#only stupid people want what they can never have or something like that

[comicaurora]

How do you manage to motivate yourself when you're feeling tired or depressed?

Usually I try to give myself time to rest until those feelings lessen, since they're generally symptomatic of having pushed too hard, but on occasions where tiredness seems to be getting a little too cozy with depression, there's a few things I do.

I've observed in myself a habit of sort of… waiting in a holding pattern for something to push me into action. "Something" isn't defined clearly, but it becomes a real problem on depressed or low-executive-function days. This might just BE what low executive function feels like, tbh; like there's some invisible trigger and I can't Do The Thing until something trips it. When I notice I'm stuck in a holding pattern, I have a few tricks to snap myself out of it:

Flip a coin. Heads I get up and Do The Thing, tails I don't. The simple act of challenging myself is enough to motivate me sometimes, regardless of the outcome, but sometimes this makes me realize that I am legitimately tired, so I stay put and recharge a little until I want to flip for it again.

Set a five- or ten-minute timer and do whatever I need to do until the timer runs out. An artificial deadline can bypass the holding pattern. Sometimes this gives me momentum, and when the timer runs out I keep going. Sometimes this does NOT build momentum, and I crash after the timer runs out - but I crash with five more minutes of progress done. Any progress is better than no progress.

Assume Direct Control. This one only works sometimes, but sometimes it's as simple as breaking down a list of individual units of tangible progress - Get Off Of Bed, Put On Pants, Plug In Tablet, Etc Etc - and just grab the manual controls in my brain and make myself do each thing in turn. Sometimes I'll assume direct control to make myself take a Stupid Mental Health Walk, which has thus far worked every time to improve my mood and energy even though when I am in a Low Mood the last thing I want to do is subject myself to the mortifying ordeal of wearing pants and dealing with people.

I also find that sometimes it's helpful to pull the thread of what you're waiting for. Sometimes I'll realize I've locked myself into a weird paralysis because I've accidentally made something a prerequisite for other tasks. For example, I might realize I'm feeling weirdly frozen and uncomfortable because I haven't taken out the trash, and I've told myself I can't do X Y and Z until the trash is taken out, but I don't want to take out the trash, so I've locked X Y and Z behind Unpleasant Task in a subconscious attempt to motivate myself to Do The Task but instead I've just dramatically reduced the number of things I feel I can do. Often just noticing this pattern is enough to break out of it.

I also find that sometimes the invisible trigger I'm waiting for is just waiting to want to do something. That is unfortunately a trap. There are many things you can enjoy or benefit from without wanting to do them beforehand, because the thought of it is unpleasant or scary or anxiety-inducing or otherwise loaded down with what-ifs and caveats. I will never WANT to have a doctor's appointment, but I feel very good AFTER arranging and going to one. I very rarely WANT to exercise, but after the fact I feel very rewarded and more confident in my abilities. I've only WANTED to go on like a third of the walks I've taken this year, but every single one of them has been pleasant and beneficial to my mental health. Sometimes you just gotta say "I don't WANT to do it, but I'll be glad I did it" and manually pilot yourself into Doing It.

[fallstaticexit]

Prev / Next / Beginning / Pillowfort

AN: Source for tarot reading

Transcript under the cut

Morgan: Ever done this before?

Nancy: Can’t say that I have.

Morgan: Are you as put off about this as that other bible thumper?

Nancy: [rolls eyes] We’re not all the same. I’m more than my faith.

Morgan: I don’t doubt that. I’m sure there’s many layers to you. Where are you from?

Nancy: Brindleton Bay.

Morgan: Really, I’m from Portridge, a small town south of the Bay. Originally.

Nancy: Yeah? So, how did you end up a Fyres?

Morgan: Great question. My mom was his secretary. Super scandalous shit, which would explain while the Royal Barbie hates my guts. He’s not a bad step dad though. Hell of lot better than my actual dad. So, your parents-

Nancy: Isn’t the probing developing a bias or something?

Morgan: Just a little small talk. So, is there a question you want answered? Perhaps, a question about your past, your present or your future?

Nancy: I-

Nancy Narrates: [I want to get forget my past. I want to survive my present. I want to escape my future. Could there really be an answer for all that in those cards]

Nancy: I don’t know...

Morgan: That’s ok. You intention will guide us.

Morgan: Pick three cards that call to you. Based on the three, we will see what the cards have to say about your past, present and future.

Nancy: And you believe in this?

Morgan: We believe what we believe in, right? You have your three?

Nancy: I think so..

Morgan: Let’s take a look.

Morgan: Your past—the Upright Fool. Innocence. Curorsity. Something new and exciting—perhaps a first love in your youth that swept you off your feet?

Nancy Narrates: [Already I hated this...]

Morgan: Your present- the Reversed Star. Insecurity. Self doubt. A loss of faith. Interesting. Perhaps a struggle with one’s own faith? Are you having any doubts, Nancy? About yourself? About your God?

Morgan: Your future- the Upright Devil. Lust. Obsession. Temptation. Could be for the material things of life, or maybe a desire of the flesh.

Nancy: [clears throat] That all seems incredibly vague.

Morgan: [grins] Does it? Your poker face could use some work. Let me ask you something. Who exactly did I remind you of? Someone from your past?

Morgan: Your silence is very telling. I have a real gift for reading people.

Nancy: I’m sure you believe you do.

Morgan: [laughs] I really do!

Morgan: Tightly wound, fidgeter. You bite the hell out of your nails, right at the skin on the tips of your fingers, unconsciously. You pick at it until it bleeds. It’s the only thing that’s keeping you tethered to your own body. The pain, that is.

Morgan: Right?

Geoffrey: You made it! And making friends! Sorry, am I interrupting girl talk?

Morgan: It’s cool, boy wonder. Want me to do your reading?

Geoffrey: Are you kidding? Of course I do!

Nancy: Actually, I think I want to g-

Geoffrey: Really quick, Nance, then I’ll walk you to your dorm!

Geoffrey: Upright Death for my future sounds kind of scary when you think about it, huh? She said it could mean profound change. Sounds promising.

Nancy: [tsks] That could mean literally anything. That whole practice strives on vagueness. You can never be wrong if you’re bound to be right.

Geoffrey: Yeah, but it’s about how you perceive it, right? It’s unique. She did yours, didn’t she? What did yours say?

Nancy: Yeah, I um, don’t remember.

Geoffrey: Maybe you can ask her again. You two seem to hit it off.

Nancy: [huffs] Please. I am not going back to that shabby bar. She’s a sham. Those cards mean nothing. It’s stupid.

Geoffrey: [sighs]

Nancy: What?

Geoffrey: [blows raspberries]

Nancy Narrates: [Truth was, I was more curious than anything]

Nancy: So. Those cards. Could they...I don’t know- tell me something that could happen in a week? Like if I asked if I’ll pass my Statistics exam?

Nancy Narrates: [I was completely captivated by this otherworldly experience, whether I’d admit it outloud or not]

Nancy Narrates: [and Morgan was always happy to indulge me]

Nancy: [whispers] So I past my exam. How does this even work? I mean, how could they know? The cards. Could you do another reading after the debate?

Nancy Narrates: [But of all the questions I did ask, there was one that burned inside me more]

[heavy metal spills into the hallway]

Morgan: [startled] Nancy?

Nancy: Is this a bad time? I know it’s late...I can come back another time. I just have so much on my mind and I can’t sleep.

Morgan: You want another reading?

Nancy: Is that ok?

Morgan: Of course it is, Nancy. Come in.

Morgan: Sorry for all the smoke. I can open a window.

Knox: Babe, who’s this? It’s not my birthday.

Morgan: [smirks] Want me to get rid of him? I can.

Knox: Hey! I’ll be quiet! Won’t even know I’m here.

Nancy: I don’t mind. I just had a question.

Nancy: Could you do a reading for someone else, even if they’re not here?

Morgan: [hums] Not really...not without their permission or their intention. Who is this person to you?

Nancy: [looks away] Someone from my past. Someone I need to forget but- I can’t.

Morgan: Did this person hurt you?

Nancy: [shakes head] If anything, I hurt them. I ruined them with my... [lowly] um, perversions. I just need to know if they’re ok. If they hate me for it.

Morgan: [softly] I see... Here’s what we’ll do. Just like before, I’ll do a three card spread.

Morgan: Set your intention. Clear your mind. Ask your question. The first card is ‘you’. The middle card is ‘them’. The third card is the relationship.

Nancy Narrates: [‘Vanessa, do you hate me?’ ‘Do you blame me?’ ‘Do you regret loving me?’ ‘Do you know that I never stopped loving you?’]

Nancy Narrates: [‘Do you know that I’m sorry?’ ‘Do you know that I miss you?’ ‘Do you know that I need you?’]

Morgan: [exhales] It says... that you are a filled with love, Nancy, even though the world around you wants to drain you of it. There’s just too much of it inside of you and your friend-

Nancy: [weakly] Vanessa.

Morgan: [smiles] Vanessa. She loves you all the same. She may be experiencing her own hurt in this world, but having loved you keeps her strong. You two brought something bright and beautiful into each other’s lives.

Morgan: You can’t rid her from your life, because she’s apart of you, and...I- I think that’s a love worth fighting for, Nancy.

Nancy: [between gulps] Right. Right, thank you. Thanks, Morgan.

Morgan: Wait, Nancy, you don’t have to leave. It’s ok-

Nancy: It’s fine. I uh- I should go.

[door clicks shut]

Knox: Uhh, did you just make all that up?

Morgan: [weakly] I don’t know why I did that..

[verstappentime]

divorce verse for your wednesday <3 this is from after max & dan break up. (the rest of this verse is here) (the scene previous to this will get finished but this is what i have today <3) The first night Daniel’s gone, Max walks into a fucking wall trying to go to the bathroom.

It’s happened before, because his depth perception is awful and worse in the dark and worse sometimes than others, but usually he hits knee-first or something. Nope, just a wall right to the orbital bone. 

It’s not something Daniel could have saved him from, but it still doesn’t make it any easier. Daniel’s not there to be woken up by his cursing a blue streak and ask if he’s alright, to sit him down and put ice on it and make him feel less pathetic.

His head is throbbing, in a normal person kind of way. He’s going to have a massive goose egg. He finally gets to the light switch, very, very carefully, and tempts himself to go down the hall with the promise of crying about it afterward.

It’s easier, with the bedroom light illuminating the way. He makes it there and back okay. 

He needs to not call Daniel, but he’s groggy and worked up and he gets confused at night and– he’s just going to lose it if he can’t talk to someone. 

Daniel picks up on the first ring. He must still have Max excluded from do not disturb. Must be sleeping with the ringer on.

“I walked into the wall,” he says, before Daniel can get anything out. 

“What?” He can hear Daniel sitting up, sheets rustling. He should be scolding Max for calling in the middle of the night. He doesn’t. “Are you hurt?” 

“I hit my head. Or, like, my face. Both.” Max touches where the bruise is forming on his head. He kind of forgot what hurt that’s not coming from the inside feels like. He pokes it again. He’s lucky he hit on bone, probably, and that it wasn’t a corner and he’s not bleeding. “I don’t know,” he says, voice cracking. 

“Okay.” Daniel’s all calm. This kind of stuff never bothers him. Max wants him to be here. “You sound alright. You weren’t, like, running, right? Do you have a headache?”  “No. I think– I think I am okay.” He pinches the bridge of his nose, just to see how bad it hurts. “This is shit, Daniel.”

“We need to get you some of those lights you can turn on with your voice, yeah? I’ll look in the morning.” We. He’s going to have to stop that. Not right now.

“I can– I’ll do it.” 

“I’ll remind you, then. What do you want to do right now?” 

“I don’t know,” Max says again. “I don’t want to get up again.” He presses his knuckles to his teeth, something awful in his chest. “I feel shit that I called you already.” 

“I don’t care. It’s good you did. I was scared that you wouldn’t. Makes me feel better.” Daniel pauses. “Not that I’m like, glad you walked into a wall.” 

“It sounds very stupid when you say it out loud.” He knows it’s his fault, but he can’t help it: “What am I going to do? Just call you always?” 

“You can, baby.” Daniel never tells him no. Daniel let him leave because he never tells him no. “You have other people, though. They’ll be happy to answer. You can call your mum or Victoria or Charles. But also me, if you want to.” 

Max wants Daniel to tell him that’s unfair. But the idea of being cut off from the only person that really knows what it’s like for him makes him want to throw up. Charles would laugh at him for this one, even though he wouldn’t mean to. Max says, “I think I want to go back to sleep.” 

“Good idea. You want me to stay on?” 

“No. That will be very boring for you.” Max lays down, turning over on his side, his back to where Daniel should be. “Are you sleeping too?” 

“Yeah, Maxy, I’m going to.” 

“Okay. Then we will both go to sleep.” 

“Yeah,” Daniel says, all gentle. “I’m going to text you tomorrow, okay? It’s okay if you don’t want to talk to me after that. But I’ll remind you about the lights and ask about your face.” 

“That’s fine.” He can’t know if he’ll remember, and he really does not want this to happen again, and– and now he knows for sure he’ll hear from Daniel tomorrow. 

There’s a beat where neither of them know what to say, but Daniel’s the bravest and he says, “I love you. Goodnight.” 

“I– Me too, Daniel.” He can’t lie. Not about that.

[talenlee]

Game Pile: Kentucky Route 0, One of Three Games About America

Script and Thumbnail below the fold!

Kentucky Route Zero is a magical realist point and click game of what I’d normally call Narrative Adventure, which came to kickstarter in 2011, then came out in 2013, 2014, 2016, and 2020, because you can’t have nothing for free, even things you pay for. The game is a text-driven game without any of the trappings of your typical point-and-clicker where you jam a ladder in your pants and try to work out why you want to put green dye in the water fountain. Instead it follows the haunted mind of Conway, a trucky driver and his interactions with small handful of people on a part of the Kentucky Interstate, while he to find the place he needs to do his delivery, despite being utterly lost.

I enjoyed what of Kentucky Route Zero I played, but the thing that stands out to me in hindsight is its sound design. It’s a beautifully defined game, audio-wise, with all sorts of thoughtful foley for its environments, and the way that even the pieces of the interface that Conway interacts with have their own sort of specific authentic sounds, chonks and thunks and ch-zzzzses.

It’s also visually splendid, beautiful in what it tries to represent in the heightened reality of its setting but also the format of a videogame. These places look good from the angle that’s chosen, creating lines of artwork and bars of cages, depending on what you’re focusing on, and by being a fixed-camera story of its type, Kentucky Route Zero takes on traits of theatre, with blocking and careful positioning and timing all making up part of how the story unfolds.

A story I haven’t finished.

See, I don’t feel like playing Kentucky Route Zero Act V.

Sit down, traveller. Let me tell you a story.

There’s a chance you’ve heard this story before. I’ve anonymised it here, not because I think you shouldn’t be able to work out who it is, but because the idea of focusing on the who runs the risk of ignoring the what. Plus, I don’t want to direct anyone to a person who said something stupid and encourage fights. That’s not the important issue.

This is the story of when someone perfectly represented something, and probably never realised it.

You will sometimes hear me talk about the take that ‘there are three games about America,’ with a tone of utter revulsion and derision. This is from an incident back in 2020, when a game developer and advocate for inclusive games, had an opinion, on the internet. This advocate is well-established and has a big audience, but also, he’s crucially, not a white guy, not a Christian guy, and not an American guy. These are factors that play into what he said, which was, in summary, that while Kentucky Route 0 was no doubt phenomenal, he wasn’t interested in playing it right now.

To this, an actual adult responded with:

This is legitimately the worst take you’ve ever had. There are only about three games that are actually American, and this is one of them. Everything else is designed for export. Kr0 is a precious and valuable thing. It is of immense and intense personal importance.

Now, resisting the urge to argue with a tweet, which is just generally a bad practice that leads to doing things like wanting to be on twitter, and setting aside this tweet conflating ‘this is of personal importance to me’ and ‘this should be of importance to you,’ this position describes the idea that there are only three games that are ‘actually American.’

What does it mean to be ‘actually American?’

America is a pretty pervasive presence, if you’re not aware of it. Most people in the world have to know about what’s going on in America. We know about your Presidents and your Senators and your Constitution, to the point where people can be more aware of how your country’s laws work than their own country’s laws. I’ve often seen it held up as an example of how poorly educated people in say, Canada and Australia are that we believe we have, say, a ‘first amendment right,’ but the thing is you have to ask why there is that.

We watch so much American TV.

We listen to American music.

We try to make our news broadcasts look like yours, because that’s what real and legitimate news looks like. We try to retell your stories in our local languages because that’s what real media looks like. Our children sing songs in your accents because that’s the culture that a multi-trillion dollar economy has pumped into the whole world.

America demands we attend their wars and surrender our living to become their dead and when we are done America sells the survivors a cheeseburger.

This is not a remarkable or controversial statement. You must know, this is not even vaguely challenging to know about. Everywhere in the world is replicating parts of the American empire, because America exports and enforces the vision of the American empire. McDonalds may sell curry in India, but it’s very important that the curry being sold is McDonalds curry because that is how you know it’s an American style curry.

What this means is when someone tries to assert there are only really three games about America, that’s a kind of specialised brain rot that requires you to consider games that are very much about America as not being really about America. And thus we see the other thing about America, which is it’s not enough for America to be the most important place in the world that everyone else in the world needs to recognise, but also, most of America is inadequately America for this vision of America. You saw this in the wake of 9/11, and the election of Barack Obama: huge amounts of American media resurged in extolling the values of ‘real’ America, as opposed to the parts of America where the vast majority of Americans lived, which just so happened to paint a lot of marginalised people living in the cities as ‘fake Americans.’

I am not bringing you unique information. This is just obviously true things if you don’t live within the boundaries of an environment that flatters you as the most normal thing in the world. The vast majority of the world is not America. There are eight billion people in the world, more or less, meaning that America is about 4% of the world, and yet, it is catastrophically, overwhelmingly, deleritously the common touchstone for how things are ‘supposed’ to work. This is through media imperialism, which is mostly supported by American companies exporting all their media to foreign markets extremely cheaply.

‘about three games that are actually American.’

This fascinating piece of doofusry still, even now leaves me agog. ‘Actually American.’ Kentucky Route 0 is actually American, you see, as opposed to… what? Is America’s Army one of them? You know, the game financed by the American Army? What about Call of Duty, a franchise that is in part subsidised by American military complex manufacturers? What about Grand Theft Auto, a videogame that tells the rags-to-riches story of American excess in criminality, setting aside the way it’s made by a Scottish company. Actually American, because American doesn’t mean America, it means one tiny little pool of ‘America’ where the speaker can imagine there’s a realness and an authenticity to the America-ness that doesn’t involve all the messy realities of what it is to be America. It’s the towns of hard-working people, that suffer under your particular description of oppression, whether that’s cities full of nonwhite people or corporations bleeding the country dry, always eliding the social cruelties and terribleness of these places, as if giving people money stops them from being bigoted (for example).

This is then used to recruit these poor, superior Americans, the you know, America Americans, whose sufferings are noble and whose authenticity cannot be impeached and they are then used as a defense against criticism of, you know, America. It’s the same speech Charlie Daniels gave about how foreigners may think they could push around Barack Obama (a dude who bombed a lot of shepherds with the most elaborate and brutal military ordinance in the world) but they were going to have a harder time taking on Americans who wrestled alligators, who at this point have exactly zero recorded drone strike kills.

This is because America America isn’t real.

‘Real’ America is a nebulous nothing that you can project whatever you want onto, and which is also not responsible for anything terrible that America does. It’s not the American Empire, it’s not the exporter of culture, it’s somehow purer, better, a sort of individualised folk who are to be protected and extolled, shriven of all the things about America that make it anything but its perfect idealised form of America.

I could go on.

I really could.

This is something that defines the world I have to live in. I speak English. I’m white. I’m from a coloniser state. I should be able to integrate easily and smoothly into the white supremacist capitalist hierarchy of American culture, but we are told, that no, we are not acceptable. We are only valid as long as our differences are invisible. We, a real people, do not get to have opinions on America, because we do not know True America. When you spell colour wrong in a chat message, when your accent isn’t quite right, when you don’t know the difference between junior and sophomore year of high school, then you are shown, you are evinced, and you are made very aware that you are other, you are outside, you are wrong.

And really, there’s no good reason for it. We send our soldiers to America’s wars, we buy America’s submarines, and we sing your songs. Our currency mimics America’s, our culture permeats with America’s, we even have such a crushing inferiority complex about the empire that there’s an academic term for what we feel about our own media compared to the media of the truer, proper empire to which we are vassal.

The term is ‘cultural cringe,’ and it was coined by Henry Lawson, who you, odds on, have never heard of. In 1894, he wrote:

The Australian writer, until he gets a “London hearing,” is only accepted as an imitator of some recognized English or American author; and, as soon as he shows signs of coming to the front, he is labelled “The Australian Southey,” “The Australian Burns,” or “The Australian Bret Harte,” and lately, “The Australian Kipling.” Thus no matter how original he may be, he is branded, at the very start, as a plagiarist, and by his own country, which thinks, no doubt, that it is paying him a compliment and encouraging him, while it is really doing him a cruel and an almost irreparable injury. But mark! As soon as the Southern writer goes “home” and gets some recognition in England, he is “So-and-So, the well-known Australian author whose work has attracted so much attention in London lately”; and we first hear of him by cable, even though he might have been writing at his best for ten years in Australia.

This is imperialism. This is a way in which we have been induced and brought by the empires around us to accept their ways as correct, as the normal, as default. And that is the mindset you must have if you want to look at the breadth of videogames, with their American ideas like health insurance, readily available guns, the importance of freedom, the ubiquity of air travel, the branding and iconography of types of food and the sports metaphors and then say ‘yeah, this doesn’t have anything to do with America, not really.’

Anyway, this thread, this incident, was a big deal at the time, in that there were a lot of people from within the community of game developers and journalists who seemed very happy to line up and get mad at a brown foreigner for being inadequately enthusiastic about the possibility of playing a videogame. But don’t worry, after a day or two, an apology was forthcoming for all of this fracas, by which I mean, the original developer apologised for being so thoughtless as to, again, express honest lack of enthusiasm in a videogame.

For me, this was a kind of break point, where I started just blocking indie devs on sight. I don’t want to know what they’re involved in, I don’t want to promote their work, and I will hold tiny grudges against them that I do not seek to transfer or encourage in others. This was one silly incident in which a lot of people said something silly because they don’t know better, or they’re arseholes.

None of this is fair to Kentucky Route 0. It’s a game with its own intentions and its own perspective. It’s not trying to make this conversation happen. Kentucky Route 0 has been choked and gripped by this position around it, where to talk about an American game, someone put a cross on it that made it the avatar for All Things America. The wild thing to me is that I had, prior to this point, played two episodes of Kentucky Route 0. I thought it was pretty good, and I liked what it did with the negative space of dialogue options – when a character you’re controlling makes excuses, the excuses you choose show you other things you could be making excuses about that you, the player, didn’t know beforehand. That’s some good Narrative Storytelling Design, I like that a lot. But now I can’t really engage with Kentucky Route Zero because the main thing it makes me think about is how this final chapter, meant to round out the game’s story and present a conclusion and a point, became this flashpoint for a lot of people to be very casually racist.

Which kinda poisons the whole thing for me. It’s an authentic thing, I’m sure, it’s a thoughtful thing, too, but the people stepping up to say I should care about it did so in a way that made me hate them.

Any time you see me say ‘three games about America’ I’m talking about this, and the attitude of a particular kind of American that America is, as always, exceptional. It’s real easy to not realise when you’re just voicing your self-centeredness and how easy that is to ignore the opinions of people around you and what they’re saying. This is what I’m talking about when I mention ‘the three games about America.’

[fade for credit text]

By the way, the three games about America are Crash Bandicoot, Sam & Max Hit The Road, and Bust A Move.

[shiphappen-s]

Ok so like brace yourself bc I haven't read the brick and I'm playing fast and loose w canon here but you know that line in Bring Him Home where Valjean is looking at Marius and is like "he's like the son I might have known, if God had granted me a son"

What if Marius and Cosette swapped places. Marius was always a sensitive boy and he always had his quirks and such (personally I HC him as autistic / on the spectrum but like again fully fanon/musical based pls don't come for me). And where those more vulnerable sides of him would have been mostly squashed under the care of his grandfather, valjean nurtures them. And Marius just looks at valjean like he hung the stars in the sky, he's everything Marius wants to be when he grows up. A man who can protect himself and his family while still being kind and generous and sometimes nervous just like he always is. This guts Valjean because he feels so unworthy of this love and innocent childlike devotion. Marius should want to be so much more than a convict on the run from the law, which actually results in him telling Marius about his past early on in an effort to quell this thing but only ends up making Marius love and respect him more lol. Anyway I'm getting off topic

Cosette who was never taken from the Thenardiers, who grew up hungry and cold and right next to Eponine. They had a vicious rivalry until their early teens but once Eponine stopped getting daughter privileges and started getting punished the same if not more than cosette they formed a quick alliance. Eventually they became thick as thieves, often dreaming about the day that Fantine would come for her child and cosette would convince her to take them both out of this hell. Eponine is eventually the one to find out what happened to Fantine. Learning that her mother died alone and cold and abused because of the thenardiers simultaneously broke and forged something in Cosettes soul. Eponine became more and more bitter about life and the world but Cosette could not watch idle as the thenardiers continued to ruin people's life. She starts stealing from them and distributing it to the poor, purposely botching their jobs under the guise of being clumsy/stupid, subtly taking their attention so that Eponine or gavroche could nick food or medicine or whatever they needed. This eventually puts her on the path to bump into the Les amis and she quickly joins them and rises in the ranks. Her and Enjolras, though from completely opposite upbringings, are a United front when it comes to ideals. She is merged into the inner circle and becomes close with all of the boys, becoming a mix of big sister and little sister to all the students in attendance. Grantaire gets on her nerves a bit but he's so similar to Eponine that she can't stay mad at him. Especially bc he's never cruel and she can see his point most of the time, it's just annoying to be interrupted all the time lol

Cosette would fall immediately for the shy well read rich boy who spends his days giving to the poor and helping the needy as best he can. Marius would fall instantly for the girl with fire in her eyes and bruises on her knuckles who speaks passionately about equality and freedom for all.

(There would also be no love triangle with Eponine here bc she's had her eyes on the good looking intellectual man who serves as the right hand of Enjolras. He helped her in a tight spot once and he didn't flinch at her state or even ask for any kind of repayment. She doesn't know his name yet as she hasn't crossed paths with her sisters group all that often but the people in that group sometimes call him the guide. She usually keeps her cards close to her chest on this kind of stuff but she's planning on tagging along to the next meeting of his so she can see this man in his element and determine if his kindness was a fluke or not)

[writingquestionsanswered]

Hi

I know this is a really stupid question but what does it mean when people say "If you can take that detail out and it doesn't change the story, it doesn't belong there"?

I have autism so that's probably why I'm not understanding, but to me it doesn't make sense. If I take something out, it will change the story, because,,, I'm literally taking something out. I'm changing it. The story had something, and now it doesn't.

I just don't know how to figure out what "doesn't belong".

It always seems like people use that "advice" whenever it comes to a character being disabled/POC/gay/etc. so I'm a little wary of it tbh.

When Removing a Detail Changes a Story Fundamentally vs Superficially

If you remove a detail from your story, no matter how small, it "changes" the story in that the detail is no longer there. However, there's a difference between a fundamental change (something that changes the story dramatically) versus a superficial change (something that changes the story in a trivial way.)

For example, let's say you have a scene where your character is eating ice cream with a friend, and they vehemently ask for no cherry on top. Does the cherry, and whether or not your character mentions it, have any bearing on the story later? Does your character's vehement rejection of the cherry tell us anything critical about the character?

Let's say that the cherry is important because as a result of this vehement rejection, we learn that the character is allergic to sulfides (which are used in the productions of maraschino cherries), and this sulfide allergy becomes important later in the story. Removing this moment, where they vehemently ask for no cherry on top, would fundamentally change the story because without it, the reader wouldn't learn that the character has a sulfides allergy, which becomes important later. This is a change that would deeply affect the story.

On the other hand, let's say the character doesn't have a sulfides allergy, they just don't like cherries, and this is not an important character detail and never comes up again. In this case, this vehement rejection of the cherry on top doesn't add anything to the story. Removing it only changes the story superficially, not in a way that matters.

So, to tell whether or not removing a detail would fundamentally change the story, ask yourself: "Does removing this detail prevent the story from playing out the way I planned it? Does removing this detail mean the reader won't understand a character or something that happens later?" If the answer to one or both of these questions is "yes," that makes it a fundamental change. If the answer to both questions is "no," it's a superficial change.

When it comes to the details of diversity like race, culture, religion, disability, sexual orientation, and gender identity, the issue tends to be more about making sure you're not just "painting on" this detail of diversity. Like... you can have a character who uses a wheelchair without that detail being the most important thing about the character, and without it playing a major role in the story, but you also need to make sure you create a thoughtful, authentic portrayal of a person who uses a wheelchair. In other words, you wouldn't want to gloss over or trivialize the ways in which being in a wheelchair affects the character. For example, let's say you have a group of characters who are solving a mystery and it requires them to go into an old abandoned house on a rocky hillside. The only way to access the house is up a flight of wobbly rock steps. You wouldn't want to just illustrate the character effortlessly wheeling themselves up these steps, because that would be unrealistic and inauthentic. At that point, the wheelchair just becomes a detail that's "painted on" because it doesn't really have any impact on the character or the story. But, if you show the other characters helping this character up the steps, or finding an alternate route for them to use, that makes sure this detail (that they use a wheelchair) isn't superficial.

The best way to make sure you create a thoughtful, authentic portrayal of a diverse character--when you, yourself, do not share that diversity trait--is to make sure you have a qualified sensitivity reader who does share that trait (and potentially more than one if possible) so they can let you know if there are issues with your portrayal.

Let me know if you have further questions!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[ryuzakemo128]

Grim Reaper Part Seven

Pairing: Poly 141 x female reader / Female reader/ You x Her mental health x König

Content Warning: Bloodshed, fight between a man and a woman, tech talk, injuries, future implications of murder on the horizon. Use of your nickname for König.

Words: 2628

Masterlist - Prequel - Part One - Part Two - Part Three - Part Four - Part Five - Part Six - Part Seven

Supernatural AU - Poem

Credit for Dividers: @cafekitsune + @strangergraphics

Summary: “Who says I was going down to their level? When that level I go to is clearly lower?”

Just because you can, it doesn’t always mean you should.

Sometimes it better to walk away.

Letting things lie.

Leaving them in the shadow of what could have happened if you wanted to act upon your urge to be rid of them.

Your fingers trail along the mask. An incredible gift in your eyes. The sleek material cool beneath your fingers, the curves forming over your face.

As if the material itself bonded together with your face, the digital HUD flickering to life with a gentle hum, casting a soft glow in the otherwise pitch-black room.

Simon took a tentative step towards you. He looked at it, he said, "It's a beauty," he whispered with a hint of envy.

"Lightweight, customisable, and undetectable by most standard security systems, protects my face from dust, debris, and potentially harmful airborne particles." you described part of it.

Other functions of your mask were less visible but equally important. It had a built-in respirator allowed you to breathe without revealing your position through foggy breath in cold environments or leaving a trail in smoke-filled rooms.

The mask's indented 'teeth' served as a silent venting system for the excess heat your body produced during intense combat. It was a marvel of modern warfare technology, and it complemented your lethal skill set like a second skin.

You don’t know when the chatter around started to grate on your ears and eat away at your nerves. Part of you thinks it was because of a certain part of you being denied sustenance. Thrill of a fight itching to be satiated.

Itching. Aching. Burning in the bottom of your stomach like a meal denied.

“We are all doomed. We are not special. None of us are special. We live on a tiny rock floating amongst other tiny space rocks. To imply we are special is to deny the truth. You are not special, just as I am not special.”

You were tired of the excuses. You were tired of them. “You are mediocre at best and tolerable at worst. I don’t care about you or anyone else here. Your existence is finite.”

“You are mediocre at everything I have seen you do.” You repeated with a narrowed glare. “Everything you are. It could and would be forgotten as long as your superiors benefit from it.”

“You don’t get to keep something someone else owns. Not ever. I don’t need a ‘saviour’ stop implying that I need one.” You murmured, your voice as fierce as a cat's growl. Your hold on his throat base stayed firm, as relentless as desert sands.

Despite your injury, you retaliated fiercely when threatened sufficiently. The cut deep enough to insert at least three fingers. You were always considered difficult to your peers. You didn't care about their opinion as much as they believed.

Imagine talking about someone’s trauma and labelling them as the ‘difficult one’ pathetic morons can’t consider the fact trauma changes people.

If they knew how trauma worked, they wouldn’t be flapping their pathetic mouths so much.

They need to learn to shut the fuck up.

Projecting their morals onto others like they’re the only people in the world.

Shut the fuck up. Most of you are more likely to have the privilege to never go through it.

Stupid pathetic moronic children who can only think of themselves first.

I see Simon receive the same treatment by women who label him the ‘difficult one’. It makes me want to smack the shit out of all of them.

Assault of any kind should not be tolerated. They need to shut the fuck up before I make them shut up.

I am tired of them. I am sick of their justifications of labels on people.

Shut the fuck up, I hate you all.

Trauma isn’t something you belittle. Yet you seem to have fun in doing just that. I hope you die and reach a depth of hell most won’t be able to reach.

It is what you deserve. It is what I want you to have. Now more than ever.

You think you snapped when it happened. Not that you aimed for a psychological snap any time, sooner or later. Yet the whispers and murmurs grated on your nerved like nails on a chalkboard. Call me pathetic and I will give you death.

I will give you a death even your so called god will not look away.

Your enemies cannot reach you. Sleep well, the clock ticks on.

The stars do not know you, prepare, they’ll whisper you your fate.

They look at you and wonder how you are even alive. Fear mixed with disgust. You feel it. You see it. They keep you because otherwise you would have been a darker shell of yourself.

He pushed you far enough to get here. Yet it caused you to laugh. To giggle. The blood gushing from your nose, a bit from your mouth, you laugh. You laugh because you know it’s all a game to them. A game of fear and power. And in that moment, you had all the power. You knew because the stars had already whispered to you, and they had never lied.

"An itty bitty knife? Are you fucking serious?" you taunted him.

The man snarled back a response, "This isn't a game, bitch," as he raised the knife, ready to strike fear into your heart.

“Are you scared? Are you going to run crying to your superiors, little bitch?” you taunted relentlessly. “Gonna cry now?”

A beast circling its wounded prey, every nip, every bite and every taunt. You became more beast than human when your anger wound-up tighter than a coiled snake. Posed and poised to strike. His eyes widened with fear, his breaths shallow, and his smugness replaced with a desperate plea for mercy.

Simon intervened, trapping you inside a headlock, the guy silently murmured and thanked for his timely intervention. He got off lightly in your opinion. Though getting stabbed by a butterfly knife put a damper on things.

"You're the one who should be scared." Simon's voice was cold and firm as he held you back, his grip tight but not painful. "You're better than this. Don't let them bring you down to their level."

“Who says I was going down to their level? When that level I go to is clearly lower?” you growled like a feral creature, clawing at Simon’s arms as he held you firmly in his grasp. His eyes, a mix of concern and irritation, searched yours for any hint of sanity left in the rage-filled maelstrom.

“We need him alive for intel," Simon reminded you, his tone still unyielding. You knew he was right, but the desire to rip the man’s throat out was a hunger that demanded satiation.

“Tell him that. The fucker stabbed me not you.” You jerked your chin towards the man cowering on the floor, trying to push Simon away, but his grip was like steel bars.

You knew he was right, but the adrenaline and anger pumping through your veins made it hard to think rationally.

You felt the warmth of the blood trickling down from your nose, mixing with the saliva on your teeth. It tasted metallic, a flavor you had become unfortunately accustomed to.

“Calm down,” Simon whispered in your ear, his grip on your arms tightening. “Remember who you are. Remember why we're here. And we'll get the stab wound looked at, I promise.”

“I'm not calming down for his sake.” You reminded him.

“No,” Simon's voice was low and controlled, “You're calming down for ours. We need you focused.”

You let out a breath, trying to regulate your breathing, which Simon knew was a sign that you were listening to him. You nodded slightly, allowing him to loosen his grip.

The room fell silent, except for the distant sound of gunfire outside the abandoned warehouse. The man on the floor was trembling, his eyes darting between you and the knife clutched in his hand.

Soap walked in moments after the whole debacle, his eyes scanning the scene before his gaze settled on the trembling man. “Well, well, look what we have here. A little stabbing party and I missed the invite,” he quipped, a smirk playing on his lips. He knelt down, pulling the knife from the man’s shaking hand with ease. “Looks like you’ve had enough fun for one night.”

You were about to leave the rest to Simon and Soap when Soap dragged you out instead, muttering things about not letting the bloodlust get to you. “I could have walked outside you know?” you muttered to him.

“You're a liability like this,” he shot back.

“Like what? Stabbed?” you countered.

Soap's smirk grew wider, “Exactly. Now, let’s get that wound patched up before you go full on Wolverine on us.”

“The animal or the mutant?” you snorted. “My life would be easier if it was the mutant. He heals instantly. Don't roll your eyes at me. I read so many X-Men comics growing up.”

Soap chuckled despite the gravity of the situation, his Scottish accent thick with sarcasm. “Ah, so you’re telling me you wish for the gift of healing rather than the rage of the beast?” He led you to a makeshift medical station set up in the corner of the warehouse, the harsh lighting revealing the stark contrast of the crimson blood against your pale skin.

“I mean that would just come with the healing right? With how Wolverine is, I wouldn’t mind the rage as much. The claws would be a bonus.” you quipped.

Soap shook his head, his amusement clear despite the seriousness of the situation. He took a deep breath, his eyes focused on the wound, “Well, we’ve got bandages, not adamantium, but it’ll have to do for now.”

Simon glared at the comment made from a bystander calling you cute when you are clearly not. You had wanted to be called it when you weren’t bloodied with another person’s blood on your uniform and your knuckles.

Once you were isolated, Price looked at you from the sidelines, his expression unreadable. As you let your aggression out on a punching bag. The smacking of gloves against leather in the background as they continued to speak about the fight between you and a guy who happened to be taunting Simon.

It grated on you enough to lash out. Ending in bloodshed. Despite these fights being rare, they are bloody enough for people to remember them. You felt the weight of Price’s gaze, his silent disapproval heavy in the air. He couldn't be upset with you entirely as you don't escalate them as much as people would love to believe.

“You okay?” he finally spoke, his tone flat.

“If you're angry with me just say so.” you told Price.

Price took a drag of his cigar, his eyes never leaving yours, “I'm not angry with you.” He said, “I'm just concerned. This isn't the first time you've lost it like that.”

“And it's not the first time they escalated it either. But you don't see that part because by the time you're here. They're on the ground and I'm already stabbed.” you reminded him. “Lecture them before you lecture me.”

Price's eyes narrowed slightly, but he didn’t argue. Instead, he took a step closer, his voice dropping to a serious whisper, “Look, I know you've been through a lot, but we need you sharp. We can't afford any more… incidents like this. Do you understand?”

“How about you tell them to keep their hands to themself?” you countered.

Price sighed, his gaze flickering to the side, “It’s not that simple.”

“Yes it is. Its called keep your hands to yourself. Don't touch someone without their consent.” you reminded him.

Price knew you had a point, but the situation was more complicated than that. He stepped closer, his hand reaching out to gently touch your shoulder. “I’ll handle it. But you need to control your temper. We're in a war zone, not a playground. If we don’t keep our heads on straight, we're all going to end up dead. Or worse, captured.”

Like the god Hades, you will never been seen as anything other than a monster of your own creation. Maintaining a balance most will never see. Passive. Altruistic. A creature made by whims and wants of others. A creature made and remade repeatedly.

A story retold to fit the whims and wants of those they want to appeal to. Hades went from passive to a main villain because of the lack of media literacy to think clearly. Whittling down his wife to a lost lamb in distress. When she is in fact his queen with strengths of her own.

A falsehood created by those who would rather see their version of a tale prevail than to see a man be gentle with his wife. Better to dehumanise the king of the underworld than to think otherwise.

They don’t seem to understand. Evil has no shading. Darkness does not equate to evil, and living in the shade of blissful ignorance will not save you.

Just as fire causes destruction. It also has a hand in creating life.

Neither side is good. Neither is side is bad. Both sides would have been considered good and great given the angle someone would take. Both sides can be considered a great evil. No matter what happens from this point forward. You will always be referred to as the name you are given. No matter how tainted you feel about yourself.

They will still refer to you by this name. Now, today and tomorrow.

As Elysium and Tartarus are both heaven and hell. It is both. It will always be both.

Choosing to believe one version of a tale over the other reeks of bias.

Much like Hades. You don’t have to go to them. People will come to their own end when they come to you. A fruitless endeavour to ever hope they could live to see tomorrow if they were your target. They are good as dead.

You are the least evil amongst them. It also didn’t mean you are harmless like a pup as much some might think.

“They will all come to me eventually. Regardless of how they feel on the matter.” You muttered. Mostly to yourself than to Simon.

Simon decided to interject, his deep British accent breaking through your deep meditated rhythm. The punches against the bag hard enough to shake through a concrete wall. Strong enough to go through a wall made of wood. You wore specialised earphones to block out background noise.

Now all there is left of you there are memories. It’s been a month since your kidnapping, entering into a second month now. They turned to your private thoughts of your journal in the hope they would find you sometime soon. Hoping König would not kill you out of boredom of you.

People fear death and fawn over theatrics.

People hate you because you represent the end of life.

Death. Grim Reaper.

Retellings will tell them you took them. Kidnapped them.

Even though your intentions were revealed to them and them alone.

Behind closed doors.

Twisting your words against your memory.

Even when your intentions were not what they will assume.

They mix up benevolent with kindness. You will show them, won’t you Mäuschen?

You will show them what it means to evoke the name of death upon their lips, right Maus?

The walls of your old bedroom, no longer the same as they once were. Not like you cared now. It was a moment of another time. Inside a lifetime, you thought you had all to yourself. Fleeting, as they were, finite. You were glad they were gone. As you were about to something so heinous. Even your mother would have disowned you.

No. She isn’t here anymore. She can not save you. No one outside this room can save you apart from yourself.

Rely on your instincts.

“What’s the matter, lamb? Are you scared?” You cooed into his ear. A plan forming in the back of your mind. If this was the game, he set up. He should be prepared for you to win it.

Fair is fair after all.

What is his will become yours.

What is yours will never be his again.

[toomuchracket]

i picture bday party girlie as being like Dramatically hot like the kind of hot where you can literally see heads turning when she walks past… so hot that everyone is like how did He bag Her???

and then flatmate is a girl next door kind of vibe like definitely gorgeous but where hot wouldn’t necessarily be the first descriptor until you see her let loose and you’re suddenly like i would kill myself for one night with her lol.

d word… drop-dead. like ur a goner the second you lay eyes on her. she gives cunty miniskirt and sunglasses strutting through london with her obsessed bf on her arm vibes.

office girlie i think i would beg her to be mean to me and i would like it but also she’d be my best friend. sheer tights and thick thighs and a leather blazer ohh i need her

barista girlie hallway crush… girl you get obsessed with because you always see her around and you can’t believe someone’s that gorgeous but you never go up to her

this didn’t really answer your question bc i think they’re all incredibly hot in different ways but if i Had to pick i think d word is the hottest <3

- heather 🫶

long post we r discussing everyone

the thing about bday party girly is that getting to that level of hotness was a gradual thing - not full ugly duckling transformation, because you were always pretty, but just finding your way in terms of fashion and beauty and discovering the styles you liked best and that suited you really well, and that did wonders for your confidence (which i think is like half the battle of hotness). but it still wavers, and you have a hard time with comparison to others (specifically, the girls you see matty with before you get together) and believing in yourself in regard to anything that isn't your writing ability; this is a leftover from your teenage years, where you'd only ever really get complimented on your brain and your writing and never on your looks, which you know isn't a big deal and it's nice people think you're smart but also... sometimes, when you're 16, you need to hear from someone that isn't your mum or your girls that you look nice lol. but you persevered with both writing and the style search, and it worked out well - one of the first things matty said when you guys were first introduced was "i've read your work! and i don't think it's fair that writing so good can come from someone so attractive. not fair at all", and when you realised that there was no punchline, that he actually meant it (he really did. he thought you were gorgeous)... yeah. we know what happened next

flatmate YES ok like you really are just so pretty and (as we know from pre dating flatmate era) a lot of people think that as is and they fancy you BUT like you said it isn't until you loosen up or you get kinda animated that it really sinks in how sexy you actually are. like, matty's already excited to be sat next to you the first time you meet, but it isn't until you roll your eyes and say something sarky and smirk that he properly becomes enamoured; when you're yapping with some other people during a break and you start ripping into a boy who said something really stupid or mean or whatever... yeah, matty's a goner (he really would kill himself for one night with you lol). such a fun couple, the two of you, because you're both aware of how hot you are - i mean, you both have your moments of insecurity, we all do, but you're generally very self-assured. and it's hot to see. very

d word... so fucking true. and you don't know it! you're too busy doing 5 million things at once to pay attention to people Wanting you, and all your self-care beauty regimes/pilates/buying nice clothes is really for nobody but yourself, because - eldest daughters rise up - you're really the only person who takes care of you. and then matty happens, and you like him so much you let your guard down a bit and relax, and suddenly you have someone else who takes care of you so naturally it's kinda overwhelming, someone else who makes a point of proving to you just how beautiful you are, someone else you want to look nice for, someone else who loves you and appreciates you and is almost unhealthily obsessed with you; he's never not clinging to you, as if you'll disappear the second he lets you go, and never not looking at you like you're the most precious thing in the world. you kinda are, to him, though

office girly - coolest person alive i fear. kinda like flatmate in that you know you're hot, even without the myriad of incredible outfits you've painstakingly put together; i do think you're the best dressed of the tmr girls, actually. anyway! THE body - soft curves, long legs (thick thighs save lives), hips that matty wants to (and has, actually) take a bite of, possibly the best arse in london, and we've all read tiny bikini so we know what your boyfriend thinks about your tits lol. there's a running joke in your relationship that the reason matty (art critic) fancies you is because you're built like the girls in Classical art, which he denies like "not true! you have nicer boobs" lmfao little freak. people are a little bit surprised when the two of you get together, because he's so shy and quiet and weird and you aren't, but holy shit do you look good together - i think you skew slightly on the edgy side of the fashion scale, so literally you and matty (when he loses the cardigans) are kinda the hot alt couple everyone dreams about. also yes heather she would be your best friend she's so sound!!

barista girly is very reminiscent of the girl who got on the same tube as me at westminster station a year ago and had a striped shirt tucked into flared jeans and pointed stilettos on and the most flawless straightened ponytail i have ever seen - chic as fuck, and you see her on public transport ONCE and think about her forever. intimidating, but so alluring, and if anyone actually plucked up the courage to talk to you they would learn you're lovely and also kinda a massive flirt; that is, until you meet someone you really REALLY like (matty) and you get really quite shy and soft. that said, before you meet him, you do Fuck (people of all genders), and actually you (and your strap) are responsible for a really quite massive amount of Best Sexual Encounter stories, so you're very known for being sexy lol - incredible energy matching going on between you and matty, actually. like, it should technically be a sad day for everyone else when you and matty get together, but you just work so well and look so incredible together that everyone's like. yeah ok this makes sense. yeah, you're gorgeous

[camels-pen]

cycle

Usopp loved his mother.

She worked tirelessly to feed and bathe him. Then play and teach him. Then talk him through the chores when she was too weak to do them herself.

She worked with a whole bunch of papers and spilled ink; he hadn't known it at the time, but she was a novelist and a very good one at that. Her stories kept the roof over their heads, brought them thick coats for winter, and gifted an assortment of toys and paints for Usopp's enjoyment. Sure, he couldn't always get exactly what he wanted, but what kid did?

She raised him to be a good man- a happy man. Put her all into making sure his needs were met and that he'd try to see all the good in the world around him. Appreciate the things he had and not get wrapped up in the small things that go wrong. Like his father did, she'd say fondly.

Usopp loved his mother. He whispered it to himself aloud.

He loved his mother, but she wasn't perfect.

If he weren't totally alone, laying awake in his hammock, he wouldn't even think it. Because she did so much for him. Gave up so much for him. To have him. To stay with him.

And yet-

And yet he thought about it sometimes. The little imperfect moments- ones he'd give anything to experience again. The way some days she'd get all uppity about his patched clothes. The way she'd dismiss him when he mentioned something he learned from the owner of the grocery store. Say you can just pick off the green bits and the bread would be just fine.

The way some days she'd just watch him eat dinner. Explain she'd already eaten with a smile. But her plate was never in the sink.

Whenever they were walking around town together, everyone said their greetings- their hellos and goodbyes- and they were civil. Kind, even. They had no problem arguing, driving hard bargains and making snide remarks about his father, but these were good people. People Usopp was supposed to call if there was ever some kind of emergency, because they would help.

They would always help.

If only someone would ask.

It made him angry. So unbelievably unfathomably angry. So angry he wanted to break every dish in the kitchen, bite through the mast, climb to the top of the crow's nest and scream.

Because even Usopp, a child still small enough to be carried at the hip- though that may have been his mother's stubbornness rather than an indicator of age- could see that his mother desperately needed help.

And he should be mad at the townsfolk. The way they looked the other way, waiting and waiting for... something. A tangible something they could point at and say they needed to intervene. They didn't need to wait so long. They said so themselves not a week after the funeral.

He should be mad at them.

But he can only find anger for her.

Because even when she fell visibly ill- even when the town's only doctor was making monthly, then weekly, then daily trips- she never told anyone. Kept it all to herself. Tried to downplay it to Usopp too, but Usopp wasn't stupid and he'd overheard her talking to the doctor plenty of times. He knew she wasn't well.

And maybe that was the real problem.

He had no right to be angry with his mother. She was doing what she thought was best. It wasn't her fault the stress of her daily life had exacerbated her illness to the point she was bedridden. It wasn't her fault she had to work and raise Usopp entirely on her own. Wasn't the fault of the townsfolk either, considering the brave front his mother always put on.

No, at the end of the day, there was only one person to blame.

Usopp.

He knew how little she was eating. Heard her stifled sobs through his bedroom wall. Saw the way she hunched and stumbled when it was just them.

Most of all, he witnessed firsthand how each day she would get a little bit slower, a little bit weaker, a little bit quieter, until one day she just... stopped.

He knew. Maybe not in the right words or with the right meanings, but he knew there was something wrong. And all he had to do was talk to someone- anyone. Any of the numerous people around town who he was supposed to run and call for any kind of trouble he was in. For any kind of trouble they were in.

It was all he had to do.

But he promised. A vow that would last longer than her. That he couldn't tell the townsfolk how sick she'd gotten. How sick she let herself seem to him. How sick she actually was.

Usopp wasn't one to break his promises. Not to his ailing mother.

So he devised something else. Something to at least get her back on her feet again. Happy like she used to be. Happy like she taught him to be.

He'd run around town yelling about pirates! Pirates! Pirates seen off the north shore!

The whole town was beside itself, shuttering their windows and barring up doors. He had everyone running scared and was finding his own enjoyment in his 'noble' deed. The only one who didn't believe him, was his mother.

He kept trying. Day after day of pirates, pirates, pirates. His father, returning triumphant from his journey and ready to bring his ship doctor to cure her. His father, rushing into the house like a storm, a fish on his back that can make anyone the healthiest they can be. His father, whisking her to Meshi for good food and a joke so funny she laughs the sickness away.

His father, home again.

She didn't believe him.

She was proud she'd married his father. Happy she'd told him to go, those scarce few years ago. But without fail, the only lie she had never believed, was Usopp's father returning home to see them. To see her.

He wasn't here; his journey wasn't done; don't say something stupid. Each time, he was met with a different response, all saying the same thing.

His father wasn't coming.

Usopp's misplaced anger would flare, briefly pointed at a new target, before dying down again. He couldn't even figure out how to send a letter informing his father of the news. Even with heavy coaxing, the townsfolk admitted they didn't know either; his father never told Usopp the name of his ship or his crew and his mother had never written it down anywhere. Up until meeting Luffy, he had no clue.

And by the time he did know, he was nursing lumps on his head while listening to a lecture about not wasting Nami's paper. The overflowing trash bin was practically laughing at his pitiful, crumpled up attempts.

Soon enough he was swept up in dangerous adventures left and right and he let himself forget about it. Or rather, did forget about it. Consciously, unconsciously, it didn't matter. He forgot. And he only remembered late at night when he had trouble sleeping, wondering where his father might be, if he was boasting about his wife and kid back home, not knowing half of his little family had left him.

Usopp loved his mother. But why didn't she just ask for-

He startled at the sudden, loud laughter from above. Then the thud of Luffy jumping down, followed by Zoro's boots tapping down the ladder rungs.

They were talking about something- a fish Luffy caught or a Sea King Zoro had cut down. Usopp couldn't tell the way his heartbeat was in his ears and the way he was trying to keep perfectly, utterly still.

He should've talked to them. Said something like a goodnight, maybe. Even grumbling about how loud they were being would be fine.

But he was gripped with a nameless fear. Something that twined its cold, skeletal fingers around his throat, whispering notions of being caught for an irredeemable crime. Twisting his stomach in knots at even the thought of making a sound.

A woosh of air and Luffy had climbed into the hammock above him. A deep snore and Zoro was out too.

Usopp sighed, letting himself untense as the spectre of death started to retreat. He stared at Luffy's vest- at his back, resting in the netting. Barely an arms length away.

He just had to reach for it.

It was all he had to do.

Usopp bit his lip, pressed a hand to his mouth and turned on his side, ignoring the tears staining his skin.

[sweetyyhippyy]

Secret. Steve Harrington x plus size fem! reader. *Angst/Fluff*

Summary: Steve and his girlfriend have a secret relationship. She wants that to change, but she fears he cares more about his reputation.

Word Count: 2.8k

TW: Allusion to car sex, mentions of body shaming, Steve caring too much about his reputation and being clueless, a bit of cheese.

~~~~~~~~~~~~~~~~~~~~~~~~~~

“You okay, honey?” Steve nudges his nose against hers softly, his body laying on top of hers in the backseat of his car. His hairy chest presses up against her bare chest. 

The air in the car was heavy, the smell of her perfume and his cologne mixed with the scent of sex. 

“Yeah, I’m good Stevie.” She smiles, pushing his hair back out of his face. “Just trying to come back to life a little bit.” 

“You did so good, baby.” Steve kisses her lips sweetly, his hand holding her round cheek lovingly. “Always do.” He smiles before kissing her again. 

Steve and her had been seeing each other for 6 months, but nobody at school knew about it other than her sister and her best friend Robin. 

They both thought it was for the best that they keep their relationship quiet because of Steve’s friends and how cruel they could be. 

She was brainy, beyond pretty, and super sweet to everyone. 

Steve’s biggest worry was that his friends would make fun of her appearance. 

She was one of the more curvaceous girls at school, and people already made snarky comments about her body, and somehow the comments always got back to her. She never let the comments bother her, she felt confident in her looks. 

She wasn’t his normal type physically, but he loved and cared about her more than he had anyone else in his dating history. He always did little things to show her how much she meant to him: telling her how beautiful she was, spending his weekends with her whether it was at his house or hers, giving her a necklace with a heart charm. 

At first she was all on board with the secret relationship, only giving each other small glances in the cafeteria and friendly smiles in the hallway. She appreciated the fact that Steve wanted to keep her away from the offensive remarks of his shitty friends. 

Within the last few months, she started to regret their arrangement. She wanted to walk the halls with Steve holding hands while they go to class together, sit with him at lunch while he stole kisses from her, to go on dates in town and not in the next town over to avoid someone from school seeing them. 

She couldn't help but feel like maybe he was embarrassed of her. 

Prom was two weeks away, and she really wanted to go with Steve. There was multiple girls around school who were brave enough to ask Steve to go with them, but he turned them down, saying prom was lame and wasn’t his scene. 

She pulls back from the kiss first, regretfully so. “I gotta be home in 20 minutes, Steve.” 

Steve looks at the watch on his wrist. “Shit, lost track of time.” He kisses her forehead before sitting back up and rummaging through the discarded clothes in the front seat, handing her the stuff that belonged to her. 

“Stevie… can I ask you something?” She breaks the silence as she tries to slip her skirt on. 

“Of course babe. What’s on your mind?” He asks, throwing his shirt on. 

She chews on the inside of her cheek, trying to figure out the best way of going about her question. “Do you ever think about, you know… maybe changing our arrangement?” 

Steve raises his eyebrow, his mind already running through the possible scenarios she’s talking about. “What do you mean?”

“I mean us being a secret. Do you ever think about us not being a secret couple anymore?” 

Steve leans back in the back seat, looking at his girlfriend and the quizzical look on her face. “I have, yeah. I just…” He sighs, his voice trailing at the end of the sentence.  

“Just what?” The pit in her stomach growing harder. “Steve, I can’t be a secret anymore.” 

“I know baby, I know. I’m just afraid of wh-,”

“You’re just afraid of what your stupid friends are going to say.” She interrupts. “Are you ashamed of what I look like?” 

“What? Honey, no, no. I love the way you look, you know that.” He slides closer to her, softly taking her cheek and turning her to look at him. “I think you’re so beautiful, baby. I just don’t want my friends to say something about you and it hurt your feelings.” 

“Wouldn’t you stick up for me? Tell them to leave me alone?” 

“O-of course I would.” He shrugs his shoulders. 

She pulls back from his hand, a knot in her throat forming. “You hesitated.” 

“I didn’t mean to! Baby, please can we talk about this?” 

She shakes her head, sighing to herself. “I gotta get home, Steve. My dad will flip if I’m late again.” She grabs her shoes from the floor, avoiding eye contact with him. 

Steve sighs, getting out of the back of the car and heading to the driver's side to take her home. He watches her in the rear view mirror as she gets redressed and waits for her to join him up front, hoping to continue the conversation. 

She slides back in the backseat, grabbing the seatbelt and fastening it across her chest, her gaze looking out the window. 

He sighs again, turning the key and driving out of the empty lot. 

*** 

The entire ride back to her house was silent, Steve was too distracted to even put the radio on. 

He felt like the worst boyfriend, if she even wanted to consider him that anymore. 

Of course he would have defended her against anyone at school who dared said anything negative about her, he was too hung up on what his friends would say to him. 

He knew it was low and it was shallow and that it made him a piece of shit, but his image meant a lot to him, but so did she. He felt guilty even admitting in his head that. 

The car rolls into her driveway, getting her home 5 minutes early. 

Steve parks the car and turns to the backseat, hoping to talk more with his girlfriend before she went in for the night. 

He watched her grab her bag and jacket, not once looking up at him nor speaking to him, and shove the door open. “Honey, just wait a second.” 

Steve opens his door, following her up to her front door. “Can you give me just 30 seconds?” 

She looks up at him for the first time since their conversation in the backseat, her eyes glossy and slightly puffy from tears that she had wiped away silently on the ride home. “Just give me some space, Steve.” She shakes her head as she turns away from him to unlock her door and walk in, slamming the door in his face. 

“Fuck.” Steve sighs, a pit in his stomach forming. He wanted to ring the doorbell and beg her to answer the door, but he knew she hated his guts right now. 

Steve hated his own guts. 

*** 

The weekend came and went, Steve had called all weekend wanting to talk to her but she gave her sister the job of telling him to stop calling- which he didn’t do. 

She pulls into the parking lot of school, the parking lot always busier than normal on Mondays. She finds an empty spot in the middle of the busy parking lot and pulls in. 

“Are you going to talk to hair boy?” Her sister, Lyla asks as she collects her bag from the backseat. 

She shoots her sister a disapproving look, rolling her eyes. “Don’t call him that. And probably not. We never talk at school anyway so.” She shrugs her shoulders. 

“Are you guys going to break up?” 

She sighs, looking out the windshield. “I don’t know, Lyla. I love him a lot, but I also want to be able to love him in public, not in secret anymore.” 

“If my opinion means anything, I think you deserve to be shown off by the person you love.  Definitely not hidden.” 

She looks over at her sister, giving her a warm smile. “Look at us having grown up conversations. Thanks Lyla.” 

As she heads into the building, she looks around the halls for Steve, wondering if he would show up to school today. 

She stops at her locker to grab a book she needed for her English class. From behind her she could hear the unmistakable goose like honk come from Tommy as he laughed about something funny. 

She looks at the mirror that hung on the inside of her locker door, seeing all of Steve’s friends over by Carol’s locker talking and laughing. Her eyes land on Steve, meeting his eyes in the reflection. 

He stared at her from afar, wanting to walk up to her and hug her, tell her how sorry he was for being a dickhead. Steve also wanted to tell her that she looked pretty in the baby blue skirt she was wearing, he loved the color blue on her. 

“Steve!” Becca snaps in his face to wake him from his daydream. 

He blinks quickly, looking down and glaring at Becca. “What?” He quips at her. 

“I asked if you were skipping first period. The bell just rang.” 

“Oh, uh… no. I gotta get going.” He pushes past Tommy and Carol, hoping to meet his girlfriend at her locker as he passed by, but as he looked down the hall he could see the back of her head halfway to her class. 

***

The morning flew by and the cafeteria was loud and buzzing. 

Her friend Robin waved her down from the corner of the cafeteria with a big smile on her face. 

She moves through the room of people over to their usual lunch table, putting the plastic tray down next to Robin’s. “Hey.” She smiles at her, sitting next to her. 

“Hey. So remember how I told you my mom was going on a baking frenzy this weekend? I told her how big a fan you are of her brownies and I brought you some.” She slides a bag over to her. 

“Thanks Robin. I actually really needed something to make me smile today.” 

“Uh-oh. Something happen with Mr. Perfect this weekend?” 

She gives Robin a flat face, nodding her head. 

“Does that mean I’m coming over after school for hot chocolate and girl talk?” 

She can’t help but snort out a laugh. “Hot chocolate? Robin, it’s May.” 

“But girl talk always has hot chocolate.” The tone of her voice sounding offended that she was denying her of hot chocolate. 

Before she can banter back with Robin the chair across from them screeches as it gets pulled back and someone sits down in it. 

“Ladies.” Steve smiles his best “million dollar smile” at them, his gaze lingering on hers. 

A few of the other people sitting at the table look at Steve with raised brows and confused faces. 

Was he lost? 

“What are you doing?” She asks, furrowing her eyebrows at him. 

“I want to talk to you. I’m hoping you want to talk to me too.” 

She chews on the inside of her bottom lip, looking down at her lunch tray. 

“If you don’t want to talk to me, that’s fine. But at least hear me out?” 

Her eyes flick up to stare at him, motioning at him with her hand for him to speak. 

“I’m a jerk, I know that and I need to work on that. But I want you to know more importantly, I love you so much, I love everything about you and I hope you can forgive me for what happened on Friday night.” 

“Wow.” Robin pipes up from next to her, shoving a chip in her mouth. “That was good. It took you all weekend to come up with that?”

Steve can’t help but shoot her a confused look. 

“Robs.” She sighs, digging into her backpack to retrieve a crumpled up dollar. “How about you go get yourself a soda and walk back real slow?” 

Robin snatches the money from her friend and stands up. “Okay but I want a word for word conversation break down tonight… with hot chocolate.” She whispers in her ear as she walks away. 

She shakes her head at her friend before focusing back on Steve. 

His face looked hopeful as he stared at her, waiting for her to speak to him. 

“Steve, my problem was never you not loving me. My problem is I asked if you wanted to change our arrangement and you showing me off as your girlfriend. My problem is I feel like you’re embarrassed to do any of that because of how I look. That’s my problem.” 

Steve sighs, fidgeting with his hands on the table. “I’m not embarrassed. I’ll admit that I was a little nervous of what people would say to me about dating you and I thought people would talk shit. But I realized that I would rather have that, than to not have you.” 

She drops her gaze from him, going silent for a while, racking her brain for the best way to say what was on her mind. 

“Talk to me, honey.” 

“I feel like… I feel like it shouldn’t have taken us getting into it for you to realize that you would rather have me in your life than to deal with people whispering about you and your girlfriend in the halls, Steve.” 

Steve was speechless, this was not how he expected things to go at all. 

“Maybe us dating wasn’t such a good idea after all, Steve. I don’t think you’re ready for a relationship with someone that you aren’t comfortable with being public with.” She grabs her backpack and gets up out of the chair, starting to walk away from the table. 

“Wait! Wait, honey no, don’t walk away please?” He pleads as he flies out of his chair and grabs her hand. 

She stops mid step, getting pulled back toward Steve’s body. 

“I don’t care about my reputation, I don’t care what anyone has to say about our relationship. Yes I should have realized that sooner, but after not talking to you all weekend and not having you by my side, I know that i can’t handle not having you in my corner again. I can’t handle losing you.” He says softly to her. “Please, let me show you I can do all the things you want me to do. Let me prove I’m ready.” 

Tears looked like they could fall from Steve’s big chestnut eyes any second, the palm of his hand felt clammy as he held her. 

“Okay.” She says, barely audible enough for Steve to hear. 

“Yeah?” Steve smiles at her. “Yeah? Okay, just wait right here, right there for two seconds. Don’t move.” He lets go of her hand and walks away and behind her. 

She awkwardly stands in the middle of the cafeteria, earning a few glances from other students who were sitting in the surrounding tables. 

Her eyes catch Robin on the other side of the cafeteria as she scans the room for any sign of Steve. 

“What’s he doing?” She mouths. 

“I don’t know.” She shrugs. 

For a split second she sees Robin’s attention turn to behind her friend, a small pout forming on her face before a bouquet of flowers comes into her vision. 

She follows the flowers up toward Steve, a warm smile on her face as she takes the bouquet from him. 

Steve clears his throat loudly, lifting his foot up and jumping up onto the top of the table, making a few of the girls there gasp loudly. 

“Excuse me!” Steve bellows, earning looks from more than half the room. “Hey! Shut up.” 

She’s frozen in her spot, her heart beating out of her chest as she watches Steve. 

What was he doing? 

“I wanted to ask my girlfriend, yes my beautiful girlfriend of six months, if she would do me the honor of going to prom with her idiot boyfriend.” 

Quiet whispers scatter throughout, more than likely wondering if Steve really referred to her as his girlfriend, and if he really asked her to prom. 

“Steven!” She says through her teeth, feeling hot in her face at the attention she was getting. 

“What do you say, honey? You want to go to prom together?” 

All eyes were on her, waiting for her to answer. 

“Yeah I’ll go to prom with you. Please get down.” She looks at him with pleading eyes, feeling embarrassed that everyone was looking at them. 

Steve jumps down from the table top, grabbing her cheeks and kissing her lips. 

The normal commotion of the cafeteria goes back after Steve puts his feet on the floor, everyone already losing interest in the new to them, old to her and Steve’s relationship. 

“You’re nuts, Steve.” 

“Yeah, nuts about you.” 

She can’t help but laugh loudly, “Eww you cheeseball.” She fake gags. “All jokes aside, thank you for doing that.” She says as she presses a kiss to his cheek. “No matter how embarrassing that was.” She jokes.

Steve looks over to the table his friends usually sits at, Carol, Tommy, Becca, and Lucas all giving them glaring stares. He sighs, wrapping his arm around her shoulder. “You want to officially introduce me to Robin?”

“You don’t know what you’re in for.” She quips. 

[mainfaggot]

i wish I died by 18. what am i still doing here

[deoidesign]

.

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[moeblob]

Erin, to her crush: You're a dick

Mason, the crush: I won't argue! But to clarify -

[selfinflictedgunshotwound]

sorry for only saying this type of shit lately but i kinda wanna drive a car straight into a brick wall at the highest speed possible

[quietwingsinthesky]

the amount of time i spend thinking about Even carrying the metacrisis doctor’s fob watch is really quite disproportionate to how much ive fleshed out that part of the story in my head