#one character one word ask game

[giggly-squiggily]

Hey hey! Hope you're well! 🫶🏾 For the ask game, what about a Megumi and Itadori tickle headcanon?

Hey friend! :D I'm doing pretty good! I wish the same for you :3 Oo, my BOIS! I've gotcha covered! (I couldn't tell if you wanted separate headcanons or them together so I did both!)

Itadori- Tickle:

Sometimes he'll tickle himself just to keep Sukuna in check. If the curse within's being particularly annoying he'll give his own armpit a scratch just to hear the faint "AH!" in the back of his head. He's rather proud of this fact until Sukuna realizes he can do the same in return...

Megumi- Tickle:

Cannot-and I mean CANNOT- handle chin tickles. He gets all sorts of snickery and squeaky if you go for that spot. Gojo is particularly mean about it- he'll chat up his students while tickling the hell out of Megumi much to Nobara and Yuji's delight. "And so- what's so funny Gumi? Try to pay attention- I was just thinking- wow you're giggly! What's the joke?- We should work on close combat, etc. etc."

Megumi and Itadori- Tickle:

Both use wake up tickles on each other. Yuji does it when it's the weekend and Megumi's sleeping in but our pink haired dork wants to go out and seize the day. Megumi does it when Yuji's falling asleep during a meeting and they need him awake. This usually results in some sort of tickle fight kakjerjkaejraej

Send me a character and one of the following: Angst, Fluff, or Tickle and I'll give you a headcanon!

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[blueskittlesart]

Hello hi I hope you know the "aigis earnestly asking for lesbian sex" post saga lives rent free in my mind. Internalized homophobia speedrun kotone%. Also your art is so pretty

this is fr what playing the end of aigis's route for the first time felt like. I was losing my mind the entire time

[dykedvonte]

I think it’s so ironic that the Pony Express escapes a lot if not all blame in discussion. I can’t even say I am excused from it but it’s just how hard people circle back to the characters alone without considering the environment they were made to be in.

Why would they design a ship where only two of the rooms lock? Not the bathroom? Not the sleeping quarters? We assume that all the companies in the universe are this shallow and careless to their workers but we explicitly know the Pony Express in extra vile. They are fed processed slop pack they can’t even really cook and the ration of those pack is meager at best. They hired and made people with a plethora of conflicting demeanors and beliefs work together on a mission where cohesion is important if not an outright necessity and punish them for not being happy about it. There’s no social protocols, not chain of command other than Captain’s word/choice and the only way to enforce that is with a literal firearm. They don’t allow them to celebrate freely and even took away leisure activities that would make them less stir crazy. They are only allowed a few hours of sleep despite their being no other real responsibilities or work on the ship, no matter the position or its importance. With any crew, with any level of synergy, this was a powder keg waiting for a spark.

I’m not saying characters that made mistakes didn’t make huge ones, but I think part of the horror is that at least for some (this is targeting Jimathan) those mistakes are partly made by a force of the hand. There’s a running theme of lack of choice and being forced into something and the very nature of how The Pony Express expected them to function plays a big part.

[rainintheevening]

Hey, okay, send me a word and a fandom, and I'll write you a five sentence fic.

[imjustavenuxwithaboomerang]

i showed my sister the equestria girls movies last week because i needed a win and these were her thoughts:

equestria girls:

"sunset, you've gotta wait till your goons are gone before code-switching"

"sunset knows she's a horse so being with flash is kinda weird"

"don't like snips and snails"

"pan rainbow dash?" (i asked if she had any thoughts on their human designs and that was it, idk what to tell ya)

"why are the people colored in this reality?"

"why is rarity british?" (overall thought about the whole franchise)

"when did we fucking ask him? nobody asked him to join" (about flash playing guitar during the cafeteria song)

^but yeah she didn't really vibe with flash but she found the "one no would've been fine" line funny

"laughter" "no, it's insanity"

"i didn't know there was another way" "i don't give a fuck"

rainbow rocks:

"why is the moon, cheese?"

"i like the names. in case you weren't sure this was about music" (said during the opening credits when it showed the dazzlings)

"to be fair, you did ruin everything" (towards sunset)

"somebody needs to slap rainbow"

she really wanted to protect fluttershy, i could tell

she also wasn't necessarily loving flash x twilight during the first movie but definitely wasn't after he made twilight cry so-

friendship games:

"great, a murder board"

"why are you keeping tabs [on chs]? maybe you should focus on your other students" (towards cinch)

"what do you think i should do?" "you should keel over and die"

"sugarcoat, just stab me in the heart, why don't you"

"she looks like she belongs in spongebob, derogatory" (about cinch)

"twilight is doing disney knees"

"cinch is a bitch, cinch is a bitch. cinch is a winch, cinch is a winch" (said in a sing-songy way)

"why's this bitch singin'?" (again about cinch)

"we want what we deserve" "who said you deserve it, you fucking bitch?"

can you tell she hates cinch??

also made a couple jokes about how cadence and luna seemed like girlfriends in all of their scenes together (which was actually really valid)

legend of everfree:

"what do y'all do?" (towards celestial and luna)

"[the opening credits sequence] is gonna be at the bottom because it's giving me home by phillip phillips"

"and this is my brother, timber spruce" "TERRY?" (as in terry from tdp, which is where i got the cargo shorts thing from, so let's all thank my sister)

seemed to not be the biggest fan of sci-twi x timber ("just timber!")

"do we have watches!? cause they've mentioned time twice" "the sun dial" "but it's gonna be dark, she said it doesn't work at night!" (funny conversation that doesn't work in hindsight because they apparently had their phones with them the whole time)

"i don't know why but i'm getting trans from rainbow, cause everyone else is drawn with boobs and she's not. in that shot at least"

"if i see a man coming out of the woods, i think he's just buried a body"

"that's a disgusting design i'm sorry" (about gloriosa's villain look)

"sorry i thought he was going to kill his sister, he saw the ax and i thought he was just gonna- this is a children's movie. just for a split second"

part 2 magical movie night thoughts

[whetstonefires]

#4 please !

Now see this could be tricky, because generally if I don't get some key elements written down very quickly the idea flows away again and the 'yet' disappears, even if I remember generally what it was about, but I have one this time! I am still just enough plagued by this vision that it's not out of the question I'll go for the capture, but so far nada.

Idea was basically a Jiang family character study by way of modern au. (So tw canonical abuse.) I started from the reflection, in a modern au very high chance the Jiangs are divorced, because being a divorcee wouldn't necessarily ruin Yu Ziyuan in the modern world, as long as she was allowed to control the narrative enough that she didn’t look at fault, so it might be on the table.

Especially because modern views on child abuse are such that while she'd hold back more than she already does in terms of physical chastisement, Jiang Fengmian would also be under less societal pressure to not interfere in her disciplinary system too much, and both these factors mean he’s more likely to put his foot down.

So, concept: Jiang Fengmian, when his son is eight and his daughter thirteen, forces the issue of taking in his best friends' abused orphan child whom he’s just managed to track down in a nightmarish group home, probably leveraging the fact that wherever their money comes from it's mostly his, something he usually doesn't do, but she has always known he could, and been fucked up about it (reasonable) and hated him a little (less so) and hates him so much more now (understandable but still fucked up).

They were obviously still both pressured into this marriage by their families, because I literally cannot imagine them choosing one another of their own free will, and if they did that would be an au in an even more dramatic way than being modern, and no longer work as a character or relationship study as far as I'm concerned. I mean or it’s a cql-based au, but that’s not the version of this toxic marriage I find compelling.

Situation subsequently deteriorates to the point that when the boys are around twelve some outside party observes and is repulsed or otherwise upset by Yu Ziyuan's treatment of Wei Wuxian specifically--she's emotionally abusive to everyone in the family, canonically, and it harms Jiang Cheng significantly more than Wei Wuxian, which I think is also pretty explicit on the page, but she's more openly antagonistic about going after wwx because he's basically a proxy for her husband, whom she doesn't consider to be someone she's capable of harming.

And ofc in a modern family scenario, being abusive to your foster kid is more plainly personal misconduct than being unfair in how you discipline one of your husband's many students, even if it is his favorite. Which means she's very unlikely to chase him around with a whip, but whatever she does do will sting that much more emotionally.

Anyway the outside judgement provokes a more explicit confrontation than the last four years of maneuver and attempting to balance all the competing needs according to two very different standards. And the upshot is that by the time wwx is 13, the Jiangs are divorced. To avoid making a humiliating spectacle of themselves they present a weirdly united front in court and have a very smooth uncontested proceding, although the closed meetings with their respective lawyers involved a lot of vitriol.

Yu Ziyuan, despite having a smallish trust fund and probably a job of some kind, though one that's more prestigious than profitable like uh. Olympic fencing coach. Idk what they make but it's probably not enormous. She and Cangse Sanren probably competed in the same events back in the day.

Anyway she gets a solid chunk of alimony, the house, and primary custody of both her children, although Jiang Yanli is almost 18 at this point so mostly she just gets Jiang Cheng. Everyone thinks Jiang Cheng wants it that way, including sort of Jiang Cheng; he has this idea that if he has his mom to himself they'll finally have a good relationship, even though he's also terrified of being left all alone with her. He's complicated. Families are complicated.

Also she would never have forgiven him if he hadn't concurred that he wanted to stay with his mother because she was the only one On His Side.

Jiang Yanli ofc does not move out right away when she comes of age, in part because her brother needs her, but she probably does go to college, so she's only around part-time.

Jiang Fengmian, meanwhile, keeps most of his financial assets and Wei Wuxian, and gets his kids on the weekends.

So that's all setup for how you have this situation where Wei Wuxian and Jiang Cheng are entering high school--probably the same school, together, but no longer sharing the commute except maybe Monday mornings--and Wei Wuxian's primary residence is Jiang Cheng's dad's apartment.

It’s really chill. They get a cleaning service in once a week and eat a lot of delivery food, but they do cook at least once a week. The canonical thing where they largely agree about what’s funny and what’s right-or-wrong, and so forth, on the one hand really pops when there’s mostly no external conflict disrupting it, but also probably gains more complexity now that it’s not a thread of positivity fighting for its life against a background of drama. They get to know each other better than they ever had a chance to in canon.

Some of that isn't all that positive, because now they have the space to discover the places where they do actually have the capacity for friction, but both of them are very good at dispersing tension (I do tend to suspect jfm's dad was abusive he sure acts like it), and on the whole it's a good thing.

Jiang Cheng is going to have such a mental health crisis, and Jiang Fengmian is going to handle it so badly. Because of course when his son starts replicating his ex-wife's toxic attitudes and behaviors more now that she has primary custody, he’s going to feel guilty and like it’s His Fault, but he’s going to feel like it’s his fault that Jiang Cheng is growing up to be a shitty abusive person.

And even if he’d never say that the subtext would come through, in the assumptions he made when framing communications and so forth, as in canon, so the thing where Jiang Cheng’s father loves Wei Wuxian more than him, or at any rate likes him better and thinks he’s a better person and prefers his company, would wind up feeding into a self-reinforcing loop.

(Jin Zixuan's nasty public remark about Jiang Fengmian treating Wei Wuxian better than his own children hits Jiang Cheng significantly harder in this scenario, where he's being Tormented by the feeling that all his peers know his dad walked out on him for another son. Wei Wuxian's punch is therefore even more clearly primarily for Jiang Cheng's sake, although Jiang Cheng is probably more inclined to see it as being for his dad's. Jin Zixuan is about halfway between the Jiang kids' ages here, so he's a senior saying this shit to a sophomore.)

So that cycle builds to the point where Jiang Cheng would eventually have one of those rare moments where he resorts to actual violence, because his poisoned feelings are choking him so bad his rationality deserts him.

He’s not going to be nearly as close to actually murdering Wei Wuxian as he was in canon the night the Jiang Sect was massacred, because it’s a less extreme situation, but he still goes for the neck. So Jiang Fengmian is in his home office one Saturday about a year and a half into this new normal, and realizes the boys are fighting. He hears through the wall the accusation you stole my dad. He says to himself, well that’s terrible but interjecting myself into this situation would definitely make it worse.

Then he hears sounds of violence, and then an ominous abrupt silence, and updates that analysis.

And when he opens the door to the boys’ room, Wei Wuxian is being strangled. He’s not really resisting, which is because he’s made the call that that’s way more likely to get Jiang Cheng to snap out of it, and thinks it might make Jiang Cheng feel better to get it out of his system (because he does sort of feel like what Jiang Cheng is going through is all his fault, or at any rate is much worse as a result of decisions made for his sake) and is severely underestimating the dangers of choking, but looks to a third party like he’s already passed out and Jiang Cheng is still at it. Which is to say, it looks like a serious murder attempt on the brink of success.

So that sure made that situation worse!

So yeah that's my idea that I probably won't write but it sure has its teeth in me.

[energeticpoltergeist]

FE Secret Santa (10/10)

Robin(male) for @silversongmsp

My final submission of the year for the @feshippingpolls secret santa event

[ummmuhhidk]

everyone shut the fuck up and look at whats happening in the project sekai fandom right now. the previously "transfem (heavily heavily implied)" character is

wait okay spoilers for mizu5 event. read at own risk (if youre in the fandom) and if youre not um fucking hit read more RIGHT NOW

okay. so the previously "transfem (heavily heavily implied)" character is now "transfem (LITERALLY UNMISTAKABLY canon)". THIS IS 3 (EN) OR 4 (JP) YEARS WORTH OF BUILDUP FINALLY COMING TO FRUITION AND ITS SO FUCKING. GRRRAAHH

THIS IS THE MIZUKI 4* FOR THE EVENT. THE CARD IS TITLED "What Has Been Lost"

AND THE OTHER CARDS (KANADE, MAFUYU, ENA) HAVE THE CHARACTERS WEARING OUTFITS THAT ARE MOSTLY/ENTIRELY WHITE. SYMBOLIZING MOURNING.

READ THE STORY TRANSLATION LISTEN TO THE SONG ("Bake no Hana") READ THE LYRICS FUCKING TRY TO UNDERSTAND HOW EXTREME THIS SHIT IS.

this is like 9/11 to me

[terapsina]

Ask game for people who like to ramble about their obsessions. So.

SEND ME A FANDOM (+ number) AND I WILL TELL YOU...

...the moment in the story that I started shipping my OTP from this world.

...my three favorite characters and why I love them so much.

...which scene I would like to erase from the universe and why.

...why you should choose to check out the world of this story and choose three gifs that should underline my point.

...the scene from it that lives in my head rent free.

...which is my favorite platonic or familial relationship in this world.

...how likely I am to follow the writers and directors from this project to their other ones and why.

...a quote from it that means a lot to me.

...which characters I think should have interacted more in canon.

...how many fics I've read that are set in it (approximately and making exaggerated guesstimates).

...what I think of the central character(s).

...what attracted me into checking it out.

...which canon or popular fanon relationship I can't stand or feel 'meh' about and why.

...if I think the largest majority of fics I crave for it are fix-its, nobody-dies-everybody-lives, fluffy fics of my OTP, pining fics for my OTP, or plot heavy Gen stories?

...which character I would choose for the chopping block if I knew the writers wanted to kill someone.

...which character's death would (or did) make me rage-quit.

...the world-building aspect of the story I have the greatest admiration for.

...the perfect number of books/seasons/movies needed to tell this story properly.

...one behind-the-scenes trivia fact I've learned somewhere and my thoughts on it.

...exactly how little or how much headspace this fandom takes up in my brain at any given point.

SEND ME A SHIP (+ number) AND I WILL TELL YOU...

...about my absolute favorite of their scenes and why I love it so much.

...why I do or don't ship them.

...if there's a scene involving them that makes me uncomfortable.

...how many other characters in my opinion see the chemistry of this couple before the couple itself does.

...the three most perfect OTP tags that I can come up with for them.

...what kind of AU fics I'm obsessed with reading about them (or would be if I could find one).

...the scene that I like to point to as proof that they're perfect for each other.

...if I'm most interested in fics about them that focus on fluff, angst, humor, smut or actual plot?

...what my ideal endgame for them is.

...rate the level of stupid they reach in their pining.

...how quickly I started shipping them when I got into the fandom.

...about three of the scenes that make me have feelings and (if available) find the gifs that underline my points.

...if I can watch them in relationships with other characters without feeling gutted.

...which tropes I think describe them the best.

...how I wish their story would go/would have gone.

...three of my fic recs for this ship. And (in the event that I've written something for them) one of my fics involving them that I'm most proud of.

...three of my favorite fanvids for this ship. And (in the event that I've created something for them) one of my videos involving them that I'm most proud of.

...three of my favorite fanart or edits for this ship. And (in the event that I've created something for them) one of my art or edits involving them that I'm most proud of.

...if this is a ship that's likely to take up room in my heart for years and decades to come or if they're the summer romance that will probably fade into the past with a fond memory.

...how and when they should get/should have gotten together.

SEND ME A CHARACTER (+ number) AND I WILL TELL YOU...

...why I love them, like them or hate them.

...how I would have chosen to change their story from canon.

...if I have an OTP for them.

...if I have NOTP for them.

...if I feel like the writers mistreat them or if the story would be better if they were taken down a peg.

...the scene that I think shows just how awesome they really are.

...the scene that I think adds depth to their character or the relationship this character has with someone.

...a headcanon I have about this character.

...which of their relationships I would have cultivated more if it were up to me (both romantic and platonic).

...if I liked them immediately or if took a while before I warmed up to their character. Alternatively, if I disliked them immediately or if they lost my trust as their story progressed.

...how well I actually understand them. Do they feel like a very vivid character to me or are they kind of bland and hard to get invested in?

...how likely I am to seek out (or write) fanfiction for them.

...how I'd do it if they had to be written out of the story.

...what I think they want more than anything else.

...what I think their role in the story is versus what I think it should be.

...my very shallowest of opinions on this character.

...how well they'd do if they got dropped in a horror movie.

...whether or not I would personally trust them to be my friend.

...a song that describes how I feel about this character.

...my queer headcanon for them. Unless they're canonically queer, in which case whether or not I think they're good representation or kinda badly explored.

[bizlybebo]

hi guys ^__^

[giggly-squiggily]

Bakusquad-tickle!!!

{Ask game: CLOSED}

YESH!!! I've gotcha covered, anon!

Bakusquad- Tickle:

The current ranking goes as so:

Bakugou: Most ticklish-Least likely to be tickled

Denki: 2nd Most Ticklish- Most likely to be tickled

Mina: 3rd Most Ticklish-4th most likely to be tickled

Sero: 4th Most Ticklish- 2nd most likely to be tickled

Kirishima: Least Ticklish- 3rd most likely To be tickled.

These are the most current rankings provided by Fluff.INC Thank you :3 karkjkjerkjaejr

[iniziare]

do you write?

Mel semi-dared me to type: “No, leave me alone.” So I have to include it. But in all seriousness, I'll respond this once, because it does allow me to update people a little bit. Though please know that your notification did have me pause mid-writing. Now, I want to politely, and respectfully direct you to my description on both dash-only and on my blog's theme, I also want to point your attention to my pinned post, and I believe that it's even in my rules, but I could be wrong. Though let me repeat it here:

The depictions you'll find here are canon-strict, and so you can expect many analyses of all kinds here, as dissecting the characters that I write is what I'm passionate about, and what I'm here for (and to write, of course!)

I admit, usually I aim to write more threads/asks consistently even if I'm excessively slow, and though I haven't updated the dash about my circumstances for a while (as I'm decently private about my life), know that writing meta has simply come a lot easier lately when time has permitted me to be on Tumblr. Now, that doesn't mean I don't value people's interest in writing with me, and I will live up to the promises that I've made that I will get to that (as I have occasionally done lately, and was in process of doing again)— but when meta comes easier to me, then I prioritize that as of late, simply because stress' best counter is the distraction that comes the easiest. Now this isn't by any means a waste of time, as it plays into what I quoted above. Because ultimately, here's my thing: I make it exceptionally clear everywhere on my blog that I am canon-strict (or as Tumblr, sadly, disrespectfully seems to call it nowadays: a 'lore purist'), and that this leads me to write a lot of analyses left and right on the characters that I write, but these are fundamental to understanding my portrayals of them. If that isn't your cup of tea, sir, or ma'am, then maybe this isn't the blog for you, and I don't mean that with malice, or in disrespect, but simply as a simple rebuke. In that, I greatly appreciate you checking in on behalf of my writing partners, but I'm also quite certain that they have the capacity to approach me themselves if they have any concerns. Have a nice day or night, wherever you are!

[majorproblems77]

tetra + storm? happy happy birthday! i hope you have a wonderful day! 😁🤩

Thank you! :D

Tetra and Storm

"They call ya' Sky right?" The skyloftian turned to find Tetra behind him. "The chosen hero."

"Thats right." He turned back to watch over the horizon. Dark storm clouds littered the path ahead of them. She looked past him to where his eyes met the horizon and turned around.

"Ahh. You 'fraid o' storms?" She stood beside him looking past the sky and watching where lightning struck the water. The skyloftian flinched a little. But didn't respond.

"Well, I can tell ya' that our path deviates from that real soon. We won't be going in. Too dangerous on a boat and all."

The skyloftian nodded. Eyes fixed to the horizon. Watching and waiting.

Tetra turned and looked at the skyloftian's right hand. It seemed to twitch at every noise.

"You got bad experience with storms."

It wasn't a question.

"I can see that you may be better under deck, we will be turning real soon to follow the wind. Let me get Link, he can get you down." The skyloftian nodded again. Mind elsewhere.

[dykedvonte]

I'm probably going to post about this on the MW subreddit, but I still find it pretty hilarious that most fans assume the "struggles" Jimbalaya was dealing with back on Earth were related to criminal acts (usually in order to demonize Curly) meanwhile most of the pieces of clues I've gathered from the HFIM dlc and the QnAs we got about the characters' lives have lead me to believe Jimbalaya's struggles were about poverty.

In the HFIM dlc we're pretty clearly playing a fish version of Jimbalaya, and the whole game is about how a capitalistic system ruins people (fish) and those that climb up help perpetuate the system and those that go down just get eaten. So it's pretty interesting to me that Jimbalaya fish even after consuming other fish and items... keeps going down.

But it was the third QnA that sealed it for me. Curly's hobbies are around a lot of friends and family that he could join interesting things. And of course play snow sports in Winter. Winter snow sports... which let's be honest is a pretty expensive hobby to have. Meanwhile, Jimbalaya can't afford any hobbies other than joining one with Curly.

I think this kinda just adds more fuel for Jimbalaya to both envy yet aspire to be like Curly.

I dunno, it's just fascinating to me watching so many fans claim the "struggles" were so obviously to do with crime when most of the current evidence I noticed seems to point towards money related issues.

-🌟 Anon

I think both are valid and valuable interpretations that’s the MW fandom makes but I think the major problem with it is the severity in which they make Jimmy out to be every factor wrong with men in society.

Like I think it’s interesting to use the idea he has some record, misdemeanors/petty stuff, that has complied to make his life more difficult. It’s all his own doing for his entitlement and general behavior but it can also be used to comment on Capitalism banking on desperation and envy. A lot of his actions are desperate because he knows his crimes on the Tulpar will make it virtually to climb any ladder, anywhere anymore due to their weight. Like in the end the problem is undeniably how the proverbial rat race creates environments that fosters Jimmy’s and creates ineffective systems like Curly represents.

Curly on the other hand benefits from the corporate part of it with his financial freedom, stability and prestige but he too is socially stagnant, deeply unhappy in the identities placed on to him and unrecognizable as anything other than a cog in the machine. I think this goes in tandem with the other members too as the identities placed onto them in the scenario all represent stages in capitalism and class discrepancies: Anya represents largely marginalized identities (particularly women in blue collar fields/harassment) and how they ultimately have to fend for themselves. Daisuke a sort of perception of both a class between Curly and the rest, protected no matter the effects of the establishment due to his home life but at the same time he is the metaphorical future gen, things stripped from him as the older generations squabble amongst themselves in private conversations leaving him unequipped. Then there’s Swansea being sort of those who have lived through it, knowing how it ends but ultimately still lack the skills, resources and want to change it, letting it cycle.

The entire thing with Jimmy circles back to the fandom ultimately wanting easy solutions to the events in the games, a face to blame and a weird black and white thinking to issues that are dangerous to view that way.

[maddieandangel]

Had a weird Hollow Knight-related dream a couple days ago, so I decided to draw a major scene I remembered from it dgsgshf

More context will be in the tags, for those interested!