#one day i will make it playable

[getlancered]

Okay guys whos ready who is locked in for one of 3 ace attorney turnabout bigtop rewrite ideas. if u guys are hyped for this i will drop the rewrite 7 years in the past where diego is the defense lawyer 🔥 OK LOCK IN

BULLET POINTS FOR LAZY PEOPLE AT THE BOTTOM

i wrote a lot. read it if you love me. also no read more because i hate you read it

rudinn’s painfully detailed rewrite of ace attorney JFA case 3 turnabout bigtop

so. this may be a little all over the place?! because ive never put it in coherent order i just spontaneously get new ideas and add onto it. maybe i should actually tell u guys about the entire rewrite of the original circus tragedy! yes that sounds like a good idea.

june-ish, 2017

it’s supposed to be like 6 months prior to the murder right

i made the idea of failed equipment... essentially russell decides to teach regina how the equipment is hooked up and taken down so she can do it herself when she ideally runs the circus one day. and before a very rushed show where everything is out of order regina decides to be helpful and hook the net up herself! she does it improperly but there isn’t really time to do anything about it befire the show starts. russell insists acro cant perform without a whole functioning net but he trusts his skills and theyve never actually had to put it to use becuase acro and bat are just that talented!

acro, mid performance, many feet in the air misses a catch. instead of falling to his death bat essentially dives down to act like his net and break his fall. they hit the ground, bat dies on impact, acro is permanently paralyzed.

regina doesnt ever see whats happening because ben shields her and himself from watching the fall, which leaves the crowd and moe to watch the death happen in very real time. he never recovers, the incident marks him with CPTSD and he will shut down at any mention of the accident.

☆

after moe breaks down on stage, the berry big circus holds a final performance before a long overdue break to give everyone time to process.

when they resumes performance, russell decides to hire max galactica as the brand new star of the show! he takes a liking to the anxious and unassuming benjamin woodman and is extremely curious about the person he is behind the persona of trilo. being the first person in the circus to take a liking to him as a person and not the crutch to his crippling anxiety, trilo quist, they quickly grow close over the 6 months following.

december 26th, 2017

russell berry is traveling solo for a networking event, and is extremely nervous about leaving the circus in moe’s hands. moe is extremely clumsy and immature. he’s not at all confident in moe’s ability to fire a gun (you know, in the canon game where he shoots a lion? i’m keeping that.) this fear is reinforced during a game of darts between the two of them, where moe rips a hole in the circus tent in an attempt at reassuring russell of his impeccable aim.

russell decides to teach his dear friend how to fire a handgun. and because russell has never fired while wearing gloves, he’s hesitant to let moe try it, so they practice without gloves on. (because how else would the defendant’s fingerprints be on the gun, silly?)

a few hours later…

6 months after his brother’s violent death and acro’s permanent disability by his own misjudgement, he can’t live with himself. he takes russell’s gun from his office up to his room, places a suicide note on his bed, and—

regina berry walks in.

there’s nothing she can do but ask why. having been spared the details and the moment of the death thanks to ben, she doesn’t understand. so acro explains it to her. they have a very heartfelt conversation clearing up a lot of resentment, and they begin their steps together to mending their relationship and acro’s mental health. regina takes his suicide note from his room because he doesn’t need it. she, ultimately, decides to keep it as the first harsh reality she’s had to face and as a milestone for acro getting better.

december 27th, 2017.

uh oh.

by now, the entire circus tent is well aware of maximillian galactica and his anger issues. it’s smart to let him win any disagreement out of fear of it turning into a heated argument.

russell berry laments to moe about this in his office, shortly before the murder. he’s nervous about leaving the circus when he tends to be the mediatior. (mostly between moe and max.) moe tells him, ever so gracefully, that it is russell’s circus and he should fucking act like it, and to please put max in his goddamn place already. aka, talk to him about it. russell, who is notoriously bad at confrontation, decides to go and finally have a long overdue chat with max, who is still in the dinner hall. so he leaves moe in his office to go and do just that. (chronologically, this translates to this scene, but like. with moe instead of max. i havent gotten around to redrawing it...)

meanwhile…

everybody in the circus treats acro and his disability like a forbidden topic, and max is sick of it! all he has for some damn context around here is a picture of the scene in action, which is supposedly in a tabloid somewhere. he’s not satisfied with this, so he decides to go straight to the source and demand that someone finally tell him what the hell happened to this shitshow of a circus.

acro, of course, attempts to calmly turn him down, but max refuses to take no for an answer. when acro gets defensive, their argument turns heated.

you all know this scene well as ben and max’s argument. however, instead, max breaks the bottle over acro’s head. he immediately goes limp, blood spilling down his split forehead a-la turnabout trump.

max fucking panics. he takes his obnoxious hat and uses it to cover acro’s wound, and then wheels the dead man straight to benjamin woodman in absolute hysterics over what to do.

ben proposes the idea of faking acro’s suicide, citing that he was already suicidal and that way no one goes to jail! max has no reason to deny it. so ben tells max to retrieve russell’s gun, a pen, and a piece of paper while ben takes acro’s body upstairs to his room.

at the same time max is heading out to retrieve the items, russell has finally gotten around to speaking to max after procrastinating with a few chores regarding regina’s animals. he walks into the dining hall to see a small pool of blood on the ground, a broken glass bottle, and no max.

what’s it like to be a murderer?

well, when you’re max galactica and moe is asleep at the desk in russell’s office? pretty easy after a quick heart attack. there’s papers on top of russell’s desk, though. looks like someone’s been snooping. he takes the items he needs, remaining undetected, and then meets ben in acro’s room.

ben creates the forged note while max removes acro’s headpiece and drapes his hair in a way that conceals the wound. he then attempts to work up the courage to shoot acro in the temple with russell’s gun. after some more hysterics from max trying to hold a gun, ben decides to do it on his own. while wearing max’s gloves of course, he’s not stupid.

he might actually be stupid though, because he later ends up leaving his beloved trilo quist behind. oops! ben and max carefully lay acro on the bed and leave their victimless crime behind. it’s better this way, isn’t it? now nobody has to be arrested.

not unless your name is moe and your life sucks!

upon waking up hours later, still very russell-less, moe decides to check in on acro because it seems long overdue given how late into the night it’s gotten. he opens the door to see acro lying dead in his bed, and he breaks.

he holds acro close for a long long time. he just holds acro and cries. when he’s too tired to cry anymore, he sits on the floor at the foot of acro’s bed, head to his knees in a state of shock. and he remains that way even when russell finds the two of them, even when russell attempts to shake him out of shock. even as police cars pull up and whisk him away from the scene of the crime.

at first, nothing is out of the ordinary. acro died by suicide, he left the note. regina is sobbing, insisting that he would never, but as a young girl who has never had to deal with grief to such a degree before, her cries aren’t taken to heart.

not until they discover the real cause of death, and a moe’s fingerprints on the gun.

gumshoe takes moe in handcuffs, attempting to calm the panicking clown under the guise of “asking a few questions.” when he lets the fingerprints slip, moe calls to russell to tell them what’s actually going on and to clear up the horrible misunderstanding!

russell does not. he stares in somewhat of a trance at the ordeal unfolding in-front of him. being a man who cannot act without a prior plan of what exactly to do, he isnt sure what to say to make sure moe isn’t incriminated further. so he says nothing, and moe is taken to the detention center.

umm the rest of this is. a little vague? i havent worked out the trials or investigation sequences yet.

i do plan for this little rewrite of mine to, one day, be a playable thing! i am so passionate about this case that i want people to see it through a new light and love it like i do.

i will give you all the unstructured rundown of my ideas further, including my evidence list, some fun little dialogue snippets, potential sprites i’d be drawing, and a couple of random ideas for what could happen during the playable bit of the game.

evidence list!

basically just everything phoenix will find/have on him throughout the case. sorted by room and in order of discovery. sort of. subject to change…

misc/given:

Attorney’s Badge - It’s my all-important badge. It shows that I am a defense attorney.

Maya’s Magatama - Slightly translucent. It radiates softly with a mysterious light.

Crime Photo - A picture of the crime scene. (recieved from detective gumshoe)

Moe’s Gloves - They’re covered in blood. Supposedly, because he was holding the body. (recieved from moe)

Incident Photo - A picture of Acro mid-air. (recieved from max)

Newspaper Clipping 1 - Acrobat Sean Dingling falls to his death. (recieved from russell)

Acro’s Autopsy Report - Time of death: 8:30 PM. Cause: Sharp force trauma to the forehead. (presented by detective gumshoe)

Pistol - Belongs to Russell. Two shots fired. Bears Acro’s and Moe’s fingerprints. (presented by detective gumshoe)

Broken Glass Bottle - The murder weapon. Found in the cafeteria trashcan covered in blood. (presented by franziska)

Newspaper Clipping 2 - Berry Big Circus closing it’s doors for the foreseeable future to watch the health of their performers. (presented by franziska)

ringmaster’s room:

Max G. Promo Poster - Covered in sparkles. His stage makeup is certainly flashy.

The Flying Dingling-Berries Promo Poster - It’s color is faded from years in the spotlight.

Letter of Resignation - An unsigned letter detailing someone’s desire to move on to better employment opportunities.

big top:

Torn Circus Tent - A large hole torn in the main tent of the Big Top. Not far below a hanging dart board.

Acrobat’s Net - A tightly-strung net for the acrobat’s performance.

cafeteria:

Bloody Footprints - Despite having seemingly no origin, a short trail of footprints lead from the cafeteria to the Ringmaster’s Room.

moe’s room:

Sentimental Photo - A framed photo of a young Acro and Bat with Moe wrapping his arms around them.

regina’s room:

Suicide Note 2 - Hidden in Regina’s drawer. Acro will never be able to put the accident behind him, but he doesn’t want to keep the circus in the past with him.

acro’s room:

Suicide Note 1 - Left on Acro’s nightstand. Acro can’t live with himself knowing Bat died because of him.

Trilo Quist - A ventriloquist's puppet. An operatic tenor who doubles as Ben's sidekick.

Headband - A golden headband with red gems. There’s traces of blood on it.

ben’s room:

Silk Hat - Made-to-order fedora that is a symbol of Max's fabulousness. There’s blood on the inside of the hat.

White Gloves - Pristine white gloves with a bit of sparkle. Also, traces of gunpowder.

WHEW. Done

some things i cooked up regarding evidence pieces…

Incident Photo - A picture of Acro mid-air. (recieved from max)

when interrogating max and presenting the acrobat’s promo poster to him, you get this line of dialogue.

Max: Oh, hmm…They were fabulous, I’ve heard. And believe me, I’ve heard very little. They’re something of a touchy subject.

Max: When I asked why, Ben gave me this photo and told me to never bring it up again.

Max: Apparently it was rather the scandal! They had to close temporarily until I came along, of course~

max gives you the incident photo, which you then show to the members of the circus. phoenix learns from regina and russell that, aside from acro, moe took the incident the hardest. russell also gives you the first newspaper clipping.

when you show this photo to moe in the detention center, he freezes up and puts up psyche-locks. i haven’t done much with those yet, though.

The Flying Dingling-Berries Promo Poster - It’s color is faded from years in the spotlight.

when you show this to moe, he absolutely loses it laughing. that’s it. just a stupid bit about how absolutely awful their name is. he cracks the expected jokes.

Newspaper Clipping 2 - Berry Big Circus closing it’s doors for the foreseeable future to watch the health of their performers. (presented by franziska)

franziska, at some point in the trial while moe is on the stand, attempts to make a case against him and how he’s mentally unstable using the clipping being about his breakdown on the stage. she also brings up his severe depression he experienced for some time after the accident, his unnatural behavior upon finding the body/his response to fear, and his tendency to severely dissasociate any time the accident is brought up.

Letter of Resignation - An unsigned letter detailing someone’s desire to move on to better employment opportunities.

various reaction dialogue snippets incoming

Moe: Me? Quit? HAHAH! Yeah right, Wright! I think Russ would feed me to the lions if I even tried. Ha. Haha…

Moe: …I’ve got no reason to, anyhow. They’re like my family.

Moe: Give it to Max. I’ve always hoped its his. The whole circus would be better off if an attitude like his would magically disappear!

——

Max: Oh, darling, this circus wouldn’t run the same without me! I bring a fabulous sparkle that’s impossible to replace~

Max: Not to mention a fabulously packed audience. I make the circus all of it’s money, sweetie.

Max: Not a soul on this earth could resist the talent that is Maximilian Galactica!

Max: Hmm…Don’t let word slip, now, but Ben might know a thing or two. He’s been having a few…struggles, lately.

——

Trilo: Max and his big mouth…! He’s a huge gossip! Him and his fancy agency…

Trilo: Those flamboyant douchebags are used to spilling all sort of secrets, I tell ya!

Ben: W-What—um, Trilo is try—trying to say—

Trilo: Spit it out! Ugh. It’s not his, and it sure ain’t mine! Ben’s a quitter, but not me, no siree.

Trilo: I hate these looney-tunes bunch of jokes, but the entertainment industry is all about CONNECTIONS! Max is like a goldmine! No way I’m leaving now.

Trilo: Ben and this Berry-Big-Joke are stuck with me!

Trilo: It’s Acro’s. Gotta be. I thought he was gonna kill himself, which…Oops! Awkward. But he must’ve—

Ben: Tr-Trilo…! Goodness! Don’t speak ill of th—the…of the…

Trilo: Dead?! It’s not “speaking ill” if it’s just the facts! Are you trying to silence me?! Your own partner?!

Ben: …

Trilo: Thought so.

Trilo: Yeah, not sure what happened! He probably tried to quit and then gave up and killed himself or something. Who knows!

Ben: M-my gosh…

it’s bens btw. he’s a liar.

brief playable section outlined? i dont have a lot of specifics…

opens with a playable bit from the POV of moe waking up in the ringmaster's room. he walks around the berry big circus in a bit of a daze. when he leaves to see a dark sky, he comments on how late it is and that he should probably go check on acro. you find the body and get a bit of an emotion snippet before it fades to black.

maya calls phoenix and tells him to look at the TV, apparently there's been a death at the berry big circus that they went to see the day prior and they should check it out.

moe isn't visible in the detention center. that is, until maya presses her face to the glass and sees moe sitting on the floor, pouting. he tells phoenix and maya, who he mistakes for max galactica paparazzi, to go away. you show him your attorney's badge and get a dialogue bit about him being abandoned by russell, and also not believing this is genuinely a murder and just a suicide. when you get through to him that he is under arrest for murder, he essentially begs phoenix to represent him. like usual, maya guilt trips him into it.

russell is in the bigtop circus tent. you question him about the hole, and he tells you about moe's terrible aim. you bring up a dialogue bit about "abandoning moe" and he tells you about the arrest. you can show him the acrobat/max promo posters after picking them up and get a bit about that too.

you chase ben around the circus for a bit before finding regina in the lodging house and learning that he doesn't talk to anyone unless he has trilo. you also talk to regina about the murder, she reinforces that this can’t be a suicide because acro would never do anything like this. not after all they talked about.

talk to gumshoe in acros room, discuss what he knows about the case and get respective evidence pieces from gumshoe. and also get trilo.

give trilo to ben, talk to him about the circus. also, talk about the supposed new star of the circus and how great he is. after showing max’s promo poster.

break into moe’s room. find his very sweet photo of acro and bat

trial one, gumshoe first as per usual. trial 2-1, brief testimony from moe about his alibi. cross examine regina about her conversation with acro. then, cross examine her about the gunshot she heard and the time she heard it. trial 2-2, cross examine russell about his alibi. prove that he isnt really telling the court everything he knows.

second investigative period, this is where it gets way less structured LOLOL. meet max formally for the first time, get the incident picture from him. investigate more about the incident.

show the picture to regina, she gives you testimony about the accident and moe. show the picture to russell, he gives you the newspaper clipping. show the picture to ben, he tells you about him giving it to max.

you can show moe’s sentimental picture to ben and get a bitter little dialogue bit! nothing fun, yet.

show the letter of resignation around. get the dialogue pieces i showed earlier. unlock some psyche locks from ben to find out that its his

break into reginas room. find acro’s not forged very real suicide note

break into bens room. find everything incriminating max galactica

show moe the newspaper clippings and unlock some psyche locks and he cries to you for a very very long time about the accident

more psyche locks from russell probably. argument between max and acro revealed and the rest of the shit he’s been hiding. man i dont know

trial 4-1, cross examine moe and his testimony some more. franziska calls him crazy for a while. put him to the side while you get a very brief max galactica testimony, then some stuff from ben. trial 4-2 ben openly breaks down on the stand about feeling unloved and left out by the circus and that max is the only person who gives a shit. cross examine max and find out about the argument with acro. max galactica murder breakdown. thats it? we win? max goes to jail?

HOLD IT BITCH. the stupid clown is not done. he starts begging phoenix not to ruin their circus, that max can’t be a murderer because he’s the star and acro must have killed himself. phoenix gives moe acro’s real suicide note and then he just cries on the stand for a while.

comfort moe some more outside of the courtroom, convince him that acro doesn’t hate him forever and that the circus will be okay.

the end 🔥

BULLET POINTS FOR LAZY PEOPLE HERE‼️

regina fucks up the net for the acrobat performance. no one does shit about it. acro and bat fall and die. onlt bat dies though actually

moe is FUCKED UP over it. breaks down on stage and the circus shuts down PTSD PARTAY

enter gayboy stage left he flirts with ben like no freakin tomorrow dude

russell has to leave for work because plot purposes and moe is fucking stupid. tears a hole in the tent trying to prove to russell that hes not fucking stupid

so russell teaches moe how to fire a gun incase he needs to Fire A Gun while russell is gone. gloves off duh silly his fingerprints gotta be on there somehow!

yeah when theyre done with that gun acro tries to KILL HIS FUCKIN SELF

regina finds him and cries. they makesies upsies and become best friends. so regina takes his suicide note

MAX GALACTIA IS A FUCKING CUNT. — russell berry to moe in his room. moe tells him to Man the fuck up snd talk to him

moe falls asleep when russell leaves lol

while they talk about this shit max galactica proceeds to be a fucking cunt by killing acro with a glass bottle because acro didnt wanna tell him about his tragic dead brother

max puts his hat on acro’s head to hide the gaping fucking wound. goes to his forbidden gay lover to ask what to do with a dead body?! the Normal Logical Thing of course; stage a suicide

russell procrastinated btw so when he goes to find max he finds blood instead

max finds stuff to forge a suicide note, and because he’s too much of a pussy to shoot acro himself ben does it for him. like a good boyfriend

moe wakes up like 5 hours later after a terrible nap and stumbles around the circus until he finds a Body

holds acro instead of calling the cops. sits on the floor instead of calling the cops

when russell finds them in the morning and calls the cops they arrest moe after like 2 seconds of realizing its not a suicide and this dumb bitchs fingerprints are on the gun

Russell doesnt do shit btw. lets it happen. like the loser he is.

im not bullet pointing the playable stuff this shit took fucking forever

THATS MY ABSOLUTELY DERANGED BIGTOP RANT. thanks for reading if you love me. PLEASE READ THIS AND ENJOY THIS CASE AS MUCH AS ME

[architectural-sims]

Havana Turquoise

[dreadark]

starting a collection

[stop-breaking-my-heart-dragonage]

my greatest achievement in DA2 is maxing out Carver's friendship

and all it took was begrudgingly kissing a little templar ass in act 1 because Carver didn't want to plan a prison break if my Hawke got his ass arrested for being stupid.

[quibbs126]

I really want to see the Ancients get Legendary costumes where they’re like, deities. Either in the way the other Legendary costumes are (minus White Pearl), or like, via their Soul Jams or something they just ascend to becoming higher beings (I don’t know, it’s just a weird idea in my head). I’ll take either option

I mean with enough luck, Golden Cheese should be getting that after COTY, but I want to see all the Ancients as godly beings

[corviiids]

For the director's cut fanfic thing: ⭐⭐⭐ (these are THREE stars valid for whatever. I'm giving you blank checks)

thank you again <3

blank check 2/3 goes back to as you like it again! but this time i want to talk about my shadow designs for the akechi bossfights we've encountered in the preceding chapters >:3 there are five - the Puppet, the Singer, the Bard, the Dancer, and the Magician.

but this got really ABSURDLY long this time so ill stick to mostly the Puppet, and just do a brief ("brief") overview of the others for now.......

(for context: this is my palace au and akechi's keywords are akechi goro, the world, theatre.)

the Puppet (photos of giant puppets below if that freaks you out!)

the first Wing the thieves encounter is the puppet show, and the boss shadow is a giant marionette:

For one thing, it’s huge—maybe three or four times the size of a human being. It’s also gleaming, carefully polished and buffed, reflecting light more viciously in the areas where it seems the wood might be chipped or worn. The polish throws the lines of joints and pieces into sharp relief, giving the puppet the general impression of something whole that had been cut up and pieced slowly together with hinges and nails. Behind it, mostly concealed by its limp bulk, is a door. As they might have gleaned from the chatter of the audience, the show does not yet seem to have begun. As such, the puppet on stage is limp on its strings. Most disturbingly, it’s draped backward, not forward, snapped unnaturally at the spine and giving it the extremely uncanny look of a corpse on uneven ceiling hooks. They can just make out the side of the thing’s eyes from where they’re standing. Gravity has not been kind to them: the puppet’s eyelids are dropped open, bulging eyes left wide and staring up as far back as the build will let them. They haven’t rolled all the way into the wooden skull, presumably because they can’t. Instead, the unseeing yellow eyes remain fixed on the back corner of the stage. The puppet is entirely still. “I think I’m going to be sick,” Makoto says faintly.

i think the Puppet is my favourite of the five because he's so disturbing. i imagine he looks a bit like the giant marionettes by the french street theatre show royal de luxe:

but i really love these guys, so i think it's uncharitable to say akechi's shadow looks exactly like them. i know giant puppets are always a little freaky but i genuinely love the royal de luxe puppets and i think the workmanship on these does genuinely do a ton of work to dispel that uncanny vibe.

puppet akechi on the other hand is absolutely drenched in uncanny valley, so i guess imagine these puppets but much scarier. the main thing is those places where different pieces of wood are joined, in the joints / on the limbs / etc, because that's very key to puppet akechi's look in my mind, hence "something whole that had been cut up and pieced slowly together with hinges and nails". the Puppet is a marionette, but the way he's been constructed and set up on stage almost calls to mind the imagery of a corpse that's been reconstructed to perform. the way he moves is really unnatural:

Ren is beginning to think they might be able to get past and slip through that door without a fight when the whole creature rears up, back strings going taut, and lashes wildly out at him with a horrible clack of its arms—he leaps back and crashes directly into Haru, who catches and dips him like a princess before twirling him frantically into Ryuji and the puppet gouges a deep gash in the stage floor.    As they watch it screeches, howls an unnatural shriek, eyes suddenly wide and bulging larger. They ‘blink’ a few times, eyelids flipping, then the puppet Akechi goes limp on its strings again, though decidedly more upright than before, like whoever’s pulling the strings is now on guard. Its eyes stay open this time, bright gold and piercing.

very much not like something exercising its own agency, but like a body on strings being operated by someone who did not care to practice in the artistry of operating a puppet to make it look like a live thing - the puppet is literally just a tool to be flailed about.

this also shows in the way the puppet sits when it's at rest. guys do you know how god damn hard it is to find normal pictures of puppets? when you google marionette it just comes up with a bunch of fnaf shit. anyway check this guy out

at rest, they usually just kind of dangle innocently, or might slouch forward if given too much slack, right? it was important to me that puppet akechi look very wrong at rest, as if he's not "at rest" so much as he's just been left to hang. hence: "it’s draped backward, not forward, snapped unnaturally at the spine and giving it the extremely uncanny look of a corpse on uneven ceiling hooks." i'm basically imagining meat hooks, like, in a slaughterhouse or something you know? like he's just dangling from those.

that imagery was inspired by persona 5 dancing, actually - akechi's finishing pose in his dance is this:

this is just such an unnatural pose. when i saw it for the first time, i just couldn't get the image out of my head of a string puppet who'd been hung up and left to dangle without any regard for how it might look or feel (lol). not to mention that blank look in his eyes. i think a lot of the Puppet was born from this dance because the dance itself is so dynamic and silly but then the lead-up to the end suddenly gets very jerky and puppet-like. i really like his dance!

the Puppet's battle mechanic is that the applause will continue as long as the Puppet is either acting or getting hurt (kind of like the mettaton fight in undertale actually?). if the applause stops, then the Puppet will be inflicted with Despair - in p5 the Despair effect means you lose SP for each turn and then instantly die on the third turn. makoto ends up healing the Puppet and yusuke mercy-kills it before it can commit suicide:

Fox silently raises his gun. The Thieves collectively flinch as the Puppet dissipates. The applause starts back up. “If we’d left things silent,” Yusuke says, “it would have only happened again.”

because this is the first shadow bossfight the thieves encounter in the Theatre, i needed it to have some broader implications (vs some of the later shadows who have more specific interactions). so obviously the analogue for akechi is that the performance needs to continue and he needs to continue receiving acknowledgement from the public / from shido / etc because if he's not useful and entertaining and noticeable and such, then he's nothing - his life doesn't mean anything. obviously, if he doesnt perform for shido (perform in the sense of working, but also in the sense of showmanship) he'll probably be killed. but also, akechi really externalises his sense of self to an insane degree. the conceit of the palace is essentially that his entire internal world is the show, it's just this shallow performance, the backstage is empty. if he stops existing in the cognition of the masses, he essentially "stops existing".

i think a lot about third semester akechi in royal and how completely he's faded from public awareness. he doesn't care because he's a dead man walking and has locked into nihilism at that point. but if you look at what akechi says in the engine room:

his voice when he says this says a lot to me. akechi's envisioning the world as it will look when he has to return and face the consequences of the world discovering what's behind the curtain and realising his credibility was all a show. to be honest, i think this also plays a role in his decision to sacrifice himself in this scene. i don't think he wanted to die, but i think he did realise that the post-thieves, post-truth world wasn't a place that held anything for him anymore, and his desire to return to that reality was dramatically weakened, so it was an easier decision for him to choose to make that sacrifice than it otherwise might have been.

um, i had a point. okay, so, i was saying that once the applause stops, the Puppet begins to despair. the Puppet also is the most direct representation of akechi as someone who is being used. all the shadow bosses correlate to some aspect of akechi's need to perform and to the varying reasons why they all have that sense of desperation:

“Kinda feels like they’re just defendin’ themselves, you know,” [Ryuji] says. “Or somethin’. Look too much like him. It’s weird they can’t talk, cos it’s like fighting a dumb animal. Don’t they all seem real scared to you?” None of Akechi’s Shadows have delivered grand speeches about conquering the world. Even Futaba’s Shadow had given them a fairly strong indication of what was going on with her, that overwhelming guilt which had given birth to a resolve to lock herself up in her mind and die. Akechi’s Shadows have lashed out, tried to destroy them, sure. But it feels different in a way that’s growing more and more impossible to ignore. Desperate to fend them off, more than anything, like each one is the final bastion standing for a world that could crumble at any moment.

that's why once you figure out how to stop each shadow's "show" from going on, they instantly die:

ripping the Singer's mask off causes him to cease to exist (see below)

silencing the Bard, who relies on the power of his words to manipulate others, removes his power and reveals that he's pretty easy to take down

the Dancer's feet are always bleeding because he can't stop moving. he's hard to catch, but the moment he stops dancing, he's revealed to have extremely low defence and can be taken out very easily

but the Puppet is literally being manipulated by a puppetmaster. because he no longer has any use when the applause stops, he no longer has a reason to exist. i also just thought this would be a fun effect to start on because it's so drastic as an introduction to akc's psyche and really gives the thieves a sense of what they're working with by throwing them directly into the deep end.

ok let's leave the puppet behind for now. im gonna be more brief with the others i promise (maybe)

the Singer

LET'S TALK about. beneath the mask. a song about ren. but it's also a song about goro.

I'm a shape-shifter at Poe's masquerade Hiding both face and mind All free for you to draw

the fic goes over some of my meta about this:

[Yusuke] I have done some research. [Makoto] Oh? [Yusuke] I believe when the Opera Shadow sang of “Poe’s Masquerade”, he was referring to a short story by Edgar Allan Poe, entitled “The Masque of the Red Death”.

eternally grateful for the scene during the pyramid arc where yusuke loredumps about egyptian mythology so i have precedent to do this

yusuke summarises the story in this chapter (chapter 4), but basically: the story is about rich people abandoning the common folk to a plague, until a personification of the plague wearing a red mask enters the castle. when his mask is removed, it's revealed there is nothing underneath. everyone in the castle then succumbs to the plague.

the superficial connections to akechi are pretty obvious - red mask, plague doctor. etc. but this song is really, really telling for both ren and goro. i briefly went over this in my last dvd commentary post about the palace fic, but this relates to my meta around both of them as mask wearers. the line "all free for you to draw" is a big one - ren is "all free for you," the player, "to draw" - he becomes who you need him to be, and because you need to max out your confidants, he becomes (via you) who his friends need him to be.

goro is similar on a different scale because he moulds his personality to what the public expects him to be. he takes it one step further, because it's less utility for him and more foundational - as i said, to an extent the performance is the substance of his personality, which is the core of the distortion. so both ren and goro are wearing the mask, malleable in character, their actual personality being somewhat questionable, but that emptiness is only true for goro. ren's definitely got something underneath it, but goro feels like he doesn't.

brief cw for suicidal ideation, but i also generally take it as a given that goro doesn't really expect to live past 18 after defeating shido. not that he's actively suicidal, but i think literally or figuratively he knows after shido's downfall, his own life will pretty much be over, and that's part of what drives the emptiness. the show really only needs to go on until that point, and after that there's no need to build a real thing underneath to return to. he's very much living for that goal.

anyway: so the Singer starts out singing the Phantom of the Opera - the Shadow is very much modelled after the phantom - but swaps to beneath the mask and begins to connect with ren. the Singer wears a red mask. i really like this mask! i envision it as looking like someone pouring blood over his face and then the blood freezing in place, so it just looks very molten and liquid but fixed over half his face.

ren defeats the Singer by ripping his mask off:

[Ren] Please don’t take off my mask, revealing dark [Ann] OMG!! [Ann] THAT’S WHAT HAPPENED WHEN WE TOOK OFF HIS MASK!! [Ann] HE REVEALED DARK!!!! [Ann] HE DISAPPEARED!!!!!!!!!!

(i love the thieves because i dont have to be subtle about my symbolism i can just make them say it)

anyway, just like the figure in the Masque of the Red Death, ripping off the Singer's mask reveals "dark" underneath - he ceases to exist.

Just a cage of bones There's nothing inside

the Bard and the Dancer

when i was first plotting this fic, i was actually designing the palace not as a written environment but as though it would be a playable place. so a lot of it is informed by me picturing what this palace would be like to play through and explore, building it out as a video game environment in my mind's eye and then trying to describe it from that point. i took the same approach to the bossfights, so they're all designed around central gameplay mechanics which are largely based on status effects and how the player would strategise around them. (to that end, a lot of the design stuff in my doc never made it into the fic...)

the conceit of the bard was a shadow who can manifest abstract concepts into being by manipulating reality with his words. so the status effects he uses are brainwash and sleep, mostly. his monologues are modified versions of shakespeare's works.

part of the reason why i started writing this fic was specifically to challenge myself in aras of writing im not very confident in: so longform planning, progression of plot, environment description, and action scenes being major ones. writing all the boss fights was and continues to be a real challenge. the chapter that the bard shows up in (chapter 5) ended up taking ages and ages in part because i kept putting off writing this fight. now that it's done, though, the bard fight is actually maybe my favourite fight scene i've written lol. it always turns out that way!!! the reason i like it is because i realised the physical action wasn't the fun part of writing a fight like this. since it was focused on status effects, it meant i got to crawl into ren's headspace when he got brainwashed, which i really really enjoyed doing because i got to drag out some trauma that joker has lovingly repressed.

   to set my fellows, phantoms in the wings    in deadly hate the one against the other…    This isn’t the Casino. This is somewhere else entirely. The Casino, and everything that came with it, that was months ago. How did he forget? The cottonwool that had crept so slowly into his blood dissipates in a mad rush that leaves him dizzy with disbelief. His hands, now that he can feel them again, are trembling. The knife between his fingers, trembling. The cool floor beneath him, the air in his lungs. How close had he come to never feeling that again?    Had he really just been feeling safe about that plan? Had he really felt everything was going to be okay? If anything had gone wrong—anything at all—he’d have been gone. He’d have been dead. How had they made it so he felt okay with that?    A trick? A ruse?    How blasé they’d all been, when it was his life they were gambling with like a worthless set of poker chips! And they’re here—all around him. Safe? He’s never been in more danger.    “Joker!”    Surrounded. He’s surrounded by the ones who left him for dead.

the Dancer doesn't get as much attention in text because i didn't want to slow down the pacing of the story every few minutes to do another huge scene tgat doesn't really serve a purpose, just like the exploration of the Globe Wing didn't. all that mattered was that he was shown to be adaptable, agile, and resilient - the Dancer needs to be in top condition at all times and ready to dodge any threat. the imagery that came through to me the strongest was the idea that his feet are always bleeding, so he leaves bloodstains all over the floor.

the Magician

this was another scene i adored writing. i think environment-wise, the House of Cards is my favourite Wing in the palace because it's the most unique structure. it's not a styled theatre like the others, it's more on-theme to the Magician, like he's set up his own performance environment. so it's just a huge house of cards made of crumbling playing cards which is really difficult to navigate and which joker kind of blends into.

the premise for the Magician was someone who needs to perform miracles and present impossible illusions as reality with a flair for drama. the Magician fools the Thieves over and over and over again, because they are good-hearted people who want to save him.

did you ever see that unused mementos request in royal where akechi tells the thieves about a target to save someone, and doesn't tell them that the someone in question is dodgy themself, and watches to see how quickly the Thieves immediately trust them?

i don't think i based this fight off this request because im pretty sure i had it planned out before i ever saw this, but i was really pleased to see it because it's very much the same idea. even in the engine room, akechi calls the thieves idiots for inviting him back into the team. of course, this isn't a good or healthy worldview lol and it's something he has to unlearn because he literally trusts no one and that's not an extreme anyone should be endorsing, but he also has a point in that the thieves are willing to throw their faith into things way too easily and don't look critically at people or situations. so the magician fools them, victimises them, tricks them into considering him a victim, fools them again, traumatises them, but they all continue to feel empathy for him and try to save him when he's in trouble. akc's cynicism vs the thieves' faith is a big theme of this one i think and the question is like, when to doubt vs when to trust even when you have evidence to the opposition. i think the right position is somewhere between thesis and antithesis (which iirc is not actually the wording hegel used when describing dialectics? lol... i might be wrong. i never studied hegel so my knowledge is pretty superficial. but i think this was a translation thing anyway because allegedly goro doesnt refer directly to hegel in jp? someone can confirm or deny idk)

anyway those are the bossfights we've had so far!!! just the VIP Box to go now......................... :3

[angrybatart]

Someone needs a Rev Up.

[jacqcrisis]

Hmm, I've never done the tiefling party without sleeping with Astarion and I've already done Gale's Act 1 romance, so what happens when Al goes to sleep?

Oh well that's kind of cute if odd phrasing, but I dig it-

The scream I scumpt.

Alfonso. My man.

[funsizedcrow]

ok the post got a few likes and one person responded so i will talk abt it. this ones for you @orange-enjoyer

Pizza Zelda: the zelda game me and my younger sister are creating by talking about it sometimes. other titles from our google doc include: "The Legend of Zelda: The Seal of Darkness" and "The Legend of Zelda: The Real Triforce was the Friends we Made Along the Way"

putting this under a cut because it is getting long.

It is called Pizza Zelda because the idea was spawned by a collection of things. The first was I was bored out of my mind in class and told my friend to give me things to draw and she told me to draw link as a fast food employee. i would post a picture of that but i dont currently have that sketchbook or a picture :(

the next thing was this one piece of concept art from breath of the wild: creating a champion. my older sister hates it, she thinks the idea of link wearing jeans is wrong. so obviously my link must wear jeans.

So, the story. It takes place a few generations after Spirit Tracks, where technology has progressed significantly, and Castle Town has become Castle City, a bustling metropolis. A few decades before the game, an expedition to Old Hyrule under the ocean, researchers brought up the "statue" of Ganondorf, with the master sword still embedded in his forehead. The statue has decayed significantly, and many scholars and sages feared that it meant the seal was also decaying with it, so they brought it to hyrule castle for safekeeping.

Unfortunately for them, they were very right about the seal decaying. and now i am going to copy and paste from our google doc.

The before: 

Link is a minimum wage employee at Mario’s Pizza. He is a delivery driver who sometimes dabbles in the kitchen. Unbeknownst to him, he is also the chosen hero of the goddesses, and the wielder of the triforce of courage

Zelda is the princess of Hyrule, and lives in the castle–right smack dab in the middle of the bustling Castle City. Her family has been charged with keeping watch over the Master Sword, which holds in place a seal, locking away the spirit of Demise. She is the next in the line of the blood of the Goddess Hylia, and has been training in combat for much of her life. 

Ganondorf is a chef, and an old childhood friend of Link’s. He works at his family store, Gerudo Gespacho. Despite ancient legends of the Gerudo stating that the male born every one hundred years is to become their chief, he is not anybody special. The Gerudo people have since become a democracy, and he has no wishes to become the politician. Unfortunately for him, he was born with the power of the triforce of power, leaving him a prime target for the spirit of Demise, in his quest to gain the full power of the triforce. 

The inciting incident: 

The seal has begun to crack, letting darkness and evil seep out. Link is sent to deliver a pizza order to Hyrule Castle, and a large pizza order too. However, due to unfortunate circumstances (fate), monsters happen to break into the castle at the exact same time. Zelda grabs Link (and the pizza), in an effort to drag him to safety. Somewhere in the commotion, Link and Zelda get separated, and Link ends up in the chamber of the Master Sword. 

Something deep inside of him tells him to pull it, and he does, easily. He uses the sword to cut down the monsters that appear, but in doing so, he has unleashed the seal, letting out the power of Demise.

The game:

 The pedestel/seal/whatever breaks into X number of pieces, scattered across Hyrule. He finds Zelda, who is horrified, and they set off on a quest to recover these pieces, in order to reseal Demise. 

Unfortunately, unleashing this seal also unleashed the power of Ganondorf, who’s power has made him a suitable host for Demise, who takes over his body. 

Link and Zelda explore Hyrule, going through dungeons and finding all of the pieces. At the end, when they are trying to finish it, they discover that there is one piece missing, and who has it but–Ganondorf! Link who knows and is friends with Ganondorf is horrified. 

They fight Ganon, and at the end, they put together the seal, which does not entirely work. Demise is re-sealed, and Ganondorf is freed, but cracks soon appear again.

 They speak to Impa, who informs them that the seal is not complete, not without the full power of the triforce. So they must journey to the three spirits of the Goddesses to unlock their full power, so that the Master Sword will be sufficiently powerful enough. 

Leaving the Master Sword behind in the seal, Link uses another weapon, and now Ganondorf is a playable character! They journey to the three goddesses, and go through dungeons. Each dungeon plays to the strengths of the character, eg dungeon of wisdom plays more towards zelda’s strengths (magic and long-range combat.)

At the end, they fight Demise, who has broken out of the seal) in a more monstrous form (think dark beast ganon), and use their combined powers to reseal him, leading to another few generations of peace and prosperity, before the cycle inevitably continues.

The actual gameplay i imagine would be somewhat of a cross between classic 2d zelda dungeon puzzles and a turn-based rpg fighting system, im thinking something like final fantasy vi. i think. idk its been a while since i watched my dad play thru that game lol.

anyways! art. i have zelda's character design pretty solid, and ive drawn link a few times but i havent fully decided on an outfit other than his work uniform. ganondorf's design is still a work in progress. unfortunately i do not currently have the sketchbook that has a lot of my design work but i did take a bunch of pictures of the zeldas i drew.

these are not finalized designs but its the only art i have in color. here's link and zelda, zelda in casual and formal outfits, link in casual and work uniform.

i have. So many drawings of my zelda. Heres a few highlights

and heres link

Heres some sketches of ganondorf i whipped up real fast bc i have nothing for him. well i know ive drawn him but i dont have those drawings. sigh.

[claitea]

plushie versions of anthea and concordia :)

[followfire]

OMG the mention of Frederica Gunnhildr in the event!!! AAAAAH I'm leaping with joy I love her so much!!

There's been a lot of mentions of her recently I'm starting to think... she might appear... soon???

I wish I could gush about the information and write stuff about it because I have a LOT of feelings about it but sadly I really don't have the time right now...

But the fact that she seems to be so much more of a warrior than peace-loving Jean is uebfimezfaaaaaaaah

Also information about the Knights OMG

[sleepy-aletheas]

There is something really satisfying to me about the Story Quests in Genshin. I know that many people hate that the quests about the playable characters center around NPCs, but honestly? I fucking love that.

(this is more babbling than I thought it would be, but I was thinking about this before taking a nap, so now I'll put it here to stop walking in circles anymore)

They are people of this world. They live there with neighbors and fellow citizens; they work and have colleagues with whom they communicate with (or not); they have duties and hobbies and dreams, just like everyone else. The playable characters we meet and get to know are complex, but they feel more alive and well rounded, because the people around also have depth.

There are NPCs with conflict, complex histories shared among them. There is loyalty and love. There are dreams, and there is despair. The characters we are interested in are designed to be interesting, but they do live outside the Traveler's orbit too. They wake up and have a full day before them, they have plans and whims, deadlines and duties, they talk with people close to them, with people we don't even know exist.

And these story quests are a great way to show how these characters we latch onto, and want to know more about, how they interact with the world around them. How the world interacts back. What these characters think about others. How others think about them.

I loved Yoimiya's first quest a lot, because it was mainly about the NPCs. We saw what fireworks meant for them, how precious it was. We had two story lines paralleling each other at the same time, with the overall message being "this is what connects us and only us" and we get to know what Yoimiya gets out of bringing this to people. We didn't need to go in-depth through her childhood to know that this is fulfilling to her, that she loves bringing people a spark of happiness only they can truly understand, and we see people love and appreciate her back. We don't need NPCs shout how amazing she is, because she is their friend, their neighbor, a daughter, a role model. We get to see how they talk to her, what they say, what she says and how she says it.

Kokomi is still my favorite Inazuma character and her story quest made me love her more, because we see her care for Watatsumi, her relentless pursuit for the better future that hangs just out of reach now. We see how she's loved, revered, idolized and cared for. We see people needing her do her duty, but also caring for her wellbeing, because she's human like them. And we see she made a space just for herself when she's exhausted, when she needs to recharge and be Kokomi, not the Divine Priestess Sangonomiya Kokomi. We read her diary! We get to know she has a very limited social battery she needs to push daily to do her duties. She is anxious, tired, and so in love with her home and her people, she will go through this endless exhaustion with pride and care.

I even liked Ayato's quest, because it underlined his whole character nicely. He is important to the commissions, he has a good enough pull in matters. He is polite, and he worked his way up from not knowing how to lead to be at the place he is now. And meanwhile we are trying to solve the whole wedding fiasco, he is...quiet. He observes and comments, and observes some more. He pushed people to think for themselves in ways that benefited everyone, so he doesn't have to clean up more messes later. He is calm and pretty neutral overall, and the lack of interest from his side says way more than if he spilled his guts to us or we had an emotional conversation with him, when he is not the type of person to do that.

And that's another thing I like: the spaces between what is said. The insinuations, the lack of elaboration, the glossing over and switching of topics that were trying to get somewhere. Sometimes we get to know more about people by the things they don't say or that they avoid. And I like that it's portrayed in characters that aren't really open about themselves, be it through emotional distance, their work-life balance, or just them being really liking privacy. And it's not just the silent types that do that like Ayato or Alhaitham. Yae Miko doesn't really spill anything either, with her being so seemingly light hearted with a sharp edge, she directs the conversations masterfully away from places that are vulnerable.

I just love that we can see different facets of the characters through them talking, people talking, the silence and omission, the hints and jokes. The world is alive, the characters are alive, the NPCs are alive, and they all coexist. It's just the Traveler that gets roped into the shenanigans of the few powerful ones that have visions and those are the characters we follow.

There are so many characters I love, that make my day, that give me new train of thoughts to evaluate and settle my own mess of a life. Some are frustrating to the point of intrigue. Some I don't vibe with and I love them for that more, because that makes me wanna understand more.

I just really love the way the game handles the characters, even the ones I don't like. There is care put into them, and yes, there are obviously some that are more fleshed out by a lot more details and are brought back over and over in events, but all these playable characters have depth, even if it's sometimes overlooked or overshadowed by someone else. Sometimes the depth is hidden by frost to not get deep, sometimes the characters themselves put stones in the way so no one tries to dive deeper.

My love just simply overrides the weaker moments, and my mind fills in the blank spaces left behind, and I don't mind that at all.

[angeltism]

"spar.kle is fictional who cares" I have seen people praising her for her racist anti-romani comments what the fuck kind of world do you live in

[hydrachea]

For the HSR ask game:

Favorite 4* Character

Character who doesn't have a quest yet, but should

Favorite non-playable NPC

Plot thread you're most looking forward to seeing in the future

Bonus question: any other (generally positive) thought, theory, or headcanon that you've been dying to talk about, but haven't had the excuse to mention before

HSR asks

Favorite 4*

Okay, this is cheating a little because he also has a 5* alt, but Dan Heng. He's had the most development out of most of the 4*s, main character privilege, but listen. I love my boy. He sucks ass DPS wise and he's been holed up in the archives for 3 patches but I love my boy so very much. Nevermind that I robbed him of his LC and half his relics to give to Dr Ratio... They can share I promise!

Character who doesn't have a quest yet, but should

Xueyi and Hanya, both of them. By a long shot. They're very recently released, I know, but I can't believe they don't have a quest, even just one between the two of them. Xueyi featured in the Luofu main quest a little and both of them were present as more important characters in A Foxian Tale of the Haunted, but the quest still wasn't focused on them - and they really could use one focused on them! Have you seen their lore? Come on!

Favorite NPC

Nanook. Just kidding (except not really), my serious answer would be Yingxing but his NPC status would get debated. He qualifies though, and I'll die on that hill. So know the actual answer is Yingxing, but for the sake of a proper NPC answer it's Dan Shu. She was a great character who gave a different perspective on both Lan and the Xianzhou's immortality, and I really enjoyed her quest. And her voice, she had a very nice voice.

Plot thread you're most looking forward to seeing in the future

I'm so, so interested in the Trailblazer's relationship with Kafka. Their ongoing plotline is deeply intertwined with hers, she even said as much herself, and I'm interested in their forgotten shared history too. I wonder if we'll ever know more about the time they spent with her and the Stellaron Hunters before she wiped their memory... And I'm looking forward to discovering more about that so-called destiny of theirs and how it intersect with hers.

Any other (generally positive) thought, theory, or headcanon that you've been dying to talk about, but haven't had the excuse to mention before

There it is, the question that has a 100% chance of wiping my memory as soon as it's asked. But! Here's a headcanon for you. March I think was the one who mentioned every got their own room on the Express, but so far there isn't one for the Trailblazer. So until a new update drops one, it'll be my firm belief that they sleep in everyone else's rooms. Particularly Dan Heng and March's, and occasionally all three of them in March's bed since she has the biggest one. All lined up in a cuddle pile like the dango trio they are 🍡

[rivilu]

While we all know about Hawke's character-assasination in inquisition, I personally remain.. preplexed? a morbid kind of impressed? with how that game also managed to butcher my Warden with only about 5 lines of dialogue referring to him and a letter.

[pa-pa-plasma]

i hate how a majority of animal sims aren't even animal simulators, they're shenanigans simulators. they aren't actually about the animal, they're just about wreaking havoc, getting points, getting trophies. you could replace it with any other animal & it'd be the same. i don't want "haha look how funny this scenario is" i want to simulate living as a wolf in Yellowstone National Park. where are all those games