#or maybe even a character you want to try your hand at

[froggiewrites]

hi I had another idea for a request! dealer’s choice on the character(s) (but if you’re stuck for an idea maybe law?), but maybe the reader gets hurt in a fight and their (slightly in denial about being in love) future love interest nurses them back to health? can be fluff or smut or whatever you want I’m not picky I just love seeing your words

thank you I still love your work please keep it up

This request is from @toadmakes, on anon since it's her sideblog! I thought this idea was so sweet, so I just made a really fluffy, self indulgent little piece. Also, I let Law be cool last time I wrote about him so of course I had to make him a flustered little nerd in this one. I hope you enjoy it!!

A Helping Hand

Pairing: Law x Reader

SFW

Summary: You get hurt protecting Law, and he's not pleased. Warnings: Fluff, Lots of Banter, Very Little Hurt/Lots of Comfort Word Count: 1.3k

You don’t remember throwing yourself in front of Law, or being carried back to the Tang. You don’t remember the screams of your friends, or the shaking hands that so carefully bandaged you back up. But that’s alright, because they were all too eager to tell you how stupid you had been once you came to.

“–disgustingly irresponsible! Not to mention unnecessary! What good reason could there possibly have been to do that?” Law is the most furious you’ve ever heard him, and you fear it may be because he’s the most scared you’ve ever heard him. You don’t know how close of a call it was, but you know you hurt all over, and his eyes are shining with something someone who didn’t know better might confuse with tears.

“I didn’t want you to get hurt.” You try not to say it like an excuse or a plea. It’s simply fact.

His eyes shoot away from yours. You swear you see a hint of red on his cheeks, but just as quickly as you notice it, it’s gone. He clicks his tongue with displeasure before continuing. “I wasn’t going to get hurt. I could have very easily moved out of the way. You–” he sighs. “Don’t do anything like that again.”

“Well I don’t think I’ll be doing it anytime soon.” You try to give him a wry grin, but it turns more into a grimace as you shift, pain shooting through you. You’re covered head to toe in bandages, every part of you sore and bruised. You’re surprised you’re upright and conscious right now, honestly. “Can I get some painkillers?”

“You’re on enough to take down a horse.”

“But it still hurts.” You pout, and he grits his teeth and looks away from you again.

“Yeah. Almost dying tends to do that.” Even with the gruffness in his voice and face, his hands are gentle as they begin to fuss with your bandages, checking over every inch of you to ensure you’ve been properly taken care of. You could swear he hesitates slightly at checking the bandages around your thighs and chest, but he perserveres, ever the professional. You wince a few times when his hands brush a particularly tender spot, yelping when he makes slight contact with your ribs. He fiddles with the IV in your arm, and you feel a flood of relaxation and relief hit you. Looks like he found a reason to give you more painkillers after all. “You’re going to be out of commission for a long while, y’know.”

“How long?”

“At least six weeks, but probably longer.”

“What?”

“That’s nothing compared to what it could be. You have a couple broken ribs, not to mention all of the cuts and bruises. You’re lucky your organs weren’t crushed.”

“Can’t you like…shambles it away?”

“No.” His voice is flat. You look at him with wide, pleading eyes, and he scoffs at you. “Well, more like I won’t.”

“Why not?”

“If I just fix it you’ll run off and do it again, and next time you might not be so lucky.”

“Oh…so you’re just worried about me?” You giggle, filled with warmth at the idea. And maybe the pain meds. “You could just say so.”

“That’s not–” he lets out a soft choked sound when he realizes there’s no way to deny it without insisting he doesn’t care about you. As grumpy as he can be sometimes, he would never say something so unkind. Not to you. “Shut up.”

“Hey Captain?” You feel your tongue loosening with things you would never say, but you’re too out of it to stop yourself.

“Yes?”

“Do you like me?”

There’s definitely a flush to his cheeks now. “What?”

“I think you like me. A lot.”

“I–No!”

“You don’t like me?” Your voice cracks a little, tears coming far too quickly. Whatever he gave you is powerful stuff.

“That’s not–I–agh!” He roughly runs his fingers through his hair, desperately avoiding eye contact with you. “I like you. As a crewmate.”

You puff your cheeks out a bit with displeasure. “That’s all?”

“That’s all.” 

“I’ll believe you if you look at me.”

“I am looking at you.”

“You’re looking at the headboard over my shoulder, Captain.”

His eyes flick to yours, and he turns an even more brilliant shade of scarlet. “I li–” His shoulders tense and he suddenly shoots up and turns away from you. “I can’t believe I’m arguing with you about this. You’re high off your ass. I bet you won’t even remember this when you wake up tomorrow.” You can see the tips of his ears burning as he gathers his things and prepares to leave.

“You’re gonna abandon me?”

“I have work to do!”

“I’m a patient, I am work!”

His voice is rising with frustration. “You’re already set up, what else is there to do?”

“I don’t know, Captain, I’m not the doctor here!” You try to raise your arm to reach out to him, only to let out a soft whine when you can barely move it.

“Please stop trying to use your broken bones.” He comes closer to gently hold your arm down, concern clear.

“It doesn’t feel broken.”

“It will soon.”

“You’re gonna let me hurt? On purpose? You’re so mean to me, Captain.”

He sighs. His thumb starts rubbing small circles onto your hand, though he doesn’t seem conscious of the action. “If I fix you up, do you promise not to do anything like that again?”

“No.”

The affectionate movements stop. “What?”

“I can’t promise that. I don’t want you to get hurt.”

“I’m strong, I can take a little pain.”

“But I don’t want you to.” You know you sound petulant and childish, but you can’t stop yourself. “I don’t want you to hurt at all, I don’t care if you can handle it. You shouldn’t have to.”

“So you should?”

“Yes.”

“That’s stupid.”

You huff. “You’re stupid.”

He can’t help but break into a rare laugh, a chuckle that rumbles through him and makes your heart skip a beat. He doesn’t seem to realize he’s lost himself until he looks up to see you staring at him, eyes wide and cheeks red, mouth slightly agape. “What?”

“I really like you, Captain.”

He grows horribly flustered, but for once he doesn’t pull away from you. He keeps looking you in the eye, even as every part of him screams to run and avoid his embarrassment. “You do?” His tone is heart-wrenchingly hopeful.

“I do. So, so much. You’re the most beautiful and wonderful person in the world.” You can feel your smile grow dopey and lovesick. “I’d take a million hits for you. A billion, even.”

“What if it’d make me happier if you didn’t take any hits at all?”

“Then I would say you shouldn’t have let me join your crew. Getting hit is part of the job. But that’s okay. You’re worth it.” You lean forward, begging him for a single touch, since you currently can’t lift your arms. You can feel your eyes drooping, but you fight to keep them open long enough to receive what you want.

He sighs, but you can see the affectionate smile creeping onto his face. “You’re insufferable,” he mutters, resting a hand against your cheek so tenderly you could weep. “Get some rest. I’ll fix you up in the morning.”

You hum as he uses his palm to gently push you back down, his other hand on your shoulders to recline you slightly. You’re fading fast, finally losing your fight with sleep, but before you go, you swear you feel the ghost of his lips against your forehead.

Tag List: @pandora-writes-one-piece

[quitesins]

Deku’s Type!

Masterlist

Tags: 18+, Sfw-ish, short drabble, fem!reader, aged up! characters, teacher! Deku, kinda vulgar and fucky, im gonna tag misogyny, reader is implied to be “fucked in the head” whatever you want that to mean ^0^!

The boys gather round for drinks and discuss the type of women Deku seems to be fond of, much to his dismay…

“Sounds like Deku’s type,” Katsuki says, smirk in his voice.

Izuku frowns. “I do not have a type.”

Now that makes the table still for a second, not long enough for Izuku to predict the thoughts of his friends, but enough for the rest of the guys to come to the same conclusion.

Katsuki, Denki and Sero are the first to burst out in laughter. Katsuki’s cackle the loudest of them all.

“Are you fuckin’ serious?” Katsuki laughs so hard he doesn’t even care that Denki is half laid over him, “You don’t see that shit?”

“Come on…” Denki says, still slapping Katsuki’s thigh as he laughs. “you have such a type!”

Izuku frowns, sterner, deciding to ignore the immature three and turning to his other friends for support. Both Iida and Shouto look away, their expressions telling.

“I do not have a type,” Izuku reiterates, firmly.

Katsuki shakes his head, finally shoving Denki off him. “All those girls you’ve dated? Exact fuckin’ same.”

Even Tokoyami turns his head, eyes never leaving his drink but a twinkle of unfamiliar mirth evident within them.

“What does that even mean?!” Izuku exasperates, looking around for a single ally.

“It means,” Mineta chimes in, and although Izuku enjoys his company, he already knows he’s about to hear something deplorable, “you like them sick in the head!”

Shouto can’t hold in his sputter, finally contributing to the conversation— with a laugh. The rest of the table is hooting, a few groans at the wording but nothing at the sentiment. All while Izuku looks absolutely scandalised, clutching his chest, eyes wide open.

“That’s horrible!” Izuku cries, so stunned he can’t even trail off into one of his signature rambles in defence, “that’s- that’s. What?!”

“All the girls you’ve liked man…” Sero starts. “They’re not exactly little miss sunshines are they.” He stops, which Izuku almost takes reprieve in until he continues, “you seem to like them a little off putting.”

“Yeah so he can fucking fix them.” Katsuki snorts.

“It’s your saviour complex.” Denki adds, chin tilted up, trying to look profound.

Izuku is quick to interject, waving his hands around. “You’re the pro heroes.” The poor boy tries his best to convince. “We all have saviour complexes!”

“Not like you do, mon chéri,” Aoyama tuts, then winks before saying, “Hero of Japan.”

“Izuku, They do still call you an honorary pro.” Shouto is trying to be nice, Izuku thinks. “And I’m sure your students think the same.”

Izuku grimaces, he knows he’s always had a complex that encompassed so much more than just his dreams to be a hero, but he doesn’t need it sullied by… that.

“Don’t ruminate.” Katsuki presses a drink into Izuku’s hands. “You like women a little fucked up, so what.”

Katsuki’s words do nothing to comfort Izuku, instead it has Denki and Mineta laughing all over again while Kirishima attempts to calm them down. Iida scolds Katsuki a little, doing a half bow in apology to the passing waiter clearly peeved by all the noise. Deku pays no attention, beginning to spiral in his head.

It feels wrong to view you that way. To view the women he’s loved that way. But he’s not an idiot, maybe a little blind at times but now that the proof is there— oh god—

“Listen, Midoriya, I am sure there are many reasons you have loved the women you have.” Iida notices the growing dread upon Izuku’s face. “You also like to save people. There is nothing wrong with that.”

Tokoyami and Shouji nod in agreement, Ojiro giving his own sympathetic smile.

“Yeah bro.” Kirishima raises a fist in camaraderie, though it’s definitely out of pity. “It’s manly to want to care for others.”

“Think he more than cares for ‘em,” Katsuki slickly adds, in an artful voice that Izuku is more that familiar with, “the fucker get off on that shit.”

This time, it’s Shouto who scolds him, Katsuki’s implications clear enough for even him to catch on. They rest of the guys begin to bicker in the background, one half in defence of Izuku’s less than innocent tastes in women, the other intent on making fun of the golden boy for once.

Though the attention is finally off him, it does not help Izuku feel any better.

Because there’s a thought that lingers… it’s a sick thought, a terrible, horrible, awfully honest thought.

Shit, he does like them a bit fucked up.

My truth is i still don’t know how to punctuate dialogue… pleek don’t look and none of dat…

Anyways I kind of wanna elaborate on Deku’s hero complex coming out in other ways in the 8 years of studying and becoming a teacher, like someone has to deal with it…

[jobean12-blog]

Falling All Over Again

Pairing: Joel Miller x female reader

Word Count: 760

Summary: It might be the end of the world but pumpkin flavored everything lives on and you want some!

Author's Note: Just something cozy and cute for the changing season. This is what I hope Joel's post apocolyptic days could be filled with. Thank you all so much for reading! Much love always! ❤️❤️❤️Divider by the lovely @firefly-graphics thank you Daisy! 🥰

Warnings: soft fluffy fun

PS I'm shit at moodboards but I tried haha

Pedro Pascal Character Masterlist

“I want pumpkin everything,” you whine as you roll over and drape yourself on top of Joel.

He mumbles something sleepily and tugs you closer.

“Joel,” you say and poke his side.

He makes a sound similar to a disturbed bear.

Another poke.

“JOEL!”

One of his eyes pops open and he lets out a playful but warning growl.

“Darlin.”

“Yes?” you say sweetly with a bat of your lashes.

You dance your fingers over his chest, and he grabs your wrist, pulling your fingers to his lips and kissing the tip of each one.

“What are you goin’ on about? Pumpkins?”

“YES!”

He’s silent for a moment, clearly thinking, so you start to comb your fingers through his soft curls. His eyes begin to close, dark lashes fluttering against his scruffy cheeks, and you give his hair a sharp tug.

“OW!”

You giggle. “Soooo pumpkins?”

“You know…” he starts and tightens his hold on you, “if you weren’t so beautiful…”

He starts to trail off and your eyes narrow before you add, “AND…? That’s it? Just beautiful?”

He chuckles before kissing you.

“And smart and kind and sweet…and kissable.”

The words are whispered against your lips.

“Joel…you’re forgetting about my pumpkins.”

His lips trail across your jaw, stopping under your ear before he whispers, “no I’m not. We’re goin’ to take Callus and go for a ride. There must be a farm somewhere nearby. Maybe we can find some pumpkins growin’.”

The warmth of Joel’s body and the gentle clop of Callus’ hooves slowly lull you into a state of drowsiness.

“You fallin’ asleep on me back there gorgeous?”

“Hm?” you ask with a yawn, snuggling your cheek into his back.

“You’re supposed to be scoutin’ for pumpkins!”

Your hands slip under his flannel, and you rub along his stomach, then slide them to his thighs and do the same.

“I’m so comfy though,” you sigh, “you’re so comfy. And so warm.”

“Well, alright then. You enjoy the ride darlin,’ and I’ll keep lookin’.”

“Kay,” you mumble, sneaking your fingers under his tee shirt so you can feel his skin.

“Hey gorgeous,” he says with a soft tap on your arm that’s around his waist.

When he hears nothing he starts to laugh but it jostles you awake.

“Did you find a farm?” you ask as you stretch behind him.

He loosens your grip and gently slides from the horse, keeping you steady until he’s on his feet and can reach up to help you off.

You slide down and into his arms.

“Take a look darlin’.”

You peek around his shoulder and see the wild growth of large green leaves and vines strewn along dilapidated rows of soil.

“Joel…” you whisper shout in excitement. “You found some!”

“Let’s just hope they aren’t all rotten.”

The ride back to town is cooler under the setting sun and you shimmy your body as close to Joel as possible. He rests his arm over yours and takes your hand in his, lifting it to his lips to kiss your knuckles.

The bag of pumpkins you picked sits nestled between his legs and the smell of fresh earth hangs in the air.

“So, what are you gonna make me darlin’?”

You squeeze his sides as you think then start to rattle off a list.

“Muffins for sure. A pumpkin pie. Maybe even pumpkin bread, depending on what I can find to add to it. I can try cookies.”

He pats his stomach with a satisfied hum. “Can’t wait.”

“Will you help me bake?” you ask.

“Sure, gorgeous but only if I can lick the spoons.”

You giggle and slide your hands from his chest to his back, gently scratching as you go.

“You’re allowed since you got me my pumpkins.”

The next evening, on the porch of your small house, you sit nestled under a blanket on the swinging bench Joel built you with your feet tucked into his lap while he strums his guitar, and you sip some tea and munch on a pumpkin muffin.

He stops playing and catches your eye.

“Gimme some sugar darlin’.”

You sit up and hold the muffin out, but he dodges it and takes your chin between his fingers, gently pulling your lips to his for a soft taste.

After the kiss he takes a big bite, laughing when you finish the rest off by popping it in your mouth.

“These really came good,” you mumble through the mouth full.

“They did darlin.’ But nothin’s as sweet as you,” he murmurs, before kissing you again.

[ryescapades]

can i request narumi x gojo like reader (like extremely overpowered and yk gojo stuff 😝) because ur dazai fics are just mwah! could they be and captain and they're vc is like suguru :>

thank you !!!!

limitless | kaiju no. 8

characters: narumi gen x gn gojo!reader

contents: sniper!reader, attempt at humor, fluff, some OCs, a lot of made up plots bcs this fic wouldn't exist otherwise (feels like i was world building ngl), reader's division number is not mentioned, narumi appears like in the second half of this, hint of rivals(?) + idiots to lovers

a/n: i hope i did your req justice, tqsm nonnie! lmk if you're satisfied with this or not (bcs im kinda not) almost made reader and their vc become a doomed yaoi couple just like satosugu 2k wc

"ehhh, another mission?"

your vice-captain, akira rolls her eyes at your grumble. "yes, another mission, captain. the higher-ups have requested for us to be there as soon as we possibly can, for the location is said to be in an uptown city of tokyo, a few hours from our base, so we ought to dispatch early," she explains.

"blegh, i bet the old man shinomiya is laughing at me right about now. we literally just returned from a mission like two days ago, akira! he sure loves working us to the bone!" you complain as your hand continues to work, cleaning the glass lens of your sniper rifle's scope.

akira throws a flat look. "maybe because we're the only unit in the defense force that specializes in kaiju intelligence? dummy," she says pointedly, causing you to wave her off. "nah, semantics."

she sighs, shaking her head. "in any case, we need to get ready now. we have to be on the move in about half an hour," your vice-captain's words go into one ear and out the other as your mind drifts away, thinking of how you can possibly sneak away to buy some nice treats while in tokyo.

hm, preferably those ringo apple-custard pies... your mouth waters at the thought.

less than five hours later, you find yourself strutting in the hallways of the ariake base, with akira following close behind.

"how many times do i have to remind you to tell me first if you wanted to make a detour mid-way," akira pinches the bridge of her nose, and you pout slightly. "i didn't even take that long, mind you!" you argue, though the way you dust off the sweet pastry crumbs off your lips doesn't really give the impression that you sound apologetic at all about it.

"captain, you keep forgetting that we have a meeting to get to. you should try to be more considerate towards others' time, you know?" she chastises, making you shrug dismissively. "you're too uptight about everything, akira. loosen up,"

already used to your petty remarks, akira crosses her arms and narrows her eyes at you. "what was that? you wanna take this outside, y/n?" the way she drags the syllables of your name daringly has you smirking, eyes glinting dangerously as you flex your hands. "oh yeah? and what if i say yes?"

what both of you don't realize is that you've walked far enough to reach general shinomiya's office, the sound of the double doors opening snapping off the tense rope that connects your challenging gazes together.

the two of you straighten up awkwardly, whistling a mindless tune and fixing your uniform respectively to pretend like you weren't about to start a scuffle just a second ago.

hasegawa, the one who had opened the doors raises an eyebrow curiously when he sees you and your vice-captain. "seems like they're already here, general shinomiya." he announces over his shoulder before giving a respective nod and taking his leave.

as you enter the office, general shinomiya gives you a long, pointed look. "you're late." your nose scrunches at the comment, "only by fifteen minutes. chill out, old man."

"what they mean to say is—" akira immediately speaks up, frustrated at your lack of manners, but shinomiya isao raises a hand with a shake of his head to interject. "never mind that. we have more pressing matters at hand,"

as he drones on and on about the details of the mission, you're barely listening to any of them when one particular statement catches your attention.

"do your surveillance for at least two days before you clean up and come back to report. i'll send in narumi as well for some extra hands."

like a puppy hearing the sound of kibble food being poured in its bowl, your head perks up in interest.

seems like this mission won't end up being a bore, after all.

˚ ༘♡ ⋆｡˚ˏˋ°•*⁀➷

"akira... i'm bored,"

you can almost hear your second-in-command's teeth gritting against each other. "that's the sixth time you've said that, captain." she says, her voice crackling through your earpiece. "wait, really? maybe i should say it another time—"

"please, don't." she interrupts with a huff. "you don't know how many nights i've spent wondering how your impatient ass got this job,"

you're about to counter when a new voice chimes in through the comms, "they're good at this job, that's why." a smile grows on your face at the statement. "ren, of course! this is why you're everyone's favorite," you cheekily say.

your operations leader snickers at the quiet but still audible vomiting noises akira is making. "i'm flattered, captain. but i do agree with vice-captain akira. given how our division is all about stealth and patience, it is quite the surprise someone like you sits at the top," ren muses.

you click your tongue, the small 'tch' sound only providing more amusement for your two subordinates. "you deserve a headlock for that, ren."

be that as it may, you are indeed good at your job. appointed as the captain of a special intelligence unit for the defense force, your division is tasked to undertake any job that requires kaiju surveillance, where you discreetly observe and study the behaviors of these monsters, especially the new species before subjugating them once your task is completed.

where do you think all those official kaiju encyclopedia books and websites get their information from?

your missions are all basically just field trips, to be frank. you command officers who are specifically trained in stealth and espionage, with your sharp sniping skills second to none in the defense force.

your beloved vice-captain, the talented officer that she is, unluckily holds the job of patrolling the perimeter and taking care of any kaiju that happens to stumble upon where your sniping port is set up. can't have the sniper getting jumped now, can we?

pulling your eyes away from the scope, you mindlessly tap away on the side of your sniper gun. "anyways, how's captain narumi doing?" you ask.

the division has very few recruits every year, due to the fact that not everyone can master the perfect form of stealth and spying when it comes to such untamed creatures. with the unit being the only unique one, your officers are often dispatched at various locations at the same time.

thus, the subjugation after the observation is usually carried out with the help of other divisions. and that's where narumi comes in.

or rather, he actually does come in. like, legit.

"worried about me?" the man himself steps into the empty room of the desolated building you're currently positioned at, his bayonet held close to his side. your brows quirk in amusement at the question, "yes, actually. i was worried your... extravagant method of killing kaiju is going to get us spotted sometime soon,"

narumi feels his blood thrums in his ears. he doesn't know what it is about you, but every time the two of you interact, he just gets frustrated and bothered. how are you so... infuriating?

"excuse me? i know perfectly well how you handle your operations, thank you very much!" he exclaims.

"oh? is that so, akira?" you inquire into your earpiece, wanting to poke fun at the first division captain further. he tenses slightly as he's reminded of his recent kills.

a big tease just as you are, akira hums, "well, i certainly heard him gloating with the other officers after his first kill earlier. he was probably doing his usual egosurfing after that... and the second kill was obscenely loud too. and then there's the—"

"okay, i think they get it now, vice-captain." narumi cuts her off in a snap, crimson hues dusting his cheeks. you smirk, about to make another retort when ren's voice intervenes you.

"emergency, captain! there's a kaiju about less than two kilometers away from the town!" your pupils flare in alarm just as akira voices out her surprise, "wait, what? there shouldn't be any of them so close to the human settlement. is it a stray?"

without focusing on ren and akira's discussion, you sling your sniper over your shoulder and head out of the building, "i'm going after it," you announce.

as you walk past narumi, he grabs your arm to stop you. electric sparks jolt underneath the material of your suits and into your skin, though neither of you seems bothered enough to acknowledge it. "there could be more than just that one. i'm coming with you," he insists, unaware that he's leaning into your space to get his point across.

what is it with him and needing to be closer to you? narumi can never figure out the answer to that even if he was aware of it in the first place.

you didn't expect him to suddenly be all up in your face like that, so your hand automatically shoots out towards him, a palm splaying over his chest to hold him back. realizing how weirdly intimate the touch is, you move to pull away but your hand unconsciously lingers, dragging itself down the metal chestplate of his suit before finally retreating in a matter of seconds.

the loss of contact nearly burns you from the inside out, and you hate admitting that it's not in a bad way. not at all, not ever. something about narumi gen just flares you up deliciously, and you're more than happy and willing to crash into this man's blazing inferno.

perhaps you're just as hopeless as he is in that regard.

with a shrug, you throw a sanguine grin at him over your shoulder, "even if you weren't here, narumi, i can handle them just fine. this is my forte, and i'm the strongest one here." shivers run down the back of his spine, the knowing glimmer in your eyes almost making him visibly and audibly swallow.

he doesn't doubt that sentiment. not at all.

narumi knows how strong and skilled you are. if ashiro mina is known with her extremely explosive power, you're known with your hawk's eye trait. you're good at predicting just exactly where the kaiju's core is supposed to be, courtesy of the years of meticulously studying the monsters.

'how am i different to ashiro? hm, let's see... to put it simply, ashiro is the type to spam her high-damaged gun. like a reaaally offensive dps, you see. while i prefer to go with that one shot one kill style,' you'd often say. as a chronic gamer himself, he understood that crystal clear.

as the two of you exit the building and make a beeline towards the direction of the town, a few kaiju that you had surveyed just a few minutes ago turn their heads in attention when they hear your rapid footsteps.

your annoyance rises when they start advancing towards you, all feral eyed and inhumane. "sorry but i really don't have time to waste on small fries like you," you mutter as you take out your handgun.

the next thing narumi knows, their cores are precisely struck with your bullets, including the kaiju whose humongous tail almost swiped at you two from your common blind spot, one which he could've taken out. with his RT-0001 retina, he was less than one second away from handling it!

"oh, would you look at that! i saved your ass, narumi! ain’t i just the best?" you boast, causing his imaginative feathers to ruffle. the respond he's about to give doesn't get to come out, as you manage to irritate him even more.

"by the way, don't you think you should slip in some more trainings everyday? you play enough games as it is. at this rate, you're gonna get weaker than me, you know?" you remark before swiftly skipping away, your tongue sticking out in jest and leaving narumi to deal with his own agitation.

you're literally a menace in narumi's eyes, but his curiosity is boundless. as he moves to follow after your tracks, he keeps asking himself why he just cannot seem to stop wanting to get know you more.

nah i'd win, *dies immediately after*

ps i love when gojo made that digimon ref in s2 he's such a nerd pls. also there's like one hidden ow2 ref in there somewhere. like using pharah and widowmaker in regards to the difference between ashiro and reader

taglist: @maruflix @iamjellyfish @ouiouimochi @yueliie @justwinginglife @lumiambrose @minasfwoopyponytail @17020

©🅁🅈🄴🅂🄲🄰🄿🄰🄳🄴🅂. do not steal, translate or repost my work anywhere else !

[lala-blahblah]

I absolutely cannot sit down and write a nice version of this bc my brain says no, but i would like to let you all know I'm thinking of a fanfic where older Edgeworth is moving back to the US (or japan, whichever universe you subscribe to) and runs into Nick in the store while buying mass produced art to hang on the walls of his new house.

And Nick is like "dear god do you want your house to look like a dentist's office. Please do better" (in a friendly way, they are too old for rivalry at this point) and so Nick invites Edgeworth to come over and take any of his old artwork from college, since it is just sitting in a portfolio in a closet somewhere. And Edgeworth agrees to come over and look through Nick's old stuff together. There are themes of 1) growing older and like reflecting on the past and 2) Nick's character trait of finding meaning in challenges vs Edgeworth's tendency to stick with what he does well. In my head I imagine that Nick was good at art and it came somewhat easily to him and that bored him, and he was drawn to law in part because it was hard and it excited him and made him want to try harder. And i think tying that in with fatherhood, like it being unexpected and hard but something he thrives at because he feels good when there's a challenge. Potentially also touching on how like, when he lost his badge he felt very listless and depressed because he wasn't being challenged anymore, there wasn't anything to drive him and motivate him. And I think Edgeworth would be impressed by seeing Nick's old pieces (I assume he hasn't seen much of his art before) and wondering why he didn't choose to pursue art further. He also thinks about how art had always put him off personally because he couldn't get it "right" right away, and on the other hand how the structure and logic of law came easily to him, which led him to become a lawyer. I think he measures his self worth by his success in his field because he never had the support to believe he had intrinsic value as a person and maybe wasn't so good at making emotional connections with people. So that big contrast between them is so interesting... I think Edgeworth would be jealous of Nick's bravery in pursuing something he was bad at without giving up and Nick would be jealous of Edgeworth's success in law, but in a subdued way as they've grown older.

A far as actual scenes in the fic, I think I would use Nick's art as a conduit for my own agenda to have them talk about topics that are of interest to me... I would like Edgeworth to feel out of his depth for once and for nick to be the confident one as he talks about something he is well versed in, and for edgeworth to have to face that discomfort and also be a little impressed intellectually with Nick. I think I would do that by having them look through some abstract art Nick did (my intro painting classes were all abstract so we could focus on color mixing and getting comfortable with the medium). Edgeworth compliments Nick on a painting with a bunch of colored squares in gradient clusters and then gets embarrassed when Nick tells him those were just color mixing swatches. Alternatively, in my mind they are both asexual and I think even though this feels like a hallmark cliche I would have Edgeworth flounder and be very embarrassed over Nick's old figure drawing piece. I feel like Nick would be like "no you don't understand it's all very professional and normal when we draw them, like it's just about learning the shape language" and Edgeworth would be like "this is very improper and I don't know how to react can we please not look at naked people!". I don't think i would do both, but something to upset the power dynamic for a moment would be interesting! Nick is always the awkward one I want to see him shine for just a moment enough for edgeworth to go "wait what... i've known him for so long but perhaps i don't really know him at all..."

I would want Edgeworth to end up taking a series of 3 canvases Nick did in an oil painting class that were still lifes of objects the teacher had set up around the classroom. I headcanon that Nick actually far preferred drawing people to objects and rebelled against the assignment by hiding his reflection in one of the objects in each drawing- the top of his head is hidden in an ornament on a christmas tree, his eye is reflected in the shine of a china vase, etc. So it's a little secret, and Edgeworth kind of likes that... it is sweet in a way to see a much younger Phoenix captured in time like that. Something Edgeworth will be reminded of when he sees the paintings but nobody else will catch onto

I would want to layer this with a fatherhood storyline... I think i would frame it as nick inviting edgeworth over to dinner with him and Trucy and Edgeworth stepping into this domestic family life as a visitor and witnessing how its transformed Nick, like seeing him from a different lens. I think after they pick out paintings and have dinner they sit around talking. Trucy had been sitting with them, earlier she showed off some magic tricks and gave Edgeworth a picture of hers from the fridge to add to his new art collection (it's a rainbow dolphin and a sea turtle wearing top hats. Nick says she's in her Lisa Frank era). But she's been quiet for awhile and Nick realizes she's fallen asleep and it's like 11. He's like, crap, i screwed up i should've paid attention and gotten her put to bed, I'm a bad father and I have an audience for this failure. And on top of that, I already failed at being a lawyer, no matter what I try I always disappoint everyone. It's an unexpected moment of vulnerability there... like he's seemed so put together and grown up to Edgeworth this whole time like a whole different person, but he's not a different person he just has different sides to him. And this moment is one where edgeworth can be like hey, no, you're a great dad, and I'm impressed by you and everything you achieved. And I think that could lead into vulnerability from Edgeworth about his relationship with his dad and how he misses him/how he feels like he hasn't really been loved by anyone since his dad died, and how Trucy is lucky to have someone like Nick in her life.

Nick excuses himself to carry Trucy to bed and Miles starts cleaning up the kitchen. I would give a moments pause here to talk about the strange intimacy of going through someone else's kitchen cabinets and drawers, you feel like a stranger there trying to put yourself into someone else's shoes to understand how they live in this space. Maybe he guesses the right drawer for the silverware first try and he feels a little spark of connection. like "we are different in many ways but we are alike enough that we look in the same place for our spoons". Details on the kitchen too about the kid safe plastic bowls and knives that indicate a child is part of the household, that the household has been built around the child, in fact. Edgeworth lives alone and I imagine things are kind of fancy for him (he's a man who wears a cravat so he probably has fine china right). It's completely different from this shabby mismatched cutlery that Nick has, but this kitchen has personality. Maybe he wouldn't mind having a kitchen like this so much. This is a hint at him being lonely, being included in this family unit just for a day has given him this curious sense of longing, for what he isn't sure... does he want kids? Does he want Nick? Does he just want to be part of a family? These are confusing questions and he would much rather not feel anything at all, but unfortunately it is late and he did have a glass of wine with dinner so emotions are Happening.

He hears Nick sigh tiredly as he comes into the kitchen, and Edgeworth starts to ask him where his tupperware is when suddenly Nick is wrapping his arms around him and Edgeworth is Very Tense because he's never good at knowing how to act in situations like this and he and Nick have never been on a hugging level before and he's not sure what this is even for. Then Nick is like "I keep thinking about what you said earlier, about feeling alone ever since your dad passed away. I didn't know, that's such a long time to feel alone. I don't want you to think you're on your own". Edgeworth relaxes a little bit because now he knows what the hug is for and what he's supposed to feel from it. Its very kind of Nick to worry but its unnecessary and he says so. He has colleagues he's friendly with and people from law school he keeps in touch with, he's alright. And Nick says he knows but he also knows it's difficult living the way they do, and what he means is single and in your thirties. Because everyone else is getting married or living with a long term partner or at the very least dating and their lives are focused on that relationship as the center of their being. And when you don't have that, not only is it harder to relate to the people around you but it is harder to feel like you matter in people's lives, because they all prioritize their partner before their friends. And maybe their situations aren't exactly the same (Nick has a daughter while Edgeworth lives alone) and maybe their choices were made for different reasons (Nick used to date and didn't mind it but didn't see a need to prioritize it. Edgeworth found himself unable to distinguish with certainty whether or not he was actually romantically interested in people, and rather than make the wrong choice he decided he would rule out error by choosing no one at all). But regardless, they both know first hand the isolation that comes with trying to carve a path for themselves that does not include a life partner in a world where everyone else comes in pairs. And Nick is reaching out across that emptiness saying hey, we might both be building different lives, but there's room for you to be a part of mine if you want.

Outloud, Nick says "Really, Miles. You aren't alone in this." and Edgeworth says "Well, Phoenix, neither are you". And he stands there and lets his friend hug him, and it doesn't feel like butterflies but it does feel solid and warm and good. And he doesn't even worry about whether he's supposed to let go by now or not, because it's nice, not being alone.

They stand there in comfortable silence for a long moment before Nick speaks again. "hey, remember when you used to hate me? And look at us now." Edgeworth turns his head sharply. "I never HATED you, Wright. I simply thought you were foolish and a waste of my time." He realizes a little too late that this is probably a rude thing to say to the person that just gave you a pep talk, but Nick just laughs, his head still resting on Edgeworth's shoulder. Looking at him from this angle, face almost fully hidden, Nick could be any age at all. It's easy to imagine for a moment that he's the same nervous version of himself that stood across from him in the courtroom for the first time all those years ago. The only thing breaking the illusion is the subtle streaks of silver that cross his temples. Not entirely sure why he does it, Edgeworth kisses the top of Nick's head. He feels odd about it the moment he does so, realizing it comes across not as a platonic or romantic action but as a gesture suited for a dog or pet of some kind. Nick looks up, looking confused but not displeased. "What was that for?" "It was a thank you I suppose". Miles steps away now, still uncomfortable with perceived failures even if those failures are just in social interactions, and begins to gather his things while Nick gets down a tupperware from a cabinet. "Thank you, for the dinner and for the paintings." Edgeworth continues. "I'd like to repay the favor once I get settled into the new house. Trucy's invited too, of course". As he says it, he realizes he genuinely is looking forward to seeing them again. Nick walks him to the apartment door and they say their goodbyes while Edgeworth tucks the paintings (and Trucy's dolphin drawing) under his arm.

He gets halfway down the hallway when he hears Nick calling after him. "Hey! Miles! Take an art class with me sometime" Newfound friendship or not, Edgeworth just looks at him in disdain. "what, so you can show off your superior art skills? No thank you, Wright" "No, for fun. You can make things of your own to hang on your walls. We can do something I've never done before so we're evenly matched. Like printmaking? Origami? Um, pottery?" Edgeworth bristles at the suggestions but takes a moment to acknowledge why he's feeling that way; again, it's that fear of failure. But he's enjoyed himself today and deep down he thinks it could be fun to try something new, not with the goal of being perfect at it but with the goal of spending time together. Nick surprised him today. Maybe he can surprise himself. "... I would consider pottery" Edgeworth admits. And Nick looks really happy about it. "Great. I'll book us a session then. It'll be fun, you'll see. Edgeworth shakes his head, but there's no malice behind it. "Have a good night, Phoenix" "You too. Get home safe Miles".

Edgeworth gets home a little before midnight and props the three canvases against the moving boxes still stacked up in the foyer. Tomorrow, he'll figure out where he wants to hang them. Right now though, he walks over to the bare fridge and carefully pins up Tracy's dolphin drawing. There's a lot more work to do, but it's already starting to feel like home.

[darklinaforever]

I have a hard time understanding the anti Beetlebabes, even after trying to be open about why exactly they didn't like the ship. Look, I agree that not everyone has to like the same thing, but you don't have to make up shit to justify not liking it. You can just use what's canon and say why you don't like it (or the simple fact that the ship doesn't make you feel anything / that it's not your cup of tea) and that's it and it's ok . On the other hand, what is not ok is to say that if we like the ship despite the problematic actions of the characters concerned, it is because we are pro "inserting any type of disgusting thing that they like to associate us with" in real life and that we are mentally disturbed. Learn the concept of fiction damn it. I'm not saying that all antis are like that, absolutely not. But most of them that I met, and all types of fandom combined, were far from being rational people... Maybe because on the networks it's the most toxic ones who make the most noise and show themselves the most, I don't know. Anyway, let people like the ships they want.

[fakescenariosbeforesleepblog]

By fire and heart. Pt. 8

Daemma Targaryen. Second daughter of King Viserys and queen Aemma, you're the living portrait of your mother with the character of a true dragon, as a second daughter you don't have right to the throne but certainly, you will protect your sister's succession by heart.

Warning ⚠️: Credits of this images goes to the TikTok user ccarmyy! Grammatical and spelling errors, maybe this won't be good enough but In my head the story was a good one.

Disclaimer: I do not own any of the characters nor do I claim to own them. I do not own any of the images used nor do I claim to own them.

You arrived to the north and instantly ran to your future husband, hugging him, drowning in his scent, the desire you've been containing during the trip disappears as soon as you and him are in your chambers, he was a wolf riding a dragon and you were a dragon devouring a wolf.

The room was destroyed just like your dress and every clothe, you used every chair, every table, all your bed, and you still needed more.

«I'm your betrothed, it doesn't matter if we share our bed before the wedding, I'm already yours my lord.»

You were happy, you weren't sure if it was because of him, because you loved him or if it was the fact that all your desires were attended.

While you're enjoying and exploring new horizons of your femininity and the love between a man and a woman, at the other site of the kingdom, your father gave his last breath and your half brother is trying to escape the throne and the crown that his mother and grandfather want to put over his head.

You don't even imagine it, until you're taking a bath, eyes close, suddenly some visions, are tormenting you.

Aegon wearing a crown, Rhaenyra wearing another, you can see blood in their hands, hearing screams and pleadings, one of Aegon's children, you riding the back of a wolf, dragons roaring and spitting fire everywhere, Thank to the gods your future husband is close to hearing your heavy breathing, bringing you back to your reality with a touch in your shoulder.

- What's wrong with my warrior princess?

- I... I don't know, I'm sorry... Perhaps I'm just tired my Lord.

Smiling instantly you're trying to hide the obvious anxiety that is eating you alive, you can't fool him but he knows there's no point in insisting, you will talk about this when you feel ready so he only kisses you softly and leaves you to rest while he goes to attend his usual tasks.

For the next few days you've been keeping him busy in your chambers, fulfilling your marital duties, even though, you're not married yet.

Your place as the future lady of the north has also a lot of duties, so, during the day you're the lady of the north but at night, you're still the warrior princess, the one who rides the wolf of the north, the one who made the strongest alliance in the name of her sister.

You're In the training yard observing your future husband, when the wind whispers something in your ear, or at least that's what you think, you're alone, there's no one close to you.

«The greens are coming for you...»

Cregan suddenly is running to you, you didn't even feel it, you were falling, fainting. You ended up on the ground, Cregan instantly asked for help, everybody took you to your chambers, you don't know how much you slept, but In your sleep you could hear the roars of dragons, your sister screaming in pain, you had visions about a baby with a dragon tail, scales, feet and hands; you saw your father's crown, you heard the voice of your uncle whispering «Luke is deep in the sea... The queen of the seven kingdoms...and the princess who protects her...»

Cregan stayed at your side, hearing you mumbling strange things about war, about kings confronting and burning the world and how the gods were whispering and showing you the future. He thought the fever was attacking you, taking the best of you, another lady that would die in his arms.

Meanwhile your sister is dealing with the war that is approaching, dealing with the pain of her child's death, the little Visenya, who came to this world before her time.

Your sister is in need of help, her spirit is stronger than ever but her heart is weak, the pain is invading it.

She knows she needs any house big or small, she needs as many people as possible on her side. Messengers are on their way to every corner of the kingdom, some dragon raiders too.

Soon or later, the news will knock on your door. Your nephews are on their way to different sites of the kingdom,while you still can't wake up from your dream.

The tragedy following Rhaenyra as a shadow, you're the last light of hope, she never realized how strong it was the bond between you and her, since that day, when both destiny was sealed.

Daemon, received the news first, he had a soft voice only for Rhaenyra, softly telling her the horror her son lived in before leaving this world.

Lucerys Velaryon, the prince, the messenger that never came back home and Arrax, his young and brave dragon, defeated his rider until the end, the little beast dared to attack the largest and oldest Dragon, Vhagar. No one would ever know the bravery of the young prince and his dragon had to confront his uncle and his giant beast.

«Arrax! Luke! Where are you?...»

In your dream, you can hear your nephew calling you, you can hear the roaring of Arrax, you can only see silhouettes, poor you, you can't imagine what is happening in the real world.

Cregan has left your side, he still has duties to attend. But you have your maidens taking good care of you.

Targaryen are dreamers, some of them believe in what they see, some others, don't. But you're one who decides to believe them. As for magic, you wake up, gasping loudly, your maidens are instantly trying to calm you, they're more anxious than you, your mind is focused on your family, then someone informs you, your nephew, Jacaerys came to leave a message for you and Lord Stark.

- Bring me a coat, I have to see my nephew, now!

Everybody in the room is running, preparing you a bath and clothes, even though your servants told you, Cregan and Jace are on the wall, you don't care, you will fly in your dragon if it is necessary but you have to talk with Jace.

You're ready to leave when the doors of the entrance are opening. They're back, you run to Cregan, he catches your face between his hands, observing if You're okay, Jace is quiet, observing both interaction, as soon as you plant your eyes on him you hug him tightly.

- Jace, what is it, what is going on, why are you here?

- Aunt Daemma, I bring news, unfortunately not good ones. Cregan told me you were sick but you seem healthy.

- I am perfectly fine, I just... Had a vision or something. Doesn't matter right now, tell me, what are the news.

And while Jacaerys talks, you feel more and more sure about your dreams, your visions and all that happened in your sleep. At least nothing is completely bad, Cregan and Jacaerys are good friends and allies, if you already had the north in your hand, the fact that your nephew came personally to ask for help kindly without threat made this alliance stronger than ever.

- To win a war you have to know who your allies are, I'm so glad you had the chance to talk and meet Lord Stark.

The three of you are in a deep and important conversation, negotiating the last details of this alliance when a man comes to Cregan with a letter, a raven from Dragonstone, while he's reading, his expression starts to get cold and serious, you don't have to ask, you can bet it is about Lucerys and you were not wrong, Jace is young but is also a strong Targaryen who knows the importance of keeping the pain and the sadness for another moment.

Cregan, as the gentleman and leader that he is, understands perfectly your decision to leave. You have to go home, support your sister and fight at her side, now that you're sure he will keep his word, you can go and do the necessary to help.

- I'm not only loyal to our queen, I'm loyal to you, Daemma. The north will be waiting for your commands, and I will be waiting for my wife's return.

Kissing your forehead, your hands and your lips deeply, holding you tightly and wishing you good luck, he says goodbye.

You and Jace embark on the journey, but before going to dragonstone, you decide to make a quick stop, alone, at Kingslanding.

You had to be far or fly too high to not be seen by the guards, you're waiting in the sky, expecting a distraction to finally land not so far from the city.

Aemond's arrival is the perfect distraction, now you're taking the hidden halls of the castle, once you're sure you're in Aemond's chambers, you can see him, walking from one side to the room to another, biting his nails, too distracted by his own mind.

You consider killing him, right there and no one would expect it. Unfortunately, your anger and the poison you've been containing pushes you to ruin your best chance.

- How stupid you have to be to think that an old dragon who has been in battle its entire life wouldn't attack to kill? Also, it is ironic... You said they are bastards and yet, you gave him a classic Targaryen dead, he died riding his dragon.

He doesn't act surprised, but you're sure you scared him and quickly made him furious.

- How stupid you have to be to come here alone and talk to me in that way, Daemma?

- Oh Aemond, don't think I'm afraid of you, if I wanted I could kill you, you would be dead already, but it is not me who has to make you pay for what you've done, I'm here with the only intention to know why.

You know you messed up, you could take revenge but that silly mistake now has you playing a risky card.

- You can't be serious. All the long journey to just know why I did what I did? Doesn't matter, what is done, it's done.

He walks slowly in your direction, you don't step back, you have to keep your defiant position but also you have to make him feel like you're not an enemy right now.

- Really? Is that what your mother told you? The queen must be... Very pleased, after all, she was a great influence who helped and supported Rhaenyra's usurpation throne.

- The queen doesn't know what she wants anymore.

- Of course not, the queen has always spoken with two tongues, she has always been divided between her father and her childhood friend, that always has been her problem, but in the end she chose to be her father's puppet.

- Watch your tongue, Daemma, she's still my mother I will not allow you to talk about her in that way.

Time to move on, leave that conversation behind.

-I always considered you as the smartest one. You know? And with all that is happening right now I've been thinking about how unfair it must be for you to not be named as king.

His tensed jaw makes you calculate your words, you have to be careful.

-You're smarter, stronger and a great knight. Don't take me wrong, I do not intend to provoke you, I'm just pointing at the obvious.

He looks at you confused, somehow he's expecting anxiously for your next words.

- You and I, we have more in common than what you think. We're the second ones. We've been proving we're better than our siblings our entire life, with time I accepted my destiny but you, Aemond you don't have to make the same mistake. I think you deserve more...

- Be clear, Daemma.

You stand in front of him, touching his hair softly, looking at him with big bright eyes, praying to make your magic or have some luck to at least have a chance to escape by fooling him touching a weak fiber inside him, whispering the last words in the most sweet and innocent way you could, so close to his ear that your lips are almost caressing it.

- The crown should be yours, my king...

Aemond doesn't show any emotion, for a second you think you're making more and more mistakes so you look down at the skirts of your dress, when his large hand takes your chin to make you face him again.

- Why are you saying all this?

- Because I know myself, my sister and I know Aegon, none of us would be good leaders, but you, Aemond, you have what we don't, I've seen it in dreams, you will be sitting on the throne.

Perhaps you say all those lies with much confidence or maybe you had the luck you prayed for. But Aemond smiles a little, convinced, pleased with your words.

- You're saying all this with a reason, tell me what is it.

- I said I wouldn't be good sitting on the throne to rule, I just want... Dragonstone, I want to be the owner of something, that's all.

He's about to ask more questions when a guard knocks on his door. Without opening the doors and with a loud and cold voice he demands to know why are they interrupting him.

- What is it?

«Ah... Pardon me, my prince, but your brother requested your presence at the small council.»

- See? Aegon can't handle the responsibilities, he's weak and easy to persuade, but you're different, you're difficult and impulsive, that's your advantage. You have to clean your path on this side and I'll do it on mine, do we have a deal?.

You whisper again feeling like a snake, filling his system with your poison, feeding his desires with false hopes and lies, because it's not your intention to betray your sister, you only want to escape. He looks back at you, caressing your chin, observing cautiously in your eyes, looking for any signs of lies, but maybe you played well, since he nodded in silence and left the room, as quick as he disappeared you did the same, coming back to your dragon, going home.

While you were in the sky, your sister was looking for her son, anything that could belong to Lucerys Velaryon.

Meanwhile the greens are struggling, different objectives, different causes and motives are on the table. Did you create more cracks?.

As soon as the moon is lighting the sky, you appear and soon, Rhaenyra does it too.

She doesn't even talk to you, or someone else in the room, some men welcomed you but that was all, her rage and grief were palpable.

After some people inform the advances, she listens or at least you would like to think she does. But the only thing she says, is something none of you weren't expecting.

- I want Aemond Targaryen.

Just like that, she doesn't say anything else and leaves the room. Daemon left minutes later, you feel like a ghost, not many people notice you, now you're feeling like the young version of yourself, isolated, wondering if you made the right decision leaving your comfortable place in the north.

Jace convinced you to go with him to have a private meeting with his mother, once there, you're behind the young man, who's hardly trying to not show how much the loss of his brother is affecting him.

- Your grace.

Both say in one voice, curtsying, Rhaenyra stays on her seat, her puffy eyes reveal all the tears she had been pouring.

Jace says something about a dragon in vale, then he mentions the men and the loyalty the north promised, his voice is cracking and suddenly Rhaenyra stops to play her character as queen and changes it for the mother figure her son needs.

You're still behind, unsure of what to do, the moment seems intimate and private, but then, Rhaenyra looks at you and without stopping the hug with her son, she offers one hand, indicating you can approach, instantly you run and join to the hug, sobbing and apologizing for not being here before.

The funeral was bitter and full of sadness, but somehow brought more union between your family. But Daemon mysteriously disappears, no one knows where he is, but you know his absence is something to worry about.

At the hour of the owl, walking between the walls and In front of everybody's noses, the revenge walked, the blood was soon to be spilled.

«The queen of dreams and the queen of dragons tied by the loss of an innocent»

The whisper wakes you up, you don't know why or how, but instantly you walk around dragonstone, checking on every kids room, because you were not prepared to lose someone else.

[ambeer6]

Longer than expected yapping about case 2 of DRDT. (dated ep 14 of ch 2)

Some thoughts about the chapter 2 case. Warnings for all the obvious.

First of all, I think Teruko is right about how the pulley system was set up. Rope over the rafters on the ceiling, then through the seesaw and then around the carousel. Then tying the rope to the correct length before letting go, so there's no worry about stopping the carousel with your bare hands. This simply makes sense.

Something that confuses me, is the amount of people arguing against this idea? Not many people on tumblr thankfully, but I don't really see why this setup would be unbelievable.

Advantages of the pulley:

Using a pulley reduces weight. Arei would be far easier to lift using this method. Even a kid could lift her this way by simply leaning into the carousel.

Using the pulley means you don't have to pick up Arei and hook her into the noose. You can simply leave her unconscious on the ground and hook the noose around her instead, then push the carousel.

Even if you're okay with her dying of strangulation, it's easy to tie the rope to the right length and just let her drop to break her neck. It grants Arei a quick death. (and you'll be done quicker)

Even if the killer is strong enough to just lift Arei into the noose, using a pulley is much easier and means you'll spend less time holding her. I know not everyone would care, but I certainly wouldn't enjoy holding onto an unconscious girl and trying to lift her into a noose, let alone an awake girl trying to struggle. (if you believe she woke up)

Downsides of the pulley:

A lot more work to clean up afterwards. Especially since we know most of it wasn't actually cleaned up, all they did was hang Arei into a different place afterwards. (I wonder if they were in a hurry, or if they assumed that somehow people wouldn't realize Arei couldn't have broken her neck from the short rope on the swingset)

a lot more work to set up to begin with. You'll have to either get up very early, or set it up the night beforehand if you wanted to be completely prepared for the murder. Clearly this wasn't just a spur of the moment thing.

That's pretty much all I can think of, honestly. When talking about the advantages or downsides of the pulley at least.

Other stuff that's maybe a bit silly to bring up:

Those fish are a bit big to have fitted through the holes in the jerrycan handles.

How do we think those jerrycans were attached to Arei? Like, I know the handles are broken (also giggle at the size of the holes and the size of the fish), but my question is more like... did they use rope? It sounds logical to use rope, but they don't mention any rope burn on Arei's body.

Maybe the 'glove is for ropeburn' truthers meant the ropeburn on Arei herself? Did the killer place the glove on Arei's neck before hanging the rope with the jerrycans off her? If they got rid of the jerrycans afterwards, maybe they also took Arei's glove. (disclaimer: I don't think they used the glove this way, but I'm open to arguments in favour of it's usage)

Rose mentioned she memorized the trash. Do you think there's a chance the needle and thread will be brought up by her? I feel like if those are going to be important, then Rose will be the person to mention seeing them in the trash.

Clothes baul.

Something else I want to mention is that the way some people talk about this case makes me uncomfortable. I want to remind people that this is just a story that someone wanted to tell. I understand that the people saying they'll drop hang themselves if the killer is a specific person are just joking, but if I were the dev, I'd feel extremely uncomfortable from just how many people are talking about the case like this.

I understand not wanting a certain character to die and I can't stop you from making jokes about it, but saying that killing off your fave character is a horrible writing choice and you'll kill yourself over it, would put immense stress on the dev, as well as everyone who helped with the project.

Also on the topic of writing: people make illogical decisions sometimes, but especially when under stress. The case needs to make sense, but I don't want people arguing something is bad writing because the killer made one or two illogical decisions along the way.

Another thing I noticed is that a lot of people are assuming what I call the "Ellery Queen case logic", which assumes that the reader (or viewer, in this case) should be able to solve the full murder based on the clues given during the investigation, before the confrontation (trial, in this case). While definitely understandable, it's great being able to solve things beforehand, we need to remember that this is not the only way to go about writing cases. Personally I've engaged more with what I call the "Arthur Conan Doyle case logic", which leaves the most vital piece(s) of evidence hidden from the reader (viewer) until the end of the final confrontation. This makes is either very difficult, or even impossible to solve the case beforehand, meaning you'll have to wait until the very end to even see the final piece of the puzzle.

Now, there's no saying whether Despair Time uses either one or the other case logic style (they could mix it up between every chapter if they want to), so because of that, I ask people to be polite about people's theories, even if they don't explain every single piece of evidence, or if they state that we need to wait for more evidence to be revealed even though the trial already started.

Nothing wrong with voicing your own ideas on people's theories, it can be helpful if they actually misremember something (I misremembered stuff too, so it was good to have it pointed out!) and can help people rework their theories with your arguments in mind, but I just ask that you're not condescending about it if you do.

THAT'S ALL! THANKS FOR READING!

[camilledlc]

Because I love relating songs to characters and analysing why it works so well, I just have to rant about how So Long, London by Taylor Swift is Vanessa's perspective of her break up with Wade. This one is reaaaally long, so be ready for that if you still chose to read this. It is 4,5k of a weird analyse no one asked for. You have been warned :

I think the main reason why Vanessa (that I will from now call Ness) ended things with Wade was because of how bad he was doing. She tried to be there for him, but there's only so much you can do for someone who doesn't want to be helped. So really, it is quite evident as to how this song can be related to their story. I'll go in order of the lyrics, and really dive in with the meaning of the song. I'll write this as if Ness wrote the song herself, kinda. But despite me relating it to Ness, it will also kind of be a study of the song in itself, if anyone is interested in that.

The opening line "I saw in my mind fairy lights through the mist" shows two main things that to me will be crucial to understand exactly how it all went down and Ness' state of mind. The two central element being obviously the fairy lights and the mist. The mist represents this gloom, this sadness that had surrounded Wade, and therefore herself. He was extremely depressed because of the Avengers' rejection, and didn't seem to be able to pick himself back up. Everything for him became a mist, but it also made everything for Ness turn into a mist. Always being around a deeply person, to whom you're entirely devoted, it will take a huge tole on you. Their sadness become yours, etc. And by that point, you may think that there was no reason for her to stay, but no. That's why the fairy lights are here. The fairy lights doesn't represent the exit, the ending of this relationship that would finally brought her peace. This early on in the song, it wouldn't make sense. The author is still too deep into this relationship. The fairy lights are probably the reason why they are still together by that point, despite all the pain that it's causing Ness. Because while the relationship can generally be associated to a mist, there are moments of happiness, of "fairy lights through the the mist". Not all moments are bad, and they are occasions where Ness can see the old Wade, and what they used to have. And she wants to fight for that. Because deep down, they love each other in ways that can't be matched, and they loved each other for so long.

And so, this leads us to the next lyrics : "I kept calm and carried the weight of the rift / Pulling him tighter each time he was drifting away". Because Ness can see that not everything is bad in her relationship, that there are still pieces of what they used to be left to fight for, she tries. She tries to "[keep] calm", to be the rock Wade is in desperate need of. For Wade, it feels like his world is falling apart, as he can't seem to find a purpose for his life, a way to matter. He falls more and more into depression, unable to pull himself back up. The only thing stopping him from "drifting away" is Ness. But on the other hand, she can't keep carrying them both on her shoulders. It "weights" on her, and understandably so. She wants to be there for Wade, and she tries as much as she can to save him. But maybe it's a responsibility that's too heavy for her, and so, the come the next lyrics.

"My spine split from carrying us up the hill / Wet through my clothes, weary bones caught the chill". Those are pretty easy to understand and very explicit. The weight of Wade's sadness is becoming too much for us, and she is breaking under it. By being the only one trying to lift them up, she's going to end up even more broken than Wade. I of course think that "wet" references sadness in general. Sadness is often paired with deep blues, cold colours and a general theme of water--because of tears. With the "mist" being also a metaphor for this sadness, it isn't surprising. But this means that this sadness that Wade carried, this "mist", finally got to her. The "mist" finally reached her and made her "wet", meaning that his sadness started to become her sadness. She "caught the chill", she started to feel depressed too, because always being around someone depressed--especially if you're the only one lifting them up--makes you depressed too.

"I stopped trying to make him laugh / Stopped trying to drill the safe". Another easily-understandable set of lyrics, yet devastating in the context of Deadpool. We know a handful thing about him and how he is generally perceived by others, and one of his main traits is that he's funny. He is always one to laugh, or crack a joke, the one that makes you happier when things are bad. He is the one supposed to make other laughs, but with how bad he feels, the roles are reversed, and Ness has to try and try and try to make him happier, to "make him laugh". It must have been really heart-breaking to see the dynamics in their relationship change this much, see a person she knew like the back of her hand becoming a ghost of who they used to be. And eventually, he started to close up too much to her. He would be 'somewhere else, not fully there'. He wouldn't let her in, tell her what he was truly feeling--despite the fact that she could sense how bad he was doing. He became a "safe", a total stranger that she couldn't figure out, until she eventually had to give up. This is even more depressing when you know that Wade has had tendencies to lie to protect himself and push people away, which he could've also done here with Ness.

All of this leads her to start being angry, and confused, and wanting answers from him. Not the Wade she saw before leaving him, but her Wade, from before all this. She wants to understand : "Thinkin, how much sad did you think I had / Did you think I had in me?". I see this as both a rhetorical question, telling him that she can't handle all of his sadness and that she has to leave him behind at some point. That she doesn't have this much sadness in her to support him. But I also believe it has some genuine aspects of an earnest question, always waiting for an answer. Yet, she will repeat this multiple times, probably alluding to the fact that she doesn't have any. Because Wade doesn't have an answer to that either. She wants to know just how far Wade was willing to let himself fall down while thinking that Ness would stay, that she would pick him up. In a way, I think she felt betrayed and hurt by the way he was treating her, waiting for her to be there for him while he purposefully let himself drown in his own misery. So, eventually, she's angry and demands answer, demands an explanation to all of this, because this isn't the Wade she fell in love with.

And that's why it's so tragic : "Oh, the tragedy... / So Long, London". In this, we see just how heart-breaking their entire story is. It wasn't supposed to end this way, yet at that point in time, she saw no other issues. She didn't want to leave him, but she had to. It was tragic because it couldn't have been avoided, yet she felt as if it wasn't fair, and it wasn't meant to be this way. She can only constate that their ending is tragic, and she has to accept it despite the evident pain and sorrow (the punctuation). And so, she leaves. All of this, only could lead to that conclusion. She went through all stages, from loving him, to trying to support him, to giving up on helping him, to being angry at him, to giving up on them altogether now. She isn't fully saying goodbye, as she still feels as if their lives are too intertwined for them to not see each other again eventually. They both love each other too damn much to never do so, to truly end things here. By that point, she accepts that she must leave, and that their story ends, but she knows the love hasn't completely disappeared yet.

But when she says "You'll find someone...", she does admit that while love may persist, the relationship is over for good. By that point, she only includes him in the finding someone part. I think it's because she herself hasn't moved on from him, and she isn't sure by that point that she can. They know they can't date anymore, but she doesn't think that she'll fall in love as hard as she did with Wade with anyone else. But for him, she wants him to move on and find someone who will be able to handle Wade. In a way, she may feel guilty for leaving, despite knowing that it was killing her on the inside to stay. So she wishes for Wade to find someone who, unlike her, will be able to help Wade, or at least carry his burden with him without splitting under the weight.

I feel that the next part is a bit trickier, so if my ramble doesn't make sense, feel free to ignore it! But otherwise, I think that the lyrics "I didn't opt in to be your odd man out / I founded the club she's heard great things about" are definitely laced with bitterness. To me, it really represents that moment of Wade getting better, and how Ness will view herself into that. One the one hand, she knows she isn't entitled to anything regarding Wade anymore because she chose to leave, but on the other hand, she feels as if she didn't have a choice to leave. Everything was so awful that she had to leave for her own sake, so she didn't opt out of his life. She didn't want to be his friend, but she couldn't be anything else. Yet, everyone--including Wade--will make her feel like it was her decision. Even though they respect it, she feels that they don't understand that it wasn't truly her decision, and that under other circumstances, she would've never left Wade. If it wasn't for her survival, she would still be with him. But now, she is purposefully being left out of everything regarding Wade and all of his accomplishments. People will say that it's great to see him better again, to see him happier, and a true hero that wants to matter, etc. And yes, he did that on his own, but it does feel to her as if it invalidates everything she went through. She helped him for so long, and eventually had to give up. So he got better on his own and is praised for it, but what about all of her efforts? Don't they count in his recovery? Isn't her support the foundation of the person he is today? She is one of the reason Wade found his spark back, yet because she left before he did, she can never say as much. And it must feel bitter to see how much time and energy and love you lost trying to help someone who got better after you left them, after you've had enough.

Which is why we have "I left all I knew, you left me at the house by the Heath". Because, yes, she may have been the one who left Wade first officially, but Wade had left her way before that. When letting himself become a shadow of who he once was, he left Ness to fend on her own, the only one keeping their love, their home alive. The "house by the Heath" represents this home that they made for themselves, it was their lives, their futures. But Wade abandoned that mentally. Yet, it falls on Ness when she decides to abandon it physically. In this whole verse, she is feeling bitter, and angry, and regretful. She left everything behind, because Wade felt like her everything. But she wasn't the first one to do so, and Wade had actually done it before. She had in the past tried to support him when he had cancer, only for him to leave her to bear this alone. So, actually, she was the only one trying actively not to leave, not to let this relationship die.

"I stopped CPR, after all it's no use / The spirit was gone, we would never come to". It implies that for a long time, she tried to maintain their relationship alive, but it was for nothing. "The spirit" of their love had left when Wade did too, when he metaphorically left the relationship. It couldn't be brought back, and even if they had tried, it would've been too late. Their relationship was already too damaged to be salvaged. There is no use to perform CPR on a dead body.

The next lyric is heavily marked by the voice of the singer, showing the anger and resentment growing : "And I'm pissed off you let me give you all that youth for free". For this one, I think it's crucial we remember the context of both who they are in general. Ness is a woman in her mid-thirties/forties, meanwhile, Wade is an immortal guy who can't age nor die. Wade still has the whole eternity in front of him to do whatever he wants, to be someone great. But Ness spent most of her life with him, and now she's getting older. No matter who she ends up with it will be a very recent and new relationship, and it will take time to grow, and so she may have trouble later having the family she'd wanted. For her, it may feels like as if she's spent so many years with Wade, only to be back at square one. Except that for him, he can take the eternity to move up a few square, but her, she doesn't have that time. She doesn't have eternal "youth", which is why she may be so pissed, both at herself and at Wade. It can be very easy to start resenting someone when you feel like you have wasted so much time on them, for nothing to come out of it eventually. And it would be better if Wade was in the same boat as her, because then they would both have wasted time and it would be no one's fault. But she is alone in this, she is the one who gave her "youth for free".

The "For so long, London / Stitches undone / Two graves, one gun" only reinforce this idea. She gave her youth "for so long" and now she's feeling resentful. In a way, it feels like her decision killed them both. She knows the negative impact their breakup had on Wade, of course. But here, she also acknowledge just how much it affected her too. With "one gun", aka her decision to leave, she killed the both of them ("two graves"). Kind of in a "you had to kill me but it killed you just the same kind of way". And now, the relationship that she carefully spent time stitching up each time it split is now completely broken, the "stitches undone".

And so, she accepts that she has to move on : "I'll find someone". She knows how bad her decision also affected her, and how hard it will be to get back everything she lost to this relationship. But she can't stay down, and she has to find a way to move forward somehow. And she knows that it's possible, that eventually, she'll find someone else, she'll fall in love again and that life goes on. It's a way for her to try and find peace, to definitely put her relationship with Wade past her. And by the beginning of Deadpool and Wolverine, she believes that she has found that someone, she found Dermot. Someone good, who is different yet someone she is really happy with. She can fully move on, and so wants to try and befriend Wade, as a way to really put this all behind. Because despite knowing they can't ever get back together, she still has a lot of love for him--whether it's romantic or now platonic, she'll always love him, as he is one of the most important person for her. But it's clear that while she's almost moved on completely from him, he hasn't done the same. And because of the way he still holds out hope for them to be together again, she feels as though he thinks she abandoned him all over again.

So in a way, the upcoming bridge is her way of defending herself. "And you say I abandoned the ship / But I was going down with it" is literally her reiterating that she wasn't the one who left first, she was actually holding onto that relationship even more than Wade was, even though it was killing her, "My white knuckle dying grip". The singer's voice is by then really angry, and I think Ness is too by now. It feels unjust to be blamed for leaving a relationship. I don't think they are blaming her consciously, because Wade would never want to make her feel bad about it. But the sole fact that he's still holding out hope that they work out put the blame on her for the fact that it isn't working out. In a way, him still wanting her and not being able to move on makes her even now the responsible for Wade's misery, which is unfair because she already had to bear it and suffer from it for long enough in their relationship.

The next lyrics will all be analysed as a whole, so sorry for that : "Holding tight to your quiet resentment and / My friends said it isn't right to be scared / Everyday of a love affair / Every breath feels like rarest air / When you're not sure if he wants to be there". This may be a bit triggering, se be careful, but I think that while the original song may be talking about not wanting to be there in a relationship, from Ness' point of view, it will be more like there at all in this life. Wade is canonically a character that has a severe mental instability, a lot of traumas and issues, and he is one of the character who tried to off himself the most--even before having a regenerating factor. He clearly has always struggled with his mental health, and it was even worse during his depression. So when Ness feels scared that because she's "not sure if he wants to be there", she's talking about being scared that Wade would take the opportunity to off himself if he could die. It is extremely scary to be in a relationship with someone who doesn't wish to live anymore, when you never know if they are faking their smiles, planning on leaving it all behind, if you're not sure you'll wake up and they'll still be there. Even while knowing he can't die, it is still a terrifying thought. So now, their entire relationship, their "love affair" is completely overtook by this fear that it will all end at any moment, and also by this need to take every good thing in because they may not last, or there won't ever be any other good thing afterwards. Every moment of true joy "feels like rarest air". Because now, everything in her mind revolves around Wade's sadness, his "quiet resentment" of feeling like he doesn't matter, of not finding his purpose in this world.

But there's only so much that one person can take, and so, eventually, she is back to asking "So how much sad did you think I had / Did you think I had in me? / How much tragedy?". This times, it really feels as though she exposed previously during the bridge every arguments in her favour as to why she had to leave, and now she's showing him all of those arguments and telling him 'see?', and in the words of the song "Just how low did you think I'd go? Before I'd self-implode / Before I'd have to go be free". And those two last sentences summarize pretty much everything : she was self-imploding, so she had to leave and be free. This relationship, despite still having some good moments that guilted her into staying, was more like a prison to her by that point. In this bridge, she seems finale with her explanation, and feels a certain form of validation of her decision. By then, she is certain she made the right choice, and she is trying to show others, and especially Wade, that she had to move on and that still holding hope for a relationship together was just invalidating everything she went through (even if Wade isn't necessarily wanting that, or even realizing she might feel that way. He can't help but love her, but respects her decision nonetheless. There is no bad guy here, just a very complicated situation).

The very end of the song is definitely right by the end of the events of Deadpool and Wolverine. Wade tells her explicitly that he still loves her, still wants her, wants them. But when he tells her he still loves her, all she can think of is : "You swore that you loved me but where were the clues? / I died on the altar waiting for the proof / You sacrificed us to the gods of your bluest days". She may know, realistically, that Wade really did love and still do, but during the end of their relationship, she couldn't feel it. Everything in Wade's life was now centred around his sadness, which is here represented by the "gods of [your] bluest days". Their relationship was too much, and so he "sacrificed" it, because in his mind, there was no room for anything other than his depression. Which is valid and comprehensible, but extremely hard to live for Ness. She was desperately waiting for him to show her that he cared for her, that he still loved her, that he was still with her, like shown in the flashback when Cassandra Nova peered through Wade's mind. She asked him directly for proof of his love, and she eventually had to leave the "altar" because she was dying there otherwise. Wade was feeling so awful that he couldn't remind Ness just how much he loved her, so even now, she can't accept that he still does.

Besides, we know she has supposedly moved on, as she is happy with her new boyfriend Dermot : "And I'm just getting color back into my face". After everything, she eventually felt like a lesser version of herself, beaten up by this tragic relationship. Wade's constant sadness got to her. But now, it's been a while, and she had time to move on, to find her own new happiness. It might be different colours than when she was with Wade, but she has colours nonetheless. She is happier out of the relationship. Yet, she can't help but be mad : "I'm just mad as hell cause I loved this place / For so long, London". It is quite obvious that despite being happy now, she had also been happy with Wade before all this. There had been so long where she thought she was gonna marry Wade, found a family together, that he was her soulmate. She knows it's for the better, but there's also something so frustrating about having to leave something that brought you joy for so long because now it has soured. The lyrics "Had a good run / A moment of warm sun" reminds that. Before Wade got depressed, there relationship was truly and utterly an happy relationship. There was so much good in it, and for a long time, it seemed like it would last. But it didn't.

"But I'm not the one / So long, London". She is here fully letting Wade go, and letting their romance go. In admitting that she isn't the one for Wade, she is admitting that they weren't soulmates who were meant to be, and that maybe it's better this way. She is admitting that even the earlier stage of their relationship was extremely good and happy, it was not enough. She isn't the one for him because she could love him at his best, but couldn't at his worst. And there is no shame in that, she knows now that some people aren't meant to be, despite being perfect for each other in every other aspects. For example, when she sees Logan, she understands that he can handle Wade at his worst, that he can lift him up. At the same time, it's a bit bitter because she wished she could've been the one, but she is also really grateful to be out of this relationship, and yet knowing that Wade's got someone else that will be there for him. She can leave peacefully knowing that.

Then, we have another repetition of "Stitches undone" which symbolize definitely the end of relationship, with nothing holding it together anymore, and "Two graves, one gun". Personally, I always heard something else and liked what I heard more, which is "Two graves, one gone". Here, it would be a representation of how they felt during Wade's depression. He was so sad that he was almost dead, which killed her on the inside too. They were "two graves". But some graves aren't meant to be side by side. She left the graveyard, found happiness again somewhere else. She brought herself back to life by leaving. Now, there is one grave that is "gone". But by using the last sentence "You'll find someone...", she is in a way giving him permission to move on from her as well, to leave the graveyard that was their relationship. She hopes for him that he'll find someone who will bring him back to life to, and she even thinks that Wade found that person already, found that in Logan. Now that she let go, she's telling Wade to do the same. To let her go.

The three different instances of "you'll find someone / i'll find someone / you'll find someone" really represents the progression of the breakup and the healing from it. At first, it's a way to convince herself that she has to leave, that she isn't made to handle this. By then, none of them have moved on. Then, it's her finding her own way of happiness, admitting that she's moving on. And the last one is her telling Wade to move on too. By the end of the song, their relationship has definitely ended, it's over for good.

"So long, London".

[rjthirsty]

Bound Forever

Gilbert/Reader Roderic/Reader

Words: 2k

CW: Major Character Death. Angst. Tragedy. Grief. Smut. Route Spoilers.

A/N: @scummy-writes did a piece on Gilbert dying called Normalcy Bias that inspired this piece. We've spoken at length about our Gil headcanons, and I admire her as a writer, so I wanted to give myself a chance to mimic the depth of emotion I read in her works. I'm honestly hoping to cause some tears with this.

Gilbert had disappeared again.

It was always terrifying when he vanished, because you knew the only reason he had for leaving without saying a word - he was unwell. Like a wounded or sick animal, Gil removed himself from the palace to find a place he could rest until either he felt better or he perished. Thankfully he had always returned, but you still hated every time he left, feeling helpless and worried sick that you might not see him again.

Walter knew before you did. He always knew when Gil left, but he wasn't allowed to say anything. That, in itself, was a giveaway on why you couldn't find your husband. Just looking at Walter these days answered the question for you since you had danced this routine enough times to know when Gil had told him to keep things from you. Today, Walter refused to make eye contact with you when you visited his office in the medical ward, pretending like he didn't see you enter. You didn't even need to ask. That was enough.

Roderic knew, though he didn't know where Gil ran off to, or even if it was the same location each time. Walter was likely the only one who truly knew where Gil was. Roderic was painfully aware whenever Gilbert disappeared, scared that his master - his friend - would never return. Since you became a part of their lives, Roderic would stay with you on those long days that Gil vanished and the two of you would hold hands and try to keep each other's minds off the possibility. Neither of you wanted to voice that possibility.

As night fell, the black castle felt darker and more hollow without Gilbert's presence. Alone in your shared room, you restlessly waited for your husband's return. Some absences would span a few days, some only a few hours. Today turned to tomorrow, and a sleepless night passed you by with still no word from him.

Another day with Roderic for company. Another attempt to keep your thoughts from spiraling to the worst case. Perhaps baking would help. Gil could return to an abundance of sweets and maybe, just maybe he'll understand how hard it is for you when he goes off like this.

Another dusk leaving you alone with your fears for company in your shared room. Another sleepless night. Another morning that looks more gray than the previous. Three days was the longest he had ever spent away. It had only been two. There was still hope he would return, though that hope was a candle in the fury of a storm right now, barely keeping lit.

“You need to sleep.” Walter scolded.

“I want to see him as soon as he comes home.” It was a silly reason to keep yourself from sleeping, but even if you attempted to rest, you'd be haunted by the thought of him dying somewhere alone. He was alone right now. Alone and sick.

“I'll wake you when he gets back.” Roderic offered.

You're tired. A short rest would be good for you, but… “I'm scared.”

The tears start falling as you hug yourself. Walter looks away, cursing Gilbert for putting you through this. Roderic watches you, unable to offer any assurances. He's scared, too.

Laying on the large bed you share with your husband, it feels so cold and empty. The sunshine doesn't touch here even with the curtains opened. Your pillow is wet from your tears. You can't seem to quell them.

“I'll be right outside,” Roderic promises.

What good would that do? You're still alone in this large room. Exhaustion weighs your eyelids down until you fall into darkness.

You wake into darkness. The large windows are filled with the night sky. The room has no candles nor lamps lit. A shadow stands near the bed, far enough that his presence is hidden but the dull, midnight light from the sky beyond the windows outlines his form. His black hair shines like obsidian and you draw in a sharp breath.

“Gil?” You whisper his name, fearful that the slightest noise would wake you from this dream and he would fade away like an apparition.

He doesn't answer. He's not really there. Again tears well in your eyes and stream down your cheeks.

“Don't cry, Little Rabbit.” He steps towards the bed, out of the shadows. “Did you miss me that much?”

His red eye gleams from the starlight. His smile is perfectly placed. Now that he's closer you can see the layers he's wearing, still in his cloak, he must have just arrived. You glance towards the door, wondering why Roderic didn't wake you. The closed door gives no answers, though it is clearly late so perhaps he went to bed.

Throwing the blankets off, you jump out of bed and run to your love. You throw your arms around him and nuzzle into his chest and the tears come faster. “Yes, I missed you that much!”

Shakily drawing in breaths between your outpouring of feelings and the sobs you try to swallow down, you continue as you cling to him. “Everytime you leave like that I don't know if I'm ever going to see you again! It's been three days! I thought the worst and I couldn't sleep and you can't keep doing this to me!”

Slowly, Gil's arms wrap and you. Gently, he rubs circles on your back to soothe you. He leans down to softly drop a warm kiss to your forehead. He has no words to comfort you. He makes no promises. He never does.

“That was the last time.”

Except, this time he does.

He's warm in your arms.

You draw back as the horrible realization hits you. Looking up into his single red eye that holds more emotions than Gil ever expressed, you take a step backwards. Shaking your head as if it would do any good to convince yourself this wasn't happening, you back up another step.

“No no no. No. Please. No!” A third step has you stumbling into the bed, falling onto it. You can't even feel your legs anymore.

The man posing as Gilbert slowly came closer. The man who hadn't woke you on your husband's return, because he had never returned. Roderic delicately cups your jaw. Warm hands. He wipes your tears, even as new ones fall. Warm fingers. He speaks in such a sweet voice. A voice you love. “It's alright, Little Rabbit. You won't have to miss me ever again.”

Grief so deep you never thought possible drowns your heart and sobs wrack you. Warm lips kiss your eyes as your pain pours out.

Somehow he was on the bed next to you and you fall against his shoulder. Warm arms hold you close.

He murmurs words of affection and hushes soothing encouragement. And when your sobs finally die down to hiccups and gasps and shuddering breaths, you find a handkerchief already in hand to help clean your face. He guides you through the movements you are too numb to manage on your own.

His lips touch the corner of your mouth. Dazed, you turn towards him and your husband's face looks so forlorn. Fingers touch below your chin, lifting it for lips once again to touch yours. So soft. A slow blink from you and you find your voice.

“Roderic–”

“Gil.” He corrects, and the offer is so tempting.

You knew this was always the plan. You hoped it would be a long time from now, and you had pushed it from your mind. But the time has come and now… it would be so easy to close your eyes and pretend it was all a bad dream.

“Gil.” You repeat, your eyelids falling close.

“That's right, Little Rabbit.”

It's his voice that gusts across your lips. 

A nibble on your bottom lip and a longing sigh rises from your throat. It's his teeth that catches you, so familiar in pain and pleasure.

His tongue touches yours and you can almost believe that he's still there with you. Your mouths move together, chasing the memory of the man you love through clumsy movements that aren't quite right.

It hurts so much. Your chest aches and head throbs and you just want to forget. 

Fingers find clasps, and pull ties, and brush clothing from both of your bodies. Were they yours or his? Does it matter?

Teeth sink into flesh and tongue soothes the pain and your body responds to the training you've endured to appreciate the way his love feels on you. Marks blossom on your skin from his mouth that burns too hot.

Your eyes burn, tears forming between eyelids squeezed tight.

Your chest burns, bleeding out from the inside.

Your groin burns, desire whispering sweetly that if you just let go it'll be alright.

Think of him.

Think of him.

It hurts so, so much.

Your fingers tangle in his hair. His fingers push inside of you. You cry out his name as he rubs along your inner walls, exploring you for the first time, finding the places that cause you to buck into his hand and whimper and moan.

He learns quickly. He has always known.

New overlaps with old as your husband touches on memories from times before. Building that sweet ache in the pit of your belly. Causing your cunt to throb and drip making lewd sounds that your lusty moans overshadow.

You're on your back and he's over you. When did you lie down? He pulls his fingers out of you and you whimper in frustration. You were so close to covering the hurt in your heart with the pleasure of climax and he snatched it away.

He's gone.

A single sob breaks between your gasping breaths. Tears brim again between your closed eyelids. They fall hot, so hot down the sides of your face. You're empty. Alone.

His cock touches your wet folds and you crack your eyes to see your lover with damp lashes. He looks away and buries his face in your neck as he buries his cock inside of you. Your back arches and thighs cling to his hips, as he clings to you with strong arms and roaming hands.

He pumps into you and you can't help but rock with him to squeeze and drag and churn his dick inside of you. Fingers digging into his back. Nails biting skin. He gasps and whimpers and moans near your ear. You love to hear him. His teeth dig into you. It hurts so good.

You're not alone. Your voice grows louder. He's relentless. Pounding your sex and knocking every moan out of you. Biting you again, and again, and again. Your cunt clenching tight as the pressure in your pelvis reaches a tipping point.

His thrusts turn too eager. His rhythm lopes out of pace. But you're so, so close! Please! Just– “Ah! Gil!” His hot hands grip your hips and he slams into you finding his rhythm again and he moans and heat and orgasm and shivers and spasms snap through you.

Your thoughts go blank, flooded with relief from the throbbing from before. Euphoria washes over you, wave after wave as your cunt continues to clench sending another crashing over you, then another. Gil slowed down his pumping to ride out the squeezing milking his cock. And just as you finally thought you were coming to the end of your climax, Gil thrusts deeper, his pelvis flush against yours, trying to push further still as he spills his seed into you.

You gasp. He breathes heavily on top of you. You hold him pressed against you– too hot. So hot. He's stifling. He clings to you. He needs you to smother his own pain. Pain you understand because the both of you share it. Pain neither of you can ever talk about.

He's gone. The two of you are together but his absence in this room you share with your husband is felt, as if there was a void that could never be filled. You hold each other, your hearts bleeding for the same person. Silent tears will be shed and it hurts. So. So. Much.

[mikaela-the-slut-expert]

Hiii! I have a request.

Something that starts with smut and ends with angst.

My idea is that Hualian and we would be having casual sex, until one had the idea to try to do something rougher. Of course, before doing so, they asked for our consent, and believing that it would be no big deal, we accepted.However, after the first slap we receive, s/o ends up being a little shocked and scared, but not wanting to spoil the fun he kind of accepts.The smut would continue normally, our character would break even when he was in a position that was kind of "suffocated" (it can be the one that the person takes in the ass and in the mouth at the same time, wow it was funny to write this 😂), and because he can't breathe properly and already feeling pain due to previous actions, the character starts to cry and pats the thigh of whoever was in front of him. As soon as his mouth is freed, he speaks the safe word while his body trembles in terror.I would like it to end with anguish or comfort, but I leave that to the writer's discretion!

The idea in general is this, but if you feel that an ending with only dialogue doesn't look so cool, you can include a soft smut!!Thank you for your attention and please take care of yourself ;) Also, sorry if there were any grammatical mistakes, English is not my first language.

Too Much

Hualian x gn!reader

Tw!!! Safe word usage, NSFW, slapping

I just don't feel like my writing has been up to par lately y'all 🖐️😃🔫

____________________________________

You're sandwiched

Literally.

It's one of those nights when all three of you happen to be free of duties, and all of you are home. So what do you guys do when you're all home? Have sex.

It's nothing over the top, just casual, cuddly, sleepy, gentle sex. Hua Cheng is slowly fucking you from behind, but just because he's slow doesn't mean he isn't reaching deep. His dick is big and Hua Cheng knows how to use it, effectively hitting that spot that makes you moan and cry for more.

Xie Lian sits on the edge of the bed near your head. He runs his fingers through your hair and every so often he'll share kisses with you or San Lang. No one knows why and nobody asks, he just has a thing for watching.

You're lying on your back, eyes shut, with soft whimpers at Hua Cheng takes his time with you. Xie Lian runs the back of his nails across your cheek to get your attention. "Baobei, do you think you would be alright if this one were to get a little rough with you?" He hums softly smiling down at you.

Xie Lian always asks, he never dares to put his hands on you without permission. San Lang stares and waits for your answer, because although he won't be hitting you he'd like to fuck you deeper if you'd allow him to. And of course you trust your lovers wholeheartedly, you've gotten rough before so what's new? "Yes, that's fine"

As soon as yes slips past your lips Hua Cheng takes the invitation to quicken the smack of his hips against your ass. He loves to fuck you fast and deep, he really just likes to make you feel good. You yelp when he suddenly flips you onto your stomach and plunges into your hole again. Hua Cheng easily manhandles you around, bruising clutch on your hips and thighs.

Xie Lian catches your attention when he moves in front of you so that your chin rests on his soft, milky thigh. You go to say something to him but you're interrupted when his hand slaps across your cheek. "Don't speak unless you're spoken too, Qin Ai De"

It was relatively normal. It wasn't unusual for Xie Lian to get a little rough with you and make rules for you. It wasn't uncommon for him to say degrading things if you had allowed him to. The slap hurt and you're barely able to process it with how rough Hua Cheng is fucking you. It honestly leaves you a little frightened and on edge. You don't know why, this is a relatively normal bedroom activity but today it doesn't sit right with you.

Maybe you're just overthinking it, so you let them throw you around some more and you let the night keep going. It's not until later into the night that everything goes horribly wrong.

Hua Cheng is still fucking you from behind but Xie Lian has no joined in on the fun and he's fucking your throat. Also not uncommon. It was usual for you to let them do this, keep all your holes filled at all times. You enjoyed it usually but today it feels awful and no matter how much they fuck into you or talk to you, you don't feel good. Your skin pricks with discomfort and you can't stop squirming which had earned you a few more slaps.

You haven't said anything though, you wanted to make your lovers feel good they deserved that much but you can't. You feel like you're going to hurl on Xie Lian's dick if they don't stop. You feel disgusting, and smothered. It feels suffocating.

Tears align your vision and your hand smacks against Xie Lian's thigh. Albeit confused, he immediately pulls back and Hua Cheng pulls out as well. You cough and spit up mumbling the safe word through harsh pants and that's all it takes for them to know tonight's done.

Hua Cheng gets off the bed and you don't really get an opportunity to see where he went because Xie Lian holds your face in his hands. "What's wrong? Did we go too far, baobei?"

You want to answer but you end up just sobbing in his hands. He lets you curl up on his lap while he threads his fingers through your hair, cooing at you and telling you that you had been very good, that you had done well. Hua Cheng comes back with warm towels to clean the three of you up, and he carefully washes whatever swear or stickiness covers your body.

It's silent for a while, not an uncomfortable silence, calm and safe. You eventually speak up. "I'm sorry... I- when you slapped me I got scared and it just set me off for the whole night. I don't know why, I'm sor-"

Hua Cheng kisses the corner of your mouth to shush you. "Sorry for what? You do not need a reason to feel unsafe or uncomfortable. We'll always stop if you are. Do not feel sorry for us" Hua Cheng lies atop of you like a log. His face is scrunched, like he's personally offended at himself for not noticing.

Xie Lian runs his fingers across your cheek, peppering soft kisses across your face. "It's alright, this one apologizes. I won't slap you in the future, Qin Ai De. You know we love you dearly, we would never hurt you purposefully. You must tell us immediately next time Y/n we don't wish to make you feel this way ever again." his brows are furrowed and you can tell he's probably beating himself up over it.

You don't feel suffocated anymore. You nuzzle Xie Lian's leg. Mumbling a soft "Okay... M'love you both"

They both know that there won't be anymore sex tonight so they both cuddle up next to you and dote on you until you fall asleep.

[acerikus]

G o d. All gekkos' outertale posting makes me wanna talk more in depth about the characterisation and plot issues in this game and why they bother me...

(readmore bc holy fuck this got long, it's probably like 5k words. It's also pretty much all salt, categorised by character)

Toriel

Why. Why is she like this. Kinda feels like the creator of the game hates her and if they don't, they have a weird way of showing it. She's treated as overdramatic and unjustified in her anger at asgore despite the fact that he DID declare war on humanity and he DID willingly let the people believe he was killing human children to harvest their souls. Even if he didn't do it for real in this game, she has every right to be angry and to not trust him, and it CERTAINLY doesn't make her undeserving to be a mother or whatever. Idk about you, but I don't think wanting kids to stay away from a man yelling about wanting to kill every child that crosses him makes you a bad parent, even if it turns out he didn't really hurt anyone y'know?

They also REALLY zoned in on 'mother' with her in a way that doesn't really make sense here. I could maybe see her feeling guilty for making a snap judgement but how would that call her motherhood into question?

Sans saying isolation messed with her makes no sense too!!!! The outerlands or whatever they called the ruins isn't sealed off in this game, other monsters seem way less intimidated by her in this game than in undertale (she has friends! She knows sans by name and goes to napstablook's shows and even has their phone number!), and we outright get told she takes the taxi to get her groceries... Meaning she headed off to the rest of the outpost and probably does that often enough.

All things considered, Toriel seems fairly well adjusted in outertale, at least by outertale standards. Kinda then makes it feel like everyone's just trying to convince her she's hysterical and that... Sucks.

Also the fact that they added an ending where you stay with her and framed it as a bad ending that doomed everyone is... Really mean? It sucked ass I'm sorry :/

Sans

... Why is he like this. This take on Sans is absolutely infuriating tbh. The only positive I really have here is that his puns are kinda good, I've seen fangames that fuck up this element massively and it was kinda fun to see his interactions in starton.

Okay, back to salt. His whole 'i became a sentry to help humans' thing is trash. He didn't care about that in ut! He didn't care about that at all! The only reason he looks out for frisk is because he made a promise to toriel, and he hates breaking promises. He didn't want to let down his friend.

...Huh. realising this is yet another case of Toriel disrespect somehow. Yet another thing they took from her, that they then just... Handed over to sans instead. :/

His lack of backstory. Look, I get wanting something silly, but they took almost everything that makes sans interesting away. Not hyperfocusing on sans like certain aus do is nice, but it feels like in a lot of situations in this game they overcompensated by a long shot.

No mysterious past/origins. We know he worked with alphys I guess but???? Honestly I have a LOT to rant about for that part so I'll leave it for twinkly's section. And yet despite all this, Sans inexplicably bleeds in tpe when not even undertale has that happen? Make up your mind!

His role in non Asriel chaotic also... Sucks ass. I'm in a pretty awesome corner of the fandom in terms of the people I follow and the takes I see as a result, so if I'm honest, when I saw all those posts about 2024 fanon sans being indifferent to his brother's murder, I kinda just figured they were vaguing about this game. You're telling me that sans of all people just shrugs off you killing everyone and complains a little bit before letting you pass?! He should know alphys already ran off. He should know the only person left to stop you is asgore, and that it's obvious he won't. Part of this could be connected to how frisk is written perhaps, and much like the twinkly situation, I'll have much more to say on that further down.

I understand the creator didn't wanna have a sans fight in their game - however, if that's the case... Maybe come up with a reason for him to NOT show up in the last corridor, then? Have him busy helping with evacuations or something, or already dead like in the first chaotic ending... This was just sloppy.

Papyrus

Honestly he wasn't... Terrible. The phonecalls were fun even if most were cheap references (though they can be fun in fangames sometimes so I'm not mad at this lol). Him being extremely talented at making spaghetti is just one symptom of one of this game's biggest flaws, however. I really don't like how nobody's really allowed to be bad at anything or have any real struggles in this game - especially when spaghetti in undertale is used to demonstrate his relationship with undyne and the similar wavelength they're on when humans aren't involved. She's the one who started teaching him to cook it, it's deeply intertwined with his desire to be a royal guard, and it's something they suck at together. Him just inexplicably being good at it is... Weird, and feels really disconnected from their friendship and her reluctance to let him in the guard yknow?

Also: his boss final phase. Having the dog NOT take his special attack away this time was really funny admittedly but... Idk? Not only is the fight really unfair for pacifist/neutral and those who aren't as good at the game (ut never gets this hard outside of geno), it feels way too on the nose in terms of insisting he's strong and has powerful attacks. Undertale didn't need to overcompensate to get across that papyrus is strong and disciplined and the way you have to infer that in undertale is way cooler. I might just be nitpicking with this point tbh but it's whatever. Letting myself be a hater for once.

And don't get me started on him getting together with Mettaton. It seemed to come out of absolutely nowhere, the idea that they were already friends in this was glossed over really quickly and no time was really put into developing the relationship save for papyrus commenting on finding him attractive every few minutes.

Gotta be honest, I've never been a fan of this ship nor understood its popularity. Papyrus very briefly mentions thinking he's attractive in undertale, but it doesn't really go anywhere and I'm not even sure mettaton knows he exists. It feels like it was just kinda added because it's a popular ship and that's it, not sure it really contributes much to either of their arcs. It was a light-hearted celebrity crush in canon and never really tried to be more.

Oh, oops. Had more to say here than I thought.

Undyne

Not much to say here... I think she was okay, there's nothing super bad with her. I do think the way gerson kinda downplays her/lacks faith in her in the chaotic route kinda sucks and I think choosing to make her non-undying chaotic bossfight harder sure was A Choice, but it's whatever. Undying was weirdly easy in a way that didn't do her much justice. Honestly they didn't do enough with her for me to have a wall of complaints and I can't tell if that's a good thing or not. Her relationship with alphys didn't really amount to much and her lack of understanding of human culture doesn't really hit as hard when she's just talking about random sci-fi things that we have no way of knowing are real or not in this game's idea of the 2600s ourselves, y'know? Her love of anime (that she mistakenly thinks is human history) is pretty absent here except to validate her relationship with alphys in a very shallow way.

The Ghost Family

Hoo boy... Was gonna make this the mettaton section, but I wanted to talk about napstablook at the same time, so I'm just gonna lump them all together.

What. What the hell was this plotline.

It feels like they tried to go for 'smalltime farmer chases passion for stardom after feeling unfulfilled at home' and as I've seen someone else say, 'shy business owner struggles to talk to their cousin outside of work'. This would've been fine tbh, but... There's a lot of things in the execution of this that kinda grossed me out if I'm honest. I don't think they were intentional, but I think it could've been thought through a lot better to avoid some unfortunate implications - or even lean into them in a respectful way.

Firstly, the ghost family intervention was pretty long, awkward, and didn't feel like it really added much - especially when most people playing would already know mettaton's backstory anyway (and his house is still accessible like in undertale!!!!! What was the point?)

Mettaton airing out his family issues on live TV feels very ooc - he keeps that stuff very close to his chest and I doubt he'd like it getting out. Him entertaining any of that out in the open seems... Weird.

Speaking of the intervention, his cousins' treatment of him was horrifying! Part of it seems intentional and it's nice that there's at least one part in the game where characters are allowed to have flaws and do bad things but... There's also elements that feel like you're meant to agree with them? Their insistence that mettaton just come home and everything they did in the past with constantly badgering him to come and help out on the farm were rightfully treated as something that hurt mettaton's feelings and that gave napstablook and the others pause. That's (mostly, we'll come back to it later) fine. He called them out for it and they reflected on it, cool. The way his ghost form was utilised makes me extremely uncomfortable, however.

Napstablook talks about hearing 'the real [mettaton]' in the recording, right to his face, 'the real mettaton' in this scenario alluding to his ghost form. Considering mettaton is a trans allegory, this feels... Kinda gross? In a similar vein, when passing mettaton's quiz barriers, one of the questions is 'what is mettaton's true identity' and you have the option to deadname him (using a name papyrus literally just made up in undertale rather than having any kind of creativity ofc) Alphys' reaction is simply to ask how you know that which... Doesn't feel great. The correct answer is 'mettaton' ofc thankfully, but everything around this particular plot point feels weird. Maybe don't do that w the most prevalent trans allegory character..?

And ofc, they keep insisting he just come home, go back to working on the farm, go back to his family... Idk, gives me vibes of someone abandoning their shitty transphobic family and then insisting they want to see 'the real [deadname] again' and for them to abandon their new life and just go back to the way things were before. Not good.

All of this would still be okay for the most part since the ghost family are painted as being unfair to mettaton... But in true pacifist, he goes back to helping out with the farm anyway and talks about how he thinks he was probably just being dramatic after all, and how 'blooky didn't do anything that bad'

... What?

It takes me right back to Toriel's treatment. Napstablook, Maddie and lurksalot gave no real thought to mettaton's feelings, made it all about them and showed pretty much no support for his transition nor his career! Fuck those guys! It's funny - mettaton is pretty consistently a pompous asshole (affectionate) in undertale but here, I think all his feelings towards his family were COMPLETELY valid. Mettaton outertale didn't do anything wrong.

Lurksalot didn't feel like they contributed much to the story either, save to be yet another character treating mettaton like shit with zero consequences nor narrative judgement. They just made every ghost family event even more drawn out.

And then ofc!!!! Mettaton and Alphys' friendship is so bland in this game! They're two people who kinda know each other and she says some nice things about him in a letter in chaotic but that's about it. Their friendship and the subsequent conflict frisk's arrival brings to it in undertale is the heart of hotland and the core, but here it's just replaced with unnecessary, hard to watch, boring family drama. The two of them have no issues to work out. She doesn't ask too much of him. There's no funny quips and barely any chemistry at all. God forbid either of them have any real flaws.

One last thing: I'm glad maddie gets her mew mew body, it's nice. Wish it was an on-screen moment or something alluded to more though. Some of that time dragging out the family drama could've been used on that instead, y'know? Especially with napstablook getting the mew mew doll... Genuinely thought they were gonna show it to her when they first got hold of it, rather than dragging Frisk into their intervention. She should've gotten to be more mad, too. Kinda a big part of her identity.

Oh, and mettaton's no-asriel chaotic fight was bullshit. It was a nice spamton reference and the first phase was cool, but the second was utter bullshit and dragged out the fight way too long. Attacking him after snapping all the wires should've killed him im sorry. It's even more of a shame bc I genuinely really liked this game's mettaton neo fight - it was fun and creative and felt possible.

Holding myself back from adding any more to this bc I could go on and on, ugh.

Alphys

Alphys. For a game that tries to make her the star of it, it's actually kinda impressive how much they managed to take away from her and just how uninteresting she is in this game.

At the surface level she's awesome, powerful, and the star of the show. In my first playthrough I was actually pretty happy to see her thriving like this! The more routes I played and the more I thought about it though they just kinda... Declawed her. Took away all her flaws. Made her 'perfect' in a way that I don't think works at all.

The amalgamates never happened. None of her experiments went wrong. She never hid away from her mistakes, or lied to anyone (save for keeping Asgore's secret, which she has no negative feelings about), nor did she over engineer any situations to make herself seem cooler. She doesn't argue with Mettaton! She's confident and assertive! She's Asgore's right hand woman and next in line for the throne! And ofc, the badass final boss! What's not to love?

...But none of this is Alphys, is it?

Her anxiety isnt just because of the determination experiments, it's pretty clear she's always been a pretty shy and nervous person. In fact, based on her entries they were one of the things she was more confident in before it all went wrong. People are hard, but she knows science, y'know?

She doesn't get to be flawed or interesting - despite her presence, she's just a generic cool scientist who's suave with the ladies, I guess..?

She isn't particularly dorky, shes overly confident, she has zero issues to work through. Her relationship with undyne is perfect (derogatory) and her infodumping about anime just before the archive feels very forced, like they remembered last minute that she does that and thought it should be included somehow.

Depicting what she'd be like in a scenario where the determination experiments never happened is a fun and interesting idea! But deltarune demonstrates how to do that well, and I think they completely missed the mark. The way she talks, her body language, the way she acts around others in general... These things are universal constants and yet in outertale, she's basically a different person entirely.

Outertale alphys isn't allowed to lie (save to cover for asgore Secretly Being A Good Person), she isn't allowed to miscalculate, she isn't allowed to mis-speak or make mistakes or do anything she'd regret. She feels like an alphys written by someone who hates her in canon and thinks all her flaws make her terrible and unlikable. I doubt this is the case since I don't think a person like that would've given her such prevalence, but that's the level of love and attention I feel was given to her writing here. It makes me sad.

And, of course... The DT experiments and her fight.

... Why did she have vials of determination if all the humans are alive? Did she take it from them? If so, was this before or after they went into stasis? We know she's not been the royal scientist for long in relation to how long humans have been falling, so did ROMAN take the determination? How much of this did she even DO?

Why did she and sans even DO anything with determination? It... Doesn't really make sense.

Speaking of determination, why did she melt at the end of her fight? I'd assume she's injected herself with determination as one of the vials in her lab is mentioned to be partially used, but I'm pretty sure it's also like this on pacifist. Was that overlooked? Are we just meant to assume it's MORE depleted? Does she just have natural determination now because She's So Cool And Badass? This isn't even really a complaint about the fight, more just how poorly that part of her lab is handled lmao

But getting into her fight... Idk, it didn't really feel like her. A lot of it was just random bullshit that was hard for the sake of being hard, that didn't really seem to be tied to her identity very well at all. People complain a lot about the Zenith Martlet fight in undertale yellow but that's done far better than this, imo. It clearly reflects martlet's character, personality and canonical bullet patterns (we see Alphys' in ut tpe!), there's a genuine feeling of progression in the fight and the act you're given to help with the fight feels more effective - you can still damage her on her turn, so taking a turn to heal act doesn't feel like a waste. The Asriel acts though... They just don't last long enough to feel that worth it? Sure they're okay, but in general, you get a lot less time to breathe. Martlet's fight lets you retry from phase 2 if you die. Sans' in undertale gives you as many turns as you need to heal while he's sparing you. Alphys' fight just feels like it's made to feel un-fun and painful throughout in a way that just isn't worth it, and doesn't really feel like it fits her personality either, y'know? The fight was just a slog and like many others, I had zero motivation to finish it legit. I don't think it helps that the undyne and mettaton fights in this route are fairly easy and simple in comparison.

Tldr: they took away everything that makes alphys endearing, fun and interesting. This isn't alphys at all.

Asgore

A huge chunk of this essay accidentally got deleted, including my first attempt at writing this section. In it, I mentioned that the Asgore apologism went way too far.

This time though, I don't think I'd even call it that. Reflecting on it, it feels less like an attempt to defend him and more like a way to hate on and spite Toriel.

Seriously. So much of his character basically just feels like someone going 'fuck you toriel. I'm giving EVERYTHING to asgore.'

It's... Really weird?

Asgore having a way out of killing humans is an interesting concept! Outertale takes place 500 years in the future compared to undertale, so the idea that they have the resources and technology to do that is kinda cool and in theory, exploring this idea sounds really fun. In practice though, it feels like it was mostly done to make Toriel out to be an asshole for no reason and to laugh at her for ever assuming he would've really killed anyone (despite... Y'know. Telling everyone that's what he was doing.)

He just. Completely moved on from Toriel without a second thought seemingly, and doesn't even look that affected by seeing her turn up again - meanwhile SHE'S got crumpled up tea recipes in the trash and all the Sad Divorced Energy - it doesn't really fit either of them! Toriel wasn't really given a reason to miss him like that, and I think even if he DID fully move on, he'd be way happier to see her than that.

All his leading statements on how she must feel in LV1 pacifist sucked ass also, especially with the way she kinda just agreed that yeah, she feels like shit for not trusting that he'd suddenly do a 180 and not hurt anyone (AGAIN. AFTER HE CONTINUED TO LET EVERYONE BELIEVE THIS) and that she must feel unworthy of being a mother. She hadn't even said half of this in front of him yet! He put words in her mouth! That in itself would be fine (social blunders are pretty normal for asgore after all) but it... Wasn't treated like that. It was handled as if this was a sweet and compassionate thing for him to say which... Yikes.

And ofc he gets to adopt frisk, and monster kid, and get to have Asriel live with him! His fatherhood is never called to question in undertale, but ofc Toriel's motherhood has to be here. Hell, despite their divorced status, if you talk to gerson in tpe it's highly implied frisk asks if asgore would start aging again if he became their dad! Idk, all of this part just reeked of Toriel hate and nothing more. Asgore is just yet another character to get sanded down and de-clawed and it sucks. So much of what makes him interesting is his mistakes and flaws and how they impact him, y'know?

Twinkly

I wanna start this by saying I don't think his writing is too bad. It's not amazing by any means but by outertale standards, he's one of the better written characters. That being said, Flowey is my favourite character of all time so I'm still gonna be critical.

So they did save the goat. Save the goat aus really aren't my thing nowadays - I feel like so often people act like he's a separate person to Flowey entirely and act like the alarm clock app dialogue doesn't exist. Asriel didn't end the story as a doomed tragedy fated to fade away! Flowey ended the story as someone who finally got closure on the loss of his best friend, and can finally learn to move on, even if it takes him a while to adjust. I don't think he needs to be a goat again for that.

That being said, I know these kinda aus are a big wish fulfilment thing for a lot of the fandom that aren't even necessarily something people want to be canon as much as they just wanna explore the idea and see him truly happy, so I won't judge that element too harshly. People are allowed to have fun, and I think save the goat can be fine if it respects him as flowey rather than separating them.

I really like that they allow Asriel to be fucked up and an asshole rather than him soft rebooting into some Sweet Perfect Little Prince once he returns to his old form, like so many other save the goat takes. Even in lv0's ending he struggles to bite back insults and mean comments aimed at Monster Kid which is... Admittedly kinda refreshing! There's definitely some flowey (or I guess in this case, twinkly) behaviour that still comes through here and I'm glad. This carried over to chaotic, too. While his characterisation wasn't perfect, this at least felt like twinkly obtaining a few form and continuing to play with the world, rather than your standard Asriel take. I also really liked that he remembers and acknowledges chaotic if done before pacifist, that was neat and adds to his character (as far as this game goes) I think.

However, onto the biggest, glaring issue I have with him.

Why. Why does he exist.

No, seriously.

In its attempt to make the world perfect, a world that blatantly only exists so the creator could make a save the goat ending, mind, there's no reason for the goat to need to be saved at all. Nor for him to exist after dying back when Chara lived with the dreemurrs.

Asgore isn't killing humans, so the souls don't need to be absorbed by anyone. Frisk can just enter the archive and lend their power to destroy the forcefield themselves, so there's no ultimatum like there is in undertale - there's no implied tradeoff of Frisk's life for the freedom of monsters without twinkly's intervention. In undertale, flowey's messing around opened up an ending that would've otherwise been impossible, something that worked for everyone.

Without him existing at all here, frisk could've broken the barrier just fine. All it really added to pacifist was a couple extra boss fights and asgore being dead for two minutes. And him being saved I guess but again, there's no real story justification for him being here EXCEPT to pat yourself on the back for saving him.

Why was he created? In undertale it's pretty clear - they wanted a vessel to hold all the souls in for now during the true lab experiments. He exists because Alphys selected the first flower to ever grow in the garden and injected it with determination that she extracted from the human souls.

... But all the humans are... Alive and well in outertale? They don't need a vessel to contain their souls. They don't need to extract any determination from anyone. Again, why do they HAVE vials of determination? And why did she inject one into a flower?

AND THAT'S THE OTHER BIG THING. It's established she and sans injected a starling flower for... Whatever reason. SO WHY THE HELL IS TWINKLY A CARTOON STAR?!

This point makes absolutely no sense at all. He looks absolutely nothing like a starling flower nor does he behave like a flower at all, which is confusing if that's what he started as. Honestly, I think it would've made more sense to just keep him as Flowey if they were gonna include him at all, and just have his appearance reflect a starling flower instead of a golden flower.

This applies to his fight too. Mechanically I think it's AWESOME, but the visuals are... Just very very boring. A huge part of why his fight in the original is so good it's the bizarre and chaotic nature of it, the horror elements, and the way so much of flowey's trauma in terms of how he was created and the things he finds scary was put on blast for all to see. The combination of mechanical and organic elements, all the plants and insects... Idk, just going 'hmm he's a star. Let's have him go through a star life cycle' is boring, there's no visual appeal.

If his creation is so vague and wishy washy, this would've been a great opportunity to flesh it out more. How was he created? What kinds of technology and machinery did alphys use to put all this together? How did she (or roman????? unclear) get the determination? What does twinkly remember?

That leads me onto a tangentially related topic - his trauma. I... Don't think this was shown very well. He talks a bit about BEING traumatised from the lab, but telling isn't the same as showing and canon flowey is terrible at hiding it, whereas I'd just as easily believe outertale Asriel made it up for sympathy points. He never really projects, he doesn't force anyone else to experience anything like he did, nothing like that. He's just a cocky asshole who likes killing, and who eventually decides to start being nice.

This game constantly seemed to be speedrunning ways to get him from being twinkly to being Asriel as quickly as possible in almost every single route which... Huh???? It's weird. Would've been nice to let him be a star more rather than just Asriel...

(final amendment bc I lost a huge chunk of this essay originally and had to rewrite it, and I'm realising I didn't manage to fit this in this time... How does a single monster soul let him get his Asriel form again? Sure he's still treated as if soulless and it doesn't make him a good person, but if he was 'so tired of being a star', why hadn't he tried doing this sooner? It makes no sense...)

For a game that exists to give him a good ending, it's so ironic how little he needs to exist at all in this world. Just goes to show what it looks like when you go too far with 'fixing' things or removing stuff you seem 'too problematic' for the sake of being wholesome or whatever.

Chara

Speaking of which... Look I'm just gonna say it. This version of Chara sucks so bad.

Chara is one of my favourite characters - they're really interesting, morally grey, and a fascinating way for undertale as a game to interface with us as players.

They're a child who likely saw the worst of humanity, then found themselves in a home with family who genuinely loved them once they fell down and met the monsters. Their intense saviour complex made them feel like the best way to help their family was to sacrifice their own life to get enough souls to break them free (and once they realised they had control, get payback against the humans while they were at it). They could be mean-spirited and a prankster. They valued efficiency HIGHLY. Their favourite number was nine because it's the limit, the absolute, a way to stop hurting and to stop others hurting.

And by doing geno, you can push this fixation on stats further. Max out all your stats. Gain power. Get stronger. Become invincible. Nobody can hurt any more if the world is gone. And ofc, they stand as the final arbiter of consequences for the player. Your punishment for killing everyone and for pushing them into believing it needs to be completed. Chara both IS is and is separate from us in a way that can't really be fully disentangled and it's really, really cool.

Anyway, enough gushing about undertale Chara. What's outertale Chara in comparison?

... Nothing.

They're nothing.

Outertale Chara narrates occasionally. They're a ghost that follows frisk around, but aren't confined to that, and have been actively wandering the underground since their death. They also still have a SOUL for some reason? This part doesn't really make sense at all.

Other than sacrificing themself and maybe wanting to take out a few humans after Asriel absorbs them, they don't do anything that could be considered bad ever. The most devious thing they ever do is snatch Asriel's diary to leave a silly comment in there when they first arrive at the outpost (sans does this with Toriel's phone in undertale tpe for comparison lmao). Despite what Asriel seems to believe, Chara is completely absent from the chaotic route - never getting corrupted, never caring about our stats, never wanting to hurt anyone, never even trying to make us face any consequences. They're just... Not here. For a character so prevalent in the murder based route of undertale this is fucking wild.

They all but vanish if you so much as say something slightly mean to someone, too! It's strange, makes no sense, and just like with sans, it feels like they overcompensated waaaaaaay too much for the people who insist they're evil. On top of that, if you do chaotic before lv0, they don't even remember chaotic happening! They'd may as well have just been a member of the ghost family who likes following Frisk around when they're especially nice. Like Asgore and alphys, they've been sanded down and de-clawed to be 'wholesome' and 'perfect', and it just results in a bland, boring character who loses anything that made them interesting, nuanced and fun.

'Chara wasn't the greatest person'... Why, though? They don't have enough substance in this game for that line to really have as much impact.

Frisk

I'm gonna be honest - I actually ADORED their frisk at first, and I think that's because I started with a neutral run and ended up drawing them a lot. They felt silly and mischievous and interesting, and this continued into chaotic. They seem pretty chill with what's going on but then take that even further by being hilariously affectionate with Asriel and still doing silly things like being up for picking up the electrodampening fluid or drinking directly out of the fountain. They felt like a funny little mini-kris (save for being okay with all the murder ofc).

Then uhhhhhhh... That's when I experienced the second chaotic ending, the one without Asriel, as well as lv0. I feel like they definitely DID try to lean on the Kris angle on purpose in terms of their feelings on being controlled and stuff but it???? Just doesn't work very well? There's no ambiguity to this version of frisk once you've seen all the routes. Just like EVERYONE ELSE, they're just a perfect little angel who would never do anything wrong and anything past lv0 is just the eeeeeevil player influence or whatever. Come on, we have deltarune for that kinda approach to control 😭 (though even then, Kris is a layered and interesting character who isn't goodness and innocence personalised, and that's why they're cool)

In undertale, we have no idea what frisk is like as a person. WOULD they spare everyone without our influence? Would they kill? Would they be a scared child lashing out in self defense? Would they run from everything, then give up and let themselves die permanently somewhere? We just don't know! We're not supposed to know! It feels like it went back to the very early fandom interpretation where frisk is Good And Sweet and Innocent while Chara is evil incarnate - except this time they're BOTH the former.

It's a contradiction too! Why in the Asriel chaotic route are they so down to follow him, and pet him, and hug him every chance they get if they don't like all the stuff we're making them so? The player has no influence over Twinkly. Every single thing he did, he chose to do, and yet even if the only time frisk has seen him was him destroying their mercy button and forcing them to kill for him, they seem to love him to pieces and go along with whatever he says happily. What.

I feel like they didn't know what to do with Frisk here at all and it shows.

Other characters

This has been ridiculously long, but to quickly go over non-major characters... They did very few things to make Roman seem interesting, the amount of stuff hes implied to have helped Asgore with just reduces even further any influence or impact alphys had, and (a smaller nitpick)... Why didn't he use times new roman as a font when we DID see him speak in the archive/on the signal stars? It's such a missed opportunity...

Burgerpants was fun... Kinda. Developing him like this feels like something that should've happened DURING the actual game rather than before it though because it made him feel like a whole other person entirely? The poisoned food was very funny though.

Why is Snowy now Stardrake when his dad hasn't changed at all and Crystal looks like any other snowdrake? That was bizarre.

I actually really liked the humans! Establishing them as actual characters was really fun, and I especially like justice. Justice, at least in my opinion, is probably the most interesting character in this whole game tbh - someone who tried to do good but ultimately caused more harm than good, while NOT downplaying it, showing the consequences directly, and showing them work to try to make things better. The way we don't grab their item like the others in the twinkly fight nor go through an area for them in the archive (and just talk to them instead) really adds to their intrigue - what are they like? Who did they know? Is there something they don't want us to see? How are they strong enough to not need us to grab their weapon at all to lend their help? I think it's get funny that the only character I'm fully praising is the clover-adjacent one. Justice outertale they could never make me hate you

(that being said... seeing the way this game is clearly just supposed to be a 'fix' for undertale does sour my thoughts on the humans a little. did they only do this bc they thought them NOT being full characters in ut was bad/a problem with it? 🥴 This applies to the additional monster kid story focus too).

Speaking of monster kid... Them being an orphan was clearly just a plot device to give asgore more kids and therefore feel like he won more than Toriel. Monster kid in undertale seems like they probably did have real and loving parents, and they have a sister too!!!! Would've been nice if they'd at least done something with their sister :(

This got... Way longer than I expected, so I'll stop here. But outertale definitely gave me an even bigger appreciation for other ut fangames. My gripes with deltatraveler section 3 feel much smaller in comparison now, if tsus misses the mark on Flowey later down the line they've at least already done most characters so much more justice, and it really puts into perspective all the heart and soul that went into kissy cutie, as well as its genuine love got the source material and characters.

Sorry outertale, you weren't for me. That being said, if anyone disagrees with any of this then that's fine! These are all just my opinions and feelings on it after going through all the routes and talking about it with friends. Media is always gonna resonate with different people in different ways and that's a good thing! If your perspective on any of this is different and if you had way more fun with it, I'm glad you did and I genuinely wish I could've felt the same. I feel like at the very least, making it has probably been a great learning experience for the devs and I really hope they carry on making games and improving their skills. Hope y'all are thriving and having fun regardless 💙

[nicosraf]

I hope its alright to ask for writing tips, i know you have plenty on your plate already so definitely disregard if this is a lot to answer. Was there anything you used that helped you develop characters during the writing process? Like guidelines or tips or even other books?? I wanted to take on writing for fun but I'm quickly realizing there is a lot of,,,, planning and learning that goes along with the writing process. I feel like I have so many ideas and if I don't get them out I will soon explode 🥴

Hello! I always like answering writing questions!

I don't use guides! I've mostly got my own method now, but I've been writing for a long time, and one day, you'll probably have your own method too. I can share with you how I make characters, but try different things! Experiment!

(I also want to emphasize that if you're writing for fun then don't worry about it being good. If you're writing seriously, also don't worry about it being good. Write bad characters, if you want. Do what makes you happy and the work will always be good.)

My rubric for a character, in order of importance (for the most part) is: immediate relevance, themes, arc, background, attributes.

(Note: this isn't the order in which I come up with a character, just how I plot them).

Let me use Rosier as an example of how I typically think of character construction (Note: this isn't exactly how I thought up Rosier)

Initial idea: Lucifer needs a kind figure in his life, maybe someone he lives with. Not Michael. I want him to have a strong platonic relationship. Next idea: Maybe he'll stay kind while Lucifer worsens as a person. Next idea: He should fall but not because of a sin he committed. Next idea: He's older than Lucifer. Next idea: He had a life before Lucifer, too. Next idea: Something, something, fruit. It shows up everywhere in the (imagined) story. Fruit angel? Next idea: Messy, messy feelings about sex.

I start sorting this out as per my little guide:

Immediate Relevance: A platonic relationship for the protagonist, someone who will bring fruits to the Earth. Now what can he bring to this book?

Themes (with an eye for Rosier's relevance to the plot (and its own themes) and the most plot-focused characters' themes): Unconditional kindness, fruit and devil, no ambition, loss of innocence, weakness, not desiring sex (opposed to the theme of others and the book itself), unwillingly creating (while some others are desperate to create), falling from choice, demon who isn't a good demon. How can we structure these themes into a story?

Arc: Rosier, the fruit angel, happily takes newborn Lucifer in. He loves the paradise where nothing ever happens. He has a situationship with the angel who will become the demon of lust. He suffers at Lucifer's hands but forgives him. He loves him. But he doesn't do enough. He suffers at Asmodeus' hands. He chooses to fall. He cares for Lucifer's body. He creates a body for Asmodeus. He follows his friends (again) to a cave of demons. He doesn't want to be alone. He chooses demonhood, despite his kindness. But how can this arc happen to him? (There's a seperate checklist for an arc in my head, with the most important part being "Kill your character." It doesn't have to be literal. Kill them in the sense that they're no longer who they were at the start of the story.)

Background: This arc can only happen because of who Rosier is. And a person is their life, so what is Rosier's life? He was born out of a nova in the sky like a fruit. God hugs him tight, but he won't remember, and God will never meet him, not really. [More about Rosier's background here; this post is getting too long]. What has his background shaped him to be?

Attributes: Is kind, is patient, has learned to be happy with the bare minimum, has learned to make excuses for people. Loves fruits (obviously), likes baking, is fussy. [So on]

You see how all these things build into each other? It's like writing a book in itself. Actually, I think writing a plot and writing a character are very very similar! Because a story is a narrative — a collection of scenes/lines with a beginning and an end, each scene typically affecting the next — and a life is a narrative too — a collection of experiences with a beginning and an end, each experience affecting the next.

You might be curious why "Arc" is above "Background"; again, this isn't the order in which you should come up with a character or anything, but I find that placing big (author-ly) importance on the arc happening in the book/story itself can keep you from falling into the pitfall of "backstory of character is more interesting than what theyre currently up to in the plot." (Also this rubric isn't 100%. Sometimes you have to move the importance of things around. Sometimes a minor character should only have immediate relevance and attributes.)

I hope this is helpful! Good luck!! But please don't worry too much... Just have fun! Write a sexy character and see where they take you

[andypantsx3]

what is one thing you absolutely want to write in 2024?

[moeblob]

Deacon loves two things: Ymber and digging himself a grave.

Fulj hates one thing: Deacon.

[nwarrior777]

yo can I draw your oc's?

omg sure!!!!! 😳 idk how did you found them in this blog, it became kinda messy and i didn't draw any in a while, but i will be very happy to see fanart???

qwq