#op volume 8

[nevecircus15]

god i love this show and this silly lil man

[rwby-confess]

Confession #7

[aitherz]

One piece chapter 8 part 1 English translation

Couldn’t find the eng translation so I made my own. I can’t speak Japanese so I translated from French to English. My French or English aren’t fluent so there’s probably some errors but I hope you enjoy!

This is just a small project to share with other fans. I don’t own any of the art etc.

[pictures-of-yxl]

[jayjamjary]

How it feels when your roomate gets to sleep in but you have a 8am

[bobauthorman]

[thesparringpanther]

Marrow: What’s considered trashy if you’re poor, but classy if you’re rich?

Qrow: Day drinking.

Harriet: Speaking two languages.

Elm: Hard drugs.

Robyn: Tax evasion.

[inparenth]

"Massachusetts Where 'Woke' Comes to Live: 10 reasons to live here" By C. G. Campbell

"Massachusetts Where 'Woke' Comes to Live: 10 reasons to live here" By C. G. Campbell

C. Graham Campbell, Ph.D. was born in Canada and immigrated to this country with his parents at the age of three. He is a seventy-five-year-old retired psychologist and a late blossoming author. He has a master’s degree in theology, a doctorate in pastoral psychology and training in Spiritual Psychology. He now spends most of his time involved with family, writing, meditating, and exploring what…

[yah1dka]

i'm so happy after reading this post, you don't understand

i get why people compare bkdk and ishimiya, but saying they are the same? it irritates me so much because when they both are ex-bully×victim, they're still very different. and that's not bad, both stories are good, but we shouldn't say it's "one ship in different universes"

NO IM NEVER SHUTTING UP ABT THE SILENT VOICE PARALLEL AND BKDK.

[embraceyourinnerbandgeek]

that trailer today tho

[rwbyrg]

Can we take a moment to appreciate just how well fed we are? Both in canon and beyond?

Oscar said "woah" the moment he first met Ruby.

"Woah. You have... silver eyes". Specifically.

The scene of them sparring at sunset and being goofy about it.

They're the two youngest members of the team, and both of their main allusions are stories about growing up (The Little Prince and Little Red Riding Hood).

Oscar's main allusion is of a character that's in love with a rose. Ruby's last name is Rose, she has a rose emblem, and can turn into rose petals.

They also have shared/parallel allusions from in-universe fairytales (Ex. The Boy Who Fell From The Sky, The Girl Who Fell Through the World, and most notably, The Warrior in the Woods).

The Dojo Scene

Their shared attachments to each other keep being put in focus.

Oscar cared more about Ruby being knocked out than Weiss being impaled at Haven.

Ruby's always watching his back in fights, and he always has hers in group conflict discussions.

Neo, the illusionist character, uses Oscar as both the first and last illusion to torture Ruby; going so far as to make Ruby "kill" him with her own hands. It could have been anyone, but it WASN'T. It was OSCAR.

Meanwhile, Oscar in the V9 epilogue laments to Ruby's "grave" about how he is struggling to hold onto who he is more than ever before. In large part because of the merge, but also because Ruby "always saw people for who they really were", and she's not around anymore to help remind him of who he is.

"You're your own person."

The Almost Hug.

The song that plays leading up to The Almost Hug is one about someone pining for a love they've lost and been separated from across worlds. The song airs a few episodes before Oscar and Ruby are the only "pairing" split up between Remnant and The Ever After. The song itself is called Treasure and Ruby is a type of precious gem, while Oscar's name alludes to gold.

Oscar's last name is Pine. Which, aside from the species of tree, is defined as: "to long or yearn for the return of something; to suffer, typically from a broken heart"(please see points 12 and 15).

They have multiple paralleling arcs and themes around choice, identity, responsibility, leadership, grief, etc.

Their character designs have complimentary colour schemes like other canon ships (red/green and silver/gold).

Sun/Moon ship

"Combat gear looks good."

They also follow the same story beats, separations, and reunions that other canon ships have in show (the meet-cute, the getting-to-know-you, the breakup arc, the distance makes the heart grow fonder trope, the (upcoming) emotional reunion, etc).

The animators, writers, and even voice actors on occasion, engage with fan content or discussions of the ship in a positive manner.

The Official RWBY Twitter Oscars Meme

Miles Luna has said a few times that the ship is cute. He also highlights that their relationship is built on mutual understanding from being in similar circumstances as the youngest kids in the group with too much weight on their shoulders.

Miles also said that in a hypothetical scenario where everyone celebrates Oscar's birthday, Ruby would buy a co-op video game as a present and the two of them would stay up really late playing it together.

Rosegarden won 2nd place in a popular RWBY YouTuber's "Top 10 RWBY Ships" poll as voted by fans after Volume 8 (it would have been third place if Renora and Bumbleby hadn't tied for first).

That one video from Aaron Dismuke, Oscar's VA.

"That kid's got a collapsible staff" -heart eyes emoji-

We've gotten a "Rosegarden Moment" in every Volume premiere since Oscar's debut in V4.

Oscar shouting Ruby's name too many times in the V6 fight against Cordovin.

Maria tells Oscar to "keep that fire fed" after he overhears Ruby talking about food always making her feel better. Then a few episodes later, he suspiciously makes a casserole for the "team" after "they" had a rough day (where he stood up for Ruby when she was looking defeated in a group argument).

Oscar's the only person Ruby opened up to about her grief until the blacksmith. Meanwhile, Ruby's the one who's always assuring Oscar he's his own person despite the merge.

The parallels of Oscar's struggle with the merge and Ruby's ascension in The Ever After.

"I'm just going to be another one of his lives, aren't I?" / "What if you could be anyone?"

Characters within the narrative regularly notice how close these two are to each other. Mainly Nora, Weiss, Yang, Cinder and Neo.

Oscar blushed when Ruby touched his shoulder???

THE FUMBLE?!?!?!?

[hairunowa]

Kaiju No. 8 OP 「Abyss」 by YUNGBLUD

LOOKING FAMILIAR? IT'S THE COVER OF THE VOLUME 1!!! IT REALLY LOOKS SO COOL.

[aitherz]

One piece party chapter 8 part 3 English translation

I couldn’t link part 2 to this but you can find it from my profile, sorry! Haven’t used tumblr before.

This is just a fan project for other fans. I don’t own any of the art etc.

[pictures-of-yxl]

[thatguythatdrawsalot]

Weiss - Atlas Design Critique.

Wow, I’m back to do two things useful with my RWBY Archives, talk about Weiss’ canon look in Atlas, and redesign her. I’m gonna talk about her actual look first, as the character notes on her dedicated page made me… hate the look much more. It was already in my top ten least favorite designs in RWBY but NOW it’s in the top five. RWBY Archives

I’ve been wanting to know why they thought it was a great idea for Weiss to wear a restricting-looking dress in the North Pole. Why does she choose to look like a wealthy princess when she is no longer tied to money or her family? The book gave me an answer I was not expecting… they just wanted to make her look like a wizard. I HATE IT. It’s bad enough that Weiss just summons, but this has to be some animation trick. They didn’t want to animate Weiss fighting like a ballerina anymore, so it was best she stuck to just summoning and only uses Myrenaster as a glorified wand. You might as well dress Weiss in whatever way you want cause all she does is stand and point… and whenever she does try to fight it looks janky as hell.

No way did they think Weiss could fight in a dress, Maria and Cinder could, but no way can I see Weiss fight like THIS anymore. 

Hair

Now I don’t wanna disrespect the modeler cause I’ve seen their Artstation account. They modeled the Gods’ dragon forms, Winter, and Jaune! Models that look good! But the hair… they struggled and the backlash was hard cause they tweaked her hair again for Volume 8. I’m surprised they chose to change it when the people in charge should’ve changed it before Volume 7 even aired. It just tells me their standards are low and don’t give a crap about the product unless they need the fans to say something. The huge mass on top of her hair was so jarring I was convinced Weiss just took Blake’s chopped hair, dyed it, and applied it to hers. 

Primary Color - White?

Blake is wearing more white than her, The Ace Ops are wearing more white than her, and Jacques is wearing more white than her- Weiss’ colors are perfect if she was representing the color blue and her name was something like Azure. The tiny reds don’t make an impact, wouldn’t surprise me if people didn’t know there was red inside of the dress. The super blue for her puffy jacket can’t be found anywhere else to balance that color, and her whites are then covered by grays. It’s like too many colors, what else can I say other than SHOWING what they could’ve done in the choice of color placements.

Positives?

This is gonna sound like an odd positive but I think she looks downright gorgeous in Ever After. The whacky princess look standing next to the Red Prince was amazing. It made me wish Weiss was the ‘Red Queen’ for The Ever After, similar to how Neo was ‘The Mad Hatter’ and Jaune being ‘The White Rabbit.’ It really could’ve tied in well. 

Redesign

I miss redesigning a character; I kept in mind that White is primary, the tiara is no longer a staple to her design since she is no longer tied to wealth or even the heiress, and that her Volume 6 leggings and scarf stay intact. Why make accessories to protect her from the cold, but when she gets to a colder place she ditches them for a boob-window and bare legs that can make anyone freeze to death up in the north??? Side note; It’s not perfect, I’m not saying mine is better than the originals or anyone else’s this is just how I would’ve designed her or at least kept in mind to make a priority for the design. I also wanna say, yes, this outfit does look similar to another redesign of Weiss that someone else has made. I drew the design first before I went to Google to check if the look did look similar to someone else’s and I was like “Oops.” It wasn’t the intention, just coincidence. I didn’t steal.

Conclusion

It looks like the Atlas designs had a very huge backlash by just how BAD they were, as it now affects the girl's presumed Volume 10 looks in Vacuo, they have Weiss in white, ditched the chunky braid, and kept her in a presumed combat skirt than a restricting dress.  Either A.) The original character designer for team RWBY finally took constructive criticism to get the girls back to themselves B.) They no longer design the girls and Viz Media put in a new artist for the team or C.) Vacuo designs were much easier to make than Atlas.

These options can be wrong too these are just my little theories, end of the day we got a design for Weiss that just shouldn’t have made it into the show. A design that didn’t represent white, displays wealth when trying to distance herself from her family/company, a huge animation restriction, and overall one of the worst outfits I’ve seen put on Weiss Schnee.

But of course it’s just my opinion. If you love this design or hate the design, please share your opinion. I’d love to hear it! :D

[xhxhxhx]

It's December 4, 2024.

Today, the Supreme Court heard oral arguments in United States v. Skrmetti, a challenge to Tennessee's ban on gender-affirming care. The specific question presented is whether Tennessee's ban violates the Equal Protection Clause.

The challenge is to Tenn. Code Ann. § 68-33-103(a)(1). That is, it's a challenge to a bit of Tennessee's Annotated Code. Title 68, Chapter 33, "Prohibited Medical Procedures for Minors."

I don't have anything to say about Tennessee's ban on gender-affirming care. Nor do I have anything to say about how the Court will treat the case. Not yet, anyways.

But I have something to say about the Code.

I.

Tennessee's laws are compiled by its code commission.

Under state law, the commission is a five-member body, consisting of the state's chief justice, attorney general, and counsel for the legislature, along with another two members appointed by the chief justice. Tenn. Code Ann. § 1-1-101(a).

The code commission supervises the official publication of the state's statutes, codes and session laws. § 1-1-105(a). The commission is empowered to commission to contract with publishers to that end, § 1-1-106(a), and obliged to inspect and certify their work. § 1-1-110(a).

When its work finished, the commission puts its certificate of approval in each volume and pocket supplement. § 1-1-110(c). But their first certificate, the one they leave with the secretary of state, § 1-1-110(b), is what gives the code the force of law. § 1-1-111(a).

Beyond that, the commission's work is ministerial. It cuts and pastes. "[T]he commission shall not alter the sense, meaning or effect of any act of the general assembly, but shall copy the exact language of the text of the statutes, codes and session laws." § 1-1-108.

The commission may "rearrange, regroup and renumber" the laws; change their "section headings"; "correct manifest misspelling[s] and typographical errors"; and "omit enacting clauses, repealing clauses, severability clauses, conditional clauses, preambles, [and] captions", § 1-1-108—and not much more.

II.

Tennessee leaves the work to Lexis, a private publisher.

Lexis's product, the Tennessee Code Annotated, is not eligible for copyright. Public.Resource.Org v. Matthew Bender & Co., No. M2022-01260-COA-R3-CV, slip op. (Tenn. Ct. App. Nov. 9, 2023). But it is not subject to compulsory disclosure, either.

Under current law, according to the state's intermediate appellate court, the Tennessee Code Annotated in the hands of Lexis is in the hands of a private contractor, not the State.

If Lexis had been the functional equivalent of a government entity, contracted to "perform a governmental or public function," it would be subject to the State's public records law. *8. But it's not.

That's what the state's intermediate appellate court says, at least. But its reasoning is less than persuasive.

III.

Lexis is merely a contractor. The commission specifies the work, and Lexis does the work. The commission may be exacting, but it isn't controlling. *9.

That's the court's argument, at least. But that strikes me as a less than complete account of the commission's duties under State law, which must inform any characterization of its contracts.

Under State law, the commission is "authorized and directed to" control each dimension of the compilation, Tenn. Code Ann. § 1-1-105(a), and must

supervise the execution of plans for the compilation, arrangement, classification, annotation, editing, indexing, printing, binding, publication, sale, distribution and the performance of all other acts necessary for the publication of an official compilation of the statutes, codes and session laws of the state of Tennessee

The commission's contractual powers, set out in the subsequent section, § 1-1-106, are an incident to its primary authority and duty to "formulate and supervise" the compilation. § 1-1-105(a).

The commission's primary authority and duty to prepare the compilation is plain on the face of the law. Under State law, the compilation is the commission's work, down to the copying and pasting, § 1-1-108(a):

In preparing the manuscript of the revised compilation (including pocket supplements and replacement volumes) for publication and distribution, the commission shall not alter the sense, meaning or effect of any act of the general assembly, but shall copy the exact language of the text . . .

This is more than the relationship suggested by the court. It's more than control over the product. It's control over production, the work of "preparing the manuscript."

To the extent that Lexis is doing the work, "preparing the manuscript," and "copy[ing] the exact language of the text," it is performing the commission's functions.

The court says "Lexis is not a stand-in for government." But that's exactly what it is. The commission is a government body. And Lexis is doing the commission's work.

That seems like a governmental function to me.