#or don't! i wrote it because it needed to be out of my head

[teeldaa]

I wanted to rant a little about Wyll , Mizora and Raphael,their prewrite versions and my issue with how Larian wrote devils and cambions in general and some theories :p This has been sitting in my drafts for a while, I got sick and completely forgot about it ...I think i got carried away with my Raphael theories, because of that i wasn't even sure if I wanted to post this or not(warning:a lot of yapping) And sorry in advance for my bad English :p

Wyll and Mizora first thing that bothers me is i see a lot of people saying Larian rewrote Wyll because EA players didn't like him, but that's not true?!I was looking through Larian's interviews, they either said they’ve redone Wyll because it wasn't working for them, they lost a little bit of narrative room for telling all these stories that he had(x) or they weren’t telling his story as well as they could have done(x)so it was Larian's decision and not players feedback. Pre rewrite Wyll: He wasn't related to Ulder Ravengard, he was a descendant of Grand Duke Eltan,the founder and leader of the Flaming Fist.these are the lines that were datamined during ea(source)

Although Duke Eltan founded the flaming fists, his family had to sell their interest to pay off debt... in the release version if Wyll doesn't sign the contract with Mizora and Florrick is still in jail Cordula Eltan confronts him about Ulder(might be an Easter egg)

after getting caught for thieving, Wyll was sent to flaming fists by his father.he pointed out that he wasn't a good fighter and didn't fit in well there and then one day Spike and his fellow goblins attacked the village

this is the part that a lot of people miss,you could only get these lines if you modded the ea to play as origin Wyll(x) when confronting Fezzerk the narrator said these

Your belly crash into memory, Spike was the one who slashed out your eye this one held your head while he did it

The bile rises in your throat, you hate this cockroach, you hate his chief ,You hate…yourself you'd been selfish,lazy,lustful. you'd all but invited goblins to a slaughter

and If you made Wyll torture the prisoner, Spike would say"The Blade always knew how to throw a party!" So I guess Goblins used throwing a party as an excuse to trick Wyll into letting them in!

I think what they were going for with Wyll was... A nobleman who had to meet high expectations put on him by his status and his dad, went through a very traumatic experience(humiliated, injured, witnessed the slaughter of an entire village)and had no way of fighting back! he was in need of rescue and had no one to help him, so he took Mizora's deal and became the blade of frontiers to prevent that from happening to other people?!

I often see it being said EA Wyll was a "fake hero" or a "glory hound" or … which are not true, He was the only companion who prioritized saving the tiefling refugees over finding a cure, was ready to die for them and would have left the party if you sided with Minthara. He wasn't "evil" he just had more flaws... Wyll decided to break his pact after Mizora asked him to pay "a price he wasn't willing to pay", they were arguing then got kidnapped by mind flayers. these lines are from modded Wyll origin(x) said by the narrator:

one moment you'd been bartering with Mizora for freedom. the next whisked away by tentacle monsters

what was it Mizora had said?oh yes- 'over your rotting corpse'

Spike found Mizora's pod and put a collar around her neck that neutralized all her powers, She communicated with Wyll through his eye and promised to free him if he saved her. Before the party got to the goblin camp, drow came and took Mizora to Moonrise tower and apparently they had"big plans"for her I think this version of Mizora was working for her father based on these dialogues(x)

Mizora: Get .Me .Out of here Wyll: and if i don't? Mizora: then my father will. and your eternal soul will be his.

maybe that "big plans"had to do something with her dad?! The lines that implied she and Wyll might had been romantically involved at some point were these:

Wyll: Don't tell me - someone came to you, an object of desire. made you better. More than better Wyll: Same happened to me. Tav: Someone, yes. who was it you saw? Wyll: An old lover. tempting as a trail of rose petals, and just as fragrant.

and for anyone wondering what does she smell like...

Tav: Tell me more about this old flame of yours. Wyll: A giver and taker. without her, id hardly be who i am, for both better and worse

I kinda get why they decided to change their dynamic, but they made it so much worse... what Wyll and Mizora had was a toxic codependent relationship with a power imbalance but the game was taking it more seriously...in his act1 romance scene You could hug him and make him feel safe. the only datamined Wyll/Mizora interaction we had was this! and this version Mizora is way better! She didn't treat Wyll like a "dog" or use weird degrading pet names. i wish they kept her straightforward and no-nonsense attitude, she had so much personality, probably more content and plot relevancy too She was already lawful evil and the game made that very clear, making Mizora treat Wyll in a super dehumanizing way was just unnecessary in my opinion and it didn't do neither of them any favors. the release version Mizora supposed to be a cambion but she's not really written like one. the most important part of cambions lore is that they are outcasts! They grow up very lonely because they are never accepted by either society, Even in the bg3 artbook it is mentioned that they have to be resourceful to survive "as the forsaken of two races"

They're not always evil, they can be neutral or even rarely good(depending on their mother's alignment). I feel like they were doing a way better job with datamined version of Mizora, You could actually see her half human side more. Tying Wyll to Karlach's story was a bad idea… Zariel's characterization feels kinda off(Karlach called her the biggest liar in all the realms??)and Mizora doesn't exactly seem like the type of person who works for her...Zariel is a warmonger obsessed with stopping the Blood War because if the demons win they will conquer the Material Plane and start destroying things, she's more of a“the ends justify the means” type of evil. Zariel is not into politics of hell, i feel like Wyll should have been forced to fight in the blood war just like Karlach because that's the only thing Zariel cares about. and...if Zariel doesn't own Karlach's soul then why does she want her dead?!Shouldn't Mizora order Wyll to capture her alive?so she can take her back to Avernus? i find it kinda odd there's not an option to ask Mizora to remove your tadpole. I think she should be able to that, In that datamined interaction she had this dialogue:

That's an illithid tadpole in your brain, let it fester for long and you'll be birthing a squid from your head hole. You want that thing out? Brush the dust out of your eye and get over here.

And bg3 has a prequel comic called "Mindbreaker"and a devil(an erinyes who served Bel) did remove an absolute tadpole...

Wyll's transformation into a devil confuses me! The dialogues makes it look much more significant than it actually is...it's just horns, i wonder if Larian was originally going for a more drastic change, bg3 concept art Devils have very distinct features... and btw Mizora turning Wyll into a devil should have cure him, ceremorphosis doesn't affect fiends...

I feel like if they didn't tie Wyll's story to Karlach and didn't change his father, they could have kept most of Wyll's previous content like his ea romance scene which was great And it could still work for the current Wyll. Was all that changes really necessary? And they didn't even give Wyll a unique starting outfit when his Keyart Armor was already in the game files and it looks perfect on him.

Mizora's father Just for fun, there was this Harbs Narbs theory(x) that Mizora's father was Levistus(Archdevil of Stygia) Levistus is the Infernal patron of vengeance and betrayal,His followers are called bladereavers.he is an honorable duelist and his favored weapon is a rapier in that video he said that blade of frontiers tag gave Wyll an automatic rapier proficiency and armor of agathys(Levistus tieflings have that spell) ...and the spell" Tomb of Levistus" was datamined Levistus is described as a tall humanoid male with dark hair, a neat goatee and an extremely pale complexion but would be able pass for a human if not for his pointed teeth and coal-black eyes that practically radiated darkness. Mizora concept art also happen to have "extremely pale complexion" "coal-black eyes"and looks more human compared to other devil and cambion designs...

(I really like this design, specially those small blades that are hanging from her dress. I think the outfit she's wearing now in the game was supposed to be for her human disguise and this was for her devil form) I couldn't find anything else about Wyll, But i think he suffered the most from the upper city getting cut. I am very curious about his EA version's father and his role in the main plot...He probably was the main focus of Wyll's quest in act 3(because Mizora was supposed to end Wyll's contract if he freed her from Moonrise) I imagine this version of Mizora could also become a camp follower, She was tortured badly by goblins so it makes sense that she would help us defeat The Absolute...

Probably not a hot take, but I don't think they should have completely rewritten his entire character that late in development(Just to be clear, I like release Wyll and i think Theo Solomon did an incredible job voicing him.I just wish the narrative treated him better) I completely understand why someone would prefer the current version he's a sweet, loyal and brave folk hero but in my opinion he would have been more popular and resonated with more people if they kept his old self. EA Wyll was more charismatic, chaotic and extroverted, He had A LOT of struggles and flaws but he was trying his best to overcome them and that made him more relatable. The difference between EA Wyll and release Wyll to me is like the difference between Batman and Superman, Batman has a way bigger fandom and more films, games, cartoons and...even though Superman is this uncorruptible and aspirational symbol of hope with so many cool super powers. Another thing I like more was how they were doing the warlock/patron dynamic. The relationship was much more personal and complicated and original version of Mizora was superior in every way (I could be wrong, but I always assumed from the way Wyll talked about the powers Mizora was giving him that the whole thing was some kind of allegory for addiction) that's all i had to say about Wyll and Mizora...

Raphael first the stuff they cut

the most important thing that got cut was his deal that he could solve your tadpole issue in exchange of your soul

in this interview Senior Writer Adam Smith said this:

In one situation, for instance, a devil will approach players with a bargain for their soul. That might seem like an offer to immediately reject, but that deal might also help players understand and control the change happening to their character as the result of a magical parasitic infection.

and in this one Swen Vincke said he is a potential solution for the tadpole problem:

even in the first encounter he says "Oh, A mere trifle. How dear is one's soul, Really?" when you ask him what he wants. ...so i guess that means you could have had Raphael as your patron?!

it was datamined that he wanted the artefact (x) not the crown

the person that supposed to be inside the artefact, helping you and not letting you turn was Orpheus, so Raphael wanted him...for some reason!

there is also this List of All Cut Content!apparently Raphael supposed to be a Merchant and soul coins were there for trading with him...

Raphael the Merchant - Originally Raphael was meant to be a fully viable option to remove your tadpole, in fact the "Soul Coin" items that you collect in game where originally meant to be a powerful alternative currency accepted only by Raphael in exchange for possibly retrieving your soul as well as a long list of incredibly powerful artifacts from the House of Hope that would be sold by Raphael himself.

originally Karlach didn't have her Infernal Engine(x)so that's probably true!

in early access If you didn't give Gale magical any artifact, he would make a deal with Raphael(x) Gale would inform you that he no longer needed anything from you, he didn't exactly tell you why but if you passed the wisdom check the narrator would said this :

You flutter through his mind like a bat through the night and you see… fire. You hear laughter. You smell brimstone. mocking words drift back to you.'This is the House of Hope.'

Origin Karlach could have made another deal with Raphael! she had unique datamined dialogues with him and Korilla

there's 4 unused Raphael models(with different hair style)in the game i see people calling them earlier iterations but they are not, they were datamined all together later in the early access along with companions dream lovers in one room(it was called AA room) They could be for some sort of cut content/quest lines?!

Concept art Raphael doesn't have hair so idk maybe these were supposed to be his different human disguises?! Even in this early live stream he had the same devil model with black hair while his human disguise looked like Lord Farquaad...

this was also on that list of cut content

Mol and Raphael - Isn't it odd how Mol will just escape from Raphael on her own and say it was "easy?" Well it turns out that's because they cut whatever the final leg of that quest was meant to be, instead they allow Mol to escape on her own which more or less skips to the end and around the cut content.

there's one Yurgir line!(you can hear his datamined voice lines here)

now, Leave me. I must prepare for my return to hell, Triumphant.

(thanks @doomsbutt for looking that up) apparently it was supposed to trigger as a fallback for when Raphael can't appear! The tag checked for that dialogue says "Sets if the Last Justiciar contract was completed, but Raphael didn't show up" Currently this is not an option in the game, but we could have just tell Yurgir he can be freed by killing the rats!so maybe there was supposed to be an option that got cut ?!

Astarion and Kith'rak Voss asking Raphael for help were added after rewrite

in early access the game locked you in a cutscene when Raphael visited the camp, you couldn't switch character, pickpocket him or see his health bar!also in ea Korilla wasn't spying on the party

in conclusion Astarion quest, Raphael's dialogues with Karlach and Dark Urge + everything in act3 should be new. Raphael probably originaly had A MUCH BIGGER role, He was mentioned in all the larian's earlier interviews and was on all of the promotional stuff... I think they changed him really late in development as well *take with a grain of salt*larian beta tested the game in july 2022 I heard about that version twice, What they both mentioned that had changed was the House of Hope. one of them said even Hope and Haarlep didn't exist in that version*again take with a huge grain of salt, I heard from someone who had heard it from a beta tester in both cases*

the release version (@tellmeallaboutit sorry it took so long...I changed my mind several times while writing this, then forgot about it for a while...) I know it's because of that late rewrite but in my opinion Raphael's writing in Act 3 is not great!(like everything else in act3) He has a really good set up but it just goes nowhere,his deal just sucks...after Yurgir quest i was excepting the contract to be a song or poem, option to negotiate the terms, and consequences...but nope!nothing! And then you can just go and steal your contract?!(pretty sure that's not a thing, since contracts are magic that bonds your soul to a devil not a actual piece of paper)and even if you break the contract, he won't kill/punish you for some reason. First i wanna rant a little about Hope…i think after they decided to cut all of Raphael's original content, they wanted to give the player a reason to kill him so they made her! she is a prisoner who is being tortured to accept Raphael's deal and...that's not how Infernal Contract works, terms become binding when both parties willingly sign the contract, the contract is void if the devil uses force or even threats. this is from Fiendish Codex II :

The same goes for buying slaves...there's a reason why devils go out of their way to corrupt mortals and offer services, why bother making contract if they could just buy people?! that aside my biggest gripe with Hope is she's not representing hope as a concept , she's very brave and strong-willed but kinda pessimistic. literally the first thing she say to you is"you came. such a shame. curiosity killed all the cats it won't be so kind to you"like??!Isn't that the opposite of inspiring hope? i was re watching her cutscenes and majority of her dialogues are quite cynical...i feel like whoever wrote her and HOH quest straight up confused hope with persistence, strong will and determination! IMO Isobel is a MUCH better character to represent the concept! for anyone who says "Why can't Wyll and Karlach stay in the House of Hope"they cant! Hell is very lawful hierarchical place. You can't just stay there, other more powerful devil will absolutely attack and take over HOH right away after Raphael's death. Another thing that really bothered me about Hope's situation is that it doesn't really line up with what Raphael was saying earlier... To make it easier to explain what I mean, i tried to analyze pre-rewrite stuff separately first: *Disclaimer:I'm not talking about current canon of the game This is mostly just my thoughts and speculations as to what his character and story might have been before the rewrite, i know I'm most likely totally wrong* Destroying people's hope was not exactly Raphael's goal, He even gets upset if you agree to take his deal in the first encounter"Oh. That's disappointing.I prefer it when my clients put up a fight…" and"i really am at my magnanimous best when people make an effort" That's why IMO it just doesn't make any sense for him to torture and imprison a person who didn't take his deal right away, Since he explicitly wanted his clients to have hope and go explore all the options they have, because for some reason he was sure they can't find anything and going to fail every single attempt"only to realize victory was never an option" then they themselves come to him and ask/beg him for help and he gets to be their"savior" The thing I find interesting about pre rewrite Raphael that is completely gone in act 3 is his savior complex and how he tried to portray himself as someone who helps people in need. "House of Hope" is a VERY common name for nonprofit organizations that provide treatment, shelter, financial assistance and...(if you google it and pass through bg3 stuff you can find many of them)I don't think the name's a coincidence because of this line"This is the House of Hope, Where the tired come to rest, and the famished come to feed lavishly"he was supposed to be an option to heal your party from the parasite. He also talking about having"boundless compassion" and "infinite mercy" and his the gathering card is called "Fiendish Savior"These are not things I associate with the devils or the hells. He is named after an archangel. Raphael is known in various religions as an angel who does acts of healing. The name Raphael means "It is God who heals", "God Heals", "God, Please Heal" in Christianity "he is the patron saint of travelers, young people, happy meetings, nurses, physicians, sick people and medical workers. He can cure blindness, eye afflictions, nightmares and..." in Islam "he is a beautiful angel who is a master of music, he sings praises to God in a thousand different languages, the breath of which is used to inject life into hosts of angels who add to the songs themselves."

In the final release the name Raphael seems very random for a cambion but if we look at his cut content it makes a lot of sense,He was supposed to be the party's patron who would cure their "eye afflictions" This could be remnants of Mol's original quest, but notice how even her blind eye healed after she took on Raphael's deal. He could also fix Gale's orb and Karlach's "condition", Maybe that's why he was named after the archangel of healing. another thing I've noticed is in his boss fight when you try to hit him with radiant damage he says this:

I don't think a cambion should be able to that, because "Radiant damage doesn't do anything special to demons/devils but they aren't particularly resistant to it either" No creature is immune but aasimar and celestial do have resistance to radiant damage. and there's also angel/devil aesthetic in the HOH decor...

Both of these are definitely Raphael, The devil one is sticking his tongue out, There's a lot of tongue imagery in Raphael's clothing concept art as well. The angel one(?)has some kind of plants around his head same as that one Ascended Fiend design on the HOH floor(The actual design has antlers instead of those)

Speaking of Ascended Fiend, I find it really hard to believe that they made a uniquely detailed model just for a phase of his boss fight that could be missed. There is no cutscene or explanation why he has a third form(i know about that cut"Mephistopheles, hear your son!..."line but I don't think it's canon anymore, and it's definitely not the original reason why this form exists, The design is already on the HOH floor and on his clothing concept art so it was supposed to be something that he already had) It doesn't look like a devil to me...It is designed in a way to draw all your attention to its head...it has 3 animal skulls smashed together(?)and Stag Antlers. Correct me if i'm wrong but i don't think that skull is for a real animal right?! And those stag/deer antlers are the most in you face part of this design, They are also seen in one of Raphael's concept art design and even in Korrilla's outfit on her chest.

This made me wonder what exactly that Ascended Fiend design was even supposed to be(I saw some say it's a pit fiend But it does not look like a pit fiend at all, pit fiend are heavy, have big muscles and gargoylish appearance)And what's with the antlers? Okay, here's my delulu theory: I think the Ascended Fiend's design and Raphael as a character were both inspired by a Wendigo.

"Wendigos are described as having long limbs, long, sharp claws, and teeth, and their eyes are said to be sunken in and glowing red. They are also said to have a long tongue that they use to lick their victim's flesh and can shapeshift into other animal and human forms." "The Wendigo was gaunt to the point of emaciation, its desiccated skin pulled tightly over its bones. With its bones pushing out against its skin, and its eyes pushed back deep into their sockets, the wendigo looked like a gaunt skeleton recently disinterred from the grave.What lips it had were tattered and bloody … Unclean and suffering from suppuration of the flesh, the Wendigo gave off a strange and eerie odor of decay and decomposition, of death and corruption" "The wendigo craves human flesh and is constantly starving for it. The wendigo is known to have its preferences: the sweet fat of children, the soft skin of women, the course muscles of men (especially warriors and hunters) Wendigos are embodiment of gluttony, greed, and excess; never satisfied after killing and consuming one person, they are constantly searching for new victims."They also stalk their preys for a long time and prefer to terrify them before moving in for the kill. the description kinda fits the design right? Notice how Raphael's eyes are sunken into their sockets in his human form. this also explains why there is so many tongue symbolism in his house and concept art...and looking back at Raphael's dialogues again, there's a lot of Food-related proverbs/idioms/phrases (they definitely toned it down in Act 3), some even could possibly indicate that he might have been based on a wendigo"through a nice juicy brain""My last contract here fed me for decades" He also called greed his"favorite virtue" and Shadowheart said this about him"there were no right answer with that devil. He was toying with his food-us""A devil sought us out, Teased us with his help…But he also stared as if we were the banquet, Rather the one on the table."(this is a cut line from ea)

There's this line in act2"I have this picture in my head of you tossing and turning in the middle of the night, thinking strange things, dreaming strange dreams..." In Cree mythology, wendigo can possesses people through their dreams and cause its victims a feeling of insatiable hunger, the desire to eat other humans, and the propensity to commit murder. And these were "urges" from early access:

Nausea twists your stomach, But it's hunger not revulsion, Something inside you clammers for blood, For death and only the the tear of flesh will do.

Amid this flurry of questions you feel something else deep inside you, A hunger, A lust for blood.

Durge is the last addition to the origin characters so ea urges should have been for something else so...idk. i looked up to see if wendigos are a thing in 5e but I could not find a solid answer...(put pin on this, I'll have more to say about Raphael and dreams) Another big thing I feel was really missing and should have been explained in act 3 is Why was Raphael so sure that his clients wouldn’t find anything and always come back to him to matter what...first two act was setting up Raphael as someone who likes to play games that he is sure his clients cant win but there was no such game in act3. I believe the current narrative wants me to think it's all an act or it's just him being overconfident but that doesn't make much sense, He acts as if he has never failed before and has the upper hand and lots of advantages in these situations, He shows his true form right away and never hides the fact that he's evil and even denies you If you accept his offer in the first encounter. To me this is someone who is looking for a challenge. You can see this in the way he dealt with Mol and Yurgir(their act2 voice lines were dataminded in patch 8 of EA, So their deals with Raphael were written before that late rewrite...) In act2 Raphael trapped Yurgir in the Gauntlet of Shar by offering help to Lyrthindor...so Raphael did put Yurgir in a situation where he had no other choice but to accept his deal. I'm having a bit of a issue with this quest... i know they tied Astarion to this quest after the rewrite(this is why there is no deal when Astarion is not in your party) and It was supposed to be an option to free Yurgir(because of that unused line i mentioned earlier, I wonder if we were going to see free Yurgir again in Avernus cut content...)So they have changed this quest at least a little. I feel like Yurgir's soul was not Raphael's number 1 priority, He made a deal with Yurgir. There was always a loophole in that deal, He could have sent someone else to kill Yurgir all this time but he didn't. it seems to me that he's just messing with him? And there's this line "My last contract here fed me for decades"as if he keeps getting profit out of that contract?!i don't think he's getting those dark justiciars souls?So what or who was he feeding on all this time? This should have been the quest that basically established what type of person Raphael is and how he makes deal, But the difference between this deal and what he offered the player is so big that it doesn't seem like they were made by the same person. In Yurgir's case the contract was a song, there was a loophole in it, and Raphael didn't play fair, The "perfumed trickster" in act 3 suddenly is an honest and fair devil who doesn't backstab his clients?

Yurgir himself was soften up a little too much in act3, I liked that he was this evil, ruthless devil who could easily kill you and enjoy it, But had a sense of honor. he was reduced to "uwu little rabbit" in act 3 As if we did not see his bed and this is not the same person who said "I made him watch as i ate his concubines and young, Then i fashioned a codpiece from his skull.""Owe you? Every breath you take from this moment now on is my reward to you. Few walk away from me intact."idk it's just a bit inconsistent for me... And there's Mol! She was presented with a deal from Raphael and then suddenly She got kidnapped after right after that...I don't think it was ever confirmed that Raphael was involved in her kidnapping but "It's only a matter of time before the apple is plucked."and"she still has the unconditional freedom to choose the only option she has left"kinda makes me think he may have known this was going to happen?!He had no way of knowing this was going to happen and I don't think it's even possible for him to be responsible for her kidnapping, But he spoke as if he knew... And then in act 3 you can just find Mol and give her back her contract and that's it... which was pretty anticlimactic. It just feels unfinished and rushed, Probably because they cut off Raphael's content and Mol's original story was connected to that said content?! Maybe I'm just being nitpicky but i feel like Mol should have known Raphael's a devil?! He offered her a deal and smelled like sulfur?Like what kind of deal did he offer her that didn't require revealing his identity? (*take with a grain of salt* It wasn't just Mol, If what i heard from that version that they play tested is true, There were supposed to be more children npcs in HOH and i have a feeling the devil with the silver tongue in Wyll's story who took the farmer's daughter away is also Raphael. This could be a cut storyline?maybe?) There are also these lines that do not make much sense to me"You're the best thing for business since the Second Sundering. Countless sorry souls came running to my door after your work in the grove." "To repay you for the souls sent my way, I offer a taste of the truth."Which souls is he talking about here?Why would "Countless sorry souls"go to Raphael specifically after the grove incident?

after rewrite Those were all the pre-rewrite stuff... Kith'rak Voss scene with Raphael must be new, He was a very different character and was involved on that big "The Creche vs The Cult of the Absolute" fight in Rosymorn Monastery that got cut. Raphael originally wanted the artefact not the the The Crown of Karsus so him want to be ruler of nine hell is probably new?! which is ridiculous If you know anything about hell hierarchy and power scaling(the reason is to enforce law and order(?) as if hell isn't already like that and Asmodeus isn't a primal embodiment of lawful evil) Maybe that's just me but Raphael's writing in general feels very different in act 3, My guess is that they gave him to another writer after rewrite, he seems to have been written by a more skilled and talented writer before that...like if you compare the first meeting with him to his monologue before fighting him, the difference in quality is very much noticeable. Raphael himself went from being very smart, snarky and manipulative to straightforward, blunt and comically unselfaware. I guess the current narrative wants me to just ignore all the earlier stuff?! And i have other nitpicky issues, "Down comes the claw" is supposed to be a reference to Raphael's lullaby in Act 1 but that doesn't make sense,This was what happened between the cat and the mouse, and Raphael was supposed to be the fox watching them. if they player was the mouse, who is this cat that they were brightly smiling at? And why "claws coming down" was a form of "love"? My guess is that the original meaning of that rhyme is something that has been cut. In my opinion, the House Of Hope quest itself was pretty underwhelming with lot of questionable writing decisions and basically was a weaker and less interesting version of hag's lair in act 1. I feel like the writer was much more interested in shocking people or getting a reaction than writing a good story. The last thing that bothers me in act 3, Raphael suddenly out of nowhere became really obsessed with law and order...I mean that's what he says but he never really does anything to show that he cares about those things? His house is a chaotic mess and Neither Hope nor those "Eternal Debtors" should be there. Devils can take someone and torture them without owing their soul ONLY IF those people to come to hell themselves(which wasn't the case with Hope) and I couldn't find anything about those "Debtors" in dnd lore. What is even the purpose of their existence beside shock value? Those who sell their souls to a devil become divine energy for the hells, Lemures or soul coins after they die, All of which are relatively worse outcomes and i think he should have served an archdevil in Avernus(but he doesn't)...All that talk about hell's laws but he lowkey not following any of them... IDK maybe he wasn't originally meant to be lawful evil? In act2 he said this about Mol "She cheated, of course, but that's half her charm"i don't understand how can you find cheating charming if you love law and order so much? and he also said this"After all, if there is one rule I hold dear, it's that one must always give the devil his due." Doesn't this contradict what he's saying in act3? He basically said he doesn't care about any rule beside "giving the devil his due" here... And there's Raphael's magic the gathering card "Fiendish Savior"

MTG cards have 5 colors, each of them has their own meaning and mechanic(you can read about them x,x) Raphael's card is half black half red. Black is color of lack of ethical restraint, Power at any cost , self-interest and ... which still kinda fits his character. Red is "impulsive and emotional. The color of passion, frivolity, and chaos"."Red values freedom above all else. It wants to do what it wants when it wants, and to whom it wants, and nobody can tell it otherwise.""Red believes that life is an adventure and that it would be much more fun if everyone stopped caring about rules, laws, and personal appearances and just spent their time indulging their desires through experience." I think this was made before that late rewrite, because it doesn't really fit him any more.(Wyll card is also red and that's definitely for his EA version) Red doesn't always mean chaotic alignment but character with half red half black card are very often chaotic evil. Unlike devils, Cambions can be other alignments beside lawful evil so maybe they were doing something different?!or maybe he wasn't even a cambion?

(Just a warning, I'm about to over analyze a lot of details in bg3 artbook, early access and prequel comic to guess what they might have planned for Raphael before the rewrite, if that's something you don't really care about you should stop reading...A lot of this is just my theories and speculation about the og storyline) Raphael's design I think just like Wyll and Gale, they didn't give Raphael his actual design and he stuck with his ea placeholder model. His final design is really bland and it looks nothing like his concept art. (i can't post more photo because tumblr's limit but you can see them here) I prefer all of them to what's in the final game right now, all of these designs are very bold, detailed and fancy, which I think fits Raphael's over the top personality better. They all have a black and red color scheme with lots of gold jewelry. There's a lot of nature symbolism(vines,roses, thorns and...), Eyes, Tongues and dragons in there as well. I also really like how Raphael's devil form has unique features and isn't just basic tiefling with wings like the release version. I don't know what this is but apparently it was important enough that has its own section on his page...

Another thing I noticed, Gortash's final outfit is very similar to some of Raphael concept art. Specially that early sketchy design (even that dragon tattoo was originally meant for Raphael) similar symbolism: Eyes, Tongues, skulls and dragons, None of these can be found in other Gortash concepts So idk maybe this is just an unused earlier design for Raphael? (Is it just me or the dragon on Gortash's collar looks a lot like Tiamat? it's literally a dragon with several heads. I don't see how she could be related to either to Gortash or Raphael so i didn't look more into it)

Another thing all of these designs have in common is that they are clearly inspired by Jareth the Goblin King and different customs he wore in 1986 Labyrinth. It reminded me of this tweet from back in ea where one of the dev even compared Raphael to Jareth.

that kinda explains why there were children npcs in HOH in that beta version of the game... I was thinking about this comparison then something suddenly clicked for me, Jareth was a manifestation of Sarah's desires(at the beginning movie in her room you can see a picture of David Bowie with her mother). He was offering Sarah her dreams and was trying to get her to submit to a fantasy...And that's EXACTLY what the original dream visitor from early access was...Which is interesting because when i was reading about Wendigo, That also reminded me a lot of EA dreams and urges(They can shapeshift into different human forms and posses people through their dreams and...) I knew Raphael's original role was to be a solution to our tadpole problem in exchange of our soul and be a Merchant. So I thought he would be an ally against the Absolute, but probably had his own evil agenda and dealing with him had its own consequences(kinda like an evil equivalent of Malady from DOS2)...It never actually occurred to me that the reason he wanted Orpheus and our souls was because he was with the cult...This sent me down a rabbit hole. If you haven't played early access you can watch all the dream sequences here. just by these alone it's obvious that the dream person isn't the tadpole specially in the last dream Where their mask fell off... And I think the Absolute and the Dream Visitor were supposed to be the same person...There was this conversation with Lae'zel:

Tav: Those dreams linger in my memory. Do you think that strange figure will come back? Lae'zel: It is a certainty. I had assumed our parasites served a ghaik Elder. But i believe they serve a greater master still. Tav: The Absolute is this 'master'. I'm sure of it. Lae'zel: Perhaps. 'Absolute' may be a mere pseudonym behind which this master hides. Whatever this voice, Whoever this master, It dominates dreams and unites minds.

Minthara also had this line in EA"The Absolute has spoken to you already, in whispers and dreams, but at Moonrise you will be in her presence." and Absolute's pronounce changed depend on the person you're talking to. EA dream visitor was referred to by two names in the game files: Daisy and Desire. This was datamined about multiplayer(x)

Daisy: can have up to four "Daisy" character in game , one for each avatar, The "default" Daisy is the host. Desire : only one "Desire" in the game.based on the Daisy made by the host.

Some NPCs in game files also were referred to as desire, So they were probably Daisy in disguise. for example one of them was Counsellor Florrick.

I recently watch this(x)Remember i mentioned those 4 unused Raphael models that were in the same room with origin character's dream visitors. Now i know what they are, They aren't for cut content 4 naked models are customizable dream visitors for each 4 avatars and there are 4 Raphael for each of them because Now there are 4 extra Emperor with those customizable Dream guardians in there instead ...(They aren't in the separate room like EA and Origin don't have their own Daisy now so they aren't there)

Looking back at EA footage now, I think the original visit to HOH probably was a dream sequence...unlike the release version Raphael would only come to camp at night after a long rest and when the scene ended the whole party was knocked down (Basically you would wake up from it)

I think that's why he said a "lullaby" would suit the occasion? And if you talked to Shadowheart after the first dream, There was an actual option to tell her that our dream visitor could be "that devil, Raphael"

I didn't even remember this because i usually didn't use the tadpole powers(They were to have severe consequences) and i think you only get this if you met Raphael before you get the first dream...Does anyone know what Shadowheart would say if you pick this option?

There's also this Raphael's cut line:

I have a thousand mistresses, Karlach. Fear and pleasure blend quite well.

(I think it could be a reference to “Just fear me, love me, do as I say…”?! ) "thousand mistresses" is something that is not really physically possible BUT if was the dream visitor, this explains who these people could be. I think every person that was tadpoled had their own Daisy.

The Cult of the Absolute itself has changed quite a bit after rewrite, There was this theme of "Power at a Cost"that is gone. The Absolute was going to offer you "powers" but indulging in those corrupting powers would send you down a dark path and had long-term consequences. "Cultist of the Absolute"MTG card had this in the description "you embrace power at any cost, and if it consumes you, so be it." Now the Emperor is the one who insists that you should use this powers, but consuming tadpoles has no real impact, it just a for a powerup system.

I was re-reading bg3 prequel comic Mindbreaker, I noticed something really interesting. At the end of the first chapter a group of true souls teleported to a library to perform a ritual. Then suddenly they started speaking Infernal while they were standing on something that looks a lot like the marks on Astarion's back...

And then a tadpoled priest of Kelemvor "father Alby" killed the true soul lady that was standing in the middle, using a dagger that looked like Rhapsody(it wasn't a 1 to 1 copy but the design were pretty similar) and after that a portal opened and he was like"now it is revealed to us, my fellow true souls…the glory of the Absolute has no limits!" Okay so who's this ritual is for? (It's definitely not for neither The Dead Three, their chosen nor The Netherbrain), And why is this "ritual" look so similar to devil worshiping?! At the start of chapter 2 the comic described whatever happened there as this:

Divine magic is power imparted by a god upon one of their worshipers, a reward for prayer and good service in the deity's name. But there are other paths to power as well…Dark pacts with strange beings whose magic and influence rival the glory of the divine, even if they are not called gods by those who define such things. woe to any who fall under their sway or drink deep from their corruption.

It implies the Absolute is not a real God, and the description doesn't really fit the Netherbrain neither. The use of those "powers" that the Absolute offered were described as "Dark pacts"

After all that, I looked into whether or not devils even could have dream powers and turns out yeah a certain type of fiend do! There's 3 type of incubus/succubus, EA dream visitor was really similar to the fiendish type who are neither devil nor demon : "Fiendish succubi commonly used their ethereal form to slip through walls to reach a mortal's bedside, and linger there as they slept. Here, they filled their victim's dreams with debauched scenes and whispered of forbidden pleasures, tempting them to indulge in dark desires, appetites, and taboos. The more the succubus did this in their dreams, the more vulnerable their victim became to temptation in the waking world. Eventually, the succubus entered the mortal realm directly, in a pleasing form previously seen only in the dreams, and befriended or seduced their victim, so they could influence them directly and indulge all their desires so they would perform evil deeds of their own free will. When the victim was utterly corrupted, such as by committing three betrayals of thought, word, and deed, their soul was in the grip of the succubus, without need of contract or pledge. For a more virtuous victim, this corruption might take longer, but their downfall was all the more rewarding for the succubus. Finally, the succubus slew their victim with a kiss, and the corrupted soul went down to the Lower Planes as their prize." "Fiendish succubi could become ethereal by slipping into the Ethereal Plane. They could also magically charm a humanoid, in sight up to 30 feet (9.1 meters) away, and make them obey any command they gave them. The victim might resist, especially if made to perform a harmful or suicidal action." It's all very similar to EA dream visitor and that also explains why EA dreams were so seductive but the only thing that doesn't line up is succubus could only have one charmed victim at a time...so i'm not really sure.

Looking back on it now, I think the character who replaced Daisy wasn't the Emperor, It was The Dark Urge(or more precisely Bhaal) What we were resisting in EA dreams was the dream visitor themself, not the urge to kill them. This would happen if you failed that charisma check(I find it weird that some people still insist that original Tav was Durge/a Bhaalspawn even when the writer straight up confirmed that's not true.) My theory is those "urges" were the consequences of using the tadpole powers and not resisting the dream visitor. The character that the emperor replaced was actually Orpheus(Emperor existed even before the rewrite. I'm not sure what his original role was, But his name was datamined back in ea) Orpheus was the person in the artefact that help the party and prevented them from becoming mind flayers, Based on this datamined conversation with Halsin (x)

Halsin: You're aware of the monster inside you. You don't bow to the Absolute, like the true souls do. How is this possible…? Tav: A being called Orpheus is protecting me; Shielding me from the worst of parasite's magic. Halsin: That sounds…novel. But alright, Who is this Orpheus? I'd like to bend the ear of anyone who knows about these things. Tav: I don't know the truth bout him. I'm not sure he even has an ear to bend. Halsin: Hmm. There's so much stock you can place in mysterious friends with unknown agendas...

These were also datamined about Orpheus (x)

in the game files " the cube contains the long imprisoned spirit of a gith general, who wants to fall into our party's hand in effort to eventually break free."

He's forcing Shadowheart to either join the party or get killed by the party - either way the cube will be where it wants to be.

A mysterious character who is trying to survive and break free, who prevents the party from turning into illithid and Shielding them from the Absolute's influence...That's just the Emperor now. Raphael originally wanted the artifact, so there should have been some sort of connection between him and Orpheus. Orpheus from Greek mythology was a poet and musician who descended into the underworld/hells to bring her wife back, So maybe there was something going on that got cut? .............. Small rant about Mephistopheles I feel like they just slapped him in the game last minute... The fact that Mephistopheles had the Crown of Karsus but did not use it does not make any sense. Mephistopheles is a wizard, ruler of Cania and second most powerful devil next to Asmodeus. he was desperately looking for divinity so he could beat Asmodeus and take his place.(Especially considering what happened between him and his cambion son Magadon just for a portion of the god Mask's divinity. he managed to get only a fraction of that )He could have use the crown, Steal Asmodeus' divinity and easily defeat him. "frigid archivist who made a miracle into a museum piece" is not really who Mephistopheles is ,he's very power hungry and his "most damaging issues" are his "rampantly unchecked megalomania and recklessness in the pursuit of power" The chosen stealing the crown from him is weird on itself(IMO None of them were smart or strong enough to pull that off)And then Mephistopheles did not go after them and let them carry out their plan?why?! I even think Raphael being the son of Mephistopheles was something they added later for several reason: Everything that connects Raphael to him was added after the rewrite(Him wanting The Crown of Karsus, Astarion asking about his scars and Haarlep). This makes him way too similar to EA Mizora, She was supposed to have a powerful devil father. Raphael's concept art looks a lot like Yurgir and other devil concepts from Avernus cut content and shouldn't he be blue?!Because I read somewhere that Mephistopheles's red skin is the result of the experiments he did on himself and he was blue before all that?!

Mephistopheles's deal with Cazador and him wanting 7007 random souls is also kinda ooc for him. He is the one archdevil who prefers quality over quantity("He has the advantage of having the lowest quotas of the archdevils but with the limitation of the highest standards")that's why he's in debt to some of the other archdevils like Dispater and Levistus. He also only makes deal with skilled wizards and cunning sages(Cazador doesn't really fit the bill) My theory is Astarion's back scars originally might had something to do with Raphael himself. Cazador's lair in bg3 art book looks different, Notice how the set up for the ascension ritual isn't there(Instead there is a pool of blood?)

if you look at Astarion page on BG3 artbook, it is mentioned that whatever is carved on his back is part of a poem.

Mephistopheles doesn't make contract in poem form. When the set of the MTG cards that included bg3 characters was released, They published this video explaining each card, Brandy camel (community manager at d&d i think)said this about about Raphael:

Later in the same video she said this when discussing Astarion's card:

He's an individual who's kind of been operating in that place between being rising to nobility but hasn't quite made it there yet, So he's kind of under the thumb of Raphael and he's not super happy about it.

So originally i thought this could be a mistake but if Raphael was EA dream visitor, I can see how he could be involved with Astarion. Here's a little summary of Astarion's og storyline(source of datamined stuff here) So there was this chosen of the Absolute "the Butcher",He and Cazador had a rivalry over who get to control the Baldur's Gate graveyard.(You could have sided with either of them) Cazador sent some of his spawns to investigate the cult, We were supposed to meet them in act2. Astarion wanted to ally with a monster hunter named "Spencer" against them, But if we talked to spawns we would learn that "the Butcher" send his apprentice "Ohler" to the graveyard(he was putting tadpole inside the skeleton's head and that made them hostile toward the vampires ) then an ancient and powerful vampire called"the Alluring" killed him. They also mentioned how they were happy with their situation and that Cazador is an okay boss"It is good. You don't age and everyone is afraid of you. Cazador is a bit strict but he makes sure we are fed" So about how Raphael might have been involved, "the Alluring" was called "Desire/Alluring" in the game files so he(?) was EA dream visitor in disguise... That explains why Astarion was the only one who had nightmare about Cazador instead of tempting dreams like the rest of the party. also in ea if you speak on dead on gur and asked him who sent him he would say this :

Astarion : Who sent you… Was it Cazador? Gandrel: No… Maiden Fel… Astarion : Who is Maiden Fel? Gandrel: Reason… Even monsters… Have nightmares…

If hypothetically Raphael was Daisy, this "Maiden Fel"was also probably him too? ................ so here's another delulu theory: (I know it's not very likely, I wasn't even sure to include it) Raphael's name still bothered me, I couldn't help but think there must be a reason why they name a devil after an archangel. So I checked to see if I could find some sort of connection between Raphael and any of d&d deities(since angels associated with gods) i have two guesses. the first one is Beshaba. Beshaba is "chaotic evil deity of accidents, bad luck, misfortune, and random mischief" and her holy symbol is the horns of a stag. She is the twin sister and sworn enemy of Tymora, the goddess of good luck(they are kinda like Shar and Selune) Raphael has this line in act1"They do know how to write them in Cormyr, don't they?" "Tymora was the most famous deity around the country of Cormyr, after she protected their capital, Suzail, during the Time of Troubles. Her efforts prompted a resurgence of her faith throughout the nation." and there's this one fallen temple of Tymora in the city of Tantras literally called the unlucky"House Of Hope"(x) Raphael has these dialogues "One might say you're a paragon of luck. I'll be there when it runs out" "You're out of luck." which didn't happen This is less likely guess because dnd evil deities don't really have angels... my second guess is Lathander. He's the deity with most similarities to Archangel Raphael "Lathander was a deity of creativity, dawn, renewal, birth, athletics, spring, self-perfection, vitality, and youth. He favoured those who dispelled the undead and blessed those who planted new life. Lathander was also the god called upon to bless birth and fertility related ceremonies.""A common symbol associated with Raphael is the color green. This color is often used to represent healing and renewal, which are two of Raphael's primary areas of expertise. The use of green in depictions of Raphael can also be seen as a nod to the natural world, which is often associated with healing and growth.Finally, Raphael is sometimes depicted holding a fish, which is a symbol of abundance and fertility. This symbol is particularly relevant to Raphael's role as a healer, as it represents the idea of restoring balance and vitality to the body." And both Archangel Raphael and Lathander are commonly associated with the Sun. Lathander is also a god of "hope and beginnings", He and his followers"Strive to bring hope to others" that one statue in the House of Hope with a sun behind his head and plants around his neck looks pretty similar to Lathander's statues in the game...

There's more to this if Raphael was the Original dream visitor. Daisy also spoke of "change", "growth" and a "beautiful and glorious renewal" If you look at the art of "Cultist of the Absolute" MTG card, You can see a window on the background that looks a lot like Symbol of Lathander. In the prequel comic there was this panel where one of the protagonist asked the tadpoled true soul"father Alby"what happened to him and why is he doing all of this, he replied"A simple answer to both questions, I have been Awakened" Novices in the Lathanderian faith are also called the Awakened. In original storyline that supposed to happen in Rosymorn Monastery(x) Kith'rak Voss got some kinda information from there that he wanted to tell Vlaakith about! He had this cut dialogue "I will make for the plane-gate. Vlaakith must hear of this!".The Absolutists REALLY didn't want this information to reach Vlaakith. Even Daisy was going to make an appearance because of it, this was datamined:

We need a system for showing daisy and making them talk to the player in the world// Daisy insists that the player shouldn't let Kith'rak Voss escape.

Why is this information obtained from a temple of Lathander be so important to the cult of the Absolute? Avernus was supposed to be playable and Zariel was also an angel under the command of Lathander before her fall. so maybe there was something going on between Raphael and Lathander ?! like i said I know it's not very likely... ............. So that's all i had to say, I tried to look into it more specially stuff that was datamined from patch5 and 8 of Early access(there was A LOT)but i couldn't find much, Most of the stuff from those patches were deleted or unlisted on YouTube... Just remember I’m literally just sharing my opinion, it is not a personal attack on you or your taste :P ok bye.

[loulovingho]

Long Road to Happy

Excerpt:

Early November 2024

Tommy glanced down at his hands, then over to the bookshelf behind Cory's head, then over to the clock on the wall. “I felt out of control. That scared me, I think.”

“We've talked about your need to control situations before. Remember what I said?”

“Nobody can control everything. You've gotta let go sometimes.”

Cory smiled. “Glad my words get through to somebody.”

“I took control by letting him go. That's what I told myself.”

“But you don't believe it?”

Tommy shifted in his seat. Rolled his shoulders to sit straighter. “I don't know. He asked me to move in with him.”

“That's a big decision.”

“Yeah. We- We hadn't even said I love you to each other, and he asked me to move in with him.”

“Did you- the real you- want to move in with him?”

“In his place?” Tommy shook his head. “No.”

“What about yours?”

“I hadn't really let myself get that far.”

“If he would have told you he loved you, instead of asking you to move in, would you have said it back?”

“I think any step forward would have had me ending up right here on this couch.”

Cory nodded. “I see.”

As Cory wrote something down, Tommy took a second to think, then he let out a humorless laugh. “You know what the craziest part is?”

“What?”

“I told him I did it because eventually he'd break my heart, and I couldn't handle that.”

“Why's that crazy?”

For the first time since letting him go, Tommy's eyes filled with tears. His lip trembled. “Because I just broke my own heart instead.”

Chapter 1

**please read all the tags on ao3. This is not a bucktommy fic**

[httpskuzuu]

Fault

i wrote this while watching apocalipsisminecraft :D

Anyway, I'm not very good at writing dialogues, so I hope it's okay

Yandere!Dazai x Reader

English is not my mother tongue, sorry for the mistakes

summary: you deal with the silent treatment after an argument.

tw: angst¿, toxic relationship, manipulation

The silence is simply punishing, it always was. Your body was intact, balled up on your bed, but your mind wasn't as lucky. The silent treatment was a problem, one that hurt more than you'd like to admit, but your still-wet cheeks gave you away.

It hurt you that Dazai ignored you. You had tried to distract yourself in a thousand ways these days: you went out with your friends (the few you had left), spent the days away from home, concentrated on your hobbies. Nothing seemed to work, it's as if Dazai had planted a seed in your psyche that keeps growing and growing, every day his silence was getting worse.

You can't win an argument because this is what happens, talking or complaining about Osamu's toxic behavior would only ensure you that wordless jail. You had every right to complain! Because of him you lost many friends, he distanced you from them in a way that made you only realize it when it was too late, after you had already cut the total bond with them and they didn't want to see you again.

You don't blame them either, if a friend had a toxic boyfriend and ignored you for him all day, not letting help them, you would be angry too. They have been very patient because they know the details of your life with Dazai well, but everyone has limits.

Now you are alone, even Dazai doesn't seem to love you.

You try to hold back your tears at that thought, but it is impossible, you can only cover your mouth with your hand to hide your sobs. That's one of the things you had tried to avoid, if Dazai really loved you he wouldn't do this to you.

He knows of your suffering and yet he continues to treat you as if you were a ghost, you can't help but doubt his feelings for you. You think that maybe you are just a sadistic desire of his, that he only wants to pretend to love you and then leave you abandoned like a toy. Yes, you are just that, his toy.

There's not much to complain about either, you're aware of your situation and yet here you are, by his side. It's not that you wouldn't have tried to leave him, you did once, but he came back to beg your forgiveness and you simply couldn't refuse. You become weak with just one look from him.

And that cycle was always repeating itself. Whenever there was a fight big enough to overshadow your love for Osamu, he was the one who apologized. You wished it was like that this time too, but it's not.

Know what, fuck it, who needs friends anyway? You need Dazai, it hurts not being together with him. It eats you up inside with anger and shame for letting yourself fall for his manipulation, but what else are you going to do? You're not going to keep crying in bed until you fall asleep.

You head towards the living room where you know for sure that Dazai is, watching TV. He doesn't even turn to look at you even though you are sure he heard your footsteps.

“Osamu.” Saying his name is a mixture of pain and love that infiltrates your brain. Sometimes you wish you had never met him, but you think better of it when you remember that he is the only one who loves you. Who else could love you with your attitude?

He still does not respond and a look of sadness invades you, you try to remove it, but it comes back each time. Finally you give up, Dazai already knows how weak and useless you are and knows well your character, so you allow yourself to cry.

You don't hesitate to lie on his body and hug him while you try to form a sentence, any sentence, but only incoherent sobs come out.

You don't see Osamu's reaction, you just wish he was as affected as you are. He wraps his arms around you and kisses the crown of your head lovingly. You missed him so much, you don't even know how you managed to survive these days without his love and touch. “What is it, Belladonna?”

You press your face against his chest as shame clutches tightly at your throat. He mocks you even your current state and that is like a stab in the heart, you feel the pain in every detail.

“You hate me, you hate me.” Stifled meaningless sobs come out of your mouth, but still Osamu manages to hear them.

“And why would you say such a stupid thing?”

“You were ignoring me! If you really loved me you wouldn't do that.”

“So now I'm the bad guy.” His tone of voice changes to a more distant one and his hug loses strength. In response you can only hug him tighter, afraid that, if you loosen his arms a little, he will leave you alone again. “You didn't try to talk to me either.”

You raise your gaze, an indignant one, which is accompanied by furrowed eyebrows. You want to look annoyed, but you just look pathetic.

“That's because you always do the same thing! We fight and you stop talking to me!�� Pain trickles through your words, but Dazai doesn't seem to care enough to comfort you. “What am I going to humiliate myself for when I know you're going to ignore me?”

"Oh, poor little Belladonna, always the victim of the story." His condescending voice makes you feel like an idiot, you come to think that you really are. "Didn't you ever think I just needed space? Come on, you're so clingy and I was just trying to protect you from getting hurt.”

Seeing your puzzled expression, he can only laugh.

“Well of course you haven't thought about it. That cute little head of yours is good for nothing but victimization.”

“I- I'm sorry, I didn't know you felt this way...” Your voice trembles and his words linger in your mind. Maybe it's all your fault after all, you've never tried to put yourself in the opposite shoes and that makes you feel like the biggest useless.

The award for the worst partner in the world should be given to you, you think.

Dazai has no reaction at first, looking at you with those cold eyes, but they soften after a few seconds. He can't resist you after all.

Osamu's warm arms squeeze you again, you almost cry with joy thanks to how nice it feels to be held like that.

"It's okay, my sweet." Osamu ends up whispering near your ear, which sends a pleasurable shiver throughout your body. “Let me show you how much I love you now.”

and if I make a second part nsfw? 👀

[eden-writes-stuff]

Hi, I hope you're doing well!

I was wondering if you could write something about Luna and Harry coming up with a plan for their moms to fall in love, and for they can be siblings.

It's an idea I've had for a while and I think it's really fun.

OMG I love this idea. So cute!

Tags: fluff, comfort, kids being silly, setup, Regulus being a great parent / uncle side ships: wolfstar, jegulus

Luna spread the paper on the couch table and placed her crayons beside it.

"Operation: bring Pandora and Lily together so we can be siblings - BPALTSWCBS." 

Harry pulled out his glitter pens. "I did my research over last week."

Research, in this case, being a Romance-movie-marathon with his uncles over the weekend. They had very much supported him when he'd confided in them and told them their plan. Or at least the general idea which they needed the plan for. 

 "Great. Tell me what you've learned." She pulled the cap off of one of the glitter gels and got ready to write.

"Well, most of them were with a man and a woman, but I think it works either way", he started and Luna nodded. "So, there was one where they were working on a project together and then they got locked in at their office and had to cuddle to keep warm." "But our moms don't work together." Harry hesitated for a moment. "we could get them to organise your birthday party together?" Luna thought about it, then wrote it down.

"There was another one with two men where they got locked in together in a room and then some woman threatened their lives unless they kiss." The six-year-old grinned and put it above the other idea.

"For the next one we'd have to wait until yule, but maybe you can convince your grandparents to ask your mum if she has found someone yet and then she freaks out and brings my mum as a fake date, so they stop annoying her." "She doesn't really care about their opinions so that probably won't work..."

"Alright. The one where the woman wants to get married before her sister is also out because aunt Petunia is already married..." "So our only option to make them be happy together is to threaten their lives?", Luna summarised. "Yeah, I think so."

"Great. But we need to make them believe it. Maybe we could get a dragon from somewhere." "Or a serial killer. Hey, papa." Harry looked up from their plan on the table, as Regulus walked in. "What do you need a serial killer for, mon coeur?", he asked, one eyebrow raised.

Harry and Luna shared a glance. "You need to promise not to tell anyone. This is a top-secret mission." Harry leaned in a bit and Regulus nodded slowly. "We're trying to get mom to go out with Panda, so they fall in love and get married and then we can be siblings", he half-whispered. 

"But we're not sure, how to do it yet. Our best idea is to threaten their lives so that they kiss", Luna added, shrugging.

Regulus nodded. It was best not to question a child's logic, not to mention that it sounded like something that might actually work if executed properly. Plus, as Pandora's confidante, he knew that she had fancied the redhead since they were teenagers.

Harry looked up at him. "How did you and dad get together?" The pale man attempted to answer a few times, but eventually just shook his head. "I think that's a story for another time. I do have an idea, however. Do you want to hear it?" They both nodded excitedly.

"Maybe you need to approach it from the other side. You tell them you want to spend a sibling-day with your favourite moms. You know, go to the park, have a movie night... That way you force them to spend time together and see how adorable you two are."

The children shared a few looks. "But then we don't get to threaten their lives..." "We can still do that if plan A doesn't work." "Hmmm.... okay."

Luna wrote it on the paper with a crayon. "Thank you, uncle Reggie. You can leave now. We need to work out the details."

[goingmerryfics]

HELLO, I was seeing that you were open to requests and I've had this in my head for a long time and I would really like to see something about this, a reader who has a huge scar on his face that is literally ugly, they got it as a child, apart from the fact that it shows part of the teeth of how serious it was and for this reason the reader wears a mask for fear of being told things about them face, I'm sorry if it's something explicit just that sometimes I feel like I don't explain myself

Reader with a scar - Luffy & Penguin

Content: reader is referred to as a ‘guy’ and a ‘dude’, reader wears a face mask, can be read as platonic, face scarring due to a past accident not specified, fluff and reassurance, a few mentions of Shachi in Penguin's part.

Notes* Hey there! There wasn't a character specified for this ask, so I chose two that I'm less experienced with to write out this prompt with :) male reader because of the pronouns used in the ask! I got really interested in this prompt right away and wrote it immediately upon receiving the ask and absolutely had to post it now so I apologize if the formatting is wonky! I'm on mobile haha

Luffy

When you first met Strawhat Luffy, it was while he was stopped at your home island along his grand adventure

You'd never really paid much attention to pirates and their lives- you had your own to live and figure out anyway

But as you and Luffy became closer- first as acquaintances, then as temporary allies, and then as friends as he boldly declared it in a short amount of time, you started to really like the guy

He'd only asked you about the mask you wore once. But the second you tried to answer him, he was distracted by dinner. After that, it was if he'd forgotten all about his question

It was kind of nice that way, not needing to worry about constant pestering or comments about it

Luffy truly didn't give a shit what you wore on your face at all. He cared about you (and your food, of course)

Luffy had a way of making you feel as if you could trust him to see your face. What you've kept hidden for most of your life, after a terrible accident had, in your opinion, ruined your life

But Luffy's care for you was unlike anything you've ever felt before. Luffy made you feel safe, protected, and just a little anxious at how willing he was to throw himself in harm's way to help you, the appointed new friend

One evening, you decide that you do in fact want to talk to him about your past. It's a decision you've been thinking over for a while, but actually getting up and moving to Luffy's room is such a sudden action, and then you're suddenly seeking him out in the dead of night on his ship to tell him about your scar.

The Thousand Sunny was still docked peacefully at the edge of the south side of your island, where you had originally met them what felt like so long ago. In reality, it had only been about a week since the Strawhats arrived, and yet it felt like so much longer in the chaos.

Their gangplank was pulled up, but before you could start trying to climb the ship's side, you spot Luffy out on the deck- evident by the straw hat on his head.

You call out his name, and he turns right away. With a grin quickly spreading on his face, he hops off the sunny and onto the grassy island floor. He calls your name happily.

“What are you doing over here? Is something wrong?” He asks.

You tell him it's not that, and he picks up on your unease.

“Well, what is it? It's hard to tell but you look like something's bothering you. Are you hungry?”

You shake your head, and you begin to explain. You tell him about your accident, about how your face was scarred and disfigured. You tell him about your upbringing, how hard it was to fit in with the other kids while you looked like that.

You can feel yourself getting emotional. Luffy can hear it in your voice, too. He calls your name in a stern tone- one he only seems to use when he gets serious.

“Listen, I don't care about all that crap.” He speaks. And though his words are blunt, you know he means them in the best way.

“I like you. You're a really nice guy, and you fight really well. So what else matters? You think I care if you've got a scar on your face?”

He stares at you, and you feel it in the center of your chest.

“You should feel free to do whatever you want! If you want to wear your mask then that's fine. But if you don't, then take it off! And if people don't like it, that's their problem! If they don't want to get to know you because of what your face looks like, then they're the ones that are missing out!”

You can feel tears in your eyes. There's something about the way Luffy says- no, declares it so passionately that leaves no doubt in your mind of his pure fondness for you.

Through your tears, you can see Luffy's smile, and your heart soars.

Penguin

You'd been a Heart Pirate for a short amount of time, but somehow you had made quick friends with many people on the Polar Tang- one of them being the man who called himself, ‘Penguin’ with the hat to prove it

There was something about him that was so easy to click with. Maybe it was your shared sense of humor, or the fact that you found it hilarious watching him and his partner in crime Shachi get into trouble for pulling pranks around your Captain (for the millionth time)

You weren't the only person on the crew who wore a full face mask, either. So while he was curious and questioned it in the beginning, one word from you to leave it alone and he backed off. Surprisingly.

Still, you definitely caught him eyeing you at times. The urge to pull the mask off your face to see what you were hiding was strong in him, but you two were friends and he wouldn't do that to you

One evening, Shachi had been pressing you just a little too much about the matter and he'd said, “What, are you ugly or something under there?”

Which earned a swift smack to the back of his head from Penguin, chastising him for saying something that insensitive

He'd noticed the way your teeth clenched, how tense you got. It had obviously hit home, and he made Shachi apologize for his rude joke right then and there

After that though, he found himself wondering why. Why did you think you were ugly? What were you hiding? Did you actually have a reason to be insecure, or was it something more?

He cared about you. He didn't want you to feel like you couldn't be yourself around them- the Heart Pirates were your family now, and a proper family didn't hurt each other for something so miniscule.

You had gotten over the comment, but Penguin had already begun his mission.

It was late into the evening. The chores were done for the day, and Penguin wanted to catch you before you went to bed. He wasn't really sure what he was gonna do or say, but he knew he wanted to address it before the worry drove him to insomnia.

He searches the halls for you and eventually finds you in the common room. He calls your name cheerfully, thankful that you're alone here- at least for the time being.

You greet Penguin, looking up from what you'd been doing. He takes a seat nearby and starts to make idle chatter, asking you about your day, telling you a bit of gossip, smiling when he gets you to laugh.

Then he clears his throat and switches gears, moving on to the conversation he really came here for.

“So, uh… There was something I wanted to talk to you about.”

You watch him fidget for a minute. He's not good with feelings at all, and he's trying to figure out how to bring this up without accidentally offending you. Eventually, he finds the words.

“So… About what Shachi said a while back. I was kinda worried about it.”

You quickly assure him that it was fine, that Shachi apologized and he only meant it as an, albeit bad, joke.

“Yeah, but… I don't know. It looked like it really bothered you. I hope you don't think that, like, we would think you're ugly or something! Whatever you look like under there, you're still the same cool dude we know. Nothing would change that. I guess I just wanted to say that.” Penguin shrugs.

You're not sure what to say to that. Your initial reaction is bitter- to insist that actually they would think you're ugly if they could see your face. But something stops you, and you get stuck just choking on your words.

“Look, I'm just saying, it bothers me to think that you don't like the way you look. I'm not saying you have to show me your face or anything, but just… If you choose to take your mask off one day, I hope you know that we'd love you all the same. You'll always be our family, no matter what you look like.”

You nod, because it's all you can bring yourself to do in the moment. It's nice, hearing that reassurance.

Penguin quickly changes the subject to try and dissipate the tension in the room made by the serious conversation, going on about something stupid Shachi had done that got him into some shit with the Captain earlier, which makes you laugh.

His words stick to your heart -You'll always be our family, no matter what you look like- and you know that when you do decide to show yourself to them, that you'll be alright.

[danieyells]

"Lulu~!" Taiga called out cheerily as the doors to the VIP room were pulled closed behind him. Romeo glared up over the corner of one of his security laptops at the sudden intrusion, but he couldn't truly be angry at his underlings for letting Taiga in without question. No matter their factions, Taiga was Captain at the end of the day and they all listened to him. Except Romeo, of course.

"What is it now." He returned his eyes to the Eyes In The Sky on his screen, carefully monitoring the cameras for any foul play. Despite that he was paying close attention to everything happening, somehow what Taiga said next was a surprise.

"Ran out of cash again!" The boss laughed, throwing himself carelessly onto the couch nearest Romeo, as he snapped his head towards him with fury in his eyes. Taiga only grinned in response. "Gimme some more money and I'll pay you back, eeeh, before tomorrow morning!"

"Are you serious, you BTH!?" How Taiga's luck worked never really crossed Romeo's mind--he assumed it was part of his stigma or his pact--but he knew he was being honest about getting the money back to him eventually as Taiga always wound up with more than enough. It didn't make his frivolity regarding wealth any less annoying however. "How did you lose all of it!?"

"Gyahaha! If you keep yelling like that, your pretty voice's gonna get all raspy, Lulu!" As if paranoid, Romeo reached for the drink on the table. "You've been watching the cameras, you shouldn't have to ask me how I lost. That's just how gambling is. You win some you lose some."

"Why should I give you more money if you're just going to lose it all!?"

"Because you know I'll make it all back." He wasn't wrong. He always paid back what he owed, usually with interest Romeo hadn't even asked for. Taiga put his arms behind his head and made himself comfortable, watching Romeo try and bring some semblance of calm to himself before he started getting wrinkles. "You know I don't lose in the long run."

"And what happens when you don't." Romeo sounded tired. He returned his attention to the cameras, not wanting to be distracted. "What happens when someday you lose it all and I'm not there to give you more?"

Taiga rolled over, resting his cheek on his hand. His eyes never left Romeo's face. "All you've gotta do to make money in this world is get your hands a little dirty."

His sharp grin widened as Romeo cringed. "I'd prefer not to have to get dirty at all."

Taiga reached a hand out towards Romeo's scrunched brow, to which Romeo leaned far out of his reach, judging his filthy hand. "That's what you've got me for, Lulu." He took his hand back and smiled at him. It was almost gentle, as sweet a smile as someone as vicious as Taiga could manage.

"I'm here so your pretty hands can stay pretty and clean." Taiga crossed his arms under his chin, resting them on the armrest. "I made you a casino so people would hand you everything they've got for a chance at fortune, and so you could see people who judged you feel just as bad as you did when you lost everything. You've got me so you'll never lose everything again, not for long."

". . .and why do you do all of that?" Why do all of that for someone he fights and terrorizes and hurts and hasn't gotten along with for months, if not a year? Why do all of this, saying it's for him, then give him more problems? Taiga's sweet smile turned toothy again. It was still a little sweet even with the row of fangs in his mouth.

"I do all this so someday I come home--to my own place, not to this place--" Taiga scooched closer to Romeo, draping his arms over the arm of the couch to loll comfortably. Romeo glanced at him to make sure he wouldn't try and touch him again before returning his gaze to the EITS. "I come home, a mess of blood and shreds of someone else's life. And you look up and tell me to stop tracking blood on your floor."

Romeo blinked and looked back at his grinning captain. ". . .why am I there?"

"And I drop a stack of cash in front of you and you stop being mad for long enough to say 'good job, BTH. Your dinner's in the kitchen BTW.'"

"This little story of yours sounds one trip to Mortkranken away from me being KU."

". . .'Knocked up?'" Taiga cackled after giving the acronym a thought. "Gyahaha! I mean if that's all it takes to get you to sleep with me, we could go to Mortkranken right now and take the rest of the week off!"

"It's Sunday."

"It'll be a long week." Taiga rolled over again, and Romeo snapped at him for putting his shoes on the couch. He was ignored, as always. "You wouldn't be the one cooking, by the way. You pay people to cook and clean. With the money I give you."

"And the Institute?"

"Eh. Jin calls me if he needs something or someone dead. Sometimes I still help out because anomalies taste better than just about anything else I can eat."

"And what's the timeline for this little prediction of yours? If that WNP is in charge it must be a ways off."

"Not sure yet. Just making my plans for the future." The ideal future. One he won't want to abandon. It won't be this one, he's pretty sure. But it's nice to think about.

"And what exactly am I doing in this future?"

"Whatever you want, Lulu!"

"And you think I want to spend the rest of my life with you!?"

"I think you'll want the sure thing. And you and I both know I can be the sure thing. And I don't think anyone else will be able to afford," Taiga rubs his fingers together to emphasize the monetary meaning, "to give you the life you want without asking for anything in return."

Romeo watched Taiga silently, trying to banish a blush from his face. Taiga watched the EITS, occasionally criticizing the choices of customers, the behavior of dealers, and the casino overall, insisting Romeo make changes he knew he wasn't listening to.

The distant thought of returning to a carefree and wealthy life like in his youth, the only payment he had to make being that he would see Taiga every day, didn't sound bad at all. The only bad part(aside from that he would ultimately be relying on Taiga of course) was that it sounded like Taiga imagined him staying home all day.

He didn't particularly want to work hard--he would happily lean into the brand influencer lifestyle, or perhaps become a socialite and do nothing but attend parties and events(the thought of attending an Institute event and matching fake smiles with Jin for photos crossed his mind making his eye twitch--perhaps not that)--but he couldn't imagine himself not getting restless after a while.

Perhaps he would find a creative outlet--get into fashion design maybe--or. . . .

He imagined himself doing what he does now. An unassuming front business hiding illegal activities. Perhaps he wouldn't have to handle the more sensitive things himself, in such an ideal world--Taiga would give him trustworthy people who would dirty their hands at his command--but the ones with debts would grovel at his feet and be at his mercy nonetheless.

The thought of losing everything again crashed the rising high of this shared daydream.

". . .There are no sure things." He finally sighed, trying to get a grip on what he'd missed on the cameras while zoned out. "Least of all with money. And gambling."

"Yeah, yeah." Taiga agreed, of course. Anyone in their line of work would have to know how fragile wealth and power were. "But do you really think I won't be able to make back what I'm asking for? C'mon, help your boss out~!"

"You already lost everything I gave you!" Taiga laughed and admitted that was true. Nonetheless, Romeo pulled his wallet out of his pocket and fetched a decent amount of yen to offer to him. "Your interest is double the total. Per day!"

"I'll give you triple by tomorrow afternoon!" Taiga cheered, hopping up and snatching Romeo's whole wallet and heading out the doors before he could do more than aim his rifle at him in protest. "Thanks, Lulu~!"

"YOU BTH, GET BACK HERE--!" Romeo yelled after him, slamming a fist into the table and starting to rise. He grit his teeth, hearing Taiga laugh through the slammed VIP room doors, but didn't want to abandon the cameras in case there was more trouble than Taiga out there. Tucking the intended loan away in his pocket, he watched Taiga exchange a large amount of his money for chips and make his way to a table and put a stack down and play. He cursed his name and resumed security, occasionally glancing at wherever he caught Taiga's red head, counting the chips as they increased with every win.

By the time it was time for him to take a break(watching screens all day would do terrible things to his eyes, for one thing) and a certain 'BB' had arrived to keep an eye on the cameras for him, Taiga had made enough to pay him back. His luck was the only somewhat reliable part of him.

He kept playing anyway, perhaps set on that triple repayment. Taiga didn't think of money as strictly as Romeo did--he made it, he threw it away, if he lost it the biggest problem was hearing Romeo complain, not having no money. Romeo envied that lackadaisical mindset. Once upon a time he felt similarly--money was something to be spent, and he would always have it.

Taiga had no problem getting money one way or another, even if Romeo wasn't fond of his methods.

If not for Darkwick he'd likely never have to borrow a cent from Romeo.

Taiga's little fantasy crossed his mind again, the idea that he was the closest to a 'sure thing' Romeo could safely get. Of a life as cushy and privileged as he could want, his only payment that he would have to deal with Taiga for the rest of Taiga's life(because he most certainly would outlive that buffoon.) Essentially the sugar baby of a yakuza.

Well, sugars didn't usually live with and care for the houses of their benefactors.

He'd jokingly called the imaginary future version of himself a housewife, but that was the closest thing he could imagine between them in such a scenario.

That Taiga would be his Blundering Thoughtless Husband.

He slammed his hand in frustration against the bar, cursing Taiga's name and finishing his drink before demanding the laughing Rui make him another.

"It really is good to hear about you guys spending time together again, though!" Rui chimed, sliding Romeo his spritz. He hadn't told him the whole story though, just that Taiga had taken his wallet but he had enough to pay. "It's like all's right in the world when you two are together, y'know? You were together when we all got here, so it doesn't feel right having you apart!"

Somehow that only made him feel more embarrassed. Him being with Taiga being right.

It had always felt right.

Taiga had also proved right about his gambling, passing Romeo his wallet and several stacks of ¥10,000 notes when the vice captain returned to Sinostra a little tipsy, before making his way to the depths of the ship where his own room was, complaining to one of his guards about being hungry again.

Romeo counted it once he'd returned to his own room. Exactly what had been in his wallet times three.

A shower and a lengthy bedtime beauty routine later, and Romeo lied in bed, drifting off after a long day.

He hated it when Taiga was right.

But he hoped Taiga might be somewhat right about a better future.

[coquelicoq]

after spending the last week very stressed out and losing sleep over how much i regretted giving my number to a stranger, and after talking to several friends who all gave me the same very wise advice ("decide first what YOU want out of this and make decisions based on that" sounds obvious now but honestly blew my mind), i saw food truck man again today and he asked me if i have a boyfriend, told me he's all alone, hugged me twice, and tried to kiss me. i texted him after to be like just to be clear, i don't want a boyfriend, but i hope you find somebody! and he texted me back: i don't need a girlfriend. i'm married.

[pastelince]

You ever have a fellow mentally ill person basically call you ableist for not being able to be there for them anymore?

Like, my brother in christ, we are both suffering here. What am I supposed to do? Prioritize only you and hurt myself?

Guilting me (and my friends) by saying your disorder "isn't pretty enough for you" is accusatory and manipulative. I̲t̲'̲s̲ ̲n̲o̲t̲ ̲t̲h̲e̲ ̲t̲r̲u̲t̲h̲. It's only hurtful, and doesn't make helping you any easier.

It doesn't matter if your disorder is stigmatized; you don't get to start basically implying people are ableist for not being able to constantly be tolerant and be supportive of you.

People run out of spoons! People have other shit going on outside of you!! OTHER PEOPLE ARE ALSO DISABLED BY THEIR MENTAL ILLNESSES!!

If they leave, it's not because your disorder is "ugly." It's because they have their own priorities.

[watery-melon-baller]

its so fun :)) and awesome :)) that i cannot fucking make my brain focus on my homework :))) holy shit im gonna kill someone :)) why can't my brain just work for five fucking minutes :)) this is easy homework too I just can't concentrate on it at all :)) and it's due tomorrow morning :)))

[iamthepulta]

22.5K PRE-EDITING

/smacks table GOD THAT WAS FUN TO WRITE. GOD MY BRAIN IS FRIED.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[helielune]

[journeythroughtherain]

Unpopular opinion about Evan Buck Buckley

That man is not blond.

[neverendingford]

.

blind intentions

committed to duty

dedicated to a life that no longer lives

what are you to me?

what am I to you?

you hate the people who are just like me

yet claim to love and value my life

what inequality lies unspoken?

who do you see when you look at me

what creature do you refuse to acknowledge

I leave my message

a final ultimatum

change your mind

or lay me to rest

I cannot live split in two

you cannot have the half of me you prefer

I did not kill myself

so you will have to do the job yourself

I cannot live a separate life in your mind

[pearlymel]

A duty— Capitano

Synopsis: You were set to marry a fatui... Wait, is that a fucking harbinger?!

Wc: 3.3k

Warning(s): fem reader for this one, reader gets called "wife", Capitano is described to have dark blue eyes (i swear i did my research and they said yes to dark blue eyes), MDNI masturbation but no sex between them.

Notes: don't ask the reason why you are in an arranged marriage, my brain is fried. You can come up with your own reasons ! Wrote this with my eyes cursing at me to sleep so half not proofread. Part 2 is out here. Part 3 is out here!

Tick tock.

You watched as the clock ticked louder than usual, cringing to yourself when the sound became unpleasant to you, it was ringing in your ears.

Even the fatui around you were like statue's, you considered for a minute to check if they were even alive and breathing.

The door then swinged opened, everyone's head suddenly lowering slightly which made you even more confused, but you mimicked their gestures nonetheless for respect.

Heavy footsteps echoed in the room, the sound only getting louder and heavier the closer it got you.

The steps finally stopped, and your glance up to see a big—no, giant man standing right infront of you. He seemed to be wearing a helmet to cover his face, long black hair that protrutes from the back of his helmet and over his shoulders, and the big coat that was full of fur draped around his shoulders.

You must say, he went all out with his appearance as a fatui.

"Are you perhaps..." You started, breaking the silence that hung think in the air, "... The person who I'm arranged to marry?" You finish off, tilting your head curiously.

He doesn't answer immediately, rather, he looks down at you, observing your features which makes you wipe your sweaty hands to your sides.

"Il Capitano," he finally spoke, a raspy voice, you noted. Capitano extended his arm out for you, and you willingly accepted it, giving it a gentle shake.

"Member of the fatui Harbingers."

His next words made your hand freeze. Did he just say Harbinger? Not even a normal fatui like you thought, but a whole harbinger. Standing right before you, and shaking your hand.

Well you were screwed because what the hell have you gotten yourself into.

You both were quiet now, staring at eachother that it's becoming almost painfully awkward.

"Your name?" He asks, letting your hand go and it's like you were snapped back to reality when you immediately blurt out your name.

He repeats your name like you were on his kill-off list, but that was just overthinking on your part.

"I'd like your company from now on." He announced, stepping a tad closer to you which made you hold in your breath.

"then i shall be at your company..." Giving him your best small smile, you bowed your head again.

•••

Your wedding basically consisted of a witness and marriage papers that needed your signature. You didn't even get the chance to wear a traditional wedding dress nor have a honeymoon, which you don't think is necessary for now since everything was going too fast for your liking.

And Marina, your new personal maid, has become your new friend in this big estate of Capitano's, teaching you everything you must and mustn't do. Kind of like a 101 guide on how to be a wife.

Ever since that day a two months ago, you have not done anything but cause trouble.

You wanted to go out? Well you need your husband's permission. You want to eat something? Ask Marina first and she'll whip it for you no problem, and no you're not allowed to cook by yourself. You bombarded Capitano with questions about himself, but his answers wouldn't be enough as they were about a word or a sentence long.

As boring as that is, this is your life now for... Archons know how long. But you remember it being temporary, if your memory did not fail you.

Capitano had returned back to the estate for the night, and for the first time, you greeted him at the front door with a smile, wishing you could see him smile back at you.

"My lord," you bow elegantly like how Marina taught you, speaking even softly like nothing ever happened a week ago, the fit you remember throwing at him, demanding an answer on why you couldn't do anything around.

The silence in the hallways was deafening, broken only by the clanking of his armor as he took a step closer to you, his towering figure cast an intimidating shadow upon you. "It is rare," he spoke in a blunt tone, "to see you this obedient." Capitano paused, his gaze scrutinizing your every move. "You have been behaving recently?"

You couldn't help but fidget with the hem of your clothes nervously like you have been caught, a nervous quiet laugh escaping your lips, "i believe I've always behaved."

Capitano let out a terse sigh at your answer, his eyes unflinching through the slits of his helmet. "To your luck," he muttered, "you have been... tolerable." The word 'tolerable' hung heavily in the air, making it clear that it was the most positive adjective he could summon about you.

"However," he added after a few moments, "you seem more compliant than usual today. This is an... interesting change." His tone was questioning, as if hinting that he was wary of your compliance, expecting a hidden scheme behind it.

"Shall we have dinner?" You change the topic, changing your position to stand by his side so that both of you could walk to the dining room together. Capitano nods curtly, acknowledging your suggestion. He allows you to approach, though there is a stiffness in his movements as he lets you stand by his side.

The two of you begin walking to the dining room, your husband's steps were heavy, and it was evident that he was still in his full armor, the sound of his footsteps filling the hall.

"You are not usually the one to suggest dinner," he commented, "I thought today was nice... Despite how i always fight you, forgive me." you mumble apologetically.

You become quiet when he doesn't answer back, your hands clasped infront of you instead.

You both soon reached the dining hall, now sat opposite eachother on the dining table, Capitano's gaze remained fixed upon you as you both sat across each other, the coldness in his eyes didn't waver as he observed you intently. The silence seemed to thicken as the only sound in the room was the clinking of silverware against the ceramic dinnerware.

"How was your trip?" You asked casually while stuffing some veggies in your mouth.

"The trip was... uneventful," he replied tersely, pausing briefly before continuing. "The usual Fatui business, nothing that concerns you, wife." His words were as biting as ever, indicating that he wasn't keen on discussing his business matters with you.

"nofing mfun?" You ask again with your mouth too full this time, "don't speak with your mouth full of food." You swallow your food down when you caught a glimpse of disappointment in his tone, maybe he was even frowning if you could see him behind his helmet.

"i will retire to my chambers after this," you place down the silverware on the tablecloth to reach for the glass of water next to you. Capitano doesn't answer, but he nods slowly in return.

•••

The world was still and the moon illuminated the grounds outside, casting a soft glow upon the landscape. You could hear the occasional sound of crickets and the whispered rustle of leaves, creating a peaceful atmosphere inside the expansive estate.

The minutes ticked by slowly, each one seemingly longer than the last as you anticipated Capitano's return this time. You fidgeted with the sheets, as you waited, you recalled Marina's words, a distant memory echoing in your head, "It is custom for a wife to wait for her husband to return before she retires to bed." You never did that, no. You would always sleep before he did and he would always wake up before you did. It was rare to even see him on your side of the bed, only sometimes when you would wake up from a sudden heavy weight shifting next to you.

Despite being married for quite some time, the connection between you two was still distant and cold. Capitano didn't seem to care for you on any emotional level, instead seeing you as a mere accessory to his life as a mighty Capitano of the Fatui Harbingers. A possession rather than a wife, you thought.

Capitano's steps echoed through the room as he stepped into your bedroom, his footsteps heavy and deliberate. He closed the door behind him with a thump, shutting out the outside world and isolating the two of you in the room.

He observed you quietly for a moment, "You're not in bed yet?"

"i was waiting for you."

"And why, pray tell, were you waiting for me?" he asked, crossing his arms over his chest. "Marina..." You mumble, standing up from the bed while looking away in a bit of embarrassment, "she taught me it was custom for a wife to wait for her husband."

Capitano seemed even more surprised upon hearing your answer, his eyes narrowing slightly. "Marina... I see," he said slowly, of her name sending a ripple of irritation through him. Capitano disliked Marina's influence on you and how she seethe mentioned to be teaching you things.

He strode closer to you, by now you were used to his presence that it would not make you involuntary step back, you instead wait for his next move.

Lifting his hand to take a few strands of your hair was the last thing you expected. The strands resting on his hand as he lifted it closer to his helmet, almost like a gesture of kissing your hair which made you blink rapidly.

"You don't have to," he whispered, his thumb gently caressing the strands, "don't have to listen to Marina or anyone. You may do your own thing in this estate. I just want you well taken care of and safe."

You think you may have just fallen in love with the man because... Why is your heart beating so fast that it could explode? Or wait, can he hear it?

Capitano then let go of your hair, walking past you as he started loosening the straps of his armor, "it is late," he muttered with a rasp, his hands working quickly to remove his armor. The sound of armor being unthreaded echoed through the room, punctuated by the clinks of metal.

Taking off his helmet next so casually made your eyebrows furrow and sit back on the bed with your head tilted to get a closer look at him.

His eyes were glowing dark blue, the most beautiful shade of blue you think you've ever seen. The prettiest face too despite his dark and intimidating aura.

"you're beautiful." You whispered in awe, though Capitano, who was half-way through removing his armor, paused for a moment as he heard your words. He wasn't expecting such a compliment from you. It was rare for you to praise him, preferring to defy him more often than not.

"Beautiful?" he repeated, his voice gruff, you noticed his expressions and tried to act cool, your fingers nervously scratching your neck out of habit when you get shy.

"You're beautiful too, my wife." This completely caught you off gaurd, but it doesn't stop you from smiling and laughing it off quietly.

"Goodnight." Your head rests on the pillow, and this time you face him in your sleep, and he makes the effort to mimick your gestures.

"Goodnight."

•••

"Marina, where is my wife?" That was the first thing he asked your personal maid the moment he arrived back from his mission. His head looking around rather than looking down directly at Marina.

"The lady should be at her chambers."

"She's not."

"What?" Poor Marina's eyes widened, she was sure she just gave you a basket of fruits and snacks in your room, even asking you if you needed anything else.

"... Forgive me, my lord. She's probably in the bat—"

"She's not in the bathroom." He replied in a low, dangerous tone that sent a shiver down her spine.

Where are you, my lady? Marinas thought through gritted teeth before exhaling out shakily, "i shall go find her at once." Marina began looking around every corner of the estate, and each room she opened without you in it, she would lose two years of her life with Capitano following her.

You couldn't have escaped, right?

Finally when she hurriedly went to the back of the estate, she let out a sigh of relief when she saw you sitting outside on the grass with the basket of goods she handed you earlier.

You wave your hands and both Capitano and Marina with a bright smile, causing his shoulders to relax when you were at last seen having fun by yourself.

"you're going to get me killed one day." Marina mouthed at you, but since there was some distance between you both, you just smiled and shrugged at her.

Capitano approached you slowly, his purposeful stride carrying him towards you with measured steps. You were perched on the grass, happily savoring the treats in your hands, when he suddenly materialized before you. "Sit." You pat the space next to you, to which he obliged without hesitation.

"Have you ever done this before?"

"No."

"Never? It's nice."

"You do seem to be enjoying yourself." He hums thoughtfully, and your smile widens, "The last couple of months have been interesting, and i get to know you better now." You say before popping a blueberry in your mouth to chew on.

"Blueberry?" You offer, raising your hand while holding a blueberry in between your thumb and forefinger.

You might think your husband is shy by how he looks around at first before taking off his helmet, cute. Eventually he leans to take the fruit between his teeth before chewing silently, the slight fruit juice glistening on his lips before his tongue along with his thumb swiped over his lower lip.

"you know," you suddenly speak, drawing your hips near him, "we've never kissed yet."

He pauses, staring at you while thinking deep about it, "does it bother you?"

"No, does the idea bother you?" Your question held a mixture of uncertainty and intrigue.

Without a warning, his hand held your left cheek with gentleness, his lips slotting against yours for three seconds max before it ended.

What?

Your eyes were wide open the whole three seconds of it too!

"What was that?" The horror in your eyes was evident, not because you were scared, but because you were caught off guard and your eyes were fucking open. Capitano, upon seeing your eyes, he immediately tried pulling away, thinking he might've scared you in some way.

But you were quick to hold his wrist firmly so it wouldn't leave your cheek. "I liked it." You blurt out with the reddest cheeks ever, and he's almost amused.

"But it was too fast," you clear your throat before tilting your head closer, "may i, husband?" How can he refuse when you asked so nicely too?

Your lips latch onto his for the second time, and this time, you were going to give him a proper kiss. With your lips moving with ease against his, the sounds of soft smacks of your lips together filling the air which makes the tips of his ears go red.

You don't continue after both of you pull away to catch your breath, your eyes staring deeply into eachother as he pressed his lips into a thin line.

"Let's not do this again," your heart almost drops at his words. Did you mess up again? Did he not like how it felt—

"In public, i meant. I wouldn't like anyone to see you in such a state."

You can definitely hear the crickets in your head. "So we can continue kissing?"

"Mm," he only hums back before reaching for his helmet to put it back on. "I have to leave, i will be back by midnight," and when he stands up, it was your cue to stand up to bid him goodbye.

"Take care, husband." You wrap you arms around him, and he circles his arms back around you into a tight hug. It was not your first hug together, so you got used to the feeling of not being able to breath for a couple of seconds before of his tight arms around you.

•••

Capitano expected you to be awake when he returned from a few errands he had to run earlier, expecting you to wait for for him so that both of you could sleep at the same time ever since you did that day.

But you were asleep, peaceful and relaxed on your shared bed. You, wearing nothing but a silky nightgown like you always do, the blanket shuffled messily on you which revealed your legs slightly parted, and your arms hugging the pillow underneath you.

You looked like an angel to him, so vulnerable.. so pretty like this—god was he pent up from today.

He hands clenched tightly into fists until his knuckles turned white as he looked away, instead busying himself in taking off his usually neat coat which was now covered in few splatters of crimson red.

The sound of the running water masked his muttering, instantly regretting his thoughtlessness. As he grabbed the bar of soap, he began to wash vigorously, trying to expel the memories of combat and the musky scent of carnage. His body couldn't be gentler with himself though, as he massaged his muscles that ached from the constant strain.

His heartbeat quickened as his mind wandered back to you. You were the sweetest thing in his life, and he would never ever hurt you, in fact, he would rather die than have your precious skin scratched. Or even cutting off the heads without hesitating if one would hurt you.

He hates himself for envisioning your body under his, or thinking about how skilled you would be with your tongue or hands. he thought he was a selfish lustful man for thinking of such thing when you were sound asleep and tired.

Unable to bear it any longer, he reached for himself, stroking slowly at first before heavier thrusts took over all while imagining how it would feel like to be inside your soft and warm cunt instead of his hard and rough fist. The steam from the shower served to muffle his low groans, half in agony, half in ecstasy. Closing his eyes, he pictured your warm smile or shy and embarrassed facial expressions as his release came steadily forth, his forehead hit the cool tiles as he let out a deep, satisfied sigh.

After taking a moment to get himself together, he turned off the water and faced the mirror. How can he go back to bed after jerking off to the thought of your smile and sleeping figure? He would very much rather bang his head on the wall.

But he dried off with a sigh and headed back to bed, trying to keep his eyes half closed with his back turned to you as he sinked down on the mattress, taking a bit of blanket to cover himself with his eyes forced shut.

Your sudden arms that enveloped around him from behind is what gave Capitano a scare. A literal scare to the big man.

Were you awake this whole time? Did you hear him back in the bathroom? Was he too loud?

But your soft snores made his stiff shoulders sag in relief, indicating you were still in deep in your dreams.

He decided to turn around to face you, looking down at how innocent you looked, how the moonlight seemed to glow on your face from the window, giving your features a glowy shine.

"You have ruined me," he whispered carefully while brushing off strands of your hair away from your face to press a goodnight kiss on your forehead. "I am yours, ruin me, break me, and love me as much as you want, my wife."

[honeypiehotchner]

Juno (Hotch x Fem!Reader) -- one shot

Hello again! This goes from zero to 100 in two seconds flat don't @ me!! Sabrina's new album came out and reawakened something in me (everyone say thank you Sabrina) (also this is not beta'd I wrote this in a short n' sweet haze)

Summary: Aaron is working from home but what paperwork he needs to do is the absolute last thing on your mind.

Warnings: smut! 18+ only! this is so filthy! in no particular order: multiple orgasms, cockwarming, choking, brat tendencies, stoplight system, unprotected sex, breeding kink (briefly), face fucking, overstimulation

WC: like 3,400 I lost my damn mind clearly

You’re not sure what’s gotten into you. Blame it on period hormones (probably) or the fact that Aaron looks absolutely delicious right now in his tight black t-shirt (most likely), but you’re going to go insane if either of you have clothes on for another five minutes. 

The problem is, Aaron is trying to focus. It’s one of his days where he works from home, an idea you gave him when you realized how easy it would be for him to do the same paperwork just from the comfort of your living room. It was a brilliant idea at first. You got to see him more, and were able to do your own thing around the house while he did his work. You got to have lunch together, and offer a genuine mental break in between his mountain of paperwork. 

Now, though, you can’t find it in you to give a single fuck about whatever needs to be signed, who needs to clear what, and what phone calls he still needs to make. 

“Honey,” you call sweetly from the kitchen. You watch him from over the island, your thoughts going all sorts of ways -- namely, deep into the gutter. “Want to break for lunch?”

You see Aaron shake his head, still typing furiously on his laptop. “It’s not even noon yet.”

“Brunch?” you try again, walking out of the kitchen. You lean against the doorframe, crossing your arms over your chest in the way you know he loves because of the view it gives him of your cleavage. And you’re wearing a v-neck shirt today for that exact reason, too.

Aaron still doesn’t look up. “I’m sorry honey, maybe in an hour?”

You let out a huff that you know he hears because he finally looks up, eyebrows raised just so. It’s a look that you love. Curious, veering toward that playful annoyance that you can’t seem to go a few hours without his undivided attention. 

Which, you can, by the way. You’re more than capable. It’s just that right now, it’s a crime that his eyes have been looking at paperwork when they should be looking at you.

“Are you okay?” he asks, and there’s some hesitation in his voice. You know he’s assuming the worst. That you’re not okay mentally, and that’s why you need him to take his lunch break now or maybe for the rest of the day. He’s done it before on your darker days.

But you’re okay. You’re perfectly fine. You’d just be even better if he put the damn laptop away and put his fingers to use somewhere else.

Which is exactly why you come to a stop in front of him and reach forward, tilting his screen down and down until it closes. He lets you.

He lets you take his laptop and put it on the table beside the couch. He watches you, his fiery brown eyes taking in every second. He lets you straddle his hips, your arms circling his neck.

“I see now,” he smirks, his hands finding their rightful place on your waist and squeezing lovingly. “By ‘lunch break’ you mean…”

“Put a baby in me,” you blurt, rocking your hips against his.

He stills, his hands making you stop your movements, too. His eyes are darker now in a way you haven’t seen in a while. “What?”

“Please,” you say, leaning your forehead down onto his, trying to move your hips again. “Need you.”

“Honey, we can’t have--”

“Yes I know the semantics, Aaron,” you mutter, now annoyed and lifting your head to glare at him. He has a vasectomy, you get that. “I mean fuck me like you’re putting a baby in me.”

His hands squeeze again. “I see.”

You frown. “Don’t tease me.”

“I’m not,” he smirks, one hand leaving your waist to stroke your cheek. “You’re adorable when you’re horny.”

You roll your eyes, peeling yourself off his lap. He lets you go, albeit with a curious look. You turn and head for the bedroom.

“Where are you going?” he calls out after you, still with that damn smirk lacing his words.

“To get myself off,” you reply in a deadpan. “Since someone--”

You don’t have a chance to finish your sentence before Aaron is right behind you, hands on your hips, spinning you around to face him. That look full of fire is back again, stern this time.

“Did I say you could do that?” he says in a low tone.

“Did I ask?” you retort, backing out of his grasp and darting into the bedroom. 

Now there’s a smirk on your lips. It’s quickly approaching shit-eating grin territory, which you know will only egg Aaron on further. This little game of cat and mouse happens to be your favorite, and he knows it.

You’re barely two steps into the bedroom when Aaron is attached to your back yet again, this time wrapping his arms around your waist, locking you in.

“Color?” he whispers, his lips right at your ear, sending shivers straight down your spine.

You groan. “Green. Neon green. So green, I need you to--”

He spins you again, this time backing you into the wall and attacking your lips. Finally, you think, though you know you’re in for it now. The thought has a grin crawling up your lips, and you’re unable to stop it.

“What’s so funny, hm?” he scolds, moving his lips to your neck instead, to the exact spot he knows makes you weak in the knees. Like clockwork, he has to wrap an arm around your waist to keep you upright, your knees buckling when he bites down just so.

“Nothing,” you manage through a moan, tipping your head back onto the wall. “Shit.”

“You’re ridiculous sometimes, you know,” he says, but he’s smiling against your skin. “Can’t let me focus on work because you need me to fuck you.”

“In my defense,” you try, your hands scrambling for his shoulders, for something to ground you. “You didn’t fuck me this morning.”

“I fucked you last night,” he reminds you, as if you needed the reminder. It’s the reason you slept so soundly. “Was that not enough?”

You can’t help it; you laugh. 

He lifts his head, raising an eyebrow at you. The same question as before on his lips.

“Sorry, I thought you were joking,” you say. 

“You’re insatiable.” 

“Guilty,” you grin, grabbing his face and pulling him back in for another kiss.

You make out against the wall for too long like two teenagers behind the bleachers at school. You hook one leg around his hips, pulling him in and grinding against his obvious erection. It’s enough to have him groaning into your mouth, pressing you against the wall with renowned vigor. 

You can feel how wet you’re becoming and fuck, neither of you have even taken a single article of clothing off yet.

Aaron notices, one hand traveling south without you paying attention, too busy relishing the way he licks into your mouth, stealing your every breath. The kissing becomes increasingly sloppy when he works his hand into your leggings, under the waistband of your underwear, and into you.

“Oh my god,” your back arches against the wall, pushing his fingers deeper. He doesn’t bother with one, starting right away with two, curling them when you grind harder.

“You’re soaking my hand,” he practically growls into the next kiss, adding a third finger after only a few thrusts. Your body accepts it willingly, always ready for him. “Jesus.”

“More,” you gasp, pushing him deeper. “Aaron, more, I’m serious--” Your words break off as he scissors his fingers, making your eyes roll back instantly.

“I can feel you already,” he smirks against your cheek, pressing a kiss there, an action so sweet and gentle compared to what the rest of him is doing. “Come on, honey. You’re cumming as many times as you want.”

That makes you inch closer to the edge at a frightening speed. He says you can cum as many times as you want, but what he means is he’s going to force as many orgasms out of you as he can. Until you tell him to stop or he decides you need a break. 

The thought of being an overstimulated mess in his embrace later has you climaxing against his fingers, your head falling onto his shoulder as his movements never cease, milking every last wave out of you. 

You lift your head in search of his lips again, which he willingly gives to you, his fingers slowing to soothing strokes as you whimper into his mouth. You’ve only had one orgasm and you already feel ruined. He can tell the way you tremble against him, so he checks in once more.

“Green?” he whispers, kissing your forehead.

You nod. “Green. You?”

He smirks. “Absolutely.”

He picks you up into his arms, inelegantly tossing you onto the bed behind you. You giggle as you bounce on the mattress, tugging your shirt over your head as he does the same to his. His hands move for his belt and you practically jump to the end of the bed, swatting his hands away.

“Since when is that your job?” you frown up at him, unbuckling his belt without looking.

He laughs, petting your head gently. “So sorry, you’re right.”

“What was that?” you tease. “I don’t think I heard you.”

“Don’t push it.”

“I have no idea what you mean,” you smirk, pulling his belt out of the loops and tossing it somewhere. You don’t wait for him to reply before you unbutton his jeans, yanking them down with his boxers.

There’s just something about his dick. You hate that you love it, or maybe you don’t hate it at all. All you know is you need it in your mouth right now.

So, you do that, without any warning. Aaron thrusts forward into your mouth on pure instinct, not expecting you to wrap your lips around him so soon. You slide down the edge of the bed onto your knees, pulling him back to you by his thighs. 

You take your time, pushing his jeans and boxers down further. When you pull back for air, he steps out of them and kicks them elsewhere, returning to you quickly, knowing better than to keep you waiting. 

You swallow him down again, moaning around him in the way you know he loves. It takes all of two seconds before he gently holds the back of your head, asking silently for permission that you were already about to grant. You look up at him, batting your eyelashes as you squeeze his thigh twice. Go ahead.

The thing about Aaron fucking your face is that it took a while for him to do it as hard as you really wanted. He’s always so gentle, a quality that drew you to him initially. You love how gentle he can be. But you love it equally as much when he is rougher with you.

Like now, when he has you pinned against the bed, one hand on the back of your head as he fucks into your throat. It’s blissful, quite frankly, the way he feels, and you thank the universe every time for your lack of a gag reflex. 

He holds you there with a deep groan, and you feel him twitch in your throat once before he pulls you off entirely. You frown up at him, once again not getting what you wanted, but he doesn’t have any time for that.

He picks you up by your armpits, hauling you back onto the bed. Your leggings and underwear are gone in a single second, along with your bra. He’s crawling up your body and crowding your space before you have a second to protest that he wasn’t down your throat for near as long as you wanted him to be. 

All frustrations leave your mind the second he pushes inside of you, immediately sliding home, his hips flush against yours. 

It’s a feeling you’ve grown to love, the way he hits you so deep. Another thing it took him a while to be comfortable doing.

He’s not average sized by any means, and you’re the first to admit it made you salivate the first time you saw. The first time he fed himself into you and worried that he was hurting you, meanwhile you were clawing his back because you wanted more. It hurt for a moment, only an uncomfortable pressure because he was bigger than your vibrator, but as soon as you were used to the size of him, you wanted all of him.

He stays there, deep in you without moving for a moment, grinding against you. His lips attack yours again before he pauses to lean his forehead on yours, trying to catch his breath.

“You drive me crazy,” he says on a shaky exhale.

You wrap your legs around him, thrusting your hips up to take him a little more. His hips stutter, pushing in the way you wanted him to, the way you know you can make him do involuntarily.

“Fuck,” he bites out, turning his attention to your neck again.

You thread your fingers through his hair, tugging. “Exactly. So why aren’t you moving?”

He nips at your neck. “Because if I move, I will cum right away.”

“Who said I only want you to cum inside me once?”

He groans again, fingers digging into your hips as you circle them, though he doesn’t try to stop you. “Greedy” is all he says, but he finally moves.

The thrusts are slow at first, Aaron clearly trying to pace himself. You can’t say you’re doing the same, already chasing your second high as he slams his hips into yours. Your hand reaches down to rub your clit, but is promptly smacked away by Aaron’s hand as he glares at you.

“Since when is that your job?” he echoes you from earlier, only this time, there’s more heat to it. He grabs both of your wrists, pinning them above your head to stop any other temptation. “Not this time.”

His thrusts pick up speed and depth, his body moving against yours in the exact way that makes you fall apart. It’s not often that he doesn’t let you cum from added clit stimulation -- not that you can’t without it; it just makes the high feel that much better -- but sometimes he does. It’s an ego trip for him as much as it is for you.

It also adds an unpredictable nature to it, which is why your second orgasm takes you by such surprise. You seize against him, your hands doing all sorts of squirming to try to break free of his grasp, but he doesn’t let you, and he doesn’t let up. You don’t realize why until you feel the warmth spreading into you as he reaches his own peak. 

You’ve clearly worked him up as much as you worked yourself up because his thrusts barely slow down, and he doesn’t soften inside of you. 

Instead, he pulls out only to flip you on your side, sliding in behind you and pulling your leg up and back over his hips. The action causes some of his cum to spill out of you, but you don’t have any time to focus on that before he fucks back into you. 

You’ve ceased to have any coherent thoughts as Aaron whispers dirty nothings into your ear, one arm wrapped around your body to keep you pinned against him. The pleasure doesn’t stop and at one point, you question if your second orgasm stopped at all or if it has continued this entire time.

Aaron reaches underneath the pillow where he knows he’ll find one of your vibrators because he heard you using it this morning. No, he didn’t fuck you this morning, but you fucked yourself, and truly, at 8am, he should’ve known you’d end up like this by eleven. 

Your mind doesn’t register what the sound means until the vibrator is pressed against your clit. Your body jerks, scrambling for some grounding, your hands finding it in wrapping them around his arm. 

He switches hands on the vibrator, so one hand is free to wrap around your throat. Your eyes roll back as soon as you feel the gentle pressure, your body practically going limp against him. 

“Come on, sweetheart,” he murmurs directly into your ear, his thrusts slowing to deep strokes. “You’ve got a couple more in you.”

“A couple?” is all you manage to say, your hand squeezing his wrist so he knows to squeeze your throat a little more.

“Mhm,” his voice rumbles in your ear, sending goosebumps all over your body. “Is it too much?” His question is laced with just the right amount of pity that makes you shake your head against him. “I thought so,” he replies, switching the vibrator to a higher setting.

It sends you into your third orgasm instantly, squirming violently against him as he pushes into you deeper. He knows how much you love that, and loves how much you squeeze around him as he slides inside, fighting against your muscles that threaten to force him out. You’ve done it before, a mesmerized look on his face and yours when you both realized what happened. Since then, you told him you liked it more when he fought to stay inside. 

He takes the vibrator away as you calm down, his hips also pausing, keeping himself deep inside you. The pressure is soothing, and you take a moment to take a deep breath. His palm falls away from your throat, instead propping underneath your cheek.

It takes a few seconds before you feel yourself spasming around him. He chuckles against your back, pressing a kiss to your neck. “Still?”

You nod dumbly, rocking your hips again. “Yeah. I don’t know, I just-- Need more.”

“I’ve got you,” he soothes, pulling out again to roll you onto your stomach instead, one of your favorite positions.

You’re floating as you settle into the pillows, letting Aaron manhandle you wherever you need to be. You groan in your happy, blissed out state as he slides home again, draping himself over your back.

He is gentler now, knowing that’s exactly what you need at this point. The last orgasm he pulls from you is just as gentle, and he pushes deeper into you, letting you ride it out. 

He pulls your hips up and thrusts once, twice before he’s spilling into you. You didn’t realize he was that close again. The warmth is soothing this time as it spreads through you. 

Aaron leaves you only to settle behind you, spooning you once again. Your hand reaches behind you to find him, and he catches your wrist. 

“You need to rest,” he chides softly.

“I know,” you whimper. “Need you inside me.”

“Okay, okay,” he murmurs, pressing a kiss to your neck as he slides in again, still half-hard, but it’s enough. You settle down as soon as the weight of him is tucked inside you again. “Better?”

“Mhm,” you sleepily nod, pushing back into him so he holds you tighter. “Do you have to go back to work?”

He chuckles against you, sighing. “No, I’m done for the day, I think,” he says. “I’ll tell them you weren’t feeling well.”

That makes you laugh. “We need a better excuse.”

“Or I need to go back to working in the office.”

You roll your eyes. “Like that’ll make a difference.”

He shakes his head, his mind remembering the same memories that you are. The many lunch hours when you went to eat with him, and ended up with your back pressed into the couch, his tie stuffed in your mouth to keep you quiet.

“Go to sleep,” he says, pulling you impossibly closer. “I’ll make us lunch when we wake up.”

“Perfect,” you smile, nuzzling into him. “Love you.”

“Love you too, honey,” he says, pressing little kisses to your neck and cheeks, wherever he can reach. “Now sleep.”

You’re already halfway there. The combination of him nestled inside of you and the post-orgasm exhaustion is enough to lull you into a restful sleep.