#one of my favs ngl

[formerlympp]

remember zoo vet james? loved him

[kotofeden]

POV: U went to Chief Prosecutors office in the morning

[hyakunana]

I hate the sewers . jpg

[lemongogo]

they should get to kill each other at least twice .i think

[deadmothsketches]

My take on that one magazine these guys did.

[jellyshark-png]

something abt Liu Kang going absolutely wild, god mode if you will 😮‍💨‼️

he’s so yummy you guys i have nothing else to say— anyways check out these details OUGH the fire effects were so fun and the LIGHTING AGGHHH

[arolegos]

2 sets of drawing jay walker (training myself to like him so ill gaf when DR focuses on him)

[shalomniscient]

jingliu angst where she only tolerates you cus u remind her of baiheng sjjahagsab im dead

[nsft utc]

tw. mentions of vomiting (?), unhealthy/toxic dynamic, identity loss

you have always been a stray, hungry for scraps.

it began back on your home planet, ravaged and carved by interastral powers of all its resources, leaving behind a gnawing, gaping hole in the ground and the hearts and bellies of its people. you once mourned your more normal childhood—but the hunger in your stomach and in your soul consumed that too. your meals were few and far between, snatched from the hands of other starving husks, and it was the only joy you ever had as a child. the trickery and the thrill. it’s the only joy you get to keep into adulthood, a twisted elation that grants you a place in the cosmic court of jesters; the masked fools.

it’s—predictably—fun. trickery and thrill are the bread and butter of the fools. your mask affords you many, many opportunities for both, and though you have never had your belly achingly empty since, that hunger in your soul is not so easily sated. now, what you crave is the rush, the adrenaline, the oxytocin. and so you dance on marble floors with a different face each time, with partners who either wish you dead or in their beds, the space between you measured in an unfathomable amount of risk which you exchange for an unfathomable amount of thrill. you scamper along the length of this cosmic ballroom like a starving, feral fox in tall grass, the red of your fur as inviting as the white of your teeth are sharp. you hunt and you haunt, seeking something to fit between your aching teeth, something that will burst on the sharp point of your canines and smear your lips with pure elation and maybe satisfy that abyssal hunger in your psyche.

you have always been a stray, hungry for scraps.

and you have never seen more tantalizing a meal than a devil with a coffin and a woman who seeks to kill a god. she holds the tip of a ice-hewn blade beneath your chin the first time you meet, nicking the delicate skin of your neck, just above your pulse. you swallow. let out a laugh that sounds like a barking fox, and the woman’s sword falters. surprisingly, it doesn’t take much for you to convince her to let you tag along on her fool’s errand. it’s almost poetic. you learn of her name—jingliu. it’s pretty. rolls off your tongue. jingliu doesn’t bother to learn yours, but she calls you fox. you don’t mind the scrap of attention. after all, you’ve spent your whole life living off scraps.

travelling with jingliu (and by extension, luocha) does not lack for excitement. the road to deicide is paved with elation, even if your blue-haired companion refuses to see it. through battle and through the long travel between star systems in pursuit of the great fleet, you get somewhat closer to jingliu. it doesn’t take very long for you to slip into her bedroll (or cot, depending where you are). mara, you find, though cannot be cured can certainly be sated; much like the permanent hunger that curls in your belly. jingliu fucks you until neither of you are coherent enough to feel much of anything, madness or hunger. it’s an arrangement you find yourself enjoying. and as a by-product of such intimacy, you learn more about jingliu. her mannerisms, her illness—her past. she doesn’t tell you any of this, of course, but you can put two and two together from the things she lets slip deep in the throes of some nightmare after fucking you senseless. she gets many of those. the pattern is always the same. at first, she’ll sleep relatively soundly. but then, her brow creases, and her lip curls, and she angrily mutters a few names under her breath; a certain dan feng and yingxing. she curses them, then almost makes a noise like a sob, and something else leaves her lips— another name, but this time spoken with heartache and longing.

baiheng.

it doesn’t take much to infer that this baiheng was someone jingliu cared very much about. though when you ask luocha more about her, he reveals a little detail that makes her moderately more interesting—baiheng was a foxian. in some ways, that makes you similar to her, even though foxian you are not. the thought amused you once, as you looked back upon jingliu’s restless, sleeping form. perhaps jingliu saw her lost lover in you. how… quaint. the assumption never bother you, not really—until she starts to call for baiheng while she’s fucking you.

you’re no stranger to casual sex. even before jingliu, you never lacked for partners eager to share a bed with you. no, the fucking itself isn’t the problem—it’s how she’s fucking you. it isn’t with the detachment and pure lust like you’re used to. instead it’s almost like she cares, hands gentle on your hips as she drives her cock in and out of your greedy cunt. she fills you like she never wants for you to want for anything anymore, and even though you know it isn’t you this affection is for, that jingliu is barely even aware that you’re you and not baiheng, you can’t help but devour it feverishly every time.

you have always been a stray, hungry for scraps. and like this, with jingliu’s cock filling your pussy as she deliriously presses the shape of a dead woman’s name against your neck, you finally feel full.

and it makes you sick.

you crawl out of her embrace and spill your guts every time she falls asleep. your body utterly rejects the feeling—you’ve been so used to starving that the sensation of being full turns you ill. and yet, you can’t seem to push her away. you always come back, always relax under her touch, always pliant for her just to chase that brief, beautiful high you’ve never been able to find anywhere else only to bleed it once she’s done. your heart’s a pythagorean cup; a little too much and you’re spilling over. but you’re so greedy for it, still greedy for her. of all things it is affection that’s the most potent drug you’ve ever tasted, beyond the cheap thrill of oxytocin and adrenaline—even if none of it is meant for you, even if it’s just scraps. but that’s fine.

after all—you have always been a stray, hungry for scraps. and if that means wearing the face of a dead woman and letting the hunger finally devour you whole, then so be it.

[i-can-not-art]

Outside of the city, the stars seem so bright

No fence alt:

[dannywashere]

Real tbh

[captainpingulin]

A hug fixes everything as we all know

[addictvettel]

I actually have a massive crush on him

[zephyrine-gale]

kazuha and wanderer charms! they match :>

[ivoreene]

late as usual, but happy 7th anniversary wha!!!!! love this series so much :]

tee hee

[millipedegf]

guess who just finished bloodborne a year later

[demodraws0606]

An character analysis POV as to how Hu could be the culprit (and a little bit of Nico stuff as well)

tw/ mentions of suicide

So I've seen certain Eden!Culprit truthers just not really believing that Hu could be the culprit because of her behavior during the class trial. However her committing murder against Arei and Ace makes a lot more sense than Eden does by a longshot (especially with Eden having no accomplices atp).

But I also understand why people are confused by Hu's behavior if she could possibly be the culprit. There's a lot of things that don't seem to make sense on the surface that I also accepted however digging further, you can find a version of Hu that honestly fits really well as the culprit of this chapter.

I will also throw in analysis of Nico's behavior because a lot of their behavior during this class trial is strange if Hu really is the culprit but again I think I can explain why this happened.

I also want to preface this by saying that I do think Hu is going to be a heavily flawed character but I don't think she's malicious in any way shape or form. If I find any Hu hate after she's revealed to be the culprit, I will actually fight your ass and that's a promise.

Her outburst against David :

I honestly was also in the camp of not really understanding Hu being the culprit, doesn't this go against her outburst against David ?

Well, here's the thing, I think her outburst was 100 pourcent genuine, I just think Hu is both being a hypocrite in a way but mostly she's hiding her true feelings behind her wording.

Let's take what she says in her outburst :

There's a funny thing about her wording, especially at the beginning :

"You have no right to decide wether I, whether any of us..."

I think what Hu is trying to say is being hidden by her saying "we" and "us". In my opinion, she's probably mad at David for wanting to toy with her life, not even to escape himself but simply to commit mass suicide. Which we know Hu has a very complicated history with suicide due to her secret.

I do think her anger is both a mix of projecting onto David her present (and past self) and also her genuine desire to want to continue living.

She would be mad, she's trying so hard to live and here is David who both planned to let her die not even to survive himself but simply because he gave up. Interesting to note how she interprets David's desire to stop the killing game as "Because this killing game requires us to live, you think you should just reject that notion and kill us all". She doesn't mention him wanting to end the killing game, she mentions David rejecting the notion of living itself.

If Hu was a past suicidal person who now has committed herself to continue living, of course she would be insulted by David's action, it spits in her face and reminds her of a past self that simply rejected the idea of living.

A desire to live that's shown through this outburst and also in her secret quote.

Again switching the pronouns Hu is using here with "I" really gives a new perspective that I think makes a lot of sense with her being the culprit.

"It is not and never will be your desicion as to what happens with MY life"

Because Hu wants to live now, she's no longer her past self, she won't try and throw her life away anymore.

The murder of Arei and attempted murder of Ace :

I want to discuss both the victims and method of murder here because I think it works very well with Hu. It's not really a character analysis thing as much but I didn't want to make a seperate post for it.

Hu clearly does/did not have high opinions of either Ace or Arei, like at all. They were both people that Hu reprimended heavily.

Especially with the secret motive happening, it's very possible that Hu's possible choice of culprit was done with the notion of "who deserves to be killed". Her first pick being Ace makes a lot of sense

I'm making her sound villainous when I say this but I do think it was her mindset at the time, Ace's horrible behavior towards Nico possibly being what led to her to feel allowed to take his life. However when Ace survived, she decided she was simply to deep into it and decided to go with the second best choice in her mind, Arei.

I want to also point out the method of murder...hanging

Clearly the culprit had a lot of knowledge about hanging, with it being their main method of murder. Which would make sense with Hu's past, using her past attempts as knowledge for her to take someone else's life which I find very ironic and in a way morbidly narratively compelling.

What was the motive ? :

I think Hu simply just wanted to live, it had nothing to do with the motives (and I honestly think the motives will actually not ever be involved in the murders bc it seems like they're setting it up to be a recurring trend).

I think Hu was thinking about murdering to get out ever since she was put in this killing game. However the only reason why she has never done so is because she was way too attached to her classmates.

From her secret quote, to her outburst against David, to her secret motive. All of it hints at this strong desire to want to live.

However she couldn't bear to kill anyone in this cast until chapter 2 happened.

Ace and Arei both are probably the least likable characters in chapter 2's daily life, I don't mean that in the fandom sense but I mean that in the eyes of the cast itself. Especially Ace who truly ends up falling to horrible harmful patterns out of self preservation.

We know how toxic the cast became in chapter 2 and I think that's what led to Hu feeling more comfortable killing someone. She no longer felt as guilty when she saw Ace (and Arei but mostly Ace) acting this way. This allowed her to commit murder. When it failed, she simply ended up chosing the second person on her list that she saw as nothing more than a horrible bully.

After all who would miss Ace and Arei, they're both horrible horrible people right ? Who would cry for someone who isn't a good person.

It was a murder both driven by Hu's strong desire of survival and also her view of her fellow classmates.

Nico's behavior :

Before I get more into Hu's mindset, I want to take a little detour to why is Nico being so difficult ?

I know I've made theories about Nico being an accomplice, but looking back I don't think they actually knew Hu did it. Even if they're not telling the truth about Ace's attempted murder and Hu's false allibi.

But then why ? Why would Nico ever do this, don't they know they're potentially putting everyone's lives at risk

Well it wouldn't be the first time a character in DRDT's cast is difficult to the point of risking people's lives (i'm fucking look at you WHIT.). However I think there are both actually decent reasons as to why Nico wouldn't tell the truth alongside his issues with being non-confrontational.

First, I don't think Nico ever expected the murder of Ace to be important to the case. I think they lied because everyone else made it extremely obvious what their thoughts truly were and Nico probably thought that trying to argue against them simply would just make them look more guilty or not do anything at all.

Again I would like to pull Nico's secret quote for evidence here. Because again I think it just fits with everything here.

For the alibi thing, I think Nico genuinely didn't contest it because they probably believe Hu only did that to protect them from getting blamed. Again anything that would make Nico not get yelled at or suspected probably is something they would hold onto. They still have no reason to think Hu really did it, so again with their issues with being non-confrontational I think it would make sense for them not to contest it.

I think Nico's arc is heavily tied with Hu, and vice verca. There's an empahsis on how Nico is struggling to make their true feelings truly known because everyone talks about them and the one person who thinks they are there to protect them actually are just as bad if not worse in ignoring them.

Nico wasn't ready to come out, they were instantly labelled an attempted murderer and the one person who is here to defend them is someone who constantly interrupts them. The entirety of chapter 2 has just been them being objectified and not really giving them a voice.

Which I think comes back to a part of Hu that I think is related to the murder.

Hu's relationship with Nico and Eden :

Isn't that interesting how Hu has established relationships with both Nico and Eden, meanwhile Ace and Arei both have bullied Eden/Nico.

I don't think this is a coincidence and I think it matches Hu's misguided attempts at protecting people.

Hu wants to be useful, she desperately wants to be the strong protector of the group. However there are very clear signs here intentions aren't very glamorous.

In a fucked up way, it's very possible that she sees the murder of Ace and Arei as her helping Eden and Nico. Two people she clearly wants to protect (at least for Nico it's obvious).

However Hu's actions clearly did not help them, in fact, what she did ended up backfiring on the both of them.

Nico ends up being framed as a murderer

Eden lost a potential friend

Not only that but she had to have manipulated both Nico and Eden, to accomplish her murder. It's a flimsey self excuse for Hu to keep up her belief that she's a protector.

Obviously I don't think this was her main motivation, I've talked about it before but it's yet again something that would make it more easy for Hu to swallow the idea of being a murderer.

Is Hu evil ? :

No ! What the fuck did you think this post was for !

See I don't think Hu being the culprit suddenly makes her this horrible manipulative person. Despite the dread I feel with the likelyhood of Hu getting dragged to the ground if she's the culprit, I don't think she's remotely close to characters like...Celeste for exemple.

She's a person who was desperate to live who let herself murder by making up excuses, that she was doing this for the greater good somehow that it wasn't just a selfish desire of survival.

It makes sense for a chapter all about morality right ? Justifying a horrible action by justifying that well...these people she murdered weren't really good people were they ? Plus she ended up killing Eden and Nico's bullies right ? And I mean the killing game will only really end when two people are still alive right ? So maybe she's not a bad person. Maybe she deserves to live.

But people don't to be deserve murdered (99 pourcent of the time, i'm talking about DRDT's moral here) , not even horrible people. You don't know these people, if they could change, and you don't know what consequences you bring upon others by enacting justice like this.

And in a chapter about morality wouldn't it be interesting to tackle the morality of someone who would want to live no matter what. Is it fair to call Hu a bad person because she simply didn't want to die ? Somehow her attempts at killing herself in the past is wrong but letting herself be killed in a place like this is the moral thing to do ?

Is the fact that she killed people who she perceived as bad make this whole thing better. Did these people's lives matter less than her, someone who has been trying to actually be nice to others and help them ?

Or is her attempt of being a good respectable motherly figure only just a facade to feed her ego, a person who once didn't think they deserved now hanging to every possible reason to continue fighting to stay alive ? No matter what, no matter what happens, she needs to continue living.

"A pig never hopes to grow up into a human, because it knows that a metamorphisis like that is impossible"