#i’ve been hoping they would at least make 1 and 2 playable again

[t3acupz]

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[whythehellnaut]

The secret brilliance behind Nickelodeon All Star Brawl‘s marketing

Lately I’ve been thinking a lot about the Nickelodeon fighting game after it was announced, progressing from mild interest to ironic excitement to unironic excitement for it.  So many jokes and memes have been made about it that they’re almost impossible to avoid.  But when I thought about it, I realized that that’s exactly what the marketing team for this game wanted.  The idea of the game is so absurd that no one would expect it to exist, but they figured out a way to make absolutely sure that it would create just the right buzz to get people like me to take serious interest in it.

Watching the trailer again, I figured out that every character they picked to showcase in that minute and a half trailer were carefully and strategically chosen to cater to as many people as they could.  Even the order of their appearance had deliberation behind it.  Here are my thoughts:

Michelangelo comes first, establishing that the game is combat focused.  After all, who better to show off first for a fighting game than a character that has already appeared as a playable character in at least two of them?  Plus, the Ninja Turtles are the oldest characters in Nickelodeon’s library when you consider that they first aired in the 80′s, before Nickelodeon even started making cartoons.  This is a character that everyone recognizes, parents included.

Lincoln Loud comes next, a more modern character that adults might not know but kids will.  This is to quickly lure the kids, who have less patience than adults, into watching the rest of the trailer, assuring them that it won’t just be older characters like the turtles that show up.

Powdered Toast Man comes next to snatch up the other side of the equation, the adults/90′s kids who remember him from the original Ren and Stimpy show from 1991.  I’m not sure if it’s still airing as reruns on Nick today, but considering I hear very little about the show online, I’m guessing not.  This is a bit of a surprise to the adults who thought it’d be a kids’ game, so it lures those folks into staying for the rest of the trailer as well.

Sandy is important to show off early for a number of reasons.  Spongebob is popular among kids and Millenials, and is arguably the only property here as well known as Ninja Turtles, so they’re luring in more fans.  It also serves to imply that other Spongebob characters will join, as, even though Sandy’s passion for karate makes total sense for her to appear in a fighting game, you still can’t leave out Spongebob himself.  Showing her first implies more possibilities of characters to come, proving it won’t just be a festival of protagonists like Jump Force was.  It also shows off their female representation to keep women interested.

Patrick is just a fan favorite to get out of the way before the sponge shows up, so he’s only here to confirm that the game is going to be full of characters that people actually want to see.

Oblina was personally a shocker to me, as I barely remember Ahh Real Monsters from my own childhood, but I remember enough to know that she wasn’t the protagonist, necessarily.  I also know it’s relatively obscure in comparison to Spongebob or Ren and Stimpy, so they proved that they are willing to take characters from more obscure shows that the young kids won’t remember.  This solidified my interest as I could tell that they are doing more to cater to the 90s generation than just confirming Powdered Toast Man.

Nigel Thornberry is arguably their most important addition at the halfway point.  Outside of Spongebob characters and maybe Stu Pickles, I would say Nigel is the internet’s favorite Nickelodeon character to use for memes.  The marketing team had to have known this.  After getting some of the core audiences hooked, they now have the memer crowd invested, ready to spread the word about the insanity of this game’s premise across the internet.  This is exactly what happened, and why the trailer has 2 million views on Youtube right now.

Lucy Loud is shown off quickly to remind the younger crowd to keep watching, and to add a little bit more female representation.

Spongebob is shown off a little bit late, but since we were expecting him to show up, it’s just to make sure the casual fans who only know the big names stay watching.

Helga is an older character, but I recently saw a young kid wearing a Hey Arnold tee shirt at the supermarket, so I’m positive it’s being shown as reruns on Nick today, so most Nick fans of all ages will be excited about her.  Moreover, since she came immediately after Spongebob, who is a protagonist that was introduced after Sandy, a side character from his show, it gives an implication that Arnold will also appear.  Although he is not introduced in this trailer, it allows the fans to speculate that he will soon be showcased, perhaps in the next trailer.  Also, she’s the fourth female character shown, confirming that the game is being fair and inclusive to both sexes and not simply catering to male gamers, like say, Jump Force or Dragonball Fighter Z.

Reptar is another shocker, because although Rugrats is very popular and well known throughout the generations, he is a very, very minor character in the show.  He is literally a fictional character within a separate fictional universe.  The marketing team threw him in to show off that just about any character from any Nick property, no matter how minor or obscure, has a chance of making it into this game.  Again, this forces the fans to speculate about future announcements with even more creative thinking, as we now know that it won’t just be major characters joining the fray.

Zim is a well thought out choice because he caters to a specific crowd that I’d describe as the alternative niche.  That is to say, there are people who are fans of Invader Zim who don’t watch other Nick shows, so they are luring in the folks you’d expect to see at Hot Topic and the like.  It was an edgy show with a feel and fanbase unlike other shows of its era, so it’s important to use him to diversify the roster.  They also showed off Gir as his assist, and although that may deconfirm him as playable, it still pleases the fans, who often prefer Gir over Zim.

Danny Phantom is the only character that comes strictly from the 2000s era, so they are making sure to maintain the attention of the teenagers who watched that show as kids.

Leonardo seems like an odd choice to end on, maybe even anticlimactic, since they started with Michelangelo, but it makes sense when you think about it.  They couldn’t show just 1 turtle, or else it might imply that the game’s roster was small.  But if they showed all 4 turtles, they would have needed to leave two other characters out of the trailer to make room for them, and they didn’t want to make it look like a Turtles fighting game with guest characters.  So having exactly 2 turtles allows them to show off enough characters from other properties, while also confirming unofficially that the other turtles would appear later, since you can’t just have 2 of the 4 turtles in the game.  By leaving it open like that, they’re giving an implication that the roster is going to be huge.  So big that the turtles were just a small portion of it.  They end the trailer this way to leave the crowd speculating again: how many characters will appear in total?

The only characters that curiously don’t show up in the trailer are the cast of the Avatar franchise, who are quite popular.  However, one of the stages shown is clearly the Air Temple with Aang’s glider in plain sight, implying that Avatar characters will be announced later.  Another smart move to instill hope in the fans.

Finally, the Rollback Netcode announcement that came afterward solidified a very important group- the serious/competitive gamers.  For those who don’t know, rollback netcode is relatively new technology that speeds up online gameplay to cut down on input lag, which is super important for fighting games in particular, as they rely on strict timing more than other game genres.  It’s so new, however, that not all competitive fighting games use it.  Popular tournament fighters like Super Smash Bros, Tekken, and Dragonball Fighter Z have not implemented rollback netcode for their games yet, so of all games, Nickelodeon All Star Brawl beating them to the punch is causing a stir.  This is a sign that the devs are putting serious effort into making the game enjoyable online, which could potentially help its chances to be taken seriously in competitive settings.  Only time will tell if that truly happens, but it’s a sign of quality, nonetheless.

So ultimately, this short trailer and announcement manage to cater to dang near every crowd that may want to play it: Kids, teenagers, young adults in their 20s and 30s, parents in their 40s, men, women, memers, casual fans, alternative fans, and serious gamers, and opens up a ton of potential for speculation regarding new announcements.  That’s a fantastic way to start off and explains why this game, which for all intents and purposes should have been nothing more than a thought experiment that people joke about in the car with friends, has been trending so much for the past two weeks.  Congrats to the marketing team for what they put together.

[rockmiyabideusexmachina]

2021 Megaman Summer Fanart Contest Rules Thread *CLOSED*

Time to beat the summer heat once again! Summer contests have been a bit more sporadic than Valentine's contests, but this will technically the 10th one that I've held over the years. (I’m rushing this before work, so forgive me for any typos or things that need better clarification. Just let me know, if I need to fix or clarify something)

Two categories, in which you are allowed to submit one entry for each category, if you would like. If you place in one category, you will be automatically disqualified from the other, for reasons of fairness, and to give other people a chance to win a prize. 

Both of these themes lean more to creativity and design, so once again, I will not be splitting it up into the usual talent and humor categories. Even though humor is not a basis for either theme, feel free to still have fun and make us laugh with your entry, if you want to!

CATEGORY 1:  A cool summer DiVE

Last summer, we were treated to the magnificence that is watermelon Chill Penguin in Rockman X DiVE. It was so...strange and different...that we all had a good laugh, but were also left craving more. The swimsuit outfits just focused on a few ladies, and left the guys out, to a little uproar from the fanbase. So, let's take things into our own hands. 

For this category, I'd like you to create a new Rockman X DiVE summer-themed character(s) and special weapon. It can be a playable character, boss, etc., however you'd like to tackle it. 

Create your finest pink flamingo Overdrive Ostriches, Lemonade Aqua Man's, speedo Axl's, and Avalanche Yeti multi-color sno cone sprayer-toting bikini Hope Stelar's for me! Because it's the only way I'll ever have playable Akane...*ahem*

      Content Requirements:      * Megaman character(s) of your choice redesigned into a summer-themed             Rockman X DiVE design/skin      * Along with the summer character, create a new summer-themed weapon             design, for us to waste thousands of EM in the capsule, but never pull due           to the low rates...

CATEGORY 2: Ride the Big Wave

Ken Suther is getting ready to hang ten, but he needs a cool new Megaman-themed board to ride the big wave this summer! So he's holding a surfboard design contest at his Big Wave shop, with the winner getting displayed in the battle card store.

For this category, I'd like you to create a Megaman-themed surfboard design for your favorite characters to hit the beach with. On top of art with the board design, put it into use, and draw your favorite character(s) riding the waves on that board.

      Content Requirements:

     * A creative surfboard design that contains something Megaman-related into         the design      * Put that new board into use, drawing a scene with your favorite                           character(s) hitting the water, in some sort of surfing-themed art

PRIZES:

Covid has not been fully defeated across the globe, and I learned the hard way in March that postal prices are still insanely expensive to ship, especially overseas. So the main prizes for winners will still be cash this summer, sent via Paypal. Hopefully next year I can bring back physical prizes.

The winners in each category will receive the following:

1st Place: $100 USD  2nd Place: $75 USD  3rd Place: $50 USD 

SUBMISSION GUIDELINES:

When you submit, I would prefer you to include the following information in this format, along with your entry:

• (Your name/preferred alias) – As much as I usually know who you are, there’s always someone new or somebody who has a different preference from what their email name says.

• (Category this entry is for) – You can either say 1 or 2, or DiVE/Wave

Only submit your own work, as usual. Any character, major or minor, from any series is allowed. OCs are allowed, as long as your art contains at least one canon Megaman character.

As always, participants are allowed to submit from all over the world.

Paypal is still the preferred method for cash prize payouts. Please have a valid account to receive your winnings.

Youngin's, get your parents permission before entering.

Entries do not need to be colored, but it is preferred. The more effort put into things as always, the better chance you have!

Entries can either be e-mailed to me at rock2125[at]hotmail[dot]com, or you can just PM/note me a link to your pic.

DO NOT post your pics in this journal, your dA galleries, Twitter, tumblr blogs, other sites, etc. until the contest is over. This is the fairest way for competitive reasons. I prefer to keep them all secret until the deadline has passed.

I'll edit a confirmed entry list in this thread when I receive them. So you won't be in the dark about whether or not I've received your entry.

DEADLINE:

The deadline for this contest will be

Tuesday, August 31st, 2021 by 11:59PM, global end of day.

This gives you close to 3 months to finish your entry!

MISCELLANEOUS INFO:

As usual, If you don't plan to enter, but would like to help me judge, please let me know through DM or mention so here. Never hurts to have extra opinions on all the entries.

Bug me with questions if you have any. Please join in, and good luck to everyone who enters!

Confirmed Entries:  

Cat. 1 - @aw-colorcat, @firemanshug, Ryan Vogler, RockmanHQ, @digitallyfanged, Mattasaurs, Vincent Nolan, Algaae, @annvolans​, @subzeroiceskater​, 

Cat. 2 - AbilityField, @aw-colorcat, NightopianFoxGirl, @stephodell, ColeManX, Moogy, @mosketches​, @subzeroiceskater​, 

[radramblog]

Planeswalkers in Cube: White

It’s been a while since I’ve discussed cube, I think, and also a while since I’ve just dived into a stupidly long topic without thinking too hard about it. And so here we go.

Planeswalkers are kind of in an interesting place in Cubes. Most of the time, they’re powerful midrange or control threats, but a lot of them have more specialised roles that can make them better suited to particular cubes. They’re also popular to include, seeing as they’re big, cool, and splashy, and a lot of people really like playing with them. What home exists for something like Liliana, Death’s Majesty in any other format? (I know it’s fine in commander hush)

However, you can only afford so many slots for Walkers in your cube, depending on how you treat them. And so, you’re not going to see all of them very often. Here, we’re going to go through all of them, colour by colour, and figure out why you should or shouldn’t play them, and which go better in different builds. Starting off, as many things do, with Mono-White.

Some ground rules: I’m not going to talk about the Planeswalker deck cards in this post, because the answer to whether you should play them is pretty much universally “no, why”. I’m also not going to talk about the creature->planeswalker transform cards, because they get treated more like creatures in a Cube environment. Jace, Vryn’s Prodigy is kinda just Merfolk Looter.

My next point before I talk actual cards: I’m far from an expert on this sort of thing, and this is going to be my opinions! If you want a different perspective, Season 4 episode 6 of Solely Singleton is a great podcast about this exact topic, though it’s two and a half years old at this point so some things might be a bit outdated.

Finally: White is a colour that tends to get more good Planeswalkers than other colours. Turns out, most Gideons and token-producing walkers are good in slower decks, who’d a thunk it. So unlike, say, Black, the average here is a bit higher than most of the time.

Let’s get into it!

 Ajani Goldmane

Ajani is kind of a classic, but the original iteration is kind of showing its 14 years of age. It’s a 4-mana walker (which is a very competitive slot) with a +1 that doesn’t really do anything, a turn-3 ultimate that dies to removal, and while the minus is good (see cards like Unbreakable Formation, or other Ajanis), it requires a board and isn’t really worth a four mana cast.

I had thought he’d be good in more budget lists, though. Except he hasn’t been printed since 2010 and so even though he sees no play he’s still like 5 bucks. So I’d pass on this version of cat dad.

 Elspeth, Knight-Errant

On the other hand, Elspeth pt.1 is still one of the best Planeswalkers you can play. She makes blockers for days, can push through some serious damage, and does both of those things while getting more resilient rather than less. Her ultimate might not be game-breaking, but since she’s constantly pushing towards it anyway you don’t really mind. Also she’s only 4 mana, holy moly.

Elspeth is good in aggro, good in midrange, and arguably still more than playable in control. At 12ish dollars, it’s not the ideal price point, but if you can afford it (or have one sitting around), she’s absolutely worth the include.

 Gideon Jura

Gideon 1 is a bit more specific. Aggro is not going to want him, seeing as the minus does basically nothing in that deck and the +2 isn’t really worth your time at 5 mana. On the other hand, this card is nuts in control. It’s a hard-to-kill wincon that is also removal that fuels its own condition and survives boardwipes. Gideon Jura is a chad in those decks, and kind of takes over the game the moment he comes down.

The other nice thing about Gideon Jura is that due to recent reprints in Mystery Booster and his Signature Spellbook, as well as not being very good in Commander, he’s ludicrously cheap. You can get one of these for under a dollar, making it perfect for budget cubes (that still include rares). Although, at that point, he might be warping to a cheaper format where aggro is worse, so keep an eye on him.

 Elspeth Tirel

Elspeth’s second incarnation (which is the one with her last name, because ???) is significantly worse than her first. If you’re in a slower deck where you want the ultimate, she’s probably not going to live to make it there. If you want the tokens, there are better options at cheaper mana costs. And you don’t want the +2, unless you somehow have a decent board against a red aggro deck.

I remember really liking this card when I first started playing Magic. That was a long time ago, and we have had much better options in the near-decade since then.

 Ajani, Caller of the Pride

The first 3-mana walker on this list, and one that shows the conservativeness WoTC had when first testing them at that mana cost. Just kidding, this came out after Liliana of the Veil.

Ajani 3is theoretically fine in an aggressive deck, but white has some seriously good 3-drop creatures that you’d rather just cast instead. Because when your options are a Blade Splicer or putting a +1/+1 counter on your two drop…I’m taking that token. And let’s not act like this card has any place in a midrange or control deck.

 Gideon, Champion of Justice

This was the first Planeswalker I ever opened, so I have a soft spot for it. But not enough of one to put it in my cube.

As potentially threatening as this Gideon is, he basically doesn’t do anything? While token decks might have a hard time taking him out, seeing as his loyalty can get pretty huge against them, they can also just block him forever. The ultimate is a game-ender, but also would leave Gideon so small that your opponent might just have enough time to draw lands and get back in the game. And he doesn’t do anything to protect himself aside from get big, and doesn’t really progress your board, so. Sorry Gids, you’ll get them next time.

 Elspeth, Sun’s Champion

Elspeths alternate being good, I guess. Elspeth, Sun’s Champion is basically unplayable outside of slow midrange or control, but is utterly incredible in those decks! She wipes out anything that would threaten her and makes enough blockers to easily protect either herself or you, and stalls long enough that those tokens can turn into a wincon via her ultimate.

It is not as universally powerful as the four-drop Elspeth, but the 6-drop one undeniably shapes the game when she hits the table. She stops aggro in its tracks, and nukes the shit out of midrange, especially green-based decks. I suppose there are times when she might be awkward to cast because she hits your own threats…but then just hold her back or +1, dude.

 Ajani Steadfast

Ajani Steadfast is kind of trying to be a better version of Ajani Goldmane. And yet, funnily enough, the Vigilance on Goldmane’s -1 is so important, as is being a -1 instead of a -2, so he’s kind of in a similar tier. The loyalty counter upside is so utterly niche that it might as well not exist, but the +1 is unquestionably much better at least.

Like with Goldmane, Ajani Steadfast isn’t really doing anything at 4 that cheaper cards don’t do better. And he’s at about the same price point. At least the ultimate is better?

 Nahiri, the Lithomancer

Nahiri is really specific. Like, if you’re at a power level where you have equipment worth playing Nahiri with, then you’re probably at a power level where she’s completely outclassed by things like Angel of Invention or…I mean, most other playable 5s. And some unplayable ones.

…I just remembered this card has 3 starting loyalty. On a 5-drop walker. You can -2 her and she’ll die to literally a goblin token. I sure hope that Equipment you got had Living Weapon!

 Gideon, Ally of Zendikar

The first 4-drop that really steps to Elspeth, Knight-Errant. This Gideon is kind of just good in any deck- aggro decks like a 5/5 top end that makes a token T1 or just is an unkillable Glorious Anthem, midrange loves an infinite source of 2/2 to block or beat down with, and control loves an infinite source of blockers that can clean up after a wipe. He’s just kind of a disgusting piece of cardboard for a whole variety of decks, making him easily one of the best walkers in the entire format.

Also he’s…surprisingly cheap? After one “real” printing, and being on The List (which doesn’t do much, trust me), Gideon Ally of Zendikar is still only like 5 bucks. So if you can justify spending that much on one card���probably do that? He won’t let you down.

 Gideon of the Trials

Unlike our first 3-mana walker, this one is more than playable in slower decks. Gideon of the Trials is kind of awkward for aggressive decks, put what he does do is effectively remove some seriously big threats, adjust for whichever is the biggest problem around, and still punches peoples as a 4/4 Gideon. And he also has the unique benefit of being a Planeswalker that makes combo decks think twice, given that Emblem- though you’ll still go to 0 life if Splinter Twin or a similar combo is in play, and then die since they probably killed him too there.

Once again, though, this card is pretty cheap, sitting at about 3 bucks. As we get towards the more recent end of this list, a lot of these cards are going to look like that. I remember when I made my first cube, with the restriction of “Rares/Mythics that are under $2 US”, and getting 0 white Planeswalkers. I was playing the Planeswalker deck Gideon, for fuck’s sake! Things are so much better now.

Ajani, Adversary of Tyrants

I could never really get a good read on this Ajani. It’s obviously something control doesn’t want, and the +1 isn’t doing a huge amount in midrange decks. But the -2 is powerful in creature-based decks, and the +1 is solid for quicker builds, but not enough to really justify 4 mana? There’s a lot of power here, but the parts kind of form a strange whole.

I guess it depends a lot on how deep that 2-drop slot is in your cube, and how deep the 4-drop slot is. Because you kinda need good 2s and medium 4s for Ajani to really shine. I’m a little bothered by how meh Ajanis are apparently in general in Cube, but the multicoloured ones are a bit more solid.

 Gideon Blackblade

Take Gideon of the Trials, make it not playable in control, and make it really fucking good in aggressive decks. There you go, that’s Gideon Blackblade. Cheap in money and in mana, he’s here to die, aside from the part where he’s hard to kill.

The +1 on this card is not super great, but you have to keep in mind that you get that at the same time as Gideon being a creature. Honestly, it’s kind of easier to think of this card as a creature with a triggered ability than as a planeswalker, at least as far as cube is concerned. It also helps that the -6 isn’t actually that hard to hit, considering you can keep a creature back by giving it vigilance. He’s quite solid, and might just be the best aggro walker White gets. Certainly at 3, at least.

 Teyo, the Shieldmage

A bit of a step down from our last 3-drop, Teyo is clearly not built for the same formats as Gideon Blackblade. But with him, we can talk about weaker formats, like Peasant, where Teyo is…still not great? 3 mana gets you a pair of 0/3s and immunity to burn spells, which I suppose control might like in formats where you don’t really get board wipes, but I can’t imagine any other deck wanting him. And that’s not a great place to be.

 The Wanderer

Much like Teyo, I don’t think even Peasant wants this. I do think it’s kinda better- their static abilities are virtually the same, except Mx. ??? here extends the burn protection to your creatures. And they do serve as removal, but its both expensive and narrow. Like, how often is this just going to kill a 4/4 and then get killed by their 2/2? I wouldn’t play Smite the Monstrous but it gains 2 life.

I’m interested to see this character return at some point. Maybe next time they can be playable. Some of the uncommon walkers from WAR were great for Peasant (and some even in higher formats), but this isn’t one of them.

 Serra the Benevolent

Okay, so. 4 mana Serra Angel that can stick around to make another one is quite powerful! Though the +2 basically does nothing, it’s still a +2, meaning you can get an unkillable Worship the turn after you play this if you aren’t under pressure, or go token into pump into token. Serra is clearly quite solid!

However, it suffers from two issues. One, it’s competing for that 4-drop slot, and is less playable than Elspeth or Gideon in slower decks since she makes tokens slower than those two do. The tokens are more threatening for sure, but token decks generally want more tokens rather than bigger tokens. And two: it’s more expensive than Gideon and similar in price to Elspeth, not to mention another card we’ll get to later, so she’s not even getting into cheaper cubes. Since a lot of cube slots like this are taken by cards with more general playability, Serra is going to sit on the sidelines more often than she maybe should. If you’re at like a 720 list, though, spare her a thought.

 Ajani, Strength of the Pride

Take everything I just said about Serra, and make it worse, basically. I suppose 4 mana for two Ajani’s Pridemates is fine, but the plus doesn’t do anything (unless you have those tokens, in which case it’s okay) and you are never activating that 0 unless you’re already winning.

Oh also he’s more expensive than she is and is still at the same mana cost. Yeah nah I wouldn’t bother. Ripper in my Cat EDH deck though.

 Elspeth, Sun’s Nemesis

This card is actually really interesting. Our last Elspeth is still mono-white, despite the art and flavour, but she almost doesn’t play like she is. I think most of the time, she’s likely to make 4 tokens and then probably cack it, but the Escape on this is really interesting. By the time you reach 6 mana, you probably will just have enough cards in the yard to cast this again.

I really don’t know how to interpret this card. She’s in my own cube, but I don’t remember seeing her cast yet, so that’s not really any help. My guess is that she’s mostly good in slower decks, but also making and pumping tokens does output a fair bit of damage over time. She’s only like a dollar, so maybe try her out? At least she won’t be an expensive mistake if she is one.

 Basri Ket

Mr. Sandman here is pretty much just a better Ajani, Caller of the Pride. The +1 does more, the -2 actually puts things on board and is better for aggressive decks to get value out of, and the ultimate is actually attainable. He’s basically aggro-only, but he’ll get the job done in those decks.

However, the 3-mana Gideons kind of just outshine Basri here. He does literal jack squat without a creature on board, and his -2 is quite weak with only one or two attacking creatures to work with. The ultimate is nice, but +1ing over and over is extremely bleh, and you probably have better things to do. So sorry, Basri, maybe next time.

 Grand Master of Flowers

Bahamut, you aren’t fooling anyone, it’s on the typeline. For reference, Monk of the Open Hand is a 1/1 for W that gets a +1/+1 counter if you cast two spells in a turn- so it’s not really worth running? And even if you do put it in your cube, there’s no guarantee you’ll have both in a deck, or want to play both in a deck…so…

Okay, fine, let’s assume you just get a copy of Monk of the Open Hand when you draft the card. I’m still not super enthused about this Planeswalker. The lockdown ability is going to miss more than you think it will, and a lot of the things it misses are the things likely to kill you. It can make a 1/1 every turn, but only one at a time, and if they exile it then the ability does stone nothing. And that “ultimate” takes forever to actually get to. Also it’s another 4-mana White Walker. I think I’ll pass on this one. Somehow, both Tiamat and Bahamut were disappointments.

 Teyo, Aegis Adept

I wasn’t sure whether or not to include this, but I didn’t really want to end on GMoF, so. I’ve done a whole post on the digital-only cards, and I do think Teyo, despite being a Planeswalker, is one of the less fucky ones. You will need to track a lot of things, though.

So how does the card stack up? Honestly, I think it’s surprisingly solid. Aggro probably isn’t that interested, though Lumbering Lightshield’s ETB (makes a random card in the opponent’s hand cost 1 more) could be a real pain if you’re lucky. It makes a 4/4 every other turn for a bit, which is quite solid, and the ultimate isn’t that unobtainable. And you don’t have to worry about money, because this could only ever exist as a proxy.

I’d be really interested to see how Teyo, Aegis Adept plays. I don’t think I’m likely to, outside of Arena-based cubes, with the whole stigma around these cards and the added layer of having to proxy them. But in an Arena cube, with a restricted list of cards he’s competing with (It’s Adversary of Tyrants forward), he could really shine.

 This concludes White Walkers, the post. Please join next week when we discuss Blue Walkers. Make your own Game of Thrones joke here, I haven’t watched or read it.

[muffintonic]

Alright, I think i’m done BOTW 2 spamming for today. Anywho, time for some thoughts in general!

1) I hated how the shrines in BOTW were so cold and dark compared to the bright and lively nature outside (I wish they had all looked like the Master Trials challenge where there were trees and stuff incorporated inside), so I hope if we’re forced to have dungeons they’ll be more like the Wind Waker ones. 2) I hope they don’t make us use the grappling hook or anything like in Wind Waker to move around the sky islands (I hated that mechanic). 3) I’m probably one of the few people who wanted less Zelda and more of the Champions in HWAOC since i’m only really attached to BOTW (and we saw a fair amount of Tetra in Wind Waker)/apparently Zelda’s been sidelined in all the other games, so i’m hoping in vain that we get more Champions material in BOTW 2. Also, Link could stand to have some more cutscenes centered around him as well (the few we got in some of the sidequests in BOTW were great). 4) I only really somewhat care about Riju and Sidon, so I won’t mind if the new gang gets sidelined in BOTW 2 (I still think Nintendo wasted the found family/band of brothers aspect on the dead characters--I love them so much and they’re all I want!! The problem is, they’re dead and I don’t really care all that much about their replacements!!! I dunno, maybe i’m hampered by the fact that I can replay the original champions’ memories whenever I want/read their diaries, but I can’t rewatch the new gang’s cutscenes AKA i’ve forgotten their characterization since they don’t talk to me much now that the game’s over). It’d be great if they have some weaving storylines in BOTW 2 that will get me more invested in them, but currently i’m not that interested. 5) Speaking of which, I know it’s 100% not going to happen, but goddang if I don’t want the Champions to have been returned to life. Nintendo totally squandered HWAOC by not making it a true prequel/canon to BOTW (the Champions Ballad confirmed that the Divine Beasts had trials in order to be synced to the champs, so the new gen use of them wouldn’t have happened without that + Mipha thought Link had changed in BOTW yet says in HWAOC that he hasn’t changed + some scenes like “Champion Revali’s Song” never happened at all/got replaced with alternative scenes that really changed some dynamics + basically all of Revali’s time-relative characterization from his diary/pre-100 years of solitude got thrown out + I feel like Daruk got totally sidelined), so i’m still craving that Champions content. Also, I feel like it’s totally unfair that Zelda came out of 100 years totally unaged while everyone else died. Life seems to really suck for people in the LoZ universe who aren’t chosen by divine powers. 6) They’d better keep it open world and non-linear. I can’t go back to being forced to backtrack/trudge through things, I just can’t. BOTW was everything i’ve ever dreamed about in a game (truly open world + non-linear + interactive + meaningful story + lots of outfits + beautiful landscapes) with Skyrim previously being the only thing that came close to what I wanted, so I really hope BOTW 2 doesn’t deviate too much from that. 7) I really liked Kass in BOTW, but i’m not sure what direction they’d go with him in BOTW 2/i’d be fine if he sat BOTW 2 out. I worked so hard to complete all his quests in BOTW so he’d go back home to his family, GODDANGIT, KASS. 8) Someone mentioned that since the first trailer had underground aspects, we’re probably going to be playing as Zelda with the Slate there, and I agree. They didn’t make a playable model for her in HWAOC for nothing. 9) I want to be able to stable the deer and bears and stuff, but I know that won’t happen. Being able to ride the moose and rhino things from the Hebra area probably won’t happen either, but I want to ride them!!! 10) I hope there’ll be at least a few new buildings and stuff in the towns/they’ve started construction on some areas in Central Hyrule, but I guess that’ll depend on how long it’s been in-universe since BOTW. Or maybe not, considering how there’s still Karson and Hudson even though Bolson retired from Bolson Construction--insta-towns like Tarrey Town could totally be feasible if they wanted! 11) I have one foot in the camp that believes there’ll be time shenanigans in BOTW 2. HWAOC totally threw me off with it being an alternate timeline, so i’m not sure whether we’re going to be experiencing that again or time travel itself, but I definitely won’t be surprised this time around if Nintendo goes that route again (and it would be super interesting to see the Link from 10,000 years ago). I’m not entirely convinced that the Link we see exploring the sky in the second trailer isn’t our Link, mainly because he seems to still have on the blue boxers from BOTW. 12) I also heard that maybe this will be the last LoZ game ever since something something Demise something Skyward Sword something something lore from games i’ve only vaguely looked into (i’ve only ever played BOTW --> Wind Waker --> HWAOC)??? If so, it kind of sucks that I came in just when they started making games with playstyles palatable to me (I had to look up every single thing when playing Wind Waker, but BOTW let me solve things according to MY logic/I missed being able to explore in HWAOC), but at least it’ll end on a super high note/I won’t experience later disappointment, I guess. If BOTW 2 involves breaking the reincarnation cycle for the Triforcers, I would be really surprised. (On a related note, Nintendo making Ganondorf good would also be a 100% shock to me, but it would be great to end on that as a subversion. Yes, I want them to bring back the semi-complicated Ganondorf from Wind Waker.) 13) I hope they don’t rush releasing it. I heard they pushed back BOTW originally (I got it in 2019), but it came out fantastic for it! I know COVID’s been affecting things, so I really hope they’re treating their staff right and are mindful of crunch. 14) I want even more outfits (there seem to be at least two new ones, if the variant of the Hylian Tunic crossed with Link’s Champion’s Tunic counts). Give me all the outfits!!! Also, I hope we get even more hair variations in addition to the hair down option (which is all i’ve ever wanted since I saw the mod that altered the Ancient Helmet). 15) I wonder if we’re going to get a bonus for having both BOTW and HWAOC save data. 16) I wonder if we’re going to be keeping the Champions’ skills. I’m going to miss being super overpowered, if not. 17) I hope Nintendo doesn’t cave in and make surfaces climbable in the rain. Having that limiter is more realistic and Link would otherwise be too overpowered with a super climbing ability. 18) I liked BOTW’s scattered music that got more noticeable in populated areas because it was fitting for the post-apocalyptical/nature aspect. Hearing your footsteps in an open field and the buzzing of insects was super nice and prevented me from getting music fatigue (which i’d probably experience since whenever I play BOTW it’s for 5-10 hours at a time). I hope Nintendo either keeps that or makes audio options. 19) I heard that BOTW 2 is going to be super dark or something, and i’m okay with dark, but not GRIMdark, so I hope it doesn’t go that far. From what we’ve seen in the second trailer it still looks beautiful, but I hope it doesn’t do that thing that some games do where after the midpoint/a certain story point all the scenery permanently changes to be dark and scary (that’ll seriously hamper post-game playability for me if so). 20) If they expand on the Zonai, that would be super cool! Doubly cool if the time travel shenanigans involve them/ancient Link being one! 21) I kind of want windstorms to be a weather feature. We had lightning, heat, and cold, but no wind! No, I don’t count the wind geysers and the occasional breeze in Tabantha. 22) I want a chest in my house to hold more weapons than just the gear mounts. BOTW only had enough mounts for the champions’ gear, but it also had rare items like the Kite Shield and Forest Dweller’s Sword that you can’t get anymore once you use them up! 23) I want to be able to stable my horses at my house. What’s the point of that little area if you can’t stable your horse there! 24) Speaking of Link’s house: where is Zelda going to live? If the castle’s not reconstructed, it’d be neat if Link adds an extension to his house for her. 25) I hope they open up part-time jobs (think Mabinogi) as an option to earn rupees. Having to hunt for Luminous Stone deposits or feed Trott to make money can be such a chore. I think some of BOTW’s minigames/sidequests might count as those, but those minigames were either frustrating if your goal is to earn money (since most of them cost money to play in the first place and the mechanics weren’t always easy), or didn’t earn that much in general. 26) I wonder if Kilton is going to have updated items since the monsters seem to have changed. 27) I want to be able to dive underwater (mainly so I can explore the beautiful reefs over at Lurelin). A dive meter like the one from Super Mario Sunshine would be cool. Also, it’d doubly be neat if you had a separate stamina wheel for swimming and could permanently upgrade your swim/diving stamina (the speed+ swimming items just consumed your stamina faster, which was a pain)! 28) It’s definitely too late for this, but it’s a shame that the Hylians have so many face/body/hair and outfit variations, but the Zora, Rito, and Gorons don’t. The Gerudo were kind of okay with the hair and body variations, but the other races seemed to have a serious copy-paste problem. I guess technically some of the more important NPCs (ones with quests/cutscene triggers) had different coloring, but they were severely lacking in clothing variation. Also, the only old Rito was the elder??? At least the Gorons and Zora had some old folks besides their leader walking around. Very weird, but I don’t think BOTW 2 can fix any of this. 29) I wonder how they’re going to do the final boss battle, considering how epic/cinematic the BOTW 2x battle was. What can top fighting (on horseback, no less) a giant, flaming boar made out of malice? 30) I wonder what the Yiga are going to be up to, considering how Ganondorf seems to be somewhat kicking in BOTW 2.

[some-creep]

CREEP RANKS EVERY SONG IN NIER... AUTOMATA (mostly) BY TITLE

Because, like, no one played Gestalt. Also this game has more songs.

Significance Like. I guess. It’s a title you can use. What is significant? We don’t know. The characters don’t know. They are struggling to find out. We all are. What is meaning? What really matters? I don’t know but we’re all crying. 8/10

City Ruins – Rays of Light / Shade Plays in the ruins of the city. Exactly as advertised. Sounds sad like you might imagine. 9/10

Peaceful Sleep This is the Resistance camp right? Peaceful things don’t tend to happen there honestly. At least not as we keep going. Sounds like a sleepy JRPG town though. Ok title for the mood it gives. I like this song a lot so I’m cheating and giving it more points than I know it deserves as just, like, a title. 8/10

Memories of Dust Sand is dusty. What memories? We’re making them. Cool title. Sounds like a YA novel though. 9/10

Birth of a Wish Genuinely often get confused with the Silent Hill 2 bonus story Born from a Wish whenever I try to remember what this song is called. This Cannot Continue / 10

The Color of Depression This is like… a really cool title. Thanks. That Scanner boy is not gonna live the happy family life you all for some reason keep suggesting he is. Bad things are gonna happen to him. He dies anyway. 11/10

Amusement Park Yeah. I guess. We certainly are in the amusement park level. Creep why does this one rank so much lower than City Ruins which was also just “name of location”. Amusement park is not a cool title. City Ruins is a cool title. 7/10

A Beautiful Song Would you say Simone has girlpower? Would you say Simone successfully used her girlpower to kill and consume countless androids and also turn them into near lifeless weapons and body jewelry? 9/10

Voice of No Return Sad title. Sad song. Exactly as advertised once again. I feel sad listening to the Automata OST most of the time. Is this quest complete in the camp? I think so. Anyway it’s really sad. I love to cry. 11/10

Grandma – Destruction Um so this is like. Genuinely a horrible title. It reminds me of the title of a darkweb video which I will say no more on. This song is REALLY good its a shame this title is so… uh. Bad. It’s just bad. 1/10

Faltering Prayer – Dawn Breeze / Starry Sky This is another really cool title. This game is about like… life after god. I’m not here to get thematic. I say in a list entirely about if the song fits the theme. Anyway this is a cool title. The song again… sounds sad.  One of them is a music box which I love. Cheating again. 10/10

Emil’s Shop EVERY DAY’S A SALE. EVERY SALE’S A WIN. 12/10!!

Treasured Times The fact this plays after Emil’s shop on the OST is the biggest tonal whiplash in the world. This song makes me feel an emotion I cannot describe. It’s something like sadness but not quite. This isn’t a review of the songs, just the title. But reading the title makes me feel that emotion too but stronger when I think about it. I don’t know. 9/10

Vague Hope – Cold Rain / Spring Rain Good title… Thematically very appropriate. Not COOL like some of the others but it feels right feels canon. I like it. It’s just the city ruins quest complete song but it also plays in one of the fucking… DLC fights. That makes me extra sad. 10/10

End of the Unknown Which unknown was ended. Genuinely think when this plays I had more unknowns than knowns. This song sounds like every song from the Gestalt DLC. 6/10.

Pascal At least Automata has far fewer “named after a character” songs. They just have named after a place songs. I love Pascal so if I give this a low score he might be upset. 8/10

Forest Kingdom It really… the forest huh. Random but one of the songs in Code Vein does a vocal thing that always reminds me of this song for some reason. That has nothing to do with this game or this songs title at all I just wanted to tell you. Long Live The Forest King / 10

Dark Colossus – Kaiju This song is also in Gestalt. It’s cooler here. More stakes. Song title suggests less stakes though? That’s kinda weird. Because of this it loses points. I’m sorry. 7/10

Copied City Dude I left this one off the list when I first typed it out lol. Someone not to @ anyone told me this was based on Nier’s village. Lie to me again. I don’t know what City is being Copied. One of them. It reminds me more of the Cathedral City from DoD3. Which is a bad horrible game that I completed 100%. 8/10

Wretched Weaponry Not to be confused with Wretched Automatons. Is this like, a remix? My ears don’t work so I don’t know. Don’t inform me because I love being stupid. Anyway, in the narrative it makes sense. It’s a good, cool title. Song is softer than the title would suggest. 9/10

Possessed by Disease COOL SONG TITLE. Thank you. This plays… somewhere. Uh. Hm. I’ve 100% completed this game like three times. 9/10

Broken Heart You think you’re gonna hear a sad song? SURPRISE. Sinister as hellllll. Subverted expectations baby. MCU take notes. I’ve never seen a movie in the MCU. Loving the dark tones in this. Broken heart but the emotion isn’t just sad. GOOD STUFF. 10/10

Mourning Again. You think it’s gonna be sad? But BOOM. It isn’t. I mean it still is, but in a dark way. These aren’t song reviews. These are title reviews. But if a title suggests one thing and delivers another that’s still a valid point right? I don’t know. Hey wait isn’t this just Shadowlord’s Castle? Yonah / 10

Dependent Weakling Well, it’s no Song of the Ancients – Fate, but it’ll do. In all seriousness, this is like, a great song title for Eve’s boss battle. Y’know, because he relied so heavily on Adam and all’a that. Maybe a little on the nose. Maybe a little rude. Eve sucks / 10

Rebirth & Hope Sounds hopeful. Plays during ending A where we see a Rebirth cos 9S super doesn’t die. This song is literally 30 seconds long why am I even bothering. Oh, right, because it’s on the OST at all. 30 second songs / 10

War & War Gentlemen, you can’t fight in here, this is the war room. It… sounds like a war room song. A preparing for a big battle song. Once again, exactly as advertised. Plays before a big battle. It really thematic naming! Peace was never an option. 8/10

Crumbling Lies Words cannot express how much I adore this song. First of all, title is on point. It’s the song that plays when you get to  Route C. Literally the moment I fell in love with the game. The Bunker is destroyed, which, again… maybe it’s a bit on the nose. I don’t care. This is the perfect song title to the perfect song. I will die on this hill. 12/10

Widespread Illness Red Eye except it’s robots now. Very thematically appropriate. Everyone is dying. There’s nothing you can do to cure it except kill them. They’re incredibly infectious. Zombie Virus but with Robots. Can you tell I don’t remember what it’s called? I’m writing this at 1am and I’ve decided it’s funnier if I don’t look anything up. Sounds very somber… I like it. 9/10

Fortress of Lies Not to be dramatic but when I read this English title I was like MMMMMMMNNN because like. I get it. It plays in the Bunker. Which… is built on lies. Again. Incredibly on the nose but when I learned what the song was called I just fucking DIED the first time. I’m stupid. I don’t care. 11/10

Song of the Ancients – Atonement Another song I died when I learned the title of. Devola and Popola in that game have nothing to atone for. They are atoning for sing they did not commit. Punished for the crimes of another set of Androids, possibly thousands of miles away. It’s not fair. They have nothing to atone for. They’ve done nothing wrong. 12/10 crying creeps.

Blissful Death FUCK. This one plays in the Devola and Popola like. Text Adventure part. Which is just. I love it so much. No one dies in that though. Well… maybe someone does. It’s not impossible that Popola hurt someone. It’s suggested that, maaaaybe she did. No one stops. No one Stops.

Emil – Despair Emil’s life has quite literally only been despair. Please don’t bully him with your song titles like this… 9/10

Alien Manifestation Vintage meme of that guy from the history channel with the impact font that just says Aliens.  This game has aliens, I will give you that. They’re all dead though. I guess the machines are aliens but. Eh. Wait doesn’t this play in the castle? There aren’t even aliens there what the fuck. 5/10

The Tower There’s a tower. This plays there. Thank you. Also the name of a tarot card I think? That could be cool if I knew a single goddamn thing about tarot cards. I don’t. 6/10

Bipolar Nightmare Cool flying section. Has anyone found Grun skip yet? Because the bounty for that was like. A lot of money. Vaguely a cool song title. I kinda like it. Although for some reason it reminds me of The Evil Within’s Japanese title, Psychobreak. So I think I like it less because of that. Not the worst title, but maybe the lowest of the COOL EDGY song titles. Fucking love the piano part in this one though. 7/10

The Sound of the End Really super cool and sexy song title. 2B is going to die but she can’t let anyone else get hurt because of it. She’s already done so much damage. This song is really dramatic sounding. The title is dramatic. Love this one a lot. The actual playable segment is kind of a struggle. But I think that’s the point… 10/10

Weight of the World / End of YoRHa I once got into an internet fight because I said this song is about every character except 9S because of the line “I’m only one girl”. I was corrected that the Japanese version is basically EXCLUSIVELY about 9S. None of this is relevant at all I just wanted to remember it. I still do not like 9S. Thematically a brilliant title. Everyone feels like they must do so much… but you cannot bear the weight of the world alone. Ending E legitimately makes me cry. Whenever I think about the messages from other players supporting me? It’s a lot. What the fuck. 12/10

[soybeeftacos]

A Long Rant and Mediocre Analysis of the Future of My Beloved Jinteki Faction, by scd.

I have been thinking about Jinteki and the impending rotation of a lot of Jinteki cards...

As many have, I eagerly anticipate the upcoming System Update and System Gateway releases from NISEI. I’ve not been the hugest fan of Ashes, to put it mildly, especially their ID design. As someone on the Green Level Clearance Discord said the other day (I forget who, sorry), it’s almost as if they made every Runner a different kind of Shaper. And the Corps are, by and large, uncompetitive and overly fiddly for my tastes — oh, how I wish Hyoubu Institute was any good! I’m dipping my toes back into Standard after a few years away, and have lately been trying to get my head around what’s coming around the corner, especially since beyond Engram Flush and LaCosta Grid, I don’t see a ton to be excited about in recent Jinteki cards.

Then it dawned on me, with the upcoming replacement of SC2019, Honor & Profit, and the SanSan Cycle, we are actually losing a lot of Jinteki cards. This hit me most the most at the level of identities. On the potential chopping block are: Jinteki: Personal Evolution, Jinteki: Replication Perfection, Harmony Medtech, Nisei Division, Tennin Institute, Jinteki Biotech, and Chronos Protocol. Add in that Mti Mwekundu and Jinteki: Potential Unleashed are currently banned, this leaves the competitive pool as of System Gateway/System Update: one of the above identities (if the rumors that System Update will have only one Corp ID per faction are true), the new Jinteki ID in System Gateway, then Pālanā Foods, AgInfusion, and Saraswati. No other legal Jinteki IDs. I understand that the first two are solid glacier choices, and I actually quite like Saraswati, but I want more and more variety.

So it’s a bit of a bummer for my favorite faction, which has had goofy FA Tennin decks, Punitive Medtech techs, Complete Image Chronos Protocol kill decks, lots and lots of different PE decks. Will we see the death of the Jinteki I loved? Or will it rise again from the proverbial coffin of rotation? (Yes, this was all an elaborate justification for using the old GIF above that I think Eric Caoili made many years ago).

I’m basically just sick of Jinteki glacier. It’s never been fun for me, nor does it feel like what the faction should be primarily “about.” Jinteki’s current state as a glacier faction primarily has as much to do with what’s been banned as much as what’s been printed (LaCosta, for instance). If there are enough net damage cards in the pool, someone will make yet another new version of the caustic “Potatoes” deck and then NISEI will ban a bunch of the most troublesome cards again. Ignoring currents, there are five Jinteki cards on the current banlist, which is tied with Weyland for the most — followed by four NBN cards, two HB cards, and four neutrals.

If System Update has only one Corp ID per faction, as the recent rumor has stated, then I’ll be bummed out. If it’s true, I fully expect that Personal Evolution will be the one to stick around. It’s always been at least marginally playable, it does something different (a net damage tax), and it’s intelligible for new players. But what other cards stick around? What else should stick around? I thought I’d look and see what cards are actually going to rotate and which ones I was most upset about. What I found was actually a little surprising to me — while I claim I love this faction, I’m, uh, not going to miss many of these! I’ve gone through below and identified from SC2019, Honor & Profit, and the SanSan Cycle all of the cards that I suspect just can’t go and/or I’d be real sad if they did.

From the pool of SC2019 Cards, here’s what I’d hold onto:

Jinteki: Personal Evolution Nisei Mk II Fetal AI Philotic Entanglement Project Junebug Ronin Snare! Neural EMP

All of these are such key cards to me, I just can’t see Jinteki without nearly all of them. Fetal AI, Philotic and Ronin are possibly marginal, but I think NISEI really made the right call bringing Fetal back (t’s a beautiful card on a number of levels); Philotic being limited to 1-per-deck has always made it a fun surprise and/or a welcome 3/2 in the faction; and without Ronin or a suitable combo-kill replacement, I don’t see the faction moving beyond just glacier decks. Can you imagine Netrunner without Snare!? Or NISEI getting rid of Nisei Mk II? Personal Evolution, Neural EMP, Junebug — these have always been faction-defining cards to me, and I don’t see NISEI being foolish enough to mess with that.

So, what would I lose from SC2019?

Jinteki: Replicating Perfection Sundew Hokusai Grid Celebrity Gift Trick of Light Himitsu-Bako Wall of Thorns Lotus Field Yagura Neural Katana Swordsman Tsurugi

A lot of great cards here, but push come to shove, I could lose any of them. I’ll miss all of these if they all go, and I won’t be sad if any are kept (other than maybe RP, as I think there are better options, if NISEI has more than one core Jinteki ID in System Update; see below).

Onward and on to the Honor & Profit Cards:

Psychic Field Mushin No Shin Komainu

This genuinely surprised me! I had expected that there would be many, many more Honor & Profit cards I’d want to keep. As a Jinteki lover, I’ve played with all of the cards in this box (with the possible exception of NeoTokyo Grid), but only Psychic Field, Mushin, and Komainu seemed obvious keepers to me. Now, now, I’m sure there’s some group of people out there who think Mushin is "bad” and I understand that, but without Mushin there needs to be something I want there to be something that has a similar effect — Saraswati is kinda it, but it’s also the ID itself and Mushin as an ID is not the same. I think Mushin needs to be kept to help facilitate the shell game Jinteki that has been a staple since Hinkes’ Cambridge PE. In the online play world of Jinteki.net, many people would love to see mind games and traps leave the game entirely, but I don’t think NISEI does (given that they kept Cerebral Overwriter in Uprising). Psychic Field, I’d keep, partially to facilitate this but also as a necessary, hard 419 counter — a counter on a mechanical vector that is not just about money and math. Komainu is a beautiful piece of ice, and one I’d love to see stay in the game.

So, what are we losing if I ruled NISEI?

Harmony Medtech Nisei Division Tennin Institute House of Knives Medical Breakthrough The Future Perfect Chairman Hiro Mental Health Clinic Shi.Kyū Tenma Line Cerebral Cast Medical Research Fundraiser Inazuma Pup Shiro Susanoo-no-Mikoto NeoTokyo Grid Tori Hanzō

Ouch. There are a lot of almost-keepers here. House of Knives, TFP, Tennin, Pup, and Susanoo, are all cards I’d love to see stick around but frankly, I don’t think they really need to. TFP is a great defensive agenda but we already have some fantastic defensive agendas in the faction (and I’d love to see what NISEI cooks up for other defensive Jinteki 5/3s). House of Knives is a great card and maybe it should stick around, I dunno, but perhaps there’s more interesting space to explore in net-damaging 3/1s (plus, we just got Sting! somewhat recently). These remaining ice don’t get a lot of play, even if they once did (like Pup); I’d be happy to see any of them stick around, but I’d also like to see new ideas. So, they can all go.

What about the SanSan Cycle? I’d keep:

Jinteki Biotech: Life Imagined Crick Cortex Lock Marcus Batty An Offer You Can’t Refuse

Okay, whoa, there’s actually an ID in here! Yeah, I love Biotech, even if I haven’t played it in a long time. I feel like Biotech needed just another couple of cards to make the other non-Brewery flip sides workable. I’d love to see NISEI attempt to fix an ID rather than just rotate it. Crick and Cortex Lock seem like such solid, interesting ice that I wouldn’t want to lose either — Cortex Lock is of course a wonderful facechecking ice, good early game ice that was only really ever a problem during the Mti meta. I’ve always loved the positional ice of that cycle, and Crick is lovely. Batty is too fun to ignore and is versatile for multiple decks, and is not stifling like other defensive upgrades. And An Offer You Can’t Refuse — clearly the weirdest, least-played card of this entire post — I just want to keep it around, for the novelty of forcing a run on the Corp’s turn and its related rules confusions. And for the memes.

What would we lose?

Genetic Resequencing Ancestral Imager Allele Repression Genetics Pavilion Lockdown It’s a Trap! Clairvoyant Monitor Chronos Protocol: Selective Mind-Mapping Recruiting Trip Valley Grid

Not a lot here that I really care about, I guess? Genetics Pavilion is probably the one I’d miss the most, not that it’s had much play since Wyldside rotated. And Chronos Protocol — I’m glad it got a brief moment to shine in the sun of Complete Image, but I’m not going to miss it otherwise. Maybe Allele Repression, but frankly, Genotyping, Preemptive Action, etc. have shown that Operation-based card recycling is the best way to go post-Jackson. The rest of these cards were, I think, pretty mediocre design; I’m surprised at how little wheat to chaff there was in SanSan for Jinteki, as my memory is quite different!

And, of course, with the release of System Update, we’ll presumably get some other old cards resurfacing that we haven’t seen in a while. I certainly hope NISEI gets aggressive and interesting with these choices, as I think they did a pretty good job with SC2019 (even if I found Core Experience to be a slog of a format). I’m excited at the options of what from the original core, Genesis, Spin, and Lunar might resurface. If it were up to me, here are the four cards that I would bring back:

Hostile Infrastructure Shock! Edge of World Industrial Genomics

Okay, okay, Hostile Infrastructure won’t be popular, but I love it. It’s expensive to rez and with SanSan gone there won’t be the old Breaker Bay Grid cheese to get it rezzed for free. It’s been back in the meta with Salvaged Memories for a bit now and doesn’t appear to be the scourge of the meta, so why not just keep it? More importantly, I’d love to see Shock! come back — it felt infinitely more fair than Breached Dome with a similar (albeit costlier to trash) effect. Edge of World was a jank-enabler that I would love to see again (perhaps because I’m currently playing Retrunner with these old cards again), and then there’s ... Industrial Genomics.

Okay, okay, okay, I hear you, “IG bad.” It’s a mean, mean, Bad People Play It™ identity that made you cry real bad that one time. It did the same to me once, too! I get that perspective, but if we are going to choose a Jinteki ID that is very functionally different than Personal Evolution to complement it in System Update, I’d like one that facilitates the kinds of play IG does. Biotech fits that bill, but frankly, Biotech unless it gets the card support will just be another Brewery kill ID, and I’m not sure NISEI are thinking that’s worth keeping. I’m being hopelessly optimistic that we’ll be getting three Jinteki IDs when System Gateway and Update drop rather than just two, and if I had to choose between Biotech and IG, I’m going IG every time.

Now, with Kakurenbo in the cardpool, a return of IG just can’t happen; so... ban Kakurenbo! It is a ridiculous card that was, seemingly, mainly designed for IG to play in Eternal. I can’t see any other good use for it, at least. Bring back the old IG from before Bio-Ethics prison. Bring back Shock! Hell, even go ahead and ban Bio-Ethics — gasp, I can’t believe I’m typing such blashemy — and give us something that can open up new kinds of play with this interesting, classic, and overly-maligned ID. Industrial Genomics was a weird thing of beauty, and it deserves another run. Laugh at me all you want, you know I’m right.

One more thing — what about Caprice Nisei? Shouldn’t she be discussed? Nah, she gets no love from me, simply because of the playstyle she empowers. Caprice is of course a great and meta-defining card — for glacier! But haven’t we had enough of glacier by now? Like, two years of mainly glacier Jinteki? And I’m the lord of my own barely-read blog fiefdom; I decree that if you really want a psi game to protect your agenda, you should just go play Hyoubu Precog Manifold.

Anyway, just some thoughts by someone who doesn’t play any Standard but wants to do more. I started writing this thinking it was about the dire state of Jinteki, but I’m now left thinking there’s actually a much smaller set of must-keep Jinteki cards than I initially thought. Granted, most of them are non-ice cards, and that’s a problem here — only a handful of ice here seem really necessary to keep. And maybe that’s what this is about; encouraging more deckbuilding that has little to do with building remotes.

I’m most concerned about IDs. Keeping PE and either Biotech or IG would make me personally happy, and Tennin would be an acceptable “sure, why not.” There’s a lot of potential for Jinteki to move into more forms of play that aren’t so glacier-heavy, and I’m hopeful about that. I do think what they do in System Gateway and System Update will need to address the loss of Jinteki cards, but perhaps not as seriously as I had feared when I started writing this.

Anyway, I’d love to hear any reactions to this. Long Live Chairman Hiro!

[murasaki-murasame]

I’ve seen a lot of people being like “but how could Mascula have even worked as a playable adventurer when he’s a pacifist?” so let’s go over some options for how he could have been a playable adventurer without ��contradicting’ his pacifism.

[I’m just gonna put this under a cut since it got long]

1: Literally just make him a healer. That’s like the bare minimum you need to do to give him a playable role based around helping people. He doesn’t even necessarily need to be a staff unit to be a healer. I’ve been wanting them to experiment with having healer characters that have weapon types other than staffs, and he would have been a great candidate for that. They could have even given him a defensive coability instead of the usual blade one.

2: Make him a dedicated buffer unit like Emma, and make both of his skills into different types of team buffs.

3: Make him a dedicated debuffer like Delphi, and make his skills do stuff like stunning the enemy or directing aggro toward him. Maybe they could go the whole nine yards and have his regular attacks not actually do any damage, but inflict some sort of status effect or something, with the rest of his kit being tuned to make up for his lack of strength. Or they could give him a permanent strength debuff, also like Delphi.

4: They could just give him a character arc where he accepts the fact that hardline pacifism doesn’t work in times of war, and so he reluctantly accepts the idea of taking up the blade until true peace can be made.

Side note: I really don’t care about any of the reasons why he ‘wouldn’t make sense as a playable adventurer’ when we have characters in the game like Elias, Pia, Lathna, Noelle, and Emma. I don’t even have any sort of issue with those types of characters being playable and being used to fight dragons and shit, I just think it goes to show that it really doesn’t matter if a character engaging in combat doesn’t really make sense based on their characterization, age, or whatever.

There’s so many things they could have done to make him work as a playable adventurer, and the only reason he isn’t one is because they chose not to make him one.

They also didn’t actually kill him off so honestly nothing’s stopping them from just having one of the various scientist characters in the cast study Laxi’s body and figure out how to put Mascula back into his own body. Again, the bottom line is that they’re just choosing to sideline him, not because their hands are somehow magically bound by the sheer power of his characterization and there’s nothing they could do about it even if they wanted to.

And for the record, I’ve read Laxi’s adventurer story and it just solidified everything about why I dislike Laxi as a character and why I think both her and Mascula suffer as characters due to being shoved into the same body. Laxi’s personality is basically just ‘remember 2B? From Nier Automata? She was pretty cool, wasn’t she???’, and like 80% of her own adventurer story is focused on Mascula instead of her. While at the same time Mascula literally can’t be his own character anymore because he’s stuck in Laxi’s body, and even by the end of Laxi’s adventurer story it feels like his pacifism is a character flaw that hasn’t meaningfully been challenged or ‘dealt with’. I’m pretty sure that right at the end of the story he’s still complaining about Laxi stepping on flowers, just to hammer in the fact that he’s still irrationally pacifistic and that hasn’t really changed. I think they both weigh each other down and keep each other from being their own, complete characters because of the situation they got stuck in, and I think that’s really frustrating. I think Laxi actually has a lot of potential to be a genuinely good character, and I like her sibling banter with Mascula in concept, but in practice she just feels like a very hollow and thinly sketched out character. And Mascula just got the short end of the stick in general. At least in the English version, he doesn’t even have his own voice, since in Laxi’s voiced lines they just have her VA put on this really fake-sounding male voice when she’s meant to be voicing Mascula. Which feels almost insulting, lmao.

I’m also well aware that the end of Laxi’s adventurer story hints at there being something up with Maestro, but that’s just a completely nebulous question mark at the moment with no real indication of what’s going on with it. I’m not exactly gonna hold my breath and hope that it has something to do with them continuing their story down the track in a way that involves Mascula getting his own body again, so really I don’t have any real opinion toward it. It might lead somewhere, or it might not. Who knows!

At this point I’m just ranting again, but still, this just feels like a frustrating mess of missed opportunities. Though tbh at the end of the day I think that if everything else about the game was perfectly fine, I’d be more willing to let this sorta thing slide, but since this is just one mess on top of a whole list of other things that have been going wrong with the game lately [expert/master high dragon trials, time attack rankings, HDT weapons, everything to do with Gala Cleo, augments as a gameplay mechanic in general, strings of reruns, the Megaman event being disappointing, and to a lesser extent the notable bias toward female characters], it’s much harder to have patience for it.

I’ve also seen lots of people being all doom and gloom lately about how the game’s not super profitable for Cygames, and I’m just here like ‘seriously Cygames, I will literally give you real money if you at least just let me play as Mascula’, but I doubt they’re gonna give me that option, lol. I already spend money on this game so I’m not even exaggerating when I say that I’d be perfectly happy to spend real money on Mascula if they gave me the choice to.

[alette-stars]

The giant goes to rest. More than two years, 130 000 words and many screams and tears since its start, Lavender Jade is complete.

Let me start off by thanking you all for supporting this fic! When I started I had no idea it was going to receive the love it has. Before Lavender Jade I was known for more overall lighthearted works (Mint and Poppy in the Monsta X fandom, Stray Romance for ASTRO). All your constant love and support has been a huge help. Thank you so much! Words cannot describe the joy your comments and messages gave me ♡

I’ve made so many amazing friends and spoken to so many beautiful people because of this work, but this fic is dedicated to Monsta X ♡

Okay, enough sappiness! Time to move on to the trivia and extras. This is my 4th trivia post (you can find Mint and Poppy here; Stray Romance here; Wrong (Right) Number here) and longest yet, so it’s in 3 parts:

basic tidbits/extra info

regarding the vei, the card divination system

some personal rambling regarding my character motives (entirely skippable)

If it’s not obvious, there are going to be major spoilers, so if you haven’t read the fic yet but plan to do so, I advise not reading this ^^

If you need, you can always reference the character list here

Okay, so let’s get started! Rest of the post is under the cut

1. Basic Trivia

Most of the extras in the fic were original characters this time, with a few exceptions. Even these exceptions are not exactly based on the idols they’re named after, but I imagined them while writing. These are:

Sojung, Jooheon’s bodyguard - WJSN’s Exy

Sewoon, Kihyun’s manservant - soloist Jeong Sewoon

Seungwoo, another of Kihyun’s servants - soloist Yoo Seungwoo

Dawon, Hyunjung, Jiyeon, Luda, Soobin, Juyeon, the girls mentioned as being part of Jooheon’s people in Eigak - WJSN’s Dawon, Seola, Bona, Luda, Soobin, Eunseo 

Along with the ones living, there were those who lived in the past. Mentioned in-text:

Hoseok II, a previous king of Yishin - BTS’ J-Hope

Seokjin, a consort to Hoseok II - BTS’ Jin

Kim Namjoon, prime minister of Hoseok II - BTS’ RM

Hakyeon, the first king of Yishin - VIXX’s N

And those referenced only in the snippets in the chapter summaries:

Jungsoo, a previous king of Yishin - Super Junior’s Leeteuk

Kyuhyun, a historian - Super Junior’s Kyuhyun

Yoongi, a consort to Hoseok II - BTS’ Suga

Taekwoon, high prince to Hakyeon - VIXX’s Leo

For some reason which I still cannot fathom, I’ve been praised for the worldbuilding in this fic. The capital city of Yishin doesn’t even have a name. 

The basic geography of the peninsula is Yishin, Eigak to her east, a number of tiny states to her west, the sea to her south. The western side of Yishin is more fertile. The stretch of border between Yishin and Eigak is a rocky wasteland.

Yishin was named as a mix of Wonho’s two surnames: Lee and Shin

The concept of snippets from literature and media from the universe as chapter summaries was inspired by Steven Erikson’s Malazan Book of the Fallen saga. The vei deck (more on it later) was also very heavily inspired by his Deck of Dragons in the same books. 

A lot of fics focus on Hyungwon’s looks (something I’m guilty of as well) so I wanted to write a world where he wasn’t considered handsome. I understand why all the shows set in alternate worlds have the same beauty standards as us—it makes for prettier TV—but I decided to set a different one for the world of Lavender Jade. Somewhat arbitrarily, we have:

considered very handsome -  Hoseok, Minhyuk, Changkyun

considered somewhat handsome - Kihyun

considered plain/regular - Hyunwoo, Hyungwon, Jooheon

Han Jehan, obviously, also falls in category 1.

Han Jehan was my first time writing a proper villain in my fics, and I don’t know how well I succeeded but I enjoyed it immensely. I went out of my way to add all the traits I like so that I wouldn’t end up hating him, even going so far as to give him the surname of one of my favourite idols (sorry Hyuk). 

There are two main things I’d change in the fic if I could turn back time:

tighten up the front end. I’d combine the first couple of chapters 

Yeon Hu would be a woman. By the time I realized the awesome power of a badass lady general, it was too late

All court members—Jo Senmi, Yeon Hu, etc—are original characters. They’re both basic archetypes you’ll find in sageuk dramas. I think it’s worth mentioning both of them really do love Yishin, they just had very different, more conservative ideas of what would be best for the country.

I’d thought of using all the proper Korean names for the clothes especially, but decided that would make things difficult to read and binned the idea.

The opening note says the world is inspired by the Joseon dynasty. Regarding the initiatives to improve people’s lives, yes, but the hall/court system is more inspired by (what I know of) the Goryeo dynasty system.

I’ve been asked this before, but I’ll answer it here again: I’d never finished a sageuk drama before Flower Crew (very recently, and only because I was watching it with my sisters), and definitely not while I was planning this fic. Don’t judge me. The one I would recommend is Six Flying Dragons, most like Lavender Jade in tone. The others I’ve made headway into are Moonlight Drawn by the Clouds, Ruler: Master of the Mask, and The King and the Clown. 

I’m surprised no one brought up the foreshadowing I did near the end of chapter 16. Seven stars, two possible fates. The final fate of the two lovers (Kihyun and Changkyun) turned out to be a mix of the two stories: there was a fire, and the heavenly king was pulled from heaven (Kihyun from his position) to live the rest of his life with his lover.

Unlike my other secret couple (myungjin in Stray Romance) there are no hints of Hyunwoo and Minhyuk. They never did anything that would show. Minhyuk attempts to fluster Hyunwoo, but he does that with everyone.

Changkyun’s final card from the reading in chapter 8 is the two of Knives. It means a sacrifice. 

My favorite parts of the fic to write were Kihyun’s various descriptions of Changkyun’s beauty :)

This is, undoubtedly, the fic that has required the most work from me. I will say the most difficult scenes to write were Minhyuk’s fight with the assassin and Hyunwoo’s with Kim Sungil. Action scenes are not my forte. 

If you don’t know, I have written a romantic one-shot set in the same universe, titled Only One

2. The Vei

I don’t know how obvious this was, but the entire vei deck concept was inspired by and based on VIXX. The idea itself came from the Deck of Dragons in Steven Erikson’s Malazan Book of the Fallen saga. 

There are 84 cards in the deck: 72 cards in six suits, and 12 Unaligned. The Unaligned can be paired off, where each card is the opposite of its pair (with the exception of the last pair). The Unaligned cards are:

Fountain and Grave - a beginning and an ending

The Open Hand and The Closed Hand - generosity and miserliness

The Lord and The Lady - bad luck and good luck

The Centaur and The Fox - someone proud and someone crafty

Magnolia and Crown of Thorns - misery in success and happiness in failure

Pyramid and Mirror - stability/instability and karmic justice/unfairness 

The six suits, along with the member they represent, are:

Stars - N

Rings - Leo

Shells - Ken

Scrolls - Ravi

Flowers - Hongbin

Knives - Hyuk

Each suit, like our playing cards, has a king, queen, and knight (jack). The king of each suit is based on a VIXX member, and has some particular qualities along with being very rare. All visual cues for the kings come from VIXX’s masterpiece MV, Shangri-La. 

Stars - King: the Emperor, Queen: Sloth, Knight: the Page. The Emperor is the rarest card in the deck, and is represented by a crowned man with no features, only darkness in place of a face. The Page is the icon of diligence (and was in Minhyuk’s hand in chapter X). The theme of the suit is mystic fates, technically the uncategorized cards. In the natural half of the deck.

Rings - King: Death, Queen: Envy, Knight: the Messenger. Death is a card of finality (like Grave). The theme of the suit is secrets. In the manmade half of the deck.

Shells - King: Life, Queen: Gluttony, Knight: the Fool. Life is a card of possibilities. The Fool denotes absolute luck--essentially the card of negation. The theme of the suit is environment. In the natural half of the deck.

Scrolls - King: the Mage, Queen: Greed, Knight: the Apprentice. The Mage is a figure of knowledge and learning. The theme of the suit is motivations. In the manmade half of the deck.

Flowers - King: the Elf, Queen: Lust, Knight: the Handmaid. The Elf is an elusive, hidden figure with hidden motives. The theme of the suit is happiness. In the natural half of the deck.

Knives - King: War, Queen: Wrath, Knight: the General. War is a decisive figure, one who brings final consequences. The them of the suit is decisions. In the manmade half of the deck. 

I’ve been asked about the game played with the vei deck as well. It is a game of my own invention, yes. It’s based on trick-taking games like Hearts, where the object is to win the least cards as possible. It’s played in alternating rounds, one where the Unaligned are not used, the next where they are. I didn’t hash out the details beyond some basic motifs, but it is technically playable. Only if you have a vei deck though. The whole gameplay hinges on the fact that some cards are less likely to appear when picked from the stacked deck. 

I’ve heard from more than one person that I got them into tarot as a hobby. That’s great! But the truth is I know next to nothing about tarot haha

3. Rambling

I might suggest skipping this. This adds 0 value to the post and fic aside from giving me a space to ramble and whoa it turned out long

First: King Hoseok. He’s copped a fair share of criticism in this fic regarding his passiveness and his acceptance of the unfair consort system. I will defend my handling of this character to the ends of the Earth. I’m not saying he’s perfect (obviously! the only character that comes close to that is Hyunwoo) but I think he did right by what he had.

A neat indication would be to flip back to chapter 14, the Hyungwon POV chapter. When Hoseok says that the two of them are alone even though the room is filled with servants, Hyungwon forgives it as a result of his upbringing. He’s undoubtedly biased, but he has a point. Hoseok was raised as king. Certain things that are so obvious to others don’t even register to him. The consort system, where they have to swear loyalty to him but he doesn’t to them? He was raised as seeing this as normal. They all were. He never even fathoms a consort would want to leave their position. When Kihyun tells him the truth about the affair, Hoseok is stunned. He doesn’t understand Hyungwon calling his old life of poverty a life of freedom.

Basically, Hoseok is just trying his best after being raised (and still living) in a life of absolute privilege. He expects loyalty, love, because he hasn’t been exposed to anything different. His situation is completely different from Jooheon’s, who’s grown up in a much more volatile situation. Jooheon had to learn early on to really open his eyes, to listen, and he’s much more observant and understanding. By the end of the fic Hoseok’s had a wakeup call, and he’s going to get better. 

Second: the consort system. Yes, it’s cruel. It wasn’t what Hakyeon had envisioned when he had his companions instated formally. But in Yishin this is the norm. No one thinks it cruel. It’s a position of huge honor (Kihyun thinks of it a few times).

Even though there’s no homophobia, misogyny etc, Yishin is a conservative society. They haven’t had a change of regime in 23 generations. They’re used to the norm, and consortship is the norm. Also, if you look at most conservative societies, you’ll see romantic love isn’t considered a prerequisite for marriage (which is kind of what consortship is). In many societies (including my own) many people would jump at a chance for consortship, no matter their relationship with the monarch. 

Third: the fic had a lot of subversion of typical historical expectations and standards. I still consider myself primarily a fantasy writer. Typical fantasy and historical works have a strong focus on honor, dignity, truth and justice and all those values.

Lavender Jade does not. Kihyun and Changkyun are oathbreakers, they are traitors (by Yishini law). Every insult flung at them is true. The king breaks his country’s laws to help them escape their deserved punishment. Even Hyunwoo, the honorable and admirable commandant, defeats Kim Sungil using an underhanded move, and gets his happy ending with another consort breaking his oath.

At times I seriously considered ending this as a tragedy. It felt fair. Kihyun and Changkyun had broken laws, broken promises. All that happened did as a result of their own actions (even Han Jehan’s targeting of Kihyun was, from what we see, brought about by Kihyun digging into his affairs). A sad ending would be deserved. But then I thought, hmm, why? Why should it be fair? Why should they be miserable because it is deserved? 

So we got the ending we got, and I hope you’re all happy. I know I am. 

Thank you for reading to the end of this (unnecessarily) long post! It’s almost as long as the fic itself haha If you have any questions or messages you can shoot me an ask or pm here, or on my Twitter or on CuriousCat ^^ 

So what’s next? I’m writing Wrong (Right) ID, an epistolary fic for ASTRO in the same style as Wrong (Right) Number, and A Match Made in Heaven, my VIXX karma officer fic (it’s an unusual concept! you should try it). Both fics will end soon, maybe even before the end of the year, so you won’t have to bear much waiting ^^;;

I’m also writing Blood, Water, a vampire fic with a strong emphasis on family for ATEEZ, so you can check that out too! This one’s going to be long and angsty and quite self indulgent ^^

I’ve been asked if I’m going to continue writing in this universe. The answer is, yes. I will be writing White Carnation, the book referenced in multiple chapters of this fic, as a novella. I might write a short story on how Hoseok and Hyungwon met, but that’s undecided. I’ve hashed out ideas for side stories involving VIXX (and the founding of Yishin) and ATEEZ (and the change of regimes in Eigak) in this CuriousCat ask and this Twitter thread, but those will probably only remain as threads ^^;; 

And in the future? I have Monsta X one shots planned, and perhaps another long fic too. All possibilities are open! I hope you’ll stay with me for them ♡

Again, and as always, thank you. I hope you enjoyed Lavender Jade ♡

[bedlamgames]

Q&A #103

Today we have the Twine conversion, lesbian training mantras, social lube, a bunch of random stuff from the discord, and a whole lot more. 

[Anonymous said]: I'm really curious what the tally means for your twine conversion posts. Can't seem to figure out what its suppose to represent progress wise...

- Answered this last Q&A. Because of you asking I’ve now also added the explanation to what it’s about to every stream post so I hope that helped with understanding what’s going on with that.

[Anonymous said]: Suggestion: For races that start with a random corruption (ie: Succubi), have an option in full custom to spend points to either narrow what that corruption is (to be one of the four types, for example) or to outright pick one (for a much higher cost).

- That’s a good idea. Being able to pick specifically I think would be too much. There are ALOT of corruptions so that would mean many many menus to be able to select everything. Being able to pick one of the four types seems fair to me as something to spend points on in Full Custom. Added it to my notes. 

[Anonymous said]: Have a succubus slaver who used to be a lamia. On level up, she had the option to get the Fleet trait, which I thought was off-limits for Lamia due to their body shape. I think it's a bug?

- Good spot and should be fixed as of the last update. 

[Anonymous said]: Noticed a bug with No Haven 0.903: If you select a human (or once-human) for your character, and then quick restart, your next character will keep the human's Racial aspect Social Lube. On the topic of that Racial, it says " includes one human, and three other different races/subtypes gain an additional Success" Does that mean one human and three non-humans, or one human and three slavers each of a different race from each other?

-Took me awhile to work this out as going from human to human seemed fine. However you’re right that those with a heritage like demi-angels or succubi will incorrectly keep the previous racial. 

The second so as long as you have at least one human you can get the buff by say having a northerner, noble, wastelander, and convent. 

[Anonymous said]: hi bud, xfto/x421 here, its been a long time i guess. wanted to ask about the status of the no haven/twine conversation. i joined your picardo lately but couldnt post some reports since you dont allow guest-posts. well anyway, the report is about something ridiculous i have found after some restarts, the chosen main charakter (lamia) starts as male with the hard carry aspect(immense shaft) and different description than the ones the perks would give. 1/2

another question, feels like i asked something similiar in the past, how about the integration of different artpacks/access to older pics, or deletion of those that never get used? i guess that would requiere some more access to the game than you allow atm. maybe with twine? do you have a roadmap on tfgames or somewhere for the future of no haven? i know there are some more races you want to implement and improve some systems, but thats it, hope you are doing well in these times. 2/2

I do an update on the patreon every two weeks which is linked on the twitter. You do not need to be a patron to read these and is the best way to stay informed about what I’ve been up to. That includes the status of the conversion. To quickly sum it up;

It's at a stage where all the RAGS to Twine code conversion is basically done. What I need to do now is translate all that work into something playable and there's currently big logic issues with a bunch of the conditions and passages. So what I'm currently doing is trying to tidy up the visual look of the code with a bunch of idents with the theory that will make finding the errors easier.

Alas it’s not me disallowing guest posts... Picarto had some massive stonking issues and so they locked things down hard due to that preventing guests from chatting. I suggest a throwaway email site to get around that.

I don’t think there’s any art in the game file that’s not used as I try to keep on top of deleting the old ones. Not really down for doing art packs of the old ones as due to that not being my art so I see them as placeholder only until they can be replaced by commissions. 

I probably do need to do some kind of roadmap sometime. I’m less keen as it’s kind of a dirty word these days as due to the miss-use of them by others it’s got some bad connontations, but I’m also aware the alternative which is me randomly mentioning stuff on discord/picarto streams leaves the vast majority of my audience in the dark which is also really not ideal.

[Anonymous said]: [no haven 0.903] [Crit no longer grants Bimboborn] okay, but how do I get bimboborn now?

- It’s a corruption. Specifically Blessings of Perversion. 

[Anonymous said]: With the change to training where hypnotic slavers can fully embed the relevant mantras for blowjob, bimbo, and sissy training, could we also get that for lesbian training?

- Yes that’s the plan when I do the third part of lesbian training. Got a set of commissions planned just got to sort the funding and work out who I’m getting to do it. 

[Anonymous said]: hey bud, x421 here, again, might be already fixed because thats from no haven .903, but i recently had the witch queen super rare quest, you might want to proof read the quest and results, there are a few typos. i really did enjoy the writing nonetheless, just a quick question about that quest, as far as i understood this one, you only change your odds of the final result depending on how good you do on your way to the final, but the reward in the end only depends on the final result? 1/2

2/2 it just dawned on me that its been a while since you made an Q&A post so i guess i ll go and lurk on the tfgames forum in the next days, just one last question: i asked early in development about camp upgrades and you were not that convinced about that stuff, i understand you want the slaver camp as some bandit camp and not some castle/bastion or whatever, but since you added camp upgrades, maybe add proximity to a certain region? or something to spend supplies and gold in a 13month+ run?

- Hah! Okay will give it another read through.That’s correct yes. There’s also rewards on the way if you Critical those parts. 

There is a new gold sink coming soon in an upcoming update. I’ve also got plans for more camp upgrades coming later. 

[From the Patreon]: I'm that guy you replied to about the patch notes in Q&A 101. Solid updates. Bugs in the outfit system has driven me nuts since like, 2015, has it been that long already? I think it has. I like collecting them and something always blows up. This time, I ended up with a slaver wearing both the ooze outfit and ponygirl outfit. So there's that. Also I was disappointed the new Quicker then You'd Like wasn't interactive. Solid in any case though, thanks!

- I'll get them all one day I swear! Don't suppose you remember the chain of events that led to that? New QAYL was a patron requested one with the idea of having a big pay off for playing submissive which often involves playing sub-optimally.

[From the Patreon]: 1-ive been noticing when you choose to repick choices for an slave training assignment the slave gets added to the list of choices 2-also just how rare is the post-slave princess city assignment, cause i can never seem to get it even after selling multiple slave princesses 3-another thing is that the nightly puppet-leader stat is almost impossible to get again(either that or i have bedwarmers incapable of usurping me even thought i my current stats mean i couldnt win against even the subbiest slave)

- Will check 3 as you've not been the only person to mention that. 2 I know exists for sure as other people have definitely got it. Should be no rarer than any other rare City assignment, and thanks for the spot on 1.

[From the Discord]: Top 3 Animes of the 2010 to 2020

Mahou Shoujo Madoka★Magica the series was staggeringly good. Just redefined what anime could be to me. Film is a... well it was a thing. A beautiful thing with an ending which I still quite know how to feel about. 

Shirobako. It’s about creativity, craft, and about how people can come together to make something. It might not be something good, but dangit it’s been made and that’s worthwhile. It’s also from personal experience by miles the most accurate depiction of working in an office I’ve ever seen.

Oh man this is very very hard deciding on the third so pick one of the following and I could probably make a strong case for it. 

Kobayashi-san Chi no Maid Dragon, Darling in the FranXX (yes really, yes even the ending), Lupin III: Part 5, Kill la Kill, Monster Musume, Flip Flappers, Demi-chan wa Kataritai, Zombieland Saga, or Kaguya-sama wa Kokurasetai.

Also while I was taking the question to mean series both Your Name and Promare are absolutely phenonemal films. 

[From the Discord]: Best recent Eurovision Act

Lena. Always Lena. 

[From the Discord]: What's the agricultural technological level of No Haven like 

It’s not hit industrialization yet. What makes the difference is and allows cities like Aversol and even bigger to exist is that the organization of the human empire is far better than it has any right to be for the other levels of development being able to keep an incredibly complex supply chain constantly flowing even if on the ground level it barely seems to be moving at all. There are also some much, much larger farms both on the Great Plains and further to the north compared to the much more isolated single/couple of households ones that your slavers raid. 

[From the Discord]: What have been some of your all-time favourite assignments, both in terms of working on them and how they turned out?

Love When Week’s End Comes for a recent one. Writing all the results in colour commentary (and all the variations for weather, events and outcomes) was a real challenge and I do like how it came out. 

Witch-Queen and Arisin’ for being the first times I tried to go for a different, more potentially disturbing/freaky mood, and I’m pleased with the results. 

Sable Masquerade as I really like the ‘bad end’ I came up with. Actually I like the whole thing as while the pitch from the patron obviously helped, a lot of it was inspired by a random superhero bondage party picture I saw on HF, which I decided to run with, and had a bunch of fun exploring. 

[From the Discord]: Weirdest bug and most difficult bug

The one that resulted in a male wisp riding a griffon was a fun one. 

Most difficult has to be the clothing management which as a previous question suggests I’ve still not entirely solved. 

[From the Discord]: If No Haven was an MMO, what race/class would you play?

Kreen rogue mainly as I really like the edit I did for the portrait which MidnightonMars later translated into a commission. 

If not definitely a lamia. 

[From the Discord]: Knowing what you do now about the design of the game, are there any game mechanics you wish you'd have implemented differently?

Clothing management. So very much clothing management. I’ve redone it entirely twice now, and it’s still not where I want it to be. 

[From the Discord]: What was your inspiration for creating the setting of No Haven?  Has the direction the game has gone varied from your initial idea? If so what has been the biggest change?

- It started off with adapting the chan game Deeper Dungeons which was basically a certain popular mmo with nothing different about it outside of it being porn along with some possibly unwise options of personal abuse. I first changed it by ditching gnomes for neko which to my mind was a clear upgrade. There even used to be an examine refference in the RAGS version to suggest they’d been in the region of the dungeons before being driven out.

Then it was a gradual process of adding with the occasional subtractions to get it closer to a more Warhammer feeling setting which has always been a major love of mine when I was still doing Whorelock’s in RAGS.

With No Haven it was a case of building on what I’ve done there and expanding upon that with the race lore and assignment descriptions. Biggest was probably when I did the favoured/unfavoured stuff and added a ton of extra backstory to various races to justify the choices made there. 

[ireddeadredemption2pc-blog]

Red Dead Redemption 2 PC

Red Dead Redemption2 PC

The old west feels brand new again.

Oh Jesus Christ, what have you done? “Thomaschen 978 wants to know why a dozen carcasses and a couple of horse corpses are placed on rail tracks bordering the early industrial city and are the New Orleans stand-in St. Denis.” You killed half. village.” PC Games For Free

We are on round two of the recurring corpse pile. My poses got the idea to jump in front of the train after a few rounds of Lose Your Friends and Toss Them in the Sea in the Couple Friendly Strangers. Like GTA 5, Red Dead Redemption 2 has its own bowling minima, we explain to Chen in a roundabout way that provokes his fear. Die in the shared open world of Red Dead Redemption 2 and you’ll react fast enough to move your corpse around. Best RPGs games pc

The boy is in line with us. We should make it bigger. As the train comes around again, another pose tries to take us out. The chain defends us but does not bring it back to the tracks. He goes away screaming. Death of a true warrior.

Red Dead Redemption 2 could be the biggest, most humble videogame ball pit for an annoying story about impulsive children, the forced disintegration of the community, or simply a quiet and reflective hiking simulator. It’s just about what you need it to be, and it’s good at it.

Just hours before the corpse-bowling, I was alone through the icy forests, stepping into the long shadow cast across the snow by the rising moon. I heard a gunshot from a distance. The tracks of some wolves marked snow in the same direction. I saw them who won. Anytime I pay attention and look closely, RDR2 is the result of my curiosity. Best Racing games on pc

The mind-numbing expanse that makes up the vast world of RDR2 speaks to the creative force of a development team with an intense, obsessive dedication to realism (and all the money and time needed to do so). Like how my friends’ characters flare up when I fire a gun at them, how animal carcasses disintegrate over time, how NPCs react according to a sloppy or bloody outfit, how to stir through a doorway. Scares everyone everywhere.

It is hard to believe that RDR2 is so deep and wide and is also a harmonious, playable thing. I was already playing it for days worth the console version. This is why I am particularly disappointed that it ended up on the PC to some extent.

For every non-taught multiplayer adventure, disconnect or crash on the desktop, desktop. The rock star’s best storyline and character so far has been filmed through Frame Hutches’ slideshow and addressed over the launch weekend.

RDR2, one of the best Western games and one of the best open-world games I have ever released with enough stability issues, is recommended for the hard way until everything is completely smooth.

Morgan trail

EVERY PRETTY VISTA IS SOMETHING TO LOSE THROUGH ARTHUR’S EYES.

The story genre of Red Dead Redemption 2 follows the dying days of the Wild West. The sprawling industrial world faced the bandits and social downtrodden of Arthur Morgan’s small band, an imperfect but loyal, loving and self-reliant community.

Capitalism is reducing its value as resources to humans. Indigenous USA America is driven from the plains to make way for ‘civilization’ and commerce. The forests are brought down for timber, the hills are cut down for coal, and Morgan’s chosen family is caught in the middle, forced to flee, assimilate, or respond with violent protests is done. They do all three.

This is Rockstar’s most serious drama, and it’s really, really long. If you are running, the story ends after 40 to 50 hours and then continues for 10 to 15. The main story missions of Red Dead 2 feature distinctly rockstar fare: ride to a destination that is talking to everyone, tightly scripting though, entertaining things, riding, and chatting to the final destination.

Missions are often thrilling action sequences or artificially mundane pictures of wrench labor and trade, full of long-winded Bespoke animations, and outstanding performances. They are only hopelessly harsh, to the point where it feels like I am following the stage directions rather than playing the role of a vagabond in the Old West.

Step out of line in these campaigns and this is a failed situation. As opposed to Red Dead Online, there are very few of them that encourage players to think for themselves, each designed to advance the story. The RDR2 show is at least a spectacle of the slow pace of life in the Old West.

This is not the death and theatricality of a lifetime; My favorite missions include shoveling, drinking wine with a friend, proposing an old romance and riding a hot air balloon. Working through a greater rut, stricter tasks are considered meaningful in the end anyway, inspired by extraordinary, ambient world-building and characterization.

Side missions, minigames, small activities, and random world events — whether they hunt great guns, capture a play, or stumble upon a woman trapped under a horse — all set Arthur’s character and setting in subtle, rich ways. Please inform.

Nested in the third act of a fully animated and voice theatrical performance, something like 10 minutes, it is possible that the response button is pressed after an artist has included a telephone. Arthur would shout, “Hell with the telephone!” It is an optional activity, a long one, and an option is to react in that short window. I think most players will remember this, but this is Canad Response 1 through 3 because this is something Arthur would say, a rageless goofy set his way in the right way.

He would write complete, real diary entries about the 50-hour campaign, sketching memorable scenes and depicting the state of affairs of his chosen family, which people once knew changed their fortunes between hope and despair. It is meant to be a completely alternative reading, but a refreshingly intimate take on a masculine figure that unsettles many doubts and hopes as to the next person.

He sings himself on a lonely ride and lowers his old body in the mirror. He will have an exciting conversation with the horseshoe woman as he gives her a ride into town, both commenting on the troubles of working for wealthy, ungrateful men as a growing necessity. I feel it all. Best horror games on pc free

Hillbillies can capture him after making the camp, a couple may try to rob him after inviting him to dinner, a man with snakebite can come out of the forest by stumbling and tell him to suck venom is. These haphazard encounters portray brutal life on the fading frontier, as nature pushes back against inner poppers who want to change it. Arthur is the perfect vessel to see it

This is because Arthur Morgan is one of the darkest human characters I have played during a great turning point in American history, playing a playful, cruel and compassionate role according to differing theories.

The game world, beautiful as it is, is made more beautiful and tragic by how it is ready to play it on every occasion. Every beautiful vista has something to lose through Arthur’s eyes, power lines and train tracks, cut through the skies, and the rest of his life is slowly filling with factory smoke. Just about everyone sees a sad end in RDR2, too. This is a story that I might not sustain every moment, but I will not forget its brutal arc or the man in the middle of it all. God damn is it sad? An apocalypse that led to this.

Ren Der Reflection

Assuming that you are able to run it at high settings, the biggest strength of RDR2 is how it exquisitely renders the Old West setting on PC, drawing more attention to the nuanced details that make it. This is one of the best looking games I’ve seen and a rare experience that justifies a new GPU or CPU.

Better draw distance and a greater range of vegetation detail were added, making some vistas look photographic. Long shadows vary from walking or roaming between places to rides, to cute nature tours. Due to animal attacks, bullet holes, rain, mud, or rapid flow of blood, the markings on the clothes are caused by very high-resolution textures, which tell a very little story about your friends.

A new photo mode makes it easy to share those moments of amazement. The way the player rides on RDR2 for just sightseeing and sounds is an important feature. I am desperately trying to get an artistic portrait of my horse’s silhouette to sit against the moon, yet another self-proclaimed goal was tolerated by this ridiculously large complex game.

With 2080, i9-9900K and 32GB of RAM, I can run RDR2 mostly on ultra settings with some resource-intensive settings completely off or switched off. But some hardware combinations are proving troublesome for RDR2, leading to random crashes in some APIs and, more recently, to a hotfix, leading to hitching problems for some 4-core CPUs.

During the first weekend, I couldn’t spend more than an hour without crashing on the desktop, though Vulcan switched from DX12 (which gives me better framerates) back to static stuff. Sometimes the UI malfunctions and I cannot select a select or purchase option, the map fails to appear, or I get paged unexpectedly from game servers.

The graphics settings are almost too much as well, and probably confusing. In our test, only a handful of settings affected performance by more than 1-2 percent. Large residuals, the mapping between MSAA, volumetric lighting, and parallax occlusion, affect performance by 5 to 25 percent. Most of them don’t make a big visual difference anyway and are best left out.

The way the settings are presented is made to feel underdeveloped: a huge list with unclear presets that require tinkering to make RDR2 run in a satisfactory framerate. It is hard. The PC should be the best place to play, not the best place to play, after all, after a few patches. It’s a shame for a game to look good. upcoming pc games

Cowboy poetry Red Dead Redemption 2 PC

Like in singleplayer mode, in Red Dead Online I can make my goals reasonable and watch them. The problem is, it is basically hamstrung by a frustrating multiplayer leveling system that locks basic equipment and cosmetics behind long XP requirements that can meet hours, perhaps days,

The option is spending gold, premium currency, items and clothing to unlock them immediately. A fishing pole is not available until level 14. A damn fishing pole in an outdoor recreation game. This is not spectacular and is a terrible way to invest players.

out a basic suite of tools (fishing rod, bow, varmint rifle, nice hat, etc.), Red Dead Online opened up widely. I have largely ignored traditional matchmaking modes such as gunfights and horse races, cheap thrills, I will play much better versions in different games, to have fun. It led to the most inventive, serene, real, and sometimes buzzing echo I’ve ever had.

I once walked into the middle of a fire in Blackwater and took the player corpses one by one to the church cemetery. Some were captured and participated in the ‘burial’ of their friends. A corpse thanked me for the gesture. Later, in an extended streak of criminal activity, my pose and I caught another player and instead of killing them on the spot, we rode into the swamp and threw them into the garter infected waters. I got the idea to act like a friend. Best pc games 2017

On a less absurd note, I set myself a constant goal of earning strictly enough money from hunting to buy cool-weather gear and a fine rifle. I am going to hike in the mountains and find the best way to hide there, a wild mountain man adorned with animal skins, which almost touches the floor.

In the meantime, I’m stopping gunmen across the city by running through the streets and calling for a parley. I am participating in an eight-player ballroom. I am living the life of a normal cowboy in the best shepherd game. I hope it clears up soon.

RDR2 PC System Requirements

OS : Windows 7 SP1 64bit

Graphics   Nvidia GeForce GTX 770 2GB / AMD Radeon R9 280

Processor:   Intel Core i5-2500K / AMD FX-6300

Memory:    8 GB RAM

DirectX:   Version 11 Or 12 Support

Storage: 150 GB

[agentravensong]

Why Frisk, Chara, & Kris Being Non-Binary Is More Than Just a Headcanon

An UnderTale/DeltaRune Analysis

Since DeltaRune came out, I’ve been sucked right back into the Undertale fandom. Unfortunately, while I’ve seen tons of great fanart and interesting theories relating to the game, it seems the introduction of a third playable human character who isn’t explicitly male or female has also somewhat re-sparked the debate about whether the genders of Frisk, Chara, and now Kris are up to the player’s interpretation. 

On one side, you have people saying to just respect everyone’s headcanons about these characters, down to deciding their pronouns. On the other, you have people saying the three characters being non-binary is part of their thematic purpose in the games, on top of being positive canon representation for a rarely recognized group.

I fall into the latter camp, and this post will explain why. (WARNING: long and text-heavy post)

NOTE: This post was written in late 2018. Since then, I have made an updated version with additional points in Google Docs, which I then used as the script for a YouTube video. As such, this post should be considered an incomplete, though still sound, version of my argument. If you have the time, rather than continuing to read this post, please click the above link(s) to read the Google Doc and/or watch the video for a full understanding of the topic.

If you find yourself repeatedly coming back to this post for whatever reason, remember that my ask box is always open! I’d be more than happy to clarify my position :D

A quick definition to start us off: if a person is “non-binary”, it means that a person doesn’t see their gender as being exclusively male or female. Many non-binary people prefer to be referred to by the pronouns “they/them/theirs” instead of “he/him/his” or “she/her/hers”, since “they” is already a gender neutral pronoun.

 Also, just in case someone doesn’t understand this, a person’s gender identity is not necessarily related to who they are romantically or sexually interested in.

This post will be split into six sections of unequal length, with the focus progressing from literally interpreting the text to Toby’s intentions and the outside impact of having these characters be non-binary.

1. The basics: All 3 characters are referred to exclusively by gender-neutral pronouns in the games.

Let’s go character by character, shall we?

FRISK

It’s admittedly hard to find examples for this, since most of the time people are talking about Frisk in-game, they’ll be talking directly to them in second person. However, while looking through screenshots provided by the UnderTale Text Project, I found these:

Thank you, Alphys!

EDIT: Hey look, a more obvious example I somehow forgot about!

CHARA

All of the following quotes come from the character Chara was supposedly closest to in the entire Underground, Asriel. As you read, think about this: if Chara’s preferred pronouns were anything other than they/them, why would Asriel not use their correct pronouns here?

“Chara hated humanity. Why they did, they never talked about it. But they felt very strongly about that.”

“When Chara and I combined our souls together, the control over our body was actually split between us. They were the one who picked up their own empty body. And then, when we got to the village, they were the one who wanted... to use our full power.”

I’ve seen some people take Flowey’s mentions of Toriel in his New Home Genocide monologue to be confirmation that Chara goes by “she/her”, since he doesn’t refer to Toriel by name... even though Chara wouldn’t have been awake at that time, and when Flowey DOES talk about Chara in this monologue, it’s in second person, since he believes YOU are his old best friend. This misconception isn’t common, especially these days, but I figured it was worth addressing.

KRIS

Out of the three humans, I think Kris is the one who people are most likely to associate with a specific gender based on their name. But despite the theory videos and such you may have seen where people referred to Kris as “he”, this is not reflected anywhere in-game.

(Got these screenshots of DeltaRune’s code from this tumblr post) 

The lines in the first photo are what Susie says when she’s trying to break Kris and Ralsei out of prison, and you have the option to suggest to her which way to go. The second example. according to Kris’ page on the DeltaRune fandom wiki, is said by Ralsei earlier in the game, if you do not run to complete the clock puzzle to open the door right after reuniting with Susie. Unlike the first example, it is clear in this case that Kris is the only one being referred to. 

I remember seeing someone somewhere argue that Susie and Ralsei don’t know Kris well enough to know their “proper” pronouns. When it comes to Ralsei, I can see that argument... but did you notice that he knows both Kris and Susie’s names without asking? It seems he knows more than he lets on... and while Susie certainly wasn’t friends with Kris before this, the fact that they’re in the same class is enough for me to think she would have heard Kris be referred to by their preferred pronouns at least in passing by this point.

And that’s it. Frisk, Chara, and Kris are never referred to by other pronouns... with, admittedly, one exception:

Why does Chara use “it” for themself here? If I had to guess, it’s likely a combination of them being a ghost of their former self without a soul of their own (Flowey’s shown us how much your personality and sense of self is tied to having a SOUL) and the corruption from the Genocide run (remember that gaining LOVE affects a person’s mentality). They see themself as a demon, no longer a person. Whether that’s literally true to any extent or just how they feel after everything they’ve been through doesn’t really matter, I just wanted to cover this point before anyone else could bring it up. It’s not like it makes them not non-binary or anything.

To be clear, not all non-binary people go exclusively by they/them pronouns. Some prefer to go by masculine or feminine pronouns for their own reasons; some go by “neo-pronouns”, ones invented specifically for those who identify as non-binary; and some people go by more than one set of pronouns. However, in the case of Frisk, Chara, and Kris specifically, the fact that they only go by they/them pronouns makes them non-binary, and using any other pronouns for them would be incorrect (even if you have them go by they/them AND he/him or she/her).

Really, that should be enough to prove that the three humans being non-binary is canon. After all, you never have any of the other major characters in Undertale or DeltaRune explicitly state “I’m a girl” or “I’m a boy”. We know their genders because of the pronouns everyone refers to them by. Sure you’ll see gender-bends of those characters, but no one ever claims that those are on the same level of validity when it comes to canon as the actual canon.

But I know that isn’t enough for the people who came into this post disagreeing with the premise, so let’s actually get to countering some of their arguments, shall we? The main argument, of course, is that the humans’ are all meant for the Player to at least partially craft identifies for, including deciding which pronouns they use. But first...

2. Small Fish First: Other characters who are obviously not meant to be self-inserts use gender neutral pronouns.

...I want to cover the easier to counter idea that they/them pronouns are meant to just be, for lack of a better term, “placeholders”; the pronouns you use when you don’t know a person’s gender, rather than being valid permanent pronouns on their own.

If this were true in the case of Undertale and DeltaRune, you’d expect the humans to be the only ones referred to by these pronouns. They’re the ones whose identities are left ambiguous so the Player can project onto them, right?

But that couldn’t be father from the truth. In fact, the majority of the monsters you encounter in both games are referred to with gender-neutral pronouns (they/them and/or it), if any pronouns at all.

Now one might say, “But none of those monsters are really meant to be individual characters.” I get why you’d think that. But you’re forgetting at least one person...

Yup, Napstablook, despite what many fans have assumed from what I’ve seen, does not go by he/him pronouns, but they/them. And it’s not just in the narration either. Undyne does too in certain phone calls with Papyrus. ...Then again, she barely knows Napsta, and we see in DeltaRune that she defaults to they/them when talking about people whose gender she doesn’t know (specifically in that game, Alphys). 

But that isn’t my last example. One of the few people who was ever close to Napsta was Mettaton (before he became a celebrity). And what does Mettaton say after Blooky calls in to his final show?

What this proves is that Toby recognizes they/them pronouns as valid for an individual in his work, which I hope makes buying that he purposefully made all three humans canonically non-binary easier for skeptics to swallow (we’ll get back to whether he DID purposefully do that later).

But I’ll acknowledge that there IS a difference between the three humans and the other characters in the games who use they/them, due to their relationship with you as the Player. So with that tangent out of the way, time to diffuse the “everyone can have their own headcanons about the kids’ genders” argument.

3. Thematic Context: All 3 humans have moments of asserting their agency, and part of the game’s subtext is how they each relate to the Player, rather than them all being blank slates.

Again, we’ll go character by character.

FRISK

This section is, admittedly, the one with the least evidence compared to the rest. But here’s what we have, and it’s pretty obvious:

After this moment, as was shown earlier, the other monsters know Frisk’s name and will refer to Frisk in the third person with they/them pronouns. Now, consider this: If Frisk used other pronouns, wouldn’t they have corrected the monsters here? Sure Frisk don’t talk without being prompting much throughout most of the game, but considering how they just shared their name, something equally as personal as their pronouns, I don’t think it would feel too out of place here.

Alternatively, if Frisk’s gender was up to the Player’s interpretation, the Player could have been given a prompt to correct the other characters with the “proper” pronouns for Frisk. You could argue it would be pointless this late into the game, but couldn’t that logic apply to the reveal of Frisk’s name as well? In this case, the lack of such a moment speaks more to me than having such a moment would.

Now, I totally get why people would project onto Frisk up to this point in the narrative, including assigning them different pronouns. It wouldn’t be a plot twist otherwise. Even their design seems to lend to that, with the unrealistic bright yellow skin Legos and emojis have to make them more race-neutral, and their emotionless, unchanging facial expression (though it’s worth considering that most of the other character’s overworld sprites don’t change expression much either; I’m pretty sure Alphys’ overworld sprite keeps her dopey smile even when she’s talking about the depths of her depression and failure at the end of the True Lab section). And this actually works to UnderTale’s benefit through most of the game, making the connections you forge with the monsters feel more personal.

The significance of this moment is that it asks the Player to be willing to change their perspective. Throughout the True Pacifist run, you help Frisk to change the mindsets of the characters you come across; this is most obvious with Undyne, who has been raised to see all humans as the enemy, but comes to admit that at least “some humans are OK, I guess” after befriending you. Along the way, you learn that there’s more to these monsters than first impressions may suggest (again, Undyne being a great example). Now, the game is asking you to look deeper one more time, and presenting you with the challenge you’ve posed to all the other major characters: are you willing to recognize Frisk’s autonomy; to understand there is more to this person than you first saw?

EDIT: Hey, remember that screenshot from earlier where Flowey asks you to “let Frisk live their life”? He’s literally asking you to let Frisk be free and truly themself, rather than resetting and taking control of them again. So there’s some more food for thought.

CHARA

While you are the one who names Chara (the reason for which will be considered in the fourth section of this post), consider these points:

1. If the purpose of Chara’s entire character was meant to be just a reflection of you as the Player, then why give them a “true name” at all?

2. Chara’s backstory is integral to the setup of UnderTale’s plot, and provides a good amount of hints at their original personality, easily making them less of a “blank slate” for the Player to project onto than Frisk.

3. Chara makes a clear distinction between the Player and themself in their monologues at the end of the Genocide route. In case you forgot, here are some reminders.

First meeting:

“Your power awakened me from death.”

“My ‘human soul’, my ‘Determination’; they were not mine, but YOURS.”

“With your guidance, I realized the purpose of my reincarnation.”

“Together, we eradicated the enemy and became strong.”

If you agree to ERASE the world: “You are a great partner.”

In the abyss:

“Interesting. You want to go back.”

“You want to go back to the world you destroyed.”

“It was you who pushed everything to its edge. It was you who lead the world to its destruction.”

“But you cannot accept that. You think you are above consequences.”

“Perhaps, we can reach a compromise. You still have something I want.”

“Then, it is agreed. You will give me your SOUL.”

Second meeting:

“You and I are not the same, are we?”

“This SOUL resonates with a strange feeling... You are wracked with a perverted sentimentality. ...I cannot understand these feelings any longer.”

“I feel obligated to suggest: should you choose to create this world once more, another path would be better suited.”

To say there is no connection between Chara and the Player would be unfair. I mean, if they hated humans their whole life, why do they end up taking out that rage on the monsters, the ones who were actually kind to them, in the Genocide run? Like Chara says themself, you guide them, teaching them definitively that “in this world, it’s kill or be killed”; and the influence you have on them is much more obvious if you subscribe to the Narrator Chara theory (but that’s a whole other can of worms).

Like with Frisk, Chara presents the Player a challenge, but in a more subtle way: can you recognize that YOU are at fault, rather than blaming your actions on a damaged kid who learns from your example and never got the chance to grow beyond their mistakes? And part of meeting that challenge is recognizing that Chara is, or at least used to be, their own whole person.

KRIS

Now we get to the really fun part. DeltaRune as a whole seems to be delving even deeper and more explicitly into the relationship between the playable character as an unwilling vessel and the actual Player than Undertale did. Outside of the prevalent message that “Your choices don’t matter” (which I’m guessing will end up more like the “kill or be killed” of this game rather than DR’s intended final moral), the main evidence towards this is how the game starts.

1. A red soul appears on screen when the unknown speaker (presumably Gaster) asks you if they’ve successfully connected with you. The soul is what you control throughout this sequence. The implication? The SOUL in this game is a manifestation of you as the Player. In fact, considering some of the Chara quotes I mentioned earlier, this could be true of UnderTale as well.

2. You spend time making a vessel, only for it to be discarded, because “No one can choose who they are in this world.” This lack of choice is actually foreshadowed when you choose which legs you prefer, since all but the last choice are the same. The game is pointing out right away how superficial these choices are.

3. The speakers says “Your name is...” and Toriel seemingly finishes the statement by calling out “KRIS!”

The message of points 2 and 3 combined is pretty obvious to me: we don’t get an empty vessel to put ourself and our ideas into in DeltaRune. Kris is NOT an empty vessel; they have an already established backstory and personality, which we get multiple hints at (mostly when going around town at the end of the demo).

The fact that you have to go through this creation process on every new file, even after beating the game, suggests it’s more than just a framing device, but directly tied to the game’s narrative and/or themes in some way. So, let’s keep this scene in mind as we look at Kris’ defining moment at the end of Chapter 1.

In the middle of the night, Kris is wrestling with themself in bed until they fall out. Their walk is very stilted and jerkish, reminiscent of a zombie, or someone possessed.

Kris opens and closes their hand a few times before digging into their body and pulling out their soul, their eyes blank. (Notice how this doesn’t seem to actually leave a hole in their chest or anything? Almost as if the soul was never a part of them in the first place...)

They go to the wagon and harshly YEET the soul into the cage (the flavor text for which mentions it has already seen a few crashes... has something like this happened to Kris before?).

Kris walks back to the middle of the room, as if to purposefully stand in the center of the DeltaRune symbol on the floor, then pulls out a knife from seemingly nowhere, and turns to the camera with a red glow in their eyes.

Now, I totally get why most people will immediately assume that Kris has been possessed by a post-Genocide Chara here. I’m pretty sure the visual similarities between this scene and the one that plays if you choose to stay with Toriel in a soulless pacifist run in UT are intentional.

But remember how we mentioned the red SOUL, at least in DeltaRune, is a manifestation of the Player? This is actually reinforced in this scene, because you’re able to move the SOUL back and forth within the cage.

We’ve been controlling Kris via that SOUL the whole way through the game, and now? Kris is done with us. THIS is their prime moment of agency in Chapter 1 - reclaiming ownership of their own body - and I doubt that it will be their last.

There’s a ton of other stuff I could mention about Kris, like how:

* they had their own save file, which you overwrite at the first save point

* multiple NPCs in the town will comment on Kris seeming more talkative or looking off today, because YOU’RE making them interact with people

* Kris’ ability to play the piano is worse than normal with you controlling them, according to the hospital receptionist

* the narration says Kris feels bitter if you throw away the one possession in their inventory, the Ball of Junk (”bitter” isn’t the emotion one would feel if they did this of their own free will)

or all the hints at Kris’ true personality as an introverted, codependent prankster. But that could be a post in itself. My point is that, if Frisk and Chara’s individualism from the Player was subtle in UnderTale, this is pretty straightforward, if you know where to look.

And if these three humans are all their own characters, then shouldn’t we consider what seemingly little we DO know for sure about them as canon? We all take their names to be canon, so why not their pronouns?

That’s the bulk of the argument done. But when discussing canon, there is one thing that always has to be considered:

4. Can We Know The Creator (Toby Fox)’s Intentions?

Well, not really.

Some may bring up the one tweet where Toby suggested to name the fallen human (Chara) “your own name” as evidence that you ARE meant to project yourself into these characters. 

However, I think you could just as easily argue that doing this ADDS to the impact of when Frisk, the character you physically control, confirms themself to be their own person with their own name, rather than a mold for you to pour yourself into. 

And though Chara does make it clear that they themself as a character are separate from you, the whole Genocide ending monologue does hit harder when the person reprimanding you for their sins, who describes themself as “the feeling you get when your stats increase”, shares your name.

While putting this post together, I came across this interview Toby did about Undertale back in September 2015, and took particular note of this section:

While this technically doesn’t confirm or deny anything either way, how hard would it have been for Toby to say, “Well the protagonist is meant to have their gender be up to the player’s interpretation”? I doubt he would have gotten more backlash for that then he would have for definitively saying that Frisk is MEANT to be non-binary (though I doubt that would have stopped people from making them male or female anyway).

Then again, the article does start with the interviewer saying this:

“I told Toby Fox to skip questions he didn’t find interesting, and boy did he take me at my word.”

So maybe he just didn’t have anything worthwhile to mention.

I can’t say with certainty that Frisk and Chara’s genders were never meant to be up to the Player’s choice, even after what I mentioned in section 2 (and I doubt Toby would want to make a statement on it at this point). Same with Kris, for now.

However, if the rest of DeltaRune ends up going in the direction I suggested in the previous section, I honestly would not be surprised if there’s a moment where Kris confirms they are nonbinary, as a show of agency and individualism akin to Frisk telling Asriel their real name. I wouldn’t really call it a “theory”, and it’s hard to speculate what the other chapters of the game will at all be like based on what relatively little we have... but I wouldn’t have mentioned it here if I didn’t think it had any validity.

5. Why Does This Matter?

Outside of the previously mentioned stuff relating to the games’ themes/messages about choice, agency, and individualism, there’s one big reason: representation.

How many games can you think of where there are any explicitly non-binary characters? How many where that character is a major one, who doesn’t get treated as particularity different from the others just on the basis of the pronouns they use? And how many of those games are even close to the popularity of Undertale in its hayday? Even expanding these questions to media other than just video games won’t net many more results.

For people who are striving for representation, seeing posts like “Just let people have their headcanons :)” can come across as the OP not understanding how much that representation means. Even worse, coming back to the point I made in section 2 of this post, it could be seen as the OP denying that being non-binary is just as real and concrete as being male or female (a problem which more mainstream representation of non-binary people would help solve!).

But don’t just take it from me. After all, as a binary cis girl myself (”cis” meaning not trans), I can’t speak generally for all the trans and non-binary Undertale and Deltarune fans out there. So allow me to link some posts which provide their perspectives:

This first post is from before DeltaRune was released, and mainly focuses on Frisk, but goes in-depth on the topic (and the OP provided me some feedback on my post, so if they see this, thanks!)

I came across this post just while scrolling through the DeltaRune tag about why this stuff matters to non-binary fans.

This post is specifically about how using they/them pronouns for the kids is preferable whether or not it’s literally canon.

Here’s another post from the same person covering some common counter-arguments.

And if the other posts are too long for you to bother reading after going through mine, this one sums up the point in one sentence.

I know some people flinch at the mere mention of the word “representation”. I know that some will argue you shouldn’t need to see representation of a group you belong to in a piece of media in order to be able to relate to the characters and/or feel validated yourself - because I’ve seen people make this argument. But, I mean, I certainly find it easier to relate to characters that I share traits with; that’s just how humans work. It’s probably the main reason why people assign different genders to Frisk, Chara, and Kris in the first place! Besides, who does it hurt to include more diverse characters?

Oh right, there’s the idea that “forcing” creators to include representation is bad for creativity or whatever. Well good thing that’s not what this is about! As far as I know, no one is telling Toby he has to ADD new characters to fulfill a quota; the characters in question (Frisk, Chara, & Kris) already exist in his work. The point of this post is to show that the three of them were MEANT to be non-binary from the start (assuming I provided enough proof to convince you), so people won’t continue to erase that representation. By making them binary cis boys or girls, you’re only taking away from the original text (and giving people more to “complain” about).

Honestly, what does one even have to gain story-wise from assigning different genders to the human kids? I can’t remember a time I saw where making them strictly boys or girls added anything to their characterization or opened up different story possibilities (I’m sure you could could up with a theoretical example, but compared to the endless fanworks that DON’T do that, they hardly make a dent). Speaking beyond just Frisk, Chara, and Kris, characters being non-binary shouldn't affect how you ship them. You can give such characters more overtly masculine or feminine designs/appearances, but still have them be non-binary and go by they/them pronouns (most people don’t naturally look androgynous after all). In a work with voice acting, casting someone with a more masculine or feminine voice to play a non-binary character shouldn’t stop you from portraying the character as non-binary either - just refer to them with the right pronouns! 

And if people who find your work continuously misgender your non-binary characters or ask what their “real” gender is, don’t let them get to you. You don’t need to respond to every such comment, but when you DO respond, clearly state that these characters are non-binary, politely correct the people who refer to those characters by the wrong pronouns, and, if worst comes to worst, block the people who won’t respect that. Before you (using “you” for the rest of this paragraph to refer specifically to my fellow binary cis peeps) can even think to argue “that sounds like too much work” or “it’s not worth the potential controversy”, remember that non-binary people in real life have to deal with this crap far more often than we do, and for them, it’s personal. If they can handle it, why can’t you?

Yes, Frisk, Chara, and Kris are fictional characters, not real people. But more representation of non-binary people in media helps others learn to understand and respect them, both in fiction and in real life. Honestly, it’s beyond time for people to accept that “they/them” aren’t “placeholder pronouns”, and the genders of people who use them aren’t up for others to judge. It’s just who they are, and really, how hard is that to respect?

If nothing else will convince you, think of it this way: if you’re not in the group being affected by a discussion like this, and you don’t care about the people in that group, keeping yourself out of the conversation saves everyone time and energy, without hurting anyone.

6. Conclusion

So, to briefly summarize this essay-length post’s main points:

1. Frisk, Chara, and Kris all go solely by “they/them” in their respective games, so having them go by any other pronouns is technically diverting from canon to the same extent that gender-bending any other character would be, NOT a valid interpretation of the original text. 

2. There are other individual characters in these two games, such as Napstablook, who are referred to by they/them pronouns, even by those who were close to them.

3. The three humans are all shown to be more than just blank slates for the Player to project themself onto, making the stuff which IS definitively said about them (specifically, their names and pronouns) canon parts of their characterization unless directly proven otherwise.

4. We can’t assume Toby’s intentions, but even if he didn’t initially make Frisk, Chara, and Kris gender neutral for the sake of giving non-binary people representation, many people have taken it as that. Thus, seeing others say that the humans’ genders are up for interpretation is interpreted as those people not respecting non-binary identities as valid on their own.

The one other point I can think people might bring up would be the idea that kids as young as Chara or Frisk wouldn’t identify as non-binary because they wouldn’t understand the concept. To that argument, I’d suggest looking up videos about people who realized they were transgender as kids. In general, if there are concepts in this post you didn’t quite get or agree with, research is your friend!

Speaking of which, as this post I came across in the DeltaRune tag yesterday pointed out, fun fact: “non-binary” is an umbrella term that still leaves some slight room for personal interpretation when it comes to the humans’ genders! To use myself as an example, I personally headcanon Chara as firmly agender, Kris as a a demi-boy (someone who only partially sees themself as male), and Frisk as genderfluid (meaning that their sense of gender regularly changes). However, despite the nuances in their gender identities, I only have them go by they/them pronouns, their canon ones, in my fanworks. Doing otherwise not only goes against canon, but can be considered misgendering, and thus should be avoided.

This doesn’t mean that you can’t make up ANYTHING about what Chara, Frisk, and Kris are like either. People have plenty of headcanons about the backstories and other quirks of characters like Sans, Undyne, Mettaton - basically the whole cast of both games - and there’s nothing stopping you from doing that for the human kids. I certainly have my own ideas of what Chara and Frisk’s lives were like before they fell into the Underground. The difference is that those are speculating on things not outright said in canon. But Frisk, Chara, and Kris going by they/them pronouns IS canon, and should be respected as such.

At the end of the day, neither I nor anyone else (not even Toby) can outright stop people from having their opinions about these fictional characters. But since I had some free time this weekend, I figured I could take a stand for something I care about relating to a fandom I’ve emerged myself in for the past few years. My main hope in making this post is that you’ll understand why certain people disagree with the seemingly righteous stance of “It’s all up to interpretation, just let people do what they want!”. And if you knew nothing about non-binary identities before, hopefully this was educational for you!

If you have any remaining questions or suggestions relating to this post, feel free to reblog with your feedback or send me an ask. Until then, this is Agent Raven, signing off.

[davidmann95]

Some Kingdom Hearts future thoughts

Have to get ‘em out! Went into some thoughts with my psuedo-review of III, but I’ve got others and stuff worth expanding on. I’ll put them under the cut since it clearly goes into spoilers, except for my boldest, most controversial guess: along with being announced either this year or next (since Kingdom Hearts has never reached the end of a calendar year after a release with nothing on the horizon) I think Kingdom Hearts IV is going to be a 2022 release. I recognize that sounds like an intensely generous timeframe, but I have several reasons:

1. Above all else by far: once again, Square Enix and Disney are going to be on Nomura’s ass, nose to the grindstone, to get him to start delivering these on a consistent basis again. Do you think they’re looking at Kingdom Hearts III topping sales charts and thinking “well, it sure was worth the wait”, or do you think they’re going “gosh, these are some nice sales, sure would be nice if it came out years ago and we had a bunch more similarly-selling titles by now, let’s try and aim for something closer to that in the future”. Especially-especially since Nomura and the actors aren’t getting any younger and the series is at a point where the core fanbase for the franchise as-is is going to be the primary target rather than new audiences, which means it has to wrap up in a timeframe where that’s still a viable market. So rapid, priority development and few if any more spinoffs. I mean, not as if there’s really a handheld platform for them to be on anymore.

2. My understanding (and this is going somewhat into the technical side of things, so I’m going thirdhand here based on what I’ve heard from others) is that the lifecycle of the current console generation isn’t going to run out for quite a bit yet, so they can reuse a lot of the assets and whatnot from III.

3. A big deal was made about Dream Drop Distance coming out on the 10th anniversary of the franchise, and given 20 is a much wilder number for this series than most equivalents when it’s about a single cast of characters going through a single story, I can’t imagine they won’t want to push that as at least a similarly big deal.

4. Finally, when things don’t go as catastrophically off the rails as III did, these games seem to have a fairly consistent 3-4 year development span (even III, once they announced the beginning of development in 2013, would have come out 2017-early 2018 if not for switching from Luminous to Unreal Engine), and for the reasons I listed above I think this is going to be on the speedier end of that.

* Firstly: the main discussion I’m seeing at this point regarding IV is “it’s gonna be a Kingdom Hearts/The World Ends With You/pseudo-Final Fantasy Versus XIII crossover!”, and I really expect and hope that isn’t the case. Not that I’ll be pissed if it is, I’m sure it would still be rad, but it strikes me as both unlikely and the lesser outcome. I don’t know that I see the powers that be diverting resources in one of their biggest cash cows towards a sequel to one of their minor games - one that’s already been in Kingdom Hearts, meaning its inclusion here wouldn’t reasonably be a huge enough deal to base a lot of the full story on - and a way to reimagine another project. And for that matter it strikes me as conceptually small-scale given the setup. Nomura went with a name in Yozora that doesn’t just have the bent meaning of Sora’s name but actually literally sounds like him, went with a setting that aside from the one cameo sign mainly screams to viewers “Sora’s suddenly in the real world, holy cow”, and unless I entirely misread it Verum Rex was presented as a total self-roast in Toy Box. It doesn’t strike me as spot-the-reference (even though that’s 100% in there) nearly so much as establishing a tonal contrast to Kingdom Hearts.

I joked initially about this being a Flash of Two Worlds! (linking to a description for non-comics readers who are here because I tagged Kingdom Hearts)/’Kingdom Hearts goes to war with its own gritty fanfic’ setup, but...I actually suspect that’s pretty close to what’s going on here? This seems like a send up of Final Fantasy’s relative self-seriousness and over the top Super Cool characters, as a contrast to Sora’s goofy open-hearted sincerity and optimism. It’s the Secret Movie aesthetic that some want not just more prominent but as the actual main tone of the series morphed into an entire universe all its own, and Sora, out of place, has to find his way through and back home even as the real threat mounts, and probably has to save this world and get through to its heroes who aren’t likely prone to grinning through off-the-cuff monologues about the heart. That is not only entirely my kind of ridiculous meta jam, it feels like a logical next step for the series: if the first trilogy was in part about growing up, the next (and I suspect last, as the Master of Masters and his Foretellers have been set up as the primordial antagonists of the entire mythology and this is where they’re coming to the fore; my old theory of Eraqus being the big bad of an intermediary trilogy looks solidly shot to hell) could very well be about reaching adulthood, in which case it makes sense Sora would have to pass through a near literal fire of Adolescent/Adult Cynicism.

* Speaking of where Sora ends up: I kinda doubt he’s literally dead, or that if he is it’ll last past the opening of the game. They’ve already made a big theatrical production of Sora dying twice now, the second time in the most literal way possible and just a few hours prior to this, so while third time’s the charm I think there’ll be more to it than that. The again common thing I’ve been seeing is that he’ll have to play the Reaper game to win his life back (not something I’m much familiar with but I think I’ve got the basics), but again, while it’ll certainly be part of the game I don’t think TWEWY is going to be the big thing here (like they’d really make that a bigger deal than the Final Fantasy elements have been), and he just dealt with the afterlife and had to essentially play a game to win his soul back, and this wouldn’t even be a game he’s unfamiliar with. My impression is he’s incorporated back and whole - if likely powered down from the ordeal to justify him being back at level one - and the mystery is less whether or not he’s truly alive so much as how he ended up here and how to get back.

* On the other end of things - and I realize it’s a risky prospect to suggest after her getting a shockingly small role compared to everyone else in III was the damning weak aspect of its otherwise basically perfect finale - I think this is where Kairi is actually going to start to come to the forefront. She and Riku would be at the head of a search that everyone would be a part of (they were there when it happened, they know death is negotiable in their world, and they’re good people who all owe him), her especially since he’s her boyfriend - they may not declare it outright but there’s clearly no ambiguity between the two of them as to their situation anymore - and the one he sacrificed himself for, and she’s out there fighting now even if she’s inexperienced. And Riku seems like he’s going to end up lost himself on the search, leaving her behind as the sole Destiny Trio representative. So even if she isn’t a playable co-lead I wouldn’t be surprised if she was the one going on a more traditional Kingdom Hearts adventure searching with the rest while Sora and later Riku deal with the genre mindfuck. On the bright side if nothing else, she’s died twice now too and they’ve both been presented as dead in a “maybe this time for real” way for a finale, so while again third time’s the charm, I figure she and Sora are relatively bulletproof from here on out.

* Speaking of Riku, while this seems more like an old-school proof of concept trailer from I and II rather than the more recent actual scenes, meaning his appearance might well change just as Kairi was different in I’s Secret Movie than she really was in II, it’s very notable that he hasn’t aged at all. So likely instead of another tragic I to II scale timeskip of Sora being lost from his friends, it looks like IV will be picking up immediately and the search for him won’t take long to succeed. Also speaking of Riku, I seem to see people thinking he’s with Namine now? Not that that seems impossible, but while the scene as a whole is romanticized in that it’s basically a princess being carried away by chariot to her happily-ever-after, it reads to me less as an actual romance than Riku fulfilling his ‘brother’s promise. Though if Square/Nomura does want to really get into romance with the next trilogy, since Sora/Kairi is locked down maybe they’ll just say fuck it and do a whole Riku/Namine/Xion/Roxas Love Square situation.

* Actual prediction rather than analysis of evidence: I suspect this is the last major time the Destiny Trio is going to be split up, at least in the searching-for-each-other, not-knowing-if-everyone’s-alive sense. I was the search for Kairi, II for Riku, and now IV for Sora - that cycle looks to be completing. Wouldn’t be surprised if V and/or the finale was finally the three of them as the adventuring party as fans have wanted for so long, with III as the grand finale to Sora/Donald/Goofy.

* It seems early to predict the main villain, but at the same time everyone was accurate in assuming a Keyblade-wielding Xehanort would be the final boss of the trilogy circa 2006, so I’m gonna go ahead and say Xigbar/Luxu is gonna be the end-all with IV. The Master of Masters is still the end of the road, and perfect for it because he’s a real-world normal savvy guy who can manipulate this world of straightforward classical adventurers with ease, while Sora at the opposite end of the scale is silly and sweet even by that world’s standard. But Luxu addresses the same ideas in a way that’d be perfect for this game in particular as it seems to be set up, he’d be the villainous connective tissue as this game moves from one trilogy to another, and he has the dangling personal thread of the ‘reward’ he suggested was coming for Sora. Or hell, since now it looks like she’s at least somewhat privy to what’s going on, maybe Maleficent will finally step back up.

EDIT: Ooh, just remembered, speaking of what Xigbar says to Sora, his Olympus conversation also predicts Sora’s fate? The whole “if you leap in to save somebody, you might just end up in the clutch needing to be saved yourself” lecture, i.e. the premise for IV. Maybe his teach isn’t the only one privy to future events?

* Not both, they’ll wanna space it out, but I’m like 70% sure this is where Marvel or Star Wars are gonna happen.

* Finally, while I’ve heard speculation that the Mystery Star is one of the Foretellers or the person who died in that Union X game, I don’t think she’s one of them given it’s a new voice actor and she cites a name Sora knows. More likely she’s ‘Subject X’ (I went ahead and looked up the Secret Reports, haven’t gone back and done all the bonus challenges myself yet and won’t I imagine for some time), who does seem to be from that time but is I think someone new.

[doktorpeace]

coffee emoji + Persona

I’m a big fan of Persona as an overall series, I actually just started Innocent Sin the other day so I can finally get P2 under my belt. As a whole the mainline franchise does a great job writing meaningful stories full of great character interactions which all serve to accent each entry’s core themes. Persona 3 has some of the strongest and most consistent writing of any RPG I've ever played with regards to quality and execution on its themes, which is a big part of why it's my favorite one. All of the members of SEES change meaningfully as characters by the end of just the base game, not to mention additional content like The Answer, or the Persona 4 Arena Duology (which, funnily, are way better through the lenses of the P3 cast than the P4 cast), and especially more niche but still canon content like the Drama CDs which do a great job of filling the listener in on what the other members do while Minato is away or sick or asleep. Spoilers: They're really gay and not in a queerbaiting way either. Did you ever think it's out of nowhere that Yukari and Mitsuru are dating at the end of Persona 4 Arena Ultimax? These explain how they started dating and also talk about Akihiko and Shinjiro's relationship in romantic terms, comparing it directly to Junpei and Chidori's. Basically, Junpei is canonically the Token Straight of SEES and I think that's wonderful.That said the franchise really botches it at times. Persona 4 especially fucks up by directly undermining its own core theme of ‘Be true to yourself’ with its treatment of almost every playable character. Like, seriously: Yukiko decides to abandon her dreams to do what she's told when that's what her whole social link is about not doing. Kanji is openly bisexual now but his sexuality still treated as a joke by Yosuke and Teddie. Rise decides to abandon her beliefs and just keep working in the idol industry because other people want her to. Yosuke was written as a closeted gay teenager but had all of his gay content locked away from access despite being finished and on the disc. And most especially Naoto, who they build up as a very good representation of a trans man with a strong personal narrative arc but the INSTANT he joins your party everyone's like "But you're really a girl, right?" and then in order to get him to date you you have to CONSTANTLY undermine his gender identity and what he's comfortable with. It's shitty content and really inexcusable regardless of what game it were to be in but ESPECIALLY because of this game's core themes.And that all is genuinely really sad and infuriating because 4′s plot and all of its NPC social links are REALLY good! There’s still a lot to enjoy there but like, damn if it isn’t disheartening how they got so scared to letting characters meaningfully change and/or be gay that they were actively willing to ruin the main theme of the game. The franchise after 3 really kind of has an issue with letting playable characters meaningfully grow and change and also with LGBT content in general, with some minor examples being good like Lala Escargot, but otherwise just removing it altogether unless it's for Jokes™ which aren't funny and are based on annoying stereotypes. Not even 3 is perfect about this but at least almost every adult member of SEES is canonically LGBT and good representation so I can kind of excuse how bad that one scene is. I've heard 2 is actually quite progressive even by today's standards and from what I know about it it is, so I'm excited to see how it handles this kind of content.Honestly, Atlus used to be really cutting edge and daring with the kinds of themes and content they were willing to put into Persona but ever since 4 hit it big and the franchise got mainstream attention they've been kind of cowardly about it. P5 is a big step up from P4 in terms of overall writing quality, the party members are more interesting and are allowed to change at least a little bit by the game's end but it still fucks up more than I'd like. Its representation of mental illness and people on the spectrum are quite nice in my opinion but it still won't let you be gay even though Yusuke has the most unique dates of any character in the game! Come on, AT LEAST let us date Yusuke who already reads VERY MUCH as more than friends. Also make Ryuji a romance option and don't make Akechi a romance option because I don't want that shit. I want good characters to be romanceable.The spinoffs are all kinda just there to me. Like, they're a decent enough distraction but they absolutely do not have the love and quality put into the writing for me to really have much fun with them. Characters who were already kind of flat like Chie become really annoying and characters who WERE really well developed and three dimensional like Akihiko still get reduced to just 'Musclehead Protein Man' which is fucking stupid. Only P4A and P4AU really do any of the characters justice in terms of writing quality but even then only really the P3 Cast and Naoto get good and interesting story content. Everyone else just get schlock. So whatever. P4A and P4AU are super fun to play though, mechanically they did an excellent job realizing each character in a way that feels authentic to their personality, if not their gameplay niche, in their home games. I can only hope P5A doesn't have some bullshit timeline thing to get the P4 characters out of aging and advancing as people. They NEED the treatment P4A gave SEES. Show me out of shape middle manager at Junes 24 year old Yosuke, Atlus you fucking cowards. There's so much room for advancement and growth with these characters but at the same time I know they either won't do it by introducing some dumb timeline bullshit OR they'll fuck it up and like, make Naoto a big tiddie ultra femme looking person to REALLY try and tell us "NO REALLY NAOTO IS CIS IGNORE HIS ENTIRE CHARACTER ARC AND ALL OF HIS WRITING IN PERSONA 4 AND ALSO HOW IN PERSONA 4 GOLDEN WE LEANED EVEN HARDER INTO THE TRANS NARRATIVE WITH HIS ADDITIONAL CONTENT"You can always count on the gameplay to advance and get better at least, so that's nice. I'm not really gonna discuss that though other than to say P3 not letting you directly control party members serves its themes and writing well and isn't even hard to play around if you just use the Command Wheel to issue orders to your party members, the AI is pretty smart. Not Xenoblade Chronicles 1 smart, but still pretty fuckin' smart.Anyway, basically, I like Persona a lot as a franchise. It's a flawed franchise that I want and expect better out of than what it delivers in some aspects but on the whole it's hard to deny the quality of the overall products. I just hope that Atlus listens to the kind of feedback they've been getting in the last few years and really start becoming more daring again with the kind of content they put into the games again. Go harder on those themes and really challenge people's mindsets, this franchise has so much potential for that and it just scratches the surface really.Oh, also, Persona fans on the whole are some of the absolute dumbest motherfuckers I've ever seen on the internet. They'll really ignore blatant shit that's extremely clear just because it wasn't said in such plain wording a child would understand it while jumping through 70 mental rings to try and explain how Kanji isn't REALLY gay or how Naoto is ACTUALLY cis or how Akechi is actually the deepest most amazing character in the franchise, or whatever. That and/or they're just straight men who use the term 'waifu' and just reduce all of the female characters to 'which one do I want to fuck most' while ignoring everything else about the games because all they value these for are as dating simulators to try and fill the sad, gaping hole that is their social life. Some of them will actually get mad at people for discussing the psychological or political aspects of the series as if that's not what this IP is founded on because they're too stupid to think of anything other than which fictional underaged girl they want to fuck. Persona fans are fucking stupid and really make it embarrassing to like this franchise at times.This basically turned into me yelling about LGBT content in Persona but honestly that’s like, the aspect that needs the most constructive criticism. The psychological, theological, and political themes are generally really well handled. Worth discussion for sure but not what I want to talk about right now.

[tester10001000]

How KH3 could have gone and still been Nomura’s:

I’ve never posted on tumblr before, might never again, but I needed to get this out; for the sake of the catharsis I didn’t receive after 16 years with the end of KH3. The game itself was fine, in fact, I’d even rate it as a ‘great’ up until the Keyblade Graveyard. That’s when things go off the rails. So let’s rethink KH3, keeping all of Nomura’s plot points and intentions, but communicating them in a way that feels, I hope, much more rightful. I hope you enjoy this! First, the good and mostly-good. -Keep Gameplay as is—very nice. Very satisfying. Keep nice world set-up and secrets. Maybe ratchet up difficulty. Make a Coliseum in Zeus’ court to round off the whole thing as a triad. Have Yoko Shimomura write the soundtrack for real life, plz. Keep the lovely humor. Keep Sora’s excellent arc. Keep most worlds as-is: I was pleasantly surprised by how relevant and well-done most of the world’s plots were. -Cut back on the ridiculous amount of minigames that like 5% of people will be invested in and use those resources to make other improvements (like these?).-Rewrite Arendelle and Corona (and maybe Pirates?) to be unique stories–or, at least, only loosely based on the movies, while actually including important plot points. Have Pixar do it, because they kicked butt with their worlds. Include more Disney-bosses and either get rid of 100-Hundred Acre Wood, or do something more with it. -Don’t give Larxene and Marluxia magic cutscene powers like sleep and time-stopping they won’t use elsewhere. Don’t let the others, like Ansem SoD in TT or Luxord in Caribean, became decayed and cheesy versions of their prior threat. Get rid of, or explain better, why there are six new Princesses+Kairi. Explain “the Power of Waking” just a bit better. -Give us scenes between every world with more meaningful stuff re:Kairi and Riku. We haven’t really known them in awhile, so we need to be reacquainted. Have Riku actually do stuff—rather than constantly fail until Sora literally falls from the sky—like, expand on Repliku return? Or involve him in the Maleficent angle, because of his obvious and interesting connection? Maybe follow her around out of suspicion, making the Maleficent stuff feel less-tacked-on?   -Have Kairi do more stuff, with more scenes expanding on her (like that lovely scene where she talks about Namine!), rather than just how Axel sees her as Xion (but still keep that, too—hence, more scenes!) -Insert a mid-climax between Corona and Monstropolis, with a return to Radiant Garden. Seriously needed to unbloat the climax and evenly redistribute the story. You could do some of this: 1. Meet the FF peeps and conclude their plot with RG’s redemption (How cool would be to hear Leon finally say “you can call me Squall”?); see how everyone is doing and how they interact with the people like Ienzo and the apprentices who caused RG to fall. We could setup the replica/sea-salt trio better here (Roxas body/who and how Xion/further Axel redemption), even though it’s probably the best thread currently, behind SDG. The FF folks were foundational to the start, they should at least be acknowledged in the end. 2. Give. Us. Sephiroth version 3.0. and resolution to that thread. 3. Have some seriously needed interaction among the Destiny Trio—(A) as individuals (sorely needed for Riku and Kairi–have her interact with her forgotten home!), (B) as a united friendship (Kairi/Riku, plz!) and © to set up the SoKai stuff better. Like, for real, we need to be able to take selfies with them—seriously, how could we have the phone and NEVER have a change to selfie with our OG friends?!) 4. Save Aqua here (don’t make her passively suck suddenly with OOC decisions) and then Ven; cement their return and relationships to everyone else (so as to stop rushing the finale and let their moment have its own power—just say they need to “rest” till the climax). 5. Tell wtf happens with Demyx. Set up Vexen/Ansem stuff better. Nomura, you could even tease Subject X girl more. C’mon. Have a tease-fight with the Org, rather than saving it all for the end.

6. It would probably be too much to ask to have Kairi and/or Riku accompany Sora the rest of the way, though it would be dearly needed. So have them do something interesting and important with their time post-RG. Make RG/HB the hub world, returning to it for various stuff. Play up Repliku, Namine, and Roxas/Xion in their hearts so we feel more invested in their persons and, thus, more catharsis when they are retrieved. -Expand on the lovely “calm before the storm” moments for our heroes—especially the Destiny Trio. Have the paopu moment, but don’t rush it so much. Have Riku, Sora, and Kairi doing something together. Have Axel engaging with someone about Xion/Roxas—along with the good Isa stuff. Show us what Mickey, Donald, and Goofy are doing -together-. -At Keyblade Graveyard opening, don’t make everyone suddenly suck. Why is Aqua not reacting -at all- to Terranort killing Ventus? What was the point of Kairi’s “infinite time training” if she just stands there so Sora can, also, not draw his Keyblade? Why are Riku and Mickey just twiddling their thumbs? Have everyone be badass, but still get beaten—then do all the interesting Final World stuff, with Riku’s words keeping Sora encouraged in death while SHOWING Kairi, as a PoH, still in the Realm of Light, somewhere in the tornado, ACTIVELY WORKING to keep Sora’s hanging on in the FW, rather than including her passively after. Or show her doing something beforehand. Just show some damn agency and the profound bonds of the Destiny Trio.

-Make the Namine scene here mandatory—I can’t fathom why they’d let that crucial plot point pass as optional.

-Keep sick final-boss rush, but don’t make everyone take a heel-turn redemption (and give us some team-up limits with everyone! Riku/Sora limit! Sora/Kairi limit! Sora/Roxas limit! SoRiKai Limit!). Marluxia and Xemnas needed to be more ambiguous in death. Luxord, Larxene, Xion, Vanitas, YX, Terranort, Xigbar, and Repliku were all great—even perfect. Saix needed to prove himself more, and there’s NO WAY Ansem SoD can suddenly be sympathetic like that. Slow it down. -Give the Xion-return moment to Kairi—not Sora. It’s perfect for her; she’d remember her because she is made of her. Gives Kairi agency and unique engagement for the both of them. Keep giving other characters agency in these moments other than Sora—let Aqua and Ven play centerstage in returning Terra, rather than Sora’s magic. Don’t make Sora the savior of every story—it feels cheap and demeans the character journeys we’ve been invested in for so long when they don’t play an active and significant role in their resolution. -Don’t have Kairi just be kidnapped again after 30-seconds of scripted fighting, after promising to -finally- invest in her immensely untapped potential. Have Saix (+Xemnas?) versus Sora, Xion, Roxas, Kairi, and Axel (also, explain how Axel got his keyblade -back-). Axel, even though he couldn’t face Xemnas, still has -powerful- character moments—at least give Kairi the same respect. Make that the last scripted battle, so that Kairi accompanies Sora to meet Mickey and Riku. -Either have Kairi use her infinite-training to join the fight with Xemnas, Ansem, and YX (to resonate that the whole Destiny Trio is together at the end, evolved, but together) or have her doing something else important (maybe with, I dunno, PoH POWERS?!). Have her ACTIVELY sacrifice herself for Sora, mirroring what he did for her in KH1, rather than MX passively killing her for no good goddamn reason while snarking at the camera that Kairi exists literally only for Sora’s motivation—even though Sora was already charging MX. Also show Riku have some damn emotion about his other best-friend. Sorry, I’m reaallly salty here. -Don’t have MX give up so easily, and get his motivation to work better with what came before in all these years. Don’t swap it out to something else in literally the last 30 minutes of the game. Don’t let the story treat flippantly him being the cause of everyone’s pain and suffering , as he is given a divine “thumbs-up” by turning into a kid with his best bud, giggling, and floating away into the light of Kingdom Hearts. What was that? Xehanort deserves better than that. Have him struggle to the end, and have our heroes really counter him—thematically, emotionally, and physically. Have Eraqus usher him away—stubborn to the end. If you want to redeem him, Nomura, you gotta be setting that stuff up WAAAAAY earlier. -Have anyone, anyone, other than Sora also care that Kairi is now missing. Have Riku and Sora go together to find her—because, you know, they’re BFFs and have the power to. Preferably explain and make it playable how they do that. Then have the lovely ending with Namine returning and with everyone together (except redeem Isa better). Keep everyone’s great new clothes, and have the whole party on the beach—end happily, with everyone (seemingly) together again in satisfied bliss. Wrap up the saga on a cathartic high note, for goodness’ sake. Then, and only then, Nomura gets to keep his ending—but in its proper place, separate in our minds from the ending-ending, in which we can feel full satisfaction for 16 years of investment. -In the Epilogue, before going to the Foretellers, show Sora, Kairi, and Riku leaving the Island. Riku and Kairi are on ahead, everything seems happy and complete (joking about Sora finally getting his mom’s dinner, eh?), when suddenly Sora hears the echo of YX telling him that “there’s a cost for it all” and that “it’s too late for him”—suddenly, Sora fades away. Show Riku/Kairi reactions -together-. Fade his fading into the dust of the Keyblade Graveyard. Do all the Epilogue. Do the Secret Ending. Everything on whatever track Nomura wants—but for us, the audience, all of us, we FINALLY GET SOLID, CATHARTIC CLOSURE FOR EVERYONE IN THIS SAGA AFTER 16 YEARS—WITHOUT IT ALL BEING TEASER BAIT FOR SOME UNION CROSS/TWEWY CROSSOVER COMBINED WITH NOMURA’s OBSESSIVE BITTERNESS OVER FFv13! Sorry, also salty about that. -Secret Ending is Riku AND Kairi going together to find Sora in Shibuya. Boom. -Also, for all our sakes, get rid of the concept of worldlines and minimize the time travel here, plz. That’s the quickest way to undermine the stakes of your story. Tl;dr: Give us more of the characters and their agency, don’t have them act OOC for bad plotting, give us a mid-climax to slow down the rushed 3-hour ending, let us appreciate what’s happening with more characterization, explain some things better, don’t fridge Kairi (and everyone other than Sora, really), give us a real, cathartic ending for 16 years of investment—then tease us in the epilogue/secret. Thoughts? Too much to ask? Too little? I tried only to make only minimal changes to Nomura’s vision, adjusted to some universally shared criticisms among fans. I’d love to hear your thoughts on this and what you liked/didn’t like! If you liked this at all, I’ve been writing Kingdom Hearts at Fanfiction under the name “Marsuvees” (with hopefully increasing quality) for over ten years. I love this series deeply, and hope Nomura can get it back on track next time. He really needs to get other people involved in writing and plotting.

[eggoreviews]

Smash Bros. Ultimate  FINAL ROSTER PREDICTIONS (Redux)

I already did this, but loadsss of stuff changed since then. As release day draws closer, I thought I’d sift through my predictions for characters. Have a read if u want, then if you disagree lemme know bc my hype hasn’t died down since it was announced i need help (and hey if u look at my old prediction post, I already predicted Simon, K. Rool and Dark Samus so I can’t be the worst, right?)

Okay so my predictions have changed A LOT since I started this blog a few months ago and I think I’ve narrowed it down a lil now. So to put it simply, I think we’re definitely getting one more Smash based direct in October/November. Considering the fact that they’ve got the Mystery Mode™, online play and a whole load of other modes/assists/a few characters we aren’t aware of yet, I reckon they’ll have plenty to talk about in it. My other prediction is that we’re getting 2 newcomers and 1 more echo MINIMUM. Could get maybe a couple more echoes or 1 or 2 standalone character reveals as a stretch but I think we can at least expect that much.

Characters (Base Roster)

Geno (Super Mario RPG)

This wooden eggo has been the only character that’s been a constant in my predictions since the get go, despite the fact that I know basically nothing about him. But he’s the character I’m most confident about getting in.

This newcomer cycle has had a big ol focus on fan appeal this time, most likely stemming from the ballot. This was kind of clear from the Ridley reveal, but the addition of King K. Rool kind of made this a lot more likely. And I would go as far as to say that Geno is probably the most highly requested Smash character since ever.

Sakurai has stated multiple times that he wanted Geno in Brawl and then in Smash 4, but the best he could get was a mii costume. But yeah, not a lot of characters can say that they not only have long standing fan demand, but also are wanted by Sakurai himself.

Considering that Square Enix were previously unwilling to play ball with Nintendo on Geno, but then they went and put arguably their most lucrative character in Cloud as DLC for Smash 4, I don’t think Square’s gonna be too bothered about handing over this character, especially since it’s a character they’re never going to do anything with (Don’t know about you but I’m not seeing a Mario RPG sequel in the pipeline)

And as much as I hate to allude to leakers in my predictions, you can’t deny the fact that Vergeben has not gotten a single thing wrong regarding Smash so far. And he has mentioned a new Square rep and I honestly don’t know who else that could be. Chrono? Lara Croft? But then there’s no way either of those beat Geno in the ballot.

Incineroar (Pokemon)

We’ve yet to receive a Pokemon in this game and really that’s reason enough in itself. Considering that we’ve had at least one new Pokemon rep in every game, I v much doubt they’ll break that tradition now

The two Big Guesses that everyone has been throwing out since day 1 have been Incineroar and Decidueye, both from Gen 7, as we know from Smash 4′s Greninja inclusion that Pokemon is the only franchise with the power to get a rep in before their game releases. And because of this, Pokemon reps are the only ones that are exceptions of my usual rule to discount any characters that released after the time Sakurai has stated he locked in the roster for this game in 2015/16 (looking at Spring Man and Rex & Pyra here, but I’m almost certain they will be DLC)

Yet again, calling on Vergeben here. He has explicitly said Incineroar is in over Decidueye. But hey, he’s not god so he could be wrong eventually. I’m still fairly convinced of Incineroar’s inclusion tho (as much as I’d prefer Decidueye)

Ken as a Ryu echo (Street Fighter)

Ken is the only echo I’m convinced is getting in. A lot of this is honestly, again, down to Vergeben’s leaks and a screenshot of Ken in a Smash Ultimate stage that has yet to be debunked. I don’t have a lot to say on this character purely because I don’t think there are many more people that need convincing.

Shadow the Hedgehog (Sonic series)

Shadow’s assist is missing and has been replaced out of nowhere with Knuckles, as you probably know. This is a huge notch in his favour, especially if you consider that Isabelle’s assist was replaced with Kapp’n in the August direct and now ta dah here she is. Honestly, with Shadow I think it’s only a matter of time, whether they release him as an echo alongside Ken in the final direct in the same way they did with Dark Samus and Chrom or they save him for DLC as a unique fighter (if Isabelle can be unique, Shadow definitely can).

These four are my picks for the most likely characters left to be revealed, but hey there’s some Hot Picks™  that I left out that u may be curious about so here’s why they’re not here. I guess you could call these my back ups, but they all have too much doubt around them for me to place them in my main predictions (a lot of this is pure speculation so I’m probably wrong but what the hell):

Isaac (Golden Sun) - Now don’t get me wrong, I know Isaac has his fans and he genuinely has a good shot of getting in to Ultimate, especially if you consider that the only new first party franchise we’ve had so far is Splatoon. But what’s holding him back in my mind is that the likes of Ridley and K. Rool are in, villains from huge franchises that have had endless support since forever. And while Isaac has some sense of seniority, I don’t think his place on the ballot matched that of those particular characters. And if the likes of Ashley and Shovel Knight have been assist’d, I can’t see Isaac placing any higher than them if you think about how niche Golden Sun is (but u know, look how ‘niche’ Mario RPG is and Geno’s way up on my list so don’t listen to me). The other thing is that, in the E3 presentation, it was revealed that there are ‘over 50′ assist trophies in this game. We’re currently aware of 40, a fair majority of which have returned from previous games. That doesn’t look good for characters like Isaac if we’re looking at another 12-15 assists to pop up in the next direct. So all I’m saying is, don’t be surprised if that happens. But I definitely think he’ll pop up in some form, whether that be assist or playable.

Skull Kid (Zelda series) - This is one I was uncertain about for a long while, as the fact that his assist is missing and replaced with the Moon from Majora’s Mask is a notch in his favour but I think I’ve settled on the idea that they may be saving Skull Kid for something else: Boss character. We’re all pretty much thinking that mysterious mode is probably gonna be a story mode by now and Ultimate is already filling its boots with iconic characters fitting in as bosses with the likes of Dracula and Rathalos being announced. And as much as I want Skull Kid in, I would say that he is the most iconic Zelda villain besides Ganondorf, which places him in a weird position where he would be v much suited to a character slot but would also make for a viable boss addition. So yeah, could go either way but for me, there’s too much doubt around him to count him as a dead cert for the roster.

Bandana Waddle Dee (Kirby series) - Another very very likely candidate for the roster, this cute lil squishball would complete the Kirby set™ and he’s v popular in Japan. But he’s in the same position as Isaac where I’m not sure he got as much attention as peeps like Ridley and K. Rool. But hey, with Kirby and this character being Sakurai’s babies, this could sway him otherwise (I rlly hope so, can u tell I want him in)

Chorus Kids (Rhythm Heaven) - As my final back up/unsure pick, the Chorus Kids take their spot alongside Isaac in the ‘first party franchises that really need Smash attention’ category. The other things that make me pick the Chorus Kids over others is the fact that people doin’ some digging a while back revealed that the Chorus Kids were a scrapped character from Smash 4 so it isn’t a stretch to say that Sakurai could’ve gone back to that idea and make it work. Plus, the Chorus Kids would tick another box we’ve yet to account for; this game’s ‘weird’ rep. Much like Pokemon, it’s pretty much tradition at this point for each Smash game to contain a newcomer or two from odd franchises that not many would expect (Ice Climbers and Game & Watch in Melee, R.O.B. in Brawl, Wii Fit Trainer and Duck Hunt in Smash 4) and this is yet another tradition I don’t see them abandoning for Ultimate. As well as ticking this box, Chorus Kids are also a v popular pick so I have them in mind as the most likely pick if Sakurai is keeping the usual ‘weird’ rep tradition alive. But really what’s keeping Chorus Kids out of my main predictions is the fact that we have no idea if we’ll even get a rep in that vein this time, especially since competition for roster slots is so intense this time around.

OKAY so that’s all my dudes. If u happened to read my last post, you will notice that my number 1 fave pick ever Rayman is now gone from my predictions. But that’s bc I think he’ll be DLC now. So there you go. Tune in at some point when I’ll probably do a DLC posty boi. Have a good day.