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suosgirl · 3 months

Note

Helloooo! I was wondering if you are taking requests for Wind Breaker?

If yes, can I ask for a story or headcanons about Suo meeting and getting curious (and eventually falling for) a f.reader who is like a princess for Shishitoren?

In my head it would be funny to see Suo challenging and interacting with Choji and Togame (who are already threatening Suo to stay away from the reader). I mean, he can be kind of mean when he wants, and still wear a smile.😆

Thanks for hearing me out!

And let me say, I realllyyyy love the way you write!🩷

Shishitoren's Princess (& Her Guard Dog) | Hayato Suo x Reader

Word Count: 7471

୨ৎ Read me before interacting!

୨ৎ Pairing: Hayato Suo x Reader feat. Shishitoren (literally most of them), Jo Togame, Choji Tomiyama, Mitsuki Kiryu, Haruka Sakura, Akihiko Nire

୨ৎ Warnings: mdni, f!reader, manga spoilers, ooc (definitely ooc sorry ah), angst, harassment, swearing, kissing, miscommunication – if I’ve missed one, I apologize + please let me know!

୨ৎ Note: oh my goodness – I'm actually so sorry for how this took me (and how long this is ૮꒰◞ ˕ ◟ ྀི꒱ა). I loved loved loved this idea so much, and thank you for the sweetest words! I really hope this is somewhere in the ballpark of what you were requesting! Thank you again for the amazing idea! I love you!

You hadn’t meant to cross over to their territory – truly. It’s just that Togame had mentioned that his favorite Ramune flavor had been out since last night, and Tomiyama had been going on and on about this new snack that just wasn’t available at the usual corner store that you guys frequented, so you found yourself with a mission on your mind and your wallet in your hand.

Pretty, perfect, caring adorable you. With a smile that could heal any scratch and a heart that seemed to never run empty. You were the pride and joy of Shishitoren – their mascot in every sense.

You knew everyone by name. If someone asked, you could name at least 5 things about each person from the top of your head. You could name their allergies, their likes and dislikes, and even their interests – all because you listened to them.

You were attentive and warm – quick to lend an ear if someone was having a bad day or offer advice if they asked.

And it was scary how well you could tell if they were in the dumps – it becomes a running joke that you have some kind of emotional superpower when it comes to them. It takes just one look, one look before you’re bringing them to a secluded corner and asking them if they’ve got something weighing on their minds.

You knew their personalities, knew their stories, knew their hearts.

The only time anyone avoided you was when they knew they did something wrong – because they knew you’d be pulling them by the ear and scolding them. And, as much as some of them wanted to get mad, they just couldn’t bring themselves to – because having someone care for them so fiercely was a feeling that not many of them had ever experienced, and from the bottom of your heart you truly cared.

After every fight, they knew you’d be the one to patch them up. Bofurin had the townspeople, sure, but Shishitoren had you. You, who would set up tables in the Ori with every inch of space taken up by ointments, antiseptic spray, gauze – the works. Whatever injury they had, as long as not severe, was taken care of by you.

If it was serious and required hospital attention, you were the one bringing them there – eyes sharp and tongue at the ready to yell at anyone who dared to treat them differently or deny services.

And these boys … they had the utmost respect for you. You, who had nothing but love to give, never expected a single thing back. You cared for them, genuinely, and saw them as your own brothers to fuss over and worry about and love.

You were family – and honestly, Togame and Tomiyama were just glad to have met you after their fight with Bofurin.

You’d moved to this side of town just a little after the whole thing, and when you’d gotten lost in the dark alleys with your phone on 1% and tears in your eyes, it was Tomiyama who walked you home. He’d talked your ear off the whole way, of course, but he was surprised at how you were able to keep up with him. You were actively responding to him, asking questions, keeping the conversation going – and Tomiyama liked that.

And when you’re delivered safely to your front door, you ask if you can exchange contact info. His eyes light up, and he’s quickly saying yes and that he’d love to hang out with you again.

He doesn’t expect you to reach out to him the next day though, asking if you can give him a thank-you present for going out of his way the day before.

And when you show up to the Ori, with a bag of assorted goodies in your hands, you’re met with more men than you could count, all with eyes staring wide at you.

They expect you to run away, honestly, because they know what they look like. They know that you’re probably a sweet girl, sure, but they were a gang – plain and simple. A gang working on reform, sure, but a gang nonetheless. So, if you were to drop your little goodie bag in fear and run for your life, well, it would probably be the most appropriate response.

Instead, what you do is gasp, point an accusatory finger at Tomiyama, and exclaim, “WHY didn’t you tell me that there would be more people here?”

You quickly hand him the bag, muttering out an “I’ll be back”, and in less than 30 minutes you’ve got your hands full with 5 more bags, packed to the brim with even more snacks.

With Togame, it takes just a little bit longer for him to warm up to you. Not that he doesn’t already like you – it’s just that he’s, well, a bit more reserved and a bit more quiet and observing (a lot more quiet if we’re comparing him to Tomiyama).

It’s when, during a fleeting conversation, he mentions that he plays Go with the elderly men at the public bath – and he watches you perk up at his words. Immediately, you’re asking if it would be alright to play with him sometime, and while he’s hesitant, he ultimately says yes at the sight of your bright eyes and wide smile.

He admits that he thinks you’re just bluffing, until you actually plan a day to play, and now you’ve got him thinking that maybe you’re good? Maybe, you’re a secret Go prodigy or something? Maybe you’ve got a secret or two up your sleeve and –

He wipes the floor with you. Absolutely demolishes you. But you’re happy about it, laughing at the result, and he’s confused because you didn’t win? Did you … did you know how board games work?

You’re quick to tell him that you enjoyed it because you got to spend time with him, got to know who he is as a person because of how he played.

You leave him standing on the street, a bottle of Ramune long forgotten in his hand (his prize for winning) and his mouth open in surprise.

And when you notice he’s not next to you anymore, you turn around with a smile on your face as you ask, “Don’t you feel that you know me a little bit better too?”

Yeah, they were glad that you got to see them as they were now, with hopes and dreams and emotions. They don’t dwell on the idea of you meeting them before then – they don’t want to. Because if they thought about it too long, they’d have their answer.

You deserved to be happy and healthy and protected. You, who filled a hole in Shishitoren that they didn’t even know existed.

And now you were an irreplaceable part of their lives, so precious and so important that they began to understand Bofurin. They had you – someone that they would do anything in their power to protect – to keep safe from harm.

You were Shishitoren’s Princess.

After that, Tomiyama and Togame were stuck to you like glue. Always thinking about you, always concerned, always wondering where you were.

You’re running late and they haven’t got a text letting them know why? They’re out on the streets, danger flashing in their eyes and prepared for the worst. However, when they see that you’ve been distracted by a stray cat on the road, all they do is let out a laugh and join your side.

They hear you sniffling and see that your eyes are shining with tears? They’re immediately on you, asking who did this to you, with a promise to make them pay for it tenfold. “You can’t really beat up allergies,” you laugh, before sneezing into a tissue. Immediately, the Shishitoren boys are rounded up, their eyes focused and determined – to get you allergy medicine.

You were everything good in the world, bottled up into someone who could make even the rainiest days seem a bit more brighter and the hardest challenges a bit more bearable – and they didn’t want anyone infringing on their happiness.

So when Hayato Suo, from Bofurin, comes across you one fateful day – they’re absolutely livid.

And honestly, you loved them, you did, but the way that they treated you like a delicate little flower sometimes felt a bit too stuffy.

What? Did they think you just patched people up for fun? That you knew how to medically treat someone just short of a nurse because it was your hobby?

You’re too absorbed in your thoughts to realize where the directions on your phone are taking you until you’ve already passed the train crossing border that connects Bofurin’s and Shishitoren’s territory. You’re spit out onto a street that you’ve never seen before, but you shrug it off.

When you find the corner store, you make quick work of your shopping list, even grabbing some items for yourself, before you’re out the door.

It’s when you’ve barely taken a few steps down the street that you feel it – the staring on the back of your head.

While you were in the store, you’d felt their eyes on you, but you’d ignored it, hoping that it was just a fleeting moment of curiosity. Now, you see that it was the eyes of a predator stalking their prey.

You pause, before quickly taking out your phone and sending a quick text to Togame and Tomiyama – they just need one small clue and they can fill in the rest – so you send your location.

And when you finally turn to face your stalker, you snap a photo of their face. For insurance, you assure yourself. Just in case.

He’s taller than you, with a smirk on his face and his hands in his pockets. You feel uneasy at his presence, and you look up and down the street to see that no one’s around.

Damnit damnit damnit.

“You’re really pretty, totally my type. Could I get your contact information?” he’s asking, but the tone that he’s saying it in doesn’t leave any room for objection.

“No,” you reply, simple and straight to the point. Then, you stay standing there, and you wait.

“Never turn your back on an enemy.”

Togame had said this briefly, once, while the both of you were watching everyone spar.

When the man takes a step forward, you take one back, maintaining the distance between you and him.

“Oh come on – it’s just your number. Don’t make this such a big deal.”

He’s holding himself back and you can see it. You can see the way his hands are twitching by his sides now and the way his breathing is starting to speed up.

“Always keep an eye on your opponent~! You wouldn’t wanna miss anything!”

Tomiyama’s words run through your mind next, and you will yourself to maintain your facade.

You’re starting to get just the slightest bit worried now, though. It really shouldn’t be too much longer, you think. Any minute now.

But a minute passes by, Togame and Choji aren’t here, and the guy’s got his hand wrapped around your wrist so tightly that it’s starting to throb.

“Please – leave me alone!” you yell out, but it’s going through one ear and out the other. He’s smiling down, dark and sinister, and it’s then that you remember something so crucial that you can’t believe you forgot it.

“Kick them, um, down there. It’ll hurt, a lot. But that’s a last resort type of move, alright princess?”

Those self-defense lessons are paying off, Togame.

You make a mental note to thank him when he gets here.

You kick the man, hard, and when he releases your arm you step back as fast as you can, but –

The plastic bag you had once held in your hand, now filled with the sloshing liquid and the broken glass of Togame’s Ramune bottle, causes you to slip.

Your hands shoot out and you close your eyes in anticipation of the fall that never comes because strong, warm arms are holding you up.

You let out a sigh of relief – finally. You’re brought to stand, but before those hands can leave your body, you’re swiftly grabbing them to wrap around your waist and leaning your head on their chest.

“Geez, took you guys long enough –”

The sight of a black jacket cuts you off. Black, with green embroidery.

You quickly push yourself off, eyes wide and cheeks red because you had just initiated a very intimate hug with someone who was a complete stranger.

“I-I’m so sorry! Oh my gosh – I thought you were someone else!” you blurt out, hands covering your mouth – and he looks as caught off guard as you are.

His eye is wide, mouth open just the tiniest bit, and – he’s cute.

“Wow, I don’t get thanked like that too often,” he smiles, and you’re mortified at his playful reaction.

“I –,” You open your mouth to apologize again, but he’s got a hand on your shoulder, quickly cutting you off.

You look up at him, and the smile’s still there, but it’s different now – it’s frightening.

“Would you mind stepping to the side for me? It seems some people just don’t know when to quit.”

You hear shuffling behind you, and you’re quickly brought back to the situation at hand. Nodding, you get out of his way, and it’s as soon as you step past him that you hear a sickening thud and a groan of pain.

When you turn, you’re relieved to see that the man who’d been harassing you is on the ground, and if you were to guess, probably out cold.

“Wow… You made quick work of him,” you don’t try to hide the awe in your voice and Suo finds it both endearing and concerning that you’re praising him.

Concerning mainly because, well, you don’t seem to be the type to leisurely enjoy street fights.

And now you’re right in front of him, inspecting his face and body to make sure there aren’t any cuts that need to be treated or any injuries that need tending.

It’s second nature at this point — ingrained in your body and soul.

Cute, he thinks, very cute that she thinks he touched me.

“Do you see anything wrong, love?” he jests, enjoying the way you’re so diligently scanning him from head to toe.

“No, I don’t think—”

You are, once again, mortified by his teasing. No one at Shishitoren spoke to you like this, and sure they called you Princess, but to you, it held the same value as sister or friend.

“S-sorry, force of habit… ah, thank you for saving me! I sent my friends a message but —”

You’re cut off by the sounds of two distinct voices yelling "Princess", and Suo’s quick to prepare himself for another fight.

However, when he sees Togame and Tomiyama run around the corner with panic in their eyes and desperation in their voices, he’s just confused.

And when they spot the two of you, with an unconscious body on the ground, it gets even more confusing. Because why are they walking over here and why do they have scowls on their face and —

“Princess, what were you thinking?”

Tomiyama and Togame are all over you, Togame’s hand gently grasping your chin to move your face from side to side, and Tomiyama’s got his hand on your wrist, softly thumbing at the bruised skin.

“I’m okay, I’m okay.”

Suo’s observing all of this, and he’s trying to rack his brain for any information about you. God, he really wished Nirei was here right now.

He’s never heard that name before or seen your face, so this must be a recent development. But with the way they’re fretting over you, you’d think that you’d all been childhood friends or something because the way that they’re worrying over you is definitely not normal.

You try to push their hands away from you, embarrassed that you have an audience, but they don’t let up so all you’re able to do is grumble and huff as they inspect you from head to toe.

“... He hurt you,” Tomiyama whispers, and you grab his wrist before he starts stalking toward the body on the floor.

“It’s okay um – oh, I don’t know your name, but he helped me out! Everything’s fine – really! Please, let’s calm down,” you plead, and all it takes is one look at your anxious face for the both of them to ease up.

Now, Suo really wants to understand.

“Suo … thanks for protecting her. This idiot didn’t tell us she was crossing over into your territory. It’s our fault, sorry,” Togame explains, one hand scratching the back of his neck and the other draped over your shoulders.

Suo takes a moment to respond. Who would he be, after all, if not an instigator?

Because — who were you? You – who could turn the Shishitoren leader and his second in command into mere puppies with your sweet voice. You — who had them running like their lives depended on it.

“Ah, I’d save a sweet girl like her any day,” Suo says, testing the waters, and he gets the exact reaction he was hoping for.

Togame and Tomiyama stiffen up beside you, as you gasp in surprise at his words.

And suddenly, there’s a shift in the air – and it’s deadly.

You sense it, of course, because who wouldn’t be able to feel the heightened electricity and the low hum of buzzing coming from Togame’s and Tomiyama’s chests?

And you, ever the de-escalating expert, quickly blurt out, “Ah, wait! I need to go back to the store! Give me like 5 minutes!”

Before they can get a “no” out, you’re already out of their grasp and beelining it for the convenience store.

It’s silent for a moment, with just Suo, Tomiyama, and Togame looking at one another.

Finally, Togame breaks the silence.

“Look, Sakura’s a friend –”

“And Ume-chan too!” Tomiyama chimes in.

“ – and I hope we’re not stepping on your toes here but don’t get any ideas.”

Suo knows he should stop. He should probably apologize, and let them know it’s not what they think. That they’ve got it all wrong. But … he really can’t help it – not with the way that they’re hissing at him like cats. It’s adorable – and you’re adorable.

He was never really good with holding back his tongue, anyway.

“I think she can make her own decisions, don’t you?”

Togame and Tomiyama do not take kindly to his words, and so it begins – a passive-aggressive verbal war.

“Ha, right. It’s been fun, eye-patch-kun, but we really oughta take her back home. You know, so that we can patch her up,” Togame says, and though there's a smile on his face, Suo understands the underlying message behind his words.

She got hurt in your territory, under your patrol.

Suo smiles back at him.

“Ah, sorry! I wasn’t quick enough to save her, but I’m glad I was able to sort this out before things got out of hand,” Suo replies.

All you guys do is blow things up out of proportion – with violence.

“If we’d been here, she wouldn’t have gotten hurt in the first place.”

“Hm. But you probably would’ve gone overboard.”

“Watch it –”

“Ah, sorry!”

It’s when Tomiyama finally opens his mouth that Suo realizes he’s been uncharacteristically quiet, and when they make eye contact, Suo’s smile deepens – because Tomiyama looked like he was ready to maul Suo into pieces, like a true Lion.

“Ume-chan and Furin are our friends,” he says, eyes darkening with every word, “but she’s our family – I think it’s best if you stand down.”

It’s at that moment that you come racing back towards them, your hands full of goodies and a grin on your face as you exclaim, “I got it! I got it!”

You hand Togame his Ramune, Tomiyama his snack, and … you hand Suo bottled tea.

“Sorry, um, I wasn’t too sure what you liked – but this is my favorite drink! Ah, um, if you don’t like it … Suo … I won’t be hurt. But you strike me as a tea lover so –”

You’re bouncing on the balls of your feet, hands wringing behind your back as you ramble and Suo can’t help the sweet smile and the small laugh that escapes his lips before thanking you.

And as soon as he’s done, you’re being whisked away back to your territory – back to your home.

As you walk through the passing, with Tomiyama’s arm intertwined with yours and Togame’s arm draped over your shoulders, you briefly turn around, just to catch one more glance of Suo.

He’s standing there, smiling as he raises his hand to wave at you. You smile back at him with a glossy look in your eyes before Togame softly flicks your forehead.

Your attention is on Togame now, pouty and dejected, before turning your head indignantly as you begin to lecture him about how you’re supposed to thank someone when they help you, and that it’s the nice thing to do.

In the heat of your lecture, you miss the way that Tomiyama and Togame also turn back to look at Suo.

In the darkness of the tunnel, Suo swears he can see their eyes glinting, and his smile only deepens.

Their eyes, daring and territorial, only say one thing.

Ours. Ours. Ours.

He had to admit, he wasn’t expecting this turn of events but he was intrigued now.

And, it’s only after the three of you disappear that he realizes he never learned your name – your real name.

So, when he volunteers to take over the patrol where the Furin territory ends and the Shishitoren territory starts, who can blame him?

What Suo doesn’t know, though, is that after this little incident, you’re permanently banned from walking alone ever again.

(Of course, you’re not actually banned. But, you are given a scolding afterward – which, in your eyes, is rich coming from Togame and Tomiyama, but sure, whatever.)

🫧𓇼𓏲*ੈ✩‧₊˚🎐

The next time Suo sees you, it’s when he least expects it.

You’re in Bofurin territory, with a small first-aid kit on your lap as you tend to the child in front of you. You’re smiling at the sniffling little boy as you wrap some gauze around his ankle, your fingers adept and swift, as if you’d done this countless times before.

“See? That wasn’t so bad, was it? You’re so strong!”

You ask him how it feels, and the little boy beams up at you, the tears in his eyes long gone and instead replaced with immense gratitude.

You smile down at him, playfully scolding him to be more careful as you pat his head softly.

And then Suo sees you hand him a lollipop — a lollipop — and it’s the cutest thing he’s ever seen.

So, really, can you blame him for sneaking up behind you and whispering into your ear?

“What brings you to Bofurin territory, princess?”

You yelp in surprise, before turning around so fast that Suo worries if you gave yourself whiplash.

Once your blush has gone down and the surprise of seeing him wears off, you explain that you’re here to get some bread for Tomiyama from the Cactus bakery.

He’d been saying that he wanted fresh bread, but there weren’t any in Shishitoren that you knew of. And as soon as he mentioned the Cactus’s Anpan over on Bofurin's side of the tunnel, well, who could blame you for taking that opportunity to not only do something for him but also for yourself?

Which, of course, was to hopefully run into Suo.

“He sent you all the way over here to pick up bread for him?”

“Hm? No, of course not. This is a surprise for him!”

“I see – I was wondering why you didn’t have your guard dogs around…”

“My guard dogs?”

“Oh!” you laugh and Suo thinks it’s the most pleasant sound he’s heard in his life.

“You mean Tomiyama and Togame? No, they don’t know I’m here. It wouldn’t really be a surprise if they knew, right?”

Suo’s starting to see it now – why they care for you so much. But he wants to know more, so he asks about the kid you were tending to.

“Ah — I saw him playing with some kids and he took a nasty fall. I didn’t think it was right to let him go home without care, so I patched him up. I hope that’s okay?”

Suo finds that he really likes talking to you. He likes how expressive you are, how kind you are, and how thoughtful you are. And he finally learns your name. He likes that about you too – it’s cute.

So, naturally, he offers to escort you to Cactus – purely just to keep an eye on you, he convinces himself.

And when he escorts you back to the border, all your goodies in one hand and his arm in the other, well –

He doesn’t care enough to find justification for his actions. He just really liked you – plain and simple.

When you let go of his arm, he’s already grieving the feeling of your body pressed to his side.

You were warm, soft, and he’s sure that if he ever got the chance to taste your lips, sweet.

“Let’s exchange contact information! That way, you can be my guard dog when I’m here,” you say as you pull out your phone, and Suo’s so so glad that he ran into you today.

When he adds your contact to his phone, he puts you down as Princess.

When you add his contact to yours, you put him down as Guard Dog.

🫧𓇼𓏲*ੈ✩‧₊˚🎐

After that, you and Suo try to meet up. But… well…

You don’t see the point in trying to hide it. You were, after all, your own person. You could think for yourself, make decisions for yourself, and speak up for yourself. You were so open to loving and the Shishitoren boys knew this – so why should you hide it?

And when you had something on your mind, you were determined to make it happen. So, you don’t see why it would be any different with Suo. You had met him twice now, and you wanted to keep seeing him. To keep talking to him. To maybe even date him.

But to Shishitoren, this was equivalent to losing you – and they could never let that happen.

So Shishitoren never lets you see him – and it’s not like they’re barricading you inside the Ori or blocking the entrance to the border (though, they’ll admit that the thoughts crossed their mind in one way or the other).

No. They do it in a way that they know will make you stay with them – by acting like big babies.

The first to fall was Arima –

You’re about to leave to meet up with Suo when Arima runs into the Ori, cries of pain leaving his lips as he whines at how much it hurts. You drop your bag immediately, texting Suo a panicked text about how something came up and that you’re sorry but you’ve gotta cancel today.

You have Arima sit down, all your supplies laid out next to you as you ask him what happened and –

It’s a paper cut.

But he’s babbling about how deep it is and how much it stings and it takes forever to just disinfect it and wrap a bandage around it before you realize that half the day’s just flew by for a minor injury.

Second was Kanuma – when he got a bad haircut.

Third was Sako – when he suddenly, out of nowhere, began asking you for advice about how you would approach someone who you used to look up to but lost respect for, who you vowed to fight and win against, only to lose against them and have them apologize to you (you, obviously, struggled with what advice you could even give him).

Fourth was Tomiyama – when he lost his favorite pair of sneakers.

Fifth was Togame – when he lost an eating challenge for the first time.

“It’s for the good of Shishitoren,” they say as they prepare the next victim.

Eventually, you find yourself tending to almost all of Shishitoren’s wounds, whether physical or emotional, and you just can’t believe that they’re fighting against you and Suo so hard.

But, in between all of that, you and Suo still manage to sneak in hushed phone calls and sweet texts.

Always asking about how the other’s doing, always talking about how your day went. He looks forward to it, he realizes, laying in bed as he hears you start to slur the ends of your words, drifting off into sleep.

And you send him photos all the time – it could be of a cat you came across while on the way to the Ori, or a drink that you tried that you liked – and with each text, with each phone call, Suo finds himself becoming smitten with you.

You, who would remind him to drink water and to at least eat something small to get through the day. You, who had perfect memory and would follow up with the things that he’d talked about days ago, just because you were interested and curious (he’d mentioned that there was a tea spot that he frequented in Makochi, and it only took a day or two later for you to bring it up again, this time with all sorts of questions and comments like “I looked at what they serve! Which one’s your favorite?” and “I’d love to go there with you sometime, Suo – if I ever get the chance”. He’d only said the name of this tea shop once, but you remembered).

And sweet, kind, loving you – who seemed to know whenever he had a particularly tough day. You were so attentive to him, which was surprising because all your interactions were never in person, but it seemed that you could understand his mood just based on the extra second it took for him to answer the phone or the way he responded to your text. And the thing was that Suo was great at masking his emotions – an expert, even. But you, who could just sense these things about other people, were giving him the chance to open up if he so chose to. You never pressed, never battered him for an answer. Just a simple – “I feel like there’s something on your mind, but if you don’t want to talk about it, that’s okay! Just know that if you ever need a shoulder to lean on, I’ll be there for you Suo.”

And, above all, you never stop trying. You never stop trying to escape the clutches of Shishitoren to see him – though you apologize every time your plans get thwarted as if you both weren’t expecting the same outcome.

But Suo doesn’t see you again, for months – not until a huge fight breaks out, and you’re honestly the last one he expects to see rushing onto the aftermath of the battlefield with a backpack filled to the brim with medical supplies and a determined look on your face.

They didn’t know Shishitoren was going to get involved and fight alongside them, didn’t know that the aftermath was going to be this bad. But if Suo had known that you’d be running to meet everyone afterwards, well –

🫧𓇼𓏲*ੈ✩‧₊˚🎐

He sees you a mile away, and he’s so relieved that you’re not hurt. That you’re up and moving. That you’re here. But he’s also surprised and caught off guard because – why were you here?

It’s then that he sees your bag, sees the way that you’ve got your hair up and out of your face, and the way that you’re scanning everyone up and down so fast that your eyes never stop moving.

My little nurse, Suo thinks, rushing to the injured like the sweet princess she is.

Little did you know that as he was fighting, there were only 3 things revolving through his mind – Bofurin, Makochi, and you. He fought to protect those 3 things that were so very dear to his heart, and to be greeted with the sight of you after winning? Well, it couldn’t be anything less but a sign of his hard work. A reward, if you will.

He sees you run up to Umemiya, serious and purposeful, as you open your mouth and wait for a response. Umemiya, though very confused, gives you an answer that you seem satisfied with because you nod, then thank him, and now you’re running towards Suo, and you make eye contact, and he can’t wait for you to dote after him and take care of him and –

You smile at him, scan his body, nod – and walk right past him. You never stopped for him, actually. You just kept moving. Just kept walking.

And Suo just watches – he watches as you make your way over to where Shishitoren is laid out, watches as they all let out a sigh of relief when they see you safe and unharmed, watches as they start talking animatedly to you as you start setting up for aid.

And you’re standing there with a pained look in your eyes as you nod at their words halfheartedly, more focused on the injuries that they’re sporting on their bodies than the words coming out of their mouths. You’re going from person to person as fast as you can, and although Suo can’t hear you, he can read your lips as you tell every single person – “I’m here now. It’s okay. Thank you for fighting. I’ll take care of you.”

He watches as you get to Tomiyama and Togame, and sees the way your eyes start to water as they pat your head and tell you that they’re fine – even though you have eyes, you can see how hard they’ve fought. Instead, they’re fondly thanking you for coming all this way just to take care of them.

And suddenly, everything got a bit too real for Suo. A bit too scary.

Because he didn’t realize how hard he’d fallen for you, in between those two fateful meetings, the constant late-night phone calls, and the never-ending texts.

It hits Suo like a train. He wanted to be the one that you search for in the crowd. He wanted to be the one that you’re fussing over. He wanted you to patch him up. He wanted you.

He was in love with you.

And he shuts down – completely.

He goes silent, uncharacteristically so, to the point that Sakura and Nirei are starting to get worried.

“What’s wrong, Suo-san?”

“Suo, what’s the matter with you?”

It goes through one ear and out the other – no response, no indication that he’s even present at the moment.

It’s when you’re patching up the last member of Shishitoren that you feel the heat of an eye on you – and your body reacts before your mind can.

Suo’s name is the only thing running through your mind as you finish up as fast as you can – and you’re off.

You’re making your way to where all of Bofurin is sitting, just barely slipping out of the grasps of the Shishitoren boys.

It’s Togame, with his long limbs, who reaches out and puts a hand on your shoulder and it’s Tomiyama, with his fast reflexes, who has your hand in his.

“Princess, no–”

“Let me find Suo.”

“But you don’t even –”

“Choji, Jo – let me go.”

They hesitate. You’d never spoken to them like this before. Never used their first names before. Never been so cold before.

But they weren’t fools. Even if you tried to hide it, they’d seen the way you sneaked off to talk to him or the way you thought you were hiding your phone when you were responding to him. Anytime they’d bring something up that had even an inkling to do with Suo, you were excitedly adding in your input – all while stumbling over your words as you tried to be mysterious.

(They’d done a test, actually. All they did was bring up the word tea and you were fighting for your life as you kept accidentally saying Suo’s name when talking about your friend.

“Ah, Su– AH, I mean, my friend really likes this type of tea.”

“Oh! That’s S– my friend's favorite place in Makochi!”

They didn’t have the heart to tell you because, well – you really sucked at lying.)

And they realize, with heavy hearts, that you were never theirs to lock up in the Ori. You were so kind, so lovable, so sweet, because that’s just who you are as a person.

You were protected, sure, and healthy, sure, but you weren’t happy.

You, who were the embodiment of everything that Shishitoren was working to protect, had made a choice and they weren’t respecting it the way that you respected them – and they were being, well, selfish.

And when they finally let you go, you sigh in relief. Making your way over to where Suo’s sitting, you yell out over your shoulder, with so much spite, so much anger, and so much love –

“You act like I’m never coming back – stop whining like puppies!”

Togame’s and Tomiyama’s eyes widen in shock before they both laugh lightly at your words in disbelief.

You really knew how to scold them.

“... she’s talking about you.”

“... nah, she’s definitely talking about you.”

🫧𓇼𓏲*ੈ✩‧₊˚🎐

When you made your way over to Suo, you were met with guarded and curious stares from all of Bofurin. Too focused and too determined, you brush it off. You knew about the fight that they had with Shishitoren, sure, but you thought that they had patched everything up? And Shishitoren had fought with them for this big battle, so why the curiosity?

If only you knew the real reason everyone was staring at you.

Instead, you find yourself running past all of them with Suo’s name falling from your lips, and when you see him, he doesn’t respond.

You pause, dejected, before repeating his name.

No response.

Now you’re worried – and scared.

You recognize Sakura and Nirei, based on how Suo had described them briefly, and you immediately begin asking them what happened.

“Sakura, Nirei – is Suo okay? Did he get hurt? Does he need first aid?”

You’re met with silence – and shock.

“H-huh? Do we know you?”

“U-umm – sorry, have we met before?”

You pause at their response, looking at them confused.

You blink once, then twice, then three times – before glancing at Suo.

Unresponsive and unperturbed.

You introduce yourself slowly, giving Sakura and Nirei the chance to remember you – because they must’ve heard your name at least once, right?

They hadn’t.

And now you’re standing there with hundreds of eyes on you, as you come to terms with the fact that maybe … maybe you’d been wrong this whole time.

You clear your throat before timidly asking a question that you fear you already know the answer to.

“Did he um… did he not tell you about me? Uh… about us?”

And suddenly – everything goes to shit.

Shishitoren rises up in arms, walking over to where you are because why did you look so confused and why was Suo ignoring their beloved princess –

All of Bofurin is staring at you with their mouths wide open, processing the words you’ve just said –

Sakura’s spluttering, desperately trying to form words as he continues to just point back and forth from you to Suo with shaky hands –

Nirei’s got his notebook in his hand, flipping through it like a madman because how could he miss something like this, and had Suo ever talked about you? –

Suo’s unresponsive, still –

And then, to top it all off, Kiryu gasps because he’s finally solved it. He’d seen a text on Suo’s phone, so brief and so quick, but he was sure that the person Suo was texting was –

“Oh! You’re the one he’s been texting! You’re Princess!”

At Kiryu’s words, you snap.

And no one, not even Togame and Tomiyama, had ever seen you this angry, this upset, this livid.

You weren’t expecting him to go around screaming your name all over Makochi, but what you did expect was at the very least maybe his friends to know. Was that so absurd? You never tried to hide your feelings for Suo from Shishitoren (They tried so hard to stop it) so why wasn’t it reciprocated? Did he not feel the same way? Had you looked too deep into his actions and created a fantasy in your mind? Did you not really know him as well as you thought?

Or worse – had he been toying with you?

Oh, you were pissed – and poor Suo didn’t have a clue.

You go to stand in front of him, eerily calm and sickeningly sweet as you call his name one more time.

“Hayato Suo.”

Now that – that brings him back to his senses. You watch him blink in succession as he grounds himself, before his eye darts to you, to Furin, to Shishitoren – and he quickly puts the pieces together before letting out a stiff laugh.

“Ah – I was hoping to introduce you properly to everyon–”

“Am I a joke to you, Hayato?”

Suo freezes at your words.

How could you, who had unknowingly wormed your way into his heavily guarded heart, be a joke?

But he realizes now – and he feels, for one of the few times in his life, stupid.

Because you love with your heart on your sleeve, and Suo loves with his heart tucked away.

And really, Suo should’ve known, because you’re you — you who gave Shishitoren something to protect and to hold close to their hearts, safe from danger and harm’s way.

You press on, fighting through the anger and the embarrassment and the fear you feel rising inside of you.

“Tell me Hayato, answer me. Was I? Hm? Did you have fun?”

“No, I –”

“Every call, every text – did that mean nothing to you? Was I just being delusional?”

“Wait I –”

You’re so close to him now, softly jabbing your finger into his chest as your words begin to get more and more shaky.

“Do you feel powerful, Hayato? Making a Shishitoren girl fall in love with you–”

You stop yourself, teary-eyed and vulnerable, and you feel so stupid. Because what hurts more than anything is giving someone all your love, all your time, all your energy – all for it to have been for nothing. You thought he felt the same, truly. But now? All you wanted was to walk away from all of this, walk away from Bofurin, and never ever look back.

He grabs your hand, desperately, as your words sink in. He wants to – no, needs to make sure that he’s not just hearing things. That he’s not just imagining it.

“You … love me?”

You pause, taking the chance to actually look at him. You see hope on his face, and you furrow your eyebrows in response.

“... is this another joke? Of course, I love you, you idiot. You would’ve been the first one I ran to but your leader said you guys were all patched up already so I –”

Everyone’s eyes turn to Umemiya, who shrivels under the attention and wordlessly mouths an “I didn’t know!”

But your eyes are only on Suo’s, and Suo’s is only on yours.

And Suo lets you see him, truly see him, for who he is. He doesn’t shy away from your stare, doesn't put on a mask, doesn’t push his feelings into the box that’s been his safe haven for so many years.

Your eyes flicker with uncertainty and fear, but you convince yourself to try one more time. Just one last time.

“Hayato Suo, I really do love you,” you whisper, so slowly, so hesitantly, so scared.

Then, with everyone’s eyes on the both of you, Suo slides one hand to the small of your back, and the other to cradle your face.

He wanted to learn how to love with his heart on his sleeve – just like you.

“… again.”

“… I lov—”

His lips cut you off, and honestly, you’re not even mad. Not when he’s pulling you flush to his body, his hand slipping to the back of your neck, and your fingers grasping at the collar of his jacket.

Black, with green embroidery.

“I love you, too – but I’m afraid there’s too many eyes here for me to show you how deeply I feel for you, Princess – I hope you’ll forgive me.”

Dazed, all you can manage is a soft nod and a flutter of your eyelashes before pulling his lips back to yours.

Suo smiles into the kiss. He was right, you were as sweet as he thought you’d be.

#melody answers (& loves it)#melody writes (& never stops)#hayato suo x reader #suo hayato x reader #wind breaker x reader #windbreaker x reader #wind breaker (satoru nii)#hayato suo #suo hayato #wind breaker

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ohnogemini · 3 months

Text

Are You Sure?

Hello, the name is Gem ✧⭑๋

This is the first fic I have ever written, and I have been sitting on it for a few months entirely too nervous to post it. I know typically fics tend to be short but this one flew out of me and I could not stop. I would love to hear your feedback and thoughts however please be nice to me for I am but a ｡⋆୨soft baby୧⋆｡ I hope you enjoy my story that came to me after watching every video of Lee Minho going camping over and over again ᵔᴗᵔ

✶ Word Count: 13k

★ Genre: !afab reader x Lee Minho

✹ Rating: Explicit 18+ Minors Do Not Enter

★ Comments: Tropes used: oops one bed; friends to lovers. Fluff and yearning. Slow to smut but it gets there. Felix and Seungmin make an appearance. M & F receiving oral ; unprotected consensual sex ; light spanking ; some cursing.

⋆౨ৎ˚⟡˖࣪.

You're sitting on your hands, with your feet hanging off the dock looking out onto the clear lake before you. The water is still enough that you can see your reflection when you look over the edge. You pull a hand from under you and absentmindedly put a strand of hair back behind your ear.

The air is warm, but the shade from the tree nearest to you is covering the top half of your body and you silently thank it for shielding your head from the beating sun. You feel the vibrations of movement on the deck before you hear the footsteps and you're immediately reminded of the knot in your stomach, the tension in the air that has been pulling at you for the last 20 hours.

You're aware that you've been sitting here by yourself for a while but cannot place how long that could have possibly been. The footsteps approach and stop next to you; glancing down to your right you see his sandaled feet and slowly trail up to see his half smile, left side of his lip curled and his eyes looking soft and half closed.

He's dressed differently now than when you parted with the guys and came to sit at the dock. Soft black shorts, a black shirt with the sleeves cut off, a baseball hat sits on his head barely revealing fading blond hair around the tips of his ears. He's holding a small wicker basket, though you can't see its contents.

"Hi, Minho" you say softly - as your eyes fall back to your lap, curling your hands around the hem of your shorts. He chuckles a little.

"Would you like one?" You hear him grab something and the sound of a glass clinking together. You look back up and see he's holding out a bottle of soju, your favorite flavor.

You pretend to read a watch on your wrist that you don't have - " I suppose now is as good a time as any. "

You try to shine a sincere smile up at him and hope he doesn't catch that your joke may have a double meaning. You grab the bottle from him; he moves a little bit forward and gracefully but forcefully plops himself down over the edge next to you, quickly realizing he has slips on and pulling them off and setting them down next to him, along with the basket. Minho grabs another bottle and two tiny clear cups and offers you one with a sly grin and kind eyes.

You shake your head, "Thank you, but I don't think I'll need that at the moment". Twisting the cap off your bottle, you hold it out to him for a cheers.

His smile softens a little, air blowing out of his nose like he's trying not to judge you and clinks your glasses together. You turn straight ahead again and pull a long swig from the bottle relishing in the sweet taste of strawberries. He opens his and takes a long swig too, opting to go the same route as you perhaps to ease the tension or maybe he needs it, too.

A silence falls around you and him. It's gentle but the quiet tension is still there from last night and this morning. He's sitting a little closer than you had expected him to. A flash from last night pings through your head and you wince at the thought.

It's been 5 months since you last saw him. Although you text quite often, and he calls you occasionally to check in, just like he always has since you met him 4 years ago- the distance has grown recently and become a little harder for you, even though you'd never admit it. Last time you spoke on the phone he invited you to this vacation.

You were a little nervous at the thought of tagging along with him and a few of his roommates on a camping trip, but you couldn't fight the need to be by his side again, so you accepted.

Every day, thoughts spin in your head about him. Each time the feelings become more vivid, more real, and precise. The corner of his lips when he smirks. How his entire face lights up, head tilts back and eyes crease when he laughs at one of your dumb jokes. No matter how desperately you try, the images and thoughts always fight their way to the surface.

"Neulbo..." His voice is incredibly soft and teasing, trailing the nickname out a little long but it snaps you out of the small trance you were in. You look over to him with a squint of pretend aggravation. He lets out a loud, quick couple of punctuated ‘hahas' and smacks his knee. He knows the nickname annoys you but not in a bad way. It’s true, you are lazy, but only because you like to enjoy the little things in life.

Just like this moment.

"Have you reconsidered my offer to go fishing tomorrow morning? I think you'll be good at it since it doesn't take any skill." He winks. "Plus, it’s a perfect relaxation moment for a little sloth like you. It’s just like what we’re doing right now but - with stinky bait and a pole."

He finishes the last sentence with a cheesy grin, his perfect bunny teeth showing, head tilted a little- like he knows his charms are working on you.

"If it also involves some of this, then I suppose it can't be too bad. But I'm still debating!" You hold up your drink and take another long swig as you look him in the eyes. He doesn't look away as it drops from your lips, and you clasp it in both hands. His face falls to a more serious look and the knot in your stomach swirls.

In your head you're repeating, please don't bring it up, please don't bring it up, please don't bring it up. But he does...

"I'm sorry about last night. Seungmin can be a little instigator and doesn't know when to keep his mouth shut. And it certainly doesn't help that Yongbokie can sometimes be clueless. They mean well but I don't want you to feel uncomfortable during our time here. Only I am allowed to make you feel uncomfortable." He quickly reaches out and pinches your thigh and you let out a squeak.

He's always known how to break the tension in most situations- by making a funny face at you, saying something absolutely random that it catches everyone off guard, or simply screeching in the most ungodly way that everyone bursts out in laughter. This moment is no different.

The tension subsides except for the small pull in your stomach- you're not sure that will ever go away. He's not wrong about Felix either. You've been around him enough to know that his sunshine demeanor and kind soul is no facade. He would never intentionally make you feel awkward.

Seungmin on the other hand... He knew what he was doing. It was already determined during the group text when you guys were planning the trip that you and Minho would share one of the glamping tents while Felix and Seungmin shared the other. It made the most sense since you didn't know the others as well as him. What you didn't know, was that Seungmin had purposefully booked one with two small cots and another with one larger cot. That little shit. And since they got there before you and Minho, they had already picked the one with the two small cots.

After dramatically rubbing your thigh and making an exaggerated frown, you look back up at him,

"Felix is lucky he's so adorable. However, Seungmin is on my shit list."

He punches out a laugh with a fake shocked expression on his face. You continue, "I truly don't mind sharing a room with you, we've done it before. But hiding condoms under the pillow and loudly playing "Let's Get it On" from his phone pressed up against the side of our tent was him digging his own grave."

You smile and laugh a little, taking another sip as he falls back against the dock covering his face with his arm, his nose pressed into his elbow. He's really laughing now. It's pure and loud and makes you laugh harder. You turn your body towards him slightly, fold your right leg and put your elbow on your knee to look at him writhing in laughter.

It truly was funny what Seungmin did, but it did make you extremely aware that you would be sleeping very close to Minho all weekend. You continue to trail your eyes over him as he laughs. First to his perfectly toned arm laying over his face, down his chest that's bouncing softly with each laugh, falling to the slit that his shirt is making right over the top of his shorts giving you the tiniest, thrilling view of his tight stomach muscles, finally to his thighs... strong, thick muscles... perfect to sit on, or even bite...

The silence rings in your ear a moment and you are acutely aware that he has stopped laughing. Your eyes dart back to his face to see that he’s dropped his arm and was watching while you were very much staring down at his legs.

You see the smallest hint of a smirk across his lips - but you don't linger - and quickly bring your bottle up to slam the rest of your drink. He sighs softly and leans back up to a sitting position. With the way you turned to see him laughing, when he comes all the way upright, the closeness between you two is aggressively narrower than before.

Since this proximity is not new to either of you, you try not to move away so as not to seem startled by the sudden closeness, but your heart is beating rapidly; you hope he can't hear it or sense the tingles that run down your spine when his knee brushes yours. You remind yourself again that this is not abnormal, you've even rested your head on his shoulder a few times while watching a movie on the couch. But something in the air has felt different this weekend. Palpable.

"I suppose the guys will be back in the next half hour or so." He takes another sip of his drink and looks straight out across the lake.

You follow his eyes and take in the sight with him. The sun is just barely starting to fall slowly behind the mountains. This spot truly is serene. Out of the corner of your eye you can see his profile. Sharp but delicate. You turn ever so slightly to pretend you're looking at the oncoming sunset. His skin has become more honey-like since summer has started, and you hadn't noticed before, but he turned his hat backwards. Annoyingly attractive.

Although the lake sits still in front of you there is a faint sound of the river that flows behind the campsite and connects to the lake up above. You feel the heat rise slowly in your stomach but stop yourself. This is Lee Minho, your friend...

You shake out of your thoughts, smile and say, "I bet you 15,000 won Felix tripped and fell at some point."

He turns to you with a mischievous look "I bet you 15,000 more that Min tripped him"- Your hand raises to your lips with big eyes, and you can't help but giggle. His had bolts up and grabs the yours that was covering your mouth, "Let's go hide some of Min’s stuff!" He stands and pulls you up with him.

"I would love nothing more!" you say as you squeeze his hand.

You both remain for a second longer then would be normal with your hands lightly clasped, feeling an approaching heat flush up on your cheekbones, you pull your hand away to secure a strand of hair behind your ear.

"Also, you brought ALL of the soju for us?? Did you expect us to drink all of that just sitting out here?!" you look over his shoulder at the basket he brought. Sure enough, it had a bag at the bottom with ice and 6 bottles of soju sitting in it.

He turns around and points down at the basket "Firstly, that's not ALL the soju we have. But also, I wasn't quite sure how you were feeling. You opted out of the hike and then told us you'd wait by the lake. I figured maybe... if you didn't want to come back, we could sit here and drink heavily until we'd have to crawl to camp later for bed." He looks up with another sneaky half smile and a chuckle in the back of his throat.

His words were playful, but you can't help but notice that lying within those words was concern for you. Was it only concern? Or maybe he wanted to spend some alone time with you? You blink away the thoughts quickly.

"However fun that really does sound, I really want to mess with Minnie, and I am getting pretty hungry." You reach down to grab the basket, but he swats your hand away and wags his finger at you.

" Nuh uhh, my clumsy Neulbo."

You pull the towel tightly around your chest and tuck the top part in between your cleavage. The showers at the campsite are bleak but it got the job done. During your shower your mind continued to betray you. Your thoughts couldn't help wandering towards the way Minho's thighs looked flat against the dock, shivering at the thought of tracing your fingers over the defined muscles...

However, the cold water helped free your mind from the slight fog of the bottle of soju you inhaled while sitting with him at the dock, and your stomach was screaming at this point.

During the group text, Felix had brought up hot dogs for dinner and you were excited at the idea of having an American styled camping dinner. You missed your home but being in Korea for the past 5 years has been the kind of adventure and change your soul really needed. Besides, after meeting Minho a year into your time here everything really fell into place. It was an immediate connection. Both of you being on the more reserved side but still craving adventure, music and food. And damn did Minho know his food.

That's how you know that dinner isn't going to just be hot dogs. If anything, Minho has made at least 10 other side dishes, and you're not mad about that.

You quickly towel dry your hair and slip into your outfit. It’s still decently hot so you picked an oversized graphic tee with the collar and sleeves cut off, so it falls down one shoulder, your bandeau bra shows slightly on the sides, and jean shorts that are a little shorter than you remembered.

"Oh, wow Noona, you're absolutely glowing!" Felix says with a bright smile and a cute wave as you walk back into the opening of your campsite. You stick your tongue out to the side and wink as you pass him by to place your things inside your tent.

Minho had made the bed and even picked your jacket and purse off the ground and put them onto a hook at the back of the tent. You chuckle to yourself and throw your dirty clothes on top of your luggage in the corner, knowing he'll pester you later about your laziness. Right now, you're too hungry and ready for another drink to care.

"That's absolutely not how it works, and you have lost, just accept it." Seungmin is sitting back in a camping chair speaking to Felix who is dramatically waving his hands in the air.

"You can't only suggest word games with me and expect me to ever win a single round. If it was in English, I could win!" Felix stomps over to a large brown bag that they filled with games for the trip and pulls out Jenga. "We're switching to physical games, I'm too soft and tired for your mind games Min".

Pulling a bottle of soju out of the cooler you glance over to Minho who is working studiously over an open fire cooking. He's carefully turning over huge sausages on the grill and using a white towel here and there to wipe beads of sweat from his forehead.

You notice that the table next to him is just as you expect it to be, filled with small plates of Korean meats and side dishes. The man can never go without being extra when it comes to food. You bend back down to pick up another bottle of soju and a water bottle and mosey over to him.

"This looks like thirsty work." You outstretch your left hand that holds both a bottle of soju and water to him.

You can really see the sweat on his face and neck now. A single drip comes down from the corner of his forehead, slowly falling down his cheek to the swoop of his neck; he catches it with the towel pressing it down around his neck and onto the bit of chest that's showing from the top of his shirt.

His eyes blink at the drinks several times in serious thought and grabs both.

"At least someone appreciates my hard work out here." He gives you a small toothy smile and sets the soju down, twisting the water bottle cap off and chugging most of it in one go.

"I haven't seen that shirt in a while. I like what you've done with it." He points the water bottle at your shirt and goes back to drinking it.

You truly didn't think he'd remember giving you this shirt years ago. It was within the first year you guys became close. Being the clumsy person you are, when you were at his apartment you had spilled an entire glass of red wine on your new blouse; he demanded you take it off immediately so he could wash it in cold water and gave you one of his old t-shirts to wear. It was comfy and you liked the design. But you liked it especially because it was his.

"Oh," you chuckle nervously- "I hope you don't mind. You said I could keep it and it felt like the perfect shirt to make into a summer fit." You glance down at the cartoon cats high fiving on the front of the shirt and pull at the bottom hem a little.

"No, no. I don't mind. You somehow turned my old dusty shirt into a thing of fashion. Let's try not to ruin this one too, huh? I couldn't bear the thought of the kitties being thrown into the trash tonight. There is only so much heartache one can go through in life." His playful smirk is back on his lips again as he turns back to the fire to pull the food off the grill and place it on the table.

"Alright you animals, come eat before it gets cold and Lino gets angry!" He clanks the tongs together a few times towards Felix and Seungmin and they are up out of their seats headed to the table before he even finishes the sentence.

The food is outrageous. You can't help but wonder if it's because you're so hungry or purely because Minho can make anything delicious no matter where he is or what supplies he has. The sun had fully set, and you and Felix clicked on all the lamps during dinner. Conversation was fun and easy like it usually is between all of you. You, Felix and Seungmin played rock, paper, scissors to decide who had to take all the trash to the animal safe bins and by no surprise Felix lost.

The drinks flowed swiftly now. The remaining soju was finished, and everyone ripped into the case of beer Seungmin had brought. There was whining and groaning about fishing in the morning, but Minho held firm that everyone had to participate. As the night dwindled, the games became too much of a hassle and eyes grew sleepy, Felix and Seungmin waved half-hearted goodnights as they dragged their feet to their tent.

You were slightly bent over towards a small faucet coming from the ground, rinsing your hands free of some soap and the remnants of dinner and a Jello candy you had for dessert when you're caught off guard by a voice right behind you -

"Are you going to use all the water from the well?" Minho says just above a whisper- your heart jumps and you stumble forward catching the faucet on your hip falling a swift path to landing on your face.

As your stomach flips at the plummet, you feel yourself stop midair. His hand is holding tight to the top of the back of your shorts while the other quickly finds its way right below your belly button to stop your fall. The fear you had a moment ago all at once turns to relief as you dissolve into laughter.

"What the hell Lino, you scared me! How are you so quiet with all these damn twigs everywhere!" You're still giggling quite loudly as you try to straighten yourself up.

The hand holding your shorts lets go warily, but the one on your stomach holds firm helping you get your balance pulling you back up and closer to him. You did not realize you were still a little tipsy, but it is apparent now as you teeter backwards flat against his chest. Both your hands come up to meet his over your belly as it softens from the adrenaline-fueled laughter.

"Someone still seems a little affected by the drinks tonight." His laugh is low, but you can tell by the way it sounds that he has that mischievous smile on his lips again.

He still hasn't made an effort to let go of you and you're unsure if that's because he's nervous to let you go if you might fall or if he's happy to have the sensation of your body pressed up against his and your hands laid gently over his.

"Let's say we take a night stroll by the river. I promise I'll try my best not to push you in no matter how strong the urge is." He squeezes you a little tighter now before grabbing one of your wrists to turn you around and starts to lead the way, not looking back to witness the flush on your cheeks.

The walk to the river’s edge isn’t far. You stopped at the camp to grab another bottle of water before continuing. The short walk was quiet which was not uncommon with you and Minho. Silence never really bothered either of you when you were together. Usually filled with giggles at whatever anime or new movies you happily dived into. Or silent looks and gestures at food or scenery you enjoyed.

But tonight, you wanted him to talk. Even though he spoke plenty with you and the guys at dinner, it was different when it was just the two of you. His voice had this special edge, and his tone would lilt upwards unlike his more serious voice when around others.

"Thanks for making us hot dogs Lino. Even though they were most certainly sausages and not Ball Park Franks like I'd usually have at home." You skipped up next to him with your hands behind your back pushing playfully into his shoulder.

"I've never heard of them, but they sound unhealthy." He looks over at you one eyebrow raised blinking a few times, "I'm confident these were better." He chuckles softly and pushes back into your shoulder.

The sun had set hours ago but there was a clear view of the moon on the other side of the river giving you the perfect amount of light to see his feline eyes patrolling the ground for large rocks and pointing them out or guiding the both of you around them.

You scoff and turn your head up a little at his diss of your favorite guilty pleasure food, that is admittedly not that healthy.

"Not every meal has to be a perfect balance of nutrition you know. People are allowed to enjoy a little junk food once in a while!" You both laugh again, smiling at each other very well knowing you've made midnight runs to the corner store for ice cream plenty of times together.

"Thanks for bringing me on this trip too. I definitely was not expecting the invite." You say this part a little quieter than the last.

"Of course, why wouldn't I?" His response is quick, his tone is matter of fact.

"I guess I just didn't anticipate it at all." You're looking down at your feet now. He looks over at you, but you don't look up.

"Well now you're sounding ridiculous." He says this one through a huff that could have been a laugh. But for some reason you can’t match it. You're not sure why, but you suspect it has something to do with the knot that's still in your stomach, keeping you tethered to some sort of unspeakable tension.

"Either way, I was surprised. I sort of started feeling like you'd forgotten about me." As soon as you said it you felt foolish. He stops dead in his tracks.

"What made you think that?" His voice sounds more serious now than when he was retorting your statements earlier, with a tone of concern as if he thinks he's done something wrong.

You stop too and turn towards him as your hands come up waving in front of your face with your head shaking back and forth. The bottle in your hand has a tiny bit of water left in it and is making a small sloshing sound as your vigorously waving. He reaches up and grabs it, sliding it into his back pocket; the action is done before you can realize it’s happening.

"I just meant that..." you tuck a strand of hair behind your ear as you calculate the right words to say how you've been feeling but not too acute that you sound crazy. He's looking at you more intently now as he watches you think. Patiently waiting for your response.

You meet his eyes- "Ever since the last time we hung out, when we went to that cafe, you've been sort of more reserved? I'm not sure if that's the right word or if I'm just imagining things."

Your face is flushed now but you're hoping the cover of night is making it hard to see. He squints his eyes slightly and now you can see the gears in his head turning.

His arms come forward and he crosses them in front of him for a moment; then they fall quickly to his sides, and he puts his hands into the front pockets of his sweats. It’s almost as if he found something particular he wanted to say but decided against it.

"If I'm being honest, I didn't realize I had been acting differently." He picks up his hat off his head, combs his hand through his hair, sets it back down on his head and sticks his hands back in his pockets.

You can see clearly now his brows are furrowed. You reach up and cover your eyes with one hand and rub them with your thumb and middle finger realizing now just how stupid it was for you to bring this up,

"I'm sorry- I didn't mean to make you feel weird." Your hand drops down to see he has a grin back on his face. It's slight and his shoulders are pushed back into a more relaxed position now.

"Nonsense. I'm always weird." His grin widens, curled at the corners more with a small number of teeth showing. It softens when he continues. "But I'm glad you did bring it up because I suppose when I think of it, I have been a little distant and I'm happy to be more aware of it now."

You're not exactly sure what that means but you're too nervous to be direct and ask outright. Is he happy to be aware that he's been distant so he can try to not be? This is the first time in a while you've spoken about something so serious with him so you're unsure how to continue it.

You realize you've been silent for a little longer than anticipated as questions roll around in your head.

Instead of acknowledging his statement out loud you turn and point down the path. "There is a bench up ahead and it’s calling my name."

As you start moving ahead, you hear him chuckle and follow behind you. The air is slightly brisk now. But the heat over your body from the embarrassment of bringing that up makes you wish for a large cool breeze to wash over you.

You reach the bench quickly. It’s made from a log of wood, carved out with an L shape so you can sit and lean back against it. It’s quite small too. Just enough for two people to sit comfortably.

You sit on the farther end pulling your knees up to your chest and wrapping your arms around your legs as he tosses the water bottle into the trash and sits next to you, legs stretched out in front of him leaning back with his hands tucked into his pockets.

"Ahhhhh" he sighs loudly, closing his eyes and taking a deep breath inwards from his nose, his head tilted up at the sky. He looks stunning in this light. His sharp features are softer, more rounded in the low light of the moon. It’s almost as if you're in a black and white film. His eyes stay closed for a moment longer before they open to look at you, looking at him. Your lips press together, turning into a thin line of a barely visible smile.

He quirks one side of his lips up and pulls his hands out of his pockets to clasp them together and place them on his lap.

"So then, what made you decide to come? And don't tell me it was your excitement for fishing because I know that will be a lie," he says with a faux serious look on his face.

A loud laugh bursts from you "You're going to be so mad when I catch the biggest fish out of all of you tomorrow. I know I'm clumsy, but my luck is insurmountable."

You can tell he doesn't deny it by the shake of his head as he returns your laughter. But he doesn't respond, clearly waiting for your real answer. You drop your hands down to your sides and shuffle a bit in your position pulling your legs a little tighter inward towards your body. Thinking back to that initial invitation and the excitement he had when you accepted it, you realize that maybe it's not too serious of a thing to admit that you missed him...

"To be honest, it’s been a while since I had a really good laugh. If feels better when I get to laugh with you instead of at my phone." It's not the whole truth, but it's what you're willing to say at the moment.

"I'm glad I can bring you some relief." He raises his left arm and leans it back on the bench turning his body slightly towards yours. He gives you much more than just relief, but you're not sure how to tell him.

"Well, what made you want to invite me on this trip?" It's time for you to ask the questions.

You look over at him now, keeping your eyes as soft and clear as you can manage despite the craving in your chest to hear certain words come from him, trying desperately not to expect anything. He looks out across the river with a shy smile on his lips and then turns to look you right in the eyes and speaks softly -

"I missed you."

He said it. The thing you were too scared to say. Plain and simple. Your heart stutters a bit as you try not to make a face. Against your wishes your lips part as you take your next breath and then it turns into a smile. He can definitely see the red in your cheeks now because he stares more keenly.

A surge in your stomach flows through you at that moment. Something just clicked and became clear to you that you hadn't noticed before or even thought twice about. How come Seungmin did those things last night?

As far as you can remember, he has never done anything like that before when you we're over at their apartment. Even the times you drifted off to sleep on the couch after staying up too late watching something or talking with Minho. What was different this time?

His last words seem to embolden you for a moment as the next question slips past your lips quicker than you can vet them in your mind. "Did Seungmin do those things last night for a reason?"

Your heart is hammering in your chest now. You really didn't think you'd have the courage to ask that. You went from semi-innocent questions to one with a significant undertone. However he looks a little more nervous than you for a moment.

He chuckles anxiously but you're unsure if it’s at the awkwardness of your question, or at the surprise of what he wants to answer. His pause is drawn out a little longer -

"I told him not to do anything stupid, but you know how he is. When he gets an idea to mess with someone he rarely can be stopped. A while back, he may have figured out something even I wasn't fully conscious of yet."

The implications of his statement are not lost on you. While he's not outright saying what you believe he's thinking, you're quite used to the way he speaks. His eyes search yours; they are a bit darker now, piercing, and you fight desperately not to look away. The tension that has been here all weekend was not in your head.

He tilts his head to the side, still gazing at you like he knows you're lost for words. You've never been good with saying what you mean out loud and he knows this, but he's being patient with you.

"I...." You pause for a moment as you draw in a shaky breath. "Are you saying something has changed?".

Your hand comes up to your mouth as you fiddle with your bottom lip, a nervous habit of yours he knows well. He reaches up and grabs your hand to pull it away from your mouth and down between the two of you. He rubs a small circle over the top of your thumb as he's looking down at them gently clasped together -

"It doesn't have to if you don't want it to," he says in a low voice.

It feels as if your head is spinning. This must be why he was so distant lately. Fighting with his own thoughts on how to speak to you with this new knowledge in his head. You think back to December, when you realized he had started acting a little strange.

"Why did you wait so long to say anything to me?!" It comes as a surprise to you too as the words come out.

His head falls back as he laughs, eyes creasing in the way that reminds you just of how much you adore him. His hand releases yours and moves to grab your ankle pulling your right leg out and across his lap. He trails a hand up your shin and grabs your calf as his head falls back down to look at you.

"I may be incredibly smart and handsome, but I can be an idiot sometimes too." His smile is sly and mischievous again. His words are silly, but you're suddenly snapped back into reality at the feeling of his hand on your skin. A current runs up your leg and straight into the center of your stomach.

Before you let yourself chicken out, you move your other leg out and across his lap turning to face him completely, immediately craving more touch. His arm moves to let you, and finds its way around both your legs, resting his arm across and his hand placed delicately on your knee.

Your hands come down in your lap as you look down at them, twisting a ring around on your finger. Your legs feel heavy like they want to press completely against his strong thighs. Having the courage to move closer still didn't change your nervousness to look into his eyes. Hoping silently that perhaps your body language is answering better than your words can. You’ve thought about this moment a lot. You've danced the words around in your head while speaking with him face to face. But saying them, that was different.

After a long moment, you speak up quietly -

"I would like that."

You hope he knows you are answering his question earlier about things changing between you two. You peek your eyes up at him, slowly raising your head. "For things to change," you say, just in case to clarify.

His eyes are softer now but he's biting his lower lip. Then the corner of his lips sweeps up again,

"Are you sure?" He asks after a beat, like he's letting your words sink around him.

You can feel the tension snap inside of you, and the only way you know how to make him feel what your body has been screaming for, is by showing him.

Your hands come up to his cheeks as you close your eyes and press a soft kiss to his lips, holding there for a moment. His lips are so soft, and you've wanted to kiss them for years. You feel his right hand slide up from your knee to the side of your thigh and squeeze lightly as his other comes up and lands on the back of your neck.

The nerves in your body light on fire. His hand on your neck guides your head to tilt a little and deepen the kiss. Pressing together a few more times, still gently. It feels surreal. You can smell his skin better now; a deep woodsy smell mixed with salt and some of his shampoo from his shower earlier. It's intoxicating and you want to inhale him completely. The mix of his hands on you and the closeness of your bodies kicks off a need in you.

He pulls away and you make a sharp inhale. Your eyes open to see his trained on yours. They are dark and lustful, ones you have never seen before. The look in his eyes feels almost as if he had to pull away and look at you like he needed to check and make sure you were real.

The next kiss is hungrier than the last. He shifts his body over on the bench to get closer to yours, his firm legs now pressing up against the bottom of your thighs closing the gap as far as he can.

He lets out a low "mmmm" at the back of his throat as your lips start moving faster, parting just enough to pull his lip into your mouth and suck softly. Dragging your teeth against his skin, drawing another noise from him.

The sound jolts your body and sends a spark straight down, deep in your center where everything is swirling, moving too fast for your mind to focus on. Your hands release from his face and slide down to his shoulders, running over his defined muscles, stopping to feel them, then wrapping around his neck and locking him in.

You can feel the vulnerable apprehension of your kisses as the speed continues to pick up. You want to taste him more. It feels like you should have been doing this forever. His hands let go of your face and neck, then are instantly at your hips. Clutching tightly. You shiver and your lips disconnect again.

"Come here." He says through a soft grin as he pulls you up and over him easily. Your legs spread over him until your knees are on either side and your ass is resting perfectly on his lap. It's very apparent now that he's starting to harden in his sweats. You press down against him, rolling your hips cautiously so you can feel him more, straddling his perfect frame.

His hands find your hips again as he grabs you, holding you down against him as his head falls back and lets out an excited sigh. You can't help but smile and delight in the way he looks crazed already.

"Why did it take so long for me to tell you?" He laughs as he leans back in to kiss you. This time, he dips his tongue out of his mouth and into yours. You moan as he swirls the muscle around in your mouth and you reciprocate. Languidly, taking your time to taste him.

You pull away after a minute, breathless and filled with desire- "I'm not sure, but I don't want to wait anymore."

He looks up at you and presses a hand to your cheek as he watches your eyes, hazy, filled with lust and staring at his lips. His thumb rubs back and forth on your cheek, "Should we go back to the tent?" He looks carefully at you waiting until your eyes meet his.

"Please." And you nod a few times. It's all the confirmation he needs before he stands up, holding you, wrapping your legs around him and starting to walk back the way you came.

His steps back start very fast. His hands grabbing your thighs tightly as they're wrapped around his waist. Your kisses had only just begun, and you don’t want to stop now. Your arms locked around his neck, pressing your lips to his over and over trying your best to line them up despite the awkward angle.

His right arm wraps itself around your back as his left holds you up by your ass. His steps slow as he pulls his head back and chuckles, "Despite not wanting to let go of you, If I don't put you down, I will likely trip and we will both go into the water."

He stops completely, attempting to let you down. Your legs tighten around him as you tilt his head back for another kiss; you finally have the right angle, passionate, pushing your tongue past his lips to taste him again.

Your tongues dance around each other, testing movements and finding a perfect rhythm. He moans as you pull on his bottom lip again, giving you confirmation that he likes it as much as you like doing it; there’s a small popping noise as you pull away.

"That's fair. Only because I know I'd have to rescue you, and I'm not sure I am strong enough." You giggle as you release your legs and connect your lips to his again. Not letting go from the kiss even as your feet are planted on the ground.

You step back and sigh, a little breathless from how hungry you were feeling in the moment. Everything is moving so fast your mind hasn't really taken a second to think about anything other than him. It all felt so natural, like it was meant to happen. Alone in nature, with your favorite person, mixing both your needs and wants together in a swirl of excitement.

He turns you around and gently but firmly slaps your ass to get you moving.

"I've spent years staring at your perfect ass. I need to see it without clothes on soon or I might die". He walks up next to you and puts his arm around your waist fiddling with the hem of your shirt, sending small shivers up your spine, guiding you quicker towards the camp.

Years?

"How long have you known?" You ask as you glance over at him.

"It's always been there." He's looking forward in contemplation.

"Well you said something changed. I guess... what was it?"

He takes a deep breath as he arranges his thoughts. His hand moving around your lower back in small circles as if he's grounding himself to you.

"I'm not sure anything changed really. I think it just became clearer." His hand moves again and closes around the base of your neck, possessively. You shudder a bit at how soft but strong his hands are, trying not to show how much that simple act turned you on.

"I started realizing things like how your voice made me feel. Like how it calms me when I'm feeling stressed- or how you match my energy when I'm excited about something. My thoughts became deeper, and it just clicked. I was nervous for a while, to mess things up between us, but I knew I didn't want you as 'just a friend' anymore."

Your belly whirls in warmth as you hear the words. You pull them apart in your mind. Embedding them into your memory. Then, your feelings quickly build in a vortex of restlessness seeing the path open to your campsite. You've had enough talking and you need him. Now.

He lowers his arm and strides in front of you a little bit to get to the tent, pulling the Velcro apart slowly, trying not to be too loud. You register quite quickly that his roommate’s tent isn't exactly next to yours, but still close enough that they could potentially hear you. You make a mental note of that as he holds a side open for you to step into your tent.

Hear you? Oh god, is this really happening?

His smile is playful, and his eyes are following you as you kick your sandals off and move past him through the opening.

The second you make it to the middle of the tent it becomes all too real what's about to happen. What you desperately want to happen. Your stomach tightens and your breath quickens as a panic fills your body mixed with anticipation.

But before the feeling takes over, you feel him pressed up behind you again, one hand is on your stomach and the other runs from one side of your collarbones to the other, then slowly up your neck, to your chin, guiding your head to the side to kiss him over your shoulder.

Your breath trembles but your body relaxes against his, immediately settling into his touch- bringing all those feelings down your body, tingling in your fingertips and building in your core. He held you like this earlier, but this time it was different.

Your lips move together as his hand leaves your chin, back down your neck to your chest where it slips beneath the top of your shirt and over your shoulder, the inner corner of his elbow around your neck.

You instinctively reach up to grab his arm feeling completely encompassed by him, running your fingers over his toned muscles. A short high-pitched whine escapes your mouth as his other hand slips under the bottom of your shirt placing his firm hand on your bare stomach.

"Your skin is so soft... I want to taste every inch of it..." He breathes out between you.

A chill runs down your spine at his low voice- as his lips come away from yours and smooth against your neck. Your head falls back onto his shoulder giving him better access as you moan quietly from the sensation.

Your back arches and your ass grinds back into his cock where you can feel it straining against his sweats. He moves his lips back and forth, teasing the skin, giving you goosebumps, then starts taking small bites and placing kisses anywhere his mouth can reach.

He leads the two of you forward, lips not leaving your neck, taking small steps towards the bottom end of the bed. As you reach it, his hands come back down to your waist and slowly turns you around.

Your breath hitches in your throat as you're face to face with him, his eyes are filled with desire, almost closed, with his mouth open slightly breathing deeply.

"You can," you reach out and put your hands on his chest, kissing him again. " You can taste it... you can have all of it..." Your words are whispers as you kiss him deeply. Making sure he feels your words, tastes the ache your body has for him.

You assume he receives it because his hands are pulling at your shirt now, asking to lift it up over your arms. You stick them up as you let him pull his old t-shirt up and over your head and onto a pillow on the bed. Your bra is still there, hiding what you know he wants to see. You feel a little shy for a moment, then pull it up and off, revealing your round full breasts for him.

"Fuck..." he says under his breath; then almost as if he senses your shyness at being topless in front of him, he yanks his shirt off over his head and presses your bodies together wrapping one arm around your back, leaning forward, pushing you slowly back onto the bed to lay on top of you.

He kisses you delicately now, like he's savoring the moment, lips coming together for soft pecks. Then moves to your cheek, down your neck, stopping first at the soft spot just below your jaw, shifting his body to start going lower. The way he's laying on you, fitting between your open legs so perfectly, you can't help but wrap them around him. You know he can feel the heat coming from your lower half.

He continues down your chest, kissing softly and tracing his hands down your sides. He takes his time with his mouth on each breast, starting on one, kissing the peak of your now very hard nipples, then swirling his tongue around and finally pulling them into his mouth- eyes closed, like he's truly relishing the taste of your skin. Your mouth parts and faint moans fall from you- shuddering every time he gently bites your nipples.

You've never felt your heartbeat so fast before, feeling like you may not even make it out of this alive at the rate your body reacts to his every touch. His hands come up and graze over your arms that lie flat against the bed as he continues his path of kisses down onto your stomach. Then they’re quickly at your waist pulling your body down, positioning your ass is at the edge of the bed. You gasp at the sudden movement, realizing what he wants to do.

"Lino..." your voice comes out in a whine as your eyes pinch shut for a second, body racing at just the thought of him between your legs.

"Hrmmm?" he hums out, his eyes not leaving your frame, hands tracing over every part of open skin he can come in contact with. You can’t form words to answer back, instead just squirming under his touch.

"May I take these off?" His hands cusp around the top of your jean shorts, one of his thumbs playing with the button as he looks up at you for confirmation. You lock eyes for the first time in a few minutes; he looks crazed but calm. You nod your head and lift from the bed slightly so he can unbutton and pull them off easier, down your legs and he tosses them towards your luggage.

You giggle a little as your shorts hit the pile - "So you can do that, but I can't?" Your voice is teasing but low.

He huffs and waves a hand "We'll talk about that later, right now I need you to do something for me."

You sit up on your elbows looking at him confused, his brows are bunched up and he licks his lips -

"I really need you to turn over so I can see your ass in these lace panties before I rip them off."

Your head tilts back as you laugh at how incredibly serious his face is with that statement, but quickly comply and roll over onto your stomach so he can get a clear view. You've always been proud of the shape and size of your ass. Never skipping squats when working out but never going too far so it stays soft and plump.

You hear him suck in a breath, hissing between his teeth as his hands come down to caress your cheeks. His thumbs go under the creases as he kneads into your soft skin getting as much of a handful his hands can allow. He pushes up with his palms and spreads your cheeks getting a clear view of how much you've soaked through your panties. Another sound escapes him, like he was holding his breath and blows the air out slowly.

You smirk at his intensity and wiggle your ass back and forth a little. A quick smack comes down on your right cheek that punches out a breath from you.

"mmmm...ohmygod" you purr out.

His hand quickly soothes over where he made the connection. "I had a feeling you'd like that." You can tell in his voice he's saying this through a smile.

Both of his hands slide up your back, then down to your ass, sliding flat up under your panties pulling them tight against your pussy, grabbing firmly now on your soft flesh. You're surprised by the cool, yet warm sensation of his lips followed immediately by a bite. You yelp quietly but intuitively push yourself into him more. He continues licking and biting each cheek, letting out soft grunting noises like he's a man starved who hasn't eaten in weeks.

His movements slow, lips trail down to where your panties are pulled tight against you, stopping right as he gets to the center. His hands push your legs apart slightly and lets out a breath, so warm against your aching skin. Your brain short circuits when you feel the first contact of his lips pressing a soft unrushed kiss on the fabric right over your clit leaving himself there for a moment. He pulls away and kisses again, with more pressure.

"Lino, please," you whine, your voice cracking a little.

*smack*

Another swift slap comes down, this time on your other cheek. Leaving no time for you to react he's yanking your panties down your legs and off you, before effortlessly turning you over. You're laying breathless for a moment, gathering yourself.

"Do you know how long I've been wanting to do this," his lips meet your right thigh, trailing kisses up towards your center and propping your leg over his shoulder. "There will be no rushing through this."

He pushes your left leg out, opening you further for him and you're instantly aware that you are lying completely naked, spread out, in front of the man you've longed for all these years.

He takes his time tracing lines on your left thigh with his fingers while kissing your right until he's planting them right around exactly where you need him to be. You can hear his breath deepen for a moment, then licks a stripe from the bottom of your pussy up to the top and pulls your clit between his plush lips and sucks.

The moan that escapes you is loud. Your hands grip the blanket as your body is already crumbling from his mouth. His tongue drags along you again dipping into your center to taste all the wetness he's created from this antagonizing slow pace he's controlling. He hums in appreciation and starts to circle around your clit with his tongue with the most perfect amount of pressure.

He's always been pretty in tune with you from the get-go. But the way he seems to know what to do, what your body wants, is thrilling to you. You squirm and push against him, vying for some sort of control as you feel yourself getting hazy.

He carries on his work, expertly lapping at you and pulling you into his mouth to suck and swirl his tongue around. You prop yourself up on your elbows not wanting to miss the sight of him between your legs. His eyes are closed, seemingly peaceful, despite the ravening way his mouth and head are moving to do exactly what he said he wanted and taste all of you.

Your eyes flutter as a familiar sensation builds up in your body, but you force them to stay open looking down at the insane sight of the most beautiful man enjoying you. His eyes open as he hears your breath quicken. You lock eyes with his and your head spins, the muscles in your legs tightening. His eyes crease as he steadies to slowly trail his tongue up and down you again.

For a moment you're confused, your brows furrow and a whine escapes you. He giggles, then moves his right hand up to your face, bringing his middle and pointer finger together, touching your lips softly, staring intently at them. His tongue doesn't stop moving as he pushes his fingers past your lips, and you dutifully take them in your mouth, sucking on them and swirling your tongue around.

"Mmmm," you hum around his fingers, aware that you've been receiving so much pleasure from him and haven't even started giving him any.

He pulls his head up a little farther to better see your mouth around his fingers. His lips part slowly as he watches you - eyes closed giving his fingers all you can to show him how ready you are for your turn.

His mouth connects to your clit again with more fervor as he brings his now slick fingers down to your entrance. His eyes trained on you, he slowly teases you with the tips of his fingers watching your body and your face as you writhe on the bed. Then before you can get used to the idea of his fingers being down there, he slides them in.

Your head rolls back, and a long breathy moan leaves you followed by a quick breath in. If you were close earlier, you’re quite literally on the edge now.

He feels you clenching around him, your body reacting strongly to every one of his licks, sucks, the curls of his fingers and touches of his other hand on your body, gripping the flesh on your thigh.

"God, you look so beautiful," he says breathy while continuing his work.

Your moans are louder now and for a moment, with his words in your ears, you don't care. But as he continues to put more pressure on a particular spot within you, your whine almost becomes a yell, you quickly bring your hand up to cover your mouth as your start to fall from the edge. He's still staring at you but with soft eyes now, like he really means what he said.

The feeling crashes over you, rippling through your body fast as his fingers and mouth keep pace to help you through it, lips not leaving you once. It undulates through you, taking all the burning from your shoulders, down through your spine, exploding down your center all the way to the tip of your toes leaving a trail, hot in its place. Your arms give out and you fall back on the bed. He slows his movements, letting you ride it out, then sensing your sensitivity, presses slow soft kisses around and on your center removing his fingers.

"Fuck..." you say under your breath as your try to regulate the speed of your heaving chest, ripples still making their way through your body. Legs twitching as he soothes circles on your thighs.

He chuckles and stands up over you between your still open legs, leaning down on his hands to watch you gasp for air. His eyes are squinted, and his lips are curled up into a satisfied grin watching you with what looks like amusement on his face.

He leans in and whispers in your ear, "I'd gladly do that every day if you'd let me."

Your eyes finally fix on his and you can't help but giggle a bit at your euphoric feeling. His legs start to move forward, pressing into your thighs, pushing your legs and body up farther on the bed. Before he settles down on his knees reaching down for a kiss, you put your hands up to his chest stopping him.

He tilts his head inquisitively and it’s your turn to smirk. You lift yourself up on the bed to sit upright, legs still spread around him, pushing him down on his heels between you and taking his mouth in another heated kiss.

His lips are soft and slick and feel puffy from all his hard work. You kiss them gently as your hands trail down his chest to his stomach right to the hem of his grey sweats.

His hands come up to trace your sides and then find their place on the side of your breasts thumbing your nipples softly and palming at the smooth skin. A moan hits the back of your throat between your kisses, and you pull back to look up at him, tugging on his sweats for permission to pull them down.

You've spent a lot of time looking at Minho since you've known him. You've seen him without a shirt on before once or twice, albeit briefly. But never in this context - and the way he looks now, in the low lamp light from the corner of the room, looking down at you with a blaze in his eyes and his chest rising and falling in anticipation. You're certain he is the most stunning creature to walk this planet.

He must have seen the reverence in your eyes because he reaches out to push a piece of hair behind your ear and smiles sweetly at you. You have to remind yourself of the task at hand before you get lost appreciating him. You trail your eyes back down to the now extremely noticeable bulge in his pants.

You lick your lips, "May I?" As you go back to tugging on his sweats, mimicking what he asked you earlier.

He laughs, "You may."

You pull them down along with his boxers, freeing his cock from its strain. It bounces heavily right in front of your face, and you swallow eagerly. It shouldn't be a shock to you how pretty it is. The skin looks like velvet, soft pink and perfectly adorned with a few veins tracing the sides creating perfect patterns for you to touch. His length perfect, his thickness mirroring his thighs. You wrap your hand around the base and squeeze.

His body tenses and he sucks in a hiss as you lick his tip, savoring his flavor with your eyes closed, rolling your tongue around in your mouth. You look up at him with big eyes as you wrap your lips around him embracing his warmth on your tongue.

You start slow just as he did with you. Bobbing your head on his tip, whirling your tongue around - appreciating the feeling of his now fully hard cock in your hand. His head falls back for a moment when you take him further then quickly snaps back to watch you. Your eyes crease as you see the haze in his eyes as his hand comes forward to find its rightful place at the back of your neck.

Your stomach flutters at the feeling which drives you to relax your throat and take him as far as you can, only stopping when your breathing is cut off, but you stay and swallow a few times eliciting a deep groan from him. A sound you're sure you've never heard before but crave to hear again.

Pulling back, you take another deep breath, using the slick you've created on him to twist your hand up and down his length, following with your mouth moving your head side to side.

After a while of creating a pace and soaking in all the beautiful moans and gasps coming from his lips, you break it suddenly, thrusting him down your throat to the base again and stopping to look up at him. His lips are almost in a snarl, his teeth gritted, chest heaving. For the first time all night he says your name; not the cute nickname you pretend to hate but fold inwards on yourself every time he speaks it. Your real name, coming out in the most lustful moan.

He pulls your head back with his strong grip on your neck, slowing his breathing, and relaxing his face, looking at you with fire in his eyes.

"You have no idea how crazy you make me feel," he lets out a long shuddering sigh.

"If you don't stop now, I'm not going to last."

Your hand grips his base a little tighter while still holding his gaze, he shakes his head and lets out a weak laugh with a smile on his lips.

"Then you better push me back on this bed, because I don't want to stop," you stick your tongue out and quickly swipe his tip.

You can see his vision go blurry for a second then his attention snaps back, reaching his hands down to your thighs gripping them and pulling them off the bed, your arms instinctively wrap around his neck to steady yourself, as he hoists you up towards the pillow in a flash.

You land on your back surprised but with a smile adorning your face. He steps off the bed and lets his sweats fall to the floor stepping out of them, powerful legs on full display for you. He drops his hand and lazily strokes himself while looking at you on the bed, his eyes all over your body, like he's making a map of it in his mind. Committing every detail to memory.

A mischievous look comes over his face again as he slowly takes a few steps over towards his bag, where you know he slipped the box of condoms in from last night.

"Wait," you squeak out, fast but quiet.

He turns to you with questioning eyes.

"If you don't mind... we can go without. I'm clean." Your eyes fall down a little. "I really want to feel you..." You take a breath and glance back up at him through your eyelashes.

His eyes are soft but serious, and you can see a hint of thrill in them.

"Are you sure?" He asks raising an eyebrow.

Your eyes roll back softly, still with a smile on your face as you sigh, mildly annoyed at his competence in always making sure things are above water and safe. You raise your arm and tap your bicep a few times hoping he gets what that means,

"For fucks sake Lee Minho, yes, I'm sure. Please get over here before I scream," and you flop back against the pillow.

He chuckles softly but wastes no time, practically jumping on the bed between your thighs, plastering himself against the front of your body. Your lips meet again, and he cages you in with his forearms on both sides of your head. You share a few giggles between kisses as you shake off your declaration becoming aware of his weight pouring over you.

He's leaning over you, pressed against you so fiercely, you can feel his cock throbbing against you and your attention quickly pulls to your core. Your heart begins thumping in your chest again and you shudder when he does a tentative roll of his hips, sliding his cock along your wetness. Your lips fall from his as you suck in air. Breathing deep in the stillness of the moment.

He lets his lips trace your jaw, up to your ear and hums before nibbling right below it, still rolling his hip leisurely.

"I've watched your body from afar for so long." He licks your neck raising goosebumps over your arms.

"The way your hair falls delicately on your shoulders." He kisses you there earning a soft moan from you.

"How you always wear the most perfect fitting jeans to show off your curves." He bites into your lower neck sending a ripple through you.

"Your perfect lips saying my name." He kisses you so delicately on your lips that you think you might cry.

"And now your here, under me, and I never want to lose this." He kisses you with more heat and you have never felt more whole, more alive, with sparks coursing through your body, his words filling every crack and fiber of your being.

"Minho..." His name is a whisper between your kisses, and you feel him reach down a hand. He softly rubs the tip of his cock from the bottom up, spreading your wetness around and massaging your clit. Your breath hitches in your throat in anticipation as he captures your mouth in another kiss. Drowning your thoughts.

He pulls away from the kiss and settles his piercing gaze, looking into your eyes as he lines up with your entrance and slowly pushes in. Nothing could have prepared you for how good it feels. His tip pressing in slowly, filling your warmth and stretching you out so perfectly. The intimacy of the moment and his words still lingering in your ears makes your eyes shut, mouth parting as your arms wrap around his waist.

He bottoms out and stays there. All you can hear is both of your breath, lingering in the space between you. Soaking in the feeling of the moment. It feels like pure bliss. But you need more. You clench around him and his breathing stutters for a moment. You open your eyes to see him looking at you with a beautiful half smile on his face.

You smile back and kiss him, gripping his waist urging him to move. He starts to roll his hips in slow drawn-out circles, hitting every space, every inch within you. It’s almost embarrassing how quickly the knot in your stomach tightens, as he finds a steady rhythm, angling his thrust to hit the right spot. Those damn dancers’ hips.

You've been dreaming of this for so long. And now he's here, in your arms, between your legs and inside of you and everything feels right for the first time in forever. You want to take your time, but your body is a traitor and desperate for more. Moving your hips now to meet his thrust, he leans over on one elbow, using his free hand to roam over your body, grabbing at any and all of your skin, picking up his pace.

It seems as though he senses your impatience, because he readjusts, sitting up on his knees more while his hands come down to your hips to pin you to the bed. You had been cautious of your volume for so long now but the sound that escapes you in that moment is inevitable. You reach up to cover your mouth hoping to quell any more sounds, but he quickly pulls it away and pushes it up above your head.

"No, don't be quiet. I need to hear your every sound. Whoever else hears it, had it coming." His concentration is fierce as he says those words to you, making your stomach coil in heat, head rushing, and whimpers fall from your lips.

You’re certain you’ll be slightly embarrassed tomorrow, but your mind quickly pushes those thoughts aside as your need to give him what he wants overpowers everything else. Your moans grow louder, and your repeating his name through choked out breaths. Your hand that's not secured under his tight grip, finds its way to his arm that's now caressing your thigh to trace his skin.

He looks devastatingly elegant yet rugged above you. Chest heaving, eyes trained down towards where you meet in the middle. Where he’s driving into you, straight towards absolute pleasure. He looks up at you eyeing him, licks his lips, and a sly smile paints his features. As if it were even possible, he pushes up closer against you, using his arm to hook under your knee angling your body even more to hit the most perfect spot over and over again.

A wildfire courses through your veins as your eyes roll back, clenching around him again, quickly approaching your release. You can hear his breathing becoming a little more erratic as his hips stutter a few times giving you the knowledge that he’s not far behind. You use your free hand to grab his arm that's holding yours down and pry it away licking and sucking on his fingers quickly before guiding them down between your bodies.

"Touch me," you ask softly.

You can see the wild excitement in his eyes as he starts rubbing your clit in perfect circles with determination. It doesn’t take long before you’re gripping the sheets tightly beside you, arching your back, ready for the wave to crash over you. He sucks in a deep breath hearing you let out a sinful moan as you’re shaking under him and your second ripple of pleasure streaks down your body.

Your legs try to move and tighten him in a vice grip once the over sensitiveness snakes through your thighs, but his hands are quick to act. He slides both his hands up the back of your legs landing in the crook of your knees and pushing them forward towards your chest. Your breath is pushed out of you once his weight is pressed firmly against your front with forearms flat on the bed, caging you in.

His eyes have never looked more powerful, almost as if he's looking straight into the most secret, venerable part of yourself that you didn't even know existed. His mouth parts and his hot breath only feeds your desire to have him closer, stomach still fluttering in the aftershock. Wiggling your arms free you reach out and caress his face, tracing his bottom lip with your thumb before pulling it into your mouth, humming at his delicious sounds and taste.

"Fuck, I'm..." he mumbles into your mouth, but you don't give him a chance to finish his sentence.

"I know. I want it. I want it so bad, please." You lick into his mouth and wrap your arms around his neck- feeding your fingers through his hair, gripping him as close as you can. You feel his body tense and eyes go wide at your statement and he's gone. Hissing through his teeth, he picks up pace; his head buried in your neck, teeth latching on for a moment followed by the deepest groan that vibrates through your body.

His warmth radiates through you, pushing himself as deep as he can with each slowing pump, hips flush with your ass as he softly trembles through his release. You slip your hands down his back rubbing soft circles and scratching ever so gently as he pants in your ear.

His hands find your legs again as he guides them down and secures them around his waist, still seated deep within you. Your breathing and heartbeats are still settling together as he turns his head to look at you -

"That was, " he huffs out a few low laughs as a smile forms on his lips, and he kisses your jaw, "I don't think words can describe it." He kisses the side of your lips and neck a few more times as he leans up on one elbow, placing a hand on your waist.

A sense of shyness briefly floods you as you turn your head to the side and cover your lips with the tips of your fingers, blushing slightly. He reaches up and pulls your fingers from your mouth, kissing them lightly. You can see adoration in his eyes as he takes in the pink that has flushed over your cheeks and chest.

"That was long overdue." Your smile is relaxed. Your eyes soft on his. You take your fingers locked with his back towards your mouth and repay the soft kisses.

He looks down between the two of you. Wrapped together, sticking sweetly at the skin touching, and slowly starts to pull his body from yours. As he disconnects from you, a shiver runs down your spine at the lack of contact and he rubs your legs while getting up from the bed.

Once again, you're amazed at his silhouette gracefully making his way over to the wooden shelf, grabbing some wipes and a towel.

Your body lays still for him as he delicately cleans you; tracing your finger tip up and down from your navel to your collarbones, eyes closed, basking in the sweet afterglow of the moment. An hours ago, your thoughts were racing, so many uncertainties in the air. Skin prickling anxiety at unsaid feelings and questions floating behind your eyes. But now that comfortable silence sits in the air between you again.

"Scootch," he giggles, as he jostles you to the side with his knee; he pulls the covers out from under you, climbs in and settles them up over the two of you. He reaches out and nestles you in close, your arms pushed up between your chests, face pressed to the column of his neck. You take a deep breath of him, feeling the sudden weight of sleep and the day settle over your skin.

"Don't keep things from me anymore, ok?" Your mouth is in a straight line, slightly pouted, but your eyes are round and playful as you look up at him.

His face is soft, and you can see a hint of mischief behind his eyes before he closes them, kisses your nose and speaks low but just loud enough for you to hear -

"You're stuck with me now. I'm never letting go."

#skz smut #stray kids smut #lee know smut #lee know x reader #lee know x you #lee know x y/n #stray kids x reader #stray kids x y/n #stray kids x you #kpop fanfic #lee minho x reader #lee minho x you #lee minho x y/n #lee know x female reader #lee know fanfic #lee minho fanfic #stray kids fanfic

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tropicalcryptid · 11 months

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Ok so She-Ra pulled such a great hat trick with Hordak's characterization, and I LOVE it

One of my favorite things about 2018 She-Ra is Hordak's story and development (and Entrapdak cough but that's not the point of this particular post), and the cleverest thing is that so much of it is actually being set up and told to us in seasons 1 and 2 before we even realize that that's what's happening.

When we first see Hordak in the show, he's giving "generic evil overlord" vibes. Garden-variety baddie. Maybe a little more reasonable than some and clearly capable of long-term thinking, but that just serves to make him intimidating. Everything about him--the way he runs his empire, his armor, his color scheme, his minion, his Villainous Eye Makeup(TM), even his name--are all projecting to the audience "yup, Acme Bad Guy here. Move right along."

But then, backstory. And everything snaps into focus. Not only is it one of the first big oh SHIT moments of the show, where we suddenly zoom out and realize that there is SO much more going on than we realized--it's also the start of the audience seeing Hordak as a character rather than an archetype. Suddenly we realize that he's not conquering Etheria because he wants power, or hates happiness and sparkles, or whatever--he's doing it out of a desperate attempt to prove his worth to his brother/creator/god. This moment where Hordak lets Entrapta in is also the moment the show lets us in on what makes our favorite spacebat tick.

On top of that, we've also seen him bonding with Entrapta and opening up to this person that he respects and trusts...probably the only person he's ever respected or trusted apart from Prime. And she's Etherian--someone of a lower species, someone he's supposed to subjugate, someone who he has been raised and trained and programmed and mind-controlled into believing is below him in every way.

But instead she's brilliant and creative and mesmerizing. She's not afraid of him, and she's fascinated with his work. For the first time since being abandoned by Prime, Hordak finally has someone that he can talk to, who is on his level and both understands and cares about the science! (because he is a giant nerd). She's kind to him, a mere defect. And it just sends his whole worldview into a spin, and that's all before--

Bam, mans is a goner. Entrapta's "Imperfections are beautiful" comment punches right through all the toxic bs that Hordak has been steeped in his entire life. You can see on his face here--I think it's the moment Hordak fell in love with Entrapta, but this is also the face of a spacebat reevaluating his entire worldview. If Entrapta, who is amazing, believes something different from Prime...what does that mean? If Entrapta, who is brilliant, believes that he is worth something, and that she herself is a failure...

Well. We know what happens after that, and how Hordak begins to doubt, and eventually fights back against Prime (and remembers his love for Entrapta after TWO mind wipes help my heart ack). But we also get to see what life in the Galactic Horde looks like: the only life Hordak ever knew before coming to Etheria.

It's not nice.

It's really not nice.

Prime operates in a very specific way, and we learn a lot about it in season 5. Prime expects complete obedience, devotion and worship from his clones. He allows no individuality from his subjects, not even a name. Failure or deviations are punished, mind-wiped, or destroyed. We even learn from Wrong Hordak that facial expressions are considered a privilege reserved for Prime (apart from, presumably, expressions of rapture caused by being around Prime).

And once we learn all of this, suddenly thinking about season 1 Hordak becomes very interesting indeed. The time we spend with the Galactic Horde and Prime throws absolutely everything that we know about Hordak into a whole new context. Now all those traits that made him a generic villain are actually hugely effective characterization! And what that characterization is telling us is that Hordak had already moved much farther away from Prime than we (or, probably, he) had realized, even long before he met Entrapta.

Horde Prime does not allow his underlings to have names, personalities, or any differences of appearance. Not only does Hordak allow this among his own troops, he chose a name for himself as well! Season 5 tells us that his very name is an act of blasphemy against his god. And yet Hordak took one for himself, and that name is part of the core identity he is able to hold on to when rebelling against Prime.

Horde Prime cast Hordak out when he showed signs of physical imperfections. Hordak not only keeps Imp (who is by all appearances a failed clone or similar experiment) around, he treats Imp more gently than we see him treat anybody or anything before Entrapta. Imp is not simply "generic evil guy's minion," he is proof of Hordak's capacity for compassion, and evidence that Hordak cannot bring himself to cast aside "defects" as easily as Prime. Considering where Hordak came from, Imp's existence is a huge, flashing neon sign telling the audience this guy here is better than the hell that molded him, and we don't even realize it until 4 seasons after it's been shown to us!

Very cool, ND.

There's more, though. Hordak's red and black color scheme? His dark eye makeup and lipstick? Very Evil Overlord chic. But nope! Actually these are actually expressions of individuality on a level that Hordak knows would be abhorrent to Prime!

Reading between the lines, I see this as Hordak desperately trying to reconcile two diametrically opposed beliefs in his head: (1) devotion to Prime, whose approval he desperately craves, and (2) maintaining some degree of unique personhood, of Hordak, from which to draw strength. Because a failed, defective clone cannot survive on a hostile world, cut off from the hivemind and from Prime's light. A failed clone cannot create an empire to offer Prime as tribute, nor build a spacetime portal from scraps and memory to call Prime back. A failed clone cannot create cybernetic armor to keep his hurting, weakened body alive; to force himself to keep going no matter what, to fight through the pain and the doubt by sheer force of will.

But maybe Hordak can.

And so there it is. Hordak had plenty of time to gain and explore his individuality while separated from Prime, but I think the reason he did it so effectively (while still deluding himself that Prime would forgive him for these little sins, if only Hordak could prove his value) is because he had to.

Wrong Hordak gained his individuality surrounded by kind, quirky people who took care of him; Hordak was ripped from the hivemind by Prime himself and had to fight for his survival against all odds. And that produced a dangerous and damaging foe for Etheria. But it also produced the one clone with the strength of will to defy Prime himself.

This is long and rambling, but ultimately my point is that 1) I love Hordak, and 2) I love love love love that the show was so clever about his characterization. We learn so much about him and how much progress he's already made in breaking from his psycho abusive cult upbringing, and we don't even recognize it until the show wants us to. Hordak had come so far, all on his own, before he met Entrapta. She just helped push him over the edge and finally realize (at least consciously) that Prime's worldview might not be the correct one.

Idk, I just don't know if I've ever seen all the trappings of Basic 80's Villain(TM) so successfully subverted, where looking back 4 seasons later is actually a smack in the face with the "effective character building" stick. Amazing.

#spop #she ra #she ra and the princesses of power #hordak #entrapdak #entrapta #horde prime #Spacebat #Deep character analysis #Gotta love clever writing #Seriously I could go on about this show for ages #I just love the characterization for everyone but especially Hordak #Best spacebat #I mean I love Wrong Hordak too but you know

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sooniebby · 11 months

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Sneak peak… to the request of a playboy reader and nerd OC… degradation, bottom male reader, reader is mentioned to have a cock—a bit dubcon and feminization

…..

“C’mon~ you’re that scared?”

You stared at the boy across from you on the bed. He was biting at his lip, fiddling with something behind his back. You couldn’t help but smirk. Ah, shy nerds.

They were your favorite. Easy targets for some great sex.

They were always so loud but then get so shy after hearing themselves.

And this guy… Yubin, he looked like the perfect target.

His doe like eyes moved up to yours. His shaggy mullet like hair was honestly cute on him. But it helped he was just naturally a bit cute.

Yubin pursed his lips. You hummed and stood up, noticing once more—that he was shorter than you. He only reached your shoulder. You moved over to his side of the bed, reaching over to grab his shoulder.

“Don’t worry~ I’ll be gentle with you.”

Yubin glanced up at you and his face contorted into something akin of laughter as a dry laugh left his plump lips.

Suddenly, you were on the bed and your hands were tied to the banister. You panicked, pulling at it in fear as you looked up at Yubin who was sitting on top of you.

“5 seconds… that was faster than before. I’m getting good.”

A cruel smirk was on his lips as he leaned back a bit, staring down at you with an odd look of disgust.

“A shame you’re not as buff as I wanted you to be… my past lover, gosh, he was so beautiful.. he had great tits.”

Yubin reached down and grasped your chest, frowning when there wasn’t much to grab. He huffed and pulled away. You just honestly couldn’t believe you were being manhandled by a guy smaller than you.

“What the hell, Yubin?!”

“What? We’re having sex. It’s why you were even talking to me for the best few days, wasn’t it?”

You gulp, feeling a bit guilty. He wasn’t wrong. You never paid him any mind during class until you realized you had fucked a lot of people in the class except him.

Didn’t help your friends didn’t believe you could fuck him.

“Well, not sure if you know this, but I don’t let dicks near my ass.”

“Why? Haven’t found a cock big enough for your butt?” He reached over and grasped your ass, humming in delight. “Wow, glad something about you is big.”

You didn’t know whether to be insulted or appreciative.

“Not like you’re big at all. What, have a kink for men bigger than you?”

Yubin simply smirked. He got up from on top of you and walked over to his backpack. He pulled out a few toys, many being something to spank you with.

Gosh, was he into spanking?

“I’ll be nice.. which one do you want to you?”

He held up a rod, blindfold, and a vibrator.

You did not want to deal with any pain at the moment and the fear of not being able to see what he was doing scared you. So you eagerly pointed at the vibrator.

Yubin hummed and placed the rejected items in his bag. He walked over to you and sat back down on top of you, this time right on top of your cock. You, a bit too far in your ways of being a slut, thrusted upwards a bit.

You expected him to moan or maybe whimper a bit and show off his cute side. But he looked at you as if you were a cockroach.

“Ew.”

You felt your heart shatter.

Ew?!

While you mentally cried over your first ever ‘ew’—Yubin was pulling your shirt up. He still seemed pretty disappointed you weren’t as muscular as he thought you were.

“W…what are you into? Power bottom shit?”

“You really keep thinking you’ll put that small dick of yours in my butt.”

“Well… yeah! Any boy I fuck, even ones who thought they’d just be tops, loved my cock!” You boast, a grin on your lips. “I don’t mind letting you be on top, baby~ I’ll just show you how good my cock feels.”

Yubin stared down at you. “But… I’m bigger.”

You laughed. “You? Bigger than me? I’m literally 6 inches hard.”

You heard the sound of pants being pulled down as you watched Yubin get undressed. He pulled down his boxers and the only thing to come out your mouth was a whimper.

Holy fuck.

He was 8 inches… flaccid!!!

Yubin grinned as he began laughing at your shocked face.

“I love fucking guys bigger than me and putting them into their place.. usually I prefer guys that don’t fight back.. but I think this’ll be fun.”

You could watch as he moved up a bit and tapped your lips with the tip of his cock.

“Now start sucking, baby~ A slut like you should’ve sucked a few times.”

You wanted to punch but him but much to your own shock, you slowly parted your lips. He was surprisingly gentle as he slowly moved his cock inside your mouth. Huh, guess he didn’t want to actually hurt you.

Physically that is. He had no problem degrading you.

You winced as Yubin grabbed your hair and held it tightly, keeping your head steady.

“You might’ve been thinking this night was supposed to have me screaming.. but tonight, slut, it’ll be you screaming my name. You better sound like music to my ears or I’ll silent you like the bitch you are.”

Yubin stared at you for a moment, a cruel smirk on his lips before he sighed. “Pinch me twice whenever you wanna stop.”

You hummed, a bit happy he wasn’t being totally cruel.

“Now… with that out of the way, suck.”

“Let’s see if you’ll become my new housewife, Noona~”

Now for the actual fic.. it might be a bit edited when it comes to this part lol but it’s just a draft on what’s going to happen… hope that makes sense lmao.. Yubin lovers will also know who his past lover was <3

Tag list: @ofclyde @tomoeroi @nakedtoasterr @iwishtobeacrow @the-ultimate-librarian @chill-guy-but-cooler @kiiyoooo @mello-life69 @smellwell @tehyunnie @remdayz @kaedezu

Noona: title for older sister or older close female—can be viewed as romantic. Only males call an older woman Noona—similar to Oppa.

#bottom male reader #x male reader #oc x reader #original character #mlm ns/fw #male reader #smut drabble

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snapewife-divorce-lawyer · 15 days

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counting down the top 10 sexiest droids in star wars.

i’m 100% serious btw. this is based solely on my memory so if i forgot your fav, feel free to comment

#10

this guys from a new hope! now i must somewhat shamefully admit that this is based entirely on looks. but i mean come on look at it. instantly clocked it as a freek

these annoying fuckers from clone wars. this goofy ass attempt to make battledroids more intimidating did at least produce a droid i wouldn’t mind coming home to every night. these guys are huge brats too. excited to see how that plays out in more intimate settings

it’s just something about it. i can’t put my finger on. its so resolute and sinister, and yet it is not unlike a a wild rabbit. it’s delicate hands and big eyes make me want to care for it. i want this thing to call me mommy.

the ferryman from the mandalorian. he is so dutiful. a powerful aura. he looks like he could hold me tight in those big strong arms

i could fix him

look we all knew this was coming. he’s powerful sexual presence it’s simply undeniable. the baddest bitch in star wars just barely beating lando. i’ve chosen the sexiest picture of him that i could find. enjoy.

battle droids but specifically the ones with paint on them. i think these would have the closest analogue to human intimacy of any on this list. and even then, kissing them is an exciting geometric chalenge

sexiest picture in this post by far. oh my god these look inside books. should i be tagging this as nsfw? this diabolical baddie even deploys one of my favorite droids ever. making her the only droid milf that i can think of.

gonk droids. but specifically gonky from the bad batch. i think this one is probably the most indescribable. i can say little details like how he kinda reminds me of 80s computers and i love 80s computers, or how the simplest shape can sometimes be the best, or how cute it is when he kicks his feet in the air while he is being used for weightlifting, but none of it really adds up to how i feel

and the number one sexiest droid in star wars (and it’s not even close) is:

chopper. obviously.

dilf dot com. this guy has such an attractive personality. beyond words how wonderful his design is. one of my favorite star wars characters and one of the best droid designs

#star wars #droids #star wars droids #objectum #r2d2 #star wars chopper #gonky #bad batch gonky #clone wars #star wars clone wars

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roseworth · 18 days

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hi. here are my top 5 favorite comic moments ever (sort of in order, they can all be switched around sometimes depending on my mood)

"the son has not surpassed the father" (batman #645)

i cant even put into words what i like about this scene because everything about it makes me insane. its just so beautifully written and fits so well thematically and shows so much about how bruce is feeling without explicitly saying anything. so fucking good

2. "maybe he did. but my little girl is still dead." (batgirl #19)

fucking. fuck. again this moment just shows so much about how cass feels without saying it explicitly. theres a flashback to the man she murdered right after this because she sees herself in the murderer and doesnt believe she can be redeemed. itsfuck ignf. yeah. maybe he changed but she's still dead

3. "i owe you no explanations. i took the only compassionate option." (titans #12)

hoooooooly shit. i get chills every time i think about this im serious. adeline was suffering and about to die and kory killed her. kory saw herself in the suffering of someone else and KILLED HER. hard as fuck. i will refrain from going on a whole tangent about this but i feel like writers sometimes have the Good Guys kill someone and it doesnt really feel right, but this does it so well because it makes sense within the story AND for kory's character. she was right

4. "the last two bullets are for us" (green arrow #32)

this was so fucked up. can i call this a power couple moment. dinah has so much fucking kidnapping & torture trauma then she finds ollie after he was kidnapped & tortured and she goes dw babe we're gonna kill ourselves later. HELLO. i need to chew on them

5. "for all the times i will never forget. for all the things i can never forgive" (gotham city sirens #21)

everyone drop what youre doing and read gotham city sirens #20-21 right now. or read til the end of the book. gcs is mostly just an okay book but it fucking nails the ending. but this moment in particular makes me lose my mind because harley shows exactly how competent she is and gets into joker's cell in arkham with a gun when she thinks about how he hurt her. then the second she sees him she joins him again. its the ideal pre-breakup harley writing to me and this issue (this entire arc tbh) changed me

in conclusion i love my picture books 💞💞 i think more people should post their fav comic moments too because i wanna see everyone else's plsssss

also im putting honorable mentions under the cut:

"its not them" (blackest night: titans #3)

"i still dream of krypton" (supergirl woman of tomorrow #8)

"to the microscopic beings alive on his skin, this child is the entire universe" (poison ivy #6) (basically this entire issue is my favorite but i had to choose one page)

#i mentioned that the coffin scene was my fav last night then i kept thinking about what my other favs would be. and now here we are #they should invent a way to turn comic panels into drugs so i can smoke these #pass the no one dies tonight blunt #i think everyone should post their top 5 and tag me bc i really wanna knowwwwww #dc #im sorry for saying 'comic moments' then only using dc books 😔#i fear it'd be too niche if i started yapping about my favorite bitch planet moment

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countryclubkook · 7 months

Note

thinking of topper’s gf cheating on him with rafe🤭

Favorite Secret

Pairing: Rafe Cameron x reader

Warnings: smut, cheating, mentions of alcohol, violence, blood, creampie, unprotected sex, P in V, not proofread

Summary: Your secret affair with Rafe almost goes terribly wrong when Topper decides to call in the middle of a hookup…almost

A/N: omg hii!! it’s been so so long since i’ve been on this account but I got a new job and a boyfriend🤭 life has been very very busy the last like year or so but I got the urge to write for my fav boy so I hope you guys enjoy this quick little fic🤍 and I hope all of you are well!

“Fuck Rafe, feels so good oh my god” you cried out, arching your back as your eyes rolled back when his cock hit the perfect spot inside of you. It was fucked up, screwing around with your boyfriends best friend, especially when Topper treated you so well. He bought you everything you asked for, took you on nice dates, held the door open, complimented you. Never did anything to hurt you…until that night, until that one party changed everything.

“Ugh come on Top, i’m begging you to just come for like 10 minutes. If you still don’t want to be there after that we can leave and just come back here, watch movies or something” you’d been begging for the last hour, it was the biggest party of the year and his best friend was hosting but he said he was too tired to go. You knew it was actually just because there had been whispers on the island that Sarah planned to crash it with John B and their new pogue friends.

As much as he swore to you he was over it, you know that wasn’t true and you were fine with it. You trusted him, after all you were the one there for him when she broke his heart the first time, having to be the one to pick up the pieces every single time he gave her chance after chance, you knew what it’d done to him and his trust. Having to risk seeing her there with the guy she cheated on him with didn’t exactly sound like such a fun time.

“Listen I love you, but I really would just rather stay in tonight okay babe? There will be many more parties that we can go to in the future” he said, giving you a soft smile and cupping your cheek with his hand. He could see the disappointment on your face and felt bad, you were obviously excited about this and here he was shutting it down over rumors.

“Okay, whatever you want to do” you let out a defeated sigh and nuzzled your cheek closer into his palm, not wanting to argue over something like this. It just wasn’t worth it and you did enjoy nights in with just the two of you, plus he was right, there would be another party by next weekend.

“Damn it” he muttered under his breath before shaking his head slightly, “Okay okay, 10 minutes and that’s it, deal?” he barely got out the last word before you were squealing and throwing your arms around his neck He wrapped his arms around your waist and let out a small laugh, the smile on your face lighting up the whole room.

“Thank you thank you thank you! We’re going to have so much fun okay? You’re not going to want to leave by the time those 10 minutes are up, this is going to be the best night ever” famous. last. words.

Everything was great, the two of you were having the time of your life. Drinking and dancing together, talking with Rafe and a few of your other friends, then you slipped away for five minutes to use the bathroom, 5 minutes. Who knew so much could go wrong in just 5 minutes.

You walked out to see a crowd forming around two people and heard shouting, you’d expected to walk over and see two guys fighting like usual. Both of them far too drunk to even make contact with the other, but instead you saw your boyfriend on top of John B, his fist connecting to his cheek over and over and over again. You didn’t even like the kid but seeing blood and spit fly from his mouth and his gurgled wails of pain made you feel bad and you knew you needed to stop it.

You saw Rafe standing nearby watching, small smirk on his face as his eyes darted from the two boys to his sister begging Topper to stop while she sobbed. You walked up to him and touched his arm to bring his attention to you.

“Y/N! What’s up?” he said it so nonchalantly, like the scene in front of you wasn’t even happening. You knew he hates the pogues, hell you know he’d let John B die right then and there and feel no remorse, but he was the only one you knew had even the slightest chance of stopping it.

“Rafe you have to make them stop, it’s over okay? If you guys wanted to teach them a lesson i think they’ve learned it so can you please make it stop?” you could see him thinking about it, his brows furrowing ever so slightly and eyes going from you to Topper and John B to Sarah and then back to you.

“Mmm, I don’t know Y/N/N…kind of feel like he deserves it don’t you? I mean my slut of a sister cheats on my best friend, your boyfriend, with that good for nothing pogue and then they have the nerve to show up here? To rub it in his face? Why should I stop them?” he cocked his head and gave you a smirk, leaning against the wall with one hand in his pocket and the other wrapped around his red solo cup full of god knows what. You knew the only way to convince him was to use the one card you knew would work, the one you hated using against him in all the time you knew him.

“Because you don’t want your dad finding out about it. You’re not even supposed to be throwing parties here, what happens if a pogue ends up dead because of the party and Ward finds out? I couldn’t care less if he dies, i’m just trying to save your ass right now so please” you saw his jaw clench, watched his chest start rising and fall slowly, more heavily than before, and you knew it worked.

“Fuck! Fine, i’ll handle it” he yelled before throwing his cup on the ground and walking over to the two, by this point John B was barely conscious and it’s like Topper was in his own world. Rafe walked over and pulled him off by the collar of his shirt before ushering Sarah to attend to her boyfriend, screaming that the party was over and for everyone to get the fuck out.

People quickly dispersed, whispering to each other about what just happened, until it was just the three of you left at tannyhill. Top was still fuming, veins bulging out, sweat dripping down his forehead, chest rapidly heaving, knuckles bruised and bloody, a crazed look in his eyes. You tried to walk up to him to calm him down but it’s like he couldn’t even see you, he instead turned around and walked to his jeep before getting in and driving away, leaving you stranded.

“What the fuck?!” you screamed, standing at the bottom of the driveway watching the taillights disappear as they got further and further away.

You walked back up to the porch where Rafe was waiting, looking awkwardly at the ground unsure of what to say. What are you supposed to do in this situation other than offer them a ride…or in this case alcohol.

“I’m sorry Y/N, that was shitty of him. Give him some time to cool off and he’ll come back to his senses, if you uh, if you want you could just crash here. I would offer to drive you home but you know…” he said, making a brief gesture to himself “i’m kind of drunk so, don’t really want to risk hurting you. There’s plenty of alcohol if you want to just get drunk and pass out in the guest room, the beds freshly made and I think Sarah still has some clothes here that would fit you.”

“Thank you Rafe, that’s really sweet of you. Do you think you could um, stay with me? Just hang out here and talk, drink a little, I just don’t want to be alone right now” you sounded so pathetic, tear stained cheeks and puffy red eyes.

“Yeah, yeah absolutely”

One drink turned into another and then another, the both of you drunk and giggling while you talked. And then it happened, one little glance at his lips in a moment of shared silence, his hand tucking your hair behind your ear, and you were in his lap kissing him. His hands roaming all over your body until you were pulling away to tell him to take you to the bedroom.

Clothes flying, drunken squeals and giggles slipping out between your moans, the way he made you feel, those were the only things you can clearly remember. And then you woke up the next morning staring at his naked chest, but you didn’t feel guilty for it, instead you wanted it to happen again.

And it did, it happened multiple times a week. Topper did apologize, made up for his behavior that night, but you’d already got a taste of Rafe and now you were hooked. He never suspected anything, didn’t notice the little shared glances between the two of you when you all hung out, the way Rafe’s hand would brush against your thighs, his little whispers in your ear that made you squirm, he was just happy you forgave him. You never thought you’d be at risk getting caught until now, when you were on all fours and Rafe was thrusting into you from behind, one hand tangled in your hair and the other gripping your hip to pull you back into his cock. The both of you were so lost in pleasure that Rafe almost didn’t hear his phone going off, he quickly moved to grab it off the table and answer it.

“Topper, what’s up man?” your eyes widened, panic starting to kick in. You’d thought it was over, he knew, someone had seen something and told him, he put the pieces together, he was calling to tell him he knew.

“Y/N? Yeah she came by to pick something up, said she left it here the last time you guys were over and she had to be out this way anyway. Think she’s still upstairs” you let out a moan when he thrusted back into you unexpectedly, turning your head back to look at him with a bewildered expression. He just gave a a smirk and held his finger to his lips before moving it back to your hip and pulling you back into him to meet each thrust.

You dropped your face into the mattress to muffle any loud moans, pure bliss taking over your body each time Rafe’s cock pressed against that little spot inside your pussy, hoping the call would be over soon. And then the son of a bitch flips you over, puts you on your back and gives you that look. You know, the one that just screams ‘i’m up to no good and you’re about to hate me for this’.

“What are you doing?” you whispered, looking up at him in confusion while trying not to make a sound.

“Actually, she just came down. You wanna talk to her real quick before she finishes up and heads that way?” if looks could kill he’d be six feet under right about now, you shook your head but it was too late, the phone was by your ear and you had no choice.

“Hey baby” it came out shakier than planned and you hoped he wouldn’t question it, it was a lot harder hiding the fact you were cheating on your boyfriend when the man you’re cheating with had his cock buried deep inside your pussy thrusting into you like his life depends on it while on call with said boyfriend.

“Is everything okay? You sound a little winded babe” he was always so concerned, wanting to make sure you were okay at all times if he even suspected something was wrong.

“Better tell him you’re okay princess, don’t let him find out his best friend is balls deep inside his girlfriends pretty pussy” Rafe whispered in your ear, leaving open mouth kisses along your neck and chest.

“Yeah, just a lot of running around the house looking for my ring is a-all” you stuttered out when Rafe pushed all the back into you again, biting your lip and squeezing your eyes shut.

“Okay…well I was wondering if you wanted to go out tonight? There’s this really nice restaurant i’ve been wanting to take you to, finally managed to get a reservation, and there was something I wanted to talk to you about” you weren’t even fully listening to what he was saying to be honest, you were paying more attention to how good you felt and the smell of Rafe’s cologne, the way his skin felt against yours, how your bodies seemed to mold together perfectly.

“Yea-yeah babe. Sounds great” you were about to let out a moan when long ring clad fingers found their way into your mouth and you, on instinct, bit down slightly.

“Great! I’ll be at your place to pick you up in like an hour okay? I love you”

“Great! Love you too bye” you quickly got out before hanging up and letting out a moan, digging your nails into Rafe’s back.

“Fuck baby i’m close, you want me to fill this pretty pussy with my cum? Want a little reminder that even if you’re with him, you’ll always be mine?” you could only nod, small whimpers filling the room.

A few more lazy thrusts before he pushed all the way into you and stayed there, feeling his cock twitch while he filled you with his cum. Your pussy clenching around him while you came at the same time, head thrown back and lips parted moaning his name, a white ring forming on his cock from your cum mixing with his. He pulled out after a few seconds and pulled you to your knees before sliding his cock in your mouth.

“Suck it off baby, just clean it up for me” and you did, licking every drop of your cum off his cock before he pulled out and got dressed.

You went to grab something to wipe the cum away when he stopped you.

“Nah, you go on your little date with my cum leaking out of you”

You gave him a dazed look before nodding and throwing your dress back on followed by your shoes, giving him a kiss and heading for the door.

“That was fun Rafe, i’ll call you later okay?”

“I know you will pretty girl, I look forward to it.” the smile on his face was genuine, not one that he had after a meaningless hookup, but one of true happiness. You brought out the best in him and he couldn’t even have you in any way other than this.

“Me too, I better go now. See ya” you were almost out the front door when you heard him yell your name. You turned around to see him leaning in the doorframe of his bedroom, waiting to see what he had to say.

“You’re my favorite secret”

#rafe cameron #rafe cameron imagine #obx imagine #rafe cameron smut #topper thornton imagine #rafe smut #rafe cameron blurb #rafe imagine #rafe cameron fanfiction #rafe cameron x kook!reader #rafe cameron x reader #rafe cameron x you #rafe outer banks #topper thornton #topper thornton x reader #outer banks imagine #outer banks smut #outer banks fic

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cosmerelists · 2 months

Text

Kaladin, Shallan, and Adolin Watch the Olympics

My wife & I bought cable temporarily to watch the Olympics. I've been turning it on whenever i can to watch random things. So let's check in on the Stormlight three as they somehow watch the Olympics too.

1. Gymnastics

Adolin: These people are incredible! How do they do all that without Stormlight?? Adolin: Like, I'm used to YOU flipping three times in the air after leaping over something and landing on your feet, Kal, but these are just normal people doing that! Kaladin: [frowning intensely at the screen] When do they start punching the horses, though? Kaladin: I don't know why that's part of this event, and it seems kind of mean to the horses, even to me. Shallan: ... Shallan: It's pommel horse, not pummel horse.

2. Fencing

Radiant: Now THIS is a sport. Adolin: Hard agree. Adolin: Less violent than most duels I've been involved in, but the footwork and timing is so impressive! Syl: And the tiny swords are so cute! Syl: Lemma know if I should ever by a Sylsabre, Kaladin! Kaladin: Uh, sure.

3. Sport Climbing (Lead)

Shallan: Kaladin...it is DEFINITELY hard enough as is. Adolin: Yeah! I mean, they only get one try, the route is super long, and barely anyone made it to the top! Kaladin (stubborn): I'm just saying, I think it would be more interesting if they had to bring along their own holds and stick them to the wall as they climb.

4. Equestrian Events

Adolin: (sulking) Adolin: That guy on twitter is right. The horses DEFINITELY deserve medals too. Shallan: I'm pretty sure non-bonded horses aren't sentient, Adolin. Kaladin: Plus, I think all horses would eat their riders if they could. Shallan: ... Kaladin: I'm helping!

5. Running

Kaladin: I just really like watching people run. Kaladin: They're not outracing a storm or anything, but I still find it aspirational. Adolin: You're way taller than them. I bet you could outrun some of them at least. Kaladin: ... Kaladin: Why am I legitimately touched by that?

6. Basketball

Shallan: No...forget running. THIS is the sport for Kaladin! Shallan: You're so tall that you could just stand by the basket and casually plop the ball right in! Shallan: Plop! Plop! Kaladin: ...I am far less touched by this one.

7. Athletics (Track & Field)

Kaladin: These events are definitely my favorite. Kaladin: Nice to see spear throwing being featured. Kaladin: Because yes, throwing spears DOES take a lot of talent. Kaladin: And the one where they use a long pole to leap over the barrier? Kaladin: It's like flying & spears combined. Shallan: Fencing...javelin...pole vaulting... Shallan: You boys are getting what you want...but where's the music competition? The drawing? Adolin: The synchronized diving was pretty artistic? Shallan: (muttering) I should start my own Olympics.

8. Shooting

Kaladin: The precision is amazing. Kaladin: Those targets are tiny, and the weapons aren't even alive. Kaladin: They're just doing that with their own skill! Kaladin: ... Kaladin: Hello? Adolin? Shallan? Shallan: S-Sorry! I was definitely not mesmerized by how cool and sexy the shooters look in their pose! Adolin: Ha, ha, me neither! That casual, one-hand-in-pocket look does NOTHING for me! Kaladin: Are you two even watching the sport???

#cosmere #cosmerelists #Kaladin #Shallan #Adolin #stormlight archive

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turnstileskyline · 9 months

Text

The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

#long post #lke. VERY long post #fall out boy #fob #take this to your grave #tttyg #patrick stump #pete wentz #joe trohman #andy hurley #if theres any typos lmk and i'll fix em this. hust took fucking forever to transcribe.

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