#one of the reasons being

[miiilowo]

non-practicing slut. is this anythign

[gibbearish]

love when ppl defend the aggressive monetization of the internet with "what, do you just expect it to be free and them not make a profit???" like. yeah that would be really nice actually i would love that:)! thanks for asking

[krysmcscience]

I have some questions about karaoke night, Alex Hirsch. Very Important Questions. Which I will happily scream at a poor hapless baby triangle who can have no answers for me, and possibly also does not have object permanence yet.

Follow-up that is I guess suggestive, but let's be real here, Bill's a fucking triangle:

Dude slipped right into his birthday suit, lmao

this is so stupid :D

Anyway, I don't care what anyone says, this brilliant individual knows what's up - Bill is absolutely way more of a monsterfucker than Ford could or ever will be, full stop.

[time-woods]

tf isthis how you flirt ? ?

(part 6-7/?)

(<previous>) (next part)

[lilislegacy]

frank: let me get this straight. thalia and jason’s domain is the sky, percy’s domain is water, and hazel and nico’s domain is basically the underground?

annabeth: yes

frank: but… can’t percy also create storms? that have clouds and lightning and thunder?

annabeth: yes

frank: and… and can’t percy also create earthquakes and make volcanoes erupt?

annabeth: yes

frank: so… in a way, doesn’t that mean everywhere is percy’s domain?

annabeth: yes.

annabeth: but don’t tell him. he hasn’t had that realization yet

[ogeneraloito]

interesting how fords been surrounded by triangles his entire life. looks like ford and bill were always doomed to meet each other

ford did seem to think that he is destined to be in gravity falls, destined to be part of greater things, and bill also thought he was "destined for so much more"

to quote on alex, "that's ford's great flaw, is arrogance. is he believes that there's special people, and everyone else. that human attachments are actually weaknesses. and the song and dance that he’s giving dipper right now, is the song and dance that he gave mcgucket, back when they were younger… ‘you and me are different, we’re better than everyone else. we have a path that no one else can understand, and only us can do this.’"

i think at some point bill really thought ford was the one that UNDERSTOOD him (well, ford did think "why did rudolph not simply kill the other reindeer? he shouldve burned his workshop to the ground"). some of his henchmaniacs didnt seem to actually like bill at all

quick edit for something ive found:

this is from "dreamscaperers", and apparently ford had been dreaming about the cipher wheel for weeks before he even found the cave. enough times that he was even able to perfectly draw the wheel on the journal. bill didnt even know about ford yet.

[sirgavvainet]

The camp cook 👨‍🍳

[hrokkall]

"Sad Cat Poem" by Spencer Madsen

[poorly-drawn-mdzs]

Happy one year anniversary to In Stars and Time!

[valtsv]

i bet haunting people's guilty consciences is fun as fuck when you're a ghost

[cup-o-stars]

The Scoliosis Brothers.

I have like two longer comics that will get done who knows when, but they aren't half as funny tbh. Corazon being unreasonably sensitive and petty about Doflamingo is my bread and butter I think.

[juls-art]

Needed to get some draws out of the Veilguard Companions before I fuck off social media freal~ -- *✧Support me!✧* *✧Tip me for a job well done! ✧*

[morganafayes]

because at the end of the day it’s about how love and hate will destroy you equally. it’s about the fact that merlin and morgana both lost themselves because they became so consumed by their love and hate respectively that it made everything else not matter. because merlin loved arthur so much he hollowed himself out for the sake of it and morgana hated uther so much it ate her alive and became all she was

[girlboyburger]

[quiddie]

Just had a friend show me a conversation in a fan discord about Suvi as a Black American woman in the context of the fallout from the election. And honestly? Yeah. The blueprint is simple: Black women are expected to put their own priorities and emotions on hold to show up for everyone else's battles and hold endless space for everyone's feelings while simultaneously weathering attacks on our character (oh she's so angry/aggressive/violent/rude) and authority (she's a woke hire/affirmative action quota/nepobaby) without complaint. We're expected to save the day under nigh-impossible circumstance, and with fewer resources and support that is AT BEST, conditional.

So yeah, relistening to Suvi's speech in The Witness hurts now. Because that's exactly the feeling I'm wrestling with, and what I see mirrored in the Black women around me. We are exhausted and angry and sad. Those voter percentages are a betrayal of "we" that was promised by other marginalized groups when speaking of the interconnectedness of our liberation. And the unexamined expectation that we immediately rise from the depths of our despair to prepare for the next fight is a cruelty. Suvi isn't real, but if this helps lend empathy toward actual Black women in the world, then I'm glad.

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.