#opax

[opaxartwall]

Vinland saga artwork

[maxisdezign]

Photoshop - heading

Leaf cut out + colour:

Use pen tool (p) and raw over the area I want to work with to make a path. ~ You can tweak the path by press 'A' and modifying the anchor points and moving the handles. (IMG1) Then to chnage the path from a path to a selection, you need to open the 'Paths' window. Go to Window -> Paths. Then press command + click on the thumbnail image of the paths window to turn the path into a selection. Now you have selcted soemthing using a pen tool (IMG2)

After making this into a selection I then changed the selection of the leaves by using colour balance and I made the leaves fade blue.

Fruit colour: Select an area

I used the elliptical marquee tool to highlight the orange roughly. ~ I can use the spacebar to move the selection around while making the selection. I then used the elliptical tool to remove part of the selection by holding down option while making an elliptical shape over the area I didn't want apart of the selection. I then went over in finer detail of the orange selection by using the polygonal tool. I used this tool to draw custom lines of the areas I did and didn't want to be apart of the selection (shift to add, option to remove from the selection)

After making this selection more accurate and fine, I then modified the colour of the orange, I decided to make it red tones. (IMG1)

We then picked a second orange and this time used the object selection tool to select it quickly. We then applied the colour balance adjustment to the selection layer. This effect goes onto all the layers. But there is a button (IMG2) when it is clicked it will not have the effect (e.g, colour balance) on every layer below (white square with little arrow). This is found in the adjustments layer, properties section at the bottom of the window. I then did the same thing with another orange, except this time I made this 2nd orange become blue (IMG3)

Ship duplicate:

Use masquee tool to select the boat Command + J to copy and paste the selected area on a ne wlayer by itlsef. Move the new layer to another spot on the water (to look like two boats) Press the masking icon (japanese flag) to turn the copied boat into a mask. Use thw brush tool to help blend in the image and get rid of excess parts of the image you dont want. ~ White brush = 100%. Black brush = 0% opacity. Grey brush = some opacity (closer to black, less opacity, closer to white more opaxity.) Ypu can also use the soft and hard brushes to chnage how the image fades from one to the other. I used the softer brush so the water from both images faded into eachother more.

Hummingbird: Cutout & Paste

I created a duplicate of the bird image to work with as a spare. I then used the object selection tool to quickly select the bird shape from the background, but this object selection tool made some errors, so I had to fix them. I made a new layer and made it a dark green colour to help me easily see the mistake and things I need to work on with the outside of the bird selection. (green screen) After looking a the green screen image bird (IMG1), I then realized the wing ends of the bird were quite sharp and not very realisic, so it would've looked weird when I paste it into the new photo background. To fix up the shaping of the bird cut out I made a mask layer of the bird (IMG2)

I used the pen tool and went along the bird wing. I drew the line very close to the edge of the bird wing, because I didn't want any of the original background still in the cutout image of the bird. (IMG1) We then went onto the masked layer and coloured the wing section in white (so it fully showed), and coloured the exterior of the wing section in black (so it was invisible). (IMG2) This then made the wing very crisp, so I had to change that. I could tell it was very crisp because I had created a greenscreen layer to help me see what I was working with against something. (IMG3) To do this I used the blur tool to blur the edges of the wing of the bird, so that the shape of the bird looked more natural and less crispy and unrealistic when it was put into the new photo background.

I then went around the bird shape and made sure everything was properly cutout using the pen tool so that when I placed the bird image on the new background it would only contain the bird, and nothing else. I removed a bit of dark background below the beak, and between the toes of the bird. (IMG1) The background can also blend into the photo and/or effect the colouring of the image so I re-coloured some parts of the bird such as the top of the bird head and underneath and belly I used the brush tool and used the lighten and dark effect to change how the brush was applied. (IMG2) I then flipped the picture of the bird so that the bird image would face in a better direction for the new background image. I did this by going to Image -> image rotation -> Flip image (IMG3) I then adjusted the lighting on both the bird image and the background image to better fit and blend in with each other (IMG4)

REFLECTION: I loved doing the leaf cut out one, because I enjoy using the pen tool and I also enjoyed using the colour balance tool to make the plant appear to have a fading blue power stemming form the middle!! I was easy, but helpful and I enjoyed learning what I could do.

The fruit activity was super helpful in teaching me the different ways to use selection tools, what works best and why, and what I prefer. I prefer starting the the object selection tool, and then cleaning it up afterwards with the pen/lasso tool.

I found the boat activity very fun because it was as if I was creating something new all together. I have also always wondered the technique of copying something and making it fade into the background smoothly, so it was great to see how to do it using the different opacities and brush tools.

The humming bird was definitely the hardest, more complicated one of the 4 different tasks. But this task proved to be super helpful when moving onto doing more photoshop cut out (such as the jumping man). It was good to know the techniques of changing the colours of some edges, to remove unwanted light and shadow sources to help blend things in, and also to learn the techniques of blurring the edges of the moving wings to fade in better!

Overall I enjoyed this lesson a lot and learning various skills, tricks and techniques of the different possible ways to manipulate photos in photoshop!

[444namesplus]

Abema Aberso Ade Adi Adohu Adoma Adoyo Afoththe Aga Agayni Agomthu Agru Agu Agvu Ahandtho Ahawndka Ahi Aho Akase Akathhe Akawi Akesli Alerthhu Alesu Alfi Algle Algu Almi Alo Alolshi Alphbu Alxa Alxmi Alxtha Ama Amaygi Amezi Amophdu Amu Anani Anase Anathu Angthu Anoge Anu Apersu Apewgu Ara Ararmphni Aredmi Arga Argo Arne Arngu Aro Arolna Arpa Arra Arshe Arthra Aru Arxge Asawhi Asdo Asewdi Ashabu Ashalxtu Ashelmphe Ashu Asi Aso Asri Asu Athe Athelgpu Atheru Athpa Athu Atu Avayto Avelda Avu Awa Awdsho Awe Awgne Awgru Awi Awmbma Awmi Awmphfi Awo Awthi Awzu Axgo Axi Aygo Ayi Aymbu Aymmo Aypha Aypi Aysu Aythmo Ayu Azawdli Azawti Azelmo Azeno Azera Azerthe Badbe Basse Bawta Benu Bepha Bethvu Bowi Dalu Defu Derzo Desu Dolso

Ebaphni Ebe Eboydi Edi Edo Edoyi Edu Efara Efewda Efoxba Efu Egalgre Egawma Eggi Egu Eka Ekemphshi Eldpi Eldu Elemphgu Elerxpu Elghu Elmli Elo Elphlu Elphvi Elsi Elxpe Elzi Emawa Embku Embma Emphi Enasi Enaye Enewda Enho Enolke Enthu Epa Eperu Ephi Epoydi Era Erawi Erawthzi Eraxu Erdi Ergi Ergo Eri Erku Erolxgu Erphu Erri Erthi Erthlo Eru Erxmi Erxthu Esardo Esbe Ese Esentho Esere Eshapho Esi Eso Essa Etethu Ethensi Ethi Ethobo Eththu Ethu Ethvi Eti Evemi Evese Eveyu Evi Ewa Ewgu Ewi Ewtho Ewxtu Ewxu Exi Exsi Exu Eydfu Eyha Eyi Eymbi Eynu Eythgi Eyxsi Ezaphho Ezawdi Ezewa Ezose Ezowdsu Fali Fewsu Gari Genpu Gerhu Goybu Goymbe Hala Halu Harggi Hashi Hasi Hathbi Heda Hedu Hefe Holthi Kago Kayxthu Keli Kelzu Keso Kodmu Kogdu Kolphu Koru Lamsu Latho Ledi Lersfi Lobi Lowo Madi Mala Moldu Molno Mowa Moydi Nalphgi Name Naphsa Nawti Nethe Nethi Noli Nothi Noxfi Obowdi Oda Odaru Odergzi Odfu Odi Odosthi Odshu Ofaro Ofewthe Ogalgli Oganzu Ogasa Ogendu Ogense Ogeyszo Ogi Ogmu Ogobo Ogowdu Ogu Ohenthe Ohofi Okadu Okawthu Okeygu Olalu Oleyta Oli Olmbto Olmno Olmphho Olmu Olna Olne Olngi Olnmi Olphte Olshi Olthu Olu Olvu Olxe Olxku Omasnu Omathe Omemphko Omewi Omi Omu Omva Ondshu Onenththe Onorpu Onowzu Opaxe Opervi Orgu Orhi Ori Orlu Ornshi Orolu Orphdi Ortha Orthu Orxo Orxthu Orxu Osaxe Osaxshi Osbu Ose Oshasu Oshayhi Osheho Oshemphu Osothnu Otero Othu Oto Overshe Ovo Ovothbi Owdi Owi Owko Owngi Ownti Owo Owphu Owsli Owthni Owxe Owxi Oxhu Oxna Oya Oydli Oydo Oyge Oygo Oygu Oymbso Oymki Oynthu Oypu Oyro Oysi Oythva Ozerbo Ozo Ozu Padi Padri Pali Palndu Parmu Pawxu Pelgu Penglu Pewli Poldo Pole Rari Rarphno Ravi Rawgno Rota Rownre Royde Royphti Sadta Sasu Sesi Shazo Shelse Shewthba Shoggu Sholthi Soko Solmphi Sophthu Sori Talmma Tede Thaythfu Theshe Thesli Theyghu Thogge Towthu Valgmo Vawnthi Vaxa Vaymi Vedlo Velzi Voho Vowdo Voxi Zaphko Zaydshu Zaymbhe Zayxi Zelndi Zelnshu Zendi Zodlu Zoni Zoso Zothu

Ada Adi Ado Adri Adsha Afi Aghi Agi Agtu Albi Aldo Ali Alma Almi Almu Almzi Alnthpi Alo Alpho Alpu Alsnu Althi Althu Alti Ambe Ambu Ami Amphi Amphti Angpe Ani Anu Apha Apu Ardku Ardu Are Arhi Ari Armpha Arphi Arsu Arthi Aru Ase Asi Asre Asri Asvi Atha Athi Athpi Athsu Awfu Awgba Awgu Awhi Awko Awphfu Awththu Awti Awu Awxu Axa Aydu Aygnu Ayi Aymzi Aynu Ayo Ayphi Aysu Aysvu Ayxi Ayxu Bagi Bagso Baxe Bayri Beshu Bethi Bewa Bezi Bodi Boszu Bothtu Bownhu Bowu Dale Danu Dargke Dathi Dawxi Dawxu Daythle Dayxmi Dedo Degsu Dehi Delo Dogu Dophe Dori Dothu Dowla

Ebe Edi Edmi Edsi Efe Efi Egu Ehi Elgo Eli Elli Elmsha Elmu Elni Elsa Elththu Elti Elu Elxa Ema Embsi Emi Emo Emu Ephlo Erdsi Ergpi Erlu Erni Erso Erthte Eru Erva Erxu Esu Ethi Ethpu Ewdi Ewe Ewhe Ewi Ewmbpu Ewmbu Ewmphe Ewni Ewshu Ewso Ewsu Ewu Exbi Exfu Eydu Eygu Eyi Eymphfu Eyndo Eypha Eysi Eyu Ezu Fadi Fafo Fanu Fawxu Fayxse Feli Felphi Felshu Fewmphi Feythpi Forsto Fosu Gayshi Gazu Geki Gethdi Gewgu Geynno Gogsha Gomki Gosi Hantha Haympha Hayngsi Hegu Heyu Holshu Holsti Hophpi Hori Hoygu Kafe Karbi Karthe Karu Katho Kawmi Kawphbi Kebi Kedga Kedthu Kemu Kesbo Kesi Kewu Kobi Korgi Kori Koszi Kownthe Kownu Labi Lagu Lamtu Landa Lawge Lawi Lawre Lebu Legsu Lelgfe Lende Lermphsi Lersha Lewmbi Lexo Lexti Lode Lolththo Lorda Losvu Lowdu Loxze Loyga Loyne Loyxu Mamphu Mando Mephi Merde Meri Mersi Methe Methi Mewu Meyxtu Morda Morxme Moshi Mowu Moxke Nalmbi Namba Neli Nelmbhi Nelu Nerphu Newsa Neythgu Nogfu Nogma Nolmbse Obu Odhi Odi Odki Odpu Odu Ofu Oge Ogfi Ogu Oha Ohe Oldthi Oli Olne Olnri Olnthi Olo Olsu Olththu Olxe Olxsi Oma Omba Ombpo Omi Omla Omri Oni Onthu Onze Ophe Ophshu Opu Orfu Orgu Ori Ornga Ornli Orphu Orthi Oru Oshe Osi Osu Othsa Othu Otu Ovi Ovu Owdu Owgga Owgmi Owko Owmba Owmbu Owo Owsba Owsi Owsli Owthbu Owvo Owxi Oxfu Oxi Oxli Oxru Oxsu Oya Oyfu Oygmi Oyhu Oyi Oyno Oyo Oyphbu Oyphi Ozo Ozu Padi Payfu Paymi Pedu Pelpha Pelphshu Pemphu Pere Pewme Pewpu Peybu Podna Pome Pophti Portha Poththe Powa Powde Powxi Ragge Rame Rawgu Rawthi Reli Relsu Renggi Rerthe Rexi Role Ronththi Rorbu Rowgo Royi Saphu Sarngu Selxvu Seshi Sethu Sewngmu Seysi Shadi Shalpho Shathko Shaydthi Shaysku Shega Shemi Sheyi Sheymi Sholi Shompu Shonu Shownddu Sodo Sorxo Soyxre Talmlu Talnthi Tathfu Tega Teru Tethta Tewi Thalxpe Thamphe Thegmu Thethi Theyfu Theygi Thezo Tholphsu Thophi Thosfu Thoyi Togto Tondu Tordzu Tore Vama Vawthti Vephi Veyi Vomu Vowntho Voylu Voyu Zadu Zanto Zathi Zayglu Zebi Zelni Zema Zosre Zothi Zowphu Zoxgo Zoyi

[talweg-wolves]

VITTORE BARONI ON > ETERNAL BEYOND II II >" (MY CAT IS AN ALIEN & JOËLLE VINCIARELLI) FOR BLOW UP MAGAZINE:

"THE NEW UNKNOWN : I sempre prolifici MCIAA fanno uscire, quattro anni dopo > Eternal Beyond >, un secondo capitolo della loro collaborazione con la francese Joëlle Vinciarelli (già vocalist tra gli altri per La Morte Young). Su vinile rosso porpora, l'album ospita due lunghe improvvisazioni provenienti dallo stesso nucleo di registrazioni effettuate nel 2015 nello studio della cantante. E se il primo "Eterno Oltre" omaggiava nei titoli numi tutelari come William Blake e Albert Ayler, qui l'estesa Eternal Rage Against the Dying of the Light (divisa in due parti) cita Dylan Thomas, alludendo all'afflato poetico che anima l'intreccio dei vocalizzi senza parole di Roberto Opalio e del salmodiare sciamanico della Vinciarelli, nell'irruente crescendo di corde di un vecchio piano pizzicate da Maurizio Opalio, tintinnii ritualistici di piccole percussioni, ronzii e drone gorgoglianti di strumenti auto-costruiti che sospingono il continuum sonoro verso incandescenti fusioni noise. L'altro brano, Eternal Ectoplasmic Communication, parte da spirituali squilli estratti dai meccanismi di un vecchio orologio a pendolo e da una melodiosa nenia della francese, per costruire incantati soundscape che gli autori hanno denominato "Il Nuovo Sconosciuto" di un domani dalle radici molto antiche (arcaici canti magico-sacrali, raga orientali, folk primitivo, free jazz, ecc.). Una cooperazione basata su una sintonia totale, che potrà probabilmente ancora procurare soddisfazioni."

[merzbow-derek]

POST-POST-SCRIPTUM 1188

ULULATIONISM

“Now playing: two new LPs by the ever prolific My Cat Is An Alien, the Opalio brothers from Torino IT. These cats go deep into their very own idiosyncratic sound world always with an invitation to collaborate, collude and collide with musicians and artists everywhere. The first LP is a 3 sided set recorded live at their 20th anniversary show. Both sonic brother Lee Ranaldo and Marseille free guitar maestro Jean-Marc Montera get into a heavy meditation of sound and breath with Lee intoning passing verbiage at the top and tail of the performance bringing the music into the moment of everydayness. Both Lee and MCIAA share pages of visual art in the booklet attached to the LPs front. Nice. The other disc is in collab with ululationist Joëlle Vinciarelli best know as howling free black metal voice for Talweg and La Morte Young. Here the work resounds as in a whispered night where promise comes as mystery. Only 100 copies of this killer. Also: nice. Stay well as you can be and move towards understanding that nature is our guide.” Thurston Moore, Facebook, Instagram

[ozkar-krapo]

Roberto OPALIO

"Aurora coelestis"

(LP. Opax. 2014) [IT]

[michelangelob]

😍La Gloria realizzata da Gian Lorenzo Bernini assieme alla Cattedra. 👉Fu papa Alessandro VII Chigi ad affidare il compito di riempire la parte terminale dell’abside con qualcosa di grandioso al grande Bernini. 📌Correva l’anno 1656. . . . . . . . . #michelangelobuonarrotietornato #bernini #michelangelobuonarroti #sanpietro #roma #michelangelo #bellezza #vticano #inartwetrust #lifestyle #bellezza #beauty #barocco #musei #roma #viaggioinitalia #italia #beauty #masterpiece #antoniettabandelloni #life #art #italia #travel #arttraveller #bellezza #rome #arthistory #trip (presso Città del Vaticano - Basilica San Pietro di Roma) https://www.instagram.com/p/CTU62e-opax/?utm_medium=tumblr

[coltonclay]

Daripal? Opax? Whatever.

[mycatisanalien]

View this post on Instagram

A post shared by My Cat Is An Alien (MCIAA) (@mycatisanalien.official)

R.I.P. Michal Brunclík, one half of Czech trio BIRDS BUILD NESTS UNDERGROUND (BBNU), formed with Petr Ferenc (aka Phaerentz) in Prague in 2003, and later joined by film maker Martin Ježek, for sure one of the most innovative bands that ever came out from there! -- My Cat Is An Alien send eternal love for the amazing record made in collaboration with the two experimental turntablists, an album which stands as one of MCIAA's highlights -- Listen to "GRAMOFONU = Voice of the Universe" (LP, 2010, Opax / Love Nest, private press) on Bandcamp, Roberto Opalio made the cover painting and also provided the title, suggested by the astounding acetate that Michal, Petr and Martin dug up in the cellars of Czech Radio and which opens up the whole album: it's a never-released recording by Vítězslav Nezval (1900-1958), a Czech surrealist poet, a total genius and a prime mover of Czech avant-garde art before World War II, in contact with the French surrealists (Breton etc.) and leader of Czech surrealist group... Michal, we play this loud for you!!! Alien Peace! https://bbnu.bandcamp.com/album/gramofonu-voice-of-the-universe

[oreganopacker]

opax renaissance

[goldchartered]

Best Drill Interceptions In The Metals Mining Sector For The Week Ended March 29, 2020

(Source: Exploration Insights)

Introduction

If you’re into investing in the mining sector, you should know the above chart very well. This series covers the three projects with the most significant drill interceptions over the past week, as well as the prospects of the companies which own these projects. I will use data from the weekly bulletin of opaxe, which can be found on its website. Note…

[talweg-wolves]

ULULATIONISM

“Now playing: two new LPs by the ever prolific My Cat Is An Alien, the Opalio brothers from Torino IT. These cats go deep into their very own idiosyncratic sound world always with an invitation to collaborate, collude and collide with musicians and artists everywhere. The first LP is a 3 sided set recorded live at their 20th anniversary show. Both sonic brother Lee Ranaldo and Marseille free guitar maestro Jean-Marc Montera get into a heavy meditation of sound and breath with Lee intoning passing verbiage at the top and tail of the performance bringing the music into the moment of everydayness. Both Lee and MCIAA share pages of visual art in the booklet attached to the LPs front. Nice. The other disc is in collab with ululationist Joëlle Vinciarelli best know as howling free black metal voice for Talweg and La Morte Young. Here the work resounds as in a whispered night where promise comes as mystery. Only 100 copies of this killer. Also: nice. Stay well as you can be and move towards understanding that nature is our guide.” Thurston Moore, Facebook, Instagram

[merzbow-derek]

POST-POST-SCRIPTUM 1185

MY CAT IS AN ALIEN & JOËLLE VINCIARELLI > ETERNAL BEYOND II >

OPAX / UP AGAINST THE WALL, MOTHERFUCKERS!

“The Opalio brothers have had quite an impressive history of adventurous collaborations over the years, as they have been joined by many of the most iconic figures in underground music, as well as an inspired array of interesting folks that I had not previously encountered.  Naturally, a number of those unions have yielded wonderful results, but one of my favorites was the Opalios’ pairing with Talweg/La Morte Young’s Joëlle Vinciarelli for 2016’s Eternal Beyond.  Several other artists have gamely and effectively adapted themselves to the brothers' unique aesthetic and working method over the years, yet Vinciarelli is the one who was most successful at finding and filling a space that made the collaboration feel like something more than the mere sum of its parts.  More specifically, she brings some welcome bite and visceral intensity to the Opalios' phantasmagoric and alien reveries.  Consequently, I am absolutely thrilled to report that this trio has now become a recurring project and that Eternal Beyond II is every good as its predecessor (if not even better).

I have not delved very deeply into Joëlle Vinciarelli’s work in Talweg at this point, but I have heard enough to grasp that "black metal" is a woefully inadequate and misleading term for her art.  In fact, nothing about Talweg (or Vinciarelli) is remotely conventional at all, which is perhaps why she makes such a perfect foil for her fellow Alps-dwellers.  In her own way, she is every bit as genre-defying and radical as the Opalios, but the key difference is that she is driven towards earthy, timeless, and primal forces rather than looking towards the stars for inspiration.  Consequently, the improbable collision of Vinciarelli’s "Cro-Magnon grunt and cultic energies" with the Opalios’ mind-melting, deep space lysergia is a perfect, unholy union, enhancing the brothers’ smeared and disorienting psychedelia with a healthy dose of seismic, elemental power.  That said, it seems like Vinciarelli also brings out some of those normally latent elements in the Opalios themselves, as the churning and jangling intensity of the opening "Eternal Rage Against the Dying of the Light" is driven primarily by the brothers’ violent misuse of an "antique upright piano soundboard."

It is truly impressive that Maurizio and Roberto managed to unleash such an apocalyptic cacophony in real-time, as the crescendo of "Eternal Rage" sounds like a heaving maelstrom of countless rusted steel strings being viciously attacked at once.  There are a lot of other great and unexpected elements to the piece as well, ranging from sharp metallic scrapes to looping, angelic vocal melodies.  And, of course, there are also the expected elements: disorienting falsetto vocal drones, buzzing electronics, and howling eruptions of noise.  Happily, all of those various threads coexist quite organically and seamlessly, resembling an inspired collision of an ancient throat-singing ritual, a pack of howling wolves, and a goddamn supernova.  Unsurprisingly, those ingredients make for quite a potent cocktail and "Eternal Rage" easily ranks among the best MCIAA pieces in recent memory.

The album’s shorter second piece is considerably less extreme, as it is largely centered on the chiming of an "old pendulum clock mechanism."  In fact, once Vinciarelli’s melodic, wordless vocals appear, "Eternal Ectoplasmic Communication" almost feels like a lullaby of sorts.  That resemblance does not last particularly long, however, as that melody gradually wanders off course as queasily lingering electronics and Maurizio's broken-sounding self-made string instrument creep in to curdle the idyll.  The overall experience feels akin to waking up in an unfamiliar house to find a supernatural fog slowly rolling out of a haunted antique clock.  While it never quite catches fire or builds towards anything more substantial, it casts quite an effective spell of seething uneasiness and the strangely warbling vocals call to mind a beloved stuff animal that is trying desperately to warn me of imminent peril, but is too paralyzed with fear to do anything but gibber helplessly.  While it is quite a solid and likable piece, the earlier "Eternal Rage" unavoidably steals the show on Eternal Beyond II, as it beautifully transcends everything I usually expect from MCIAA. "Eternal Ectoplasmic Communication," on the other hand, feels a bit more familiar (and considerably less apocalyptic).

It is hard to explain why I love the Opalio brothers' albums with Vinciarelli so much without making it sounds like their other albums are in some way lacking, but I will try anyway: a "normal" My Cat is an Alien album is like a window into someone else’s deeply weird and inscrutable dream (and I can think of no one else who reliably conjures up otherworldly vistas as strange and absorbing as those of the Opalios).  When Vinciarelli is involved, however, it feels like that dream state is tenuously anchored to a recognizable physical world rather than a straight-up free fall into a bottomless rabbit hole of swirling, nightmarish unreality.  Plunging into that altered state is always a compelling experience, but it is a more profound and dynamic one when I can still see distant vestiges of what I left behind (nods to conventional scales, scraping metal, guttural voices).  In essence, it is a matter of grounding and contrast.  No one does deep space psychedelia better than My Cat is an Alien, but with Eternal Beyond II, the Opalios and Vinciarelli evoke something significantly different that I cannot find anywhere else: the  singular collision of the imagined past versus the imagined future, the spectral versus the corporeal, and flesh-and-blood humanity versus the unknowable, abstract vastness of the cosmos.” Anthony D’Amico, Brainwashed

[goslog]

Морозно и красиво https://www.instagram.com/p/B6ssve-opaX/?igshid=1a4ska3cv6vvx

[softlookup]

Office 2013 Administrative Template files and Office Customization Tool

Office 2013 Administrative Template files and Office Customization Tool : Group Policy Administrative Template (ADM, ADMX/ADML) and Office Customization Tool (OPAX/OPAL) files for Microsoft Office 2010 source https://www.softlookup.com/display.asp?id=272792