#or idk something to that affect

[successionable]

what if during the tomshiv balcony fight

shiv: [seething] "you'd be nothing if i hadn't plucked you from the bottom of the corporate shit-pile! i fucking made you–"

tom: [cuts her off] "but you never treated me like family, shiv! that's all i ever wanted! in fact [mirthlessly chuckles] the only member of your family who has ever shown me a shred of affection is the fucking, ne'er-do-well of a cousin you also all hate!"

shiv: [clicks tongue, incredulous] "oh, is that right? [snickering] well then, maybe you should've fucking married him instead of me, yeah?"

tom: [falters, mouth ajar, does that thing with his eyes where they betray his real emotions before his brain catches on, looks down] ...yeah. (maybe he should have.) [looks up] yeah. (maybe it's not too late.)

[pocchi-poket]

You know, I feel like we're not talking enough about the fact that Alastor has in his room a full reproduction (?) of a swamp-forest that's highly likely very similar to the one where he was killed. Talk about being morbid.

Edit: someone pointed out in the comments that the swamp-forest is called bayou. It's a kind of ecosystem in Louisiana.

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[dootznbootz]

Thinking about how Telemachus has heard "You are just like your father" by so many people for most of his life. How different yet refreshing it is to hear said father tell him warmly "You're so much like your mother".

[wasyago]

so, would you?

nothing important under the cut, you don't need to look haha

[myrkulitescourge]

i'm surprised i haven't seen any text posts yet about the Unsubtle Differences between astarion’s tiefling party/high approval forest scene and the one you get after the goblin party.

there’s something so terribly interesting about how the conversation afterward plays out depending on which variation you pursue.

like, most people have seen the tiefling party version by now. astarion basking in the sunlight the morning after, playing off most of what tav says with relative ease, even when they ask about his scars and he tells them about cazador. his cadence is smooth and composed, his smile almost friendly, even though you know, as the viewer, he’s playing a game of manipulation at this point. the only real crack in his demeanor is if tav notices that cazador’s “poem” was written in infernal, which, understandably, startles him.

but recently i watched the goblin party version of this same scene, and everything reads so differently. unlike at the tiefling party, it’s still the middle of the night when astarion tries to leave, thinking tav is asleep—almost immediately after the act, in fact. when tav does speak to him, he’s visibly nervous, halting and stammering in the middle of lines delivered unflinchingly in the other version of the scene. he gestures broadly and fidgets more while talking, his smile comes and goes. there’s even some of his distinctive high pitched, fake laughter sprinkled throughout the exchange, almost identical to later scenes where he's very, very obviously uncomfortable (like if raphael mocks him and magics off astarion's shirt to show the party his scars in act 2, or when confronting the gur children in their cell in act 3, etc etc).

siding with the goblins represents something deeply familiar to astarion, a level of cruelty he's more than familiar with and embraces likely because cruelty and duplicity, to him, go hand-in-hand with the power and freedom he craves so badly—but he won't stay the night with this tav, even if he approves of their actions. no, in this case, he'll keep to what's familiar and attempt to leave them in the forest under the cover of the very same darkness he resents having been cast into by cazador. when he gets caught, it sets him on edge, and everything he says becomes such a blatant lie to save face that tav would have to be completely oblivious not to see through him, or maybe just not care enough to.

but if tav saves the refugees? challenges his worldview and comes out victorious? oh, he'll complain of the poor rewards for his trouble at the party and whine about it being boring, but he decides to stay with tav through the night while they're asleep and on past dawn. he takes a moment to enjoy the morning sunlight, returned to his life after two centuries without. the same is true if you have high enough approval that he asks before the party, in which case, you've almost certainly hit his biggest approval gains: trusting him and supporting his safety. maybe he doesn't trip over his words when he speaks because, well, maybe this is someone he doesn't have to worry about. someone who's already more than proven themselves a foolish, heroic sort with a bleeding heart or otherwise demonstrated that they're already in his corner. in other words, not a threat—at least not to him.

does any of this make sense. i wanna study this guy under a microscope.

[wandixx]

I've seen a lot of different takes on Fear Toxin/other fear causing stuff (Yellow Lanterns Ring or something)(later just called Fear Toxin cause I'm lazy) but here is another one.

Danny seems like he isn't affected by Fear Toxin because his biggest fear is that his accident changed him so much he is no longer human, he can no longer truly experience human things.

So when he gets lungful of fear Toxin, he feels normal. He was antsy before, because c'mon, it's a rogue attack but it's not worse. Or so he thought. Because the anxiety lingers. Not enough to register as abnormal just this slight hypervigilance that makes you see things about yourself and your surroundings that you'd never realize otherwise. He'd realize he doesn't blink as often. He'd realize that if he doesn't consciously focus, he sometimes seems to not touch the ground. Forgets to breathe. He can't feel his own pulse at time. He'd realize people will miss him when he's walking down the street as if he was invisible (people just don't care about everyone they pass by). When he'd look straight into his reflection, he'd look slightly to the left. Not enough to actually name anything that was wrong but just stretched enough to fall on the wrong side of the uncanny valley. If he just caught his reflection in the peripheral vision, it'd be vaguely shadowy creature with glowing green eyes and white smoke instead of hair. Overall he'd be just wrong enough to be distinctly not human.

For everyone else, he'd be just a dude. Literally couldn't find more normal dude than this dude. Will pass as absolutely normal human unless someone is specifically looking for ecto-ghost stuff. Even most magic users wouldn't clock him at the glance

Tldr: Fear Toxin makes Danny perceive himself as some sort of eldritch horror but not enough to make him believe he'd actually be affected, while from outside perspective he's Just A Dude™

[bleh1bleh2]

Step Into The Pink Spotlight

[soapsod]

little wip

[wannabemasterofwindintraining]

I've got the idea rotating in my head but i can't think of a good way to do the dialogue this is the best i could come up with cry cry

[formerprincewille]

Something that really sets Wille and Simon apart from other queer ships is that when we say their love language is physical touch, IT REALLY IS PHYSICAL TOUCH. And I’m not speaking of just sex. Over the course of the show, the amount of touching between them is astronomical. And that’s really something rarely seen in queer media. There may be moments here or there, but often times there’s a lack of physical contact unless it’s for “the plot”. Wille and Simon feel like a real couple in the way they’re always physically reaching out for each other.

[telesilla]

Not gonna go out on this limb on a 25k post, but maybe it’s okay that kids today don’t know as much about using an actual computer as we do/did? Is it useful knowledge? Of course it is. So is using a sewing machine or being able to rebuild your VW with a copy of that one book every VW driver used to have. That’s not the right question—most practical knowledge is useful after all. The question should be “is it relevant to the way people live right now.” “How to Keep Your VW Alive” is a timeless fucking classic; my ex and I kept our copy long after he sold his VW. But I’m not buying a copy now because it won’t exactly help me keep my VW ID4 on the road.

And it’s funny, because I tend to read along with those posts and nod my head, because back in my day we HAD to know all that computer stuff. And then for some reason today, I remembered a conversation my mom and I had with my grandma in the mid 70s when I was a teenager. Grandma made my mom’s wedding dress. She worked at a department store doing alterations on foundation wear, which if you look at 1950s foundation wear, you’ll realize was both necessary and difficult. So she was shocked when I said most of my friends didn’t know their way around a sewing machine. “But how do you make sure your clothes fit?!” Well, Grandma, people don’t wear heavy foundation wear any more and clothes don’t need to be as tailored as they did back in the day—it’s 1975 and the only alterations I need to do is hemming my flares so they just touch the floor when I’m wearing platforms.

Now you can back up and look at the broader picture, the one that says, but your car should be repairable by you as long as you have clear instructions, and you should be able to alter your clothes or make your own, and yes, you should know how to organize the files on the desktop of your laptop. But the fact that for the most part it’s become easier and easier to just not do those things (if they can be done at all) isn’t exactly the fault of Kids Today. And it’s certainly not meeting them where they are or even trying to understand why they feel they don’t need that knowledge if, instead of looking at why they don’t have it and maybe even don’t need it, you just decry their lack of the Deep Wisdom.

[transmasccofee]

honestly one of my fav things that isn’t ever talked about with Kusuo is that he is honestly when you actually examine him, a pretty normal teenager. He’s insecure, he cares a lot about his mom and is scared of making her mad, he gets invested in other peoples drama, he dislikes PE, he hates being spoiled for things, he has an embarrassing crush that his friends judge him for, he has an awkward relationship with his dad and fights with his brother, he wants to be protected.

Like underneath all the unfamiliar stuff, he is honestly Just Some Guy.

[sunbloomdew]

the way to the moon is about holding on (to the promise you don't even remember making, to the person you loved, to the life you never got to live but refuse to give up). it's johnny choosing to be with river time and time again, it's johnny holding on to all the paper rabbits river made even if he didn't know their significance, it's river keep trying to remind johnny of their shared past, it's river giving up her treatment so a place that means the world to her is protected, it's eva and neil trying their hardest to send johnny to the moon, it's eva taking the risk in hopes of making it

the way finding paradise is about letting go (of your mistakes, of the unrealistically perfect life you never lived, of the person who helped you through your darkest times but who now keeps you stuck in the past). it's colin letting go of faye despite being afraid, it's colin keep replacing pages in his book with new ones, it's faye knowing that colin never needed sigmund's help, it's faye telling colin he has to let go of her if he wants to live fully, it's neil and eva trusting faye despite what it means for them, it's neil taking the risk in hopes of making it