#oneoneone

[atypeekmusic]

Shining - One One One [FULL ALBUM] ☆☆☆☆☆

[bigfootstraphouse247]

#OneOneOne #Mycellium #Mushroom #DogeMush #DogeDope #AmanitaMuscaria #ItsAMeMario #Mario seeks #Peach #ICanEatPeachForHours #LifeIsPeachy #Journey #MindTrip #Reset #Reboot #Recycle #EliminateContaminants https://www.instagram.com/p/Cp-vM_TuYN3/?igshid=NGJjMDIxMWI=

[fluffmugger]

Currently watching a transphobe flap about like a maddened turkey claiming that puberty blockers will cause "irreversible damage to secondary sexual characteristics if they change their mind!!!oneoneone"

Having personally witnessed more than one post-puberty trans woman sprout a set of bazonkas bigger than most cis women, I call bullshit.

[rametarin]

The Tragedy

Reactionary: "What a CATASTROPHE!! This thing that happened! There should have been LAWS in place to prevent this!"

Resistor: "Okay. Before you try and pass something while you're hot blooded, ask yourself: Is what I'm trying to pass guaranteed to stop the bad guys as much as it's going to inconvenience the normal, good guys?" Because unless the law you pass actually sets out to do it, then we get the worst scenario of a world where it's illegal to do something that gets done, but illegally, anyway.

Reactionary: "OMG. WE HAVE TO DO SOMETHING."

Resistor: "Okay yes I get it you're assessing if there could've been anything at any point in this scenario and interbalance of rights to security that would've stopped this from happening. But apply what you are suggesting as a change to our laws, to this exact tragedy in this scenario. Would the person intent on causing tremendous harm have been stopped by these laws? Would it have been guaranteed to prevent this tragedy? Or, does it just clamp down on law abiding people's rights to something, for the illusion of going after criminals and homicidal psychos?"

Reactionary: "OH MY FUCKING GOD YOU THING-NUTS, WE HAVE TO DO SOMETHING!"

Resistor: "Yes I get that, but what I'm saying is: Would what you're proposing as restrictions on objects and rights to them for normal people, have prevented this tragedy from happening? Because if not, you're needlessly making it more treacherous and difficult to operate and sucking the liberalism out of a thing for the hope of security and preservation of life."

Reactionary: "BUT WE HAVE TO DO SOMETHING!! ANYTHING!!! WE SHOULD TRY ANYTHING!!!"

Resistor: "Okay but is what you propose something that would've prevented this specific tragedy, in total, though? Or just postponed it as the would-be shooter circumvents it and gets around it?"

Reactionary: "WE CAN'T JUST DO NOTHING!"

Resistor: "Is that justification to violate other forms of civil rights and liberties in the name of 'doing something'? Or does it just apply to that thing you don't like and want gone?"

Reactionary: "THOUGHTS AND PRAYERS AND SOUND BITES AREN'T GOING TO STOP THIS CATASTROPHE!"

Resistor: "Neither are shitty laws that neither stop crime nor death in the name of protecting the peace and people."

Reactionary: "BUT WE HAVE TO DO SOMETHING!!!!!!!!!!!!!ONEONEONE."

Resistor: "Prove that what you are proposing would have prevented this tragedy. If you can't do that, then this reaction serves to do nothing but crush law abiding peoples civil rights and ease of access in society for a token of submission and imaginary safety."

[allfathers]

(insp.)

[tstwtm]

2021/11/14

ONE ONE ONE

KP：わたみ HOA：楠木 良大／ゆん HOB：聖上 累／えにしだ HOC：望月 唯／ささみかつ

- 2ロス1生還

[oneoneoneofficial]

[parallel-awhite]

#called #paradisus

The lure of the siren. 

I was called to go see new work by Chris Musina in his current exhibition Paradise at Oneoneone gallery - called by the reproduction of an image of a painting that read like a latter-day Magritte - which depicted the back of a bikini-clad young woman facing an abstracted vista onto ocean and sky - and further clued into the work's surrealist underpinnings by its displaced cultural signifiers - beyond its echoes of Magritte - by the presence of a dolphin tattoo on the woman's shoulder permanently inscribed with the cliché "Live, Laugh, Love." The word "cliché" comes from the history of the printing press - in which often-used word sequences (phrases worked so hard they could be anthropomorphically described as "tired") were grouped together in permanent clusters for use and re-use. The woman's tattoo in Musina's painting is - as they say - "everything" (what Roland Barthes might have referred to as its "punctum").  Thus, the work appeared to constitute multiple layerings - a Magritte-esque painting of a person imprinted with an inked image and clichéd text (which could be understood as a painting within a painting - another Magritte-ism) - the reference to which anchors the woman as a cliché herself as one who has succumbed to the sheer compelling force of the cliché.  As they also say - "clichés are clichés for a reason" - after all, who doesn't want to live, laugh, love? It's kind of - as they say - a "no-brainer."

Once when we were on Topsail Island we saw dolphins dancing and playing in the waves. We saw several - and each time one appeared my entire nervous system was awash in dopamine splendor - in neurochemical alignment with the profundity of the experience. It was the off-season and cold - and no one else was around. We sat on our rickety balcony and felt the intimate sense of joy and pleasure that arises when phenomena occur in one's presence and no one else is there to witness it. On our way out of town, I purchased a cheap ceramic dolphin souvenir - on which the identifier of "Topsail Island, NC" had been set forth in gold script. It was clear that these bits of tourist bait were sold in any seaside shop one might happen upon - with the salient variable of the place name appropriately inscribed. I could not express - and still cannot express - the extent to which this tangible item serves as a container for that indelible and ineffable experience - which holds for me something that I cannot say but can nevertheless hold in my hand.   

In On Longing, Susan Stewart begins her meditation on the souvenir, "The souvenir is by definition always incomplete" and goes on to establish the operative principles in the activation of such objects - emphasizing their necessarily fractional "partial" nature - and the way in which the fractional aspect interfaces with the fullness of the holder's expansive experiential narrative projected onto them, which imbues them with their singularity despite their mass production. Human perception could be understood in this way - each of us bringing to bear an infinity of experience to all perceived phenomena - including that of the cultural and natural worlds and the vortex of so-called "man-made" output referencing landscapes and other natural elements. The image of the souvenir-object recurs in Musina's Paradise - as do visual and cultural clichés of all forms - which thus informs the reading of the show as a whole.    

Indyweek's Brian Howe rightly flagged Musina's current artist's statement, which in its entirety reads as follows: "I'm tired of the Anthropocene." Thus we indeed must overlay this "baggage" onto the entirety of Musina's Paradise - although once we enter the gallery space the works make abundantly clear that an uninfringed-upon human/nature interface is no longer possible - if it ever was. Our individual experiences may differ - but at this point in the history of the planet we all live a more or less mediated existence - with the lion's share of us landing solidly in the "more" category (case in point: you are most likely reading this online) - and our referents to the natural world as often as not take the form of digital thumbnails or decorative ornamentation - or the floral or animal imagery with which we clothe or ink ourselves.

What drives us to self-represent through such adornments and body art signals? Why do we get specific tattoos? Choose particular statement t-shirts? Paradise includes two parallel-structure paintings - one of the aforementioned tattooed woman (Live, Laugh, Love, 2018) and the other of a male figure (Guy, 2018) - also with his back to us and facing the ocean - in a yellow t-shirt that features a painted array of what might be referred to as sporting fish - the kind of prized catches that are sometimes seen mounted - gleaming,  taxidermied, inert - on the slatted walls of cheap seafood joints. A pattern thus begins to emerge - the human mythologizing, signification and synthesis of the marine world. Musina emphasizes such synthesis (and underscores the painting-within-a-painting aspect) by including the signature of the creator of the t-shirt's artwork that is imprinted on the garment along with the painted oceanic cluster.      

The two other large paintings presented in Musina's Paradise include the image of a souvenir ceramic pelican placed on a large rock adjacent to some ocean waves (Ceramic Pelican on Jetty, 2018) - a confluence of the natural and the artificial - or perhaps the tchotchke has been set in front of a painted backdrop - diorama style. This aspect is unclear - which raises some questions about the work in terms of painterly/conceptual intentions and how the four main paintings of the show function (or not) as a group. The other - largest - work depicts an alligator in a swimming pool at night (Alligator in Swimming Pool, 2018). This painting also feels separate from the other works as the image appears to have been derived from an internet search. The flatness of the creature and the lack of dimensionality fights its purported realism. I resolve the problem in my head by thinking of it as a painting of a photograph posted online and viewed on a computer screen. But by the time I have accomplished that thought-maneuver and turn to see the other three works, they now seem at a distance - approached differently by Musina - each inhabiting its own set of painterly terms, which for me undermines the exhibition's potential.

In these four paintings, there is something unresolved in terms of painterly and conceptual choice-making that interrupts flow and disrupts the potential for a coalescing of meaning among them. For example, the shading and overall tonality of Guy is more overt than that of Live, Laugh, Love. Its horizon line is sharp, and the ocean is rendered in a highly stylized fashion, almost as if airbrushed from dark to light. By contrast, Live, Laugh, Love sustains a more pale and soft horizon and more highly abstracted water - as if the painting's subject had slowly drifted into a Rothko painting. There is an overall contemplative quality to the piece - a patience evidenced by the handling of the woman's hair, which is a revelation - dreamy wisps fluttering in a caressing breeze. Each of the four pieces on their own retain some level of painterly logic and integrity - however I would venture to say that the choices that were made in the production of Live, Laugh, Love feel less conflicted and internally conflicting - thus I perceive LLL as the most fully-realized of the group. It is not that there is a "right" painterly decision here - but rather the need for an awareness that those decisions are legible and thus have the potential to interrupt the way in which the works are read - especially as a body of work - if that is indeed the intention.

Paradise includes six ink drawings - pithy image-and-text object lessons in the human-animal interface - which has been part of Musina's project since I first witnessed his work circa 2010. The ink drawings are overall successful and surprising, alternately revelatory, humorous and scathing - often nailing all three at once. A dead tequila worm in a shot glass asserts its identity "Here I am" (although the "I" might just as well be the person about to kick back the shot [and the worm]). A kitsch grouping of shells glued together to obtain the appearance of a banjo-playing frog [cheap souvenir-object] with the caption "Oh Death" darkly underscores the macabre aspects of the construction as it is in effect built from the skeletal remains of dead mollusks. An armadillo is accompanied by the phrase "Touch Me, I'm Sick," the title of a Mudhoney song but which also raises the question of whether the animal is ill or simply texturally alluring and thus rad [aka "sick"].   

I appreciate the inclusion of these six drawings because they are so clearly conceived - the formal choice-making so evident - as to presage the continued evolution of Musina's painting - and the ongoing production (and sometimes re-production) that is required to obtain maximum clarity and cohesion. Consider the consistency of Vija Celmins' night sky paintings - painted and repainted multiple times for idiosyncratic/aesthetic purposes and which never stutter or equivocate but rather assert themselves as a series and obtain cumulative meanings. 

Consider her oceans. 

[daydreamingjester]

{ OOC } since Laura keeps insisting on making a theory on corrupted Betty’s { fake } downloadable content I no longer can shut up about facts sorry

🌟 As previously mentioned, you can SPARE certain animatronics if you play your cards right.

As also mentioned, collecting stars { affinity stars } play a good role in this — unlockable content !

If you have a HIGH AFFINITY animatronic, instead of the normal SPARE cutscene, you have a chance to play their designated MINI GAME

F.e. one of the high affinity mini games I thought of is 🌟 CARNIVAL OF NOTES 🌟 which is played similar to DDR

You use buttons on the controller to clap along to the beat. The animatronic sings against her at first — but eventually her manic singing becomes harmonized as they’re successfully breaking a part of the glitch away from her and restoring memories.

Expressions change from panicked and concerned to relieved and happy — and the animatronic actually helps the player with the beat by singing in beat with the taps —

{ ONE TWO ! ONEONEONE TWO ! TWO TWO TWOTWOTWO THREE ! }

{ THREE THREETHREETHREE FOUR FOUR FOUR TWO ONE !

GREAT JOB, 🌟 SUPERSTAR ! ! 🌟 }

obviously it gets faster

but it’s a nice bittersweet thing

[bigfootstraphouse247]

#OneOneOne #ElevenZeroOne #2301 #Guao #WackyFunny #Funny #Weird #Timing #EPHIAT #Fiat #EFiat #IncentiveToken #Token #Crypto #DollarCostAverage @dollarcostcrypto #CryptoMindset #Knowledge https://www.instagram.com/p/Cpy7gxeOXXT/?igshid=NGJjMDIxMWI=

[wingedprotector]

YGH. HOW DARE YOU TO BE SO CUTE!!!??!?!?! >8( ABSOLUTE CRIME !!!!!1111!!!ONEONEONE

//

[matchalattewithice]

six.

he stands,

stronger than you've ever seen,

a child not yet grown,

but this is not realized

not when you are the same

fourteen.

he succeeds and fails you,

for he stops you from being a monster,

and can't stop your self-destruction

but he puts you back together,

pieces of you cradled in his hands

eighteen.

he's quiet and still,

talk of the next chapter spilling out,

of going (wait)

of leaving (please)

of moving on (don't leave)

and god, the words won't stop in their flood, you need him to know you'll miss him, and that he's apart of you, taking root in your heart and growing inside to hold you together, you can hardly be without him without aching,

because

you love him.

and you switch, his hands clutching you, mouth parted, eyes glowing the green of growing up, and you want him to let go, because you can't handle the hurt, it's carving into your heart, this bleeding love, and you see your pain reflected back, and his hands are loosening, and there's only one thing, one thing you can do, one thing, one thing one thing one thing one one one oneoneoneoneoneone one-

you kiss him.

(a alternate to this one)

[kamkaml-blog]

View this post on Instagram

A post shared by Kami Preciouz Jewelz Jackson (@kamkaml)

#happybirthday #twins #inthearmsoftheangels #sarahmclachlan #happysaviorsday #SHMSBirthdays #piscina #myangels #unstoppable #asSalaamLaikum #happysaviorsday #peaceinparadise #oneoneone #dotheknowledge #mychildrenaremylife #childrenareablessing #protect #honor #respect #mines #miracles #blessings #girlscanchangetheworld #letschangetheworld #justiceorelse #weallin #weherenow #trinity #three 12 1+2=3 39 3+3+3 15 3+3+3+3+3 this the real deal #Goddidit because I got Stock with GOD #Godschild #showupgreat https://www.instagram.com/p/BuHLJcdFfqW/?utm_source=ig_tumblr_share&igshid=1a8pmooq4o311

[livingketo]

Office time! Getting ready for coaching sessions! If you want to get in shape, lose weight, get healtier! Book in a time with me! 😎👇🏻 www.livingketo.org/coaching #personaltrainer #personalprogram #nocookiecutter #tailormade #personalizedcoaching #keto #ketodiet #intermittentfasting #healthyfood #healthyketo #weightlossjourney #weightlosstips #weightlossprogram #weightlosstransformation #oneoneone #oneononecoaching #fittrainers #officetime https://www.instagram.com/p/BrFK82IgnjE/?utm_source=ig_tumblr_share&igshid=1ummfuoftj179

[beatmaticsupports]

View this post on Instagram

A post shared by #Beatmaticsupports (@beatmaticsupports)

Repost @powerrangersplayback Laughter is the medicine. Call us crazy but we laugh like this a lot!!! Although we are all called to social distance right now, we can facetime, do google hangouts, Skype, email, call....there are many way to stay connected. Feeling grateful for the technology that allows us to do that. Human connection is so important to our souls. We can also use the opportunity to spread love, kindness and hope to each other through social media. Let's make a choice not to feed fear and chaos. Tune in today for more laughs and nostalgia at 4pm for an all new episode on our YouTube channel Power Rangers Playback! Click here or link in bio to subscribe www.youtube.com/powerrangersplayback #powerrangers #nakiaburrise #catherinesutherland #yellowranger #pinkranger #yellowpowerranger #pinkpowerranger #mightymorphinpowerrangers #powerrangerszeo #powerrangersturbo #powerrangersmovie #powerrangersninjasteel #powerrangerssuperninjasteel #mmpr #zeo #ninjasteel #superninjasteel #trentonnjpromoter #beatmaticsupports #project #q&a #podcast #podcastlife #powerrangersplayback #catandnakia #nakiaandcat #oneoneone #momentslikethese https://www.instagram.com/p/B94Wu7uA1tc/?igshid=168ccoc0stmvu

[oneoneoneofficial]