#or the men in black will get me.

[bredforloyalty]

you ever go out in public and feel like an alien

[princessnatashathedomme]

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[actually-mentally-ill]

[bruthamance-reincarnated]

[comradekarin]

ok so this is the last thing imma say on the grammys thing… billie will be fucking fine. she’s fine. and so will those other white girls in the category. beyonce made history last night being the fourth black woman to win album of the year (26 years since lauryn hill won hers). this is the first time in Grammy history that all of the major categories were occupied by black artists. this is the first time a black artist has won best country at the awards (or the second, I believe). black excellence was finally being rewarded last night… and suddenly the grammys don’t matter, it was rigged, it was paid for, etc. beyonce had the second most acclaimed project, one of the best selling albums and quite literally put so many black artists on the map (I.e shaboozey’s fire record streak, linda martell getting her FIRST grammy, ether getting more people to listen to country, etc)… just for yall to spit in her fucking face? her FIRST aoty win too. asking how beyonce won best country if she didn’t win anything from the cmas- the SAME cmas where they had to remove beyonce’s performance with the Dixie chicks from their site bc of the racist vitriol they spat, as if they didn’t yell “get that black bitch off the stage”, as if the whole point of the album wasn’t a RESPONSE to the shit she went though there. how can you run right into the point and miss it still?

I don’t care if you wanted someone else to win, the mask off anti-black comments im hearing over this shit is actually blowing my mind. “dei awards”, “she’s not country”, “I didn’t listen but it wasn’t deserved”, “billie should actually have kendrick’s grammy”- there’s such a blatant disrespect of black artistry, culture and hard work to cop for white mediocre artists and yall can’t even hide it. I can’t even celebrate bey, kendrick and doechii’s wins without a bunch of whites crying in my inbox. if you don’t have nothing of substance to say, shut up!!!!!!

[welcometogrouchland]

my Stephanie Brown hot take is that she should get mad bitches now that she's single in comics. Yes yes shipping BUT the one time she had sex she was punished by the narrative via teen pregnancy. I think she should be allowed to have as much sex as she wants with zero consequences. Could be a lot of sex, could be a little. Point is she should get to do it without getting narratively baby trapped this time. she should get them pregnant, actually.

[scliffe]

Honestly when I say that I love romanticizing Sebastian and Ciel’s relationship to hell and back; I don’t necessarily mean that I think they should have a romantic relationship—something like [a pair of lovers destined to tragically love each other until death do them part]—it’s cute and sweet, but it doesn’t fully encapsulate what their relationship is like to me. While I appreciate their physical closeness, it’s of lesser importance to me whether they actually have a romantic relationship or sexual relations; what I desire is for Ciel and Sebastian to be part of each other forever—[beyond even death].

Their relationship cannot be fully conveyed through descriptions like romantic or platonic. They are bound together by something even more intimate than romance or sex—Ciel is promised to Sebastian with something indissoluble; beyond any romantic or sexual relationship, which can be broken, ended or divorced. The contract demands that Ciel will eventually grant Sebastian his soul to devour—thus becoming one existence together for eternity. Their oath to each other is not written in official papers; it’s engraved in their body and soul. It is irrevocable. Given the nature of their doomed end—where it is certain that only one of them will remain in the end—their covenant becomes such that there will be no escape for either of them. With the more time they spent together and the more memories they gently collected of the other party; they're both eroding and molding each other to fit the shape of each other's palms—leaving lasting, permanent damage on each other. Both of them will be changed—and have been changing—irreversibly since their very first meeting, to the point where their final parting will never be a true parting as they will leave their own selves within each other.

They must become more and more in tune as soulmates are with each other—until Ciel’s will becomes Sebastian’s will; until Sebastian’s hunger becomes Ciel’s hunger; and Sebastian’s hands wrapping around Ciel’s throat are also Ciel’s hands around Sebastian’s own throat—until they eventually become one.

[sukibenders]

The Arcane fandom, especially on TikTok is never beating the allegations because why, now, some fans act like it's too inconceivable to imagine that Ambessa was, not only, pregnant twice but gave birth twice as well? And their reasoning for this is "She looks like the type to get a man pregnant instead" or "She's too tough for that, I just can't see someone like her going through that." There are layers to these statements because, for one, just because someone, especially a woman, is a dominant force doesn't mean that they can't get/don't want to become pregnant (do you believe overtly dominant men can't be fathers?) It's also very weird because the undertones of misogyny and misogynoir and the overt masculinization of black women are there because, not only are they viewing pregnancy and giving birth, in general, to be viewed as something "weak" (even though it's grueling hours of labor that results in tearing the body apart, sometimes even death) but also attempts to strip Ambessa of her nuance. Yes, she is strong and very dominant, but she also deeply loved her children, who she birthed, and when one was taken away from her it changed her deeply. It's very gross to view a character like her in this way because it also reflects how you view dominant women in real life, pregnancy, and childbirth as a whole. Like how are you going to praise Arcane for having such a wide and diverse ensemble of female characters, but then have misogynistic takes like this? Make it make sense.

[princessefemmelesbian]

Maybe I’m just being dramatic but it does legitimately scare and sadden me to see that a lot of transandrophobia truthers are literally just…young boys. Like, actual children. Like you’re not even old enough to vote yet and you have your whole life ahead of you and yet you are being manipulated into joining an mra group that hates trans women with a passion and thinks that men are oppressed in society for being men, and constantly uses Black men as their talking point in order to sound diverse and inclusive, meanwhile they’re also appropriating and misusing terminology specifically created by Black women to talk about our own oppression in order to get their misandry point across…to say nothing of the fact that the largest people in this group(including but not limited to its creator!) have misogynistic rape/detrans kinks centered specifically around preying on lesbians and trans women and this is something that is normalized and defended by the vast majority of transandrophobia truthers, or at least defended viciously by every single transandrodork that I’ve ever encountered who argued with me(a lesbian!!!) that actually there’s nothing wrong with getting off to the corrective rape of women because two consenting adults can do whatever they want in the bedroom(yeah right)! Not to mention I have yet to come across a transandrophobia truther who wasn’t also a raging die-hard Zionist.

And that’s why it disturbs me so much to see young trans boys jumping onto this transmisogynistic hate train like you guys realize these men don’t have your best interests at heart, right? They’re only going to manipulate you into being a sexist entitled asshat who shuns and bullies the trans women in your community and sees them as oppressing you. Like I know you’re still in middle/high school but you can still think for yourselves, you can choose to be better than this, you can choose to actually learn about feminism and realize that it’s not actually misandry that oppresses you, it’s transphobia. Misandry doesn’t suddenly become real because you slap a trans paint over it that’s not how it works that’s not how intersectionality works that’s not how any of this shit works. There are better trans men to talk to about trans issues who know that the patriarchy is real and don’t shit on trans women in order to speak out about trans topics, so go seek them out, okay? You absolutely do not have to listen to shit that the “male supremacists but trans” group of lowlives has to say. Hell, tell them to fuck off instead! Please, I promise you that there are much better options, there are ALWAYS better options, and you still have time to escape before they fully radicalize you into basically being an incel. There will ALWAYS be another way. ❤️

[loosethreadsofyoursoul]

while i will always love and appreciate the bisexual dean winchester agenda, i truly believe that if he was raised differently—or maybe if he grew up today instead—that boy would have been gay. like his love for women in a romantic/sexual context was always such a caricature and was continuously used as a symbol of masculinity that played against the roles assigned to him by his father growing up for the sake of suppressing any queerness he might exhibit. now whether that suppression was purposely written into his character or was a reaction to the character they had created, i’m not sure, but it’s there regardless.

i don’t mean to dismiss the love he felt for cassie or lisa, but particularly with lisa, i’m not sure he was ever in love with her, despite the fact that he did care for both her and ben. i get so frustrated watching the end of s5 because him going to her house and his perfect “apple pie life” being with her in suburbia genuinely came out of nowhere and i’ve never understood a) why it had to happen, and b) why it had to be lisa. but thinking about it in this sense, she was the closest thing he had in his life to everything he was raised to believe he should want by one john winchester, who lost his perfect wife, perfect family, perfect apple pie life and sent all of them down this path in the first place. so of course to dean, his happy ending would be with someone like lisa. but that’s the important part. someone like lisa, not lisa herself. he may have had love for her and he may have been able to picture a life with her, but it wasn’t necessarily because she was everything he wanted; she was a symbol of the things that tore his family apart and so to be with her felt like he was finally able to put some of it back together. and that makes me so sad for him because all of that is a result of the sense of responsibility ingrained in him growing up by john, not something he wanted for himself.

but back to his general attitude towards women, there was an excellent post that said he only acts like the typical womanizer he has a reputation for being around women deemed “stereotypical” by the misogynistic perspective. otherwise, he tends to take on a fairly brotherly role; he doesn’t tend to pursue any women he can “take seriously,” and is more intimidated or impressed by them than anything else. with the exception of cassie (which was pre-series and we never got full context for in the first place), he only ever pursued women with whom he would have a definitive ending—by that i mean women who he knows he’ll never see again or who would have a clearly defined role during the time they’re together that wouldn’t threaten the status quo. and yes these could also be the traits of a commitment-phobe or someone chronically on the move, but for one, sam doesn’t tend to do the same thing (see ruby, amelia, and eileen), and for two, given the things i mentioned already, it makes me consider it more of a result of him not actually being interested in women romantically.

his reaction to women when not purposely used as the butt of a joke or to perpetuate the “womanizer dean winchester” agenda is often so innately fraternal, caring in a way that doesn’t have any expectations behind it. and when there is a romantic context, so much of the relationship can be attributed to the way john raised him and the beliefs he has as a direct result; it’s never simply been built on the foundation of love.

every time he is dismissed as this macho het guy, it also dismisses so much of what makes him a wonderful character, and yes a lot of that is his queerness. so in a world where he didn’t grow up with roles and responsibilities that shaped him into someone he knew his dad hated and forced him to create this character for himself in order to survive? i think he would have been gay and he would have been okay with that.

[princessnatashathedomme]

[wavesoutbeingtossed]

anyone else obsessed with the recurring theme in TTPD about how in each instance with the three notable muses referenced, they each made a show in their own way of stepping up to Be Someone for her, only to completely cut and run (whether physically or emotionally or both).

The first love who laid on the charm offensive, "I'm not an organ donor but I'd give you my heart if you needed it," sweeping her up in this great big first serious adult love, inspiring all of the dreams that go with it, making her feel like This Is It and the actions undertaken as a result. But then bailing at the first sign of inconvenience, leaving her distrusting of her own feelings and instincts.

The longtime partner with whom she built a foundation against all odds, the one with whom (or perhaps rather for whom) she meticulously placed those stars on the ceiling. The one who at one point painted dreamscapes on the wall and sparked her darkest nights, the one who chose her mess and said there was nothing that could stop them, the one she believed in so completely she crafted a whole life around, but then accused her of abandoning the ship when he had long since metaphorically and physically left the house on the Heath.

And then of course the final boss level, the infatuation from hell who saw all this and said "I can be the one that none of the others were" and insinuated himself into her life and her consciousness until it felt real, only to vanish after the ploy did its damage.

(Of course, it's all contrasted by a fourth party with whom the trust and dreams come freely and solidly.)

It's just a fascinating study in how patterns keep repeating themselves, not only in a person's choice of partners but in people's behaviours in general. And how so much of the album is not just about specific situations but also globally about the pitfalls of relationships and dynamics and how we choose to believe. TTPD album that you are.

[chasedeys]

joe ja’marr and tee’s entire thing with tee’s contract and agent change and possibly sounding off each other’s contracts and using each other as leverage for their extension is like when all three of them went bald in succession but on high end expensive drugs. do you get me.

[bumblingbabooshka]

When the only person who might understand what happened- understand. Not sympathize or empathize or comfort you but understand what happened, isn't there anymore. Or: 'A Man Made Me Do Something I Didn't Want To', for when you can't talk about it or look it in the eye [Patreon | Commissions]

[blackkatdraws]

Expression study with girlboss narrator Black