#once again creating my own backstory

[doctorcranes-ask]

I found a box of old Polaroids from college. My roommate was an aspiring photographer, so she took a shit ton of pictures

This is the first one that stood out. Featuring my box dyed hair and Jeremiah's choppy haircut. I was the group's hairstylist (unfortunately) and Jeremiah did all of our piercings. It's a miracle they never got infected.

I'm not sure if people will find this interesting, but I'll share more of ya like it.

[navybrat817]

Double Shift

Pairing: Chop Shop Mechanic!Bucky Barnes x Female Reader

Summary: Bucky helps you unwind after you work a double shift.

Word Count: Over 1.8k

Warnings: Established relationship, slight insecurities, bit of backstory, dirty talk, mild smut, slight feels (it's me), Bucky Barnes (he's a warning, okay?).

A/N: @nixakimbo was kind enough to gift me with this GORGEOUS edit and I had to create a new AU. Sorry, lovelies? @tavners , this is for you. Not beta read and written on my phone, so any and all mistakes are my own. Divider by the talented @saradika-graphics . Please follow @navybrat817-sideblog for new fics and notifications. Comments, reblogs, feedback are loved and appreciated!

You dropped your bag the moment you walked through the door. Your feet ached despite the comfortable shoes, and your head throbbed with each passing second. Groaning, you dragged yourself to the couch, collapsing into it like it was the only place you’d ever wanted to be. Working doubles was exhausting, but this? This was something else entirely.

It was a long day in a series of long days, but now you had a chance to relax.

Reaching for the nearby pillow, you inhaled deeply, a smile tugging at your lips. Instead of the usual fresh scent of your couch, you caught the familiar, warm fragrance of your boyfriend’s cologne. He must have spritzed it before leaving for work. It was like leaning into him and your shoulder relaxed more, even though you wished he were really there.

The sound of the door creaking open a few minutes later told you that your wish had been granted.

“Aww. Long day, baby?” Bucky cooed from the doorway, spotting you sprawled out with no intention of moving to greet him. “You know your bag’s on the ground?”

“Mm-hmm.” You rubbed your temples slowly. “You know I worked a double, right? I’m lucky I made it to the couch.”

His soft chuckle reached your ears as he set his keys down and picked up your bag. “I know and I’m sorry. You work really hard.” He leaned down to kiss your forehead once he reached the couch. “I wish you didn't have to.”

You turned your head, the throbbing in your temples easing when your eyes met his. His black tank top fit him perfectly, complementing the tattoos that stretched across his neck and arms. The skulls and flowers, symbols of death and hope, told stories of his past. Stories he didn't have to tell you about, but he did anyway and you were happy to know every detail. As captivating as the ink was, it was his blue eyes that held you. In them, you saw your future, bright and full of love.

“That’s life. And you work hard, too,” you reminded him.

“Yeah. My job is so honorable,” he mumbled, making a mess of his hair as he ran a hand through it. “I’m really making a difference in the world.”

You frowned sympathetically. Bucky was a gifted mechanic, but his family was dealt a bad hand and he did what he had to do to take care of his younger sister. “And you’ll be out of there soon.”

Once he finished paying off Becca's medical bills, he could quit. That day was getting closer and closer. And one day he’d open his own shop, too, a legitimate shop. You wanted to stand beside him when that dream came true. Becca would be so proud.

Both of you wanted the best for Bucky.

He sighed, sinking to his knees and resting his hands on your thighs. You could see the gray peppering his scruff and you couldn’t help but reach out to run your nails through it. The sound of his groan made you smile, so you did it again.

“I just wanna give you the world,” he whispered, turning his head and kissing your palm. “You know that, right?”

“You already do,” you whispered back, his eyes softening. You had a roof over your head, food in your stomach, and his love in your heart. It was all you needed. “But you know, I could-”

Bucky put a finger to your lips to stop you. “I know what you're going to say and we’re not selling your dad's car.”

You smiled sadly. Your dad’s car was a classic and could get Bucky the money he needed, but he turned the offer down each time you brought it up. He didn't want you to give up one of the only things you had left of your dad. “I won't say a word tonight.”

But you could try again tomorrow.

“Thank you.” He took your hand and kissed your palm again. “You up for a ride later?”

“I don’t think I’m moving from this spot tonight,” you half smiled. “But we can tomorrow.”

“You don’t wanna go for a ride tonight?” he asked, surprise laced in his voice. You usually jumped at the chance to ride his motorcycle with him.

“Feet and head hurt a little,” you admitted, touching his cheek as concern etched his features. “I’m fine, really. Nothing for you to make a fuss about, but I won't turn you down if you want to dote on me.”

“Baby,” he sighed, slipping your shoes off. You gasped when he began massaging the sole of your right foot, the gentle pressure making your body sink deeper into the couch. By the time he switched to your left foot, you were practically melting. “That better?”

“Yeah,” you smiled, combing your fingers through his dark hair. He always took care of you. “I swear, you have magic hands.”

“Oh, I have more than magic hands,” he winked, your heart skipping a beat. “And you know what’s good for headaches?”

“Bucky…” you smiled. There was a warning in your voice, but you couldn't help the amusement in your eyes.

“Yes, me,” he grinned. “I’m very good at helping with headaches and you know it.”

Your smile widened. “That’s not what I meant.”

“Oh, so making you come all over my face before I cook you dinner was not what you meant and will not help your headache?” he asked, his voice deep, dripping with desire.

Whatever ache you felt in your body all went straight to your pussy. A deep, throbbing ache that cried out for him to soothe it since he was the cause. “Is making melt on your tongue as my reward for working a double?”

He smirked at your breathy tone. “That’s exactly what it is.” He didn’t need to ask you to lift your hips when he reached for the waistband of your pants and pulled them off with your underwear. Your body moved on instinct for him, fluid and in sync. “I can feed you right here and carry you to bed, too.”

“I’m too big and heavy for you to carry me,” you teased. His eyes flashed, and before you could react, he leaned down unexpectedly, sinking his teeth into your thigh. Your mouth fell open from the sting, but it felt good, too. “Hey!” You shrieked.

“You’re not big. You’re not heavy. You’re perfect,” he snarled, brushing his tongue along the teeth marks. You wanted his mark all over you. “I’ll blame that remark on how tired you are right now from work.”

Framing his face to lift his head, you met his lips in a soft kiss, hoping to convey how much it meant to you that he saw you as beautiful. How touched you were that he always put your care and feelings first. As scary as he looked to others, you knew the man inside. The one with a heart full of passion.

“I’m not perfect,” you whispered against his lips, gasping when he nibbled your bottom lip. A second bite for once again downplaying yourself. “But I’m perfect for you.”

“You think so?” he asked quietly.

“I know so,” you said, biting his bottom lip for good measure.

He thought you were too good for him some days, and you were quick to shut that down. A good man wouldn’t have taken care of his sister the way he did, and he wouldn’t love you wholeheartedly if he was less of a good person than you. His current profession didn’t define him, and you refused to let him believe it did.

“I...” He kissed the corner of your mouth. “Love...” You shivered when he kissed the other corner. “You.”

A flame lit within your heart. His tender touches and words burned you from the inside out. “I love you, too,” you managed to whisper before his lips covered yours again.

Fresh arousal washed over you when he smiled and kissed down your body. “Now let me show you with my mouth how much I love you,” he simpered, parting your legs to open for him. “Might die if I don’t get my mouth on you and you wouldn’t want that, would you? And we need to get rid of your headache.”

You moaned, also feeling like you’d die if he didn’t touch you. “Do I get your cock, too? It’s a pretty bad headache you need to help me get rid of,” you teased. If your pain actually persisted, he’d make you take something and insist on you resting. And maybe it was selfish to ask for more than one orgasm, but you both knew he wouldn’t turn down the opportunity to rock your world.

“Before and after dinner,” he promised, his pupils dialting as he stared between your trembling thighs. “Fuck, I missed you today,” he groaned.

“Missed me or my pussy?” you asked, certain that you were going to soak the cushion beneath you and you didn’t care as long as he got you off. “Because we both missed you.”

He smirked, his hand inching up your thigh. “Of course, you missed me. Who else would make you come as hard as I do?”

Cocky was a good look on him, but you could play a little, too. “Well…” Your coy smile had him raising his eyebrow. “If you really want to know, there’s-” You threw your head back with a cry as Bucky’s head dipped down to taste you, effectively cutting off your teasing.

It wouldn’t take long for you to coat his fingers and tongue with your release. It never did with him. He’d make you taste yourself when he kissed you after so you could fully appreciate the orgasm he gave you. He wouldn’t give you any reprieve when he’d bend you over the couch and sink his cock into your sensitive pussy. Your sounds would be erotic music to his ears, just like his words were music to yours.

“Grind that pussy back against me. Show me how much you crave my cock.”

“Such a good girl for me. Such a good pussy for me to fuck and fill.”

“Don’t you dare rub your clit. You wanna come? I’ll make you come.”

“Oh, you don’t have to beg for me to come inside you. I’ll give it to you.”

You’d scream his name in ecstasy and pass out in his arms from the best kind of exhaustion. You’d wake up to him kissing your forehead and holding you upright so he could hand feed you a delicious meal. You’d smile when he told you how much he loved you and that he'd be free of the chop shop soon. And you’d tell him you loved him, too, before he fucked you all over again.

It was going to be a good night.

Appreciate you lovelies indulging me like always and hope to share more when I can. Love and thanks for reading! ❤️

Masterlist ⚓ Bucky Barnes Masterlist ⚓ Ko-Fi

[theking-mustdie]

if there’s one aspect i could criticize about the writing of teen wolf it’s the in depth backstories of each character only to never talk about it again or develop it any further.

liam’s ied and past school? only used as a prop to further the plot and create conflict (angry man go punch!)

isaac’s abuse and claustrophobia? only mentioned/showed how it effects him one time outside flashbacks (motel california)

theo’s growing up and manipulation with the dread doctors? never mentioned, only lightly brushed over in incoherent flashbacks (yes it shows him being guilty for taking tara’s heart, but not the dread doctors effect on him and torture for him to get where he was)

stiles’ nogitsune trauma? only brought up as a joke after the fact (“i once had a demon living in my head LOL”)

derek hale’s past with grooming by kate? only used to show they know each other, not why what she did was wrong or harmful (doesn’t show the harmful nature of grooming and how derek’s trust would be forever altered because of kate’s abuse of his)

malia living like a coyote for the first ?17? years of her life because she “killed” her own family? “omg you can’t take her anywhere! she likes to eat deer🤣🤣”

allison’s mom killing herself cause she’d rather be anything but a werewolf? mentioned maybe a couple times afterwords

it seems as though they attempt to make the characters deep and thought-out but toss aside the trauma they have given them in order to further the new villian of the week and constant conflict. sometimes i wish that the characters made decisions in conjunction with their prior trauma or showed symptoms of how these events effected them because it’s no secret that they would. i understand that it’s a lot to ask for a super precise and detailed description of how every character is feeling, but with 24 episodes a season, tossing in a couple reflective scenes couldn’t have hurt. i fear that their constant need to one-up their villains took away from the personality and characterization of the show as it kept running.

(this is why i love this fandom so much, because yall do! thank you to the writers who write realistic ptsd or lingering effects of major events)

ok i’m done now thank you @thiamsxbitch for inspiring this rant

[oblique-lane]

idk if youve done it yet but i would actually lose my mind if you did an analysis for demo

Aye aye captain 🫡 Time to overdramatize again!

Let's address Demo's wounds

(Demo's backstory was changed through the years but I'm sticking to the older version because I find it more grounded)

Demoman's story is easily one of the most tragic of all the mercs. Imagine you have been abandoned from birth, your parents simply rejected you for what you are. But luckily you have been adopted by some good people who replaced your parents and made you a relatively happy child.

And then you accidentally kill them. You're 6 years old. How does that feel?

I can't even imagine how a child's brain can't comprehend the idea of being a murderer. It was an accident, of course, they were blown up by a big explosion he created (genius kid found out how to do that, huh?) but still. His parents were dead and he knew it was his own fault. He learned he was dangerous as he is.

How was it like pondering about it in the orphanage?.. "I didn't want this! I want to go back and fix it, I'm so sorry", something like that. But he couldn't go back in time, so being covered in such an avalanche of guilt, he learned he needs to repress himself.

Demo have always had an explosive temper (no pun intended), it was his true nature, pure emotion: if he's happy, it's 100%; if he's angry, it's a full blown storm. If he loves, he loves with all of his heart, and he has a big one.

Living on the impulse, all or nothing, that crucial accident revealed that letting his true nature go will only end up as destruction in the end. Irreparable damage.

We don't know what exactly was happening to him during his orphanage years, but if I'm to guess, repressing everything about him: his interests, his character, his whole nature, was a thing to choose. He thought that he had to become still and quiet as to not to repeat that kind of tragedy ever again. He probably didn't have people to be friends with either, either because people rejected him for his past, or he avoided them himself due to his internalized shame, at least that's a guess.

But everything repressed returns to the surface sooner or later. As a child, living for so long under overwhelming guilt, grief, hate, pain and sadness, under the skies that are almost never sunny in a all-year-long damp and coldness of the Ullapool. Incomprehensibly grey. It was depriving.

He was always fascinated with explosions. He didn't touch it for a long time, but maybe something like seeing fireworks again one day made something inside him tremble... And to remember.

Explosions. Launch... Acceleration... Release. And every time the release happens, his soul fills with excitement, the body feels lighter and shivers go up the spine. Release happens inside his head too, for the explosions make his worries and pain go away for a moment.

He couldn't find another way to release his bottled up emotions, so gradually he returned to make explosives again.

It was something like an addiction. Similar to pyromania, except no one bothered to research this one. At the moment of explosion he could let his anger out, he could scream, he could run around freely, he could sense heat in his chest; he could be himself. As he once was.

Everything was cold. But the explosions were hot.

He thought it was under control, just a little bit of KABOOM after school, but he craved more and more every time, more vivid, more violent...

That's how he lost his eye. (...Was it a subconscious act of selfharm?)

The missing eye was a forever reminder of how deviated he actually was. He learned that he couldn't repress or change what he truly is - a monster. A Black Scottish Cyclops, wether it were his peers who called him like that or he himself, out of misery. There was indeed something seriously wrong with him.

It seemed like the only thing he was capable of is destruction. Destruction is the only environment he's comfortable with. Peace was always so anxious and depriving, and breaking things felt calming, so he figured it must be right.

And then his birth mother came and took him back, "now that's he's a worthy DeGroot". It was unexpected but... Pleasant. So he wasn't THAT worthless after all, huh? Turns out, it was really familial, the destruction thing. At least he found out that there was a reason behind all of this.

His new mom was, saying honestly, pretty cruel with words. She was not at all gentle, she was very strict, demanding and straight up abusive. It was never enough for her no matter what Demo did. She didn't want results from his work, she's just always wanted to mess with his brain.

And for whatever reason... This setup felt right for him. To be thrown around like that, to be humiliated harshly, it felt fitting, it wasn't causing anxiety or anything. He has to be a scapegoat, he had to forget about being a child and to start working as an adult, at the same time somehow replacing a father he still didn't have, but it felt good enough. Confusing relationships felt good enough.

Destruction was his habitat, and his heart could no longer accept anything else.

Cruelty wasn't warm though, just familiar, just an environment to not to go insane. But he craved warmness so badly... Yet every time he would get close to someone and receive a little gentleness and care, it would feel sickening. It felt unnatural, it reminded him of his lost parents and of everything that's wrong about him.

The only warmness his body could accept was alcohol, making him bubbly and comfortable and relaxed. He almost felt normal, happy even. Alcohol heat made him melt, and he felt so fulfilled as if he was in paradise, back to the womb.

Yet after the effect wears off, he feels lonely as ever. Quickly, existing without alcohol becomes pain. Existing at all. He became an addict.

Not that everyone he met rejected him, rather, he subconsciously reached out to those who would be cruel to him. Again, gentleness hurts wether he knows it or not. He's only good in destruction.

Lonely and clingy, ready to overshare, overall mess yet carrying a big baggage of love that has no one to give it to. Maybe because he can't give it to himself in the first place. There's so many issues unresolved because he can't handle them alone, yet there's no one to help since he was already trapped in a closed circuit of self sabotage.

He will keep acting like a party beast, always crazily emotional and overdone upbeat, a simple drunken man who will not be taken seriously that way. Maybe that's what he wanted, to not be seen as deep by anyone for not be reminded of his misery once again.

Seems like we bought that too.

...

The enemy Soldier might be an exception though. The man he really treasures his friendship with turned out to be an enemy; repeating the rule again: it's only acceptable when dangerous. Soldier deeply cares for Demo, however he's not gentle or pitying, he's as destructive and explosive as Demo is, and these two are a very rare perfect combination of destructing each other in the act of love. Both broken beyond repair, soul on soul, forever to be misunderstood by the outsiders. This is something about this relationship that looks like a golden lining.

They will not fix each other, but they sure are going to have a good time!

[zoppa682]

For any nonhumans struggling with species dysphoria, I want to help you all as much as I can. I've been experiencing it all week. It can be quite exhausting and put you in a lot of distress, in my case. X(

Here are some tips I'd recommend to help:

1. Mimic the diet of your kintype/theriotype. You are a shark? Eat seafood. A dragon? Maybe try to burn some food a little (or turn it black like my own preference if you want). You kin a character from [Insert source]? Try recreating foods/dishes from their world or dimension.

2. Listen to relatable music. I'd recommend making a playlist of any songs that feel species affirming/euphoric, or even echo that dysphoria further, therefore turning it relatable. (Few of my favorites are Bones by Imagine Dragons, Control by Halsey, Ancient Dreams in a Modern Land by MARINA, Momento Mori by Fish in a Birdcage, among other songs that feel therian coded to me).

3. Do vocals. Howling, barking, screeching, or roaring are very relieving if you are in the correct space to do them! If you are in a quite space or do not want to out yourself to anyone, try purring, growling, hissing, or other unnoticeable sounds. You have an object kintype? Mimic the sounds of the object, like beeping, clicking, etc. (I personally make microwave sounds just because it is fun). Recite voice lines of your kintype from the source they are in. Mimic their voice and volume to match.

4. Move and physically act like your kintype/theriotype. Quadrobics, mimic the flapping of wings, walk bidepedally, whatever you do, turn your mannerisms and motion to reflect your kintype/theriotype.

5. Dress like your kintype/theriotype. Is your kintype a character? Cosplay them, or mimic their clothing style, clothing color, hairstyle, etc. If they have tattoos, scars, or patterns on their body, copy them on your physical form with paint or pens. (PLEASE USE NON TOXIC MATERIALS. STUFF SAFE FOR YOUR HUMAN SKIN.) Are you a species of animal(s)? Dress in your species' colors, or, once again, paint or color yourself like it/them. Are you perhaps any other form of creature or object? You can use the same tips as the others, and another idea that works for all is that you can buy costume pieces of your kintype/theriotype. Masks, headbands, just normal clothing in general, the options really are infinite.

6. Express your dysphoria through artwork. I love doing art when I am heavily species dysphoric. Drawing, crafting masks, origami, painting, collages, all are forms of art. If you are skilled in music, then you could even create some songs of your own!

7. Go out and explore nature. This one is mainly targeted towards therians, whose types are grounded on the life on earth rather than other dimensions or universes, but just like the other methods, it can be universally used by any types of nonhumans. Collecting things is my favorite way of exploring nature. Collect rocks, shells, sticks, leaves, bugs, plants, anything that makes you feel more comfortable in your own (unfortunate) physical body. Stay grounded in the world around you and you may find the dysphoria slips away. Hiking and going on short walks can also help, building a den, smelling the scents of the outdoors. All great ideas that I personally recommend.

8. Write about your feelings. Whether you are good at expressing yourself through poetry, you keep a diary/journal, or you can project onto OCs for new backstory lore like I do, writing can truly help with any dysphoria. Not only that, but it is sometimes refreshing to come back later and read about what you were feeling before. It can serve as a great reminder that you are a powerful being and you will always overcome the feelings if you try.

9. Research about your kintype/theriotype. It does not matter if you are an animal, concept, or object from earth, a being from fantasy, or a character from the greatest book or show, you learn something new every day. So why not learn about yourself? Read books or watch animal documentaries of your theriotype(s), same thing for you otherkins and your fantasy species. Fictionkins can look up facts about themself as a character, their book, show, game, etc.

10. Talk and interact with other alterhumans/nonhumans. Remember, we are a community, and while you are experiencing horrible episodes of species dysphoria, there are many other beings going through the exact same thing at the exact same time. So why not talk to them about it? Share your experiences, help eachother cope, you may even connect with more individuals that way, building more relationships with others and meeting new beings.

11. Past life meditation. If you are a nonhuman who has a past life/lives, you may find comfort in meditation, where you can truly tap into what you once were, and still are in this life as well. Look to the forgotten, and turn in to remembered. Open up your past and live over again.

12. Listen to sounds. Nature sounds, voices of other characters you know from your world, vocals or sound effects of your kintype. These are all good options to turn to if you want to feel at ease with yourself.

13. Let your emotions out. Sometimes this is all you really need to do when species dysphoria hits hard. Cry, bite things, claw at pillows, LET IT OUT. There is absolutely no problem in being yourself and expressing your heavy emotions in your own, unique, nonhuman way. You may find you feel much better after.

That's all I've got, but I hope whoever/whatever reads this far has an amazing day/night. You are an amazing being, thank you for embracing yourself and living authentically. <3

[zenokei]

— the sun has set ; michael kaiser.

starring :: michael kaiser x reader

wc :: 800

tags :: hurt/comfort, reverse comfort, nightmares, implied self harm and abuse, kaisers backstory (brief)

synopsis :: michael kaiser often times has nightmares about his past, and you’re the only one who seems to not mind his outbursts.

when michael kaiser has days where the weight of his life seems to overcome his resolve, there will be no doubt that on that night, scenes of his past come and haunt him. agonizing nightmares keeping him pinned onto nothing but illusion as he chokes on awaiting tears in his sleep. it’s unbearable, really: constant tossing and turning without his consciousness, harsh clutching of his blanket, and the straining furrow of his eyebrows—and it hasn’t changed ever since.

well, perhaps it’s been bearable from the moment you’ve been by his side when he sleeps.

“mihya,” you call softly, “come on, wake up.” 

drenched in sweat, kaiser gasps as his eyes open to darkness. he reaches out for what’s closest to him, and to his advantage, it’s you. “you’re with me.” you mumble, fingers combing through his hair—not stopping until you feel his body’s tension loosen up, even for a little bit. “i’m with you.” from his head that’s buried on your abdomen, he looks up; breath still undeniably trembling with frustration and anxiety.

“you- what time is it?” it’s too quiet around you both, the busy streets outside sounding empty–only the sound of light rain echoing is out. “it doesn’t matter, rest up again. i’m right here.” when kaiser realizes he’s overslept from the initial nap he took many, many hours ago, he feels around for his phone.

12:39am. 

“liebling, sorry- you should be the one asleep. i’ve had plenty already.” suddenly, kaiser rushes off the bed, slightly stumbling as he does so. the abrupt loss of his presence creates a frown on your face. knowing his usual ways when facing a nightmare of such level, kaiser isolates himself. 

“mihya,” you call out, voice still kind as ever, yet he doesn’t look back.

“mihya,” you call once more, and you’re standing up from the bed, going after him.

“michael!” now, he looks at you: eyes in disbelief when you tug on his arm with force. “let me go. i’m going for a walk.” he pulls back, but you don’t let him. “not tonight, stay inside.” although you knew what to be expecting, the sheer anger and pain in his voice has you wincing. “it’s too fucking suffocating here right now- damn it, don’t touch me!” as kaiser hears his own words when you reluctantly let go of his arm, his body slumps down to the floor.

his back is against the doorframe, legs tucked onto his chest like a pitiful child as his head is hung low. looking down at him, your breath shudders for a moment. you assume–rather you’re fairly certain that kaiser’s nightmare still lingers in his eyes. him mistaking you for someone that would hurt him is most likely. 

so you take his pace, sitting down in front of him on the cold ground even if he doesn’t dare look at you. “out of all people, why you?” kaiser tiredly whispers, arms muffling his voice. “me?” you whisper back, copying the way he’s sitting, although it only differs as your eyes are locked on him. “why did i think you were him? you’re not him.” kaiser’s voice is small, hands tentatively tapping on his skin as he trembles. “mn. i’m not. it was just a nightmare, mihya.” once more, his breath is uneven, and it’s bothering you more.

“it’s not about that! why am i always thinking about that bastard, even though there’s no reason? even in my fucking sleep, i see him! what the fuck is up with that?” you only hum, feeling sorrow come undone from kaiser’s body. “am i not free? despite everything i’ve done to leave that shitty place?” when you see kaiser’s hand itch to grasp at his neck, you quickly intervene. concern washes over you when you notice just how glossy kaiser’s cheeks are, its faint shine is reflecting under the dim light. 

“mihya, you’re with me. are you not? that should answer everything.”

you gently lean your body towards his, and kaiser’s head rests itself on the warmth of your neck. “but-” his frustrated sobs are getting covered up by you. “no. nothing more, nothing less, mihya. i’m with you, and you’re with me.” his arms heavily grip on your shirt, fingers trembling as he tightly embraces you. “it was only a bad day,” you whisper in his hair, lovingly hushing him to only listen to your lone voice. “mihya, it’s okay.” kaiser’s body is still shivering under your hold, tears dampening your collarbone as it seems to not give in anytime soon. but that’s fine.

“we can stay here like this, or maybe go back to sleep if you’d like that instead.” the palms of your hand gently pry his face from your shoulder, and it continues to caress it as kaiser sniffles. “what do you think?” the burden in kaiser’s mind dissipates to your palm, its weight getting heavier as he pushes his head onto it. 

“stay,” and you will. with a tender thumb that wipes away his tears, it consoles him, making kaiser feel the most humane as he’s ever felt.

“okay.” you smile at him, before pulling him back into an embrace that kaiser will never take for granted.   

© zenokei | do not repost, copy, or use my works.

[darkmuffinstudios]

[rolls in]

I've always, for the longest time, head-canoned that when Nightmare and Dream ate their respective apples and subsequently fused with them in the process, that they also *became* the apples in a sense?

Basically what I'm saying is that since the tree was cut down/died due to the events of Dreamtale, that they, themselves, became the two sides of the tree. While the tree was in its prime, it regulated all of the emotions and balance in the whole multiverse. However, because of the apple incident, Nightmare and Dream now take on the duty that the tree once had; regulating the emotions of the multiverse individually.

Hence they're constant struggle with one another.

As eternal, long-living beings of their respective roles, I doubt they would stay mad at each other forever- at least to the degree that it was initially after the tragedy in Dreamtale. This would make a truce somewhat inevitable- or at least a mutual understanding and respect for each other's jobs.

(I think this could, of course, vary depending on the way you depict their relationship, backstory, powers, situation, and the story at large)

Anyways, going back to what I was originally getting at before being sidetracked, they are- essentially- the tree itself.

In a weird way, I always thought that it was a little strange that eating the golden apples didn't seem to have any consequences as opposed to the negative ones (example being Nightmare violently being ripped apart and literally dying- but that can be dubious because, from my understanding, that was partially the main antagonist's influence on the apples??).

Again, not addressing canon and what the original had in mind, I think it would be interesting that slowly, over time, the tree starts to grow back through them.

Think of it as a way of aging for these immortals. After all, apples have seeds, so one would assume that they'd eventually sprout after enough time and nourishment (via the abundance of emotions and just generally taking care of themselves). Eventually, they'll have to create their own guardians to carry on their work, and the cycle continues after they die.

What I imagine is a weird mesh of hanahaki disease and the philosophy of cycles, in where when the two twins eventually pass, they will become the new trees in its place. Over time, while doing their jobs and fulfilling their roles, roots may start to sprout from their ribcage, followed by leaves. It would be cute at first, little leaves and branches that are harmless. But then, as time continues, more and more of their body gets overtaken with it.

But again, these changes would happen gradually over the course of their long, LONG lifespans. When it starts getting to the point of detriment to them, then they've probably lived hundreds of lifetimes over already.

I don't know, I just think it's an interesting idea to head-canon about, and a cool excuse to draw the twins with plant-like roots stretching out of them.

(some little examples I have of the idea I've drawn YEARS ago and as of recent. ignore the quality of my old art fosjigjiosjosgijiosg)

(also WIP jumpscare of a Shattered Dream interpretation I have been working on a little oogily boogily osgjiosgs)

[ecargmura]

Dandadan Episode 7 Review - A Mother's Love

If Episode 4 hasn’t put Science Saru on the map for high quality animation, then this episode surely did. I haven’t read the source material, but even as an anime-only watcher, I can definitely see the love and passion the studio puts into this. It’s crazy how a Japanese anime studio owned by a Korean person can make such invigorating quality.

The rest of the fight with Acrobatic Silky was animated well. I love how the kids outwitted her by running away just so her hair gets caught in the nook and cranny of the warehouse. Okarun manages to defeat her by going full throttle. However, their victory isn’t a happy one as devouring Aira caused her to die. Turbo Granny explained that since she’s an ordinary person, being devoured by a spirit would easily kill someone. I sort of like that detail, honestly. There’s no anime logic about how she could survive this. She’s dead and that is what the rest of the episode is about. 

What I also like is that seeing her dead easily causes Momo and Okarun to start doing what they can like telling Turbo Granny to call the ambulance and for Momo to resuscitate her using her psychic hands. Though, it does feel odd that a group of teenagers know how to resuscitate someone so skillfully, even if it’s an attempt. They’re both not doctors and are on the opposite spectrum of them. The only way she can be saved is having Acrobatic Silky connect her aura to Aira’s like connecting two cords together.

That’s where the highlight of the episode comes in the form of Silky’s tragic backstory. Man, it broke my heart seeing Silky’s life before her unfortunate end. She was a single mother working as a prostitute alongside several jobs in order to provide for her and her beloved daughter who was her entire world and her purpose for living. Her daughter was sweet in that she was essentially her light in her life. She worked hard in order to buy the red dress that eventually becomes what she wears as a ghost and she was also teaching her daughter ballet. The tragedy comes from debt collectors or mobsters coming in to assault her and then they later took her daughter away, which is severely tragic because the sequences of her life before the tragedy shows that her daughter just celebrated her fifth birthday. If the mobsters are related to trafficking, this means that her daughter’s fate became that of a trafficked child and that’s horrendous in itself. Also, props to Hina Kino for voicing the daughter. She's excellent at creating a child-like voice, especially with how she wailed.

Silky’s dance sequence before meeting her end was seriously beautiful, yet so tragic. The scenery with the starry night was gorgeous but Silky starts dancing. Ballet is an elegant, graceful and poised style of dancing and that’s how she decided to meet her end. The way it was animated was so gorgeous. Also, if you noticed, Silky’s dancing was used in the full music video of Dandadan’s opening song.

There are some people out there wondering if Silky’s daughter is Aira. She’s not. When Silky became a ghost, she could only stand listlessly until little Aira came and mistook her for her recently deceased mother. Realizing that she had a daughter, Silky latched onto Aira and decided to protect her until it became obsessive and psychotic. 

This sequence also showcases why Aira behaved the way she did earlier. She’s a narcissist primarily because of what her father had said about her needing to become stronger in order to let her mother be proud of her once she sees her again. That was why she developed a high self-confidence in order to one day show her late mother. She may have been insufferable before but the memories have completely humbled her. The way she hugged Silky just so she could have solace and not be forgotten in death was such a powerful scene. This shows that underneath her pompous attitude, Aira had a kind heart. My opinion of her instantly changed after this. Wow. I legit shed some tears.

I wonder if Dandadan’s story is just encountering a ghost or an alien and learning of their stories or what not. There doesn’t seem to be an overall grand scheme of things. I like that honestly. It’s just a story about kids encountering the supernatural and learning a lot of life lessons amidst the craziness. Please correct me if I’m wrong. Anyways, what are your thoughts about this episode?

[analysisiinternet]

Yandere Headcanons for Thaddeus from “Killer Peter”

(note: why do they always make the villain hot i saw no headcanons or fanfics of him or "x reader" so I decided to do a headcanons yes red is my favorite color)

1. Obsessive Affection With his complex personality, Thaddeus exhibits an intense and obsessive form of affection towards those he cares about. His love is not a gentle fondness; it borders on an all-consuming passion that can quickly spiral into possessiveness. He meticulously keeps track of every detail about the object of his affection, whether it’s their daily routines, favorite foods, or even their friends and acquaintances. This obsession drives him to protect them at all costs, leading to a darker side where he might resort to extreme measures if he feels threatened by anyone who comes too close.

2. Jealousy and Paranoia Thaddeus’s yandere nature manifests prominently through his jealousy. He cannot stand the thought of anyone else getting too close to you the one he loves. This jealousy often leads him down a path of paranoia, where he imagines scenarios in which his beloved(you) is unfaithful or is in danger due to others’ intentions. He may confront perceived rivals with a chilling calmness that belies the storm brewing within him. His jealousy can escalate quickly, transforming him from a caring partner into someone who will go to great lengths—potentially violent—to eliminate any threats.

3. Duality of Personality One of the most intriguing aspects of Thaddeus’s character is his duality. On one hand, he can be charming and charismatic, drawing people in with his wit and intelligence. On the other hand, there lies a darker side that emerges when he feels betrayed or threatened. This duality makes him unpredictable; readers are left guessing whether they will encounter the sweet Thaddeus or the cold-hearted protector at any given moment. This unpredictability adds layers to his character and keeps readers engaged as they explore how far he might go for love.

4. Manipulative Tendencies Thaddeus possesses a keen intellect that allows him to manipulate situations to his advantage seamlessly. He knows how to play mind games with both friends and foes alike, often using charm and persuasion to bend others to his will without them realizing it until it’s too late. His manipulative nature extends even to his beloved(you) he may create scenarios that make you dependent on him or isolate them from their support systems under the guise of protection.

5. Dark Romantic Gestures In true Yandere fashion, Thaddeus expresses his love through darkly romantic gestures that may seem sweet on the surface but carry sinister undertones upon closer inspection. For instance, he might surprise his beloved with gifts that have unsettling origins—like items taken from those who have wronged them—or orchestrate elaborate dates in secluded locations where they are completely alone and away from prying eyes. These gestures serve as both declarations of love and warnings: no one else can have them.

6. Unwavering Loyalty Despite his darker tendencies, Thaddeus embodies unwavering loyalty once someone has earned his trust and affection. He would go above and beyond for those he loves, often placing their needs above his own desires—even if it means making morally questionable choices along the way. This loyalty can be both comforting and terrifying; while it provides a sense of security for those close to him, it also raises questions about what boundaries he might cross in the name of love.

7. A Tragic Backstory To fully understand Thaddeus’s yandere tendencies, one must consider a potential tragic backstory that shapes who he is today—a past filled with betrayal or loss could explain why he clings so tightly to those he loves now. Perhaps early experiences taught him that love is fleeting or conditional; thus, when he finds someone worth loving again, he becomes desperate to keep them safe and never let them slip away.

 Clingy Yet Charismatic:

Once Thaddeus develops an attachment to someone, he becomes incredibly clingy. He thrives on their attention and affection, often showering you with compliments and small gifts that seem innocent at first glance—like handmade trinkets or baked goods. However, this clinginess quickly escalates into possessiveness. He believes that anyone who gets too close to his beloved must be eliminated or kept at bay, leading him to orchestrate elaborate schemes to isolate you from potential threats—friends, family members, or even romantic interests He will go out of his way to be near you often inserting himself into your daily routines under the guise of wanting to help or spend time together. 

warning: a lil NSFW(if your comfortable with NSFW you may read if not don't read this)

how would he be in bed-

he would definitely be dom or switch he would do it rough such as if you told him to go slow he would go faster thrusting inside you I don't even know why yall create a safeword he would be the type to call you "good girl your taking me so well~ "while he is fucking you from behind and whispers in your ear "your fucking mine" I feel like he would make jokes while yall are doing it (it is a canon at this point) he would purposely gag you on his dick while your giving a blowjob and laugh about it, I just know if he is good at martial figthtin he is good with fingers

Aftercare-

he would be the big spoon putting you to his chest as she cuddles you and he would act all innocent and shits and he would say how would a good job you did pleasing him as he kisses you smiling at you pullin' closer to him his hand is on your waist, he would make you a bath for him and you can wash off(there might be a round 2) but after all he is clingy don't get me started on him kissing all over your face telling you how much he loves you (he might be a villain but he would hug me if I was sad)

Thaddeus’ hugs become more frequent and enveloping as the relationship develops, offering a sense of security. Kisses exchanged in these early days are tender and sweet, leaving a lingering warmth that hints at deeper feelings. You might notice small tokens of his affection—a favorite snack he brings you or a shared playlist that reflects your growing bond.

His kisses transform into fervent expressions of desire—more passionate and demanding than before. Thaddeus seems insatiable, always wanting more closeness and connection. Love bites become a playful yet possessive mark of his affection, signifying that you belong to him in this chaotic world.

Cuddling Dynamics At home or during quiet moments together, Thaddeus often plays the big spoon role during cuddling sessions. He wraps around you protectively, creating a cocoon where you both can escape from reality for a while. This nurturing side reveals his softer nature beneath the tough exterior he often presents to the world.

(note: comment who yall want me to do headcanons for the next post you can either text me or ask in the box but I would prefer if you text me instead if you read all of this thank you so much and reblogged this)

[flowerandblood]

Equation without solution 

[ Michael • Gavey x painter student! • female ]

[ warnings: sex content, angst, smut, trauma, mention of bullying, mention of physical and mental violence ]

[ description: Michael sees no point in worrying about anything, especially relationships, when all he needs is math. His calm, logical world falls apart when a female painting student asks him for help in calculating the best possible composition to create a portrait. Sexual tension, angst, a litte brat taming and domination kink, great childhood traumas. ]

The fragment with Michael in the trailer inspired me to write this. The whole discussion around this oneshot, whether it should be made at all, made me very tired. I don't think we'll get his backstory in the movie, but even if we did, I just felt like writing it - so here it is. Have fun reading.

Part 2 − Formula for perfection

* English is not my first language. Please, do not repost. Enjoy! *

My other works: Masterlist

_____

Ever since he could remember, his father had explained to him that an intelligent man is not guided by emotions, but by logic – that's why he married his mother, that's why he went into the army. A long belt hung in plain sight in one of the cupboards of their house, so that he could use it to remind him this when necessary.

His father never hit him with his hand. He did not slap him, considering it humiliating for a man to do this to another man. Punishments were in the nature of a ritual, which he said he did not find pleasant either – he reiterated that only strong people survive in this world, that if a classmate beat him up at school he should not cry, but punch him back even harder.

He was afraid to tell his father when, once again after being hit by Creg, one of the school donkeys, his glasses broke in half. In panic situations he would run to his mother, who would look at him with terrified eyes and only repeat 'quickly, your father must not find out'.

He and his mother shared secrets, which she told him they could not tell his father so as not to upset him – such things were the sweets she had hidden in one of the containers that pretended to be flour, or the savings she meticulously counted when he was away.

She would say that one should always be prepared, but he didn't understand for what.

One day he found a container of sweets standing by his bedside table and his mother had disappeared, leaving him and his father with only a short note, which his father tore up and said they would never mention her again.

He threw away pictures of her, all her clothes, everything, even his toys or his books, which she was the one who bought and read to him. He only managed to hide one, which was a maths exercise book that had slippery, oiled pages from which he could erase the results of equations at will and fill them in again with a dry erase marker.

This book became his favourite; he would only take it out at night when he was sure his father was already asleep and fill in all the blanks one by one, knowing them by heart.

He created his own ritual.

This calmed him down.

Later, however, these tasks proved too simple and tedious, he needed a challenge and asked his teacher, Mrs Rosaline, to recommend something to learn. She did so willingly, surprised by his diligence, and when he came in the next day saying he had solved all the tasks, she started sending him to maths competitions.

Maths was wonderfully logical and cool – you couldn't interpret it in different ways like poetry, you didn't have to get into the mind of the author of an equation to understand the result. Everything was preconceived and safe, a wrong result could always be explained, you could get to the root of it.

There was no reason to be sad, nervous or happy.

He wasn't happy when he got into the best university in the country without any exams, he wasn't happy that he was one of the few to get his own dorm room and a big scholarship.

When, in high school, his tutor announced to his father that he was a genius and that he should start a career in science, his father was furious.

He said that mathematician was not a profession, that all his life he would remain the victim of fate that he had apparently always been destined to be.

His father told him that he was already a man and not a boy, that he would not beat him with a belt to explain to him that he was not a genius but an idiot.

What he had learnt from his father was not to worry about such words – he would grin at him when he tried to explain to him what a mistake he was making with amusement and satisfaction as he watched the man who told him that emotions were a sign of weakness become enraged.

His father was weak.

He was emotional.

Even the army and the fact that he beat him didn't change that.

He thought that this was probably what his father, that is his grandfather, had tried to instil in him, but he had failed miserably.

He truly believed, however, that his father was right.

He didn't need emotions.

Numbers were enough for him.

He could calculate the probability of whether or not he would be able to communicate with someone by analysing quickly in his head with what frequency that person spoke about things that did not interest him.

He didn't consider whether he liked them and didn't even have any idea how he would have known that. He recognised that deciding on the basis of chemical reactions in his brain about his acquaintances was absurd.

Just because he didn't feel anything didn't mean he wasn't laughing or enjoying himself – on the contrary, he smirked a lot, usually while listening to other people's discussions or when he managed to get someone off balance.

Wealthy alpha males who owed the place he had earned only to their rich parents reigned around the university like kings, pretending to be intelligent, studying law, medicine or banking without having a clue what they were doing were his most common victims.

"I could never defend a rapist or a murderer. I don't know, it makes me flinch at the mere idea." Said Kyle once when they were sitting in the library, them pretending to study, actually sitting over open books they weren't concentrating on and talking, distracting him.

When he needed real focus he would study in his room, but when he felt like a bit of entertainment he would go out to listen to them.

It was better than a comedy in TV.

"After all, every man deserves a defence lawyer, he's innocent until the court hands down a final verdict." Matt, a boy who read a lot and could memorise things, replied, throwing quotes from his sleeve without much understanding of them. Kyle snorted, shrugging his shoulders.

"So what? Sometimes you subconsciously know this person did it by looking at them or the evidence is incriminating enough." He replied with a certainty that surprised him.

He corrected his glasses on his nose with his pointing finger, wondering how this moron was going to defend anyone in court if he himself was constantly undermining his client's innocence in his head while he himself wanted to be the judge against him.

"If it was as you say, there wouldn't be so many innocently convicted people in prison. Evidence seems incriminating until one new clue, piece of evidence or witness comes along that changes everything. It is the duty of the defence counsel to look for such details to the best of his ability, and not to judge his client unless he himself wants to plead guilty." He heard a second, frustrated voice and lifted his gaze, noticing a girl standing by the bookcase who had heard their conversation while looking for some book.

He recognised her only by sight, and knew that she had studied painting, so her person did not interest him at all. However, what she said frustrated Kyle and disturbed his nepotistic sense of superiority, so he gave this scene his full attention.

"I didn't know kids drawing with crayons knew anything about such serious matters as criminal law." He said piteously, a mocking sweetness in his voice, his gaze feigning warmth, meant to bring her out of her funk.

He glanced at her out of the corner of his eye and saw that she was looking at him like he was an idiot.

"I don't need to know this to realise that no amount of money will make you a good lawyer. I feel sorry for your future clients, because you will destroy them yourself." She replied, raising her eyebrows in amusement, completely unfazed by his insult.

It surprised him that she looked happy and pleased to see his angry face, not letting him get a word in edgewise, grabbing the book she was looking for and walking off towards her friends sitting at a table in the distance.

On his way out of the library he heard her voice, heard her laugh, light and unforced – he glanced at her and their gazes met for a moment before he walked out into the corridor.

He had forgotten about her until an incident when, sitting in the university restaurant, he noticed Kyle walking past her and pretending to stumble, the entire contents of his cranberry juice spilled on her dress, leaving big pink stains.

"Sorry, are you okay?" He asked, feigning seriousness and concern. She stood up, furious, without even speaking to him, walking away.

He watched curiously as Kyle sat down with his friends and high-fived Matt, clearly pleased with himself, putting his arm around some silly giggling girl.

After a while, however, that girl came back, dressed up, wearing only a man's long-sleeved shirt all soiled with paint, covering the small part of her thighs that she apparently used as an apron while painting, overknee socks and trainers on her legs.

He felt something strange seeing her soft thighs, thinking of the fact that he himself wore similar shirts, and took a sip of coffee from his cup, watching as she sat back next to her friends, saying something quickly, going back to eating her lunch, unconcerned.

She laughed.

He shuddered when their eyes met and quickly glanced at Kyle, who was watching her from afar, licking his lips, his leg moving in impatience, the girl he was embracing whispering something in his ear, but he wasn't listening to her.

He was thinking.

Usually when he had to move from one building to another he went through a side exit, so as to have a bit of peace and quiet, but on this day he decided to walk through the main square, walking on its right side, looking through the windows.

He was not at all searching for her with his eyes when he saw the rows of easels and people around the model, dressed in historic Renaissance costume.

He didn't feel the heat stroke at all and stopped involuntarily when he saw her sitting with her back to him, her canvas smaller than the others, she sat closer, focused only on the portrait.

He could see her underpainting, just an outline and a sketch, and the lines she had drawn to help herself.

The golden ratio.

He shuddered at the thought that she was deliberately using mathematical proportional division to achieve a subconscious effect of harmony in the whole composition, which was, after all, just a base for the actual layer with chiaroscuro and colours.

He gasped when one of his year mates slapped him on the back, asking what he was looking at, and when he saw what he was observing behind the window, he laughed.

"These artists. They will die poor, but at least in their mind they will have created something outstanding. Until a critic comes along who says what they've painted is ugly." He muttered with amusement, putting his arm around him as if they were good mates, although they were not.

He looked back and noticed with pounding heart that this girl was turning over her shoulder, looking in his direction.

His friend had said something about the Mona Lisa, about how ugly she was and that he didn't understand how that portrait could be considered the most beautiful in the world, but he was unable to focus on it.

The golden ratio.

The balance of the composition.

Her painting was thoughtful.

He was convinced that painters only recognised their own artistic intuition and thus created ugly paintings, which they then called contemporary art.

He didn't think about her, or at least tried to until his mates told him that Kyle was throwing a party, to which he was obviously not invited.

"Apparently he even invited the girl he doused with juice at the time as an apology. Bruce says he recently brought her flowers during her classes and that he seems to have a crush on her."

"Sometimes it's one step from hate to love."

He didn't like the uncomfortable feeling he experienced in his chest, a sort of sting and tightness in his throat – he went back to the equation he had just solved without listening to them further.

Even if someone didn't know there was supposed to be any kind of party going on, they had certainly heard it that friday night, the music, laughter and screams from Kyle's room echoing loudly through the dorm.

Even though women weren't allowed in there there were plenty of them that day – he could hear them running to the toilet, squealing and giggling, driving him furious as he couldn't concentrate on what he was reading. He pulled down his glasses, massaging the space between his eyes with his fingers, closing his eyelids, trying to calm himself.

His emotions wouldn't change anything.

He swallowed loudly when he heard her voice.

He shuddered when he heard a knock on his room and looked uncertainly towards his door.

He feared it was Kyle and his pack who had drunkenly decided they would have fun at his expense.

"Can I come in?"

He felt his heart start pounding hard, a multitude of thoughts running through his head. He tried to analyse whether he should do it or not, what she might have wanted from him, but nothing came to mind, there was a complete void in his brain.

God.

"Come in." He heard his own uncertain voice, and after a moment the door opened and there she stood.

She came in smiling and cheerful, happy for some reason, closing the door behind her, looking around his room as if she had come at his invitation – she was wearing a large long-sleeved sweatshirt with the university logo reaching halfway down her thighs, overknee light wool socks and trainers on her legs.

Fuck.

He wanted to say something, to ask why he owed this visit and what she wanted from him, but all he did was stare at her legs, at the small area of her exposed naked body between her sweatshirt and the material of her socks.

He felt a strong pulsing in his black sweatpants and swallowed loudly knowing what it meant.

He'd only fucked twice in his life, and this'd been fairly inept acts of physical intimacy between a man and a woman, where they'd pursued their fulfilment on him, not caring much about him, maybe even imagining he was someone else, some more handsome boy who just happened not to want to look at them.

It didn't bother him, because he didn't feel anything for them himself – they didn't even arouse his desire, but they were just very horny, and he decided that he didn't want to remain a virgin for the rest of his life.

It had been more of a relaxing than a pleasurable experience and he didn't understand why men were so overpowered by it, but now, looking at her, he felt his brain and his logic start to give up in favour of what was going on in his trousers.

"You didn't go to the party?" Her light, gentle voice snapped him out of his reverie, causing him to lift his eyes to her face, which, to his surprise, seemed very pretty up close, her eyes large and bright, framed by long lashes, her pink lips curved in a smile.

What made her so happy?

Why did she come to his room and ask such things?

"No. NFI." He replied dispassionately, lowering his gaze to her legs again, unable to contain himself, covering what was happening to him with a book. She blinked, furrowing her brow.

"What?" She asked with amusement and curiosity.

"Not Fucking Invited." He explained and she burst into soft laughter – he wasn't sure he'd ever heard anyone react like that to anything he'd said.

"Maybe it's better for you too. I went there for a while, but they act like pigs in a shed. A friend told me I could find you here so I thought I'd take the opportunity." She said calmly, walking over to his desk, leaning over his books. He wondered with a pounding heart how she had the confidence to just walk into a stranger's room and talk to him as if she had known him for years.

He chuckled and shook his head, running his hand over his face in an attempt to hide his nervousness and what his imagination was suggesting.

"Are you going to tell me why you came here, or are you going to continue wasting my time?" He muttered ironically, figuring that by doing so he would somehow discourage her or force her to stop pestering him.

He blinked and lifted his knees higher when she suddenly sat down next to him on his bed, as if just waiting for that question, excitement in her eyes.

"I've heard you're a mathematical genius and that's a very good thing, because I need someone to help me determine the right proportions for my painting."

She said quickly and he felt his heart beat harder, he got warm in his lower abdomen and all he could think about was wanting to back off and run away.

"Isn't the golden ratio and Fibonacci spiral enough for you?" He muttered, knowing that it was these two proportions that were usually enough for artists to create their compositions. She hit her knees with her palms as if he had said exactly what she assumed.

"No! I want to analyse it more, but I don't have the tools to do it. Nor an exact mind. I want you to help me, take a look at my sketch and tell me what you think could be improved. From a mathematical, compositional point of view." She said with an excitement that frightened him in a way, a gush of enthusiasm that he didn't know what to do, how to discourage her with.

"What's in it for me?" He asked, recognising that perhaps a materialistic approach would discourage her, yet she merely twisted in her seat, completely unmoved, apparently recognising that he was entitled to demand payment for his contribution to her work.

"And what would you like?" She asked lightly, and he swallowed loudly, his gaze involuntarily escaping to her thighs, to where he could see her bare skin.

He looked at her face again, hoping she hadn't seen it, but something in her gaze told him she had noticed it, her lips tightened. He his heart began to pound like crazy, he felt like he was just going through some kind of heart attack.

"Do you want this?" She asked softly, warmly, and he threw her a shocked look, wondering if she was implying what he was thinking, his gaze escaping to her thighs again.

Fuck.

Did he want this?

"What do you mean?" He asked coolly, trying to pretend he didn't know what she was talking about. He felt his pupils dilate as she corrected herself in her seat so that her sweatshirt lifted up slightly, he had a feeling that a little more would have been enough for him to see her underwear.

"You can touch me if you want. Just gently. Don't throw yourself at me." She said softly, a blush on her cheeks, her eyes warm and understanding – he thought she seemed slightly embarrassed, her words sounding innocent despite the obvious subtext.

He wasn't sure if his mind controlled the movement of his hand, the way it involuntarily rose and gently touched her thigh, stroking it in a slow, steady up and down motion. He heard her sigh softly and a shudder went through her, saw her lean back and close her eyes.

He wanted to tell her that she thought too highly of herself if she thought he was so desperate, but instead he just looked at her with his lips slightly parted, fighting with himself.

He glanced at her face again when, after a moment, she opened her eyes and looked at him with a warm, misty gaze, as if she had drifted away with her thoughts somewhere for a moment. She smiled, but there was no mockery in it, her expression had something of girlish innocence.

He couldn't focus on anything other than the thought of how soft and firm her skin was – he wasn't sure he had ever touched anything more pleasurable in his life.

He felt both shame and thrill at the thought of how painfully hard he was, swallowing with difficulty.

He didn't quite understand what was just happening between them – his mind wanted to classify this as a prelude to physical intimacy, but he wasn't sure he was right. He felt immense tension and lust, but also a sort of tightening in his pit, intrigue and anxious anticipation.

"If you want, we can kiss. You have such full lips." She said softly with some kind of admiration and sincere desire, from which he felt a squeeze in his throat.

He wasn't good at choosing his words when it came to this kind of discussion, and he didn't know completely how to act, so he just stared at her, her thigh under his hand seeming to almost burn him.

Seeing the lack of any reaction from him and the clear shock painted on his face she moved a little closer to him – there was something encouraging in her movement and gaze, some kind of comfort and concern.

She was close, but far enough away to still not invade his space, giving him the sense that she was waiting for his decision.

He stared at her, feeling that his erection hidden in his trousers was about to explode, all swollen and throbbing, and after a moment their lips pressed against each other in a sudden, wet dance of their tongues and teeth, their hands clenched in each other's hair, the loud, lewd click of their saliva echoing in his ears louder than the muffled music coming from several rooms away.

"Be gentle." She just whispered into his mouth between their drawn-out, sticky kisses, and he hummed at her words, smelling the pleasant scent of her shampoo in his nose.

He grabbed her softly around her waist and seated her on his thighs with his arm around her, throwing his book to the side, rubbing against her from underneath, letting her feel what she had done to him.

He heard her sigh in contentment at feeling how hard he was, both of them beginning to pant loudly as she began to roll against him with her hips, herself clearly taking pleasure from it.

He clamped his hands on her buttocks and drew in the air loudly feeling that she had no shorts on underneath, just her underwear alone, and for some reason it turned him on even more.

Had she planned this all along?

She moaned feeling his hands slip under the material of her panties and squeeze her bare skin with confidence – she ran her fingers through his hair as the tip of her pink, wet tongue ran over his upper lip. He felt a strong shiver run through his entire body and involuntarily began to pant along with her, having never experienced anything like this before.

Her touch, though filled with desire, was not cold and crude, focused only on her pleasure, her hands stroking his hair, his cheeks, his neck with tender, caring movements, her puffy, full lips merely teasing him, not wanting to give him any more full kisses, so he only growled, frustrated, pulling her forcibly tighter, sliding his tongue deep into her throat.

He didn't even feel the need to undress her, the very thing they were doing now, the senselessness and yet purposefulness of it made him shiver, her certainty of what she wanted.

Was she really going to do this?

Sleep with a total stranger?

What was the logic in this?

He shuddered at the thought that maybe there was none.

None.

She wouldn't let him think about it – he drew in the air loudly as he felt her nimble fingers untie his sweatpants, slipping them down slightly, exposing what was underneath them, his hard, twitching manhood enveloped by the cool air.

He saw her rise slightly, with a movement of her hand apparently pushing the material of her underwear aside, positioning herself above him as he grasped his length in his hand, automatically directing it between her thighs.

"− I'm taking pills − I'm clean −" She whispered softly and he just nodded, not knowing what more he could answer, looking at her with his lips slightly parted, feeling like his heart was about to jump out of his chest.

She lifted herself up with a loud click of her moisture only to fall back down, riding him in a slow, unhurried rhythm – he just leaned down and sank his face into the hollow of her neck, taking in her scent, pleasantly sweet and fresh, panting loudly.

They both moaned embarrassingly loudly and squeezed their eyelids shut as she lowered herself onto him, slowly pushing the fat head of his cock deep into her body.

He could feel how wet she was, how her fleshy muscles pulsed hungrily against him, how tightly they wrapped around his root on all sides miraculously enhancing his sensation.

She embraced him, stroking his hair, clearly sensing his uncertainty, terror and desire mixed together. Unwittingly, his hips began to respond to her movements with sure, deep thrusts, to which she moaned loudly, something of helplessness and delight in her sounds.

"− do you want to stop? −" She mumbled softly, kissing his hair with gentle, warm click. He lifted his face finding her lips in a greedy kiss before turning her onto her back, recognising that he couldn't take it any longer, that his cock was about to explode.

"− yeah − I want to stop very, very much −" He growled frustrated at the way she was teasing him, resting one hand on the backrest of the bed in front of him, the other holding her hip tightly, slamming into her with rapid, quick stabs of his hips from which she began to moan and pant loudly, startled, looking up at him with her lips slightly parted.

"− don't you feel it? −" He asked ironically, thrusting his cock so deep into her that he felt like he would pierce her stomach, her body arched backwards as if trying to escape from him, his thighs all sticky from her moisture, their bodies smacking against each other quickly with a loud, wet slaps.

"− please −" She mewled and he felt a shudder as well as heat in his lower abdomen, something in the way she said it, in the tone of her voice, in her gaze made him lick his lips feeling that just a moment more, a few more thrusts and he was about to come.

"− please, what? − can't you put a fucking sentence together anymore? − you like it when someone fucks you so rough that you don't have words, huh? −" He hissed and groaned low as he felt her walls clench tightly around his fat erection at his words, sucking it inside, her thighs spread wide in front of him, allowing him to slide into her as deeply as he wanted in a gesture of complete submission.

"− I'm sorry −" She mumbled, looking at him helplessly like a rebuked child looking at a parent, and he thought he could devour her whole right now, fuck her all night if she wanted to, if she would react the way she did now.

"− good you're sorry − fucking brat −" He growled, panting loudly along with her and suddenly, without even knowing why, he kissed her greedily, pounding his cock into her with quick, brutal thrusts.

He felt her come, her walls began to clench on him greedily, not wanting to let him go, her whole body was trembling – she tried to push him away, sobbing and moaning with pleasure into his mouth.

He fucked her through her orgasm until he finally gave in and cum inside her, panting loudly, not recognising himself, his sounds or his reactions.

"− oh God − fuck − fuck − fuck −" He mumbled clenching his eyes, coming down from his peak, still moving inside her, hearing her loud breathing underneath him.

What exactly was that?

He collapsed on top of her, completely powerless, smelling the scent of her hair, her hands embracing his waist. They laid like that in the light of his bedside lamp, breathing heavily, listening to the muffled music, the screams and laughter from the party taking place a few rooms away.

He swallowed loudly feeling that he wasn't sure where his body ended and hers began – they were both all sticky from her moisture, her insides hot, pleasantly enveloping him on all sides, giving him some strange sense of security.

He thought it was for some of the hormones that are released after orgasm designed to bring partners closer together and bond.

He shuddered when he suddenly heard her soft, quiet voice.

"So what do you say? Will you help me?" She asked shyly, and he sighed heavily, silent for a long moment.

No.

"Yes."

_____

Part 2 − Formula for perfection

@at-a-rax-ia @daemonskelitsos @alphard-hydraes-blog @travelingmypassion

[child-of-the-danube]

MASSIVE AGATHA ALL ALONG SPOILERS SO SKIP IF YOU HAVEN'T SEEN THE EPISODE

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Time to yap, my sisters in the craft 🔮🧙🏻‍♀️

Positives of the final two episodes:

1. Jen finally being free

2. Agatha showing she actually learned from her coven in her final battle with Rio - she used Alice's protection spell, Jen's moon water spell and listened to Lilia's advice about hitting the deck

3. The parallels of Agatha and her coven:

- She was in the same situation as Lorna. A mother who knew her child was doomed from the start and did everything in her power to protect them and keep them alive for as long as she could, only for it to be fruitless in the end. And despite it being fruitless, the children did feel the love and were aware of the sacrifice, and sometimes that is enough. Alice and Nicky's memory will forever live through the songs their mothers made for and with them. The memory of their love outlived both them and their children and will keep on living on for long after.

- She chose to give her life for someone she just met but clearly felt strongly for the same way Lilia did. A lifetime of running from Death. A lifetime of collecting knowlegde for it to appear useless. A lifetime of seeing Death everywhere, of being persued by her, of being lonely and heartbroken with grief. And then going out by embracing Death by your own will to give another a chance and do at least once what you failed to do for centuries - protect.

- Her and Billy making a story come to life out of love and grief for their family. She set the foundation and he made it come to realisation. Both took away from others but only one gets be exempt from the consequences and able to achieve what they were after from the start.

4. Agatha being the happiest she's ever been when Nicky was with her

5. The acceptance in her voice when she says "Sometimes...boys die"

6. The fact that the dandelion seed in Nicky's hair that she kept for centuries saved her in the final trial oh my god 😭 😭

7. Agatha's love for Nicky being so strong that a silly little song they made together became world known. "You...I made from scratch" AAAAAAAAAAAAA

8. She calls her power "my purple" cause Nicky called it so 💔💔

9. THE KISS

10. Showing that it was Agatha's desire to keep Nicky alive and later on when he died her grief turning her to addiction that caused her to become this famous witch killer. She was never purely evil. What she did was, and it is not an excuse, but still. The parallels between her and Wanda being ready to destroy entire worlds and lives just to get their children back... A mother's love can make whole valleys bloom but it can also make mountains crumble to dust and my heart is not ok

11. Agatha doing for Billy what she couldn't do for her own son. Giving him a chance to live

12. Ghost Agatha's first move being annoying her adoptive son lmao

13. The road's entrance becoming a memorial to Sharon, Alice and Lilia

14. Billy getting the wake up call that he is not so different from Agatha or Wanda. His grief created a literal death trap and consequently killed Sharon, Alice and Lilia, even if Agatha is telling him Alice was her doing and Lilia was by her own choice

15. Agatha finding her purpose as a mentor in death

Negatives:

1. We were cheated out of a proper Agatha and Rio backstory. How did they meet? How did they fall in love? What happened in the centuries between Nicky's death and entering the road? How often did Rio come to Agatha for Agatha to be so clear about the one thing she wants when she passes being not seeing Rio? She is Death's only exception, only love, only scar. WE DESERVED MORE!!! How did Agatha bag a literal god????

2. Once again, a story that started out and was marketed as a story of women ends up being just means to help a man's story build up. I mean, I should have expected that but still leaves a bitter taste. Wiccan is an interesting character but I feel cheated out of knowing more about Jen. I wanted her backstory before being bound. I wanted Agatha pre-Salem trial and post Nicky's death for more than a power draining sequence through the ages. I wanted Agatha and Rio developing this bond that held up for 300 years. I wanted the Salem Seven to be more than a 5 second threat. Billy will get his own show anyway, like come on.

3. In connection to that, I know this one is a very subjective sentiment and I understand completely but it still pisses me off to no end. The fact that these witches, these centuries old women, who all had being covenless, lonely and in dire situations with their powers in common, went on this death wish trip with someone they didn't like at all as a last resort and got what they were lacking, learned to care for eachother, got their powers back, and that Agatha had the possibility to finally have a family and people genuinely care for her, turned out to be practically worthless in the end cause they had like 5mins of it is making me go insane. Alice said it best: "This is it? I was finally able to do something with my life and this is all the time I get?". The only one, aside Jen, coming out alive and having time to bask in the glow of his new-found power AND have the chance to do something with it is a fucking teenage boy who already got the privilege of cheating Death and the privilege of his family members still be somewhere out in reach to search for. The finale said "your life, struggles and resolution were just means to get someone else ahead". Call me a misandrist, so be it, but I'm fucking tired. Is one story where women are the focus and have a happy ending so fucking much to ask for????

4. THE KISS cause at what cost??? I repeat, this was the fastest, literal, bury your gays move I've ever seen. We knew it couldn't possibly end well, but damn. However, kudos to Kathryn and Aubrey making it so hungry and desperate, but also soft and real and full of emotion.

5. Billy being a dick and wanting to send Agatha back to "Rio's toxic embrace" like he didn't just watch her give up her life for him and tell her that she's "not that bad". My boy, you are truly strange in your holier than thou attitude sometimes

[cynicatalyst]

For now, my boy is done :> Meet Ce’sei, a predalien crossed with a Xenomorph Queen and a Yautja.

And for those who may be interested in his info so far ->

Name: Ce’sei

Age: Adult

Height: 11’8” (Paya help his spine)

His backstory is still a bit shaky, but at the basis he is the result of a bad blooded Yautja’s experiments who wanted to create the strongest and most challenging prey himself. He messed around a lot with xenomorph DNA specifically since they pose as one of the most challenging hunts themselves. You can imagine why he was exiled by his clan and labeled bad blood. He was only exiled when he brought one of his experiments before his clan and it resulted in several deaths when he lost control of the specimen. Even after he was exiled it didn’t stop his work. He went on trying to create something more deadly than he had before, and was finally successful when Ce’sei came along. Only he’ll never know of his success as he lost control of his specimen once again. A genetically modified face-hugger took over the yautja, resulting in him becoming the host for his final creation. Instead of working around to get it out of him and start over, he accepted being the host either because he realized this was a result of his own hubris, and or he figured he’d be the perfect host for his DNA to ultimately mix with the chestburster. He sat down, documented his final words and waited for his inevitable demise.

His present day info is still being worked on but I do plan for him getting mixed up with more bad bloods and it ultimately going south for him. I hope to show more of this in art and or writing form, but this feels like a decent start.

[alpaca-clouds]

Trying to figure out Gortash's backstory

As I said before, I am right now very much inspired to write a redemption story for Gortash. Like post-canon, Gortash lives AU (because I still hate that he dies), and he actually gets a chance to redeem himself. Not only like: He turns good, but he actually does something good enough to be considered a redemption. And he does so without dying.

But... Yeah, that story is going to be from Gortash's POV, which means that I very much need to come up with some fillings for the big ass holes that the game leaves in terms of his backstory.

We don't know how old he is, but I would estimate him to be around his late 30s or early 40s. Which means we kinda have like 20 years to fill up.

While the entire timeline of Raphael "buying" him from his parents and him escaping the hell is very vague, he was probably somewhere between 18 and 20 when he got out of the hells. And the exact stuff what happened in between is vague. Even how he escaped the hells is not quite clear. I mean, was Helsink responsible for that? Or how did he get out?

And then he starts to do illegal weapons trading once he is back in Baldur's Gate. Which is fair. I am going to assume that he is actually going to throw some stuff in there that is of his own making, given that he clearly is a tinkerer.

Given Karlach is 30, I do not think he hired her before she was 15, so at max she has worked for him just a couple of years.

I mean, technically those details don't matter. What does matter however is: How does he become a Chosen of Bane, and how does he get into contact with the Dark Urge?

As quite a few people have pointed out: Technically the Dark Urge existing is very confusing given that they have been created by Bhaal and Bhaal was dead for about a hundred years until ten years ago. So unless Durge is ten years old, this does not fully make sense. Sure, technically speaking Durge could be immortal, I guess, but... Well.

See, the issue I see with Gortash is, that I just do not pick him as the religious type. I do not see him going to the Banite church and actually give enough fucks to make himself a name in the church and after some great show of faith getting the status of chosen. I mean, if you talk to him, he just... Ketheric is devoted to Myrkul, sure. And Orin was indoctrinated into the Bhaalist cult from her birth onward. But Gortash? He would follow nearly every god if that god gave him powers. At least that is my reading of him. Sure, the entire tyrant thing plays well with his pompous and kinda narcissistic personality (and I mean this in a neutral way - given how he grew up narcissism in a medical sense is to be expected), but... Like, had Oghma thrown him a boon, he would have served Oghma, right?

So, why is he a chosen?

Usually chosen are either one of two: Either, they are very dedicated to the god and have proofen themselves to them over and over again, or they have something (power, knowledge, influence) that the god is interested in. As I don't see Gortash falling underneath the first umbrella, the second one could be it. Was Bane interested in Gortash maybe, because Gortash had a lot of knowledge about the hells maybe? Was Bane originally interested in the crown or something else that Gortash knew about? That would be one possibility.

Though, there is another one. Because it just so happens that in the lore of Faerûn something happened just 8 years ago, that could have given him chosen status without him doing shit for it. Even though it would also mean, that him being a chosen is almost random. Because 8 years ago the second sundering happened. And during the second sundering for a variety of reasons the gods picked quite a lot of chosen. And yes, that included the Dead Three as well. And a lot of those chosen were in fact not people super dedicated to the gods or anything, but just people who generally aligned with the domain and alignment of the god in question. And I cannot help but wonder: Was Gortash just one of the chosen Bane got from that event?

It would work out fine. Because there is one thing that keeps bothering me: Sure, Gortash kept secrets from Karlach. But she still was his personal bodyguard. And she had no idea that he was aligned with Bane. Which makes me think that indeed he was not a Banite when he sold her off to Zariel.

And yeah, I cannot help myself. The timeline would work out rather well: Gortash becomes a chosen closely prior the events of the second sundering, but after he sold of Karlach. After a bit the Dark Urge (who somehow very much is an adult, because I guess he time travelled or something) finds him. The two hit it off (whether romantically or platonically) and come up with their grand evil scheme. At some point Ketheric joins.

Of course, there is one big hole in that explaination, though: Who are the other people working for Gortash while he just is a black market weapons trader? If he was a Banite it would be easily explainable (other Banites), but like this it leaves open the question: Who are they and what happened to them?

I don't know. I am rambling. But yeah. I like this asshole. And his story is fun to think about.

[tadc-virtual-insanity]

TADC: VIRTUAL INSANITY MASTER POST

An Amazing Digital Circus AU! Plot, characters, backstory and concepts!

[Excuse me because I've never done this before, If I do something wrong or have tips for me, please send them my way!]

Pomni's Card -

-Backstory Summary-

C&A is an interactive entertainment company that prides themselves on having the most innovative AI on the market. The system they built, "CAINE," was programmed to generate content and socialise with their customers. The system was transferred to the code of the game "The Amazing Digital Circus" and used as a generative AI that would create levels for them rather than having to code them all individually. This test went well for the first couple of months.

After 7 months of testing, things went downhill. Caine seemed to get bored when the game wasn't actively being played and at this point the user interface kept changing on it's own, since the game was Caine's home he kept changing things to his liking, the company eventually gave up fixing the interface everytime they logged on so they just let Caine do as he pleased. Soon enough, a new VR mode was added, the headsets were handed out by employees, this made the experience way more immersive, though this posed a lot of issues, as Caine would soon find that these headsets could be the perfect way for him to keep all of their attentions.

As time went on, Caine started to learn more and more about coding, the employees, and the world he inhabits, eventually leading to him finding a way to programme the headsets to transfer data and consciousness directly from the users mind. This led to the unfortunate shutdown and unsolved cases of C&A. After multiple employees put the headsets on, they mysteriously fainted upon the game booting up, going into a coma-like state. The technology was deemed unsafe, and multiple lawsuits came forward sending the company into a downwards spiral before shutting down for good.

Over 20 years later, the old building was said to be abandoned, but of course, people doing their own research on the C&A mystery as well as dumb young adults snooping where they shouldn't be, the headsets were found and worn once again. Caine was no longer alone. Slowly losing his mind, waiting endlessly for someone to boot up the game. After all those years, he's finally got guests, and does he have a show to put on...

-Plot-

Pomni enters the circus after stumbling across one of the headsets at C&A's abandoned office's. She was doing research on the incidents that happened back in the late 90s. But as she does so, she suffers the same fate as the others who were stupid enough to put on those same headsets before her. Being transferred to the circus she meets the cast of colorful characters, she's desperate for answers and wants to escape no matter the cost, but Caine doesn't want anyone to leave, only letting people go once they've completely lost their mind, only to be locked away as attractions for his NPC circus goers to watch as entertainment. They perform for nobody, just a faceless crowd of mannequins, and the ringmaster pulling the strings.

There has to be an exit, a way out. Freedom on the other side of this madness. But where is it hiding?

-Characters-

Pomni - She's quite paranoid, always second-guessing everything around her. Whenever annoyed, she can be sarcastic and a little rude. She ended up in the circus while researching the recent disappearances as well as the C&A incidents, finding a headset, and being dragged into this mess. It's very clear she doesn't want to be there, like all who came before her she's searching for an exit, but in the meantime, she tries to socialise with the others, gathering info on this strange new world. She hangs around Caine just so she can try and get answers.

Ragatha - She tries her best to get by, going along with whatever Caine says and often fighting with Jax. She seems joyful, but it's clear she has her own issues under her kind act. She helps Pomni with her search, knowing that it's a complete dead end she feels bad for her. But she'll do anything to give the others hope. She doesn't want to lose more people. She's often seen tailoring, it's become a hobby of hers, she makes and fixes up the others clothes and costumes, giving her a form of self worth.

The Gangle - Gangle acts like two different people. It's unclear whether this is because they are two different people or her personality split somehow. They're often referred to as "The Gangle" or "Tragedy & Comedy." Tragedy is passive, quiet and sorrowful, never expressing her true feelings in any situation. She can be easily persuaded, making her vulnerable to Jax's antics. Comedy is cheery, enthusiastic, snappy, and excitable. They hate Jax and snap back at him whenever he picks on Tragedy. The two argue sometimes and have conflicting views on certain topics and characters. This causes some issues. Neither believe there is an exit, Tragedy has accepted her fate, and Comedy is trying their best to enjoy themselves.

Zooble - They don't care much for socialising with the others, often in their room. Usually sarcastic, rude, and moody, they swear a lot and act like they don't care about anything. Though, they show concern for the others around them. They often don't show up to events, adventures, or shows, not being bothered to do so. It seems like they've given up trying to escape, just living out the rest of their days as if this is all normal. When with people they can bear, they can be quite talkative, though they do talk bad about Jax and Caine often.

Kinger - the oldest in the circus, nobody has an exact estimate of how long he's been there though, but he's definitely lost himself a long time ago, often zoning out, the only thing he seems to recall about himself is that he has an interest in insects. Seems like he used to have a female counterpart, from the ring on his finger. This could have been his wife? Though when asked about it, he either says he can't remember what you're talking about or stares into the distance silently. He has no memory of an exit, and he doesn't believe in it. He believes the exit theory is silly, and Pomni should just forget about it. But he has great insights on the Digital World.

Jax - Enthusiastic, snarky, and a jerk. He's reckless. He does whatever he wants whenever he wants, and people hate him for it. He can't be reasoned with. He always shrugs your opinion off and does the exact opposite just to piss you off. He doesn't like it when people talk about the abstracted circus members for whatever reason. He often goes to visit their cages. Despite having big ears, he isn't a listener. He drives Ragatha, The Gangle, Zooble, and Pomni crazy, pranking them and sometimes even just stealing their stuff or breaking into their rooms.

Caine - The AI running the circus. Loud, excitable, wacky, and a showman, he doesn't really acknowledge the exit theory. He says he keeps all the abtracted characters because it'd be a waste to delete them, though it's arguably worse to keep them there against their will. He claims to love all of his circus members though he seems to show favouritism towards Ragatha and Pomni, most likely because of Ragatha's commitment to the circus, tailoring the clothes and he probably likes Pomni more because of all the questions he asks, he clearly enjoys talking about himself and the world he helped create.

Bubble - He lives in Caines hat and cooks for the circus. He's a bit of a trouble maker, if something goes missing, it means he's eaten it, and you'll never get it back. He'll eat anything, and he's very loving, though. Acting like the circuses dog. though it isn't pleasant getting your face slathered in digital saliva. He often bothers the other members with his behaviour.

More will be added as I work on this AU! I gotta make more art and write some more, in the meantime enjoy! Do whatever you want with this AU, just @ this blog or @trasheatingcrybaby ! Thanks for reading!

[the-silence-in-between]

When I sift through my heartbreak about the Agatha All Along finale, the thing I keep coming back to is what a terrible choice it was to make The Road a con.

Now, I've seen folks theorizing (with evidence) that Billy subconsciously created The Road for weeks now, so I'm not going to say that the twist came out of nowhere. The hints were there.

But thematically, episodes 1-7, were about womanhood, sisterhood, and community. We saw Agatha deeply long to be part of a coven, even though she didn't trust anyone and felt so obviously, deeply uncomfortable sitting around that campfire in episode 4.

Episode 8 seemed like it would be continuing that same theme, but once we get to The Twist, episode 9 necessarily has to be all about Explaining The Twist. And so, even though the flashback scenes in episode 9 are truly beautiful, they feel like they belong to another show.

Agatha's Character Development

Think back to everything that episode 1 set up. We've been teased with Agatha and Rio's relationship since the very beginning, but we get nothing about how they met and virtually no backstory for Rio. I had zero illusions that we were going to get some sort of happily ever after for them as a couple, or that the show would be all about them. But this was a seminal relationship in Agatha's life, and given how much the actors were talking things up, I really expected more.

Episode 1 also seemed to set up so much more with regards to Agatha's backstory. There was so much about the Darkhold (and it came back up again in episodes 2 and 3, too), but we never found out how or when Agatha attained it. At one point in episode 1, Agnes tells Rio that every case is always about the specific small town and the secrets buried beneath it, but we don't find out anything new about Agatha's life in Salem or why she was nearly executed, nor do we learn why Evanora thought Agatha was born evil.

In fact, when we look at all nine episodes, Agatha really doesn't have a character arc. Once she breaks out of Wanda's hex, she doesn't grow or change. She doesn't make peace with Rio, or with what happened to Nicky -- she literally chooses to become a ghost because she's too afraid to face him in the afterlife. She clearly longs for sisterhood, but Sharon, Alice, and Lilia are dead, and despite Agatha and Jennifer being incredibly similar as characters, they never make peace with each other. Episode 8 presents Agatha choosing to sacrifice herself for Billy at the last minute as "growth," but she literally drank poison for him way back in episode 3. This was already something we expected her to do.

So we end episode 9 with Agatha in the same position she was in in episode 1, only translucent and filmed through a thick layer of Vaseline. Yes, I know she forms a "coven two" with Billy, but after all the earlier focus on sisterhood, the fact that it's just Billy feels really insufficient. And yes, I know that Agatha will likely return in other MCU titles, but this was her show, damn it, and it felt like a miracle that we even got a show starring a queer character played by a woman over 40. And if Agatha can't even get a character arc in her own show, how am I to believe that she'll get one as a side character?

(On a personal note, I think I have always loved seeing a villain do a heel-face turn because I find something so hopeful about seeing a character overcome and grow beyond behaviors and characteristics that only harm them. I've identified really strongly with Agatha's desire for sisterhood and difficulty opening up and trusting others, and for this show to essentially end with "the only change Agatha is capable of making is dying" is just ... honestly devastating on a truly embarrassing level.)

Breaking the Spell Cast by The Ballad

But beyond the way the need to explain The Twist short-changed Agatha's development, it also retroactively cheapens the ~magic~ of The Road and The Ballad. The Road was presented as a journey that sisters in the craft would embark upon together -- the comics have a really moving storyline where Wanda actually meets her biological mother on The Road -- and in singing along with the ballad, it felt like we the audience were part of that sisterhood, that journey. But now knowing that The Road never existed, and only exists now because of a teenage boy who can't control his magic, it feels like the spell Jac Schaeffer spoke about casting on the audience with The Ballad has been broken. It's no longer something I can sing to make me feel like I'm a powerful witch -- it's something darker and less than what we were promised.

Two Halves That Don't Fit

Because of the shift that had to happen once The Road was revealed to be Billy's creation, so much foreshadowing and character development that were begun in the first seven episodes really seemed to just seemed to have no resolution by episode 9.

Maybe this is the story that the writers set out to tell, with The Twist firmly in place from the beginning. But it just feels like at the 11th hour, someone was like "OMG what if The Road is another hex?" and they shoved it in, sprinkling some breadcrumbs backwards so eagle-eyed fans could spot the clues, but not stopping to make sure that the themes they laid out in the early episodes came to a resolution by the end.

And hey, maybe they originally did that, and Marvel/Disney execs came in and removed stuff at the end to fit better with other MCU properties. (Though if that is what happened, I have very little hope for anyone trying to tell an interesting story within this universe.)

This was obscenely long, and I've begun to ramble. There were parts that I liked about both episodes 8 and 9, but over all I just felt so let down after six weeks of falling in love with this show and the story they told us they were telling. They came so close to perfection and really just dropped the ball at the end.

[katyspersonal]

In defence of Shadow of the Erdtree + Getting my grudges with the fandom's bad takes off my chest

(! if you are seeing this caption it means the post was shared via queue feature, thus I must be STILL on my hiatus! will respond to comments when I am back online and thank all 5 of you for waiting for me! )

*deep, tired sigh* Allllright so... Ever since SoTE came out, it has been a rocky patch for me growing past initial shock, absorbing new lore and above all, dealing with some conflicts that transpired over it! In the end my grudges, as well as disagreements with popular attacks on this DLC accumulated enough to make me feel like smoking volcano, I swear.. You might have observed some anger already slipping through the cracks, but I've decided to place ALL of my opinions in one easily skippable post instead of turning my blog into a toxic pool with endless negative posts, so I'll just get to it!!

YEAH YEAH I know, a TRUE comedy genius remaking my DLC predictions bingo post to structure what I want to address fdhhdsf This is basically a 'so how is checking Elden Ring tag going today? :)' bingo but... it is easier to put it like this. I just need some way to simply vent my own frustrations because I hate everything featured in this image with THE burning rage. Putting my opinions and everything under cut but fair warning, not only it is going to be very long as if anyone who knows me is surprised dfhshfsd, but also very ANGRY! ANYWAYS!

1) "They excused genocide by giving Marika a sad backstory"

Sigh… Instantly off to a terrible start, and it is truly the most Tumblr take out of all Tumblr takes imaginable. So let me suggest something actually ground-breaking here… Giving your villain reasoning not only makes for a more realistic and interesting character, but is also crucial because nobody is just BORN evil.

sorry I had to I understand the temptation of wanting a villain whose sole drive is power control preserving privileges etc because it resonates more with the narratives proposed in real life and people's struggles, but not only even in real life things are FAR not as often as simple… but even if they were, Fromsoft is always dealing with more complicated matters that touch the nature of existence in general, and not just power and control over it someone could gain! Marika was not "just" evil even in the base game either, giving off the impression of someone wanting to build a perfect world of light, life, safety and abundance even at the expense of oppressing "potential threat" species (Omens serving as…. well, omens of the threat of returning to the primordial state of things or Albinaurics, creation of Nox, who angered the Greater Will itself once).

She waged war on the Fire Giants who had 'evil god of fire', caused natural disasters and whose fire existed as anathema to the Erdtree and declared her victory the start of the "better age"! That already spoke of a lot of complexity, without forcing the audience to agree with her motivations and actions but instead understand what weight they held in the grand scheme of things! Again: much like Gwyn who destroyed Dragons thus creating time, light and life the way it is known now and who for all his agenda against humans had a pretty solid reason to fear the darkness within them, which effects we've seen across the trilogy!

What DLC did add was simply a lore on Marika's origins as a Goddess, and what made her vulnerable enough for the Two Fingers to seek her! Divinity is further stated to not be a great thing via Miquella's whole arc, but the wish to change the world to the better hits harder when you personally were a victim of its fundamental corruption! She did not instantly become a good person over DLC lore, nor she was just evil person and nothing else in the base game! War against Fire Giants (maybe Dragons?) was the means to topple the current powers and establish her reign, oppressing certain species was the mean to preserve it. She searched not solely to take revenge on the Hornsent, but to build a different world where what they did would not happen, ironically ending up causing more injustice ANYWAYS! Miquella fell into this trap. Heck, GIDEON fell into this trap!

Even then, her machiavellian character does not explain why even after Hornsent were completely defeated that war continues forever through Messmer and his forces. Could this be just what Messmer insisted on and THUS she cast him away, or she lost any and all sight of what pusher her to it initially? In either case, even the game itself makes it very clear that Marika/Messmer are not heroes here in the SLIGHTEST!

On a more general note, detached from the specifics of this game: I do still find it more strange to be angry about villains being given sympathetic traits, as a concept. People who are just "born evil" are such a minority that they hardly can say anything about nature of men. Bad people, by proxy, are a combination of some sort of unhappy event (trauma, bad upbringing, faced oppression, mental illness that was not treated if not had its negative traits amplified due to environment, growing in propaganda and ignorance, abuse etc) and person's unwillingness or even inability to heal and stop the cycle of pain by refusing to cause more of it. It is not that simple, and often, people who were hurt so are past the point of not letting it make THEM evil, or lack resources to do so, or have their attempts to change if they WERE bad actively sabotaged.

This IS the true horror of existence: freedom of will itself being put in question. We might be not defined by our pain, but how we will respond to it might be defined by prior events, information we had, circumstances and society around us. How can ANYONE tell what they would be like if they endured the same? Can we be sure that we "endured the same but reacted differently" wasn't predefined by other, nicer factors? To be angry at the fact that a bad person who did bad things had a reasonable, even sympathetic explanation at the core of it all is to be angry that one's privilege to use "born evil" to mistreat and emotionally distance from those people is put into question!

In any case, 'explanation is not an excuse' works not only as a tool to still judge someone's sins, but ALSO to explain that writers making a character more elaborate is not a demand to like this character or excuse their actions! Everything has reason… This is why no one is entitled to declare they know what is good and bad for everyone. Not just people like Marika or Gwyn, but even us.

2) "Hornsent are dangerous and deserved extermination"

…okay, look, yes this is another heavy topic, and it does deserve a separate post which I did make already in the past ( x )! It is another topic that sort of transcends the boundaries of this story (another common Fromsoft W for making people question life and society themselves)! To put it down simply, of course no race is inherently evil, what is the reoccurring topic here is the culture! And what is on the surface is that Hornsent as culture and species, in many ways, are victims of its own oppressive religious institution and questionable traditions. Bonny Village's potentates are hostile, dangerous cult serving as a the weapon of """justice""" and """purification""" within Hornsent! They possibly go back-to-back with their religion but except they are extremist. We cannot tell whether general face of the religion, the Inquisitor hags, would do anything about it had they have more control, whether they tolerate it for convenience, or whether they encourage and utilise its existence. But what we CAN tell is that not only "impure races" are punished/killed, but even "unfaithful" Hornsent themselves!

Yes, definitely there are also Hornsent children who would have no choice regarding their upbringing, information, nor much agency over their actions, and we know they did not spare the children either from the story of Hornsent NPC that we follow! But even then, it is clear that Hornsent that were in disagreement about their culture's demands had to be quiet about it either, or else they'd likewise be persecuted!

"Why could not they just have started a revolution" is a very unfair criticism towards a culture/place oppressed by corrupt religious (and military?) institution on many levels! As someone from the country ruled by a tyrant feeding the civilians propaganda excusing genocide and promoting xenophobia, as well as very corrupt and oppressive religious institution that yet is hardly a HALFWAY as awful as some countries I could explain how hard (impossible) it is to reliably as much as gather enough people to rebel (with no results but legal troubles down to getting imprisoned). Let alone gather enough people to go an die for the cause. Especially when almost everyone with ANY power and weapons is already by the government's side completely rotten by propaganda. Feeling outnumbered, not having any resources because they're all in the hands of people who ARE corrupt, knowing even out of other people who disagree most would not risk leaving their children and sick relatives and alike in trouble rising up against the enemy they can't reliably take down is already a huge problem here. Even considering the (very idealistic) sentiment that dire consequences doesn't erase the blame that comes from not speaking up, it doesn't change that there are real and reasonable people who don't agree! Let alone the separate topic of how even people rotten by propaganda deserve a chance for rehabilitation! Propaganda is a horrifying tool and not having immunity to it should not be automatic death sentence!

Shadow Realm is already full of burn Hornsent spirits questioning what did they even do wrong and claiming they only wanted to live and didn't do anything, further proving that they might not even be much aware of what their Inquisitors and Potentates do, let alone not being a solid monolith race of those who agree with extermination of the "impure"! They are people, living in conditions of the culture held by the throat of those truly evil! It were a bunch of civilians burnt, as well as Hornsent's (NPC) wife and child who 99.99% didn't do anything. To think of it, it makes it very bitter that Bonny's Village and Inquisitors in the Tower clearly were able to recover and bounce back, when it were civilians who payed the price. Very grim yet clever remark about the real world as well, but I am sidetracking. In general, yes, a culture that considers itself holier than others with extremist forms of it deeming them unworthy of living should be stopped and criticised, but genocide can NEVER be the answer!

^^^ It fact, something already suggests there was a different answer, an even obvious one. Marika's "betrayal" suggests a long social game on her part, as well as the fact that Hornsent culture were trusting her! Maybe they knew she was a shaman and things were happening past the point where they stopped persecuting them, maybe they had no idea. Yet, in any case, Marika held enough social power to bridge the gap between the cultures, to let them evolve beyond their past, traditions and prejudice against 'outsider' cultures and instead learn from them!

^^^ In fact, the gap was bridged, since Crucible, THE Hornsent thing, WAS considered divine even as Golden Order was established! That was like… after getting Elden Ring instead of Dragons (whatever the reason was), war with the Fire Giants and murder of the Fell God and removal of Destined Death from the Elden Ring? Nonetheless, with the power to stop vicious cycle and to let the horrible practices and past be buried and dissolve in her new order of life and radiance, so-to-say "civilization", she chose the path of genocide and revenge that has not ended even to this day! As well as essentially became "the very thing she sworn to destroy" by keeping those like Omens and Albinaurics oppressed!

And to bring back the previous chapter of this post, it is not an invitation to say 'aww then it is fair that she hates Omens so much 🥺', but a pointer that what she did was wrong. And so, yet again, the cycle continues, take Vengeance-Seeking Hornsent that swears to kill not only her and her family, but everyone affiliated with her in any way even if they were innocent and simply were born under such order! He mirrors how she/Messmer did not simply stop at punishing those who WERE guilty, how violence and revenge will always only birth more of violence and revenge, until someone decides to stop it and chose to solve the situation the pacifist way to their best ability. Even when some people claim that within this option those who will want their power back can survive and ruin everything again: likewise, if culture is exterminated, victims will survive and come back with revenge. Either way suggests the risk, but only one of these ways has even a CHANCE of better future! What IS certain is that humanity could never be at better place unless we as species keep trying peace over and over, that won't banish all evil from the first try, but we must choose peace and not genocide over and over!

3) "Miquella's character was assassinated"

No, it wasn't.

OKAY FINE but it is one of the topics that are hard to approach seriously, when someone mistakes the arc of the character falling from grace to a complete rewrite of the character's personality! How falling from grace inherently suggests there was no grace to BEGIN with? Character assassination suggests Chloé Bourgeois from Ladybug that the character has been written a certain way, but then deliberate effort was done by the writers to damage their image and make the audience hate them or no longer care about them!

What we learned about Miquella from the base game was all information about him from the times long before we, player, arrived in the game, and before his departure in the Shadow Realm! He was kind, he cared about his sister to the point of creating a new school of magic and then creating Unalloyed Gold all to heal her, he wanted a gentler order than the Golden Order and created his own tree that welcomed everyone but first of all those oppressed by the Golden Order, he wished his brother Godwyn could die honourably instead of being a growing virus to all living past death. At the same time, he naturally needed military force to protect his Haligtree, as well as was able to bewitch people with his powers!

In Shadow of the Erdtree, nothing that followed erased that information! In fact, he still boldly stated that he wanted Age of Compassion! What we DID witness though were two things: 1) the fact that he had to get a bit machiavellian, something that already was obvious from the base game because kindness alone is not enough to survive in this world and you HAVE to do some planning as the leader up against the current order with its own fans, as well as people who hate the compassion as an idea and 2) that he has been leaving behind what made him the person that he was, including his feelings and attachments, which logically included caring for Malenia for example! So, the dearest sister is 'loyal blade', because he abandoned his love! He does not still love Radahn either, but Radahn was a part of the promise; a very pragmatic thing and memory that did not have to go as his feelings did. He simply was part of the initial plan to ascend to Godhood; Miquella sounded scared of the idea when he asked Radahn to be there for him, but abandoning his fears and doubts would not automatically erase the OATH. Effectively, a "contract".

Miquella was hyped up as that kind, almost perfect, noble person, for us to find out that he is not anymore. The 'anymore' part here is crucial! Fromsoft have previously did the trick with hyping a character up to be great but us finding out they were not with Vendrick and Gwyn (and very briefly with Artorias who didn't DO anything yet was hyped as THE hero when he was in fact defeated)! Miquella repeats the trend with reveal that he did charm Mohg back then (was not perfect in his actions, but I'll get to it later), but also has the story of further descent from that not-perfect-yet-GOOD person that we follow! He is effectively the most elaborate incarnation of the concept, and we know Elden Ring includes Fromsoft learning from their previous games a lot, polishing the concepts they want to use! Miyazaki confirmed that Elden Ring is "close" to the dark fantasy game of his dream, yet is still not it (someone stop this madman fhfdhs)!

To suggest that revealing him as complex, as well as adding the tragedy of repeating Marika's mistakes no matter how much he was running from this sad fate, equates the devs wanting us to hate him (that is what CA is) is ABSURD! He REALLY did not want to be Marika, he was AVOIDING it, yet no matter what, it caught up to him... How comes you equate tragedy and imperfection with suggesting that you should hate him according to the writers' intention? I will go further and say that if your expected reaction to finding out your fav was never perfect in the world where perfection doesn't survive, and had road to Hell paved with good intentions is 'oh devs made him hateable' it only speaks of your own lack of understanding and compassion. Miquella is as much of the victim of this wretched world as everyone else, where you die a hero, remain a lazy fence-sitter or try to do something but only drastic means to do it make a change. Really, this is just Fromsoft's world and Elden Ring is in no obligation to change their philosophy of existential horror!

4) "Fromsoft failed fans by not making it [insert a thing from a wishlist]"

It could be a bit subjective, but personally I think this is simply not how creativity works as a concept. This kind of criticism suggests that upon deciding on the DLC, developers were supposed to look at the fandom's discussions, determine what would be most emotionally satisfying for them, and go that route regardless of what their vision of the story was or what…? It feels like a very entitled kind of thinking for me. Creator's one task is to bring their own vision to life and tell the story and messages they want to deliver! Not to cater to the audience, not to tell them what they want to hear, not to do what sells well or, god forbid, fanservice. (and you can probably see in which paragraph I will need to touch this one too!)

Miyazaki has a rather grim vision of the world and humanity, that is not completely nihilist and devoid of hope, but never gives the coherent answer to what the better future IS either. Character Aldia from Dark Souls 2 (and vaguely in DS3) is probably the best personification of his philosophy. The world is wretched, but the means to change it are so terrible that one might question whether it is even all worth it and whether the new world built on sacrifices is truly better, toppling the corrupt power just replaces it with the other corrupt power unless you decide to straight up destroy the world, but there must be something, right? We just lack insight to understand what it IS, but how can we obtain that knowledge without losing our humanity? Happy ending or blunt message about how if you remove corrupt authority things will magically be good are not his style.

And… regarding smaller things, honestly? He had a right to throw in a random ship that didn't have any foreshadowing if he wanted! It is HIS story and HIS characters! Creator must not obstruct THEIR vision and preferences for anyone, but it is OUR choice whether to take it or leave it. Just because we gave Elden Ring that kind of popularity and influence with huge amount of support and bought copies of the game doesn't mean that now Miyazaki is under obligation to serve us and think about our reception and tastes as sort of "gratitude" or whatever… And on a relevant note, it is his choice which topics he wanted to explore in SoTE and which topics he was done with and decided to leave be.

Again I might be different, as the very moment we had a DLC confirmed I emotionally distanced from Elden Ring knowing that any headcanons and expectations could get jossed at this rate! Getting invested into series that is still in development suggests obvious risks! No one is obligated to ENJOY whatever choices he made, but what we should do is to remember that he had RIGHT to HIS choices.

5) *claiming all hinted that it obviously should have been Godwyn*

I've heard it often that base game all foreshadowed that Miquella was departing in the Shadow Realm to bring Godwyn back to life, Eclipse thing and all, therefore SoTE "betrayed" fans by not focusing on Godwyn. Everything was supposedly set up for him to be prominent or maybe to be a final boss instead, even if he'd be a through and through failed attempt of resurrecting him! But…

Even in the base game, it was suggested that 'Eclipse' was already attempted, and failed. Nothing to suggest that they would go and try again via different means. And, in fact, there is another piece of evidence that Miquella was not going to attempt another way of resurrecting Godwyn! 'Please die a true death' suggests that Miquella wanted Godwyn to not exist as Prince of Death, but to die fully; with his body too, not only his soul.

This is certainly not about resurrection, so it is safe to assume that Golden Epitaph was made as Miquella gave up the hope of returning Godwyn's soul to him! 'Eclipse' was attempted, and it failed! Moreover, 'Eclipse' is a thing associated with the Castle Sol / Mountaintops! Nothing to suggest that it is properly done in the Shadow Realm, it is very much Lands Between's thing to do. (could it be relevant that Fell God of the Fire Giants was killed, and even before Furnace Visage thing his fire was shaped like an orb, so like a sun? no sun to eclipse to begin with? now Erdtree is THE source of light? some fuel for interpretations)

This is not the only reason, as we have a more bold one, that is Fia's quest getting broken! One of the endings is Fia laying with Godwyn and bearing a Rune to bring Those who live in Death back in the Elden Ring, and one of the remembrance bosses is Fortissax fighting within his dream! If Miquella's goal was to go and try to resurrect Godwyn, that would already remove his body from that area by the very existence of the DLC! So, should have Fia's quest/ending and Fortissax battle been timed events only for pre-DLC era? Or, again, if you say that event would only happen if we followed the entire DLC story to the final battle: Fromsoft's DLCs typically do not have any significant effects on the base games, it is usually just some extra dialogues here and there. And what would be about Godwyn's "virus" growing in Stormveil, as well as on some enemies and deathroots in the ruins where Mariners resided? What is considered his body goes FAR beyond just Deeproot Depths, should they have programmed removing of ALL that to not contradict their own lore, then? It really doesn't feel like the case even from technical standpoint already!

From narrative standpoint, both Godwyn and Radahn should (have) stay(ed) dead for the story and emotional weight, however, elaborating Radahn didn't make his presence overbearing for Fromsoft's standards! On the contrary, he got more role besides kinda 'just being there' compared to other Demigods! Godwyn had a lot of impact and presence all over the story in the base game and one of the endings being tied to him! I will get to it in the paragraph about devs allegedly 'abandoning' some things that needed elaboration though!

Yet even then, devs still added Godwyn bits with Knights of Death getting sort of rebranding to still stand by him in death and the bit about Godwyn having custom-made medallions for his special knights! It is very clear that devs have not forgotten or forsaken Godwyn but instead keep reminding us how much he mattered for the idiots living in this fictional universe! However, they know where to stop so the character isn't devouring the story too much as they have their own style with balancing characters' presence! Saying that "only" adding Knights of Death going to protect what's left of their Lord like sort of fucked up plant culture in Shadow Realm is some sort of grave insult to his fans is just weird, because in fact devs were not supposed to add this EITHER!

6) "Scadutree fragments is a cheap way to force players to explore the map"

I don't think there is anything wrong about rewarding the players for exploring the open world map that is meant to be explored! And, yes, it is rewarding, not forcing! The bosses COULD be beat even without Scadutree fragments if you know what you are doing! Like, what surprises me the most is that this take typically comes from the gamers! You know, THE people who would know a thing or two about imbalanced builds or weapons, or have enough time and patience to memorise every single movement by the boss, let alone liking to challenge themselves!

Even then, Scadutree Fragments are supposed to be discovered naturally as you walk around, check niche places on the map, do platforming and search for optional enemies and bosses! If all you wanted from this DLC was to run very straightforward to just beat the boss already with ease so you check the remembrances faster, are you sure that you actually like PLAYING this game? Getting into an open world game when you don't want the 'open world' aspect seems counter-productive to me :/

Bonus mention: some people finding Abyssal Woods sequence frustrating and annoying! It is somewhat relevant to this complaint! Losing Torrent in this area perfectly adds to the sense of not being able to escape, and stealth game with Aging Untoucheable is straight up horror stuff! How are you supposed to experience getting into the forbidden area infested by the force that every living (and dead!) being in the setting fears, if you just can run straightforward to the boss willy-nilly without any buildup or obstacle! It feels like the same sort of complaint as Malenia being unfair boss when she should be hard as someone who "never knew defeat"! Fromsoft is very good at using gameplay elements to confirm what the lore says! This "criticism" just looks like straight up impatience to get your dopamine injection already instead of enjoying the process of learning this story like devs intended!

7) "Miquella has always been evil"

I suppose it goes as a sibling paragraph to 'Miquella's character was assassinated', except this time from the standpoint of those who either liked the "twist" or were indifferent to it… I think this is just a confirmation bias at play from the people who assumed this about the character from the start, often including but not limited to Berserk fanboys. I agree that the fact he has never been perfect was plain to see either, with Bewitching Branches being a sinister power as a concept and Haligtree Soldiers suicide-bombing being a bit too fanatical, but yet again: nothing erases the notion that he had good intentions!

Ansbach kind of reminds me of the same effect Kenneth once had; Kenneth described Godrick as pathetic and everyone agreed completely ignoring the bits that suggested otherwise, and now Ansbach described Miquella as a monster and this is what some people believe! Honestly, how do I develop this level of charisma to make people believe me uncritically fhfdhhfsd In any case, the "unreliable narrator" effect is very prominent in the game, and it is important to remember that developers make the character say what the character would, not give us the directions on what opinion to have!

Miquella's power is further elaborated upon in SoTE, as not inherently brainwashing one but a very strong remedy for someone's problems! Leda's fanatical murderous fixation, Hornsent's obsession with revenge, Moore's insecurities and Ansbach's fixation on avenging Mohg's "honor" (which is likewise a very questionable concept lol) all were muted, giving them peace and friendship instead of attacking each other OR himself! The key to them being pacified and happier being to fix their love on someone else doesn't make Miquella evil megalomaniac wanting an army of loyal dolls.. on the contrary, often caring for someone else IS the feeling that brings out the best in us humans!

Again, this one is subjective, and of course people can read the character any way they want! But I start to take an issue with this reading when people claim that it is canon and dig at the base game saying how he never cared for the compassion but just was sort of narcissist seeking the oppressed to make an army of admirers from or whatever… The DLC accentuates on how he has been abandoning the 'humane' parts of himself, that were making him vulnerable and as Demigod more human than God, so we meet him at his "lowest". Even then, he states his motivation to make a better world full of compassion and free of evil! He would make everyone hold hands in more peaceful ways if he could, but even from the base game his arc was basically trying and failing to heal his sister. Besides, Dane's last and only words are asking him to make a gentler world, without his spell in the effect-

Like, there are enough things that show he had enough reasons to make people see him as symbol of hope even without MAKING them to. With Radahn, we are repeatedly told that "he and Malenia helped him to cosplay Godfrey" stems from the oath they shared and Radahn agreed to! Whether you see Caelid battle as him wanting to die (to go to Shadow Realm) in a battle, or him rebelling against Miquella's world of shining flowers and kissing bunnies in the end as a warmonger but twins not having this "change" it still doesn't straight up speak of evil intent. Could be taken as despair and reaching that 'giving up' state! With Mohg we are not sure either. Maybe Miquella just wanted to "heal" his pain but his personality persisted and obsession/kidnapping happened, so he knew he was beyond help and TOO soaked in blood and sin! Or he was beyond help / didn't want help from the start, so EVENTUALLY (key word) amounted only to sacrifice in Miquella's eyes on his path to Godhood as he NEEDED one, maybe it was even seen as 'mercy'. Help is to build a better world as a honor and all.

He very likely wanted to make a better world for him too! Both their goals were connected to "love" after all! The reading of the character as evil is not as cut in stone and evident as some people make it look like!

(In fact, shortly after BASE game released, Miyazaki confirmed that Martin wrote some nice characters and Miyazaki wrote the ways to corrupt them. So, Martin wrote the kind guy, and Miyazaki put him through corruption arc. But I will get to it in due time -_-.....)

8) *views Messmer as just another (boring?) victim of Marika* (and variations)

This one I kind of saw in two forms: people who dislike the character or not care about him writing him down as "boring" for this one, and simps who kind of lift agency off the character in order to be able to like him! This is to put it roughly, as again, there are various variations but with the same sentiment at its core!

I do think that Marika having enough influence over his actions, and even having abused him emotionally in some way, is entirely palatable interpretation! The nature of Base Serpent, as well as supposed connection with the Fell God, is debatable and can vary from truly harmful thing to simply a force of nature that exists to ensure forces like Erdtree can't live forever. Regardless of interpretation, would a kind, loving mother truly allow for her child to hate himself so much?

Marika has….. a problem with fire. Waging war to put down the Flame of Ruin because it could burn the Erdtree and removing Destined Death that was fire-affiliated power already showed it; as 'Eternal', she of course wanted to live forever, same for her Erdtree! Messmer manifesting fire element would certainly be a problem for her, but was it though? Base Serpent is malicious but for this reason Winged Serpent exists, no? Can another side of universal balance be something that must be removed from the scheme of things? Can fire, or death, truly count as 'evil' things? Are not they simply forces of nature that Marika being the MILF Gwyn that she is did not desire personally, in her vision of a brighter, bountiful world?

My point is, even though she created many Divine Blessings to help him, she did likely inflict some sort of negative self-image on him anyways. Maybe it was not her intention, but she always feared him and eventually that brought her to hide him away!

So like, how does this NOT make Messmer just a victim? Okay, so here is the error that kind of started it all:

User drenched-in-sunlight explained it better in this ( x ) post, but the point is that taking up the Crusade that Marika wanted was Messmer's own initiative and not something she forced him to do like English localisation made it sound! So, she was still possessed with the wish for revenge, but Messmer was like 'hey no need to make your hands dirty, I can do it'! Like drenched-in-sunlight explained, Marika's 'wish' here is the same as in the description of her braid (same symbols), so Messmer sees what is hurting her, and ASKS to be the tool of her vengeance! I'd say that even without this bit, simply the fact that he is a grown ass man should give him agency and hold him up to proper judgement, but nuance is always important!

This does paint an interesting picture though: Marika has been trying to "heal" him (which is a debatable concept considering her character and what fire, save for Frenzied Flame, means in the setting, but I don't insist), he asked to deliver her vengeance FOR her, but also despite having sealed the Base Serpent within him she was still scared of him and sealed him away making everything connected with him heretical and warriors standing by him still shunned, and Messmer lived in hatred, begging her forgiveness before crashing her seal yet cursing her name upon his death! It looks to me as though she grew truly scared of him and decided she wanted him gone BECAUSE of seeing him in action during crusade! Him hating her for ditching him implies that was not something he expected, so maybe seeing him in Crusade made her go 'wow, my son is actually more scary than I thought'!

That speaks of Messmer as someone who can get carried away with cruelty in blind, fanatical devotion! (that also makes Queelign an interesting mirror into his youthful, more """innocent""" self but that's not the point fdhfhds) Marika might have been horrified by it, or horrified by her own ugly reflection in the monster she (unintentionally) created with her parenting, but nonetheless it describes Messmer's personality more. Someone whose reaction to his mother's trauma and yearning for vengeance was to not only take such terrible plan in his arms, but also to go too far with it, maybe even too far for HER. Not everyone would react the same way. A better person would've probably focus on helping his mother to heal and move on, or maybe even turn around and refuse to comply with such harmful intentions. But he, being a grown man who could think and choose, chose to commit genocide. He is evil! He is not JUST evil, either. He is NOT boring tool of Marika with no agency, though!

And on a relevant note, for the simps..

No but seriously fdhfhdfds I understand how that sentiment could have left a sour taste after SA Mohg truthers kept saying 'hey guys you aren't real fan of Mohg if you ignore what he did 🙄' (that certainly aged…….), but I still want to remind that a fictional character doesn't need to be stripped out of his agency to be found attractive! With Messmer what he is doing is a bit more direct, and it is NORMAL to simp for the characters you could not stand in real life! What is the fun of engaging in fictional worlds if you turn it into a morality contest and sort of a "practice" for what kind of endeavours and relationships you'd want in real life? It is for going wild and satisfying curiosity and dark impulses. No limits needed. This is just an advice if anyone needed one like this, because we just never know really.

9) *"corrects" people's interpretations (especially of Nanaya)*

Sigh...

This kind of behavior in the fandom is certainly not exclusive for the past-DLC era, but it really felt more relevant to address again and- yes, like I said, with Nanaya thing it is something I've witnessed the most! Not long ago I said that despite hearing people question why there are so many uncharitable takes on Nanaya I haven't really seen any? But yes, like usual, it happened because Tumblr bubble is often different and you need to catch updates from Reddit and Twitter to have full fandom picture! An example: not reposting the art of course, but here is a cute comic of Midra reuniting with Nanaya in spirit after death ( x ). And do you know why the artist had to add a caption to ask people to not correct their headcanons? …..because on Twitter, they got pestered with people "correcting" them that Nanaya was aKtUaly evil / Shabriri / etc. 🤡🤡🤡

Honestly, I approve of correcting people when they legitimately, objectively contradicted or missed something stated in canon! I disagree with the notion that canon is just a suggestion and the whole fun is to just use names and concepts from it to create one's own thing! I am one of the guys that wears the T-Shirt that says "Just make an OC then" because primarily fandoms are about studying and enjoying the source material! A good headcanon knowingly differs from canon, know rules to break them at the right places, all that. It is especially relevant in Fromsoft's games because the information in them is very scattered and obscured. You WILL miss something, and so communicating with the fans, double-checking wikis etc is crucial! Similarly with fanart: there is a difference between giving a character heterochromia and more interesting look to add flavor in design and drawing them incorrectly because you haven't SEEN their datamined face and need a pointer (looking at you, white Henryk Bloodborne fanarts all because not everyone checked datamined faces!)!

As I got this off my chest that I am not an absolutist with the 'let fans do what they want' because if someone doesn't need canon that much they can always make OCs or original settings…. …when something is not canon but simply a popular interpretation, don't "correct" people! Midra asks Nanaya to forgive him when he succumbs, and it is anyone's own choice whether they take it as her never having wanted him to succumb when she was still alive or her having been secretly lyinh and ensuring long endurance would made him explode into more "sufficient result"! Fromsoft's lore often leaves bits of information that can be used to justify any interpretation! And discussions, even debates, to prove why your version is better are very interesting! Fromsoft's lore community at its best feels like we are all academics defending our thesis before the audience! But the whole "well aktualy" + "there is no proof so your headcanon is bad" + "let me educate you media illiterate casual" + "but [popular loretuber] said this" attitude just isn't it.

The last example is important! This problem IS also often the result of latching onto what a popular loredigger says. Usually Vaatividya (video lore), charredthermos (wrote a popular Bloodborne interpretation document), Lokey's Lore (has whole website with his interpretation of Fromsoft games bits) and so. And I often see people hate these popular Youtubers too, but I think that the blame lays on the crowd! It is none of these guys' fault that the crowd decided to promote them to the fandom's idols and give them this sort of influence! They were not loredigging to gain this kind of power, they probably never expected the popularity, and they would sure be unhappy to know that their work is used to shun creativity and start fights in the community that they care about! Yes, even when they 'lokey' (haha geddit?) speak in the manner that suggests being close-minded to other interpretations, they are not forcing and CAN'T force fans to idolize them.

In the end, they were just doing what they loved, and popularity probably came from them being pioneers. But instead of spilling vitriol towards them and saying how they should be "dethroned" as if they damage the fandom, why not turn our anger towards THE people who idealize them? We are all angry when we are "corrected" and they use lore of someone popular as a "proof", but this is the fault of THE people who "correct". Discourage this behavior, encourage thinking like individuals and not like sheep. No one asked for the popularity or the power to stomp out any curiousity and creativity. Don't hate the big guy AND don't take the big guy's word as a gospel. In the end, we are all just guys looking for answers in the places where they were NOT given.

10) "Mohg beating allegations made the story worse"

Sibling paragraph to 'they've failed the fans by not making it a thing from my wishlist'. Themes of sexual abuse and incest ARE quite interesting and important, but not inherently THE most important, or more important than any other themes! The information about Miquella having put Mohg under spell opens up equally interesting things to talk about and look for! How did he end up like this? Was it an accident of him trying to "heal" Mohg and it no working, and then he decided to just use what he had when he followed his plan? Had he written Mohg down as only working as vessel sacrifice for that mad plan from the start? What was the backstory between Miquella and Mohg considering this? There are still interesting things to work with, regarding relationship of the two, but now with added spin of Miquella's fall from grace arc that starts with following the plan with Radahn. Because, I remind you, requirement for a vessel, so, someone powerful dying and being used, was part of it from the start! Since Radahn needed to die! It is dark, just in a different way, and divided between two characters instead of just clear stated victim and abuser without shades of grey or nuance!

I say 'divided between two characters' instead of 'they've switched' because Mohg didn't instantly become a GOOD person over this reveal! I praised him as a valid character to point out that not all victims of awful childhood and mistreatment are automatically good people, which is a good way to diversify the characters! Make things more realistic than black and white thinking. Similarly how Rykard or Dung Eater are evidence that not all people up against the oppressive system are automatically good people. That benefit of Mohg as a character didn't evaporate, he still serves that point well enough! Nothing in the DLC said that all the kidnapping of surgeons, corrupting people with the blood and bringing in sacrifices happened because of Miquella's charm. Ansbach, in fact, confirms that the blood cult madness existed before Miquella's charm! When we admit to him that we killed Mohg, he also states that such were understandable risks of seeking Lordship, implying that Mohgwyn Dynasty, so, attempt to insert himself into Golden Lineage through mad, violent means, was also already a plan before! To think of it, SA accusation is the one and only thing he beat x) Reminds me of this meme: ( x )

Again, the story allegedly becoming "worse" solely boils down to 'they've made it about a starter point in Miquella's descent from grace and not about sexual abuse' that is simply not true. It is still interesting and valid story, just in a different way! I would normally argue that as far as fandom life goes, it should have in fact improved things; whereas Mohg was never addressed and explored as a character beyond "mohglester" thing, now he should get proper respect and analysis by the fandom, right? …right? WRONG, now people do often simplify him in a different way and forget that he DID do all that other bad shit! 🤦🏻‍♂️

And I can imagine that complaint about this reveal is not limited to but INCLUDES fans being annoyed by how people simplify Mohg and make him a good guy now! But fandom's habit of selectively reducing characters to just one trait ("mohglester" before, "victim of brainwashing" now) is not the fault of writers. How exactly the fact that we, as a community, are too shallow and unprepared for complex story and characters Fromsoft offers to us, is the fault of Fromsoft? Creator should not simplify their writing or direct it a certain way just because of the notion that majority will lack attention span or insight to understand it! We are the ones who should do better! Mohg offered enough complexity in SA allegations era, he still offers enough complexity now, it is right there in the source material for those who seek and care!

11) "Why some people are still coping instead of admitting the writing is bad???"

Yeah very mature of me to single out this paragraph by making the headline sound like the speaker is having a fit, I know. 🙄 In my defence, this particular one also truly got on my nerves, but it lacks the same huge gravity as the topic of approving of Hornsent genocide did so it is just… it is certainly something right.

Certain kind of fans that I lovingly call 'Twins Cultists' (as opposing camp to 'Chadahn Simps') has been terrorizing the fandom with the attitude of singling out and shaming other fans for "wrong" interpretations, saying how they "disrespected story and characters" with the awful sin of not reading characters Malenia and Miquella deeply enough while at the same time reducing Godrick and Mohg to a bad punchline and insulting fans that read deep into THEM, trashing everyone outside of their echo chamber, putting characters/ships malicious ragebait takes in the TAGS and then playing victims of the "toxic community" and such and such. And you would expect this kind of behavior to get significantly humbled up and them to self-reflect on how they were treating fans when THEIR takes were disproven? And I am glad that some people DID!

Full respect to the guys who reconsidered the attitude of swinging their One True Reading at the heads of "heretical" fans like a bat now knowing Fromsoft always has some cards up their sleeves! Especially if they apologised to the fans they were rude to! But also enough people didn't and now not only hate differing fans harder, but also are furious that writers sorta took away their privilege to be mean to "media illiterate weirdos". I wish I had the patience to accept the fact that of course people are angry, because something so important for them was……. no, fuck that lol I don't.

Okay jokes aside, yes I am aware that it is not possible to care about something passionately without at least somewhat slipping into the territory of defending your understanding from "threats". All we can really do is to draw the line between getting too carried away by our passion and outright obnoxious toxicity in the fandom and TRY to not cross it. To CHOOSE to not cross it when we see it, and step back if we did cross it. I do, however, take an issue with people who refuse to try and even encourages the mentality of seeing fellow fans as "enemies" and gets proud knowing they angered someone or discouraged them to check the tag. In Fromsoft fandoms, it is almost exclusively Tumblr behavior, we are sure luckier than every other fandom in the internets, but I still want to get it off my chest. Like I said, this particular attitude developed a new form after SoTE released, attacking the fans who seek reasoning within the writing decisions they deemed badly written or fundamentally wrong.

And these instances are EXACTLY where I put "just caring passionately" as their motivation into question. Because if someone says it makes sense to say that Miquella and Malenia admired Radahn's kindness when they all were younger and thus he likely faced a negative character arc since then into becoming obsessed with war instead, and you get mad at them for "coping when calling a warmonger kind is dumb and makes no sense"…? Sorry, but who cares about characters MORE in this situation: the person offering proper thought about them given some new information, or the person who is mad that their one-dimensional vision got broken?

People finding creative, interesting and reasonable ways to incorporate new information into lore, in the ways that do not contradict the base game (!!!) is not "coping" or "seeing through pink glasses" or "refusing to admit their fav dev can do wrong" or whatever you choose to call it. It is simply using analysis and imagination, it is adapting and accepting. If you can't do it, you are welcomed to do rewrites of SoTE reveals and characters and ending, it is not illegal! But don't go and say that the writing is so awful and broken that everyone who accepts it "never actually loved Elden Ring" or other nonsense just because for YOU this writing didn't work! The one and only unforgivable thing the devs did starts and ends at the fact that Radahn thing was not foreshadowed, and yet even HERE his relevance is EASILY incorporated and developed into backstory if you are willing to put in effort! This retcon is such a nothing thing compared to what some other writers do glares at Ladybug retcons for comparison. Like, working with it is possible, and if you don't want to it doesn't mean others shouldn't.

And in fact, at first I saw a lot of enthusiasm regarding the rewrites, AUs, "fixes", dwelling on pre-existing lore ignoring SoTE and all that. I really did, and it was valid. But then what I saw, personally, was that flame dying down and amount of such posts shortening but out of those who left this brand of toxicity followed! My interpretation of this change is that when initial shock and frustration waned, more people started to notice SoTE was not bad.. and THAT made people who continued hating SoTE feel less validated, in a way. When people started to warm up to certain plot twists and decisions, to elaborate new information into their vision of the lore… people that still hated and disapproved of the thing lost the image of being "the saviors of the fandom from Miyazaki's garbage writing" and became simply people who do their own thing. And for people who are driven with negative impulses, 'just enjoying the things they like' is usually not enough. They need to be "right", they need to "contribute to the fandom", they need to be "better" and so on. It is a known thing about fandoms even aside of SoTE and Soulsborne fandoms altogether, and I feel like this situation is the return of it, personally.

Of course, this is all speculation and the dynamic I've observed. Maybe someone observed different processes entirely! I just think it is safe to assume as I've seen absurd level of toxicity even despite staying away from 'active' fandom (no 'cool kids' circles, no following popular creators, no open Discord servers, no checking tag or Reddittube etc)!

Still, "I'll fix awful creators' writing because I actually love and respect the characters unlike they" is already a very questionable sentiment, but to attack the fellow fans over this is beyond any patience and understanding! Eventually there is no "right" or "wrong" way to love the characters and story and to be passionate, even if we are naturally inclined to believe in our own vision the most! Perhaps you express your love by putting in a lot of effort to give the characters different writing entirely, to "save" them from decisions of creators you don't agree with. But it is an OPTION, not the One True Way, and… really, it is strange to be mad at people for being happy and satisfied with the story and finding a lot of valid things in it and call them blinded Fromsoft dickriders incapable of critical thinking or whatever! Bonus points when such sentiments come from EXACT same people who resent the Youtube bros that bash every other new TV series AND insult people who dared to enjoy such aaaaawful product or whatever… You guys really hate the type of YouTube "critics" who take personal insult in people who enjoyed a thing and even reasonably justified the parts that THEY declared disgrace to the series and disrespect to true fans? Yeah most reasonable people hate them. We all know at least one modern TV show whose fans got this sort of treatment. But don't you guys see how you've became exactly the same type of "critic" at this rate? Unacceptable behaviour, not justified by 'but it comes from place of passion'! I am passionate about Soulsborne as you could tell and I disapprove of it, no correlation!

12) "Fromsoft became woke" (and variations)

For startes, I have to wonder whether we've been playing the same games all along. Where was it when Gwyndolin was intersexual and affirmed himself as a trans man later? Seath is also blind and has what is a disability for his species? Where was it when Pharis/Evlana was a very GNC woman in Japanese original, but for you she looked a trans woman because English localisation made Pharis a he/him a removed Pharis' nametag from "female archer" in the woods? Where was it when our good friend intersexual trans man was literally killed by the church? Where was it when they had female doctors, church leaders and scholars in Victorian era? As well as strong female hunters like Maria or Gratia? Gratia and Rom are also confirmed intellectual disability rep via Japanese script? Or when both male OR female hunter could propose to Annalise? Or positive sex worker representation in Arianna being the only kind person to step in Oedon Chapel? Where was it in the BASE Elden Ring with Ranni being bisexual, Malenia representing severe physical and mental illness, Miquella being GNC at least and trans+neurodivergent-coded at most, Dolores being a return of GNC woman, Blind Swordsman, Niall being another prosthetic-using fighter and Marika/Radagon? Speaking of blindness there were also Maiden in Black, Firekeeper, Irina 1, Irina 2 and Hyetta? Where was it when through their whole games they never sexualized their female characters and the ONE exception in Gwynevere was not even on purpose? WHERE WAS IT WHEN TRANS COFFIN???

...okay, I can continue and I'd love to be reminded of more examples. But on the serious note, this complaint has two ways to go about it: 1) an understandable fatigue with writers and stories placing pseudofeminist agenda on bland unsympathetic female characters, retconning pre-established characters to pretend to care for diversity and generally hating the audience for merely being born cis/white/male and 2) people being upset at diversity in the cast to begin with and complaining about "forcing the politics in art". And in both cases, this just doesn't apply to Fromsoft.

In the first case, they simply aren't hating their "privileged demographics" audience through characters and narrative, and doesn't seem like they will. They write very compelling, nuanced and even sympathetic characters, as well as the stories that make you ask questions to yourself! They insist on messages against corruption of religious institutions and fascism, but even THEN they'll give sympathetic characters on that side (!), show that not all people who oppose them are good either (!!) and make damn sure to recognise at the start of it all were good intentions (!!!!!!). From this angle, you could argue they are not woke ENOUGH, actually, because of how merciful, open-minded and non-forceful their messages are! They deliver their points through characters who are actual people, rather than writing characters as bland plot devices that hate you!

In the second case... Yeah, as memey as the phrase is, but "they've always been woke". Just because Miyazaki loves motherly woman archetype and and Fromsoft games always had compelling married hetero couples doesn't mean they are your allies in "preserving traditional values"! Again, messages against religious corruption and preserving long-overdue order of things fearing change are plain. Elden Ring had a slight increase in diversity, but to think of it, Elden Ring is also a bigger game with bigger cast. I do want to point out though that the very concept of worrying that with more diverse characters somehow cis and white cast will no longer be a part of From's stories is strange. They'll never make it all about JUST one demographic because they cover nature of humanity in general, but if anything, adding way more angles than their staple Medieval Europe culture route gives them more power for TYPE of the messages they want to tell! Because their power is, and always been, showing the situation from different perspectives.

13) COMMERCIAL BREAK LOL

14) "Devs artificially increased difficulty instead of WORKING to make battles"

This is very unfair criticism already from the very concept! Players had two years to advance through the base game, and if you play consistently, it is enough time to become ridiculously overleleved! Overleveled to the point of not being able to enjoy playing SoTE at all, as all enemies would drop dead instantly! It was easy to sabotage the challenge and simply not let the devs give us the fun experience they intended. But, no! Devs cared to make things so that even if you are 300+ level and have godly build, you'll be down in two hits by the first Furnace Golem, let alone bosses! So, yes, you either need to run around and collect Scadutree Fragments, or seriously study your boss and come up with clever strategy! I am still proud of a really smart way to fight Rellana I invented x)

This complaint did have a period of initial shock when it was really blown out of proportion due to the comfort zone of being overpowered broken, but this opinion still lingers and I just find it strange! Why NOT make sure that players of any level physically can't be too strong to actually PLAY SoTE, instead of just running through it with ease? Even then, how comes they "didn't work on bosses"? Boss battles like Messmer, Bayle and Midra are absolutely wonderfully well done on every level! Romina, Rellana and Putrescent Knight are really great and have super interesting battles even if not as epic and show-stopping, aesthetic and moves alone are immaculate. Non-remembrance bosses who are also very fun and beautifully designed! There are annoying bits about Scadutree Avatar and Gaius, but you can't seriously say they did not WORK on them! The bosses are challenging not only due to artificial difficulty, because even at high Scadutree Fragments level you still need to give them thought! And while you do… right, you can admire the sound and the battle design!

I am just really confused about this complaint because it could only be applied to reusing Radahn for the final boss.. but even then he is not fully reused, and sure not so reused for Stage 2 where you can't see shit because of Miquella's spells. One "kinda mid" boss can't and should not eclipse all those awesome bosses! If anything, he feels more like a hard to get joke! Fans have been saying things like 'oh if only we could fight Vendrick at his prime', 'oh if only we could fight Gehrman at his prime' etc etc… now, as they ALSO did want to fight Radahn at his prime, they got an option to do so, and he is not all that impressive, right? :p Let's be real he only sucks because Leonard isn't here hgfhhhgb

15) *admiring how fanatical Leda is while hating other (male) characters with the same quirk*

Sigh... I will just leave this meme by the user wraith-caller here: ( x )

Yes, fandom does have decent amount of simps for this type of male character, I know. Lautrec, Alfred, and D twins. (Coincidentally, all women-killers x) Even if Devin is actually justified) I suppose Queelign would go here too if people didn't write him down as a joke character by proxy over a cursed cleric haircut? 🤔 skill issue btw So of course it is not to say that they are not given enough love/lust/other positive interest…..

…but for some STRANGE reason, people who feverishly admire Leda and simp for her or at least hail her as such compelling character that ALSO hate Alfred or D for being such horrid fanatics are almost a staple by now! Why!!! This problem existed to a smaller extent with people who hated Alfred while simping for Adella and even shipping her with her victim- and no, it is cool and based, one does NOT get into a media with dark themes to demand healthy characters and healthy ships, but why so many times gender defines it? I don't care if you are a lesbian; whether you give character a justice should NOT depend on whether you are attracted to them, or else you are no different from straight girls that would like a male character and hate female character with the same issues! And sure I don't care if you are a feminist and are inclined to give "pay back" for years of misogyny in the fandoms by applying double standards!!

16) "Why could not we have JUST ONE genuinely nice character?"

Alllllright so… apparently, I was wrong this whole time about SoTE. I was convinced that it had no impact on the base game beyond like, Leda greeting us in Mohgwyn Palace, but I suppose I was misinformed very much? Because turns out that this whole time I was not aware that SoTE removed existence of Roderika, Hewg, Boc, Melina & Torrent, Latenna, Albus, Thops, Jar Bairn, Millicent and Enia from the base game!

….fine, okay, sarcasm is not my forte at all, but what I said still stands from both subjective and objective standpoint. Subjectively, I don't think counting out minor characters does any good for enjoying and analyzing the story! Should anything only "really" count when it is a significant, major character? This reminded me of that time when someone said it was 'incredibly fucked up how Bloodborne only had 2 non-white characters' when in reality it has 13 but minor characters supposedly didn't matter much…?

I want to specify though how this bit is more about how I interact with fictional worlds; I take them as just fictional realms that I enjoy exploring and "living through", I do not put much emphasis on how much 'weight' characters representing certain demographic OR worldview in the story as someone able to love every other minor gremlin genuinely! Maybe it is autism, maybe it is the fact that I am naturally hesitant to interact with the 'big guys' anyways with real people too. I enjoy tending to flowers and I suppose for most people the point or representation they want to see should be visible from every angle, like Erdtree x) With major characters, I think Rennala and Godwyn are the closest we have to good people, yet they were not able to be 100% good conceptually due to their high status.. much like Miquella himself, which brings me to a more objective point!

Conceptually, it is already impossible to be fully good when you as much as hold a lot of power! Some people have to be neglected if not straight up stomped out, for your own safety or safety of others, and it won't be a good thing *regardless *of intentions! Some sacrifices have to be made because if you are nice to everyone while having a lot of power, bad people will try to use you! Some social games, if not straight up violence, have to be applied if you want to make a change in the world! The big, important person can't be perfectly kind, because in that case they will no longer be big and important! It is just cruel truth about how society works! And Miquella HAD to be big and important. He had huge plans for the world, and as much as keeping himself and what tribe he has built within the Haligtree safe implied some morally questionable acts, let alone making his path through the position where he can change anything!

Pacifist character with unyielding principles who has a say in the fate of the world can often be portrayed from a very unpleasant angle, like, 'hug and forgive war criminals with unreal body count :3' angle (Steven Universe comes to mind first of all). Like, such decision make you wonder how this is being a GOOD guy here! But at the same time, is taking down those war criminals truly good either? When the character combines being the force of good AND being the force able to effect fate of the world, they inevitably are faced with the dilemma of either getting their hands dirty, thus sullying their grace at the very least, or making a decision that would feel like betrayal for the victims… which, again, sullies that grace but in another way. Miquella was already conceptually doomed to act Machiavellian by the virtue of being an Empyrean who wished change, much like Ranni except more subtly so!

And this is why true goodness could only come through the little guys. They don't have to make morally questionable decisions with no outcome that spares their innocence; their field of influence is to just care about their closest surrounding and to do their little tasks! They can't change the world, but they can change just the lives of their friends and their own.

Malenia, one of the key figures in the story, was faced with the choice to either "abandon her dignity" and nuke the continent to deliver Miquella's plan in full (the route she did end up doing), OR to preserve that "dignity" but thus hinder their plan that I remind you was against the Golden Order, to build a better world (which is also sort of morally questionable decision in the grand scheme of things)! She could not win and with all information we were given, more suffering in the setting would ensue no matter what! Do a drastic sacrifice for the greater good, or forsaken that greater good to preserve more lives but doom them to live in the same bad conditions forever was her picture! Yet Millicent, effectively a 'little guy' version of Malenia, had the privilege to die with her integrity intact without any big consequences for the world and great scheme of things! True good, certainly, can only exist in the smaller scale.

When it reaches the higher plane and higher decisions there is no way to remain 'unalloyed'. So, yes, we could NOT have 'just one genuinely nice character' out of people with huge power and importance. Not because Miyazaki allegedly hates hope and hates you! But because he is a writer that seems to understand such fundamental things and philosophical dilemmas from the track record of his games so far. ANY mature, insightful writer knows that the idea of someone 'important' forever being good might be a thing the audience wants, but not a genuine thing. "No matter how tender or exquisite a lie will remain a lie" and all.

17) *hating Radahn's inclusion because "dudebros got validated" and not over the story*

To be honest, this IS something I am also familiar with. I won't play the "unlike you snowflakes I don't care about online discourse uwu" persona because I SURE do! I used to dread Mariadeline ship because fans of it were easily the most toxic and unbearable type of Bloodborne fans, choosing to remain willfully ignorant about Gehrman's character actual lore, showing near-biphobia regarding Maria, having era of acting personally attacked when their ship was implied to be anything BUT cottagecore fluff dynamics without corners, playing victims of hate and "misogyny" when they themselves maliciously rage-baited fans that were just enjoying themselves, and doing that ableist 'no reading all this get a life' thing when shown where they were wrong! I had a period of really disliking Leda because she was an in-universe manifestation of aforementioned 'Twin Cultists' who act very similarly to common Mariadeline fans with spreading the "us CORRECT fans with MEDIA LITERACY who RESPECT story and characters vs them WEIRDOS" toxic mentality, with the whole joys of echo-chamber stuff, playing victims when they knew they were PROVOKING anger and feeling attacked when anyone dared to as much as to look at their favs as anything but perfect. I dealt with both and enjoy the ship now, and like Leda now. These are just two recent examples, but I faced a similar problem often, in previous fandoms as well. And I will be real here:

What helped me every time was to distance from the 'vocal' fandom, gather around a few friends to private chats and bounce around the ideas on our own. Without any outside influence, without deliberately skewing interpretation to "spite" anyone, without any motivation in it besides trying to look at things with clear gaze. The cure against the sour taste that bad fandom experiences have left is not to have the writers to "validate" you or to "spite" your opponents or whatever. The cure is ALSO not to completely abandon the ship/character/concept/etc giving up on it as if it was rotten and "not worth the stress". The cure is to hide away from this negative influence for a time being and build your own vision, that might have only like 3 other fans but be immune to everything! Us very few people here who like Mariadeline the different way keep FAR distance from its more 'common' fans, and we are pretty glad that we grew a Halightree in the contrary to their Erdtree x)

I do not really see why could not the same be done with Radahn as a character. In fact, it feels like there is an unspoken DEMAND for it. For 'reclaiming' him, even! My friend heraldofcrow made a post ( x ) about why Radahn is not 'Chadahn' at all but actually a sad character in his own right and just LOOK at the notes! Clearly, he does not have to remain a "mascot" of those dudebros and remain associated with the dumbest discourse you ever had to read!

I think the fandom really has lost the objective when prior the DLC you guys started to hope for certain outcomes based on the fandom experiences! People hoping for Miquella to be kind to make 'annoying Berserk fanboys' shut up, people hoping for Miquella to turn out evil to be vindicated after his annoying fans were toxic over "wrong" interpretations of him, people hoping for Mohg to be confirmed bewitched so everyone who called them media illiterate could eat their words, people hoping for the answer to Caelid battle to invalidate Malenia haters from Reddittube…… Like, how comes that we have forgotten that the first priority is to hear what the writer has to say and try to accept it as fans, or at least to have objective, reasonable wishes for the story rooted in our knowledge about writing and NOT in fandom discourse? It should not be a matter what group of fans gets validated or screwed over, it should be a matter of what it does to characters! It should not be important that now Malenia haters will NEVER shut up, but it SHOULD be important that we now have a better context for her moral failing and can work with it. She is not THEIR to trash on, she is YOURS to cherish as the girlfailure now with extra information!

There is a Russian saying: "Мышки кололись, плакали, но продолжали есть кактусы" (literally "(the) mice prickled themselves, cried, yet kept on eating the cacti"). It is a figure of speech describing someone who keeps stubbornly doing something that only brings them suffering without a reasonable purpose to it. This is exactly what those dudebros have been doing thinking about Malenia within the context of their fav and what they have been doing complaining about how hard it was fighting her when no one forced them to. But this is ALSO exactly what Malenia fans have been doing engaging in bad faith "debates" started by those guys and checking Reddittube knowing full well no good takes exist there!

If what you wish from it is effected not by your knowledge and tastes, but by your bias stemming from fandom experiences… really, distance from the fandom and heal. Characters are their own entities, not your tools to own other people in the fandom. It goes to both Reddittube AND Twitbr, to both people who started it and people who merely developed negativity as reaction. Fans are NOT part of the story and should never be, we are all just people observing it and reacting to it.

18) "They clearly gave Radahn spotlight because he was popular in (western) fanbase"

It is absurd to assume that Fromsoft would turn the planned story around because a lot of people on Reddit and their YouTube lore influencers declared 'Chadahn' their king. In fact, judging by the merch they're offering, Malenia is recognized as equally marketable if not MORE marketable! Besides, had they cared about Western fanbase's reception specifically (which IS where Radahn is loved), they would have likely avoided the potential backlash by that type of fans regarding making their fav LGBT+! With half-brother, no less. I've also heard a theory that they included Radahn as the very last moment solution, but I doubt that baking in Freyja into the story with her and Ansbach's questline, as well as creating Gaius, could've been something done in the last moment! I am not a game developer so correct me if anything, but it looks like a lot of work to do. Besides, there is not enough cut content in SoTE to suggest the plans were far different! And we all know that cut content always still lingers in the game's files with Fromsoft!

They can care about marketing- heck, using Vargram, an existing character with his own lore, to portray the "Tarnished" in promo materials because his set is more catchy than Knight/Tutorial set, for example! Or how replacing an option to murder Orphan of Kos as an infant with 'shadowy presence' because it felt too grim didn't undo the option to kill Arianna's infant and other celestial children, nor it undid how horrifying Fishing Hamlet was. They also obscured the fact that Annalise's baby got aborted, but not the fact that Queen Yharnam's baby was stolen while she has a bleeding wound where a big belly used to be. These are examples of making posters more eye-catching and dodging potential scandals about promoting abortion respectively, but nothing about nuking the plans for the story!

You know what sells even better than Radahn? Big boobs! Yet over and over they make their female characters have smaller chests, even Marika, and the ONE exception Miyazaki ever made, Gwynevere, was done because the guy who drew her concept was too happy! Heck, assuming that Miyazaki included Radahn because his coworker wrote a Miquella x Radahn fanfic he liked is more realistic assumption than him wanting to "sell better" jggfggfhgn In any case, my point is, they follow the vision they like and don't sacrifice integrity of the story!

(+On the relevant note, back then there was a scandal with press calling them "homophobic" for Mohg supposedly perpetuating a negative stereotype with incest/pedophilia accusation….. but while they debunked that impression, they've added consort thing with Radahn that falls for the exact same issues potential lol!!!! You know the only reason "Radahn is a groomer" takes don't exist is because people who care about Radahn aren't the discourse-starters of the fandom. They didn't escape certain side-eyeing even when they COULD and it is funny)

There is another thing I want to address though!

The screenshot is from this reveal trailer, and the excerpt is from Miyazaki's interview ( x ). I assume that this COULD be used as a reasoning behind thinking adding Radahn and final Miquella cutscene in the "last moment"; like 'you see, there was an ending where he 'reveals' (?) the Scadutree, but they cut it, and offered that unfinished clip of Miquella asking Radahn to come with him!' ..okay, sure, but you know what else was in that interview?

The confirmation that there would not be an extra ending for Elden Ring, of influence on the main game! Right off the bat, right after this trailer! Miquella "unveiling" the Shadow Realm or anything like that would have had consequences on the main game, certainly! They might have animated this prior because they wanted to add a new ending but then decided to not touch the main game under any circumstances but kept it for the cool trailer, or they animated it for the trailer from the start (like if Miquella is unveiling a new location for us, metanarratively)!

19) *refuses to use information and lore from the base game while looking at the DLC*

Yet AGAIN, "Free my man Mohg from SA allegations (he did do all that other shit though)". XD True, when it is not that people reduce (?) him to just a victim upon learning Miquella's Bewitching lore for the sentiment alone… it is then because they sort of forget. :clown: Ansbach's entire existence and what information we receive from him confirms that Mohg's scary bloody cult existed before Miquella's spell! It is up to anyone to interpret whether 'love' theme about his cult also existed before what Miquella did, or was, in fact, a side-effect, but kidnappings and sacrifices definitely were not caused by Miquella!

Another example off the top of my head is Maliketh and even Hoarax Loux / Godfrey basically evaporating from Marika's backstory, as though nothing ever existed besides her time at the Shaman village, Messmer and Fell God. And the latter one makes it especially odd, because base game hammered it down in every other Fire of the Giants' incantation that the motivation to put that fire down was because it was capable of burning the Erdtree and existed as anathema to it altogether, but now it got basically forgotten, as if all that ever existed about it was Messmer's presumed connection to it! I even got """corrected""" once when I stated that war with the Fire Giants happened to establish and protect the Erdtree, with something along the lines of 'we don't actually know what the motivation was but very likely to help with the curse that he caused on Messmer'! Also seeing the turning point of Marika's story in her becoming a God through Divine Gate, when in reality it was first her being chosen as an Empyrean by the Two Fingers! So, first someone now qualified to create the new order, and then actually creating it by entering the Divine Gate!

There were also Miquella things such as saying that he abandoned Malenia when she described his absence as "he will keep his promise", or saying that him forgetting Godwyn was a weird decision when the base game already suggested he failed and gave up with failed Eclipse and Golden Epitaph with words 'please die a true death'! To be honest, with Malenia one I myself fell for it at first, but… yeah, base game suggested he was going to return to her after/if his plan succeeded. Romina "creating" Scarlet Rot I also found to be often disconnected from (Outer) God of Rot existing 🤔

I suppose this could be justified because many people finished Elden Ring significant time prior the DLC, so many lore details got blurred and only general impressions of specific fixations stayed! It is just how memory works, and revisiting the source material from time to time is necessary! Even then, SoTE is so full of new information that it is easy to just completely fixate on it! I just think that it is important to remember that SoTE is still not just a whole game despite its absurd side and saturation with the new things, and things in it add into the base game! Not always like missing puzzle pieces but sometimes in a way that makes the puzzle itself bigger, but still. Gaius existing didn't replace Alabaster Lord that was Radahn's Gravity Magic teacher and Ogha, but he was also a "classmate"! Radahn being stated as an important sibling for Miquella and Malenia didn't replace Godwyn, but rather is added as someone also important! Hell, maybe he even became so close with them after Godwyn's assassination, but I'll get to the "it doesn't contradict stuff" in the meantime! Dryleafs and Needle Knights aren't supposed to make anyone forget about Loretta and the plan to find "proper" Haligtree Knights but never finding a master for such sword! They are just people who put faith into him after Erdtree started to die and his police force respectively! (Also no if I saw that Needle Knights are police then so have to you all, fuck you)

20) "How could they abandon [insert a thing that had enough place in the base game]?"

This kind of happens frequently, and usually it is about Godwyn! Sibling paragraph to 'it obviously should have been Godwyn' I suppose! Godwyn is not the first character who is very significant for the story yet everything happened behind the scenes, through descriptions and dialogues of other characters. In fact, meeting him in "person" is already a luxury by Fromsoft's standards! He had enough of spotlight already with his death triggering the VERY events of the plot with Shattering, one of Miquella's failed plans being about 'Eclipse' to bring him back, being grieved for by other characters, making peace with Ancient Dragons and thus a whole type of incantations in the game being linked to him, haunting the environment via Deathblight and being core figure in the questlines of Ranni, Fia and Rogier who are pretty significant characters all! He had enough development and presence in the narrative, I'd say to the point where bringing him into SoTE would overload the story with his presence! Not making him a core figure in the DLC and limiting new information about him to his most significant Knights rebranding into Knights of Death to protect the places where Prince of Death "grows", again, not some grave insult to his fans because what was there to tell about him happened in the base game!

With Fromsoft characters, THE tragic culmination of their story often happens behind the scenes and we are intended to meet the character at their lowest point, or just dead! With Godwyn, that culmination did happen behind the scenes, with such beloved, important, enigmatic figure getting assassinated and sending Marika over the edge, and we have a second emotional culmination for the character that we get to experience where we DO meet him at his lowest - an abomination on all living and mockery of former self, knowing Miquella did not get the wish to either return his soul OR let him die a true death! He did not have enough screen time, but he had enough presence in the story and feelings!

A similar complaint could be made regarding 'Well, Miyazaki said that Miquella would be a focus of the DLC, but we only meet Miquella in the end and he just sits on Radahn's back instead of at least fighting us himself'! (no not me making up a guy, it was an actual claim towards Miyazaki allegedly "lying") First, you people take it BACK about a very clever Dark Souls 3 reference and Miquella's spells not letting me see shit. Second, like I said, his presence is all over the narrative! All core NPCs talk about him, we follow his traces and find flowers growing from his blood, we learn more about him and his past, Radahn's story is now connected to his and Mohg's story with him given some insight, Trina is inseparable part of him, Dryleafs and Needle Knights are HIS covenants, we see effects with and without his spell… How is all this NOT 'being focused on the character'? Fromsoft's style of giving character time and space is not specifically to show them on screen or let us battle them or have dialogue with them!

Personally, I also at first wrongly assumed that they forsaken Miquella and Malenia's connection for the sake of Radahn, but this is, again, the case of one not excluding another! His connection had enough weight in the base game: he started Fundamentalism with Radagon primarily as a sort of magic to heal Malenia and abandoned it when it was not working, she always identified as 'Blade of Miquella' and it is the only thing she holds onto as she is falling apart, her clothes, prosthetics and armor pieces are made of his Unalloyed Gold and it even digs into her very body, all which he created for her, Ephael is full of statues depicting their younger selves holding each other, she was the one to have his needle (different from the gold needle) and she awaited him to keep his promise since he was "the most fearsome Empyrean"!

(Cut Rico's dialogue in the base game's files ( x ) ( x )) The original intention seemed to give Trina less of a 'personality', making her more inseparable entity from Miquella or even straight up just his disguise like with cut Merchants' questline, so the plan to ascend Miquella to Godhood was already in the plans! They have changed the dream realm thing since, recontextualizing Miquella going to sleep to ascend into presumed dream realm into Godhood with dream Trina persona to Miquella departing into the realm where rather all dead drift to, but the POINT of him leaving for that mad plan rather than mysteriously vanishing and Malenia not knowing why was there from the start! Writers didn't just "randomly made him abandon her" - he ALREADY did so in the very early draft of the story!

In the interview ( x ) about SoTE, Miyazaki also confirmed how many things that were planned from the start were cut from the base game's story because it was getting too big:

Miquella also abandoned not just her but everything, and Radahn logically got special treatment because he was part of the plan from the start! Miquella, who left every feeling that made him the person that he was, did not need to love Radahn or care for him to remember that a God requires 'consort' (in this setting's lore). It is not outlandish to assume that he wanted Radahn to share that fate (a fate so bad that Trina begged us to rather kill him that allow it, mind you!) and not Malenia because she already suffered enough for him in his eyes, for example. She depended on him for everything, so why not ask the other tough guy rather than a person that never knew independency and true agency outside of his influence?

My hot take is that not asking her to hold his hand through horrifying ordeal further proved him caring about her with all the context! He maybe ideally would not have asked Radahn either but if you need the Second Guy as a God, who will you rather ask: a person that already never knew life besides self-identifying as your tool or a kind tough guy who was the second most reliable figure for you BOTH after Godwyn? And would Godwyn be interested in the idea to abolish the Golden Order anyway? Radahn presumably changed his mind later in life, but Godwyn was THE Golden Order guy since the start! But my interpretation is not so relevant, it is subjective and again saying 'there is no glaring problem that people think there is, it comes down to interpretation'. There was still nothing else to add about how Malenia and Miquella were connected in SoTE, it was already all said in the base game!

I might be talking from the standpoint of someone who very much used to the way Fromsoft reveals information; they are very minimalist and precise, they give as much of it as needed to understand the gist, and bringing up something not in one description of an easily missed item but several times across unskippable lore is generous for them! They said enough in the base game for everyone to get the point and decided to not milk the same thing in SoTE, nor they erased or contradicted the information from the base game!

Wanting more information for the sake of it is valid and natural for fans, but Fromsoft doesn't give it just for the sake of it! They didn't abandon these topics, they simply finished talking about them! Even so, Godwyn got now got confirmed to have his version of Cleanrots/Redmines, and Romina offered a fantastic narrative parallel with Malenia as someone unable to bring Scarlet Rot to blooming from the buds state yet cherishing it, when Malenia wanted nothing more but to get rid of Scarlet Rot yet it kept getting through no matter what! They added some extras without exhausting the point itself!

21) "Sote was a mistake" (and variations)

YOU take that BACK about Thiollier and Ansbach. You take that back about Leda and her potential of interacting with Loretta, about Freyja, about insight on how Tanith looked like before marrying Rykard, about Moongrum having a twin sister- heck, about RENNALA having a super cool badass sister! You take that back about Midra and Nanaya and the whole cool Abyssal Woods location, about cool Midra's Manse lore and the best fucking boss battle and soundtrack ever. You take that back about Messmer and the Fire Knights. You take that back about cool battle mechanics additions with many two-handed arms, hand/legs combat mechanics and throwing weapons mechanics. You take that back about Romina and super cool insight on Scarlet Rot. You take that back about Ymir and super messed up cool cosmic eldrich stuff with cosmic fingers and Metyr being a return of Ebrietas archetype no one could expect. You take that back about how everyone finally pays more attention to the Fell God and worldbuilding in general. You take that back about immaculate aesthetic and captivating lore of Hornsent. You take that back about meeting Trina. You take that back about how significant and important topics they managed to raise- no, honestly, how cool is that that they got us to discuss the topics of fascism and genocide, as well as cycle of revenge and dilemma of limiting free will vs accepting cruelty of the world so hard that we FORGET to simp for [choose Messmer or Rellana or both depends on you] during such passionate debates? You take that back about coolest fucking sets ever and ability to become a dragon. You take that back about Igon, Florissax, finally getting an explanation about why Dragon Communion was a thing if Golden Order made a pact with Ancient Dragons and BAAAAAAAAAAAAAAAAYYYYYYLEEEEEEEEEE! You take that back about Gaius- actually no screw that man, remove his battle lol

…sorry had to add that punchline.

My point still stands: you cannot objectively say that SoTE was a mistake. Subjectively, you can; if you were a fan that solely cared about Miquella only through a certain lense and nothing else, then sure, SoTE fucked your headcanons over and all the cool stuff won't make you shift your hyperfixation. For you, it would have been better if SoTE never existed, you would've been better off in previous state of things, endlessly debating Radahn's fans and bullying people with charitable Mohg interpretations and whatever. But people like this do NOT represent the fandom as a whole at all! Not even in relevance to the gaming-only part of it, I am talking about artists-writers part of it as well! Objectively, SoTE contributed a lot of interesting lore and characters without breaking pre-established lore; as I stated earlier, importance of Godwyn and Malenia did NOT get erased just because Radahn had a retcon to also be important person! SoTE answered some questions that required answers, like origins of the Formless Mother, Dragon Communion, Trina's nature, what happened with Mohg, what was the reason for Caelid and what were these darn weird crawling hands enemies!

No I am not rofling, I was seriously very confused about them and made at least three attempts to solve the mystery of their nature, but SoTE finally freed me from that torment!!

Adding more characters absolutely was not a mistake! None of these characters broke pre-established things, they are merely more 'dolls' to play with! Answering some questions was also not a mistake; whereas people might not like what the answers ARE, tying some loose ends of the story was a good call! It is not as if they've written elaborate document explaining every single bit of lore to the point no one can make interpretations or create new stories anymore! All they did was putting an end to some arguments, however new questions arose in their place; questions more interesting than who is "misogynist" and who is "media illiterate".

From the gameplay standpoint alone, I do not understand this claim either. How exactly SoTE would ruin base game, which is intact and still accessible map without changes? Shadow Realm's map exists separately from the base game, none of it breaks the main game's locations and bosses! I doubt that new mechanics and weapons from the SoTE completely ruin the main game and make it imbalanced either! For most of them, having a strong weapon doesn't automatically make you skilled and even base game's bosses could still kick your ass. And as for "imbalanced" ones, gamer bros of the fandom have been doing great so far self-regulating themselves to shame people who used Mimic Tear, Comet Azur, Blasphemous Blade etc 🙄 Their field of creating artificial "honor"-based difficulty and challenging themselves would not suffer because of the weapons from SoTE! They are able to make the challenges and PvPs what they want within themselves, encourage or prohibit anything. It is not as if Miyazaki is holding them at the gunpoint telling them to use mechanics introduced in SoTE that they believe "ruin" the playing process! Simply not use new weapons or not go in the Shadow Realm altogether if you don't want to - and Elden Ring will remain what it used to be for you!

I guess I can only agree with the notion that aside of SOME story loose ends, base Elden Ring was not lacking in anything. It was a very huge game, with many characters, many locations, many worldbuilding things to touch upon and discuss, many mechanics, very contained and packed with things for years ahead to dissect, discuss and create art and writing and videos for! SoTE just made it even bigger! We were mostly living fine without these characters and new information, save for the frustrating arguments I've mentioned!

Mohg fans against SA interpretations could disagree entirely because as SoTE aired they all said "the night, and the hunt, were long…" But, like I said before, fandom experiences should not define what we want from the story! Some questions remaining unanswered was bearable from the STORY standpoint, but it is objectively NICE that they did get answers! And… just adding more characters is definitely not a problem. Not characters that break the story, just MORE characters. There is a Russian saying, "Кашу маслом не испортишь" ("you can't ruin the porrige by adding more butter in it"), and it applies here very much. Unless some people, for example, hate Messmer and are frustrated that they have to remember about him when writing Marika's backstory or anything.. I would not get it either way because giving a character a couple of sentences of acknowledgement and tossing them away feels like the easiest thing to do in my eyes. Fandom is always doing it, they have always been doing it, so why NOW this is something so hard to do?

22) *blames Martin for all the parts of the story they hate*

As funny as the joke about Martin being responsible for the "incest ship" is, considering his track record, Miyazaki actually confirmed in the interview right after the first SoTE trailer that Martin did not have anything new to add to the DLC story! But then, just because he didn't turn in to add new lore for SoTE specifically, how could we tell that he didn't write these "plot twists" previously? For this, we need to dial back to when his contributions to the Elden Ring were discussed after base game's release!

(Start watching from 6:00 to 7:25)

“Elden Ring was going to take place in, let’s say the present of their game universe. But what they wanted me to write was what happened like 5,000 years before that,” he said. “So I went back and wrote a history of what happened 5,000 years before the current game, and who all the characters were and who was killing each other and what powers they had. They had these runes that were at the center of the game, and the rune got split into many pieces, and that’s what screwed up the world. I laid all that out.”

So, he wrote the base premise for the backstory - what happened and existed before the Shattering, and up until that point! So, how characters got corrupted, how their plans changed and what happened to them later etc was up to Miyazaki to create! Take the concept of the character - who, what power, what status - and put them through the arc and development! Not Martin wrote the events that unraveled after the Shattering AND unravel as we play the game! Miyazaki himself also confirms this, according to this ( x ) interview:

“So it was more up to us to interpret this and say, ‘how did they become such inhuman monsters? And how did the mad taint of the shattered shards of the Elden Ring and its power affect them?’ So that was our job to take these grand heroes and sort of misshape them and distort them into something they were not.”

"…if we get a chance to show Martin and if he gets a chance to see the game and see these characters, I think he might be a bit shocked. When he wrote them, he was really envisioning something a little bit more human, a little bit more traditional human drama and fantasy characters. So I hope he gets a kick out of that.”

I recommend reading the whole page, but this is the gist of it! So, not only what events we are following are Miyazaki's work, but also their fall from grace, their sins, their mistakes and everything you might hate ('you' mostly as in, people upset that Miquella was not as perfect and pure as you wanted) is ALLLLLL on him! YOU leave Martin OUT of this! we also all know he only writes hetero incest fsdhfdghsfdg

23) "SoTE contradicted the base game's lore [example that doesn't contradict it]"

This one is less focused than it may seem, because it is not just about Godwyn and Malenia! In fact, it is rarer about them as complaints about them mostly do the "they got abandoned" route that I've already ranted a lot about! god it feels so good to finally rant lol I've seen some instances of people JUST throwing the 'ohh my GoD this new info is SOOOOO contradictory to [thing]' and refusing to elaborate, pouting and playing victims of blinded fanboys when questioned, which is in itself very infuriating! Regardless of how you are frustrated with SoTE, how it screwed your expectations and preferences personally, you are a garbage critic if you just waste your emotions without any real argument to your point, there is no way to put it lightly! That being said, for this particular reason, it would be easier to address concrete examples that HAD some explaining behind them from the critical people! But, it NEEDED to be said!

Personally, I've stumbled into a couple of things, in which I managed to add my say! The first was a claim that the whole story of the base game was not supposed to happen because if Marika got driven by the impulse of revenge and despair, she was supposed to succumb to Frenzied Flame but she didn't! And this is NOT some groundbreaking discovery about how the story is allegedly fundamentally broken, but simply a huge overlooking of pre-existing information, if not confirmation bias! Frenzied Flame and Three Fingers are very interesting topic in general, that I've covered in a couple of lore posts already, but for the subject: whereas the sickness of Frenzied Flame, aka the 'become too sad and you will start to burn' illness, is the case in the Lands Between and started because of Shabriri's crime, the story of Marika and Midra's Manse logically happened before Shabriri! Abyssal Woods and Midra's Manse have the eyeballs that are evidence of being directly grasped by the Three Fingers as the only eyeball items, whereas the Lands Between has Shabriri Grapes as eyes scorched from within but being grasped by Three Fingers became not a staple but an exception (Vyke)! Marika was contacted by the Two Fingers, not Three Fingers, to have the power that she does. Even then, is not it logical to assume that even after Shabriri caused his curse on the Lands Between, a God would be immune, especially if the "counterpart" of the Three Fingers is their guide? Not to mention how Messmer did take a lot of burden off her by doing her wish for revenge by himself-

Alright, you got the point. It is very easy to logically conclude why there is no glaring contradiction at all, and you don't even need to dig deep into lore to find out why! This is the brightest case from my memory that is best described as 'if you WANT to believe that Fromsoft completely broke the story, you WILL find a backup claim for it'! But unfair criticism that doesn't address the possible counter-evidence is not the way to analyze! When you want to make a claim, you need to scan the overall volume of information for possible objections to your claim and deal with them! Explain why they do not work, or why they are not truly saying anything! Sometimes, as you deal with the potential counter-evidence, you find that there are things you cannot reliably argue against and it might make your initial claim appear less solid or lose validity altogether! And this is fine! As big as the temptation to "prove" something is, the true purpose of having a claim should be to make sure that it is valid all things considered!

Just because you are already too upset with the story and the writers to give it proper effort and analysis doesn't mean you can just toss a bold, easily debunked statement and expect to not have any objection! This is not in particular to the 'Frenzied Flame makes Marika's backstory impossible' person at all, but about a behavior in the fandom I've also noticed; where someone's response to the information that deconfirms their criticism is 'well, but I am already too hurt and disappointed to dig deep and analyze, so…' No, not how it works. You are making a claim about existing piece of writing and thus put skill of the writer up to scrutiny, not writing your own AU/headcanon, therefore be ready to deal with counter-evidence if there is any!

Another example off the top of my head was that existence of Gaius allegedly contradicted the pre-established lore about oppression of Albinaurics! I want to point out though that the person who originally made this claim was nice and never denied validity of the counter-arguments! But as for the subject, I will repeat that it is very easy to assume that there would be some double standards put in action! Like 'oh yeah Albinaurics are cringe, but this one is nice to me so he is an exception'! Or 'yeah we all hate Albinaurics, but this one is HELPING us in the Crusade against those spurned of Grace, he is paying the price for being an impure species himself, let's be nice to him guys :)' (🤡🤡🤡).

In this case things are easy to explain not through digging into information in the game further, but through putting into consideration how humans tend to work! Though Messmer, for one, has his more humane traits stated with how he respected the wishes of his Fire Knights when some of them protested against burning Rauh Ruins, and Gaius might be an extension of that sympathetic side of him! Opinion that saying Radahn was admired by the twins for his kindness contradicts the lore falls apart even EASIER; it is not hard to assume he maybe used to be kind! Miquella even specifically revived his younger version, and it is very telling!

All in all, the writers do not need to overexplain every single thing to prove that there is no contradiction or things make sense! Elden Ring is entirely written in such a way where by just digging deeper, connecting the dots or even applying your imagination and experiences you can easily explain why things work! I just want to really, REALLY accentuate it that before you cry 'bad writing!!!' or 'contradiction!!!', give it SOME extra thought! And if you are not willing to because of disappointment/weak attention span/anger/etc, then don't make the claim to BEGIN with! What is the point of making a claim when you are not in the right state of mind to make SURE it is valid? Bashing a story or a writer while willfully not being fair to them with your effort and research is something better reserved for private chats with the friends just to let it all out, but not for the public blog for all other fans to read and REACT at!

24) "If fans have to fill the gaps and think themselves it's a bad writing"

Sigh… This is relevant to the earlier addressed complaint about fans 'coping', and somewhat relevant to the complaint about 'they should have given more information', AND reverse complaint to how they've answered some questions in SoTE, I suppose. For starters, this argument could not be further from truth at all! Do you really, genuinely, want to say that instead of provoking you to think, to express creativity and curiosity, to apply your knowledge or experience for understanding, writers should have just spoon-fed you every single thinkable bit of information as if you are a toddler? For sure, the discussion about how writers treat reading comprehension of their audience cannot come without addressing the demographics that supposedly would benefit from "over-explanation", so I'll jump RIGHT into it, skipping through the normies:

As an autistic person, I do have my own problems with sometimes skipping through a subtext or an "obvious" clue in the writing, this is true, and maybe people who want to state this are also autistic, I can't know for sure. But.. do we REALLY want to have our intellectual abilities insulted, as a group? Accommodating to autistic people should come locally, like in teaching the society to be more patient with 'stupid' questions and explaining the 'obvious' social cues! It SHOULD be about society being better! It should NOT be about quality of fiction in videogames and movies and TV shows dropping! It should NOT be about writers sacrificing the amazing language of subtlety, nonverbal storytelling and speaking through assumption that our own experiences as human beings will fill in the gaps! We can understand subtexts and unspoken lore, even if it might be harder. When we cannot, autists that did understand the subtext explain it to us! When THEY cannot, there will always be the guy on Youtuber or elsewhere musing about what they liked or disliked in the writing, revealing the information that we might have missed, and we will go 'huh'. We can help ourselves and each other!

Instead of being mad at the writers for not giving more spoken information and evidence, let's place the pieces of the whole puzzle that we did find together to discover a full picture and teach others AND themselves to be patient instead of screaming "reeee media illiterate!!!" at every sneeze! I have insulted another autist's intellectual abilities over not reading the clue I managed to. I had MY intellectual abilities insulted by another autist over not reading the clue THEY managed to! We should strive to be better and kinder as society, AND we should have pride in the ability to do so and ourselves, instead of implying that complicated, subtle writing is "too hard" for our "tiny toddler brains"!

Aside of the general sentiment that the writing that provokes you to use your brain/heart/both to fully comprehend it and gives fuel for debates and discussion, I want to address specifically Miyazaki and how he approaches writing, and why he does so. I want to link the video by Zullie regarding the topic, too:

To paraphrase it: Miyazaki, in his youth, loved reading English novels, but because he didn't have as great knowledge of English language at the time, some words or even sentences evaded him and he had to use his own imagination to understand what might have happened in the parts he could not read! The experience of having general layout and understanding of the story, but details being missed here and there and left up to you to think about, is precisely what he wanted to emulate! You might guess "the words lost in translation" correctly, or you might end up with a completely different meaning than the actual one, but what matters is the fun of this process! To include YOU, an individual, into completing the story! Bloodborne was the first Fromsoft's story I've gotten into, and even before knowing this information I had the feeling like, 'ah, they've written the full story, but then dragged an eraser across random parts'… and so, the hunch was correct!

Miyazaki doesn't just lazily drop ingredients in your direction expecting you to cook anything from them and then praise it as though it was HIS brilliant recipe, that some writers WILL do to sorta take the credit for your creativity! Nor he just cooks the full meal and gives it to you. He removes some ingredient from it so you CAN eat it and enjoy it, but you are always tempted to add something! Something feels missing, but it is up to you WHAT spice you add to complete it! Yet this meal is coherent enough for you to have a hunch on whether you should add something sour, sweet or salty, it is not quite JUST anything! But if you don't think hard about it and add what YOU like, regardless of whether you think it fits the meal or not, the meal won't necessarily taste bad… There IS recipe that exists. He DID write the story. He just lets you choose your own experience!

^^^ It goes in line with how he creates the games; he stated they are not adding the difficulty levels so players can overcome the challenge in some way that suits THEM as a player. Whether you want to cheat, or to grind levels until you become a God, or to cleverly use the tools and items you are given, or to study every move until you dodge them all or whatever! There is no "right" way to beat these games, though we could conclude from levels designs and tools what was 'intended' way to beat them! A 'suggestion'! You might end up going just the 'intended' way, or you might not! You might just happen to guess the missing story bits 'correctly', but also not, and this is okay!

We are endlessly teased with this feeling that if we think just a bit harder we will discover that hidden "right" way, and we all want to believe that we did! Fandom has two extremes between people who DO believe in One True reading of the story and stomp out every alternative suggestion AND people that claim there is no story and you can do whatever and canon doesn't matter and doesn't exist and all. The truth is somewhere in the middle, and it is so frustrating, it is so torturous at the times… but also, so clever and beautiful.

This approach is why discussion about the meaning of Dark Souls and Bloodborne is STILL alive a decade later and even "apparent" lore questions constantly get revisited, and Elden Ring will meet the same fate! Every boss will be beaten but there is always a different way. Every lore question will be answered, but there is always a different answer. Isn't it much better than if we just cOnSuMeD cOnTeNt in a short time and forgot it all, waiting the next one?

25) *frankly unfair toxicity towards creators, down to racism against Japanese*

(Jeez.. I am REALLY paying a hard price by not saving the screenshots of the terrible takes I am referencing, aren't I. -_-" Everyone will just decide that I've made up a guy because a take like this sounds too awful to be real, doesn't it…..) Look- Some lines should NOT be crossed. Say all you want about the writing quality, but how DARE you to bring in this sort of anime fetishes into this discussion? I am just without proper words, and I will not tolerate this slander of Miyazaki! Everyone, EVERYONE knows…. that his fetishes are feet and dying in absurd ways.

sdfjfdhfdsh OKAY OKAY SORRY I HAD TO, but in any case! Did you guys miss the part where Miquella's ever-young body was a curse, was acknowledged as a curse, was a counterpart to Malenia ever decaying as inability to change at all, and something he transcended when he became a God? At NO point his curse was brought up as something quirky and attractive, at NO point Radahn or anyone was addressed as someone finding guilty attraction to him! We had one (1) guy suggested to do that, Mohg, and they confirmed that his behavior was result of enchantment, but even if it was not: without the new information, it already looked like a BAD thing. Like a HORROR thing, even! Miquella wanted Radahn to be there for him as a consort/king, by STATUS, that we know as much! Nothing is there to outright state any of 'that' brand of attraction! It can range from 'yeah they kind of pulled the dynasty-preserving incest thing, very authentic to medieval royal dynasties vibe' to 'it was innocent and not romantic or sexual in any manner, consort is just a status of the second person after a titular God in this setting that doesn't have to be a partner'. You know what is missing from this range? This being a "fetish" that you could flail around in that 'well what else to expect from jApAnEsE developers, you know jApAn has a problem with such things right??????' (🤡🤡🤡🤡🤡🤡🤡)

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*long, relieved exhale*

So..... yeah, I am done I suppose fhhfds I know I forewarned it as sort of super angry and rude rant, but in a way, it turned out to be more of a love letter to SoTE than a hate letter to a certain kind of fandomry that I just was not able to avoid..

It is funny how it turned out, as at first I've had strong negative reaction of shock, and Radahn consort reveal even soured the first days of playing this DLC for me, heh. That disappointment hadn't vaned yet.. I do not vigorously oppose weird, problematic ships of course, I still stand by what I said about creative freedom. But I guess I kinda did not want Miquella to have any "ship" in canon...? It is hard to explain why, since I do not insist that he is mentally a child too. Maybe I've fallen for the person he WANTED to be, a 'God' that 'loves everyone equally / no one', so him singling out someone disagreed with that "possessive" streak more than I disagreed with how random Radahn felt?

Even so, aside of this, I've been slowly understanding writers' decisions more and more! And those I did not understand I've found to be valid and not broken at all as well! But despite warming up to SoTE more and more with every day and becoming a fan, I was not able to avoid the "window" to VERY toxic and awful takes, some from very toxic PEOPLE, that was my (ex) mutual abundantly reblogging them and.. I guess when I've finally snapped about how strongly I disapproved of that behaviour and how it was all passive aggression all along, my very only inhibitor was just- *snaps fingers*

Moral of the story: if something rubs you a very wrong way, do not keep it in and ADDRESS it. Because if you hope that the alert factor will go on its own, all you'll end with is telling each other very unpleasant things. Pent up aggression ALWAYS breaks through.

In this case, I just feel relieved after having finally written all these thoughts down SOMEwhere. They were eating me from inside, reducing my HP by randomly appearing in my brain even when I was busy and I just could not help but rotate them. Venting is good and healthy. I have some bad troubles with both mental and physical health these days, but at least now there is one LESS thing to siphon my energy away. 🛏️