#oops this got really long

[nerdierholler]

Happy Valentine’s Day, lovely person 🌹

Your kind words on the things you reblog mean a lot <3 And I always look forward to reading your writing whenever you share something, there's something about the way you capture daily life moments that's so good. (Also: love love the animal facts you share!)

Here’s a romance-themed OC question for any OC(s) of your choosing (no pressure to answer on Valentine’s day itself, or at all):

What combination of random objects would your OC use to describe their LI? What do they represent? Bonus question: What would their LI use to describe them?

Thank you so so much for all of these wonderful words <3 Sorry this took me so long to answer. The week go away from me but I've finally gotten a good afternoon to answer. I'm gonna answer for Ethan and Adam and it kind of turned into a ficlet about just one object.

It doesn't come as a surprise to Ethan that no matter where he looks around Wayhaven, he finds things that remind him of Adam. What does surprise him are the things that catch his attention. Logic says every gray t-shirt or pair of sunglasses would be the likely culprits but instead today it's passing by an old building made from simply but solidly hand carved stone blocks. From a distance the lines seem perfectly straight, ordered row after ordered row forming an unmovable wall. It's only when one gets close that they can see the undulations in the joints, the individual chisel marks that make each block unique. For how many centuries did people pass their skill down from one to another? It's entirely possible that the man who made the blocks in Wayhaven would have used the same techniques as the man who built the keep that Adam grew up in.

Stone is a strong durable material. It's heavy and difficult for most to move or change, but in the right hands it can be made useful and accessible. The truly talented artists can turn the hard surface into soft pliable flesh, or at least the illusion of it. Stone cannot stop being a stone after all.

As Ethan passes by he reaches out and absently runs the tips of his fingers along the building's wall. It's solid and cool to the touch but he can feel every bump and pit created by years of wear and tear. They are imperfections that make it perfect. Poured concrete and blocks cut with modern saws create smooth surfaces that lack personality. They're missing the mark of their makers. Ethan can only hope that over time, he'll be able to leave his mark on Adam, and if he's very lucky he'll be able to carve out niche just the right size for them to fit together.

More random things under the cut

Other things that randomly make Ethan think of Adam:

Wine: It's because Adam drinks his blood from a wine glass so every time Ethan sees a bottle or pours himself a glass, he can't help but think of Adam and their different potential paths. He tries not to space out too much at the store lol

The smell of leather: Of course the Agency has the best SUVs, leather seats and everything, but really it's the well maintained leather from Adam's car the comes to mind when Ethan smells it. The antique store is dangerous. Heck, even that one nice chair in the waiting room can be a problem.

For Adam:

Sunny breezy days because they remind him of Ethan's personality.

Any classic film star. Nate watches old movies from time to time and there's something about that old Hollywood leading man style that makes him think of Ethan. Should Ethan ever decide to wear a 40s or 50s style suit Adam might just swoon. Now I'm having thoughts about a not-a-date night where the little theater in Wayhaven does a classic movie night and Ethan and Adam go together. Adam just looks like he's in pain the whole time so Ethan thinks he's have a terrible evening when in reality Adam's trying to hold himself together and not think all of *those* thoughts.

[angstpancake]

The Girl with the Silver Eyes

Despite the circumstances of the world she was born into- a dark world on the verge of war, where smaller, more honest souls were unwelcome- Ruby Rose didn't allow her light to be tainted by selfishness or malice. 

She was born into a world that was overrun by monsters, whose master took her mother away from her and robbed her of a bond that every child deserves, that every child needs. She grew up in a cold home, one where her father clocked out of parenthood to wallow in grief, leaving her older sister to step up and take care of her. Eventually that home got a lot brighter and warmer as old wounds healed, but the scar it left behind meant that her father would never look at his daughter the same way again... because Ruby Rose was just like her mom. 

And as everyone told her as such, she wanted to live up to that. She wanted to be the one everyone could count on, she wanted to be the inspiration, to be the hero she read about in books. She wanted to help people- enjoyed the romanticism of it. She thought, as she became fascinated with weapons and wanting to learn to fight grimm, "This is who I am." 

She gets older, and starts to see the problems of the world. It's broken, shattered like the moon that rises every night. But she can fix it. 

"Unfortunately the real world isn't the same as a fairytale."

"Well, that's why we're here. To make it better."

She tries her best. She tries so hard to prove herself. Stops a robbery, catches the eye of a professor from a prestigious academy. The same one her mom went to. Gets moved two years ahead because she has a lot of potential and- apparently- silver eyes, whatever that means. Gets made a team leader because... why? Learns briefly that she doesn't need to prove herself. 

"I'm not trying to show off, I want you to know that I can do this."

"You're. Fine." 

And then gets hit again that there are still expectations of her. 

"That's just it - you've done nothing to earn your position! Back in the forest, you acted like a child, and you've only continued to do so!"

And she's right. 

At Beacon, Ruby receives her first bit of... advice. "If you are not always performing at your absolute best, then what reason do you give others to follow you?" If she's not perfect, then people won't listen. People won't care. So she gets better. Tries her best to be perfect.

She never is. 

She's never asked about why she wants to be a huntress, because apparently, she already knows. Who wants her reason, anyways? She's the leader. She doesn't talk, she listens, she adapts.

---

Her dream is collapsing around her. Her classmates are dying. Beacon is falling. She had time to stop it, but she didn't make it. Her semblance is literally to go fast and she can't even save her own friend. Penny Polendina is dead. But there’s no time. Pyrrha Nikos needs her. Ruby runs up the tower, but gets there just in time to see Cinder Fall strike an arrow in Pyrrha’s heart. 

Not good enough. Again. Not perfect. Not enough. Never enough. Never. 

From her grief, Ruby activates a power she never knew she had. She’s special just like her mom was, according to Qrow. 

“If I’m so special, then I can help… right?” 

Her team left her. Her sister is… a shell of her former self. She wants nothing to do with Ruby. And that's okay. She needs time. She’s just getting used to… things.

"You can do whatever you want. I'm going to lie here."

Weiss is gone. Blake left. She doesn’t know why. Ruby used to be part of a team. Part of something bigger. But now it's just her again. 

Well… not entirely. JNR is still there for her. They were hurt by the Fall too. They want answers. They want to change the team name to RNJR (JNRR?). Ruby feels sick to her stomach. She’s filling in the spot of a teammate that she failed to save. She knows JNR doesn’t blame her but, it’s her fault Pyrrha Nikos is gone. 

Eventually, her team comes back. It’s not the same. They’re back together, but they feel more distant than ever. It feels like they understand her even less than they did before. 

It’s okay, though. She has to put her team first and herself second. 

She finds out it's all been a lie. She finds out their goal has been impossible. Every person that's ever been a guide to her has given up, shattered whatever this is. She has to pick up the pieces. She has no idea how to put them back together. 

She almost gives up. But she doesn’t. She fishes the lamp out of the well, beats the Apathy, and keeps moving forward. 

Keep moving forward. Keep moving forward. Keep moving forward. 

She finds out what having silver eyes means. It means carrying the light of the world, and using it against the grimm... as a weapon. It means being that light at the end of the tunnel. It means being a spark of hope. 

She needs to channel hope and joy to use it. She never talks about how hard that is. 

To be happy without trying.

By some miracle they make it to Atlas. By some miracle Penny Polendina is alive. And despite the shitty situation of politics and Ironwood not entirely being all trusting, everything is okay for a while. 

Ruby's semblance evolves. She can now go so fast, that she breaks apart. She can pick people up when she breaks.

Salem shows up, and Ruby’s mask cracks. Only for a moment. Ironwood snaps. Salem is coming and they need help. 

Despite her trying, nobody comes. Her plan fails. It doesn't work. 

Ruby finds out what happened to her mom. No time to think about that. There's no time to think about what might've happened to Ruby if Tyrian had managed to capture her back in Anima. No time. Penny needs her. Penny wants her to kill her. Ruby can’t think about that either. Because if she thinks about any of that, she knows she’ll break. 

Nothing is working anymore. She isn’t working.

Ambrosius warns them not to fall. 

Ruby falls. 

She finds out what happens to Penny, and Atlas. She faints in front of them. The facade is gone. She’s tired. She’s alone, and despite her team having said that they’re there for her in the past, all they ask is if she’s okay. She’s clearly not, so she doesn’t respond. Do they expect a different answer from her? Do they expect her to bounce back on her own? She supposes her mask has been so good that they do. 

Weiss is seeking comfort from her. She tries. It comes out shallow and cold, and doesn’t seem to be helping. So Ruby stops. Weiss notices. Great job, Ruby. Now you’ve failed your partner. 

How many more people are going to be hurt around her?

Maybe Cinder was right. Maybe it’d be better if she was never born.

[applestruda]

Summer, Spring, Autumn, and Winter

(Aka hermit ladys as mucha's four seasons for week 3 of the design challenge)

[thedaythatwas]

on nagito komaeda and love

I just think it’s sort of funny that for a character whose (arguably) most well-recognized CG is this: 

komaeda’s narrative so heavily centers love. and I don’t just say this because I’ve had komahina brainrot for years (though this is true!!). even if you don’t care about komahina, it’s tough to deny komaeda is a walking tragedy in large part because of the role that love plays in his life. his characterization is driven by the way his luck has denied him love, and how he seeks it out regardless. in that sense, I think that without understanding komahina as at least one-sided, you miss out on one of the juiciest, most miserable pieces of komaeda’s character development.

tldr; a love-centered reading of komaeda makes sense, recognizing komahina as “a thing” in DR2 (whether you ship it or not) is pretty important to understanding how komaeda operates, and I’ll try to prove it right here under this page break!!

Part 1: Komaeda’s Love Life (or, his life without love)

I think it’s safe to assume that if you clicked here, you know about komaeda’s absurdly miserable, tumultuous childhood, but I’ll do a quick recap just in case! meteor kills his parents on a plane, he inherits a ton of money. he’s kidnapped by a serial killer, he finds a winning lottery ticket in the garbage bag he’s thrown out in. he’s diagnosed with terminal cancer and dementia, he gets into hope’s peak.

in his free time events, komaeda *explicitly* frames his luck cycle as something that takes away the people he loves. it only “takes action” against him after his relatives have died (for the sake of this essay, let’s assume that komaeda loved his parents, or would have at least been hurt by their passing). by way of other close connections… well, his wording here implies that by the time of his diagnosis, he didn’t really have anybody in his life. 

either komaeda didn’t allow himself to get close to anyone after the meteor incident, or he did, and they were taken away by his luck. at some point during his childhood, komaeda learned he should view himself as a death sentence.

so, how does this loss of love shape the komaeda we know? I’ll talk about this in terms of four of his defining (and connected!) traits in DR2 canon – the ones that really make his actions make sense: his self-loathing, his hope-seeking, his learned helplessness, and his certainty that his existence poses a threat to those around him. komaeda’s experience with loss makes him view himself as a source of death, which in turn fuels these tenets of his character. ultimately, his loss and the complexes that arise from it give him good incentive to push people away.

his self-loathing

komaeda hates himself. he views himself as worthless outside of his potential to serve as a “stepping stone” for the hope of the ultimates. he claims that this is driven by his beliefs around talent, which are in turn linked to the way his worldview rests on viewing hope as “absolute good.” the talentless (himself included) are only good for advancing the hope of the talented. still, his self-loathing is a bit more personal than that. take what he says and dig just below the surface, and it’s a clean cut trauma response all the way down. which leads us directly to…

his hope-seeking

komaeda is willing to do literally anything to serve hope. on the island, this (in short) means dying. this is where I prod at komaeda’s reasoning a bit more: komaeda’s willingness to act the way he does in canon also stems from his belief that his dying would be a net good for the world. his existence kills the people around him. his illness will kill him anyway. he has less than no value, and hope is invaluable. to go out for the sake of hope would give his wretched life purpose; it’s his dream come true.

and it’s no mystery why komaeda cares so much about hope: again, it’s a coping mechanism! komaeda’s belief that all bad luck is a necessary precursor for good luck and that hope will always triumph over despair is (as he himself says!) the only reason he’s managed to stay alive. I’ll say it again because I really can’t emphasize it enough – komaeda thinks that just by existing, he kills the people he loves. ouch!

learned helplessness / his existence as a threat

komaeda has, essentially, learned to submit to his luck cycle. all bad luck is good luck in the end – isn’t that amazing?! almost paradoxically, he’s hyper-vigilant about the negative impact his luck has on those around him. this is a tricky one. I make sense of it this way: komaeda’s perception of how much his luck impacts the people close to him isn’t inflated, like, at all. the supernatural way the world bends around komaeda to screw him over really does pose a danger to himself and others, and he takes measures to minimize that danger. his stated acceptance of his luck cycle is… well, again, he’s coping. 

if komaeda really thought that all bad luck is ultimately good luck, he wouldn’t try to protect his classmates from his bad luck. but, as we see in island mode, he does!

but really, who could blame komaeda for lying to himself? I’ll restate the facts. komaeda thinks that luck is absolute power. he says that he’s powerless against it. his luck has taken his family, and it’s left him with nothing but money that he doesn’t want. he’s certain he’s a curse, and there’s no end to that in sight: so long as komaeda exists, he’ll keep on losing – murdering – everything he loves. 

in the face of all of that despair, what can you do but abandon your self-esteem and pray for something good to come out of all of it? how else could somebody possibly survive carrying that burden, truly believing that load will never be lightened?

tldr; komaeda thinks his existence is a threat, and a big chunk of his personality is a frankensteined way of surviving the pain that comes with that. still, we should question how much of his worldview komaeda has really internalized without inner conflict. 

Part 2: Enter Hajime Hinata

we get some answers on that front when we see that despite the clear and obvious danger it poses, nagito komaeda still finds himself falling hard for hajime hinata. that’s really, really loud.

I’ll preface this part by saying that you don’t need to actively ship komahina to understand what I’m trying to get at here. this said, I’ll be recapping an argument you’ve almost definitely seen before: komahina is definitely “a thing” – at the very least as a one-sided thing. to this, I’ll add the (perhaps bold?) claim that without recognizing that much as true, you’re missing out on a big part of what makes komaeda so interesting.

komaeda’s FTEs make it abundantly clear that komaeda has feelings for hinata. apart from his famed failed love confession, the fact that komaeda is willing to allow hinata to get close enough to learn about his views on hope and luck is telling. 

(the smoking gun here hinges on trusting that komaeda was telling the truth during the time you spent with him; in so many words, that he only lied about lying. so, for the sake of argument, let’s assume this is true! there’s good proof for it, anyway.)

if you read his final FTE as komaeda flashing his soul to hinata and making a decision at the very last second to retreat, turning to old coping mechanisms to protect hinata from his luck, it’s sort of a komahina bombshell. that capitulation spells out for us that komaeda understands sharing his life experiences with hinata to be one of the most intimate things he could possibly do.

he recognizes the exact moment he lets hinata get too close – when his life story is finally told – and he does what he’s learned he needs to do to get them both out of that situation safely: he tries to make hinata hate him, and tells himself (and hinata!) that he did it for the sake of hope.

(and yet, komaeda let hinata approach him every FTE, knowing damn well that they were both playing with fire… very interesting.)

now, let’s say you don’t consider the FTEs to be integral to canon. I mean, you can really easily miss out on all of komaeda’s content if you choose not to hang out with him in chapter 1! so, for the skeptic, in the unskippable main story, komaeda tells hinata this:

komaeda cares about hinata despite everything. and I really, truly mean despite everything. at this point in the story, the fact that he still cares about hinata calls into question basically every single one of his core beliefs. he’s read his final dead room prize – not only does hinata not have a talent, we can presume that komaeda also knows hinata became ultimate despair along with the rest of them. 

hinata has continually sought out komaeda’s company, even though komaeda knows himself to be worthless at best, lethal at worst. komaeda was willing to let him get closer, even though he knows how dangerous that is for hinata. he can’t help but let hinata try to know him. 

isn’t he awful? to want what he knows he can’t have, even though that wanting has never done anything but cause pain? he’s really the lowest of the low, to love someone who destroyed the world, who makes him question the views that will allow him to do the only good thing he’s ever been able to do for it: to die for hope. 

and yet, it’s a nod to how incredibly capable of love komaeda is that he’s still willing to reach out for it, no matter how many times it’s burned him in the past, and how much it hurts him in the present to want it. he understands more than anyone that his feelings can only result in disaster. reading komaeda as someone who can’t help but go on loving anyway makes his story hurt so much worse. 

but, you miss a whole lot of that without an eye for komahina. seeing hinata as the eye of komaeda’s emotional hurricane (and keeping tabs on their connection accordingly) allows us to glimpse past the cracks in komaeda’s front. we see that komaeda’s worldview is less stable than he presents it as – hinata is where komaeda’s coping mechanisms, for better or worse, run up against a wall. that tends to be uncomfortable for a guy who’s just barely coping in the first place. then again, growth is supposed to be uncomfortable, isn’t it?

Part 3: The Future He Chooses

so, all of this considered, I think one of the most interesting ways you can flesh komaeda out post-canon is by asking how he’d find himself willing to accept love. whether that love is from hinata or the ultimates, whether it’s platonic or romantic, love is the thing that komaeda wants AND fears in equal measure more than anything. it’s the source of his self-loathing and his obsession with hope. it’s the reason he’s lived the way that he has for so long – lonely, and afraid of being anything but.

getting into a relationship wouldn’t solve komaeda’s problems for him, and that’s a good thing. it would force him to confront old ones, and probably create dozens of new issues for him, too. writing him through that makes for great character study!

hinata (or anyone else, for that matter) can’t love komaeda into loving himself, but he can give him a shoulder to cry on while he works through 22 years of fear and sorts through the wreckage of a worldview that’s long since stopped serving him. I don’t think his progress would be linear. but, I think that he could do it. komaeda learning to accept care is what his healing looks like. 

(well. and physically recovering from cancer and dementia. but that’s neither here nor there!)

a post-canon komaeda learning to love narrative is also in line with the themes of DR2. hinata leads the survivors out of the neo world program because he makes the decision to choose his own future, creating a new version of “hope” for himself and his classmates. likewise, komaeda can make the decision to save himself. that is, if he trusts himself enough to actually touch and hold the thing that he’s never been able to stop reaching out for, anyway.

after all, hinata is lucky too. (and if it turns out he isn’t… y'all like angst fics, right?)

(shoutout to @cynopter for looking this over and confirming that I'm not spouting nonsense <33 thank you for reading my thesis of the week <33)

[courfee]

prompt #46 "Sirius is showing Regulus’ baby pictures to James and Reg is MORTIFIED" for the @marauderswithpalestineproject !! 🍉

thank you @kat-m-toast for the donation (and the prompt, which was just SO up my alley, i loved it) and also thanks to everyone else who donated and participted! 💕

and as a bonus a little closer look at those baby pictures :)

[xxplastic-cubexx]

what if (only if you want to btw) you draw charles holding baby erik (the one someone sent in the asks)

who put his ass on baby duty

[lacnunga]

Theres something about big booktoker/booktuber shelves that really heebies my jeebies

[camarilla-arts]

….. Pokémon au…..

Detailed teams and thoughts below the read more.

These teams would be around the start of the black whale arc, i lightly mapped out which arcs they’d catch and evolve in! No deaths in this au, lesser stakes, this is pokemon. This is only the main 4 for now.

Gon’s team: lots of heavy hitting at the sake of taking damage, lots of environmentally useful moves.

Kon- Ursaluna: Main Partner. met as teddiursa with Kite as a child. With him for all of series.

Bon- wailord: caught in whale island, evolves into wailord during hunter exam. I love the concept of a small child with only massive Pokémon tbh.

Mon- Togekiss: Mito(Poke-breeder) gave him this egg to hatch and everyone finds it funny his hair matches. Probably trains and evolves with Bisky(Former Champ/Gymleader) in GI training times. Once she evolved to Togekiss they LOVE flying together.

Ja-Jan- Scizor: he caught scyther traveling with Kite and evolves it training with Knuckle, it’s cause of Knuckle that his naming pattern is different. Ja Ja Ken themed pokemon! Bisky teaches them how Mega-evolution works!

Don- Kommo-o: Instead of a video game, Ging left Gon two dragon eggs, one he kept and hatched into the battle loving Don and the other he gifted to Killua. Also evolves during GI training. They have immensely similar personalities.

Solgaleo doesnt belong to him, they're friends. Killua and Gon both help a Cosmoem/Cosmog and when fighting along side Gon it takes on this form! only see this during the parallel to the Chimera Ant arc.

I also consdered: Koraidon, Hitmonchan, Heracross, Kanto-Nintales, Pidgeotto, Eevee, dondozo, Wishiwashi, Annihilape, Dragonite, etc.

Killua's team: the Zoldyck family is notorious for their Dark and poison type trainers and protecting Kukuru Mt. a similar vibe to Aether research group.

Cocoa-Weaville: Main partner. perfect IVs, Good EVs, a classic Zoldyck match. they get better together. Her nickname is a secret between the both of them till after Gon and friends rescue him from his house.

Mallow-Crobat: Also already on his team for the Hunter Exam as a Golbat. also Family Approved. He's frustrated by its inability to evolve until he does while visiting Whale Island with Gon.

Pop Rocks- Luxray: Caught during Heavens Arena timeline and evolved fully with Bisky training. his first time choosing a pokemon for himself and having fun.

Taffy- Silvally: Given to him by his Dad as a Type:Null, but rarely used because Killua knows it hates battling and doesnt want it to hate him. the Mask removal likes up nicely with the Needle removal moment. they learn to Battle for themselves and enjoy it over time.

Bonbon- Salamence: Killua's first time hatching a pokemon egg gifted to him by Gon. shes a little defiant and stubborn, Killua blames Gon's influence. Also evolved under Bisky training. If asked why her nickname matches Gons pokemon he will tell you to stop imagining things.

Lunala is also not technically his, he also helps out the same Cosmog/Cosmoem and is blown away when it takes on this form for him while he's rescuing Alluka/Nanika and their Jirachi.

Also considered: Miraidon, Killowatrel, Hitmontop, Floragato, Morpeko, Jolteon, toxtricity, snealser, Alolan-Ninetails, etc.

Leorio's team: this man is deceptivly good at battling but no one would guess it looking at his team. He has the slowest progress in training compared to his friends but tbf he's also attending medical school. lowest effort nicknames.

Gimmi-Gimmighoul: Main Partner. here from the start but stays as a Roving form until we see Leorio again at the election arc and its in its treasure chest form! they are besties.

Pooch- Mightyena: has as a Poochyena for the Hunter exam and his main battler. Cheedle first notices Leorio because she pays extra attention to Dog pokemon and approves of how they battle together. both of these guys give bad first impressions.

Audi- Audino: also a pokemon he starts the hunter exam with but he's a little self conscious of her. Not that either of them ever hesitate to go doctor mode even if they don't match each others vibes. She knows Leorio deep down has a good heart and she refuses to tolerate his nonsense so she can be dis-agreeable until he says what he really means. Learns Mega-evolution off camera just like his nen.

Boar- Tepig: gift egg from Ging as a congrats for getting the Zodiac position after him. Leorio is trying extremely hard to live up to expectations and Boar is probably the most spoiled Pokemon by all of Leorio's team.

Lunch- Applin: in a reference to the Gon giving Leorio and apple scene in 99 anime i really wanted to put an applin on his team. probably given to him by Gon, maybe from whale island. Leorio has no idea how to train this guy, hes working on it. I'm not 100% on this one.

Xerneas- its not unusual for hunters to form bonds with legendaries if they impress them. and i think Xerneas would like Leorio's gumption and kindness. :) plus parallel for Kurapika. probably starts bonding with him around the end of the Election arc.

Kurapika's team: I wish we knew more about the Kurta language cause i think he'd name them after that. It was less a massacre and more a mass destructive event as the PT looted their remote village looking for rare and valuable pokeon, probably following the rumors of a psudo-legendary doomsaying pokemon.

Nemesis-Absol: Main Partner. They both feel responsibly for the attack and seek both vengeance and the return of any pokemon taken. She is just as driven and determined as he is. they learn to mega-evolve while training with Mizuken pre York New.

Prometheus-Blaziken: caught as a torchick post PT attack. insp by the ride-able birds in the Memory comics! the second most dedicated and determined on the team along side Nemesis. loves training. pressent for Hunters exam.

Aion-Metagross: caught and trained with a matching beldum alongside Pairo. Sheila helped them catch them! too bad Pairo's beldum went missing in the PT attack. present for Hunters exam.

Odysea-Palafin: a pokemon Kurapika always adored and was super excited to catch. Dolphin fan boy. Heroic type the vibes are perfect.

Achlys- Rattata: F.E.A.R. tactics. A gift from Pariston after inheriting his Zodiac position. neither of them are above using this tactic if need be lol. His feelings about her are cautious suspicion but they are growing closer over time.

Yveltal is the Legendary that Kurapika willingly made a deal with to give himself the certainty of defeating the PT. they are what they are and its not the healthiest bond but Kurapika would never blame it for its nature and his own choices.

Also Considered: Dodrio, Gyarados(Shiny), Hydredgeon, Talonflame, Giratina, Corviknight, Armorouge, Husian-Zorark, Klefki, All of the Ruinous legendaries, ect.

[esperastra]

random avalance gifs [12|∞]

[thecurtainswereblue]

oops my hand slipped

[robbie-lee-zombie]

mini ficlet I got inspired to do ( @fluffymary )

When the gang of smiling critters have a sleepover, you better believe they go big or go home.

Kickin was the first to pass out after the movie, hanging halfway off the couch at the start, but eventually slumped to the floor at an odd angle and still hadn't stirred. Crafty and Bearhug aren't far behind as they both yawn, drifting off on the far left of the couch, holding onto one another. Hoppy, Bubba and Piggy were huddled in their own pile on the other end, looking uncomfortable to anyone else but snoring all the while.

What about our final two?

One of our sweet little friends was having a horrible dream. Horrible enough to leave him panting when he awoke, checking around the living room frantically for any monsters that might still be lurking in the dark. Dogday knew he was being silly, but it still got to him, he just knew something was coming for him! Something waiting to come out and grab him, something to steal him away and no one would ever find him again-

"Hey, hey, it's okay. Look at me. Just keep your eyes on me, okay, pup?"

One, a night owl, someone who sleeps in the day because he guards the night. He protects his family, his friends, while they're vulnerable, so they have nothing to fear. Right now, his closest friend - his partner - had something to fear. Catnap couldn't have that.

"I couldn't run away- it hurt so much, Catnap-"

"Shh, shshh I know sunspot, you don't have to explain. I'm here. You're safe here."

A few beats of silence pass. Then, Catnap got an idea.

"I got it." Catnap lifts Dogday's chin to look him in the eyes more clearly. Smiling, sweetly, he whispers. "You want to hear a lullaby?"

Immediately Dogday's face starts to feel hot and he's pulling on his right ear, twirling and picking at the fur in a nervous fidget. His tail starts thumping behind him. "You- What if- You don't have to, I'll be-" Dogday whines a little. Embarrassed. Excited. Eager.

"Let me try that again."

Dogday's sputtering was immediately halted by Catnap's purring. He could feel it in his touch, in his paws any time he held Dogday's cheeks in his hands, it was a soft rumbling under the skin. It was soothing. "May I sing you a lullaby, sweet pup?"

Dogday willed his tail to stop wagging for a moment to respond seriously. He nodded. "Yes. Please."

Their positions are shifted to have Dogday leaning on Catnap's chest, slouching comfortably in case he were to fall asleep sooner than anticipated, which Cat had already dubbed in his mind would be no time at all. Dogday's tail wags without his permission, but neither of them mention it.

Catnap's claws make quick work of Dogday's ears, scratching at the base. Enough to tickle, enough to squirm and smile so wide Dogday's cheeks start to hurt, but not enough to laugh. Meanwhile, Catnap's tail traces along each of Dogday's toes that are tucked under the blankets. "Twinkle Twinkle Little Star~"

Dogday knew what lullaby this was. It's kept between them purely for Dogday's dignity and from dying of embarrassment. Not because they'd tickle the life out of him.

"How I wonder what you are~"

But because of how well it works. Plus, Catnap isn't the first one to go around bragging about his own singing voice as it is, he'd never hear the end of it.

"Up above the world so high, like a diamond in the sky~"

"Wahahait!!"

"Dogday, you made me mess up the song, now I'll have to start over..."

"No! Nonononohoho don't stahahart over, please-" "Well, maybe I won't have to start over... If you can tell me where my tail left off?"

"Y-Your tahahail?"

"Yes, giggle pup, I need to know where my tail was on the last verse, so I can pick up where it left off. I can't recall..."

As Catnap whispers aloud, his tail sweeps up and down Dogday's soles. Dogday throws his head side to side, trying his best to keep his giggling to a minimum, but the faster that appendage swipes, the more restless Dogday gets.

"Was it along your soles, those bright suns on your feet? While we said "Up above the world" or was it-" His tail switches to sliding between his toes. "Between your poor little toes, as we said "Like a diamond in the sky"?"

Catnap knows this. Catnap loves this.

Dogday could hardly pay attention as Catnap's tail was sawing between his toes. Before he was even aware of his own actions, Dogday was squeezing one of Catnap's hands in his own, bracing himself on whatever willpower he had to not fight Catnap's attack. The other hand was frantic, pawing at the ground, his own torso in a self hug, hiding his face, he couldn't decide what made it better worse.

"Dihihiamond!! You were on diamohohohond!!!"

"Ah, that's right! Thank you so much, my little tickle pup, I knew I could count on you~"

As much as the lullaby felt like it droned on for hours, it really was helping. It was quiet enough between the two of them that this moment never had to be seen by anyone else, it was a special time that let them hold onto one another, to laugh away the nightmares. Catnap's song was eventually interjected with his red smoke - with Dogday's consent being the agreement to the lullaby in the first place, they established that ages ago.

That's what really knocks Dogday out, but Catnap likes to wait as long as he can to use it, just to savor in Dogday's bright smile and pink face just a little while longer.

"A pretty orange and pink sunrise, just for me alone."

As the sun rises in the windows through the curtains, Catnap finally falls asleep.

[moe-broey]

Back to what I do best (bare minimum Putting My Guys In Situations shitposts) 😌

Inspo under cut!!!

[listen-to-the-inner-walrus]

If I could be arsed to learn how to edit videos and had some kind of mic, I would 110% make a two part video essay series on the politics of Jurassic World because MY GOD, there's so much to dissect.

The first part would be about how the park is the epitome of neoliberal futurism for techbros, including the way the park so easily falls apart though I doubt that aspect is purposeful. Everything is aesthetic first and function second, and we can't possibly use any of the reliable infrastructure we've already come up with because a train is not gonna get us to Mars, but a monorail might.

And the second would be about the buckwild terrible gender politics going on. The movie is deeply unsympathetic to Claire seemingly because she's a woman who prioritised her career as it's both centre to her character arc and also an inciting event of one of the plots. Not to mention the whole Zara thing or the Owen and Claire thing or the stupid "him, I meant him, line. The movie is rife with misogyny, but it feels like that specific misogyny was isekaied over from backlash to second wave feminism.

I could talk about it all for so long because in a way, it feels like a perfect time capsule for 2015. Back when people took Claire running in heels to be this feminist statement to be made fun of and not just a deeply misogynistic movie trying to sell you feminism. And back when Elon Musk managed to get away with his "I'm the real life Iron Man" shit, and people believed he was smart and all his plans would come to fruition. 2015 was a great time to be a tech bro in Silicon Valley with people just throwing money at all your fake promises.

Yeah. See. This is what I mean when I say I could talk about it forever.

[melefim]

Dead Boy Detectives Score is out!

I’ve also added it to my playlist with all the other songs used in the show here:

I’ll be doing a complete listing of where all the songs are found in the show like I did for the regular soundtrack, but in the meantime here’s what I recognize from a quick listen/ click through:

(Episode numbers are in parentheses)

Death Becomes Him: Gas mask ghost street chase, Death in the office (1)

The Dead Boy Detectives Main Title theme: self- explanatory- opening titles for every episode, as well as credits for 1-3.

So Many Questions for So Many Fools: Edwin’s Flashback (1), intercepted by cats & escorted to the cannery (2), (escort to cannery bit also plays when Niko & Crystal are walking to the cannery in episode 8), Edwin gives Crystal a list of questions for Niko —> We have the same left (2)

Little Girl Collector: Esther’s theme— bits of it played throughout: Esther meets Crystal (1), Yelling at Monty (1), Esther browsing Tragic Mick’s (2), Esther in the butcher shop (3), Esther sees Monty with Edwin (3), Esther & Monty in the kitchen (5&6), Esther walking down the street (8)

Want and Pleasure: Cat King theme- all or partially played during Edwin’s punishment discussion (2), Meeting by the lighthouse (4), Cat King in forest (6), Esther in the cannery (7)

Niko: bit starting around 2:00 is following Maxine (5), 2:45-3:00ish is setting up the butcher shop for the date & Jenny’s reaction(5)

Sadness Came Too/ Looking for Boys: up until 1:37 is Niko & Crystal talking about their families (2), 1:38 and on is the Night Nurse/ Lost & Found department theme. Sections are heard at end of episode 1, reviewing the boy’s files (2), the notary (3), interviewing the Devlin girls (3), Night nurse arrives in Port Townsend (4), upstairs with Jenny (4), that night on the cliff (4), appears to take the boys (6), opening the door to hell (7), and when she leaves at the end of 7.

Awakening Skeletons: Dandelion shrine field (2)

Stuck in a jar: Dandelion Sprite theme- when they’re first in the jar & when Niko first sees them (2), the three scenes with them taunting Niko in Devlin house (3), Jenny sees them (8), very end of igloo & end credits (8)

Odd Customers and Cohorts: first bit is Potential client interviews (3), second half might be at Tragic Mick’s?

VHS and David: Devlin House- last minute of the song is after the loop is broken and Death comes (3)

You Can Talk To Me: first bit is them back at the tongue & tail after the lighthouse Leapers (4)

All So Obvious: 2:20-3:17 is summoning Shelby (5)

Never Been Kissed/ Hell: first bit is Niko & Edwin talking about kissing (4), Middle is probably Charles descending into Hell?? (7), 4:30 on is the ‘Previously on Dead Boy Detectives’ background music (2-8)

I Messed Up: Crystal & Jenny in the alley, Crystal & Charles in the alley, Crystal unlocks her door, Charles shows her his parents (1)

Accepting Being Dead: beginning is almost but not exactly the bit in Hell from when the spider grabs Edwin to when Charles finds him again. (7) 1:00-2:30 is Edwin coming out to Charles (6). Last 30 seconds is Charles crying on the cliff (4), Bad guy talk (5), and right after he realizes he’s dead in his flashback (7).

Mirror Maze: Maxine attacks Jenny (5), pretty sure at least part is the David/Crystal/Charles confrontation in the forest (6)

Run From Hell / I’m in Love with You: first 45 seconds is Charles & Edwin running from the baby doll spider, :45- 3:30 is the second scene with Simon (do you think it has to be torture being the way we are?), 3:30- end is Edwin’s confession (7). Confession time can also be heard during conversation at end of (6) and the hug at end of (8).

Her Own Fault: first bit is Fight at Esther’s house, starts when Esther throws Niko against the wall, goes through Niko’s death

Esther’s Origin/ A New Deal: Cat King’s Esther story (8), 2:50ish onwards is the Principal looking at the case board through the end of the scene to the zoom out the window (8)

I will be going through and trying to find timestamps for where every song plays in the show, but it’ll take a bit. Until then, hope people find this useful! (And if you know any parts of songs that I missed, please feel free to drop a comment!)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

If you like lists of things like I do, you can check out my other Dead Boy Detectives list posts here:

Full soundtrack with timestamps

When Charles’ Shirt Colors Change

George Rextrew’s Edwin comic inspo board

Moves, Incidents, and Cases Masterlist

Swearing Masterlist

[arytha]

[ID from ALT: A digital drawing of my OC, Minuet. He is standing in the dark, a beam of light crossing his face and glinting off the wires attached to the fingers of his outstretched hands. The four wires in each hand are taut, going immediately up and offscreen. The wires then span from top to bottom in a fanning motion from either side of him. He has his deep red hair tied up behind him in a simple ponytail, and his violet eyes smile serenely downwards. His outfit is a white collared shirt beneath a dark red sweater, his pants a dark color that fades into the background. End ID]

The Dead Protagonist

[jehanjoltaires]

Haha wow apparently all it takes to get my inspiration back for writing is a man who activates my praise kink mid battle and a spicy dream