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periprose · 7 months ago

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Sweet as Nuka Cola

Cooper Howard/The Ghoul x Reader

You're an upcoming actress who has a constant flirtation with Cooper Howard. But even if things seem to be off to a good start, a nuclear bomb, a cryogenic pod, and two hundred years of carnage ruins all of it. Is there something to be salvaged from your relationship with Mr. Howard?

Genre: Mutual pining, flirting, slow-burn, angst, friends to kind-of enemies to lovers (no cheating but maybe it's a little murky?)

Word Count: 11k

“Action!”

“Hello. Yes, it’s me.” You wave at the camera, adorned in a classic-red sweetheart neckline dress. “You might know me from ‘Girls Want It All’ or ‘Next Door Babe.’”

Here, you play up your recent bombshell status. As Ed, the director of this advert, keeps reminding you, you need to sell yourself to make customers listen.

You sway in your dress, squeezing your arms and throwing your waist back to plump and push out your chest. The implication of the sex appeal in your movies keeps people watching.

But you’re still a rather new actress, so America might not know you so well. You’re glad Nuka Cola has hired you– if you want to be a star, you need more exposure.

“Do you enjoy feeling refreshed?” You cock your head to the camera, pursing your red lips. “Well, golly, what a silly question. Who doesn't?”

“That's where Nuka Cola comes in.” You lift a bottle out of the cooler next to you, all gentle in demeanour, showing off the logo of the bottle to the camera, in your perfectly manicured hands. “With triple the amount of caffeine found in competitor's bottled cola, it's sure to keep you feeling up for a long, long time.”

“And it's good for you.” Ed whispers, a last minute adlib you did not agree to, but you're a professional, so you add it on with a little wink.

“And it sure as heck is good for you.” You smile, the infamous smile that's won you notoriety to Hollywood execs for being the newest bombshell on the block, and you throw your shoulders back as you really lean into your image.

“Cut! That's a wrap, everyone!” Ed, wanting to finish early, quickly starts ushering everyone out so not a cent more gets spent.

You immediately relax out of your practised, professional smile. “Any ADR needed?”

“Don't think so, but we'll let you know.” The director is already moving onto whatever his next project is. Advertisements make more money than anything else these days.

You head over to catering, where you're craving– not a Nuka Cola, considering how much sugar is in that thing it's hardly refreshing at all– but an iced tea.

You stretch out your ankles in your kitten heels as you prepare it. If you told your Ma back in Mojave that the worst thing about fame would be the uncomfortable outfits, she'd smack you. So you keep it to yourself– you're grateful, you're humble, you'll never be an entitled asshole like those fucking execs.

“Watch out, I'm behind ya.” A man gently presses your shoulder as he walks next to you.

You know that voice. Famous movie cowboy, devilishly handsome, easy to admire. A career worth emulating.

“Mr. Howard?” You turn to look at him, and it is him. Wearing a tuxedo suit, smiling his classic, rugged grin at you.

“The one and the only.” He laughs in a self-deprecating way, as a man tired with his fame and used to mocking it. “Hey, wait, don't I know you?”

You immediately feel your face heat up. “Probably not– lots of people have mistaken me for Lucky Yates so far…”

“No, I do know you.” He points a finger at you, while pouring himself a mug of black coffee. “I told you mister, I'm not here for a long time. Just a good one, and if you can't provide it for me, I'll be inclined to look elsewhere.”

Cooper Howard does a perfect impression of your girly, haughty tone from “Girls Want It All”, and it surprises you that he even knows your dialogue that well. You're not used to this much attention, especially not from one of Hollywood's most notable movie stars.

He says your name.

“Yeah, that's me.” You say sheepishly– even though you know you have to fake that confidence, it's hard when you've been caught off guard. You're starstruck– you don't know how to operate, now realizing that even celebrities are noticing you. “Just shooting an ad for Nuka-Cola.”

“Ah, that’s smart of you.” He leans in– about to give you a bit of Hollywood advice, no doubt– and you feel yourself turning warm at the attention he’s giving you. “I wouldn’t expect any less from one of Hollywood’s upcoming stars– residuals aren’t enough to make the world go round.”

You know he’s admiring your street smarts, but you have to ask. “Upcoming, really?”

“Miss, I’m not sure many other actresses could’ve delivered that little monologue I just did without, er, pardon my language,” Cooper takes a sip of his coffee, his eyes peering down at you over the perimeter of the cup. “Fucking it up. Pantomiming too much wily, feminine shit that execs love, without that little edge of real, subtle emotion. I’m not the only one who thinks so.”

You giggle a little. “C’mon, really? I hardly got to act the way I wanted to.”

“That’s how it starts. Little moments, little subtleties where you’re letting your real character shine through– it’s noticeable to the industry. More opportunities come that way. But it’s smart to use, uh…” Cooper swallows, a tiny, imperceptible thing that reminds you of your bombshell image, that he must be thinking about it. “Smart to use such attractive imagery, if you get my drift. The public will eat you up.”

The way he drawls that latter part makes you feel excited, but you keep it down– it’s well known Cooper Howard is a married man, and you are not about to be ruined by an affair. Even if he does sound sort of flirty, this sort of complimenting is so common in Hollywood.

“What are you doing in the advertisement shooting lot?” You ask, changing the subject, and Cooper shrugs, a nonchalant ripple of a movement that tells you his general cool demeanour isn’t just acting.

“Promised my wife I’d shoot an advert for her. Vault-Tec, you know?” He admits, telling you he hasn’t forgotten about his wife, either. “Gotta head to the experimental Vault they’ve set up next door.”

“Yes, of course.” You, like anyone else, have seen the ads of Cooper in the Vault-Tec suit– it’s a rather controversial thing to be partaking in, but you think he knows what he’s doing.

“Well, Nuka-Cola.” He hands you an iced tea– one you didn’t even notice him making for you as you were talking to him. “I’ll see you around.”

The Ghoul walks around the wasteland, two hundred something years into the future.

He’s searching for a bounty– Leopold St. West– worth at least 1000 caps, and it’s terribly difficult to find him when every single person claims he’s in all these different locations, not a single one correlated to each other.

So he’s walking around a destroyed neighbourhood, where Leopold was last seen a day ago, if his fellow ghouls are to be trusted. If he had to guess, these are the remnants of China Town– the faux Asian-esque details, the cheesy red colouring, the false authenticity Hollywood loves to portray as “good as the real thing”. God, Coop does not miss some parts of the fame.

He suddenly stumbles over a piece of the broken sidewalk. Coop’s usually pretty agile, nonchalant on his feet– he knows this feeling. He’s going through withdrawal.

“Shit, I need a minute.” He mutters to himself, feeling a bit woozy.

He's only got a couple more vials of drugs, so he can't be using them all willy-nilly. No, he needs to recoup things and go through this carefully.

Shelter is necessary– the longer Coop is out in the sun, the harsher the effects of withdrawal feel. And, if he’s lucky, one of these buildings might have something for him to loot– more drugs if he’s extra, extra lucky.

Coop enters a nondescript building– where a radroach is waiting, and he immediately fires at it without even looking, killing it in one shot– and he sees the sign over the entry way, marking the lobby.

This is some Hollywood executive-owned club. It’s hard to tell– two hundredyears of wear-and-tear will do that for you– but Cooper Howard distinctly remembers this place, maybe in some conversation back then, maybe when he was networking.

Every single thing has a distinct, thick layer of grime over it. Coop thinks of sweaty strippers dancing, actors cheating on their wives– they’re all probably dead now.

He reaches into his satchel and takes a hit of one of his vials– and hopes he can replace what he uses with something here.

There’s not a single bottle behind the bar, and he jostles through, not seeing a chem or a drug left behind by anyone on the floor or behind the counter, and he’s mildly disgruntled over how every place has nearly everything picked clean by raiders, wastelanders– just other people. Coop will always loathe these other assholes.

He climbs the broken stairs with a lanky, languid stretch, making it over a fairly large hole where a corpse waits on the floor below. A raider who didn’t watch where he was stepping. That tells him there should be loot up on this upper floor– at least a bit of it.

He walks to the one closed door in a less-than-discreet hallway, gold sconces and railings marking the way.

“Ah… private office.” Coop jiggles an ostentatious handle to a mahogany door, that is surely leading to an even more pretentiously ostentatious office, and he finds that it’s locked.

A good sign. Most likely no one’s ever been in there, because it’s probably a difficult lock to pick.

It surprises him that no one’s ever just forced their way through.

Coop doesn’t waste time on this though– he just takes a teeny gun out of his bag, fires it, and admires the hole in the door where the handle used to be. The door creaks open on it’s own, and he saunters into a well furnished, dusty office room.

“Nope, nope, nope…” He pushes box after box in the shelves next to the wall, and they fall with loud clatter– loaded with panicky, nuclear-war-on-the-horizon type shit, like canned meats and beans and preserved jams and pickles. “Fuck no.”

He pushes off a toy figurine of Vault Boy down with extra gusto.

Coop looks behind the desk, where there’s a dusty placard reading Adrian Amos II. He grins– one of the worst producer bastards of all time is not someone he’d feel bad about stealing from, even if there was still some conscience left in him. No, sir, Adrian Amos the second did not deserve any sympathy, especially after the way he was known for bitching about salaries, abusing PAs, and having a predilection for going after less-than-consenting women.

Coop grits his teeth, remembering that asshole and how terrible and gaudy this club was back then. Not that it was better now– but he’s grateful for one man’s deserved death, at least.

He jostles open where the second drawer is filled with the glass clinking sound of many, many vials.

“Fucking jackpot, Jesus.” Coop stares down at how many there are– at least 40 or 50– a hell of a lot to just be left behind.

Well, based on the other supplies, Adrian Amos got fucked over and either didn’t make it to his vault in time, or forgot to run to his private club before heading in.

Coop doesn’t give a fuck, though. He starts piling the vials into his cases, and then back into his bag.

There’s a sudden whirring sound near him. “Huh?”

To his left, an imperceptible secret door has pushed itself outwards, decorated in the same dark brown wallpaper as the rest of the room.

Coop looks down and under– he’s accidentally pressed a secret button on the underside of the drawer. “Fuck.”

He doesn’t know what would be inside the secret room– assassins, raiders waiting on someone to dupe? Maybe even synths, just meant to protect Amos when he needed it.

Inside the room, it’s dark, and he can’t make out anything. Coop can only draw his gun rapidly when there’s a blue light suddenly emitting out from the inside.

He’s careful as he approaches– last thing Coop wants is an ambush– and as his vision improves, he sees it’s a cryonic pod, all frosted over so he can’t make out who’s inside.

Coop sighs, ready to leave it behind– he’s not interested in waking up Amos– and instead, the thing whirs, heating up it’s insides with extremely hot steam, and then opens up with a mechanical flourish.

Coop instinctively steps back, coughing “Holy shit!” as the air whooshes past him.

A body falls out, just looking slightly frosted– mostly thawed by whatever the cryo tank just did.

You're on set again, sitting in a free lawn chair while others get ready for their take– it's not for a Nuka-Cola ad, it's just a guest appearance on everyone's favourite sitcom, The Grady Group, where you play an overly promiscuous babysitter who has no sense for watching over kids.

It's comedic, it's an easy way to get laughs– plus it actually boosts the shows’ ratings since you've been in movies and all. You’re done filming already, you’re just sitting here watching the rest of the shoot, dragging out your return to your car, and then back home.

Something about the fictional family you wait on, Gill and Gina Grady, and their kids Gideon, Gessica, and Gwen, it makes you miss having a family of your own. In fact, you have half a mind to call your mother, despite all the bitching she’ll give you about the things you haven’t done yet.

It also doesn't help that Gill and Gina are a couple in real life– named Arthur and Bea Smith, they really, really are in love, and in between takes they're often canoodling with each other.

You're happy for them, if not a little– jealous, despite the fact that you're not interested in dating anyone right now. At least, you thought you weren't, but you find that lately, when you return back to your apartment all lonesome after a shoot, you feel like something is missing.

“Hey. Nuka-Cola.” Cooper Howard strolls over to where you're sitting, and you smile up at him, covering your eyes from the sunlight streaming through the windows.

“Mr. Howard. Shooting today?” You ask, and he shakes his head.

“Not at all. Just lounging around, waiting for my kid.” He sits in the lawn chair next to you, leaning back, crossing one leg over the other. “Janey is on a field trip at a museum next door– I thought I’d kill some time before picking her up.”

“Ah, cute.” You grin. Janey Howard is an absolutely precious kid– she shares her dad’s smile, but has a curious nature that you admire. “Is she well?”

“As well as kids can be at that age, running around all the time.” Cooper shrugs. “You know how it is.”

“Kind of. I actually did used to babysit kids, so I know– they can never sit still or mind their business.” You laugh as Cooper grins.

“So you went method for your guest appearance, huh?” He asks, and you’re mildly baffled.

“How do you know about that?” You squint at him, just being jokingly suspicious.

“Oh, I saw a few clips of your footage. While I was walking over here.” He points over at Stu, the director, standing on the living room set, watching clips on his viewfinder. “Seemed pretty natural to me.”

It almost bothers you that he seems so interested in you and your work, that he always voices support– but he’s well-known for being happily married, for being content in general, unlike you.

Still, better a friend than nothing at all, that’s what you always tell yourself.

“Thanks. But it’s not hard being around kids, is it?” You reminisce being a kid in Mojave, playing with your friends on your street– and then as a young adult, babysitting new kids that still wanted to play with you. “I still sometimes feel like I’m just a kid pretending to be an adult.”

“That never goes away, darlin’.” Cooper laughs, and you blink. “Being an actor, especially, you’re never losing that childhood sense of wonder, you get my drift?”

“Yeah, of course.” You nod. “I just don’t feel complete, I guess. I’m still waiting for the moment I’ll know I’m an adult– like maybe if I get married or something like that.”

“Being married didn’t change that for me either. Neither did being a dad.” He winces, and scratches at his stubble. “Just don’t tell anyone I said that, but I think it’s all apart of being a human person.”

Your face turns a little more glum at that, and he wonders what he said that bummed you out. It’s not his intention– he wants to cheer you up.

“What’s with the sad, forlorn, ‘I’m-a-pretty-girl-come-comfort-me’ look?” Cooper utters as he leans in, and you laugh a little but silence yourself, recognizing his compliment.

It’s dangerous to flirt with this guy, this taken man who has nothing to gain but a bit of affection he may be missing, but you see that he knows his compliment had effect anyways– and he definitely likes that.

You just choose to assume it’s entirely friendly.

“I just… I like the thought of having a family.” You suck in air,at how foolish and girly this sounds, hardly the cutthroat businesswoman you need to be out here. “This is stupid, I’m sorry.”

“No, no, it isn’t.” Cooper taps his arm rest, thinking. “You’re hurting, I can tell. You got that same pissed off look most ladies get when they ‘don’t wanna talk’ but they’re holding tons of shit inside.”

Damn this guy, you think, but you decide to be honest.

“I just didn’t think it’d be so lonely out here. In Hollywood.” You press your palms together. “Like, everywhere I go, I’m surrounded by classic Americana, the nuclear family– and I can’t believe I’m saying this, but I’m jealous.”

“As a bachelorette, don’t you got plenty of options?” Cooper grins. “I mean, are men not lining up to court Nuka-Cola girl?”

“Ah…” You hum, thinking of dates you’ve had here, settling back in your seat. “I don’t know– it’s cheesy but I want more sincerity.”

“In that case, don’t be jealous, marriage ain’t all that.” Cooper tuts, knowing that you of all people should hear about how it doesn’t complete you. “It’s not perfect, it’s not a magical fairy-tale where everything gets solved, it’s a hell of a lot more work than people let on.”

“Oh.” You knew that, deep down– but hearing it from him really solidifies that for you. It’s a silly dream.

It sounds like he’s speaking from experience, so you quiet down. But you’re not trying to get your hopes up about that or anything.

“And you’re not an idiot, Nuka-Cola. Don’t get into something you’re not a hundred fucking percent sure about.” Cooper clicks his tongue. “If you really feel the urge to suddenly go and play wife with someone, just for me, make sure he’s absolutely worth it.”

“For you?” You raise your eyebrows at that.

“I figure you won’t do it for yourself. Love is blind and all that.” He points at himself. “But if I, as your buddy Cooper, hold you to that? I’ll bet that you’ll vet every single guy.”

“Oh, really.” You smirk at him, your nose scrunching a little. “Is that for my benefit, or yours?”

“Uh…” Cooper is truly caught off guard here. He knows he didn’t intend anything by what he said, but it does feel like… he won’t enjoy the fact that if the next few times he talks to you, continuing become close to you, he’ll have to get the approval of some man.

Some man who wouldn’t even know you as long he has known you. He always likes his chats with you, and there’s an urge inside him not to let you go.

He thinks again that you’re a little too spontaneous. Not easy to dupe, no– he can’t just flirt with you for fun because you’ll always pick up on it, even if he did it by mistake.

“No comment.” He finally answers with a raspy, low tone, one that you barely hear but are satisfied by.

A few months later, you check your face in your little compact mirror before stuffing it in your purse and heading inside Sebastian Leslie’s home. Exciting, yes, because this is the first time you’ve been invited not just to network, not just because a big name has seen you in the movies and wants to flaunt that they know you tangentially.

No, this is the first time you know someone, you’re actually in with a crowd– you’re friends with the host. You don’t feel nearly as awkward walking into Sebastian’s comfortable home and seeing familiar faces that you’re close with, decor that you already recognize.

“There she is.” Sebastian greets you with a tight hug– for a massive flirt he’s actually rather protective of you sometimes. “Love the dress, by the way– is that a vintage Chanel? Black is very flattering on you, my dear.”

You get the sense he didn’t want you to be involved in this industry sometimes, but other times– he likes that you put work in.

“I saw your newest advertisement on TV yesterday.” He comments, and you giggle.

“Was it good?”

“Yeah, amazing as usual– but you gotta do more than that.” Sebastian holds your hand as he pulls you into the crowd of other low-level actors, people who could risk showing up, really, and you fix your dress, a black one with a low square neckline. “Look into Vault-Tec– I’ve been telling Cooper here about how our futures are totally going to be surrounded by their products, even though that fucker does not want to listen.”

Cooper’s lounging in a low sofa in the pit of this living room, holding a crystal glass full of amber liquid, black button up shirt half open– he looks dishevelled, hair slightly askew, jaw off-kilter as he presses his tongue into his cheek, thinking. Lost by something, but still put together as celebrities are. Geez, you really need to temper your attraction to him.

It doesn’t help how he looks at you, either– there’s something deep and reverent about his gaze, like he wants to believe whatever he sees when he’s looking at you– but you have no idea if it’s real, or if it’s just an act like with most of these celebrities.

You used to see him a lot more frequently too, over the last few months. Either at set, or at more fancy parties– most of which he’s been perfectly pleasant and kind to you.

“Of course you’d label me as some fucking chairman for them, Seabass.” Cooper slams back half a pint of whisky, and pours himself some more. “Hey, Nuka-Cola.”

“Hey, Mr. Howard.” You smile gently. You’ve heard about his divorce– everyone has, but you’re not 100% sure why it’s happened, why now when things seemed to be going so well for him.

Well is relative, though. You know loads of actors have decried him privately– no one wants to hang out with the man promoting the end of the world, apparently. It must be a tough thing to only be hired for your wife’s advertisements– and even then, you don’t exactly agree with what they’re marketing, either.

You don’t feel so strongly against Cooper, though. Maybe because you do like him– but also because you know what it’s like to have your image connected to something you don’t really promote. Nuka-Cola isn’t healthy, it’s got enough sugar to induce instant death when drank regularly. But you do it for the connections, the money– and you’re sure Cooper did too.

“Cooper is fine.” He grumbles, and you remember his last name is maybe a sore subject right now.

“Sorry.” You do your best to be delicate as you sit next to him, and Sebastian sits on the other side of you. “How’re you, Cooper?”

“Not bad. If you count being divorced as being alright.” He sighs, and you feel terrible that you even asked. “It’s like I never knew her, man– I thought Barb was different. Or they changed her, I don’t fucking know.”

“She had her eyes set on the prize. As did you, Coop.” Sebastian states, and Cooper turns, affronted.

“We’re all interested in money and glory, Seabass. Fuck you if you think otherwise.” Cooper tenses, and you feel a bit awkward listening in on this conversation.

“What did I say that negates that? I’m as money hungry as they come.” Sebastian shrugs. “I only meant that– despite it all, making money was what you had in common, evidently not the world-going-nuclear shit. Maybe you’ve got a heart of gold, a change of mind, I don’t know, Cooper. But throwing away an easy life just to pay alimony must be fucking awful, so I just don’t think you’re in it for the money anymore.”

“You’re fucking telling me.” Cooper sniggers. “I don’t think Barb cares. I’m here with no career, and she’s out there getting promoted in Vault-Tec. As for the heart of gold… any former marine would’ve been against that shit.”

You want to ask what shit, but you don’t want to overstep your boundaries. You get the general fear of nuclear war– but Cooper sounds more personally affected by it.

Cooper glances over at you. “What do you think? Better to be richer than you can spend in a lifetime, or to be out with a good conscience?”

“I don’t know if I’m that interested in money.” You say honestly, and Cooper raises his eyebrows.

“Really? Nuka-Cola’s a saint, huh.” He chuckles– he’s clearly a bit buzzed.

“No, I’m not. Of course I want to have a career.” You think about this carefully, so it doesn’t sound insincere. “Making money is nice– but I don’t think I have the right to say it should come at the cost of human lives. You know Nuka-Cola is terrible for you, right? ”

Cooper stares at you for a moment too long, and then looks away. “Yeah… addicting.”

He’s definitely not talking about Cola, but you continue on. “Yeah, so just in that way– I disagree with how much power marketing has. We’ve convinced America that they need this– just so some chairman can make an extra dollar.”

Cooper looks at you, renewed by whatever you just said. “Hell, woman after my own heart. That’s damn true.”

“Yes, yes, you two oblivious flirts– there’s no art in filmmaking anymore, just commercialism. Not like it hasn’t been the case for a century.” Sebastian chimes in, and you bite your lip, pretending not to notice how Cooper’s face is smirking bashfully. “But, babe. You’re going to want to make your money before the world fucking ends.”

“What’s that?” You startle, and Cooper laughs sardonically at your surprise, while Sebastian gets up.

“Let me get myself a drink– I hardly want to tell this story sober.” He leaves, and Cooper has half a heart to glare at him– he knows Sebastian is leaving the two of you alone so he can do the dirty work.

Not like his reputation can ever get better, especially by telling this story again with it’s lurid details, but at least it doesn't hurt that he's with you.

“What does he mean by that, Mr. Howard?” You wince at your use of that. “Sorry– I meant Cooper.”

“Ah, call me what you’d like.” Cooper takes another sip of his drink, leaning back in the couch to the point where he is practically lying down and against you. “It sounds good coming out of your mouth no matter what you pick, Nuka-Cola.”

Now that’s a suggestive, loaded line, and you feel a little more comfortable flirting with him even if it’s a bit of a rebound for him. The end of the world is approaching, right?

“The end of the world?” You prod at him, and he sighs, leaning against your shoulder.

“It’s fucking ridiculous, what it is… probably never going to happen anytime soon.” Cooper’s tone of voice is hazy as he examines his last sip of whisky in the glass. “No, no. Just something those fucking commies put in my head. I guess they’re not really commies, are they?”

“Unless you elaborate, I can’t say.” You utter back at him, and he pushes down a smile.

“Alright. Vault-Tec’s been selling this nuclear protective stuff, right?” He says, and you nod, your cheek brushing against the top of his hair. “All I can say is that a few… radicals, if you will, think that Vault-Tec might actually be more involved with it than they say. Like, they might be…”

“Not just protective, huh? More offensive? Everyone’s got that feeling, Mr. Howard. And that doesn't sound like a particularly commie-train-of-thought to me.” You hear the sorrow in his tone, even if he’s trying to make it sound like a rumour. “Did you hear this from your ex-wife?”

Cooper winces here. He still feels slightly guilty about spying on her. A part of him thinks they might’ve not divorced if he hadn’t found out– but he knows he was bound to find out eventually, and he would’ve just delayed the inevitable.

“Maybe, Cola. Maybe you’re just sharp.” He whispers, and you smile and he feels it– your skin is intoxicatingly close right now.

“So, odds are?” You ask, just curious, and he exhales.

“Bad. I have to agree with them.” He admits, and it feels exhilarating to admit this– that Vault-Tec is gonna nuke the world at some point, that the radicals are more like minded to him than he’s wanted to believe in the past. “Even if it didn’t cost my movies, I regret partaking in what they were selling.”

That’s a big thing for him to say– you know Cooper loves acting, he absolutely adores playing a hardened sheriff, the last vestige of goodness in the wild, wild west. All the times you’ve visited him on his set– probably during his last contractual movie, now that you think about it– and he was always so excited to show off the architecture and intricacies of the fictional western town they’d set up, share script details and little character quirks so you could have an insider’s viewpoint. He even donned his cowboy hat on you, saying you wore it like a natural.

He loved being the hero, really.

He lights a cigarette, and takes a puff.

“Most big-name connections refuse to talk to me because of this stuff– I’ve basically been dropped out of phonebooks all together. They think I’m still in on it, they think I’ve only stopped because of backlash–” He stops as you begin to scratch his scalp, still leaning against your shoulder, but getting progressively into your neck area.

Jesus, that feels good. He thinks. He hasn’t been intimate in a while– Barb became increasingly more cold to him over the last few months, as their marriage kept falling apart.

“Backlash, really?” You whisper.

“Yeah.” He stutters for just a moment, because your eyes are peering into his, and for a moment he thinks you could really make it as just a bombshell if you wanted to– then he takes another puff. “When really, I was just backing out of what I thought was really a massive crime against humanity.”

“Are you only telling me this to validate your poor conscience? Remedy that reputation a little?” You ask, and he presses his lips together.

“Well, I'll be honest, yeah. Of fucking course I'd tell the one woman who seems to be like me on this.” He sounds so certain of you, sounds so sure that you're on his side.

And you absolutely are.

“The world’s about to end, Mr. Howard. You're not a bad man for not wanting to support it. I'm inclined to agree.” You inhale deeply, and Cooper stares at you– something stirs inside him as he does.

“Kiss me, then. Humour me– since none of this will matter soon.” Cooper murmurs, lying on top of your chest now, the smoke from his cigarette enveloping your face.

He’s so close you barely have to move to oblige to what he’s said– you're second guessing yourself for just a moment, because it feels like a dream that he'd ask you to do this, so out of the blue, such a picture perfect fantasy that you almost don't care about the impending doom, and you press your lips gently to his in an upside-down kiss, his hair brushing against your open cleavage, but Cooper is insistent and leans upward, kissing you with such intensity that your head is spinning afterwards.

God, now that's a movie star kiss. You think.

He kisses you again as Sebastian returns, drink in hand.

“Oi! You two. Jesus Christ, can't keep your hands off each other, can you?” Sebastian pretends to vomit. “C’mon, if I want to talk to you at my party, I should have that right.”

You attempt to pull away– but Cooper, being a little mischevious, perhaps wanting to show off in a way he hasn’t been able to, sits up right and kisses you again, this time normally, just very slowly and passionately though, slithering an arm around your waist in a way that has Sebastian rolling his eyes.

“Okay, present.” He says, not pulling his arm off your waist.

“Thanks.” Sebastian shakes his head. “I was thinking we should take the mood off with some party games…”

It's about 2 AM when you've finally left the party. Cooper didn't want to let you go– he's crashing at an apartment for the time being, but you really don't want to waste yourself on being his rebound, if he really likes you.

You tell him as much, and he likes that– you really are rather sharp about things.

“Well. Gimme a call when you realize I'm not kidding around with you.” He says unabashedly, holding your hand, kissing it as you leave.

You’re absolutely sure he's drunk, and he's being a little too clingy– but you want to believe him anyways.

You walk back to your car, alone. Thinking about if Cooper is worth the damage it could have on your potential career. But then again– the end of the world is coming, right?

So maybe it won’t matter. And you find that you like this, the secret potential of this option, just hanging out with Cooper in a place that used to be America, no more expectations on you both. There’s also the chance you just both die, though.

You shudder.

You don't notice that there's a man in the backseat of your car when you get in, brandishing a chloroform stained cloth.

The Ghoul prods at the body that's just fallen out of the cryo pod.

Oh fuck.

It's starting to stir, whoever it is, and Coop knows he's ready, if this is really some synthetic android-clone thing, to make their life hell. Get some of his anger out on something that doesn’t matter.

Wait– he recognizes that cherry red fabric. That coiffed hair, frosty after being inside the pod. Oh, Jesus… even the makeup is the same as when he last saw you.

“Ah… shit.” He chuckles to himself in exasperation, because this is beyond belief. “Nuka-Cola, is that you?”

You tilt yourself to the side, eyes bleary, unable to see clearly. Everything’s dark. But you know that voice, you just heard it a couple of days ago.

“Mr. Howard?” You croak out, and he hisses inwards– nobody has called him that in centuries. Nobody knows who he is… except for you, of course.

“The one and the same, baby.” He licks the side of his gums, deciding to stick with his identity for now. “Well, maybe a little different. You wouldn't happen to know what a Ghoul is, huh?”

“What?” You don't know how long your vision is going to stay black for, but you don't like the sound of that. “What the fuck does that mean?”

“Eyes haven't been opened for… two hundred years. I'll give you some time, Cola.” He sighs; cracks his neck, while you sink back into the floor. “Just imagine the ugliest horror-picture monster you can imagine. Zombie, no nose. That paint a picture for you?”

“...”

“What was that?” Coop can't hear you when your voice is muffled into the tiles of this secret room. He grasps your hair gently, from the root, pulling your head upwards so you'll speak– clearly you don't have the strength to lift up your body.

“I said, how is that any different from before?”

“Oh, she's still a jokester.” Coop scoffs– despite himself he snorts– and he lets go of your hair so you land back on the floor with a thump.

“–Ow!” You flinch, and then turn over so you’re on your back. “Still an asshole, huh?”

“Me?” He grins maliciously. Ooh, maybe he can use some misplaced anger on you. “You're the one who didn't call back for several weeks.”

“How could I? You can see I've been trapped in a cryo thing for… however long. Did you say two hundred years?” You flatly ask, and Coop still thinks you're lying.

“Yes, and bullshit. You probably had a couple weeks since I last saw you to call me.” He states, and he doesn’t actually hold a grudge, at least not that much of it in comparison to all the other horrid shit that’s happened to him– he just thinks it's funny to push your buttons after all of that, like looking into a mirror of the past– and you groan.

“No, I didn't. I got in my car after Sebastian's party, and some goon sprayed something in my face, I passed out, and he drove me here.” You start, and you begin frowning in such a way that Coop almost feels bad.

“Why you, sweetheart?” He shakes his head. “You weren't exactly high up in popularity yet.”

“Exactly. No one would miss me.” You spit out bitterly, remember the end to that night, where you were so unaware of your surroundings, and terrified of being assaulted as you were pushed around into this room, blindfolded.

“Adrian fucking Amos, the fucking Second, thought it would be great if I just became his permanent doll during the apocalypse.” You swallow, and Coop sits down next to you, to listen more clearly. You shift towards his body heat– and to his surprise, he still likes that. “See, his daddy has shares in Vault-Tec, so he decided before nuclear fallout happened, he wanted a guaranteed sex slave from his favourite advertisements.”

“Nuka-Cola.” Coop utters with the slowest drawl, concluding your statement– and you like that.

“Yeah, Nuka fucking Cola.” You grimace. “Then he undressed me, put me in this little number, and threw me in the pod. I barely remember this shit because I was so out of it.”

“Shame. I always wondered why you never called me back.” Coop circles back to his little grudge– but he also feels bad, feels some level of guilt that neither he nor Sebastian had the sense to look out for you back then, and you were practically assaulted (maybe actually so if you didn't remember).

“Yeah, because I wanted to miss out on that piece of ass. Sure.” You joke feebly, and Coop laughs despite himself.

“Honey, you're gonna run away screaming when you finally see me. Don't worry about it.” He shakes his head. “The real world's a lot more fucking difficult than would'ves and could'ves.”

“Okay, explain. If you're willing to owe me that much.” You start, and Coop gets reminded of that fateful night a couple hundred years ago, where he was the one to clue you into the impending nuclear war.

Not even three months later, it was all over, and you were nowhere in sight– if his mind ever did drift to you, the what-ifs and who-knows that still persisted– he would always assume you were dead.

Now he thinks you're just unfinished business.

“Fine.” He taps your shoulder, and you lean a little closer towards him– you touch his hand, and instead of flinching as many people have in the past– you trace the tough, callused skin there.

He thinks there’s something wrong with you. Why do you seem drawn to him anyways? You’re completely fucking up his tough guy, lone-wolf persona by being here, and he wants you gone. He pulls away his hand, ignoring how your face falls for a moment.

Coop inhales, and then starts. “In October 2077, they nuked America, bombed it all to hell. By they, I think we both know what I’m implying.”

“It wasn’t the Chinese.” You interrupt, and he shushes you.

“Yeah, Cola.” He starts playing with his fingers, feeling like you don’t deserve to be here right now. That you should’ve just stayed dead. “Vault-Tec destroyed it all.”

It’s no good. He’s an old man, and you’re still as soft and young as ever. He’s always haunted by his past, like with Barb and Janey, and then Sebastian’s voice in every single Mr. Handy robot he comes by, and then finally, his last couple memories with you.

“The last two hundred something years have been filled with carnage, death, unspeakable horrors that your pretty little mind could never comprehend.” He grits out, pushing past the past and remembering that this is who he is now– a killer– and you stare at him vacantly, because his tone is so much more serious suddenly. “Nothing is the same. Everyone has blood on their hands, water is a fucking commodity, if you’re not watching out for humans to betray you, hideous creatures like me roam the ground, and that ground? Sands, deserts, barely a hint of green. It’s nothing worth coming back to.”

“So you’re saying I’m in hell.” You suddenly inhale harshly, and Coop ignores the urge to check on you.

The last thing he needs is an extra person to take care of– especially someone who doesn’t know the Wasteland. So it’s better now that he just weans you off and leaves you here.

“Yeah, sweetheart. And I'm the devil.” Coop sucks on his teeth again. “If you had any sense, you’d go back into that fucking freezer until some utopia is born four hundred years from–”

You flinch, and he stops.

“Oh, God, my eyes–”

The sight comes back slowly then all at once. Light everywhere, overwhelming your senses.

You blink, tears rolling down your face.

“Maybe it would’ve been better if you stayed blind, Cola.” He stares at you as you rub your eyes, taking in the state of the room.

It’s a warning, but you look up at him again anyways. And Coop waits for the utter horror, for the sign that he really has transformed into a monster, so he can hurry up and leave– this entire conversation with you is just him finishing Cooper Howard’s past with a bow. A shiny, Nuka-Cola-red bow.

“...” You swallow, and then bite your lip, tilting your head up at him. “Couldn’t let go of the cowboy identity, huh?”

Coop furrows his non-existent eyebrows, disliking how hard you’re making this, how clever you still seem to be– you also seem way too relaxed with him. He has half a mind to fire a warning shot at you. “Yeah, okay, darlin’. You’re just avoiding facing that horrific, bile-inducing sensation in your throat, aren’t you?”

You shake your head, disagreeing immediately. “You might look– a little less like how I remember you, I guess… but you’re still you. I see it, and apparently so do you.”

How dare you? Coop thinks, how dare you intertwine his two images together so easily when he could never be the same man again, when just seeing an old VHS tape of one of his movies pains him?

“Yeah, no thanks. If this is your way to get me to valet you around, I’m not that man anymore, Nuka-Cola.” He resents the way you think he could still be good– just because his western image brings him a little comfort nowadays. “Not a sheriff anymore.”

Your face drops, but you seem to take that information readily. “Yeah, I figured that based on your outfit, the little blood splatters on your pants… if that’s how the world is, then so be it.”

You’re saying things that on paper should be right– but Coop is getting more and more disgruntled with you, and you feel like you need to separate yourself from him. Yes, tough, because to you it’s been all of forty-eight hours since you kissed him– but you can see, no matter how deep the original Cooper Howard is inside this new Ghoul, you’re not going to be able to bring him out.

You stand up, on shaky, bare feet, and motion for Coop to move out of the way. Independent woman to the end, you are, and you want to get your bearings without him.

Coop internally sighs. He doesn’t believe for one second you’ll survive out there– and he really doesn’t need to spend the time seeing you die, so he turns around, and leaves you here.

He never did find Leopold St. West, much to his chagrin– you really, really messed up his day.

It happens. Sometimes he’ll see Janey in another person’s eyes and freak out, and have to boil it down by murdering random raiders.

But now Coop is just spiteful. He’s always figured that a lot of what happened to the world was just a bunch of rich people picking and choosing a destiny for themselves to the detriment of everyone else, and now he’s aware that included you, too. To casually be grabbed away by some man, just because he was rich… Coop isn’t unsympathetic to how you ended up, even if he treated you quite poorly. It’s sickening.

Two hundred years of quiet, always-dwelling agony, the first few years out of fear for being alone, and the next few years spent conspiring about what could’ve happened to his family– and then here you are as confirmation of his worst theories.

No wonder he enjoys his casket time.

Coop sighs.

Vaultie is hard to keep track of. She got away with murder this time at the organ harvesting clinic– so Coop finds it easier to stop working with her, to move when he wants to.

The Govermint (really just Booker’s shitty gang) was rather easy to dismantle. The two sheriffs that he killed required no expertise on his part.

He’s thinking about the fact that since Moldaver is still alive, and apparently that fucker Hank MacLean, then that means there’s a good chance Barb and Janey are too– perhaps he could go and find them.

It’s an odd urge, though. Everytime he thinks about it, he wonders how he’s actually supposed to connect with them again– they’ve been fractured for so long, and he’s changed, and there’s a good chance neither of them would accept him like this.

But you did, didn’t you? You were on the verge of saying yes, you’d accept him– as if nothing had changed.

Coop grumbles. The big, significant difference is that you were infatuated with him, but Barb divorced him, and Janey was too young to make that choice. He considers that it could be a pipe dream, but he still has hope– for Janey, at least.

He thinks you’re probably dead anyways. He hasn’t seen you in several months, since that day where he unceremoniously woke you up– and he hopes it stays that way.

He's chilling in another small, scrappy area of the wasteland. Nobody bothers the Ghoul, not when he's casually fiddling with his gun and and chewing on a toothpick.

A man runs past him, holding a significantly valuable piece of Brotherhood equipment. Maybe worth thousands of caps if he knows his shit, and he does. That’s a fusion core, and they’re not exactly mass producing those anymore during the apocalypse.

Coop points his gun at him, finger on the trigger, seconds away from creating a bloody mess–

A blade thwacks into the guy’s neck, blood spurting as he falls and chokes. A person– a woman– jumps on his back, her face obscured by a deep green bandana . She yanks out the knife, stabs a few more times for good measure– and Coop knows the game, he’s not surprised he’s not the only one to go after this guy.

He’s pretty good at killing casually, and he barely even moves from where he’s standing, aiming the gun at her.

No way is he letting easy money pass by him.

He’s about to pull the trigger extra-quick when she yanks the bandana down, taking a deep breath as she sweats, and Coop actually misses.

It’s you. You stare up at him from where you’re squatting over the body, and your gaze hardens, furrowed brows, dark lashes, intensely dark pupils. You purse your lips, press them together, jaw set in a stern fashion, recognizing him but refusing to hear him out– and Coop doesn’t know why he’s not firing, but he’s almost… enamoured with how you are now, almost taken aback by your new nature.

Not so taken aback that he doesn’t immediately start firing when you take the fusion core and start running.

And Coop doesn’t want to actually kill you, he just wants to incite some damage. See how far you can take it.

You interweave through random gaps in the metal scraps of this little abode, seeking shelter as you do so, and Coop’s gunfire only ricochets off them with cartoony sounding “pings!”

He manages to graze your left thigh through a small window, and you inhale sharply, stopping as you grit through the pain.

Coop grins to himself. This little cat and mouse chase is what he expected, what was predictable from you– you’re smart enough to stay on the defense, but you would probably never attack him, avoiding him because of your sad feelings of the old times, never resort to carnage unless you needed to–

You shove past the walls where you’ve been roaming, and manage one kick against his stomach and he manages to grab you and restrain you, your back against his front.

You grab his own jacket for purchase, and instead of pulling forward– you push back, landing on top of him with a thud that surely hurts him. Coop clenches his teeth, back against the ground now, but you scramble, straddling him. Hands around his throat, knife pressed against one of his tendons. Not outright strangling him, but just enough pressure that he knows you’re seriously threatening him.

Holy fuck, have you changed. Just like Vaultie, maybe you’re showing your honest self– and Coop supposes it may have been his mistake to underestimate you.

“Got a whole new outfit… I like it.” He admires your new leather jacket, cargo pants around your thighs pushing his arms down, a blouse fashioned out of your old Nuka-Cola dress. Tough combat boots dig into his thighs as you push against him. “Don’t fucking start–” You squeeze a little harder and he groans, the tip of the knife pushing in. “With your on and off, hot and cold bullshit.”

Ooh, it sounds like you have a little bit of a grudge over how you were treated.

“Get over it, Cola. It was centuries ago, whatever we had.” He spits out, and you have a glint of sadness in your eyes.

He knew you were a little too gushy for your own good– not even he adapted that quickly to the wilderness of the Wasteland. He waits for you to make the mistake, apologize, break down– and then he can take the core and get out of here.

But you’re still firm in your grasp of him, your weight pushing him down, blade against him.

You’re not angry about back then. You’ve come to terms with that.

You’re angry at the state of the world.

“You know what I fucking hate, Ghoul?” You spit in his face, and he blinks, spittle now on his chin. “You are all so selfish. I got left behind, likely for dead, right, and nobody gives a shit, whatever. But instead of me hoping that the leftover crumbs of society would at least try to be, I don’t fucking know, more hopeful and kind, or at the very least, not be so fucking greedy and transparently trying to be the new party in charge.”

“You’re living in a dream world.” Coop interrupts, and he’s rewarded with you carving a small, little cut on his cheek, a rapid movement you hardly think about, and it causes him to inhale sharply, a drop of blood smearing across his face.

“Oh, no. I’m not asking for everyone to hold hands and play family.” You laugh suddenly, and then somehow lean in closer, and Coop finds that in some fucked up way he enjoys the pressure against him. “It’s bullshit, that kind of image making– you and I both know that. But for all this supposed talk against the rich billionaires who ruined our lives, how are we not just emulating them?”

Coop is actually drawn to silence.

“Maybe you actually got fooled by self-image, Cola.” He murmurs. “Or maybe that’s just people’s true nature.”

You don’t like that answer. You don’t actually want to believe that, but the more you think about it, the more it’s probably true. People lie all the time, but the amount of outrage you’ve heard from people the last few months, bemoaning Vault-Tec and all those rich fuckers, you were inclined to believe they wouldn’t act the exact same way.

Just at a different level. Power corrupts all, you guess.

You loosen your grasp a little. “Thank you.”

It’s honest, and Coop doesn’t like how much he does like your nature of trusting him– how even as this new, terrible version of yourself, you still trust him, and you still ask for his advice.

He doesn’t know what to make of this, but he thinks maybe he can get some use out of you yet.

Coop wrangles his arm from out under your thigh, where you’ve accidentally let a gap through, and shoves you over.

You fall with a gasp, hitting the ground, and he stands up and kicks you for good measure, while you screech in pain.

Coop picks you up by your throat, and you instantly move to fighting– your blade against his stomach, teeth gritted in resolute urge to kill– but he’s got his pistol at your neck, and the way he brushes it against you is almost like a lover’s embrace.

“One thing I hate is a fucking liar, Cola.” He grumbles, and you glare at him. “You’re not some innocent– why else do you got a fusion core in your pocket?”

“I never claimed I was a good woman.” You shake your head. “I just wonder why the Brotherhood, the Enclave, hell, even some of the Raiders… everyone wants the ultimate piece of the pie.”

“Besides, you’re the one who kept saying to survive out here I’d have to be a killer.” You remind him, and he looks down at you, thinking. “The world’s grieving– I don’t blame it for that, I feel the same way.”

You’ve still got a way with words, he thinks, and he was right. He can use you for his benefit.

“Say, Nuka-Cola. Why don’t we take some of those fuckers down?” He stills. “Not randoms. The power-hungry pie-eaters, like how you so eloquently put it.”

You don’t fully trust him again, but you’re into the prospect. You don’t want power, and you know he doesn’t either, but it’s not just looting. No, no, this is something akin to revenge.

“Alright.” You whisper.

“Alright. Okay, I won’t shoot if you don’t cut me.” He speaks softly, slowly, trying to cajole you out of attacking– and you move as he does.

The threatening air of before is gone now, and the Ghoul has only a odd stare for you, something that makes you feel watched, almost reminding you of two centuries ago. It could be that he doesn’t trust you either– and so you walk onward with a gap between you two, heading to wherever a faction that needs fucking up could be.

Coop strolls inside the makeshift bar as you make conversation, staying within the shadows. It’s not on official Enclave grounds, it’s simply a nearby bar where members have been known to hang out.

He doesn’t exactly mind being the one to pick up the slack of killing people– he can tell you’re good at charming people what with your former bombshell acting techniques, your silly, soft blinks, the way how your skin still looks smooth and untouched.

Was it all a lie with him? Aw, shit, why does he care? He really doesn’t have time to wonder if he’s been manipulated by you– he won’t be manipulated by you now, when he gets rid of many the people who represents obstacles in his way to finding still-existing Vault-Tec members.

Yes, that’s all this is to him. Another step to finding Moldaver, Henry MacLean, then his family if he’s lucky. And you’ll get some rage out of it, so he doesn’t even consider this to be that bad of an evasion of his.

You laugh at something the guy next to you says. Coop catches a bit of it, of him asking how you look under that big jacket– and you mentioning you’d like to see him without that government get-up, too.

He grits his teeth. He’s not fucking in love with you, or anything stupidly juvenile like that– but he definitely felt something before when the two of you were fighting, or when you had conversations during the long, arduous talk here– you bit into a piece of his jerky when he offered it, and he laughed in surprise that you didn’t spit it out after he revealed it was feral ghoul ass jerky.

He also found that his gaze kept being drawn to you, too. You kept up with him, you were capable of hunting and searching on your own, you took lives when the need arose, and you had his back, even if he didn’t ask for it.

You made him subconsciously draw from the past, reminiscing about a time with you and a future he never thought he’d revisit. And now he can’t ignore that, so he needs to let off some steam.

There’s a splatter of blood across your face as the guy in front of you splutters, a bullet hole shot through his forehead. Little pieces of flesh hit the bar counter as he falls, and you gasp.

Coop is kind of quick with it now– he fires off, and because these “politicians” are unprepared, he’s able to kill off more than half.

You get over your shock quickly and fire your own tiny pistol at random, managing a few kills, but the Ghoul takes the last one and looks back at you, with an intrepid glance that you can’t figure out.

“What the hell was that?” You call out, and he doesn’t respond, instead beginning to pilfer the bodies, looking for shit to take. “Hey, Ghoul…”

“We came here to kill off those guys.” He answers you, but it’s not really an answer.

“Yeah, but I thought we agreed on discussing this shit as we were doing it. What happened to signalling?” You approach him, and as you get close enough, he turns around and stares unnervingly into your eyes.

“I did signal, sweetheart.” He clicks his tongue, lying through his teeth.

“Bullshit.”

“No, I did.” He points at you. “It’s not my fault that you were too busy schmoozing and flirting to notice.”

“Wow.” You laugh exasperatedly at his antics, while he tilts his head. “You’re really obtuse, you know?”

“Nah. I’m not.”

“Yes, you are. You’re gonna say you’re not jealous–” At that word, the Ghoul snarls, ready to tell you exactly how little he cares for you, and you motion for him to zip it. “But at the very instance of seeing me flirt, mind you, in the most fake way possible, you lost it. You can’t even tell the difference between my genuine flirting and the fakest, schlockiest shit?”

“...” Coop frowns, because you’re right– he did kind of let his mind go wild over nothing in particular.

Even worse, it means he’s made it apparent to you that he still harbours some feelings for your long-ago relationship. And that’s definitely a potential weakness– he does not want you to believe you can just work him around.

“Fuck you.” He spits, and instead of your face flinching in hurt, you stay neutral.

“I know you think you can come close and then shove me off every once in a while, because you’re fucking terrified of what it means that you’re not as hard as you pretended to be, that you still have a bit of human emotion inside you.” You tiptoe up to his face so he can’t avoid you. “I don’t care. That’s your problem.”

You turn to leave, to continue looting the bodies– and Coop’s hand wraps around your wrist.

He hates what you’ve said, because it’s absolutely provoking the worst issue he has– he can never just let go. Two hundred years of this has made him a different creature altogether, spiteful; evil, but Coop knows as well as anyone that his transformation doesn’t negate his original nature, buried deep down.

It was a lie on his part– people are not as evil as he made them out to be, it’s the cycle of this situation that perpetuates that shit. Violence begets violence and all that. He can’t seem to say this to you, though, because he can tell you already probably knew that.

What is this fuckery, that you’re able to generate such a sense of guilt in him?

“Show it to me again. Genuine flirting.” he says instead, and he knows it’s stupid as hell to say something like this. “It’s been hundreds of years, you can’t expect me to fuckin’ remem…”

You grasp his arm back, making him quiet.

He’s half expecting you to punch him, but you see something you like– something that finally satisfies you, and you kiss his cheek, where you cut him much earlier in the day. It’s a soft bruise, mostly healed over in the way ghouls heal– but it’s overwhelmingly, embarrassingly hot there now as you pull away.

“I won’t forget the difference next time, Nuka-Cola.” He tips his hat at you in a mockery of his acting as a dashing cowboy once upon a time.

“Won’t be a next time.” You shrug. “I would hate to have to flirt with someone again just to get you to notice me.”

This severely bothers him, like you haven’t been an annoyance in his mind this whole time. And then he wonders if you’re an idiot, like you have no idea the effect you had on him back then, and even now. Hell, even that overly-chaste kiss has him remembering how he felt at Sebastian’s party when you humoured him the first time.

Do you think the only thing he’s burying is some empathy for the human race?

He can’t just let you be this wrong about this, no fucking way. And it’s with this in mind that the Ghoul feels his reserve melt as he tightly grabs your face and kisses you. Not a soft, movie-star kiss of the past, but one more hungry, his lips swallowing yours, pressed sternly, firmly, like he’s not gonna let you go. He parts his mouth ever so slightly, trying to catch a reaction from you.

You’re caught off guard, and he’s glad. He likes that you don’t know what to do with yourself, that for once you’re floundering rather than him, and you barely remember to kiss back until a couple seconds later when your hands grasp the base of his skull. You’re tracing grooves, calluses, skin that’s been eroded by his ghoulishness. You feel like he tastes ever so acidic– perhaps from the radiation emitting from his body– but some weird part of you loves it, and you part your lips as you kiss him harder, wanting to feel his tongue.

Your lips are just as soft as he remembers– but there’s more excitement now, more of an urgency as you kiss him, so he takes your invitation and swirls his tongue around on yours, disgustingly vulgar and perversely fast, yet lingering to enjoy the sensation, and he kinda loves being a corrupting force, being the ghoul who eats up this sweet human girl, and he tightens his grip– it almost hurts you, how tightly his hands weave around your waist suddenly– and then before you know it, he pulls away.

He wipes his mouth, never taking his eyes off of you.

“So. Did I taste like Nuka-Cola?” You joke, and he laughs in your face.

“Nope. Darlin, you haven’t been the Nuka-Cola girl for hundreds of years. They replaced you not long after you vanished.” He smiles widely at how your face drops. “I can show you some of the new girl’s billboards, if you’d like.”

“That would explain the lack of revenue.” You raise your eyebrows. “Then why do you still call me Nuka-Cola, Cola, etcetera?”

“That’s how I remember you.” It sounds too sweet, too nice that he keeps your nickname on tabs, so he twists his lips in a sneer. “Plus I don’t remember your name.”

“Oh.” You bite your lip, finding his insult more funny than anything else, and turn around to take items from the bodies around you. “Okay, Mr. Howard.”

It was the optimal moment for you to joke back, calling him the Ghoul, but in classic you-fashion, you decided to extend an olive branch to him– reminding him that he’ll never just be the Ghoul to you. And even if Coop knows he’ll always remember you by Nuka-Cola, he has a fondness for you that he doesn’t neglect anymore– and he murmurs your name so softly, but just enough that you turn back and look at him, and smile with pleased recognition.

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princesssarisa · 1 year ago

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Disney's unconventional "Cinderella" (1950) (long)

Having watched most of the many adaptations of Cinderella, I've come to realize what a unique adaptation Disney's 1950 animated classic really is. Unlike Snow White, which only had a few stage and screen adaptations before Disney produced its groundbreaking film, Cinderella had already been adapted many times before Disney's turn came, and Disney's version makes a surprising number of departures from the standard Cinderella "formula." It was definitely a fresh, creative Cinderella when it made its debut, and it arguably still is. Yet because it's become so familiar in pop culture, and today so often serves as our childhood introduction to the tale, it's easy to overlook its inventive storytelling choices. The 2015 live action remake uses several classic Cinderella adaptation tropes that the original 1950 film actually subverts!

Here's a list of the often-overlooked ways in which Disney's Cinderella stands out from earlier adaptations, and from many later ones too.

Cinderella herself. Disney's Cinderella isn't a traditional Cinderella in personality. The "traditional" portrayal of Cinderella, seen in virtually every adaptation before Disney's and several afterwards too, is the portrayal I call "The Waif": a very young, fragile, melancholy girl, dressed in pathetic rags and smudged with ashes, who makes the audience want to rescue her and who wins the Prince's heart with her wide-eyed innocence and artless charm. But whether chiefly to set her apart from earlier screen Cinderellas or from Disney's earlier delicate ingenue Snow White, Disney's Cinderella is none of those things. She comes across as older, or at least more sophisticated. Nor is she waif-like, but instead combines down-to-earth warmth with ladylike dignity, even at her lowliest. She doesn't sit in the ashes ("Cinderella" is her real name in this version), and her servants' dress is humble yet clean and only slightly tattered. She's gentle and kind, yes, but also intelligent, practical, playful, sometimes sarcastic, philosophical, optimistic, genuinely cheerful when she's with her animal friends, and yet angrier and stronger-willed than virtually all earlier Cinderellas. She doesn't beg to go to the ball, but asserts her right to go, and then sets to work fixing up an old dress of her mother's for herself. Only her stepfamily's sabotage, first by keeping her too busy to finish the dress, and then by destroying it after the mice and birds finish it for her, prevents her from taking herself to the ball without a Fairy Godmother. To this day, she stands out as a complex, unique Cinderella, which pop culture too often forgets.

Lady Tremaine. Some critics today complain that Disney makes Cinderella's stepmother a total monster instead of giving her "nuance" and call her portrayal "sexist." But can't we agree that her sheer cruelty enhances the film's dramatic power? And compared to earlier portrayals of Cinderella's Stepmother, it definitely makes her stand out. In most pre-Disney Cinderellas and many after, the Stepmother is a pompous, vain comic antagonist. Once again, Disney was innovative by portraying Lady Tremaine as a dignified, manipulative, and truly sinister villain, who takes quietly sadistic pleasure in abusing Cinderella and will stop at nothing to prevent her from going to the ball or marrying the Prince. As far as I know, she's also the first Stepmother to realize before the slipper-fitting that Cinderella was the lady at the ball and to take action to prevent her from being found. That's a commonplace plot device in more recent adaptations, but in 1950 it was a creative twist!

The mice and other animals. Viewers debate whether Cinderella's mouse friends, Jaq, Gus, et al, and their misadventures evading Lucifer the Cat are a welcome addition or take away too much screen time from Cinderella herself. But there's no denying that the presence of the mice and birds is an inventive storytelling choice, which makes Disney's Cinderella stand out! And I can provide a long list of reasons why they're more than just "filler." (1) They add liveliness, humor, and appeal for younger children. (2) They gave the animators an outlet for the type of character animation they did best, rather than binding them to the harder work of animating realistic humans. (3) They give Cinderella someone to talk to besides her stepfamily. (4) They give her a way to demonstrate her kindness. (5) The struggles of the mice with Lucifer parallel Cinderella's abuse by her stepfamily, and Cinderella's undying optimism not only keeps her from despair, but inspires them too. (6) They arguably provide a further reason why Cinderella stays with her stepfamily – not only does she have nowhere to go, but an entire community of small sentient creatures relies on her for food and protection. (7) They reward Cinderella for her kindness. From the start, her friendship with the mice and birds makes her life easier to bear, both by easing her loneliness and because they do helpful deeds for her, like mending and cleaning her clothes. They fix up her mother's dress for her to wear to the ball – only the stepfamily's last-minute cruelty requires the Fairy Godmother to step in. And in the end, they're directly responsible for Cinderella's happy ending by freeing her from her locked room. They do all these things because Cinderella has protected them, fed them, made them clothes, and been their friend. Therefore, Cinderella's good fortune never feels "just handed" to her: her kindness directly earns it.

The Fairy Godmother. It's always varied between illustrators whether Cinderella's Fairy Godmother is portrayed as a grandmotherly old woman or as youthful, regal, and beautiful, but screen and stage adaptations before the Disney version virtually always took the "youthful, regal, beautiful" approach. That is, when they didn't change her into a wise, fatherly male magician-advisor, as in several opera adaptations! At any rate, seriousness and dignity were the norm for this character in most adaptations from the 19th century through the 1940s. Making her a sweet, comforting, grandmotherly figure, with a comically and adorably absent mind, was another of Disney's fresh choices.

Cinderella's entrance at the ball. We all know the classic image of Cinderella's entrance from other adaptations. Cinderella appears at the top of the grand staircase that leads down to the ballroom, and a hush falls over the assembly, as not only the Prince, but all the guests and members of the court are amazed by the unknown lady's beauty and magnificent dress. Even in versions without a staircase, Cinderella captivates the room the moment she enters. Adaptations both before and after Disney's, including Disney's own 2015 live action remake, play her entrance this way. But the 1950 animated classic subverts it! The grand staircase leads up to the ballroom, not down to it, and Cinderella's entrance isn't a triumph at first, but a vulnerable moment as she makes her way up the stairs alone, dwarfed by the splendor around her. Then, when she reaches the ballroom, no one notices her at first, because the other ladies are being presented to the Prince and all eyes are on him. But then the Prince notices her in the shadowy background as she quietly marvels at her surroundings, and leaves his post to approach her and invite her to dance. Only then does the rest of the assembly notice her, because she's the one the Prince has singled out. It's more understated and it feels more realistic than the traditional entrance, as well as more clearly symbolic of Cinderella's venturing above her station, then both literally and figuratively being led out of the shadows by the Prince's unexpected attention.

The slipper-fitting plan. Over the years, it's been fairly popular to mock the idea of using the glass slipper to find the Prince's love, as if there were no chance it would fit anyone else. Disney's version is creative by having the slipper-fitting search be the comical, hot-blooded King's idea, not the Prince's, and making it clear that it's not, nor is it meant to be, a foolproof plan to find Cinderella. The Duke points out that the slipper could fit any number of girls, but the King doesn't care if they find the right girl or not: he just wants to hold his son to his pledge to marry "the girl who fits this slipper" and force him to marry the first one who fits it. This also means that Disney doesn't do what most adaptations do and have the Prince conduct the search himself, but follows the original Perrault tale by having a gentleman, in this case the Grand Duke, do it instead. This prevents audiences from mocking the Prince for relying on the slipper instead of knowing his beloved's face.

Cinderella breaking free and asking to try on the slipper. Even though in Perrault's original tale, Cinderella asks to try on the slipper, she almost never does in adaptations. In most versions other than Disney's, including Disney's own 2015 remake, Cinderella's presence in the house (and/or the fact that she has the other slipper) is either discovered by accident or revealed by Cinderella's allies, not by Cinderella's own initiative. In some versions, she even tries to hide from the Prince and/or the search party, either out of fear of her stepfamily or because she feels unworthy of the Prince in her rags. But not Disney's animated Cinderella! First of all, she has an assertive emotional breakthrough when she calls on her dog Bruno to chase Lucifer away and free Gus to slip her the key to her locked room. Earlier on, she urges Bruno to try to get along with Lucifer, lest the stepfamily not allow him to sleep in the house – it's clear that Bruno represents her own rebellious side, and in that scene she's really talking about herself, revealing that she tolerates her stepfamily's abuse so she won't lose her own "nice warm bed" and be homeless. But in the climactic scene, when she finally sees a way out, she gives up playing nice and seizes her chance. First she unleashes Bruno on Lucifer, and then she runs downstairs and directly asks to try on the slipper, not caring how her stepfamily will react, or what the Grand Duke will think of her shabby dress, or whether the audience will accuse her of gold-digging or not. This isn't a common breakthrough in other Cinderella adaptations, but it fits perfectly (like a glass slipper, you might say) with the Disney Cinderella's stronger-willed and more self-assured characterization.

"I have the other slipper." We can probably all safely assume that when audiences first saw Disney's Cinderella in 1950, they all expected Cinderella to try on the glass slipper she lost, with her identity revealed by its perfect fit. They never would have expected Lady Tremaine to trip the footman and break the glass slipper... only for Cinderella to calmly reveal that she has the other one. It's yet another clever and unexpected twist, not seen in any other version. Not even Disney's own 2015 remake.

Disney's Cinderella deserves far more credit than it gets for being unique among the myriad versions of the tale, especially compared to the versions that came before it.

#cinderella #fairy tale #disney #1950 #animated film #adaptation #meta

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fruithoughts · 25 days ago

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In this world there are a couple of absolute truths; the sun will explode someday, the water is wet, capitalism is a demon and of course, Yoon Jeonghan is madly in love with his best friend.

CW: agegap(he’s 29 and she’s 23, they met when she was 19 and he was 25), bigdick!Jeonghan, fem!reader, friends to lovers, he’s so condescending but in the sweetest way?? what an asshole omg, one reference to him being a smoker, idiots in love, a lil bit of dom!jeonghan.

It's a classic, from the very first time they met, the bastard already knew he was going to end up in bed with the pretty girl with the coffee colored eyes, she retorted his unfunny jokes even when her red cheeks gave away that she was embarrassed, played along all of his little games just to give him hope that this time she had fallen into the hands of the big bad wolf, she was made just for him.

The special treatment Jeonghan provided her didn't sneak under anyone's noses, it was obvious, the only person other than himself that he allows to win during table games, just one look at him with that curious puppy face is enough to make him melt whole, he’s that weak. The only person he listens to when she tells him to stop cheating in games, that guy would give all of the stars in the universe to his girl, would fix the ozone layer in 3 business days max if she complained about global warming today.

"I could live like this" oh, that persisting little thought, always wandering in the man's head while he is around his friend, just waiting for the right moment to invade his frontal lobe and consequently force his heart into beating fast like crazy by making him think about the calm and happy life he could have alongside his love.

The dreamer thinks and thinks while waiting for his girl to finish brushing her teeth, a silly smile stamped on his rascal face as he stares at the ceiling of her room, ironically, they were watching Friends in her bed, as always; against the will of his girl who insisted that the series was silly and he only liked it because he was old.

As strange as it can sound, they had already slept in the same bed hundreds of times, most of those times due to Hannie’s habit of refusing not to take her with him everywhere he went, which more than often left them with only one hotel room to share, these nights were the most special, nothing sexual happened, which made them even more intimate.

The pointless conversations before bed, faces a few inches away as they discuss each and every scenario that his favorite girl proposes, "What name would you give your child? What if it was a girl?", "If the world ended and only the two of us were left, where would we go? Would you protect me?" She was always more touchy with him when she was tired, he loved every second of it. They cuddled until the princess fell asleep, her warm breath on his neck drove him wild, he wanted to fill her face with kisses, but he never had the courage, always waiting for the right time.

Now that once again he found himself in his friend's bed, just a month or so before his military service called for him, he wondered if he let the right time pass right by him at some point in the last 4 years, it was his biggest fear. What if the fact that he had hookups here and there over the years made her think he had no interest in her? What if the fact that he kept posting stories and photos with her made her come to the conclusion that he doesn't have romantic feelings for her because he wouldn't risk showing his possible future girlfriend to fans, and only posts things with her exactly because they’re completely platonic?

With the date of the inevitable farewell between the lovebirds approaching, something had changed, Jeonghan couldn't quite figure out exactly what it was, but things were different. His girl always loved him(just not in the way he desired so much), he always knew that, she, who was always closed off with others; had no problem holding his hand under the blanket while watching movies or laying her head on his shoulder during car trips while Seungcheol screamed at Dokyeom because he took the wrong turn again, these moments felt like little secrets, his pretty flower laughing softly at the car fights while the bastard uses their proximity to draw invisible shapes of hearts and dicks on her bare thigh until he gets his hand slapped away when she inevitably realizes what he was drawing, in they’re little world in the back seat, no one would ever know.

Well, never? Maybe it was the wrong word, especially now that everything has changed. For some reason, his friend suddenly started offering him 3 times the attention he was used to receiving from her, holding his arm while waiting in line at the grocery store, hugging his waist and hiding her face behind his back while waiting for the uber, deliberately holding his hand as they strolled through some parking lot, suddenly her behavior made it obvious to anyone with eyes to see that they were in a romantic relationship, Jeonghan was in heaven.

He wanted to fantasize, to dream, to believe that this change was due to the fact that now that he's going away, she finally realized that she loves him, that she's always loved him and that they should be together, but part of him just can’t get over the possibility that she might have just gotten extra comfortable now that she realized he's going soon, and decided to give him all the attention in the world because she’ll miss his friend.

Things were not going according to plan and it made him nervous, restless... What was the plan? To confess as soon as he was discharged from military service, his group would be on a semi-hiatus for at least two more years after his return due to the younger ones serving, it was the perfect time to develop their relationship, he was sure they would get married early too, after all, for how long do you date after being extremely close for 4 whole years? He knows his princess like the back of his hand and she has him around her little finger, she knows everything, his whole life, all of his habits, allergies, fears and almost all his greatest desires.

— Stop thinking about other things while I'm here — His girl's voice as she enters the room takes Jeonghan out of his train of thoughts, staring at her until she reaches the bed and crawls over to him to go cuddle again.

— Am I only allowed to think about you? — he asks, arching one of his eyebrows as soon as he has her in his arms, lying on top of him. — When you're at my house, yes. — She replies grumpily and Jeonghan laughs when he feels his torso being squeezed closer to her, draping one arm over his baby’s back, also squeezing her closer before depositing a little kiss on the top of her head, there's nothing this man wouldn't give to have this right here every day.

The conversation comes and goes as usual, they talk about life dramas and gossips from their respective groups of friends, some complaints about annoying and inconvenient people, just as inconvenient as...

— And that little guy you were hooking up with? Did you get tired of him already? — Jeonghan asks as if he hasn't spent the last two weeks brooding with jealousy, just the possibility of that idiot having touched his girl makes him want to rip off his own face with his bare hands. He’s not possessive at all, clearly.

She huffs before replying — And that makeup artist you were clinging to? How is she? — the tone of the question tone made Jeonghan roll his eyes, he only had a little affair with that woman, a few kisses for a week and they slept together once, no big deal, and obviously it didn't mean anything to him, just like all his hookups never did. The man's distant behavior towards the people he fucked with was always a reason for a fights between them and most of the time it was the reason for the "breakup" of said hookup status, but why would he try to feel anything for any of his fuck buddies when his true love was just around the corner? He was just paving the way.

— You know it was nothing, it never is — the man feels her little eyes burning through his face as he avoids meeting her vision, he knows where his answer will take him, he hates this part — And when will it start to be something? You're getting old, you know… — she says teasing the possibility of her friend dying alone, he knows she's joking, but that's no comfort to how much it hurts not to have the courage to just hold her face and take what he spent the last 4 years wishing for so much, Jeonghan is patient, but people can hold on for only so long before snapping.

— And when are you going to start dating? Deceiving those little boys is not very nice on your part — he received an indignant look from his friend, getting exactly where he wanted, the part where he takes control of the conversation back. It was no new's article that Jeonghan didn't really like anyone's face, the problems were always repeated in one way or another, "He's too young, he won't know how to treat you right.", "Look at the way he talks, I could bet five hundred dollars that this guy gets grossed out by the idea of eating pussy, he's just a little boy.", "Beautiful, look at the things this guy posts, he doesn't even know how to talk like a normal person and do you think he'll know how to fuck you?".

It wasn't exactly hard to figure out that Jeonghan doesn't approve of the possibility of his dear and beloved friend being a guy the same age as her, they are immature and gangly, they don't know how to do it the same way he does, they don't have the time and money to be able to take care of her like he can.

The silence coming from his petal makes him worried immediately, if that son of a bitch hurt his love’s heart, he doesn't even know what he's capable of doing — What happened, bunny? — he knew she hated the nickname, he called her by it anyway to get her out of her own head, his princess always thought too much, and he, as her perfect match, knew exactly how to bring her back to the real world.

She sighed before shyly admitting — You were right… — he felt a wave of satisfaction run through his entire body, he loved it when his theories about the girl's hookups ended up being accurate — What was Hannie right about, hm? Tell me. — he received a slap on his arm and could tell just from her breathing that his pretty little thing was sulking like never before.

— He didn't even know how to hold a conversation! He didn't talk about anything worthwhile, he didn't have anything to do with life, he was a bore! — she vented, obviously it was something that had been bothering her for a long time, and who wouldn't be bothered when it's impossible to find a nice guy? Nobody had an interesting back and forth, a way of talking that made her all soft, a way of being that was all unique and special, there was no one like that. There was no one like him.

Jeonghan saw life pass before his eyes, the hand that was on the girl's back unconsciously squeezed her waist a little harder, with his eyes still fixed on the ceiling, for a moment he really considered that he was finally going insane, would she ever notice? Was that what they were going to be for the rest of their lives?

Friends who run into each other's arms to receive the affection and love many couples out there can't dream of having for each other while complaining that they can't find the "right person"? Would she ever really find someone who matched her? Someone who isn't him? Someone who doesn't deserve his girl at all, someone who hasn't spent literal years learning all the little details and parts of her life and worked so hard to be the best friend she could ever have, someone who doesn't love her the same way he does, someone who won't know how to make her cum as good as she deserves, someone who… — Jeonghan? — like the devil, that sweet, sweet voice calls to him, and by this point, he's been starving for quite a while.

— I'd make you the happiest woman in the world if you’d let me — the words lingered in the air for a few seconds that seemed like an eternity, he felt his doll's heart start to act as if she had just run a marathon, the strong beats against his chest seemed to mimic the beating of his own heart, which she surely felt too. He didn't even realize when exactly he closed his eyes out of pure fear of having ruined everything, he also didn't dare to open them when he felt her moving around on top of him, when he thought he couldn't stand to stay there any longer without running.

He felt the sweetest kiss this universe has ever dared create, immediately his hands went to his... friend’s? Face, kissing her back fervently, Jeonghan could cry if he didn't have so much adrenaline in his body after confession, the position was already perfect, they were grabbing and pulling and rubbing on each other for so long, maybe twenty minutes? Maybe two hours? Four days? It was hard to discern silly things like the time when he finally had his girl exactly where he had always wanted her.

— I don't want you to go, Jeongie... — she confessed breathlessly, holding onto collar of the baggy shirt the man wore as if he was going to disappear as soon as she let go, those shiny little eyes were capable of making him fight 9 wars, weed 5 batches, discover the cure for 13 diseases, achieve anything that could possibly make her stay with him forever.

— I know, I know, my love — he laid her on the bed with all of the care in the world, only to then, like an addict, go back to enjoying his girl's delicious mouth while he tested the territory by caressing the soft skin of her waist and belly under her pajama top — Do you love Hannie? Do you not want him to leave? — Yoon Jeonghan was worse than any whore, he wants to hear that he wasn't the only one who’s obsessed, that he's not the only one who spent the last 4 years losing nights of sleep and wasting who knows how much bath water while thinking about his best friend.

He feels his princess's warm little hands begin to explore his torso, scratching his chest and waist, sinking her sharp nails into the skin of his shoulders and the sides of his abdomen so, so deliciously, if he was a little less patient he would have already given up doing things slowly — Wait for it, you'll how learn to be patient, bunny. — Jeonghan commanded firmly when he felt his pants being pulled down little by little. His girl would be lying if she said she wasn't dying to give in, the bulge in his pants was more than enough to scare her off, but she knew her Hannie would never hurt her — You'll wait for me to fuck you when you’re ready to take it, without complaining, gonna be good to me.

The prep was long, this man didn't rest until he made his little doll cum in his mouth, then with his long and precise fingers, then with the both, he paused between the three of them so he wouldn’t overwhelm his sweet girl, he did everything to make her as open up as much possible but it would still take time to be able to fuck hard when he entered her little heaven, he was at peace with it, in fact, he was already in paradise just by eating her out.

The one who wasn't at peace was her, this asshole was too hot for his own good, if she had the strength she would have already ripped off this motherfucker's underwear with her own teeth, unfortunately no one tells you how hard it is to find the strength to be angry with someone after they just gave you the three best orgasms of your life.

— You look so much happier, baby, just needed someone to treat you the way you like — his lips and chin glittered with her honey, if they weren't so close, she would probably be ashamed to have gotten so wet, but he deserved it — It impresses me that you didn't suffocate down there, with those black lungs. They must look like two raisins — she jokes while pulling him by the shirt to get on top of her again, wiping the sweet juice from his chin with her thumb, only to put it directly in her friend's mouth, who happily received the dirty act and sucked her thumb clean.

— I won't even tell you what I'm going to leave looking like a raisin if you don't drop the attitude — he joked right back before kissing her, drunk in love. That was it, everything he ever wanted, just him and his woman locked in the bedroom, smiling like two idiots while making each other feel good, this could last forever, but now he was the one who couldn't wait any longer, all it took was her looking up to him though her eyelashes, giving him the puppy eyes he fell in love with all those years ago, it was all it took for him decided he couldn't take it anymore — Take it off, I'm tired — he says while letting his hands fall to the sides as he knelt on the bed, in front of her, looking down to his pants basically saying "if you want it, then come and get it", this scoundrel is very lucky to have such a beautiful face, otherwise he would have been punched already.

When the little game and fights were finally over and the time finally came, he entered very slowly, truly enjoying every second of his precious time and honestly, as much as it killed him to see his little princess in pain... Jesus Christ, that expression with her eyebrows tensed up and half-lidded eyes while her red mouth moans his name just so sweetly is a sight dangerous enough to kill anyone. The scene left him all vulnerable, his knees risked failing, his fingers lost strength, and in the end, Jeonghan was a weakling for his girl.

Her little sounds were all he needed to start moving, extremely slowly, he needed to train her tight little hole to be fucked by a real man — Those little boys really did you wrong, hm? Doesn't feel like you’ve ever been fucked at all — he made a point of speaking as he watched the long drag of his cock into and out of his little angel, hypnotized.

— Shut up, Jeonghan — she said angrily, it was embarrassing to remember that she had been with other people when she could have spent all of this time getting eaten out this good instead. He replied — “Jeonghan"? Where's Jeongie, Hannie? Do you want me to stop fucking you so you can tell me about this "Jeonghan" guy? — his suggestion was answered with a loud sound of dissatisfaction, and with the little strength she had below her torso, she hugged his waist with her legs to keep him inside.

Watching her desperation filled him with all kinds of feelings, just thinking about how good he could fuck her when his princess was used to his size, he could start drooling right there. He sneaks his face into her neck to start another attack, leaving purple and red marks all over his flower’s shoulder, the easing of his thick cock inside her was too good to be true, he couldn't keep his mouth shut — Mine, mine, mine. — he whispered and grunted at her ear lobe.

Maybe that was just part of having sex with someone you know so well, but he even knew what the attempts of words she moaned meant, he knew she was fighting with him for deciding all on his own that she belonged to him, he knew his stubborn girl too well to not notice — Try disagreeing, go on — he tells her all whiny, imitating the tone of the moans of his now; girlfriend, according to his head — Tell me that you're not mine, that we belong to other people, that this pretty little pussy wasn't made just for me, go on, tell me — clearly the words affected her a lot, if her watery eyes tightening until they closed and her little hole threatening to expel him from being so tight were anything to be go by. He held her jaw tightly, forcing her to look at him. — If you're going to lie to me, lie to my fucking face.

She was going insane, he was doing it so, so well, but he was so slow… Even though a little bit pain was still present, fuck it! She was barely holding on from not trembling with desire, she wanted more, she wanted him — Stop treating me like I'm made out of glass, Jeongie! — she tried to sound bossy but the neediness refused to leave the girl’s voice, Jeonghan could have melted right there.

— And you’re not? What’s my doll made out of, then? — he grabbed one of his girl’s delicious thighs firmly, leaving a hard slap that would definitely leave a mark, it burned like hell and the bastard didn't help at all, he just held the abused meat again — What’s this, princess? Did it hurt? Are you gonna to cry? — the condescension seemed to overflow from his mouth just like his girl's juices overflowed from her puffy hole and stained the fluffy bed sheet with each deep thrust, which now, very slowly as to not hurt her, were taking on a faster rhythm that made her head spin.

Having thoughts that made sense was too much to ask of the poor thing who was getting the biggest cock beating of her life, she barely heard a word that came out of her beloved's mouth, she just stared at his lips, which used to be thin but were now full and red from the intensity of their love, she just wanted to kiss him again, she needed to be a good girl to kiss him again, did he say something? He said it, didn’t he? A... A question... What was it? "What’s this?" — It’s yours, Jeongie — she replied after using all her mental strength available at that moment, which wasn't much.

Jeonghan couldn't help but smile about how stupid he made his bunny — Mhm, it’s just mine, baby — he held her sweaty little face with gentleness that was completely alien if compared to the harshness of which his hips kissed hers. It was so deep, she felt so full, she never wanted it to end, it was too good, she wanted to cry with the fact that she couldn't hold it for much longer.

— Do you not want me to stop after you finish, princess? — he asked just so softly, finding it the most precious scene in the world when his flower frantically shook her head, going "No, no, no!", his cutest little thing — Don’t worry, doll, I’ll only stop when you’re dripping with cum.

#seventeen imagines #seventeen scenarios #seventeen reactions #seventeen drabbles #seventeen smut #seventeen fanfic #jeonghan x reader #jeonghan smut #yoon jeonghan #jeonghan hard hours #jeonghan scenarios #jeonghan fluff #jeonghan angst

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judesprincess · 3 months ago

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NSFW ALPHABET – Jude Bellingham

note: hii babes, how are you? look, this is my first time posting something like this and English is not my first language so i ask you to be kind and ignore any mistake pls

ps: let me know if you like this, kisses 💋

a = aftercare (how they are after sex)

he would definitely be extremely careful and gentle after sex. constantly asking if he hurt you and checking your body; he knows how rough he can be (especially when he is frustrated), so he is quick to take care of you right after you are done having sex. he cleans you up while kissing you tenderly and repeating how good you felt; he always asks if you have cramps from penetration and if you do, he makes a nice warm compress to put on you. he holds you protectively and cuddles you until you fall asleep.

b = body part (his and his partner's favorite part)

he loves every part of your body, but besides that, I feel like he's the kind of man who likes curves, so I feel like he's obsessed with your ass, like he can't stop slapping and squeezing it... he also loves kissing and biting it and the sight of it all red from his slaps drives him crazy... I bet he would love your hips, he just loves holding them while he pounds you from behind

you see, when we talk about his favorite part of him i think that this man is definitely very proud of what he carries between his legs (those celebrations and demonstrations don't tell me otherwise), he just loves how impressed you are every time you see him naked (no matter how many times you've seen him like that) and how much you fight to take him every time... i bet he also loves his biceps, especially when he catches you staring at them shamelessly

c = cum (anything to do with cum)

he definitely loves cumming inside you. for him, there is nothing better than finishing inside you and seeing his cum dripping out; he'd never admit it out loud, but you both knew it was primal, he just loved the idea of claiming you like that and he loved even more the way you trusted him to let him do something so intimate

d = dirty secret (pretty self-explanatory, a dirty secret of theirs)

he secretly wants to try anal sex with you, but he'll never ask you out loud because he doesn't want to pressure you into doing something just to please him

e = experience (how experienced are they? do they know what they're doing?)

let's be honest, that man is a hoe, he's definitely experienced (especially for his age), but i think he had to hold back in the beginning of the relationship to keep up with you, since you weren't experienced (let's ignore the fact that i'm basing this on my lack of experience) and he didn't want to scare you or overwhelm you with the dirty things he wanted to do to you

f = favorite position (this goes without saying)

to me there are two sides to him, one dirty and naughty and the other gentle and caring; so I think there will be nights when he will put you on all fours and fuck you until you beg for mercy and other nights when he will go in the classic mommy and daddy style and make love to you softly and lovingly while whispering in your ear how beautiful and special you are to him.

g = goofy (are they more serious now? are they funny? etc.)

i think he could be the kind of guy who always wants to make you comfortable and easy, so I think he would make a joke or give you a reassuring smile when he sees you are nervous or tense.

however, of course, there are days when he is not in a good mood and maybe he will be more serious and focused.

h = hair (how well-groomed is it? does the carpet match the curtains?)

honestly, he is very clean and hygienic, but I don't think he shaves; at most, I think he trims it a little (but he's definitely well taken care of)

i = intimacy (how are they at the moment? the romantic aspect)

like I said, for me he has two sides, so it will depend a lot on the occasion and his mood. there will be days when he'll be more naughty and maybe even verbally degrade you, but there will also be days when he'll be soft and nothing but compliments and sweet words will come out of his mouth

i think he likes to set the mood beforehand, even if it's something simple and, even if you say it's old-fashioned, you secretly love how thoughtful he is about it

j = jack off (masturbation headcanon)

he definitely does this, always thinking about you and your body; You are far from each other and have no time for FaceTime and Jude can't stop thinking about the nights of sex he had with you and before he can even think, his hand goes up and down his cock firmly, even though he knows that his hand doesn't even compare to anything you were capable of doing to him. Of course, when you are together, he doesn't even consider touching himself, always wanting you instead.

k = kink (one or more of your kinks)

• size kink: jude definitely has a size kink, he loves how different you are physically (in every way), how short and small you are compared to him; countless times you've caught him comparing the size of your hands and smirking at how small your hand is compared to his. let me tell you, that man definitely loves how different you are down there too, he absolutely loves how tight the fit is whenever he enters you

• praisy kink: that man loves to compliment and be complimented; he just loves saying nice things to you and letting you know how great you're doing. he also loves when you compliment him, when you let him know how good he makes you feel or how big he feels or even how gorgeous he is, it drives him crazy

• innocence kink: i might be crazy, but i think he would love the fact that you have no experience or little; he would simply love the fact that he was your first and had to teach you everything, the idea of molding you to his will would make him dizzy

l = location (favorite places to do the activity)

I think he is a reserved guy and, although he may allow himself to tease you in public sometimes, he always wants to keep his intimate moments away from anyone; the bedroom or any place in his house or yours (as long as they are alone) is perfect for him

m = motivation (what turns them on, keeps them going)

slightly anything; but something about feeling that you need him moves him in an unmatched way and makes him crazy with desire

n = no (something they wouldn't do, turns them off)

definitely nothing that would hurt you; also, i think he would definitely say a big no to sharing you with someone (no matter who it is)

o = oral (preference in giving or receiving, skill, etc.)

that man seems like a spectacular pussy eater and he would definitely make you fall apart with those gorgeous lips

but he definitely loves a good blowjob, he just can't get over the image of your lips wrapped around his cock, he definitely loves to fuck your mouth

p = pace (are they fast and rough? slow and sensual?)

it all depends on his mood. if it’s been a bad day or he’s really horny, he’ll definitely fuck you hard and rough (but always making sure the penetration isn’t hurting you), but on those days when things have gone well, he’ll go in slowly and gently, setting a pace

but I feel like no matter what the pace, he’ll always want to go deep, deep inside you so you can feel him completely

q = quickie (his opinions on quickies, how often, etc.)

while he loves taking all the time in the world with you, he also loves quickies—anything to feel you around him—and will take you anywhere in the house

r = risk (are they willing to experiment? are they risk-takers? etc.)

he absolutely hates the idea of someone catching you in such an intimate moment; it would be the death of him to know that someone saw you as vulnerable and exposed as that must be for his eyes only

s = stamina (how many rounds can they go? how long do they last?)

let's be real, have you ever seen the way that man runs for 90 minutes on the field?? you consider yourself a warrior for trying to keep up with his stamina; no matter how intense it was, there he is, dying to have more of you

t = toys (do they have toys? do they use them? on a partner or on themselves?)

i don't think he'd be too interested in that, although he wouldn't bug you for having some (although he would secretly be a little jealous); however, if you begged him, i think he might allow himself to use something like a cock ring

u = unfair (how much they like to tease)

that man is a tease for sure, he would definitely tease you by blushing around him or being extremely wet and needy for him or even while you were struggling to get him

v = volume (how loud they are, what sounds they make, etc.)

he's definitely not the kind of guy who's going to be like a dead man while fucking; he'll definitely moan and grunt while mumbling dirty things to you

w = wild card (a random headcanon for the character)

jude definitely has a "hero syndrome". he loves being your hero, no matter how silly it is; if you can't open a can or something, he's there to fix it quickly. it can be the most trivial thing, he'll want to fix it for you. he just loves the fact that you depend on him in some way – even though he knows it's lame, he can't help but feel that way – he always wants to be the guy who puts a smile on your face and who makes you feel safe and protected

x = x-ray (let's see what's going on under those clothes)

i think we have more than enough content to say that he's huge (and he's definitely thick too); you are absolutely struggling to take it all in

y = yearning (how high is their sex drive?)

he is literally never satisfied. he always wants more and more of you and you just love how desired he makes you feel

z = zzz (how quickly they fall asleep afterwards)

he will only fall asleep after you, only after he is sure you are completely comfortable and satisfied.

well, i really hope you enjoyed it and feel free to interact with me anonymously (or not), kisses 💋

#jude bellingham #jude bellingham x reader #jude bellingham smut #jude bellingham imagine

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niteshade925 · 14 days ago

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April 20, Beijing, China, National Museum of China/中国国家博物馆 (Part 2 - Dehua white porcelain exhibition/德化白瓷展 continued):

This was actually the very first piece I encountered at the entrance to the exhibition, a gigantic basket of flowers (probably over 1 meter tall and over 1 meter wide?), the entire thing made of porcelain.

And to reiterate, every part of every piece is porcelain. Though I will say that despite the ultra-realistic shape of the flower petals and leaves, the only detail that hinted at these flowers being made out of porcelain was that the painted colors weren't as vibrant as real flowers. That's it. If you don't examine it up close you really can't tell that it's all porcelain.

This is a good place to roughly introduce the technical side of Dehua white porcelain. The color of Dehua white porcelain mainly comes from the clay it uses, which is a special kaolin clay (gaolingtu/高岭土 in Chinese) found in Dehua. The clay mineral used naturally contains sericite and quartz, both of which are silica minerals and may have contibuted to the almost translucent look of the finished pieces; it also contains comparatively high amounts of potassium oxides, while the amount of iron oxides present is low. Due to the intricate designs of the pieces, the firing success rate may be very low. All those pieces involving super thin parts representing fabric or paper or flower petals? They may bring the success rate down to about 5%. Which means many of these pieces may be the 15th-20th try that finally survived firing. For people who are more interested in the chemistry of Dehua white porcelain, this paper goes into depth about it. There's also a great book in Chinese that goes into depth all about Dehua porcelain. (link goes to the first chapter only)

Continuing on, this is one of many Guanyin/观音 (Avalokiteśvara) statues at the exhibition, again with light clothing made out of porcelain:

More Guanyin statues in various classic depictions/forms, of which there are 33 total. This particular form is called Yulan Guanyin/鱼篮观音 (鱼篮 means fish basket), and comes from a legend where Guanyin transformed into a beautiful female fish vendor in order to guide mortals.

I believe the text here reads 持经观音 (Guanyin holding scripture)? The Guanyin here is holding a vase instead of a scroll though.

This is a classic depiction of Guanyin with a little bit of a modern-ish twist? Guanyin is often depicted with a vase of divine water, but here it forms a circle.

Despite some of the Guanyin statues having the amazing ceramic "clothing", this one remains my favorite, just because of the sense of space and serenity that this simple "frame" design creates:

And this very literal take on "thousand arm Guanyin" (千手观音). It's giving me that "biblically accurate angels" vibe:

Buddha floating atop.......idk what that is but the texture is amazing:

A fully painted statue of Guanyu/关羽. The gradient and detailed patterns on his robes is amazing:

Two identical (I think?) statues of the daomadan/刀马旦 (female commander archetype) character Mu Guiying/穆桂英 as she would appear in Chinese traditional opera, one painted and one unpainted. The word 巾帼英雄 in the title means "hero in women's headscarf", which is a term used exclusively in reference to female heroes. There's also the phrase "巾帼不让须眉", which roughly means "those in women's headscarves aren't inferior to those with beards and thick brows"

Porcelain depiction of Dunhuang's famous feitian/飞天 figures, in the classic pose of playing pipa in reverse (called 反弹琵琶). The clothing on this figure is made of porcelain, but this time also painted:

A porcelain statue of a couple in traditional Lhoba/Luoba/珞巴 clothing. The Lhoba/Luoba people are one of China's 55 少数民族 who mainly live in the south-eastern region of Tibet Autonomous Region, and as of 2019, it is the 少数民族 with the smallest population

A porcelain statue of a woman in traditional Miao/苗 clothing. I love how the artist recreated the traditional Miao silver crown in porcelain.

Painted porcelain bust of a woman wearing the Xunbu/蟳埔 "flower crown", named a zanhuawei/簪花围. The town of Xunbu in Fujian province is known for its tradition of zanhua/簪花, or wearing flowers in one’s hair.

Porcelain statue of a Buddhist monk wearing a zhiduo/直裰 (the robes on the inside) and a jiasha/袈裟 (काषाय/kasaya; the garment on the outside that drapes over the left shoulder). From its looks, one can tell that zhiduo originated from hanfu, but with some minor changes (sidenote, this is not the same as the zhiduo of Ming-era hanfu). Jiasha evolved from the clothing of Indian Buddhist monks, but there appears to be a lot of influence from Central Asia and ancient Greece as well (link goes to pdf; this article is in Chinese).

Some modern-themed pieces. Look at those dresses omg

A porcelain statue of Hua Mulan/花木兰, the character from traditional Chinese literature and opera that inspired the Disney character. I will say though this pose reminds me of someone else.......

#2024 china #beijing #china #national museum of china #dehua porcelain #blanc de chine #porcelain #chinese art #chinese culture #art #culture #buddhism #guanyin

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axiina · 1 year ago

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I saw your post about writing for Coriolanus Snow Andi was thinking classic enemies to lovers nsfw I’ll give you free liberty with everything else 💕

'I hate you' is new 'I love you'

Pairing: Coriolanus Snow x capitol!reader (gender neutral afab)

Summary: When your professor tells you to come to an agreement with your enemy, and you take 'come' too literally.

Words: 3.2k

Themes: smut, nsfw

Warnings: using of 'you' to reader, set before events of tbosas so no actual spoilers, more like academic rivals to lovers but they want to fight at some point so I guess it counts, NSFW | public sex (or more semi-public), unprotected sex (wrap it before tap it), p in v sex, kinda toxic but it's enemies to lovers, more like enemies who fuck, Coryo is pretty rough and possessive, marking, making out, idiots in love but they prefer fighting with each other

Author's note: I found some free time between studying, so I decided that I can no longer delay. English is not my first language so i hope that i didn't do too much mistakes. It is possible that a single "she" or "her" will appear here because I changed the concept during writing and I do not know if I got rid of everything. Let me know whether to stay with the use of 'you' or maybe replace it with personal pronouns or 'y/n'. I hope it's not written very awkwardly and you will like it!!

Coriolanus Snow is a peculiar person. Most people love him. Nice, classy, handsome and rich from a wealthy family. What more could one want? However, one of Coriolanus' traits that everyone seems to turn a blind eye to is his two-facedness. Some say this is merely a symptom of his cunning and wits. He knows when and how to behave to make his counterpart happy. You are not one of those people. Saying that you and Coriolanus Snow don't like each other is a huge understatement. You guys hate each other. From the very beginning when you both met at the academy it was known that you would cause a lot of problems. Too much of a character difference, or perhaps too much of a similarity between the two. However, this is not what is crucial. Whatever it is, it makes you two most likely to kill each other if you could. Every move you make you do to screw each other up. To prove who is better.

Professor Satyria's pleas for you to finally come to an agreement are of little use. The conflict must go on, and neither of you has any intention of giving up.

You like the way things are working out. At first, Snow was annoying and you didn't understand how people couldn't see him for what he really was. Fake. Now he is still annoying, but getting under his skin has become a sort of routine. Quite a pleasant one.

"You have to get along with each other and set a good example as rightful citizens of the Capitol, otherwise the Academy will draw out the consequences."

Professor Satyria's words continue to ring in your ears as you get ready to go home after finishing classes and doing punishment work. On the one hand, you don't want something as silly as arguing to weigh on your future, but on the other hand, reaching out to agree is like admitting you were wrong. Failure.

"Wherever I am you must also appear. Are you obsessed with me?" Behind your back, you heard a familiar, annoyingly kind voice, in which you could sense some arrogance. You groaned turning around to see no one else but Coriolanus.

"Don't you have anything better to do? People are finally getting tired of your idiocy?" Your words, however, did not budge the blond. His expression remained unchanged. One that might make most people think he is a nice person. You, however, have known him long enough to see right through it. Perfect. Too perfect.

"We need to talk. A positive outcome for both sides. It will interest you." Well, the threat of Satyria. He is the first one to extend his hand for agreement. Where is the trick? You look at him suspiciously without saying a word, and so Snow takes it as a sign that you are thinking about the proposition. "Do you have free time? Maybe we could go out somewhere together?"

The suggestion makes you burst into laughter. "With you? No thanks, I'll pass on this pleasure."

Coriolanus is not surprised by your answer. He knew it wouldn't be that easy. Accepting rejection, however, is not his strong point. He is annoyed by your behaviour, but he bites his tongue to avoid responding in the same spiteful way. Instead, he doesn't give up.

"I know we were never on good terms, but I want this war between us to end. I hope we can put behind us all the bad things that happened between us and start fresh. What do you think about this?" he says, sounding quite sincere.

"Let me think." You say and sigh, pondering the answer, which is obvious, but you can't let go of a little malice. "No."

The expression on Snow's face became more serious. It seems that your refusal offended his pride. But he doesn't show it in his tone of voice.

"Why not?" he asks and you notice how he clenches his jaw and his gaze becomes unpleasant.

You enjoy the view and it fills you with satisfaction. "Because you think that with a pretty face and fake politeness, you can get anything. Maybe it works with others, but I'm not that stupid. Additionally, you are damn annoying. That's why."

The expression on Snow's face becomes dark. Typical when he fails to get what he wants. His usual tone is completely gone. His face is twisted with anger. He still tries to maintain a polite voice. The attempt fails.

"Do you want to repeat it?" he asks through his teeth. It's obvious that you've hit one of his sensitive points. That was the plan.

"Exhausting, isn't it? Hiding behind the mask of a nice and put-together boy from a highly placed family who is a veritable ideal is tiring, isn't it?" A mockery can be heard in your voice. Coriolanus is very sensitive to it.

"What do you think you know about me?" He asks through clenched teeth, his tone no longer artificially polite, it is filled with rage. Your mockery has really gotten to him. He tries to calm down, but it's all in vain. Coriolanus has never had problems with self-control, but something about you makes him ready to abandon everything. You manage to get him off balance with ease. In his head, he has one plan. To destroy you.

"Do you think you pretend so well?" You burst out laughing and shake your head. You know you shouldn't say such things. The academy is practically empty, and Coriolanus's angry enough can be unpredictable. However, you can't help but point out everything that annoys you about him. "It's actually quite easy to see what kind of person you are. You look at people with disgust, but when they look in your direction, you suddenly change dramatically. how fake you are to everyone. I wonder how they don't see it. How empty and shallow you are."

"You don't know anything about me!" Snow shouts at you, his face twisted with rage. He is barely able to control himself. He doesn't even try to hide it anymore. He stares at you with hatred in his eyes.

"Don't you dare assume that you know everything about me. You don't know me one bit. You don't know what my life is like. Don't think so highly of yourself. You aren't better than me." He continues, his voice getting louder with every word he says. You really hit his sensitive spot.

"I don't know everything and I'm not going to pretend otherwise. For me, the most important thing is acts, and in your case, they are fake and two-faced. You despise people, and you yourself are at the bottom." Irritation takes over. You know that at any moment you can say one word too many if you haven't already. However, someone has to talk it all out for him. Adrenaline makes you take a step closer to the upset boy without considering the possible consequences.

Snow seems to be on the verge of a breakdown. His fists are clenched and his eyes are wide open with rage. He is breathing hard, trying to control himself. He's not used to being treated this way by anyone. He has come this far over the years, solely because of himself and what role he has taken in society. You really succeeded in hurting his pride. "I warn you right now. Don't mock me any further."

"Why? What will you do? hit me? do it, I dare you. Then everyone will see how "perfect" you really are." You know the situation is starting to get dangerous. However, you come closer. It's stupid, you know it, and yet you do it. Maybe it's the way his reactions give you satisfaction, or maybe it's the way he looks at you.

You can see the hatred oozing from his eyes when they are locked on yours. His face is full of rage, his breathing heavy and his muscles tense.

He takes a step toward you with a clenched fist. You can see his knuckles turning white. He grabs you and presses you against the wall, his body against yours.

A second later, you feel him pressing you against the wall tighter than before, and his hand grips your throat.

You feel the warmth of his breath on your lips. Your heart is pounding as if it wants to jump out of your chest. You feel a strange sensation in your lower abdomen. His eyes are cold, yet they make a pleasant shiver run through your body. His face is right next to yours, flesh pressing against yours. It was a matter of split seconds as you two pressed your lips to each other in an aggressive and hungry kiss.

He returns the kiss, wrapping his free hand around you. He seems to enjoy the kiss as much as you do.

You can feel his body trembling as he still tries to keep control of his overwhelming emotions, or maybe it's because of the situation you're in.

The two of you kiss aggressively. Snow's body shakes as he fights between his desire and how much you get on his nerves. You feel how rough but passionate his kiss is.

He draws you closer and your bodies press against each other. The friction of your bodies makes you uncontrollable over the muffled whimpers you make. You feel the bulge forming in his pants rubbing against your body.

The situation seems hazy, and only fragments register in your mind. How you both enter the bathroom without stopping your hungry and clumsy kisses, and your hands work to get rid of clothes that only makes it difficult. How Coriolanus presses your body against the wall slamming his hips against yours.

All this is to express yourself and give vent to all the negative emotions you have been holding for years.

Snow's body is now almost completely controlled by his emotions. His movements seem full of hatred and at the same time passion. He just wants to express himself using his flesh to claim you as his own.

You feel as if you are on fire, your body moves and reacts according to your desires. The tension that has built up between you for years is finally released, and it all comes out as raw passion.

His fast and aggressive movements make the place where your bodies meet burn in a pleasant way, and you think to yourself that it will be a miracle if you walk normally tomorrow. His dick stretches you nicely and his movements make your inside sting slightly. It's not a problem for now. Not now when your legs are wrapped around his waist and the only sounds you can make right now are moaning and repeating his name like a mantra.

Your body trembles at how rough his movements are, but you don't care now. The most important thing for you now is to show him how much you hate him. A broken moan leaves your lips when he reaches deeper.

Coriolanus feels your legs tighten around him. He moves slower now but is more passionate and rough. He holds your hips tightly, not caring if it is uncomfortable for you. His lips move to your neck, where he bites as if he is trying to unload all the emotions you are causing you this way.

His hips buck firmly against you. Each thrust makes your body more tired and aching but at the same time, it makes the whole experience even more pleasurable. If someone told you that you would end up having sex with your biggest rival in the academy bathroom, you would laugh in that person's face. There you are, panting, with your arms around his neck when Coriolanus Snow is abusing your cunt sensitive from too much friction.

Coriolanus brings his lips closer to your ear. His warm and irregular breathing makes a shiver go through your body. "Do you like it when I claim you as mine?" He purrs, his voice still filled with desire.

"I hate you, I hate you so much," You exhale in a trembling voice that takes a lot of trouble to keep from cracking. You bite and suck at the smooth skin of his neck, leaving there dark marks. "I hate you, Coriolanus Snow."

"I hate you too," Snow says with a low growl as he continues to hold you. He bites your shoulder, leaving marks on your skin. His moans are muffled by your skin, which he touches constantly, as if afraid that at any moment you might escape and leave behind only a faint memory.

You hate him, but you enjoy him. You are pleased when he takes you as his own. You are excited when he uses your body. You feel his passion and desire through his body. You feel his raw passion and it's hard to hate him now.

"oh go to hell" You hiss and bite your lower lip to stop your moans, feeling him moving faster.

He doesn't care if he hurts you or not. All he cares about is that you belong to him right now. His hips slam against yours in an aggressive peace. The bathroom is filled with sinful noises because you don't even think about the fact that someone might come in and hear them.

"you may have already fallen in love, but with me, it's not so easy" A trembling laugh leaves your lips. You feel your head getting foggier and foggier. It's hard for you to put together a meaningful sentence, "but you're doing a good job" a loud moan leaves your mouth. you close your eyes and throw your head back "mmm my sweet toy."

He hears your moans of pleasure, and his eyes close with a smile. He has won and he knows it. Snow always lands on top. He presses you against the wall with his body even tighter. His movements become more sloppy and deeper as if he wants to bury himself inside you. His body trembles as his lips leave broken moans and whimpers.

Passion is so strong that you can almost forget about hatred. You can almost fall in love with Coriolanus Snow. Almost. But you know that what you feel now is only lust, and you know that it's all temporary.

Not him. Not the arrogant boy whose whole life is based on lies. Not that boy who doesn't care about anyone. Not that boy with a beautiful face and mesmerizing blue eyes. Not him.

You press closer to his body, almost clinging to him as a wave of pleasure sweeps over your body.

Coriolanus lets out a raspy throaty moan feeling your walls pulsate around him. His voice is low and shaky. He doesn't seem to notice anything except the way you cling to his body. He moves faster and harder, making sure he satisfies you completely.

Snow is fully immersed in feelings. He can't think clearly or rationally. He only knows that he has to claim you, that he has to satisfy his needs. He wants to feel you and make the most of the situation. All his thoughts and desires are focused on you. His hip movements speed up as he reaches the climax. He hides his face in your neck to muffle his moans. His body stiffs as he comes inside you.

Your arms wrapped around his neck, while his wrapped around your waist. you cling to each other, still not making contact with the real world as your breathing slowly calms down.

What happened in that bathroom is over, they both return to reality. Snow steps back slightly and helps you stand on your own two feet. He looks at you with heavy eyes. All the emotions he had been hiding inside him had finally been released.

He has won and he knows it. He has succeeded. But what now? Was it really worth it? This is not a question for now. Coriolanus does not look far into that future with his thoughts.

You look at each other in silence. Slowly you begin to realize what you have done and now you look at each other awkwardly and somewhat panicked.

Coriolanus is the first to break the silence. His cheeks are flushed and his breathing is faster. The passion he felt a minute ago still lingers in his heart, something he tries to hide from you. He looks at you with a somewhat absent and uncertain gaze

"Do you think we should forget what just happened?" He tries to make his voice sound normal as if nothing had happened.

"Definitely." The words leave your lips before you have time to think. You stare at each other in silence for a few more moments and begin to quickly put on your clothes.

Snow is surprised at how quickly you agree with him. He needs to make sure this is the end of what just happened between the two of you, so he adds.

"If anyone asks, it never happened." He now looks at you with a somewhat panicked expression on his face.

"You don't have to tell me," you scoff, buttoning your shirt, "if you tell even one soul, I'll kill you, I swear."

Coriolanus looks at you with small amusement while fixing his jacket. "I hope you won't become obsessed with me after this."

"Maybe in your dreams," you say with a slight smile fixing the collar of his shirt. " you better be careful that you are the one who will be lost in memories of me." Before you leave the bathroom you stop in front of the mirror and fix your uniform and hair. Coriolanus smiles for a moment but then quickly clears his throat and tries to look cold.

You both come out of the bathroom, look at each other and part your lips, as if to say something to each other, but you look at each other in silence "Now everything is back to normal. We can still hate each other," you say, but this does not improve your mood at all.

"It never happened," Snow says trying to look you in the eyes, wondering if you're thinking about it too. He wonders if what he feels is real, or if it's just a moment of passion.

"Never" You agree by nodding your head. Your gaze goes down to his mouth. As you look into his eyes again without a moment's thought you move closer to him and press your lips to his in-hungry kiss. He kisses you back wrapping his arms around you to bring your body closer.

You parts away after some time and you both catch your breath for a moment after this passionate kiss. Coriolanus is completely consumed with passion and there is nothing in his mind but you.

You move away and nod to each other as if you have just made a deal and each is walking in your own direction in a much better mood.

Maybe that's not exactly what Professor Satyria meant when she said you two should come to an agreement, but it certainly worked.

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