everyone likely had the same idea he had. But he had it first! He was the king and the owner, shamelessly walking past the line of sinners and straight to the front

• He flashes the operator a warning glare when they try to tell you to throw away your carmel apple

• (To his dismay you take a final, ridiculously large bite and toss it anyways, not wanting to start a fuss)

• “Hey this is a date right?” You asked while the two of you waited for the ride to officially start, sitting in a slow rotation while the empty carts filled up below

• Lucifer jolts, “Of course it’s a date! Why-why would you not think it is? Is it no lt date-y enough—“

• “I was just checking! Wanted to make sure it’s ok to do this,” You reply quickly and slip your hand under his own, lacing your fingers together with his

• Can panic and relief hit him simultaneously? He felt his nerves vibrating, deciding whether to spike or settle down

• You clearly see him internally struggling and attempt to break the silence casually, “I still can’t believe you made all this. It’s really impressive. I’m having a lot of fun with you. But I always do.”

• His brows jump, crimson eyes sparkling with delight at that, “You do?”

• “Of course I do! We could be surrounded by nothing but rocks and you’d find a way to make it entertaining.” You say with a laugh

• Joining in your mirth, he chuckles and squeezes your hand slightly

• A thunderous boom echoes in the air and makes you jump

• “Right on time!” Lucifer’s grin widens

• Colors pop and flower in the night sky with loud cracks! Some form shapes or spell short words

• Lucifer’s so immersed by the firework show he forgot he wanted to see your reaction to them. When his eyes flit to you he sees you’re ignoring them, gaze completely fixed on him in total adoration

• Your spare hand steals his cheek and guides his face closer with ease. Just as a firework explodes in the near distance, his lips meet yours

• Lucifer shares the sentiment with a giggle when you part, “Fireworks.”

• You laugh before kissing him again

• Safe to say his first date was a massive success

~

╰(*´︶`*)╯♡ big sad so i quickly wrote smthn to cheer me up, i hope everyone enjoys

[just-trying-to-fangirl-in-peace]

Rings of Power Masterlist

*all fics posted so far are x reader, written with fem!Elf!reader in mind

These works are also being gradually added to my ao3 account.

🎀 - contains smut

-> Sauron

Ruin - in which you share a moment alone in the forge

Misled - in which he tries to convince you that your father, Lord Celebrimbor, is the darkness you saw in the Unseen World

Distraction - in which he blinds you to the invasion of Eregion by giving you a taste of what you desire

Choice - in which you try to persuade Halbrand to follow you to the Southlands, regardless of his past

Decision - in which you find out why Halbrand has been distant despite the intimacy you shared in Númenor, and now it’s your turn to decide whether or not to follow him on the path ahead

Perfect illusion - in which you have to sit at your father’s side while Sauron coerces him into finishing the Nine, realizing just how blind you have been all along

🎀 Inspiration - In which you struggle coming up with new designs for the Nine, and the Lord of Gifts helps you overcome your creative block

🎀 Further inspiration - in which you discover Annatar aiding Celebrimbor in his work with the same unconventional method he used with you, but that doesn’t mean he has discarded you

-> Evil!reader (chronological order)

* technically these share the same reader, but as the fics were not written in chronological order, each of them is either self-contained or has some info beforehand so it’s not too confusing wherever you start. So feel free to read them as a series or simply pick what sounds good to you.

* playlist for vibes

*some crazy memes about these two here and here

Remade - in which you nurse Sauron back into his physical form, eager to be reunited with your great love once more

🎀 Tides of fate -> in which your newly returned husband is unsure of the path ahead, and the sea itself tries to deter you from the one you choose together

Reunion - in which your husband finally returns from his time in Númenor, and you make the most of the first moment you get him alone

As one - in which you sense that your husband is being tormented at Adar’s camp, and you join him through your bond to share in his burden from afar

🎀 As we are now - in which you explore your husband’s new form, and it leads to you breaching a rather delicate subject

A true gift - in which you share a private moment with your husband, then add a special little detail to his new look

Jealousy - in which you know he is only getting close to Mirdania as part of your plans, but it still bothers you

Reveal - in which you can’t seem to quell Celebrimbor’s suspicions, and he finally learns the true identity of you and your husband

🎀 Theatrics - in which Celebrimbor tries to expose you and your husband to the people of Eregion, but you play the role of the innocent maiden to perfection

Old Wounds - in which you guard Celebrimbor to make sure he finishes the Nine, and he makes the mistake of underestimating the bond you and your husband share

Kill and make up - in which you and your husband discover that Celebrimbor has escaped with the Nine, and it brings out the uglier side of your relationship

Defied - in which Celebrimbor manages, with his dying words, to unearth some truths which you and your husband are desperate to deny

The Two - in which Galadriel fights to withhold Nenya and the Nine, but in the end she fails to stop your husband placing yet another ring upon your finger

-> Galadriel

Lost - in which she sees you in her 2x02 vision instead of Celebrimbor

Blindly - in which you find Galadriel in the waters of the Glanduin, acting strange in a terrifying way

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx