#one or two fics about them?

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[transvampireboyfriend]

part 1 - part 2 - part 3 - part 4 - part 5 - part 6 - part 7 - part 8

"I'm just saying, if the heat bothers you so much, you could cut your hair" Nancy points out, after declining Eddie's pleas for her spare scrunchie.

Robin sits on Nancy's lap, clutching the back of Steve's seat and she looks at Steve through the side mirror like she's afraid that he's about to go on a mission to defend Eddie's honor or something but Steve rolls his eyes at her. He's not that gone.

Or at least he knows how to hide it well.

Eddie's lost several of Nancy's favorite hair accessories and two weeks ago she bowed to never lend him any ever again.

Which, does not stop Eddie from asking her anyway at least once a day.

But the point is, even if Steve wanted to, Eddie's honor cannot be defended in this situation.

Nancy's leaning behind Argyle's back now to glare at the metalhead. Steve can see them in the rearview mirror.

Eddie gasps "I would never" he says, clutching his chest dramatically.

Steve secretly breathes a sigh of relief.

Johnathan chuckles at the wheel. "But you could" he comments, eyes on the road.

Steve can see Argyle subtly laughing and shaking his head out of the corner of his eye.

Today is a rare occasion, Jonathan is driving them in Steve's car.

The goal of Steve's rant earlier about having to drive them everywhere was to get Eddie to drive them, so Steve could sit shotgun and watch Eddie drive.

Instead, Jonathan had offered first and then Steve couldn't go in the backseat because he's in charge of their map.

But whatever, this is fine too. He trusts Jonathan and it is nice to get a break and to be able to fully turn around when he's talking to someone in the backseat.

"Jon, I would lose all my sex appeal, you don't get it" Eddie answers, getting a box of Twinkies from one of the many bags they packed and placed on the floor of Steve's car.

"I get it" Argyle chimes in, watching Eddie pull out a Twinkie and shaking his head no when Eddie offers him one.

"You'd still be sexy with short hair" Robin comments from her seat on Nancy's lap.

Everyone turns to look at her.

"What?" she shrugs "I can say that"

Nancy chuckles into her shoulder.

Steve opens their map again to stop thinking about Eddie's 'sex appeal', even as the guy is excitedly munching on a Twinkie in the backseat of Steve's car.

He's got cream in the corner of his mouth and he clearly put more in his mouth than he can comfortably chew. He's leaning one elbow on Argyle's shoulder, his hand holding half a Twinkie, his other hand holds his mop of hair up in a high bun, causing his cut off tank to sit barely covering his nipples, his tattoos on display and his armpit hair fully visible.

Steve's fairly certain nobody else in this car would get it, but to him the sight is mouth watering. The guy is practically irresistible.

"I don't think i would've gone on even half the dates I've gone on if i didn't have my hair" Steve muses, for something to say and to add to Eddie's point, even though he agrees with Robin.

Almost everyone answers with agreeable noises, except Eddie and Robin.

Robin snorts and says "You are relentless"

While Eddie says "You don't get dates for your hair" at the same time. In a tone that suggests he thinks this is an obvious thing.

"I mean- it doesn't hurt" provides Nancy, she sends Steve an apologetic look but Steve waves her off. It's a compliment as far as he's concerned, he loves his hair.

Eddie finishes his treat and opens a new one while everyone else gives their opinions.

"For a lot of people, hair is a big part of attraction" Jonathan is saying, trying to seem like he's not speaking from experience.

"Especially hair as luscious as Steve's" Argyle agrees, leaning forward to lightly comb the side of Steve's hair, making him laugh.

"Thanks, man" Steve says overlapping Eddie's response.

"And I agree!" he exclaims "I'm saying he doesn't get dates because of his hair." Eddie goes on, waving his new Twinkie around for emphasis. "People throw themselves at Steve, and always will, but it's not because of his hair" he repeats.

Steve feels his cheeks heat up but still asks "Then why?"

"Well, because you're very pretty!" Eddie answers easily, like everyone should already know this.

Steve keeps his eyes carefully trained on the map, like he needs to study it meticulously, right this moment, while they're in the middle of a highway.

His cheeks are burning up and he can feel it spreading to his ears.

"And that's if they don't know you!" Eddie continues "If they do know you they know you're kind and brave and strong ...and generous and funny. Who wouldn't want all that in a date?" Eddie finshes.

Oh I don't know, you? Maybe? Do you? Steve thinks.

"Even bald, people would still go crazy for you" Eddie adds, his words slightly muffled towards the end as he shoves almost all of the new Twinkie in his mouth but apparently thinks better of it, biting all but a small piece.

"Here. You want the rest of this?" Eddie offers Steve, talking through his mouthful, and presenting the small piece with his ringed fingers, right in front of Steve's face.

Without thinking, Steve leans forward and takes it with his mouth, his lips burning where they touched Eddie's fingers.

As Eddie retrieves his hand Steve realizes what he just did and how quiet the car got.

He sends Robin a panicked look through the side mirror as Jonathan awkwardly clears his throat.

"Argyle's got nice hair" Robin tries.

The car immediately fills up with enthusiastic agreement and Steve slowly breathes out.

He can't bring himself to look at Eddie as he chews on his bite. He practically licked Eddie's fingers. Unprompted! The guy probably meant for Steve to grab the treat and then eat it. If he even accepted it at all!

Steve feels like an idiot and he frowns at the map again, willing himself to ignore the goosebumps in his arms and the tickling on his lips.

He doesn't see Eddie worriedly staring at him for the remaining of their conversation, until Nancy takes pity on him and offers up her spare scrunchie to distract him.

part 2

[otaku553]

I have an agenda.

Long hair teenage sabo.

[so-very-small]

*picks a tiny up by the ankle and just dangles them in the air for a bit cause they look cute when terrified*

[mellohiizz]

@saiintvalentiine hello. the npc fic left me absolutely in shambles i needed to draw them.

[sleepy-steve]

🧠🪱 Wiggly Wednesday Thursday 🧠 🪱

thank you for tagging me @stervrucht 🖤

no pressure tags: @frankenstein-ate-my-left-shoe @stevesbipanic and of course anyone else that would like to ♡

thinking about Steve and Eddie who, after going through rounds of physical therapy after everything, continue to work out together because Steve obviously loves it and loves having a friend to work out with. and Eddie notices the difference in his stamina when he gets back to performing on stage. (and if Eddie likes to watch Steve work out a little bit, and likes Steve coming over to help his form more than a little bit, well that’s his business.) but Steve takes a dance class and shakes up his usual warmup, leaving Eddie with some… thoughts.

***

“Okay, Munson,” Steve says, pulling his arm across his body for a shoulder stretch. “You ready?”

“Ready to be tortured? Always,” Eddie jokes. It was their thing. Eddie acts like he hates being there, but he still shows up every other day to their local gym in Indianapolis. And he won’t ever deny the benefits he’s noticed since starting their exercise regime. He's faster on stage, doesn't get winded near as easily, holding those screaming notes without feeling like his lungs will explode. Little did he know that today his joke would come to be true.

Steve liked most kinds of exercise. He was a sporty guy. He liked the pull and stretch of his muscles, the feeling of accomplishment after achieving a new goal, that delicious soreness the day after a really good workout. But mostly he loved trying new things. He’d give anything half a chance if he thought it might be fun. Which is how he ended up at a dance-aerobics class the week prior, finding himself having a lot of fun, blushing furiously when the women in the class complimented how quickly he picks up the steps.

He went back three more times that week. Part of his enjoyment came from the new warmup he was taught in the class. Steve’s usual warmup consisted of basic stretches and a light jog, covering all bases to ensure he didn’t get injured, but not very exciting.

This, however, was far more enjoyable. Steve found himself sinking deep into stretches he didn't know he had flexibility for, and moving his hips to a beat, ultimately just having way more fun with the warmup. And it was about to become a huge problem for Eddie.

Steve pops his headphones over his ears, the tape deck tucked securely in his shorts pocket. He bends over, inhaling deeply as the song starts, rising up with his hands overhead, exhaling as he rolls his wrists, hips moving side to side with the beat. His already short cropped t-shirt rises, showing off a good amount of his chest. He lets his arms come down, bending over again, feeling the pull in his hamstrings. Gripping his elbows, he lets the top half of his body hang, swinging from side to side, his hamstrings fully stretched out.

Eddie looks up from his own basic stretching, shocked to see Steve fully bent over, because hey, since when was he so flexible? With Metallica blaring through his own headphones, Eddie just stares, completely forgetting where he was at in his warmup.

Steve lets his hands drop, moving to one foot, back to the centre, then the other foot. Ass just up in the air, his shorts way too tight. Eddie swallows. He’d been denying his crush for months at this point, and good god this was not helping.

Rolling his shoulders as he stands up, Steve lets his hands travel down his bare thighs, sinking into a squat with his back arched and head tilted back. Eddie's eyes are wide as he watches those tight little shorts with the little cut-ins on the sides ride up, showing far more of Steve's glorious hairy thighs than Eddie can handle. Steve drops his head forward, hunching his shoulders as he moves back to standing. He repeats the motions, and Eddie wishes he had the strength to pull his stare away from Steve's ass.

Seeing Steve's head tilted back and his back arched is sending Eddie insane. Like, he geninely thinks he might evaporate on the spot if he keeps watching. But he just can't look away.

Turning himself sideways, Steve has one foot stepped out in front of the other, legs perfectly straightened into a triangle shape, bent over his front leg. Just when Eddie thinks he’s about to get up and end his suffering, Steve lowers himself down into a lunge. His little shorts definitely way too small and tight for the movement, Steve lunges back and forth, fingertips resting on the ground on either side of his front foot. Eddie watches as the t-shirt rides up with each lunge, the desire to get his lips and tongue all over Steve's chest overwhelming him.

Shaking himself, Eddie tries to remember which shoulder stretch he was up to. He attempts something close to a stretch, but he can’t be sure he's doing it right, because Steve has lowered himself to the ground, front leg bent and back leg perfectly straight, and is fucking thrusting into the ground. If he were to ask Steve, he’d find out this was a hip flexor stretch. But Eddie’s forgotten how to form words entirely, suddenly imagining nineteen different ways he wants to get dicked down by the man before him.

Eddie suffers in silence, heart racing in his chest, watching as Steve repeats the movements on his other side. He prays that the torture ends soon, that they can just get to the workout, and Eddie can go back to pretending he doesn't want to ride Steve until his thighs give out. But Eddie gets no such luck.

Steve has moved into some kind of triangle position, hands on the ground, legs straight, and of fucking course, his ass in the air. Eddie marvels at how straight the shape is, only for a moment, because then Steve is lifting his heels up and down in turn, and jesus christ those tiny little shorts are just riding up, and Eddie can see a hint of Steve's ass peeking out. His jaw drops. He may actually explode.

Just when Eddie's thinking he can't take much more of this, Steve lowers himself down, knees spread wide, arms stretched out in front of him and head tucked down. A wild and rushed series of thoughts fly across Eddie's mind, all centred around Steve kneeling down in front of him. Eddie needs to get it together quickly.

As Steve brings himself back up to the triangle position, walking his feet to meet his hands and rolling his spine up, shoulders and head rolling back last, he sees Eddie taking off for his warmup jog. Assuming that he probably just took too long with his new warmup, Steve shrugs it off and starts his jog shortly after.

Eddie hits his personal best in several weights that day, desperately trying to expend his excess energy in some way. He barely registers the wins, mind still stuck on Steve and his perfect ass in all those new positions. He almost dissolves on the spot when Steve claps him on the shoulder in congratuations.

At the end of their session, Eddie takes a freezing cold shower and prays for the sweet release of death.

[drbtinglecannon]

Anyone else here think about Laios/Shuro/Kabru or is it just me

[desceros]

tries to sleep, fails, gets melancholy, copes by writing purple turtle fic donatello/reader, gn!reader, rated t, 1.6k. insomnia, friends to.... friends, (were you ever just friends? are you something more? what is love if not friendship shifted an inch to the left?), yearning, yearning, yearning, yearning—

Donatello is sleeping.

Hefting a fatigued sigh, you hover in the doorway to his bedroom for a moment. Staring at his face, taking it in. He’s gotten unfairly handsome as the years have gone by. Beautiful, even. Pretty angles, sharp defined lines, dark seductive eyes. Like this, unmasked, slack in sleep, it’s free for you to look as much as you want. More than you can during the day. A little secret thing just for your own heart’s keeping.

…Best friends shouldn’t want to stare at each other like this, you think with an ache.

It’s late. You can’t sleep. Lying down has provided nothing but racing thoughts you can’t quiet. Things to do tomorrow. Things to say when you see someone. Things to write down if you can hold them until the morning. Things, things, things. So many things in your head, ten thousand little voices like little snowflakes in your skull. Each small, powerless; but together, a force too mighty to outrun.

And Donnie is sleeping. Normally he’s awake. Fiddling, poking, prodding, studying, twisting, cracking, bending. Available to draw you into sleep. Always soothing, petting your hair, cooing at you until you drift off at last to the dulcet sounds of his low rumbles.

But not tonight. Tonight he sleeps, pretty in his sheets even as he’s all sprawled out and drooling. Cute. He’s cute. He’s cute and close enough to touch but so, so far away that you know you never will. Not like that. Not like that. 

It’s late. You can’t sleep. 

Slowly, not wanting to wake him, infuriated with yourself just at the thought that you’d risked it by lingering as long as you have, you peel away from his door frame and sneak into the living room. The couch greets you again. Inviting, soft. It smells like turtle ass. Popcorn. Movie night. It smells like family, like home. Scratchy beneath your cheek. You’ve been meaning to get them some new pillows. The way Mikey had laughed so hard he’d snorted his drink. Leo’s squawk when it got all over him. The weight of Donnie’s arm on your shoulder when he’d leaned on you while laughing until he got the hiccups. His cologne, new, smells nice. You should tell him tomorrow.

(You can’t tell him. There’s no way for a best friend to look at the other with pupils shaped like hearts and be the same. You can’t tell him.)

Heavily, you sigh. It’s late. You can’t sleep.

You sit up. Get up off the couch. Stretch a little before exhaling and walking around a bit to try and work off some of this excess energy. The darkness of the living room isn’t so much, anymore, what with how your eyes have adjusted. You can see the pieces of the evening strewn about. A pizza box that Splinter’s going to find in the morning and yell at the lot of you for not throwing out. Raph’s teddy bear, leaning against the other couch where he’d been pretending he hadn’t been using it to hide his face in the scary parts. Mikey’s cup, half-full, forgotten in Leo’s panic to find paper towels. And—

—Donnie, standing in the doorway, bleary-eyed, arms folded. 

“Why are you awake?” he asks, voice tumbling over your ears like rocks on a riverbed. Guilt strikes you like a blow. He’s exhausted. You’ve woken him up.

“I’m sorry,” you say as an answer, tangling your fingers in the shirt you’d borrowed out of his closet. The shirt you always borrow. The shirt that’s half yours, now. 

Donnie’s quiet. You sink your teeth into your lower lip and hope he’ll shrug and go back to bed. Maybe, if he’s lucky, he’s got enough sleep juice in him that he’ll drift right back off and forget this happened. 

He doesn’t. “…Can’t sleep?”

The guilt burns your skin like sand in the wind. You smile and pretend. “I’ll be okay. Go back to bed, Don. You need it more than I do.”

He doesn’t. 

“…Please?” you try again. 

You’re met, instead, with a sigh. He rubs the back of his head where his mask would tie if he were wearing it. Lets his arm fall to his side—ah, except no. He’s holding out his hand, palm outstretched, inviting you to come close. When you don’t, his beak wrinkles. “Come here.” 

You take a few steps closer, but don’t take his hand just yet. “What are you doing?”

“Just come here,” he says again, curling his fingers a few times in an imperious grabby command. You come closer. He opens his tired eyes in a squint, mouth dipped into a frown, and his gesture gets more demanding. “Come here.” 

Stepping closer, closer, closer, finally you get within range. You realize he wants your hand the moment he loses patience with you, watching as he rolls his eyes and reaches out to encircle your wrist with strong fingers. They eclipse the bones there easily, tugging as he turns, pulling you out of the living room. 

“Don—” you start to protest, but he stops you with a breath.

“Stubborn,” he accuses, though there’s no heat to the word. The scoff is thick on the back of your tongue—Donnie of all people calling you stubborn—but you don’t let it out, knowing it’ll be too-loud in the pitch night. 

He pulls you into his room, the very room that had been such a sweet siren song to you earlier. He pulls you towards his bed. He pulls you in behind him when he settles in. He pulls you beneath his blanket. He pulls, pulls, pulls, until your chest is flush to his plastron and his arm is around your waist and his breath is in your face and your heart is in your throat.

It’s late. You’re not going to be able to sleep.

“…Go to sleep,” he says after a few seconds, doubtless able to feel the way your pulse is like a hummingbird against his skin. 

“Sorry,” you say in lieu of—anything else. You don’t dare try to say another word, unsure of what exactly would tumble out instead. Perhaps a sweet poem about the texture of his skin against yours. Maybe a lament that he feels the need to tuck his thigh between yours so so so close to where you wake in a pool of sweat dreaming of his touch. Or possibly a whispered confession that tastes like lightning and blood and sugar all at the same time; that you want this but not this, you want this but more. 

Gently, a forehead bonks against yours. Dark eyes open and meet yours, centimeters away. He studies you, and you watch the gears turn. More slowly than usual, lethargic even, because of his slumber. 

“You’re thinking too much,” he murmurs. Dumbly, you nod. “Need to talk about it?”

“…Yeah,” you admit, then, “…but I won’t.”

He doesn’t like that. A frown mars his beautiful, beautiful face. 

“Why?”

You swallow the incredulous laugh, the kaleidoscope of responses. They’re all irrelevant, impossible to share, save for one. “You should sleep.”

Donnie’s hand tightens, fingers curling in his—your—shirt in the small of your back. “So should you.”

“Yeah.”

“…”

“…”

“…I don’t understand.” The confession, rare, makes you sigh. 

“…I don’t either,” you tell him. And you don’t. Why did you have to feel this way for him? Why couldn’t it be someone easier that stole your heart? Why does it have to be the one person you can’t stand to lose? Why does he have to be so comfortable touching you like this and making it hurt even worse? Why can’t you stop feeling this way?

Why can’t you sleep? Why can’t you sleep? 

His fingers unfurl from your shirt. His hand dips beneath the hem, finding the skin of your back. Slow shivers spread like little earthquakes as he strokes along your spine, tectonic caresses that ripple and destroy. It's familiar enough a touch that you don't stop him; unfamiliar enough that it rends you inside out.

Donnie leans in. Ghosts his lips along your jaw. It’s not a kiss; you’re just friends, after all. But it’s a sweet caress that feels good, all the way to where he lingers at your ear, whispering there, quivering at the touch that's too close to something else to be fair. “Close your eyes.”

You have one rule: listen to Donatello. So you do; you close your eyes, let his nails drag down your back, let his mouth press warm into your pulse, let his chest rumble with churrs that fill the night air with something akin to a lullaby. His legs curl around yours, mixing, confusing, making the separation of you disappear. 

It’s… maddening. You hate this. You love him. You love him so much. You hate that he can do this so easily. 

“Shhh,” comes the gentle coo against your skin, like he can tell you’re pulling away from his intent. You obey that, too. Donnie says to be quiet, so you quiet. Thoughts, movements, words; all of them fall away at his beckoning. “Just like that. Good.”

Good, you think, feeling a little fuzzy. It feels good to be good for him. God. You’d be so good for him—but no. None of that, now. Not when you can pretend that these little presses of his lips are kisses. That the thickness of his thigh pressed to your shorts means something. That his hand scratching lines in your skin is something meant to claim as much as it is to calm.

“Making me work for it tonight,” you hear him mumble, half-conscious of the words, not sure if they’re real or part of a dream he’s built for you. “Good job, sweetheart. Just like that.” 

More brushes of his mouth. A slow glide of tongue. A lovely dream, you think, finally letting your muscles go slack. A dream of a Donatello who would hold you like this, talk to you like this. A Donatello who is more than just your best friend.

It’s late. Finally, warm and held and pulled into a sweet dream, finally, you sleep.

[benevolenterrancy]

Congrats, now all I'm going to be able to think about all day long is Chifeng-zun being stunned into silence by the sight of Meng Yao's braids, the same as if he had never left. His hand reaches out and clenches in mid-air, while Jin Guangyao stands shell-shocked and panicking, or blissfully oblivious to how Nie Mingjue's world is tilting on its axis. He could be mad, the rage that almost let him call the Unclean Realm home making Hensheng thrum: because what right does Nie Mingjue have to want him now, when he finally has a place he belongs? And why does want to quit it all for him?

Anyway, now you can share in my brain worms~

In that moment, something was communicated

unfortunately, neither knew exactly what it was

[sunshinescribes]

I think the most tragic part of Law’s character is that for so long he didn’t believe in unconditional love.

He thinks Rosinante saved him because he’s a D. He thinks he has to repay Rosinante for his sacrifices to mean something, when all Rosinante wanted was for Law to be free. Sengoku telling Law "don’t try to find a reason for someone’s love" truly hits like a punch to the gut because it’s so impactful—so fucking important. It completely shatters Law’s view of love (and life) and how it must be transactional.

Finally, he realizes that Rosinante just loved him. There was no debt to be paid, no expectation. He can love and be loved without reason.

[marragurl]

Saxaphone player Gallagher has not left my mind since the jazz night art dropped AND THEN Robin saying Halovian’s innately have good voices and Sunday used to hum lullabies to her as kids happened in the 2.2 special program, and I’m sure you guys can see where my unfortunate Galladay heart is going with this.

Whoever decided to make this art, I love you. I hope your pillow is cool every night, you’re never stuck in traffic, and your water is refreshing with every sip.

Also the art of Sunday with the White Gentlemen drink in the S.P.A.R.K.L.E jazz night event has also spiraled into me delusionally thinking that’s his go to drink. Which is hilarious since Robin has hinted before that he seems to have a massive sweet tooth in her letters.

(Sunday how do you even make holding a drink menacing, Sunday please get some therapy-)

So imagine this:

Pre 2.0 Galladay, where they’re both wary and suspicious of each other but didn’t do anything outright. Sunday slowly began to visit Gallagher’s bar whenever he had time to observe the Hound, initially on the down low just to get a sense of what he was working with and what to keep an eye on. He always gravitated to that one corner booth that every bar had with the most privacy, and just stalked there for a few hours before leaving. (Smol menacing birb in a tree vibes)

Gallagher obviously knew that Sunday was doing this (even though everyone else seemed to somehow completely miss him, Gallagher wouldn’t be surprised if Sunday was doing some weird Harmony mind tricks), and after the first few “stakeouts,” he bit the bullet and actually approached the table to engage with Sunday, on the off chance this was some weird “test of loyalty” by the Halovian to see if the Hound would swallow his pride to serve his so-called masters.

Nothing terrible happened, but he remained passive-aggressively polite when serving him, and Sunday remained passive-aggressively cool-headed in response. There was some snark of what dear “sweet-toothed” Sunday would want at a bar, and an icy reply of “aren’t you the master drink smith? Why don’t you show me those skills you boasted about?” which led to Gallagher being petty and giving Sunday the White Gentlemen drink, both for the story behind it being such a metaphor for Sunday, and because it was on the more bitter side of alcoholic drinks.

Sunday wasn’t too against the drink; it wasn’t something he would have ordered if it had been his choice, but it wasn’t a bad drink by any means. He couldn’t help but continue to drink it even after Gallagher left his little hidey booth to go back to the main bar, but he’d never stoop so low as to complement the Hound. Of course, he never ordered anything else from then on, only White Gentleman. In fact, over time it seemed to slowly get better, the flavors grew on him, and he couldn't help but look forward to it during difficult nights in the Dreamscape.

If Gallagher tried to needle him into a different drink, Sunday just bit back a “oh? Admitting defeat? I thought this was your best drink for me?” with a little smirk while Gallagher had to use every bit of self-control to not punch him in the face.

As time went on, the bar slowly became a place Sunday frequented to not quite relax, but to get away from the hustle and bustle of Penacony and his duties as one of its main faces. The stresses slowly started piling up, especially with the Charmony fast approaching in a few months and all that came with it.

Gallagher didn’t seem to loosen up regarding his attitude with Sunday, but he did get better at shoving down the visceral hatred he had for everything to do with The Family and Sunday as time went on. He didn’t get soft with Sunday per se, but he definitely kept an eye out for him, and definitely knew when to cut off his drinks on days where it seemed that Sunday wasn’t all that there for their usual veiled comments towards one another when he went to serve him his drink.

It started small, with Sunday staying later and later until sometimes he was the last one to leave the bar to return to reality. Gallagher wasn’t quite sure what to make of it, still wasn’t quite sure this wasn’t some weird long-term test Sunday was devising, especially since he still seemed to be the same ruthless Family member, the same Head of the Oak Family, when Gallagher was working as a Bloodhound outside the bar. For some reason though, within the enclosed space of this strange sanctuary, it was almost peaceful between the two.

One night, there was something wrong when Sunday entered the bar during Gallagher’s shift. He saw a bit of a crowd near the small stage that was within eyesight of his little hidey booth, it seemed some of the musicians of the live band were arguing? He watched as Gallagher came over, seemed to try to speak with the group before honing in on one of the musicians who had been making the most noise and seemed to be about to get physical with the rest. Sunday watched as Gallagher picked up the musician by the scruff of their suit with one hand and carried them towards the doors and lightly tossed them out.

(It was the first time Sunday had actually seen Gallagher perform anything resembling the actual duty of a Bloodhound. It only hit him that he’d only ever seen the other when giving reports, orders, or at the bar. Why was this so shocking to him, he’d seen the man’s arms before, hard not to with his slovenly dress and messy clothing style, as if he couldn’t bother to hide away his imperfections from the world, not like Sunday who refused to be seen by the world, to dare to show one thing off about himself despite his countless failings- he’s getting far too distracted by one meager showing of strength, focus Sunday)

There had always been a live music segment. Sunday was curious to see what would happen with the band missing a member, but was distracted by Gallagher placing his usual White Gentlemen in front of him before heading back to the musicians without a single word to him. Gallagher took a moment to speak with the rest of the band, who seemed to be coming out of their shock and took on worried looks. Sunday could only watch in muted shock as Gallagher went behind the bar and came back with a case, opening it to reveal a saxophone. He then went on stage with the rest of the group, positioned himself further to the side and in the back amongst the shadows within Sunday’s line of sight, and played with the band for the rest of the night.

Sunday couldn’t look away.

He was frozen as he watched Gallagher seamlessly transition from song to song, taking only small breaks to continue serving the other patrons before heading back in. Sunday only remembered about his own drink when his gloves began to get wet from the ice melting into condensation on his glass.

Something felt off within Sunday, and for the first time since Robin’s debut, he couldn't help humming to the music of the band, music that wasn’t of his own sister’s making. He couldn’t help but remember those little concerts the two would have, taking care of his little sister, his only world. He would do anything to keep the Harmony, to keep their family going. When was the last time they truly spent time together? Before he became the Head of the Oak Family? Before he couldn't recognize his own smile?

He was so lost in his thoughts, in memories he thought he buried, that he didn’t realize that it was once again closing time, and he was once again the last one left. He only snapped out of it when Gallagher came by to grab his empty glass, only quirking a questioning brow at him before heading back to the bar.

Gallagher had been keeping a quiet eye on the Halovian that night from the back of the band, in the shadows he felt the most comfort in when in the Dreamscape of Penacony. He had watched Sunday’s eyes glaze over, and the only reason he hadn’t felt offended by the seeming disinterest was the look in the other man’s eyes reminding him of his own when he looked in the mirror. The same look of shame, regret, loss, longing, of the wishes to regain everything he had lost. The same look he strove to hide under every bit of the facade he had crafted of this new self, but came back all too often with every reference of the Family found within his prison in the Dreamscape.

Maybe it was the shared nostalgia within his own heart, that little bit of his true self that he thought died when the Family tore out everything that made him who he was, that made him return behind the bar and begin making Sunday another White Gentlemen, giving Sunday a small nod to beckon him over. He wasn’t expecting anything from it, and he masked his own surprise when Sunday actually left his little shelter to come and take a seat in front of him at the bar. Even while out of it, Gallagher made note of the quiet confidence the other still carried himself. Nothing seemed wrong to anyone else looking at him, only for the lost look in his eyes.

The first time in the many months that they’ve been skirting around each other, and finally they seemed to be face to face.

It was quiet as Gallagher made Sunday his usual drink, a drink he had been slowly changing over the months to be sweeter and sweeter that Sunday never quite seemed to notice, or if he did, he never said anything, only seeming to savor it more each subsequent night. Maybe not even Gallagher noticed his own changes to the drink, subtle as they were.

It was quiet as Sunday took the finished drink, and it was quiet as his eyes slid over the bartop to see the saxophone case laying open with the instrument inside. It was quiet as Gallagher followed his eyes, as he came out from behind the bartop to take the saxophone out and take a seat in a chair only one seat down from Sunday’s. It was quiet as Gallagher began to play to his audience of one.

It was quiet as Sunday quietly hummed along.

It was quiet as they both knew that it would not last.

OK yea so this was all because I heard ‘La vie en rose’ at the end of the Jazz night event and went “Damn I wish that’s Gallagher playing on his Sax” and then we spiraled.

Uh. Idk what it is with me having a small ship moment which then spirals into a full blown writing session. My mind blanked out and as I came to I find out that I made a whole ass little one shot over here then completely forgot about it WHOOPS

So yea, hope my fellow Galladay enjoyers… enjoyed! I think I’ve slowly begun to crave… not domestic or fluff per se from these two, but after every AO3 fic being super dark between them (which I get! They are the toxic yaoi kings of Penacony as of writing this, no one is denying that!) I think I want to see them be explored in a more melancholic sense. Not quite the “forbidden” love angle, but in the “damn we kinda have some parallels, and maybe in another life we could have gotten along but there’s too much baggage and anger, both historically and currently to really even try anything”

I have this feeling this may not be the last time I write about these two… is Galladay going to be the ship that gets me to actually use my AO3 account?

[myokk]

It's a clear, beautiful summer's day, the type of day that starts out bright and full of birdsong, that ends looking up at the stars and the moon while crickets chirp and fireflies show soft bursts of light. When the air is warm and full of life and the smell of hot grass and lavender and honey permeates everything.

The whole summer had been like that, really. Running outside with abandon, chasing each other through the tall grass deliriously happy and lying down in the fields surrounding their village, watching the clouds float by while they eat cucumber sandwiches. It's the summer before their first year at Hogwarts; the Sallow twins know that their life's about to change and are determined to enjoy their last summer of childhood.

Maybe they're too old for this sort of thing - they are eleven, after all, but both of them know that this summer is a turning point for them and they want to cherish every moment for as long as possible. Their parents have been encouraging them, often sending them out for the whole day, piling journals and ink and quills and picnic baskets full of food in their hands, encouraging them to research and be curious about the world around them as they had always done.

This day, however, their parents are almost eager to push the twins out of the house. Their mum's smile doesn't quite reach her eyes. Sebastian feels nervous about this, but doesn't realize why until much later, when the memory is analyzed and remembered during his dreams. (definitely not while awake). When they leave the house in the morning, she makes sure to kiss each of them on the cheeks which she normally never does and Sebastian pushes her away in disgust, much to his future horror. In the moment, all he can think is that he might still be holding on to the last moments of his childhood, but he's too old to be kissed by his mum.

(but now, Sebastian doesn't know if his memory is faulty and he is adding moments that never actually existed in the first place. the mind is a tricky place)

He never allows himself to think about these halcyon days, the perfect-until-it-wasn't summer before they went to Hogwarts; this day in particular is forbidden to remember. His unconscious mind rebels against his iron will.

They spend the morning looking for the fairies that Anne had dreamed about the night before. She's convinced that it's a prophetic dream and they march around in circles in the little copse of trees - a forest to the two children, who haven't really ventured out of their village - as Anne tries to remember where she had seen the fairies in her dream.

Sebastian is happy to follow her even if (maybe especially if) he thinks it's a futile adventure - what else are summer days for?

They're in that strange junction between childhood and adolescence; desperate to just grow up already and become the people they were always meant to be, and yet just wanting to spend their days being kids, without a care in the world.

"Come on, Sebastian," Anne calls to him, a tiny stream gurgling between them. In one hand, she's holding the map that she drew as soon as she woke up; in the other, boots stuffed with her stockings.

Sebastian huffs as he trudges behind her, arms full with their bags, his shoes, and the picnic basket. Anne had offered to help him carry things, but he refused on principle. Their dad is always doing small things like this for the women in his life, and Sebastian wants to be just like him.

Anyways, Anne has her own role as the leader today, and it won't do to have her bogged down.

And he's eleven, more than old enough to carry everything.

He steps through the tiny creek, mud and slush squishing through his toes, and he smiles. There isn't anything he loves more than being outside, except maybe being outside with a good book.

"Keep your eyes peeled for a tree with a knobby trunk, with lots of knots that look like faces," Anne tells him, glancing over her shoulder, then turns her face back to her map and scrunches up her face. "In my dream, the fairies lived nearby."

They spend the rest of the morning continuing their fruitless search, laughing as they walk in circles, then set up their picnic in the field next to their house.

"What do you think Hogwarts will be like?" Anne asks, a dreamy look on her face.

Sebastian doesn't look at her when he answers. He lies back and stares at the clouds. They've already had this conversation hundreds of times since their Hogwarts letters arrived, both of them have their parts memorized. "Amazing. I can't wait to actually be able to use our magic instead of just reading about it."

Anne rolls to her side and props herself up on her elbow, getting a better look at her brother's face. With a smirk, she says, "I think I'll like Transfiguration the best. I can't wait to be able to turn you into a -"

A huge noise interrupts her before she can continue. Sebastian sees the confusion in her face before he truly registers that something has happened. It's like everything's moving in slow motion and all he remembers clearly whenever he dreams of this day are his feelings of confusion and disbelief and the smell of fire.

There's a huge explosion and the air is full of smoke and he and Anne are scrambling up, the picnic blanket tangled up around their bare feet and -

Hand in hand they run in the direction of the huge black smoke that is billowing up. It coats the air - they can't see anything and the smell of burning fills their noses and the smoke fills their lungs and they're coughing coughing coughing -

Sebastian doesn't want his sister anywhere near the blackened husk of their former house but he is also terribly afraid to be alone. They stand in the middle of what used to be their house, blackened half-walls, charred wood that used to be their table, the old couch they read on every night, it's all smoldering, all gone, the thick black smoke making his eyes water and choking and smothering everything in its wake. His mind can't comprehend what he's seeing. Everything is so familiar and yet so wrong.

He doesn't know how long he and Anne stand there, clutching each others' hands like they are a tether to reality. Which, he supposes, they are. They might be there thirty seconds, ten minutes, one hour, an eternity...

Then, neighbors are running to the twins, coughing, covering their faces in the crooks of their elbows as they conjure blankets with their wands and wrap Sebastian and Anne up and drag them out of what is - was - their home.

This part is always hazy. Sebastian can't remember if he cries. Or if he even says anything. He just stands there with Anne, the smoke thick and oppressive as it pours out of their house. Everything is crumbling apart.

(A hand gently caresses his scalp, fingers light and reassuring as they dance through his hair)

Their neighbors try their hardest to salvage what they can. The daguerrotype that their mother had cherished more than anything, taken a few years before, miraculously survives. Sebastian stares at it, the tiny figures moving and laughing and smiling as though everything is perfect. He wants to throw it and break it or maybe rip it up to shreds but he can't bring himself to do anything but stare.

Their father's wand is also shoved into Sebastian's hand, unscathed. It was found just outside of his father's curled fingers, lying pristine on the ground as if mocking the destruction that it caused.

At some point, their Uncle Solomon, who they've only really seen once a year growing up, shows up with a loud crack and tears through the rubble, tears carving wet tracks through the soot on his face. His voice goes rough with desperation and when he walks up to the two orphans, he is almost unrecognizable.

As if in slow motion - maybe an after-effect of the curse that has destroyed their lives is that the air has turned into molasses - Sebastian watches his uncle stagger over to them. He looks much older than Sebastian remembers.

Later, when Sebastian looks at his reflection in the mirror of his new home, the boy staring back at him also looks much older than he remembers.

Before It Felt Like A Sin, Chapter 14

[hellinhawkins]

hot take but I don’t think that lucas or dustin (or anyone, for that matter, other than maybe robin) are going to see what’s going on between mike and will until it happens. they don’t suspect ANYTHING. when they actually get together everyone’s going to be shocked

[largemandrill]

Alrighty girlies, I won’t let us ignore him any longer.

This guy. This fucking guy. He’s a great summon, good health, AMAZING damage, and most importantly: Messmer lore.

WARNING: This joke post got super out of control. Get ready for a mini-essay below

He was second in command to his commander father, Andreas. Both served Messmer until Andreas discovered his “serpentine nature”, this lead to a rebellion that the commander led. Naturally, his son follows him to the end, that end being imprisoned deep within a catacomb. All pretty standard lore, shows that Messmer’s troupes weren’t entirely cool with the genocide they were doing. What I want to talk about is this line that is only on Huw’s description, and not his father’s.

“Messmer mourned the loss of a brother-in-arms”

If this line was on both Ashes, I would assume that Messmer mourned the lost men in the rebellion, despite their betrayal. Yet it’s only present on the captain’s description, not the man who led the rebellion in the first place. You know damn well what I’m about to do with this.

The main reason I’m jumping straight to “they were probably like a little gay” and not that Messmer was close to the leader of his main offensive force is the fact that Huw is a second in command. I would assume that a lord would have a better bond with the lead commander, there are less steps of hierarchy in between their positions. Messmer would have also known Andreas longer, (Let’s be real Huw got that position via nepotism) thus there would be higher familiarity.

What should also be mentioned is that Messmer’s feelings about others (excluding his mother) are hardly lingered on. Rellana was his sword, yet we only know her motives, not his. He was friends with Gaius due to both of them being cursed and also being mentor figures for Radahn, but there’s much more about Gaius and Radahn’s bond than between him and Messmer. This is the only (?) time that Messmer’s feelings on the matter are mentioned so bluntly. “Comrade-in-arms” in the context of Elden Ring is used much more frequently. If I remember correctly, this is what Freyja calls you if you summon her for the Dancing Lion. I’d argue that using brother is a signifier of a deeper relationship. To view someone not as an ally but as family, someone you couldn’t live without, a loved one. There’s also the fact that it’s mentioned that Huw followed his father. That reads like he was hesitant to betray Messmer, but his blood came before any affection he had for his Liege. Isn’t that the most classic of Tragedy? To choose your flesh and blood over your heart’s greatest desire? I’d hate to get poetic here, but the story writes itself.

Huw’s coffin was more beautifully decorated than that of his father. There were active guards, flowers, the room was larger. It’s quite gaudy when compared to Andreas’ open coffin in what could be described as a closet when it comes to size comparison. One was buried like a champion, beloved by a lord. The other buried with minimum respect given his status, but with the bitterness of betrayal.

Brother-in-arms.

[triglycercule]

nightmare viewing the murder time three as little toys but more in like a little spoiled kid kinda way. because it would be funny and if you take into the account that he was like 6 before getting corrupted and do some mental loopholes it would be even funnier. like these are his dolls (killer dust and horror) and this is their barbie dreamhouse (his castle). they all have to stay in one room because nightmare needs to keep his toys in a toy box. the toys only ever come out when he wants to play but oh damn it they keep on breaking out!! silly toys,,, and then he locks them into the room again.

nightmare serves them food with plastic tea cups and plastic plates and there is no food. there is no tea. they have to imagine the food because dolls can't literally eat. there are food containers and stuff in the house but its all just a bunch of empty boxes. horror starts tweaking out after he scavenges the kitchen and finds a cereal box and milk carton that have NOTHING in it (why keep empty boxes?????)

they have to go where he wants them to go. nightmare gets to dress them up in whatever he wants because theyre his dolls they can wear anything he wants. it gets incredibly embarrassing when the trio is forced to wear pink pretty dresses and fight like that. or they have to go around the castle doing stupid fucking roleplays and it gets weird because theyre being forced to reenact a bullying scene and nightmare's giving them the death stare if they don't get it right (is this projection. this must be some form of coping mechanism dust theorizes)

and then you know nightmare's not exactly the best toy owner so he loses a few of his dolls here and there. maybe they get destroyed when he was playing a bit too rough with them! (killer dies in battle for like the 29th time) but its okay because he can just go back on down to the store (something new) and buy. wait no. steal another doll and then put it back in his dreamhouse and BOOM he has a full set again!! so sweet so cute. his dolls don't have consciousness what are you talking about theyre begging to be let go?? that's all just your imagination. what do you mean you're asking about the several slowly dying bodies with removed arms or legs in his dungeon. oh that's just where the broken but not yet destroyed toys go dw theyre fine its humane

[faeriekit]

Health and Hybrids (XIX)👽👻💚

[I can't remember the original prompt posters  for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and the prompt made the one body horror meat grinder fic.]

PART ONE is here PART TWO is here PART THREE is here PART FOUR is here and PART FIVE is here PART SIX is here and PART SEVEN is here PART EIGHT is here PART NINE is here PART TEN is here PART ELEVEN is here PART TWELVE is here PART THIRTEEN is here PART FOURTEEN is here PART FIFTEEN is here PART SIXTEEN is here PART SEVENTEEN is here PART EIGHTEEN is here...nineteen...oy vey.

💚 Ao3 Is here for all parts (now featuring mediocre mouseover translations, only available on a computer)

Where we last left off... THE BART RETURNS! The earth rejoices! 🥳🎉 Physical therapy can be fun, even if it usually isn't!

Trigger warnings for this story:  body horror | gore | post-dissection fic | dehumanization (probably) |  my nonexistent attempts at following DC canon. On with the show.

💚👻👽👻💚

Danny learns a few more words with practice.

Foda is simple. If Danny is hungry, he can ask for foda. It sounds exactly like food, and when he asks, they feed him.

…Or they up his IV. Which. Danny’s tongue might still feel sore and nasty, but the doctors and nurses and millions of minders don’t seem that mad when he sticks his tongue out at them. Sometimes they even laugh.

They don’t even sound all that mean.

It takes Danny a good chunk of waking time for him to realize that he…probably is hooked up to something he doesn’t want to think about, since all the efforts of lifting and moving him haven’t resulted in a single bathroom trip since he woke up here.

Firstly: horrible.

Secondly: his legs are super, absolutely, positively immobilized, and if someone doesn’t give him enough medication quickly enough after it wears off, Danny is very aware that something is deeply wrong with them.

So. Uh. That’s…gross.

He learns bealo just as quickly. He isn’t sure what bealo means, per se, but when he says it, they up his medication until Danny can pretend he doesn’t have any legs again.

God niht is goodnight, unless Danny is feeling snippy, and then it’s just niht.

…The one lady who minds him always says the whole thing, though. Even when Danny’s mean. Like the one time he threw his rocket at someone.

Or the time he started ignoring everyone when they tried to touch him.

…Or the one time he tried to freeze his IV bag, and put everyone on alert because if he’d been human, that would have seriously hurt him.

“Sorry,” Danny’d whispered, even if it wouldn’t mean anything to her.

She’d patted his hand and meant it. Danny’d had to dry his eyes with his wrist. “Eall es wel.”

Anyway.

Danny hates being in the freaking bed every hour of every day. So when his “sitting up” exercises turn into “hey, let’s try the wheelchair” practice, Danny gets so excited-slash-nervous that he kind of feels like he’s going to throw up all the liquids he’s been injected with.

None of the regular people try to lift him. Instead the lady does it herself, scooping Danny up in very strong arms, the golden cuffs on her wrists weirdly warm on Danny’s skin. When Danny’s settled, his legs sticking out real weird and his back kind of sore, he’s…out of bed.

He’s. He’s not in bed anymore.

And. Sure. It’s temporary, but it’s not the bed. Danny can wriggle, and he can sort of palm the wheels underneath him with the heels of his shaky hands, and he can see so much more of himself than he has in ages and ages.

For one. Both of his legs are in casts. That’s. Not good. He can’t feel it right now, but the sight of fully encased legs…

Well. If he can transform that won’t be a problem. If. If he has to escape. But it is…it’s super scary. He mostly remembers being captured, but the…the other people had been focusing more on his thoracic cavity and his face and head.

…So why are his legs so bad? Did something else happen?

(It did, didn’t it?)

(…Didn’t it??)

His hands shake, but there’s something to all that grip training, or else Danny wouldn’t be able to paw at his neckline to look down his own shirt. Or, well, his cloth nightie, anyway.

It’s good that he looks, since, well…his chest is glowing a solid green.

Whatever should probably be scar tissue. Uh. It…isn’t. There’re gouges down his chest and a crater where his heart should be that probably should be healing over, considering, you know, he’s not freaking dead at this exact second (mostly??), but. Instead of, like, healed flesh, or, say, his insides, there’s a transparent green…jelly… holding him together.

He can see how the green bounces with his heart beat.

...Danny drops the neckline of his gown. His breath comes in choking bursts, eyes pressed into his eye sockets—he feels sick.

He is sick. He has been sick.

The humans are keeping him here because he’s a freak of nature and he’s broken from head to toe and the Guys in White carved his flesh out of his body and opened him up like a can of cranberry sauce.

He presses his hands to his chest, to his stomach, just trying to breathe for long enough that he doesn’t throw up his oatmeal and occasional juice and IV nutrition onto the pristine floor of his sickroom. The people around him all make sympathetic noises that don’t help because he doesn’t know what they mean.

And then he feels something weird.

Not all the sensation in his fingers are back. It’s easier for him to feel impediments than it is to feel textures—something that blocks him from moving, rather than anything sensory-specific. He can usually tell when he touches fabric, because when he moves too far, it pulls tight around his hand. He can tell when he’s on something solid when his hand fails to go through it.

There is something solid sticking out of him.

Danny’s heartbeat quickens. It’s not. It’s. There’s something in him.

And it’s not—it’s so solid. When Danny brushes his hands against it, he can feel his skin and his flesh move with it, trying not to dislodge the thing embedded in him. It pulls at his skin. He doesn’t know what it is.

His fingers tremble as he tries to brush over the object through his gown, trying to figure out its shape from faulty touch alone. It’s like waking up to find himself jammed with needles all over again.

People are talking around them. Danny doesn’t try to listen in. He’s scared. He’s so scared. Something’s happened to him, and he didn’t even notice.

Some of it is—hard. There’s a crinkling sound when he moves. Danny manages to pull his gown neckline back again to catch something of a glimpse, and all he sees is plastic.

He doesn’t know what it is.

He doesn’t know who to ask. He can’t understand anyone and he doesn’t know if he trusts them.

They put something in him. There’s something embedded in him.

He thinks he’s going to cry.

Something touches his arm—Danny flinches. His core tightens with stress as he puts a metaphorical hand on the button, ready to run and hide at any notice.

It’s the lady. He knows her.

No, he doesn’t. He doesn’t know her at all. He can’t talk to her in any way that matters. She’s not a doctor. He doesn’t know why she’s here, or why she’s keeping him here.

She’s nice. She fed him. But is that all it takes to trick him? To make him compliant? Pliable?

She stops touching him when he gets scared, her eyes worried. She kneels—closer than Danny would like, probably, but she keeps her hands to herself. Danny’s heart races faster, out of order, starting and stopping and starting again like a bad engine.

“Eow eart wel?” she asks from his left arm rest, a common question, so softly. Danny doesn’t know what it means. “Eall es wel. Ænlic eow, ænlic me. Bruce bræð wið me?”

She takes a big, deep, breath. Her hand rises slightly over her chest, following an exaggerated movement. Don’t panic. Breathe. Breathe like me. One, two, three.

Danny’s breaths are more choked. More panicked.

But when she breathes, he breathes with her—even with every stutter in between.

“Hwæt es woh[O3] ?” the lady asks, so gently it’s almost a whisper. Her pointer finger hovers over his body, but doesn’t touch—and eventually, Danny figures out she probably wants to know where he’s hurting.

But he’s not hurting. He’s scared. There’s something inside him, and he isn’t sure what it is. He presses the heel of his hand to the object. He feels something rigid refuse to bend inside his flesh.

There’s something of recognition in the woman’s face. “Inne cwic tima,” she says, more certain of answers outside the room, and darts away,

Danny wants to bounce his bound leg. He feels awful when anyone is in the room with him, considering how little of them he knows, but, somehow, it’s so much worse when he’s actually alone.

When she comes back, there’s a second person who walks through the double doors with her, in blue scrubs with ducks on them. They wave to Danny.

Danny…blinks. He feels numb. It’s kind of a problem.

They take it in stride, though; in their hands is a blank board and a chunky marker. The cap comes off, the new person scribbles for a minute or so, and then turns the board around so that Danny can see.

It’s a…person. A rudimentary outline person, sure, with some visible bones and organs to fill in the person-shaped outline. Danny can recognize most of them from anatomy class, although those memories are more…personal, now. A little more painful.

The person taps on the board. The person points to Danny.

Danny frowns.

The person turns the board back around and makes some Pew, Pew, Pew! sounds with their mouth, occasionally opening and closing their hand over the board to match the noise. There’s some more scribbling. When the board turns back around, there’s a violent smudge of marker on top of the drawn person’s drawn intestines.

The person takes their covered pinky finger and erases a little neat circle of marker in the intestines, mostly favoring one side. They draw a little arrow from the hole to the general outside-of-the-person blank area. Then another circle, with a thicker circle inside.

Danny recognizes the object jutting out of him. Oh. This is how he got it.

The person—probably a doctor, Danny guesses, or the surgeon who did this to him—do these people even need credentials, actually?—hands the board over to the lady. They hold out ten outstretched fingers, marker under their arm, and make a show of counting every one of the outstretched fingers with the opposite hand. Then they take the board back.

And then, when they write on the board, Danny can actually understand what they say.

Or, well, it’s numbers! The numbers are the same as his—the line and a circle is clearly meant to be a ten, and the little x is a multiplication symbol— they draw a 10, as clearly and a brightly as it could be against a stark white board, and add a little x 7, probably to indicate a week; the result is ten suns times seven, or seventy suns.

Danny feels his heart bounce in his chest. Danny would bet a whole lot of money that the number is meant to be seventy days. There is an end point. It’s not that Danny is free to be subjected to random anatomical whims—there’s a goal here. This was purposeful.

The little circle-within a circle gets erased. The hole is scribbled through as if it was never there, and the person makes a weaving gesture with the marker that Danny is certain is meant to be sewing.

Tears prick at his eyes. The lady gets close by him again, but Danny lets her. His hands aren’t good enough for wiping tears the way he wants to, yet. Help and company are good.

She gives him a tissue from Danny's bedside table. He takes it with a whisper of a grip.

“Seventy?” Danny rasps, tearful. Hopeful. Terrified of hope. He practically jams the tissue into his eye sockets.

The lady’s eyes go wide. “Seventy,” she repeats, marveling.

It’s enough. Nothing is perfect, but it’s enough. And if Danny's allowed to spend so long in front of the space window that he falls asleep in his wheelchair, well. It's not like he was in charge of where they went.