#only in the tag aspect

[jmr-observingfromafar]

uhh... hi !

i have concluded that i'd like to do a little intro post to cover the basics.

so hello there :)

i go by jmr (any pronouns will do just fine), and i'm a person on the internet who likes to make things. (how descriptive)

i have an instagram, an ao3 account, and now a tumblr (wow!!!)

and i think that's it.

[kenchann]

missing him hours

[angelbitezzz]

[It was becoming increasingly clear that he wasn't her Sans. He sure looked like him but—this was different. HE was different. Sure, maybe affection hadn't been his forté, maybe his sense of humor was darker than what was generally acceptable, maybe he'd always been cagey and distant but...not something like this, never this. Nobody ever wanted to find out they had been dating a murderer.

"aaaaangel."

The soft sing-song of her name usually made her perk up. All it did now was send a bucket of ice water down her spine. There was something so utterly terrifying about knowing that you're a hairsbreadth away from death. She presses her hands harder over her mouth, squeezing further back against the counter, silently willing him to keep walking...

"tell you what, kid," Sans starts, too close. She suppresses a flinch as she hears him lean against the counter. "you're being pretty damn stubborn about this. but i do like you...so tell ya what! you make it to dawn without getting caught, i'll take the hint and leave you be. how's that sound?"

She doesn't reply, but he takes it as a yes anyways. He always liked doing that.]

[stealingyourbones]

Out of all of the people The Ghost King Phantom expected to relate to, it definitely wasn’t the scrawny red headed photographer of the Daily Planet. Jimmy Olsen has gotten so many temporary superpowers over his time being Superman’s friend. Hell, he once gained a 4th dimensional being’s reality warping abilities when he was given said dimensional being’s powers during a fight. Sure there’s a dozen or so heroes with the same amount of powers he has, but none as suddenly granted to them as a all powerful god that can relate to a teenager.

[enterprise-bee]

so i'm watching TNG (and any star trek at all!) for the first time and the thing i'm most surprised about so far is just how much i like commander riker. of course, this may be influenced by several conclusions i have come to about the man that are, perhaps, supported by canon, but maybe aren't entirely canon:

he's very obviously trans. just look at the difference between seasons 1 and 2. the T finally kicked in.

he's also bi. everything about his energy supports this you don't need me to tell you this.

also, he's a band kid. hear me out: plays trombone. kind of a tryhard. makes many corny jokes. comfortable under a chain of command. that is a BAND KID. he was in the starfleet academy marching band in my mind. i am simply waiting for the day the rest of the enterprise learns this. nothing else explains his personality so perfectly. (note: this is the one i don't think has any chance of ever actually happening, but i can dream.)

also like in general i love how competent and level-headed he is. he's written like he's kind of SUPPOSED to be the like, wildcard first officer to picard's more rules-following self, except picard once got stabbed in the heart in a barfight and riker is always reminding picard about regulations like "you're the captain of a star ship don't go. die???" so my headcanon about this is that before the enterprise riker WAS a little more of a loose canon and then he got assigned to picard and realized, oh no, someone in this command team had to be the well-adjusted one and the other options were his empath situationship, his clearly insane captain, a robot, a klingon, a child, the captain's situationship, and a traumatized security officer. he had no choice. he became the well-adjusted one by proxy.

sometimes he and geordi i think hang out and appreciate being the two people who are normally kind of just doing fine.

like it never stops being funny to me that the guy who seems like he SHOULD be the womanizing loose canon is somehow largely just a respectful, competent officer who largely has his shit fully together in basically every situation. like, the entire crew is competent mind you that is one of the appeals of this show but in general riker is an emotional rock who makes sensible, by-the-book choices.

once again: the only way to reconcile this with his everything else is that he must be a trans band kid ITS THE ONLY LOGICAL CONCLUSION,

[gummi-ships]

Kingdom Hearts Union χ - Dwarf Woodlands

[khattikeri]

one of my favorite things about mdzs is that for how heavily its plot involves politics of classism and misogyny... even the characters most directly impacted by it can't and don't free themselves from it. literally the closest exception is mianmian.

meng yao being the "son of a whore" wasn't some sort of commie awakening for him that led him to wanting everyone to be socially equal. he played the political game, climbed the ladders, sucked up to and backstabbed and murdered people, including other prostitutes who actually had nothing to do with how he and his mother were treated at the brothel he grew up in.

he put in so much extra excessive effort for even a fraction of the same respect that members of gentry cultivation clans got. and he did deserve to be treated more humanely! but he feeds into the exact same system that created him, leading to his own undoing.

his efforts were for a fragile upward mobility that was never going to hold up. he never surpassed his origins nor did he empower others in similar stations, because the society he lives in is not one that would accept that.

the second he got caught and all those crimes exposed, he was scapegoated to hell and back, replacing wei wuxian as society's terrible one-sidedly evil boogeyman overnight.

speaking of not-quite male gentry, i think it's interesting that wei wuxian explicitly doesn't try to climb the ladders in BOTH lives, knowing full well that anything he does will be punished just for the sheer fact that he is wei wuxian.

wei wuxian is scolded for giving intelligent and correct answers in school. lan wangji does the same and is praised.

wei wuxian occasionally lounges around with fellow disciples and is punished. jiang cheng does the same and mostly escapes.

wei wuxian refuses to carry his sword around in public (after losing his golden core, which nobody knows) and is scorned as an arrogant upstart. nie huaisang has been doing the EXACT SAME THING for YEARS and nobody bats an eye.

unlike jin guangyao, wei wuxian knew subconsciously from the start that his acceptance was superficial and that he could be cast out any time. when he was 10 and recently taken in by the jiangs, he canonically would not eat or use "too much" food and water because he thought they'd find him a nuisance for "wasting their things" and kick him back out.

now away from just the classism, yu ziyuan is a proud and strong noblewoman in a society that belittles and derides women for everything they do. her strong cultivation doesn't matter. she's victim to the vicious rumors of her husband loving another woman who is strong like her but apparently had a more likeable personality.

it doesn't matter even if jiang fengmian didn't cheat or that wei wuxian is wei changze's son with cangse sanren; yu ziyuan can't bear with the humiliation of herself (and by extension her children) not being "good enough". she's ridiculed for "failing" in that one duty as a wife, mother, and woman.

she lashes out and takes out that anger on everyone present for years, giving her children lasting trauma and also being a key element in how the jiang family and yunmeng jiang sect are effectively wiped out at the hands of the wen clan.

madam jin doesn't even have a name outside of the fact that she's married to jin guangshan. i don't even remember reading anything that indicates if she's a strong or weak cultivator, or what, which in itself proves that to most people, it doesn't matter. she's "just" a woman.

of course she's angry at her husband's affairs and all the bastard children they bring in. but she also can't do anything about them, so she lashes out at the few people she can: servants. non-cultivators, probably. those very same bastard children.

shoutout to meng yao getting shoved down a flight of stairs at age fourteen, because if madam jin tried that move against her husband instead, it would make her lose even more face, which as a noblewoman she'd never do.

and that's not getting into how jiang yanli is consistently sidelined for being physically weak.

that's not getting into how mianmian was actually a good cultivator, but was mocked by everyone around her for trying to stand up for wei wuxian when everyone was turning on him. how everyone scoffed at luo qingyang's words as "just some lovesick woman" who "obviously wants to marry or bed him since he saved her".

luo qingyang is the only one of these characters who HASN'T died. she didn't play society's games like jin guangyao. she didn't dig her heels in confidence of her own abilities like wei wuxian.

she didn't bitterly lash out like yu ziyuan and madam jin. she didn't gently accept it like jiang yanli.

she just LEFT.

she married an ordinary merchant and cultivates separately from mainstream cultivation society, and therein found her own peace and happiness.

mxtx doesn't bother with particularly class conscious or feminist vocabulary to hand-hold readers into understanding these disparities, but that choice highlights them & the deeply entrenched politics of their society even more. i really love it.

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY ONE

first song you heard — Mary On A Cross

September 1969; Papa Nihil and the beginning of the Ghost Project take to the stage at the Whiskey a Go Go club in Los Angeles, under the watchful eye of Sister Imperator. Fifty-three years later, in Tampa, Florida, Papa Emeritus the Fourth performs Mary On A Cross, unaware that he is singing the story of his parents—and that of himself.

[localguy2]

I find it highly amusing how in situations where the ninja are separated/it's just the OG four, Kai and Zane immediately assume control/start spearheading the team because apparently no one else is sane enough or in the right mind to do so.

Your honour, they literally have one of the best dynamics in the show, with how they're probably the most protective people in the team. And it makes me mad how this is overlooked by the fandom and the show.

[togaki-kun]

Gojo “No one is allowed to take youth from young people” Satoru and Nanami “Being a child is not a sin” Kento can actually be so personal.

[ohworm-writes]

Just thinking about veteran and or retired neighbor Price right now *sighs dreamily while twirling my hair*

Like, okay - imagine having a house next door to Price situated in a small, cozy village up somewhere in Northern England, surrounded by nothing but green, grassy plains and dense forests with a stream that runs through the small village. I see him living somewhere cozy... quiet. Away from the loud, noisy environments that he'd been so used to, finding somewhere calm to settle down.

I see him having a pet. Maybe a lazy dog or a farm cat, something that'll follow him around and take a nap with him after a long day, either laid across his body or beside him. But, at the same time, maybe he'd like a pet that has a bit of energy - you can take a man out of the military, but you can't take the military out of a man. He still has so many traits and habits he's picked up from the military, and if you know anything about older, retired men, it's that they always need something to do and busy themselves with.

RANDOM THOUGHT but I feel like he wouldn't retire unless Laswell grabbed him by the scruff of his neck and forced him out of the military, likely for his own good. If it were up to him, he'd stay in the fight until he died, so I'd think that him getting close to it was what pushed for the decision to be made for him to retire - maybe he was injured to an extent that it wouldn't be smart for him to keep going or something of the like - I could totally see him with an amputation of sorts (like, twinning with Alex lol).

I think he'd like to keep to himself for as much as he could. I don't see him as one of those super friendly, "oh, let me help you with that" type of neighbors unless the situation is right, or, rather, unless he's called upon for help. Like, he's grumpy and stoic, but only until somebody comes to him asking "hey, sorry to bother, but can you help me with something" and he'd soften up - begrudgingly, it seems, but, really, he's happy to offer some assistance. It makes him feel useful.

God, imagine moving in next door to him and struggling to unload your car of all the boxes and things that are haphazardly packed inside of it, and him walking out of his house, seeing the way that you're struggling, and letting out a heavy sigh - just like "welp, suppose I know how I'm spendin' my mornin' now" and coming over to offer his assistance, a little awkward at first, but that quickly melts away as he settles into comfortable conversation with you.

*slamming fist against the table repetitively* BRINGING HIM FOOD OR TREATS AS A MEANS OF THANKING HIM FOR HIS HELP! A little reusable container held between your hands, to your chest, walking over to his place and knocking on the door, outstretching it towards him and being like "thank you - for your help... I wanted to show my appreciation, you know? so, I made you this" and giving the container to him.

AND WHO IS HE TO SAY NO??? (He tries, believe me, but that sweet, eager look on your face, wordlessly begging for him to take it... he can't deny you). AND HIM RETURNING TO YOUR PLACE A FEW DAYS LATER WITH THE CONTAINER IN HAND, BEING ALL GREATFUL AND STUFF. God, someone let him be real, pleaseee.

Becoming comfortable neighbors with him, spending rainy afternoons over at his house, or, in contrast, him at yours, sat on the front porch with a cup of tea or coffee or hot chocolate in hand, gossiping about some of the neighbors that live within the houses along the street, the both of you sharing your own life stories here and there, him divulging about his time in the military without shame.

Okay, I know a lot of people like to think that he wouldn't ever share or talk about it, but I can't see that. It's not like he's ashamed of his time - he's proud of the work he did, if anything, and it's all behind him now, so why should he be shy to share about the things he did? Of course, I don't think he'd go into gruesome detail about it or share about everything he's seen, but he'd totally be like "yeah, I've been all over the world - did a few OPs in X, Y and Z countries, took down terrorists, et cetera" and answer any questions with pride.

Him totally being The Man™ who you can go to if you need help with anything. Need help with a leaky sink? Give him a few minutes and he'll be over with a toolbox. Want to do an oil change on your car but have no clue where to start? Don't worry, he's got an oil pan, jack and a few rags around somewhere, he's sure - he'll be over in a few. Want some simple, good ol' company? He's outside the door already.

He'd be more than happy to give you a tour of the village if you ask, pointing out which neighbors to trust and which to be wary of, telling you about his favorite pub that's posed all the way on the far side of the town, but he promises you that the food, drinks and atmosphere are like nothing else. Walking with you down the stone pathways, footsteps clacking against them, taking in the sights with you and answering every question you may have, or, simply settling into a comfortable silence with you. At peace. Comfortable.

I'm so *laying on my bed on my stomach and kicking my feet slowly in the air behind me* I need him.

[thranduel]

how was this monologue real

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[themadzarka]

Kind of insane how there's another lightner princess OC around here. @jazminthegamer's angel is pretty and puts Pinkle's design to shame, lmao.

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[winged-bat]

thinking about that one study on how people are less likely to help when they’re other people around bc they assume someone else will take action/responsibility and how the opposite applies to Cass, who no matter whose around will shoulder the burden of responsibility as she thinks herself the only one capable of helping/solving the problem