#or to be fond of anything in general

[wolviez]

i rlly liek this bit idk why

[cryptar]

yknow i say im a huge multishipper but i wouldnt actually consider myself much of a shipper at all. just open to the idea of trying everything once. the term has typically romantic connotations and follows the assumption that i think, and want, these characters to be good for eachother.

I'm, personally, less interested in the prexisting chemistry than i am in the puzzle of figuring out what differing circumstances could potentially cause two characters who have seemingly nothing in common to become eachothers everything.

This could explain my favorism towards rarepairs and more convoluted dynamics, and my aversion to popular, fluffy pairings that have already been explored a thousand times over, there's no work for me to do there.

Not to mention that when a ship becomes too popular it starts cannibalising itself, and lots of good, interesting characterisations are lost in the sea of people bending characters into pre-orchestrated, saccharine dynamics. alot of which are usually downright fetishy in nature, particularly in mlm pairings.

I mean i would say being able to get ooc and self indulgent is downright mandatory for making a good fic, but there's only so many times i have to read a fic about a big, overprotective, manly-man top who does all the work and the shy, small, swoony, softhearted femme-wifey-bottom before it starts to just be lazy.

I actively have to go out of my way to search 'switch' tags if i want true-to-the-character, mutual emotional reciprocation. which i really, really shouldn't have to do as an ace person who actively skips through nsfw.

And it's not that popular wlw pairings aren't guilty of these problems aswell, but those tend to lean more into the 'soft lesbians who can do no wrong' stereotype, which always completely (butch)ers all nuisance that makes the ship worth shipping in the first place.

As well as that's if they're even the focus of the story at all and aren't just shoved to the side by the main mlm couple. mlw pairings can be culpable of both these things, with the added risk that you find out the author made a twitter post with the characters in front of the 'super straight' flag.

Though i also wonder if me being aspec plays any part as again; im not as interested in the romantic aspects as i am in the possible hurdles they may face throughout the potential relationship.

Anyone else feel like this?

[jinstronaut]

anyways being a mean girl on the internet at a grown age in a space where the thing we’re celebrating is so meaningful and lovely is such a bad take

[zooweemama143]

hot bully take: there are so many complex group relationship dynamics being portrayed in bully and im honestly tired of how the fandom waters most of them down to "oh theyre all besties"

[twisting-in-wonderland]

pros of agreeing to sleepover: Lots of cushions and blankets to play games in to your hearts content.

cons of agreeing to sleepover: Kalim  You have to handle social interaction-

[an-emo-trashbag]

even tumblrs own twitter account is aiding the mission of scaring away the absolute normie FREAKS

there are multiple replies with similar sentiments to this one

[tamaharu]

to meee :3 akechi and sumire arent exactly friends throughout january, (they only get really close several years later) but as a side effect of neither having anything better to do and the two constantly haunting kichijoji i think they inevitably fall together more often than not. ren takes sumire out for darts and shes weirdly better than she was last time (sidebar but the fact that sumire and akechi both mimic your throws but sumire sucks shit at darts too much for it to do any good is so cute) and shes like oh yeah akechi-san has been teaching me. oh wow i got a forty! unaware of the way she just blew rens mind.

[starpros-sunshine]

OK FOLLOWING UP ON THE BARD THING i think eichi definitely invited wataru to perform at a noble party before. because they'd usually have musicians and so? so ok picture this. it's eichi's birthday so his parents want him to hold a ball and he usually thinks those are annoying but then he gets an idea. make it a masquerade (for the drama). invite wataru as both a performer And his partner for the ball. he's an actor! and everyone is of course impressed by wataru's performance but they're even more impressed because the always polite but unreachable tenshouin heir is expertly dancing with a masked stranger (i love the fact that eichi's specialty in his profile is ballroom dancing). and then they're annoying and overdramatic in public together but no one can figure out Who That Is

and also i know you said that shu was a tailor but i think it would be funny if he also were a noble (his family is also of high standing in canon i think) so he can be there to judge eichi. harshly. i havent figures out yet how to make him besties w wataru but ! it can work

!!!!

This got soooo long again so this is once more put under read more I am so sorry

The idea with the Masquerade comes up while Eichi complains to Wataru about his parents pretty much forcing him to throw a ball for his upcoming birthday (they already planned the whole thing and didn't reallly give him a choice in the matter) and how much of a hassle he thinks that is because of all the superficial politeness between people that everyone knows are gossipping about each other behind each others backs and how sick he is of the pretending to be well acquainted with these people he's talked to maybe once or twice and all the ladies that wish to dance with him and that want to suck up to him because of his families wealth and how really this is all just one big farce to "save face". So Wataru suggests "why not make it a masquerade ball" to spice things up a little bit maybe, take some of the stiffness out of it. And Eichi says he wants to invite Wataru because what's a public event without proper entertainment? Wataru agrees of course and they come up with all of these overly grandiose ideas and scenarios (most of them are utterly absurd. One they genuinely consider involves Wataru pretending to kidnap Eichi and causing a scandal (Eichi woud miraculously reappear the next day and they'd gaslight everyone into thinking that never even happened and all the people are just imagining things)).

Wataru mentions that he'll be gone for an evening to play at the noble's ball to the elderly inn-keeper couple over dinner and they make a really big fuss about it and tell him to dress nicely and to watch his manners because "Remember, you can't just drop from the ceiling with those high society people like we let you do it here they're very sensitive about manners you have to make sure to watch your manners!" and for a minute he wonders how it got to the point that his landlords started to treat him like they personally picked him up from the street when he was a child.

I like to think he met Shu when he was out on the street doing a little street performance to earn some extra money for himself and Shu, the way that he is, came by, looked him up and down, and then started a conversation with him about music as an art form and that somehow turned into a philosophical discussion and at the end of that they each went their own ways with the knowledge that there was a new friendship formed that day.

And maybe he's the one that sews Watarus clothes for the ball because if you spent most of your life as a traveling bard living hand to mouth from your music you won't really have the money for fancy clothes (Eichi still insists on paying for Wataru here because he wouldn't need to spend so much money on fancy ballgowns if it wasn't for him in the first place and also he just wants to treat Wataru to something nice and sees this as his chance seeing as Wataru declines most gift offers me made before). Wataru tells him about the entire thing and Shu scoffs because dislikes Eichi (still need to come up with a way to explain that disdain but I will come up with something trust me!) but his parents force him to be there too so "he might as well" (it's obvious he still puts in a lot of care "because of his pride as an artists" (because Wataru is his friend and he wants him to have something nice)).

Shu only has to be there because his family guilt trips him into going and he doesn't see the point in opening that can of worms again ("We already let you pursue your foolish dream of sewing clothes like a commoner this is the least you could do for your family.")

And then at the actual event he's in some secluded corner together with some other people who only attended as a mere formality because they also do not like the Tenshouin family but they have to be there because they're important and aristocrat politics are weird that way I suppose.

Meanwhile Wataru does his usual thing and charms everyone with his beautiful beautiful voice and his elegance and charm and oh he is so agreeable as a performer. Eichi has to handle the usual "pleasantries" (nothing pleasant about those tries) and he exchanges the one or the other suffering glance with Yuzuru when nobody pays attention that just screams "God when will it end". Yuzuru shoots him back a look that conveys the exact emotion of "my condolences" and then he goes on to look for Tori who's 1.53m figure has disappeared in the group of people and when he finds him he's talking to a gentleman that's about a head taller than him and the mask obscures his face but judging by the hair and the slight "animosity" between them he's talking to Tsukasa, so Yuzuru decides he's in good hands and leaves to do his own thing. (do they know they're talking to each other? Who knows! But they'd probably manage to start bickering either way.)

And eventually it gets to the actual Ball bit of the Birthday Ball Event where they actually dance (there's an actual orchestra there now and they play very lovely music). And almost everyone asks to dance with Eichi at least once. Eichi does not want to waste his time and energy on these people who are just interested in him for his money so he always makes up something about being preoccupied or a little tired or something that gives them no other choice but to back off. Suddenly Wataru appears behind him and does a little "boo!" and Eichi didn't expect that so he startles and almost drops his glass and tells Wataru not to do that anymore at public eventshas while Wataru has to stiffle a laugh because he thinks Eichi is cute when he pretends to try to be firm with him. After he's done with his "scolding" (you can barely call it that. he was very soft on Wataru.) Wataru asks him for a dance this time and he's very chivalrous about it - he goes all out really - he kisses his hand and offers him a rose while he does a little bow and asks if he "may have this dance with the lovely star of the evening" (and oh Eichi wants to kiss him so bad right then and there but in a room full of people that are worse than a committee of vultures that is very much not an option). Of course he agrees and they move to the dance floor and suddenly a Lot of eyes are on them because Eichi Tenshouin, whom a good chunk of pursuers have already given up on - because let us be real. It will never happen. The man hasn't shown interest in anyone at any moment in time and lives together with the Himemiya heir and his butler as far removed from the rest of the aristocracy as one would be able to - is waltzing with this masked stranger and it becomes very obvious very quickly that Eichis constant declining of dance offers was not for a lack of expertise because those two look breathtaking together.

Eichi actually dips Wataru once and some people wish they had hired an artist to paint the scene (because I'm a sap and wataei is beautiful I don't care I'm being self indulgent here)). And they talk but nobody can understand what because of the loud music and they curse the orchestra - which is still playing very lovely music (it's heavenly really) - for it.

After their dance is over Eichi goes back to declining every dance offer he gets with the excuse he's exhausted and needs to rest a little before he can dance again (the "I don't wish to dance with you" is implied and in the room but most people chose to ignore it to spare their ego and decide to take him at face value) and Wataru disappears to somewhere, nobody really knows where but somehow he's nowhere to be found. Until he sneaks up to Eichi a second time and does the whole "Boo!" thing again and Eichi almost drops his glass yet another time and as he turns around to "scold" Wataru again Wataru shushes him and takes Eichis, who is more confusedd than anything by now, hand and sneaks out of the ballroom with him.

Eichi asks where they are going and Wataru doesn't answer he just keeps walking and Eichi decides to just trust the process and suddenly they're on the Balcony again, not a cloud in the sky and the only sounds to be heard are the muffled instrumentals from the orchestra that started playing their next piece. The only lightsource being the moonlight reflected by the new years snow. And Wataru turns around, he's not wearing a mask anymore, and he does his little bow and kisses Eichis hand, hands him a rose he had appear from nowhere - a white one this time - and does his entire "May I have this dance with the lovely star of the evening" spiel again. It's the same routine really but it's different somehow. More intense. Because he says it with more sincerity than he did when they were around more people. And Eichi doesn't even have to reply before he finds himself whisked into this waltz yet again, somehow in the leading position. And then they dance and they dance and it's just the two of them, the stars as their only witnesses. And as the orchestra finishes their piece and the music fades out Eichi dips Wataru again and they kiss and it is so sappy and they are so so so so sappy.

They stay out on the balcony a little while longer but they retreat back inside rather timely seeing as it is still january and the night and as the following consequence of those two circumstances actually pretty cold and they'd both rather Eichi not get sick (he already got Watarus coat but then they'd also both like it very much if Wataru also didn't get sick either so they migrate back into the empty, dimly lit hallways of the mansion rather quickly)

(meanwhile at the actual ball people have noticed Eichi missing and started to ask questions, poor Yuzuru has to repeatedly tell people Eichi probably retreated into his quarters already, seeing as it is rather late and he was rather tired "Please excuse the young master for his failing in notifiying the other guests, he told me he didn't wish to interrupt the nice atmosphere and preferred to leave unnoticed".)

After the festivities died down Yuzuru and Tori go to check up on Eichis room because he's been gone without any notice and it would probably be useful to know if their kind-of-roommate just went away to fool around with that strange bard man they've been seeing sneaking around their mansion from time to time that Eichi seems to be oddly fond of or if the should actually be worried about his well-being. After they knock and get no reply Yuzuru just opens the door and he and Tori are both greeted with the view of Eichi asleep in his bed and next to him the also seemingly fast asleep figure of Wataru who's braid got considerably more lose during the course of the evening and who's also seemingly wearing some of Eichis sleepwear.

They both decide they have seen enough they do neither need nor wish to see more. Yuzuru, who has been in this situation before doesn't even have it in him anymore to react in a specific way. He just lets out this big sigh because he doesn't get paid enough for all of this as he directs Tori out of the room. Tori who has not been in this situation before has a Lot of questions now because he doesn't know this man but he's apparently closer to Eichi than most other people and he doesn't know how to feel about that but happy is probably not it.

(The following day Eichi has to listen to a (rightfully) disgruntled Yuzurus passive-agressive-yet-somehow-still-very-polite-sounding-Yuzuru-complaints about him just disappearing like that and leaving it to Yuzuru to take care of his mess (Eichi promises him to make up for it and that if Yuzuru has any favour to ask he's very welcome to come to Eichi about it). Tori really wants to ask about the strange man Eichi was so involved with but between not really getting a word in while Eichi and Yuzuru are talking and not really knowing how to take the exceedigly good mood Eichi is in (he's had "A very nice evening". With utmost certainty it was for reasons other than him actually enjoying the mingling witht the high society at social function he was obligated to host, Tori guesses), he kind of clinks out here and decides to simply take matters into his own hands when he gets the chance.)

[tunemyart]

Chapters: 2/? Fandom: Law & Order: SVU Rating: Mature Relationship: Olivia Benson/Alexandra Cabot Series: Part 3 of The Wide Orbit

Summary: Two years after my Season 13 AU "The Wide Orbit"; the aftermath of the William Lewis ordeal. Olivia’s fine, Alex has moved out, and everyone’s trying to navigate toward a new, still undetermined equilibrium point.

Chapter 1 | Chapter 2

[syekick-powers]

honestly. being real. ive looked into a lot of various indie ttrpgs that haven't spoken to me, and i end up just coming back to D&D over and over. and i think i finally fully understand why that is.

D&D is very heavy on rules for what can happen in combat, but fairly light on rules for when it comes to story structure and roleplay. as a result, roleplay scenes feel a bit more natural and flowing, with the only mechanical aspect being the occasional skill check for like, intimidation / deception / persuasion / etc. but then, unlike the roleplay, the things that can be achieved in combat are pretty strictly regulated. this is fun for how i like to roleplay, as someone who used to do a lot of freeform RP--the problem with freeform RP style combat sometimes is that if you're RPing combat with someone who gets really wound up about making their characters always win, it can be really fucking hard to counteract the shit they have their characters pull out of their back pocket. having a VERY clearly defined and strict set of rules for specifically combat makes it so that when combat DOES happen, people can't just Say Shit about what they have their characters do--they have a limited character framework to work in and a limited set of tools that they can work with, and enjoyable combats come from using those tools in that framework creatively, effectively, and excitingly. this makes combat feel like it has genuine stakes, and when done right can be very intense and exciting. and then when you do actual like, character interaction and story building? there's just not a lot of strictly defined rules for what can and can't be done in those realms, both for a player and the DM. there aren't any constraints on the structure of the narrative that the DM presents, which means it's fairly easy to rip out the pre-packaged D&D lore, re-fluff a few things that heavily reference that lore, and just homebrew your own story structure and lore and world and characters and pantheons and the like.

my problem with a lot of indie TTRPGs is that a lot of them are married to either a very specific story structure that the system mandates that you follow, or a very specific pre-made world that the system is mechanically built to form around, and that level of pre-determination doesn't interest me either as a player OR as a GM. like these are fundamental rules in these systems that would gut it if you tore them out and replaced them with something else, which means that if you tried to go against those premade structures/settings, you would basically have to homebrew the entire goddamn thing from scratch anyway. D&D's relative rules-heaviness of combat and rules-lightness of roleplay makes it easier for D&D to provide me the kinds of stories that i actually want to participate in, even if people insist it's not as "flexible" as many people think it is. like. yes. don't run a regency romance game in D&D, obviously. but if ur running a high fantasy type of game focused on adventuring, D&D can be adapted pretty well to a homebrew setting and world with minimal effort.

and tbh, i really think that's why it has the cultural dominance that it does, and why i personally keep engaging with it as a ttrpg even as people yell from all sides to play something else. "just do freeform RP!" ive done freeform RP. it's good for character building and dialogue and intrigue and sex but it fucking sucks when characters have to fight. i fucking hate it when im trying to RP fighting in freeform RP and whatever person im fighting against just keeps fucking kicking my ass no matter what i have my character do because my RP partner is so invested in forcing me to lose or give up that they just pull whatever the hell they can think of out of their back pocket to beat my character into submission. at least with an incredibly well-defined set of rules for how combat works, your opponents are also working in a limited framework with limited tools, so even if they do fucking kick your ass, it doesn't feel completely stupid and arbitrary, and since opponents' attacks are governed by dice rolls almost as much as players' attacks are, the amount of arbitrariness in the combat is not wholly stacked against you unless you're fighting against something that's WAY out of your party's league--and even then, those creatures and people are still going to be bound by their dice rolls as much as you are, they might just have better bonuses and/or fewer penalties to make things a bit more favorable for them. that horrifying fucking monster you're fighting may have an insane bonus to attack, but it could still roll a critical fail when it tries to attack you, just as much as you might roll a critical fail to attack it in turn. everyone operates under the same rules and will have similar limitations placed on them by those rules, and participants have much less leeway to make their characters' combat prowess be whatever the hell they want whenever anything even mildly threatening happens.

[krourou2]

… y’know. I know it’s simply the nature of the Internet, but there’s something both oddly lovely and dreadful about how things can just… cease to be. Just stop being there. Vanish into dust, save perhaps hollowed ruins should anyone think to archive it, faint echoes of what once was.

Only ghosts remain.

[tragedykery]

I fucking love werewolves they’re sooo versatile. they can be serious or silly or even sexy. they can be a metaphor for literally anything. creature of all time methinks <3

[flovverworks]

was thinking about the wizards again. as one does. i know i talk a lot about them but 1) i like them 2) akira likes them 3) they become very entangled in akiras life in every verse where theyve met or knows them, and even in verses where they dont (or forgotten them) theyll always have a vague feeling of 'something happened' regarding certain topics (i.e. the moon)

&& while it doesnt explicitly come up 90% of the time, akira having lost twentyone dear friends so suddenly once they return to their world is something they have to deal with post-canon, & theyre very likely to think of those memories & friends like.....A Lot. they & their interactions with akira is just rlyyyyy important even when akira cant meet them anymore

[disappearinginq]

I hate liking a show enough to want to find media on it, but the "media" is so alienating and hostile that it also kinda makes me not want to watch the show.

[sparky-is-spiders]

Tell me ur jon/jonah thoughts

I'm afraid that, while I have many Jonjonah thoughts, they're mostly incoherent snippets of ideas floating around in The Brain Soup. There's a couple varieties, mostly of my brain going "But what if..." -insert idea here- and then refusing to elaborate further.

Personally I'm very fond of AUs where Jon is also a regency man with an interest in the supernatural and they have a corruption arc together. I think they should go around London investigating statements and rumors of supernatural happenings. I like the idea that they were the only people doing research for the institute while it was still getting off the ground, and a lot of their correspondence and journals and papers would've been preserved (although most would be inaccessible/unknown to institute employees). Not sure how Jon would be surviving through the centuries though. Equally enchanted by the idea of him bodyhopping the way Jonah did, just being immortal as the Archivist, and hiding under the tunnels as a weird fucked up monster (I very much love monster Jon).

I've also seen a few AUs where Jonah finds Jon hanging out under Alexandria or something and bringing him back to London to be his Archivist (and maybe also help end the world a little bit). Everyone else is baffled and horrified but Jonah is smitten.

I am also weak to time-travel and/or universe-hopping shenanigans, either post s4 where Jon has to reckon with the Jonah he knew vs the (past? present?) version of Jonah. I think the most fleshed out (read: could be described in more than two sentences) idea I have for this would rely on a rewrite of s5 (at least the ending). I saw a couple posts about TMA ending with Jon trying to go through with his plan only for Martin to decide to kill him (rather than Jon volunteering to die in the hopes they'll end up somewhere else). Between those posts, a handful of "post-s5 Jon ends up in Jonah's time" AUs I've seen kicking around (mostly @/Paptato's "A Game of Cat and Mouse" and @/sm0kebreaks' "My Dear Jonah"), and my desire to see Jon succeed with his plan and kill the fears, my brain came up with the idea "what if Jon tried to get Jonah to do an apocalypse so he can kill the fears for good?" (Note: I often struggle to grasp what would and wouldn't be in character for characters that aren't mine, and this AU in particular may come across as somewhat (or very) OOC for Jon). It's mostly predicated on the idea that, having been betrayed by his friends and his partner for their own selfish ends, Jon came to the conclusion that the fears had to be stopped, and he was quite possibly the only person who both could and would, and wiping out humanity through a fearpocalypse would be the best way to destroy them for good. Thus he enlists Jonah's help in his armageddon quest (conveniently leaving out the part where Jonah would not actually live forever). From here the details get sort of fuzzy (is Jonah the archivist now? is it the Sims Institute?). Mostly I like to imagine them alone in the panopticon, watching the fears wither and starve, waiting for the end. Of course, I'm really not sure Jon would ever do... any of that? Maybe if his corruption arc went further, but I'm not sure the Jon we're given would willingly pursue the end of the world, especially after already being used to end it once. Also not convinced that he'd be very good at the subtle manipulation that would be required. However, I am still somewhat enamored by the concept of Jonah meeting stranger who clearly isn't quite human (possibly helping him recover from hopping realities?), enamored and intrigued by this mysterious person who promises eternal safety for Jonah if only he would help them. I think Jon might come to genuinely love and see some of himself in Jonah, but not enough to change anything. Honestly obsessed with relationships where there's this deep, intimate understanding between two characters, who are mostly on their own/disconnected from the other people around them, but there's still this yawning distance between them that they can't ever quite cross, and I think this specific AU could play into that really well.

[warlordfelwinter]

i was thinking more about asmodeus' waterdhavian sona in the car and decided that patience is

a) a lawyer because that was the funniest imaginable thing i could think of, for asmodeus to secretly have a law firm in waterdeep (the dm came up with the slam dunk name 'patience is a virtue legal solutions' for his practice)

and b) significantly shorter than celeste

literally no one who even remotely knows celeste can figure out why they're dating and everyone agrees he's astronomically out of patience's league