#or tell me how stupid this is

[jeanmoreaue]

hello jess. what is the jean hunt.

- @you-know-i-get-itt

LMAO oh boy first of all thank you for reading my tags. the jean hunt is a joke (but not) that started when i was talking with @allforthegayphase about the extra content and i was like where’s that ask that Nora answered about the ravens celebrating Halloween by hunting Jean in the woods with dogs and she was like ?? excuse me? and then i made a fool of myself and made a post to ask if anyone else had this (correct) hallucination that Nora said this and i think the consensus is that im confusing it with smth i saw in a fic that @problemduetest4life thankfully found god bless

for the record, i don’t even think this should be part of Jean’s official lore bc what the fuck lmao. that being said, no one can convince me Nora did not say this on tumblr in like 2017 so if you remember seeing an ask about how the ravens celebrated holidays PLEASE let me know asap im gathering evidence

[inkskinned]

hey btw if you're in the USA at  2:20 p.m. ET on Wednesday, Oct. 4, they're testing the emergency broadcast system. your phone is probably going to make a really loud noise, even if it's on silent. there's a backup date on the 11th if they need to postpone it.

if you're not in a safe situation and have an extra phone, you should turn that phone completely off beforehand.

additionally, if you're like me, and are easily startled; i recommend treating it like a party. have a countdown or something. be surrounded by your loved ones. take the actions you personally need to take to make yourself safe.

i have already seen mockery towards any person who feels nervous about this. for the record, it completely, completely valid to have "emergency broadcast sounds" be an anxiety trigger. do not let other people make fun of you for that. emergency sounds are legitimately engineered to make us take action; those of us with high levels of anxiety and/or neurodivergence are already pre-disposed to have a Bad Time. sometimes it is best to acknowledge that the situation will be triggering for some, and to prepare for that; rather than just saying "well that's stupid, it's just a test."

"loud scary sound time" isn't like, my favorite thing, but we can at least try to prevent some additional anxiety by preparing for it. maybe get yourself a cake? noise cancelling headphones? the new hozier album? whatever helps. love u, hope you're okay. we are gonna ride it out together.

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[egophiliac]

CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

[tapakah0]

Eh, almost forgot ;~;; Commission for sweet @celestialrose3 ;;~;;; Thank you so much *bows*

[fake-married-my-dead-fiance]

Marry My Husband Text posts, 1/?

[himehomu]

“Homura can't stand the idea of moving on. So she's isolating madoka from everyone who's ever cared about her.” Are you fucking stupid? She literally rewrote the entire universe so that Madoka could be happy with her parents and her little brother, so that Sayaka could have another chance with Hitomi and Kyoske, so that Kyoko can have a life with Sayaka, she literally revived Mami and Nagisa and gave them a life together. What the fuck do you mean she's “isolating Madoka from everyone who's ever cared about her??”

The only person she's isolating Madoka from is herself because she knows Madoka will regain her godhood sooner ot later and she knows that her desire for Madoka and her friends to be happy will directly rebel against Madokami's rules that require Madoka to die to maintain order to the broken world that traps Magical Girls in their cycle of hope and despair, even if maintaining order means making hard choices and sacrifices, which in this case, is Madoka sacrificing herself again and again not only because she cares so much for others but because she cares so little for herself whilst Homura is the only one who can see that she's so much more than her sacrifice and that she shouldn't reduce herself to a means to an end.

She took Madoka's immortality for herself to spare her of anymore loneliness in Heaven as a trapped Goddess. She literally gave Madoka and the rest of her friends a second chance at life and you people have the audacity to just blatantly fucking lie on her to justify hating her for how she reacts to the psychological torture of having to watch the love of her life and her friends die for 12 years worth of time loops then to live in a world where no one remembers the girl she loves but her. Let something like that happen to you at the age of 14 and then come and talk to me about Homura. Idgaf that she's a fictional character. If y'all continue to treat her like a heartless monster that deserves to be “held accountable for her actions,” then I'll defend her like the traumatized 14 year old child that she actually is. Fuck off and stay away from Madoka Magica. It clearly isn't for you.

[thetriangletattoo]

grocery shopping

[theswedishpajas]

Based on my favorite gif lately

[arthursfuckinghat]

"I was gonna say you're like a son to me.. but you're more than that."

"It ain't that complicated!"

How quickly that shoulder pat of comfort turned into a condescending one.

[its-ahissionado]

I... I can't explain it... It just works

[dizzybizz]

sleepy gill and gill with the bubbled evil cat

[ganondoodle]

correct me if im wrong but im PRETTY sure that for something to be a proper sequel it needs more than literally just reusing the same world and character models and slightly altering their design or adding an ability (that they got somwhere in between which isnt shown nor elaborated on either while previous abilities or interests/knowledge vanish)

made the mistake of saying that really totk isnt a sequel bc it doesnt build on, nor expand nor elaborate nor continue anything from botw, its the same preset of basic things like ... world and character models and tells an entirely different story utterly disconnected from anything botw, which it not only acts like it never happened (aside from like one dialog which is not enough for me when everyone else has literally forgotten everything and tbh feels more like a reference thats actually a slap and laugh in your face) but often times actively contradicts it, like a different version of the same thing

which is called an alternative universe

half of the reasons why i despise totk is bc i wanted, expected and was TOLD its a sequel when it isnt, can you really blame me for being disappointed and frustrated when i was told its a sequel, which should build on established stuff, to a game and its lore i deeply cared about and then get an alternative universe game that has nothing to do with the one i cared about except wear its face and STILL get told its a sequel even just by simply reusing models

[patolemus]

Uuuuuh here's my take on a Teen Wolf movie fix-it, because god do we deserve it.

---------------

“Stiles, think of her father! He finally has her back!”

“Think of his son! Scott, he’s a child,” Stiles’ voice breaks as he thinks of Eli, young and alone after losing his only parent. He thinks of himself, and who he might have been had he lost his dad at Eli’s age.

Mostly, he thinks of Derek. Selfless, martyr, stupid Derek who still thought he was disposable after all these years, after raising a son and settling down and getting the quiet life he always wanted. Stiles thinks of Derek, and he feels himself falling apart at the seams because why is it that life still likes to punish kind, battered souls like Derek Hale’s? Why couldn’t it decide that he’d had enough, why did it have to kill him before letting him rest?

Stiles can’t accept it. He won’t accept it. He’s going to bring Derek back from whatever kind of shit afterlife he’s in, and he’s going to force him to live out his quiet life with his son if it’s the last goddamn thing Stiles ever does. That is the only ending he’ll accept for this beautiful, broken man.

Fuck everyone who wants to stop him.

“Stiles, he’s gone. You can’t— he’s gone,” Scott says, voice softening, obviously trying to be placating. Stiles doesn’t care for it.

“You can keep your head in fucking Allison land all you want, Scott. Get your child bride, fuck off back to wherever it is you left Beacon Hills for. But don’t you dare tell me what I can and cannot do. If you want to keep her, you’ll do it far, far away from here,” and Stiles thinks maybe this is the moment Scott finally gets it. That he is not the same boy who left after high school graduation. Whatever soft spot Stiles had for Scott is gone, went away with time and therapy and the realization that Scott would never care for him the way Stiles did for him, that he was kept close for his usefulness until it ran out and he became disposable.

So yeah, Scott can keep Allison. Stiles will be happy for him, even. But if he dares interfere with his own plans, Stiles will put them both in the ground himself.

It’s not like it’d be the first time he’s done so.

[pup-pee]

he is the dirt under my fingernails

[beeduoo]

wonderful