#on this point if not literally Anything else

[corkinavoid]

I'm pretty sure this has been done before (and several times), but brain going brrr, so

DPxDC John Constantine's How To: Ghost Kids

Bruce doesn't even get to say anything when the door to his study opens with a slam against the wall, and before he knows it, he gets an armful of kids. As in, a bouquet of them.

"I'm so done," John Constantine breathes out, raspy and exhausted, looking like a trainwreck incarnate. Granted, the man always looked like one, but right now, the effect has been greatly worsened. The dark circles under John's eyes are, in fact, black, and it looks like he hasn't shaved in at least a week.

Bruce looks down to the small gaggle of children in his lap that he caught in his hands by sheer reflex.

All three of them look up at him with identical, sky blue eyes. They could be twins if it was not for their obviously different ages - the girl looks no older than three, while the boys are probably around five and six.

The older boy scrunches his nose. The girl pouts, but it looks directed at Constantine rather than at him.

Bruce looks back to John, a silent question in his eyes.

"They are- Well, not mine, for starters," the man begins, placing his hands on the table right over the sheets and documents, and leans on it, hanging his head down. Then, he raises one hand up and waves it in the air, "Not yours either, thank the Gods for that." He takes a deep breath.

Bruce's eyebrows raise all the way up to his hairline. The girl starts trying to wiggle out of his hands, but the middle boy holds her back, keeping her in Bruce's lap. She pouts harder.

"And you've brought them here why?" Bruce breaks the stretched out silence, gently repositioning the kids into a more comfortable hold. John raises his head up at him, and the magician's eyes look straight up pleading.

"You're the only person I know of who is, one, a parent, two, acquainted with supernatural, three, a man of great patience, and four, owes me a favor." Constantine lists off reasons that don't really make sense all together, especially regarding kids. Then he thinks for a moment and adds, "Five, owes a shitton of liquor."

"John, what-"

"Listen, I've been dealing with them for a week, I'm at my limit," Constantine interrupts him, desperate and close to whining, "I haven't slept in more than three consecutive hours for days. I don't remember the last time I ate. Or took a shower."

Yes, Bruce can see that. Or, rather, smell it. But that answers none of his questions as to who, why, and how.

"I would kill for a bath," John admits, like it's some sort of a secret. The middle boy opens his mouth, but Constantine points an accusing finger at him, "No, the puddle of melted ghost ice does not count for a bath. And don't come at me with your death puns."

The child rolls his eyes but closes his mouth back and slumps. Bruce resists the urge to pinch the bridge of his nose, but only because he is holding three kids. His hands are full, quite literally.

"John, I need you to explain," he asks, somewhere between a demand and a careful inquiry. Because, really, the man looks on the brink of losing his sanity, that much is evident. Bruce might not like the man, but he can at least partially sympathize with dealing with kids.

His bare minimum of sympathy - and isn't it a bizarre thought, emotionally sympathizing with John Constantine of all people - does not ease his growing worry and irritation. The girl starts trying to get out of his hold again.

John takes a very deep breath, holds it, and then-

"I stole them," he says, looking Bruce dead in the eye, with a sense of resigned, if a bit unhinged, determination. And, before Bruce is able to ask literally anything else, he keeps going, "Their parents are shit, a branch of government is out for their guts - as in, literal guts - there was- there is a backdoor to the afterlife in their basement, and also they are dead and because of some Realms fuckery and their spiritual granddad being a huge pain in the ass, they are all wrong ages."

Bruce blinks. Then blinks again. Processing that sentence turns out to be a lot harder than he estimated.

The oldest kid in his lap gives John a middle finger, nearly sneering. The girl starts snickering, somehow making it soundless.

"Oh, and they are under a silence charm because if I hear one more references to fucking Ghostbusters I will shoot myself," Constantine finishes matter-of-factly.

Distantly, Bruce wonders if John can make that spell into some sort of an amulet. God knows, Dick really needs one sometimes. Steph does, too. And Jason. Actually, all of them need one.

He looks over the kids again. They don't seem scared or unsettled, neither by the fact they are sitting in a lap of a stranger nor by Constantine's bullet point version of a summary to their lives. They mostly just look annoyed and grumpy, and a bit embarrassed in case of the middle boy.

Bruce sighs and decides to start somewhere.

"Do they have names?"

[part 2 ->]

[dumblilb]

I Could Be Enough

Vi x Fem!Reader

(Synopsis: They weren’t super close as children, but running around in the same crowd kept them in the know of each other. But years later she might be all Vi’s got left.)

(Warnings: drunk!vi, alcohol, mentions of physical violence ‘ not towards reader’, it’s mostly fluff, a little bit of angst, no mentions of physical attributes, just she/her pronouns, not proof read)

(Requested: yes)

(Words: 1,585)

* ・゚☆ 。・ * ・゚★ 。・ * ・゚☆ * ・゚☆ 。

You don’t even know how it got to this point. Sitting at the booth in a gross, sticky, and dark club, watching over a girl you didn’t think you would ever see again. And maybe you were right. Cause she’s not the same girl you remember running around the streets of the under city as a child. The one who always had a bright look in her eyes as she tried so hard to live up to her father’s name, and keep her siblings safe.

But one thing was the same behind those, now dark and sad, slate grey eyes. She was a fighter. In the most literal sense. She couldn’t keep her fist off a jaw if she tried. Night after night she would cover her distinct tattoos and red hair with dark paint. Disguising herself from the public who claimed her strength as a prize. Or maybe even hiding from herself. She wasn’t to sure anymore.

But as the nights carried on the paint got messier and the drinks were getting stronger. And it was hard to watch. But here you were. Watching. So hard you thought your eyes might bleed from all the strobing lights and smoke filling the air. Any other night you might have gone to bed. Ignored the aching feeling you had, and left her to party the rest of the night away. But you couldn’t. Because there she was also watching you. As she sloppily got up with a bottle in her hand and started to walk towards the exit, the urge to follow consumed you. Because you knew she wanted you too. She was practically begging. And so you did. Meeting her by the stairs leading to her small apartment.

“Thank god you came, I thought I was gonna have to drink all alone tonight.” She slurred and you sighed resting your hip against the wall, propping yourself up.

“What would you do without me.” You smiled at her. Trying not to be angry with how fucked up she sounds. Slyly taking the bottle from her and helping her steady by the waist you walk her home.

“You know you’re so pretty when you’re mad at me.” She sighs as you push her door open. You just roll your eyes. She’s been doing this for months. Ever since her first pit match. You were hired as a sort of nurse for the ring. Patching up the people who were getting their shit rocked, and the people doing the punching. Making sure they were healed enough for their next match. And the second you saw her step in that ring you knew it was her. Sure she looked a little different. But her deep upper cut. You could never forget that.

So you causally brought up growing up in the lanes while bandaging her fists that day. How you were pretty shy but always friendly with a boy named Ekko. And he had introduced you to his friends a few times. You could tell she remembered you. But she didn’t say anything. Which was okay. You could tell she didn’t really want to be known at that point. But as time went on she spent more time talking to you after matches. Sitting at the bar just trying to figure out how life got both of you here.

But she also found alcohol along the way. And that concerned you. She would always assure you she was fine. And you chose to believe her. Even though it sometimes seemed she would look right through you. Like she wished something else was there.

But even before the alcohol, the casual flirting was always there. Comments about how attractive you looked and how nice you were to her compared to the other fighters. Claiming you made her feel ‘so special’ and not just because it was coming from a beautiful girl like you.

So as you sit her down on her small bed and pull out some supplies to remove her makeup you can’t help but shake your head at her.

“Your dumb fake flirting isn’t going to get you out of this one vi. You’re a mess.” You sigh pushing her hair back with one hand, removing her makeup with the other.

“It’s not fake and you know it.” She rolls her eyes. “I want you. Please.” She says griping the hand with the cloth in it. Rubbing her thumb across your knuckles softly. The difference between her ruff scared hands and yours now glaringly apparent.

“You’re drunk and exhausted, and I wouldn’t be surprised if you had a bit of a concussion after today’s match. I haven’t seen you get hit that hard in a while.” You say ignoring her advances. As you’ve done before.

“I’m fine. You know I’m fine.” She reassures you. But the wavering of her eyes says otherwise.

“I know you think you’re fine-“ you remove your hand from hers and finish wiping her face. “But I see you, Vi. And this isn’t fine.” You say pointing from the bottle resting on her little table to her bruised fists.

She groans tossing her head back. And you gear up ready for a fight about how you don’t know what you’re talking about. But she rubs her eyes a little, her breath slowly becoming unsteady.

“You’re right I’m sorry.” She breathes out looking at you. The small bit of light roaming the room makes the wateriness of her eyes sparkle. “God I’m so tired and I don’t know what to do.” She cries.

You don’t even know how to respond. She’s never really cried in front of you before. She’s always been so tuff. But as she sits before you, even her toned and muscular body couldn’t make her look strong.

“I’m so lonely. All I have at this point is you. And you don’t even want me.” She continues and your face softens. Kneeling down in front of her you softly stroke her hair, pulling her in for a hug. She cautiously wraps her arms around you. Like just her touch might scare you away.

“You have me. You do. I think you have for a while now. I just didn’t think you were serious.” You reassure her. Her head nuzzles into the crook of your neck, and you can hear her breathing steady slightly.

“I’m always serious about you.” She says softly, it being a bit muffled by her position. She pulls away from the hug, resting her forehead to yours. “Can you stay please. I don’t want to be alone.” She asks quietly. Her warm breath hitting your lips.

“I’ll stay.” You grin and she moves to get up and grab a blanket. You help get her ready to lay down, removing her thick boots and setting aside the dirty cloth.

She props the blanket in your lap and she lays down. At first you just smile at how dainty she looks compared to how you usually see her. But her strong arm pulling you down next to her snaps you out of it pretty quickly.

Pulling the blanket over you both, you run your fingers through her hair. Analyzing her face one feature at a time. Her eyes seem a little more blue in this lighting. And you can finally see the small freckles adorning her skin.

“Are you trying to seduce me.” She asks with a soft laugh. “Cause it’s working.”

“Don’t get any funny ideas. That’s not happening. At least not tonight.” You say and you could have sworn her cheeks got a little pink.

“Well then you’ve got to stop staring at me like that… At least not tonight.” She jokes rolling over. Making you smile.

With her back to you, you place an arm around her waist holding her firm. You could feel her body stiffen and you try to remove your arm but she stops you. “No wait. This is good.” She whispers. “This is good.” And she holds your arm tight to her. Rubbing circles across it with her fingers. Her whole body relaxes against yours and you smile against her neck.

“You know I’m not that same girl anymore.” She sighs a little out of no where. But you get it, she’s trying to give you an out. A chance to run. You hum in response. “I’m different I think. I’m not as strong as I used to be.” She continues and you know she’s not talking about muscle, or brawn. She used to be a leader. Someone people looked up to. And now… most people didn’t even know her real name.

“That might be true. But that’s okay.” You say pressing a soft kiss to the base of her neck. “You’ve been through a lot. I think you’re holding on to a girl who didn’t know what life was yet. And you’re grown up. It’s normal to not be the same. Or feel the same.” You continue and she turns to face you. Caressing your cheek softly.

“I think maybe I can be okay. With you.” She muses. Placing a light kiss to your lips. Making you smile.

“Good cause I’m not going anywhere.”

You don’t know if tomorrow she would go back to drinking. Or if she would get her ass kicked in the pit. But tonight she was safe. And she was with you. And as she fell asleep to your heart beating against her, you couldn’t help but hope it could stay this way. Cause for you. This was enough.

[miodiodavinci]

im being so so brave but also i am gripping you by the shoulders and leaning in and letting you know i am so tired of being brave

[keepmycandleburning]

An addition to my post about how Voldemort is really invested in other people's love lives: Voldemort has no respect for people's privacy or bodily autonomy, and likes to insert himself into people's space and force people to have a more intimate relationship with him than they desire.

He uses this as a form of punishment, knowing it makes people uncomfortable, and also as a form of entertainment because he finds their discomfort amusing.

He lived on the back of Quirrell's head for almost a YEAR as a punishment after Quirrell failed to steal the Stone from Gringotts. A YEAR. IMAGINE WHAT HE SAW. Quirrell could not have done ANYTHING without Lord Voldemort seeing it and hearing it. I mean he was there when he was using the toilet, masturbating, etc etc. And imagine if Voldemort could also feel all of Quirrell's bodily sensations.

Voldemort forced Wormtail to care for him like a helpless baby, again for almost a YEAR, hand-feeding him and picking him up and God only knows what else, when they could have easily done the resurrection ritual really at any point in time—even if he truly wanted nobody but Harry, Barty Jr. could have brought him from Hogwarts.

Voldemort is clearly amusing himself with the situations at this time, making multiple jokes in just the couple scenes he's in:

'Care for my bodily needs for me,' is such an insane punishment to give Wormtail (definitely a punishment, for being a traitor which Voldemort hates and maybe other reasons) and I do wonder if he also did this to the Malfoys in DH, like forcing them to make him food and watch him eat and so on. It's just so weird to imagine that because he seems so inhuman but I mean, he does it in GoF so...

He also has Wormtail approach him and dress him by hand when he comes out of the cauldron naked instead of just bending down and picking up the robes himself:

He makes interestingly similar comments in the GoF baby era and at Malfoy Manor in The Dark Lord Ascending:

Asking his servants a question he knows damn well the answer to is 'it makes me uncomfortable to have this level of proximity with you,' and forcing them to falsely claim they have no problem with it and they actually want it.

He appears to have literally moved into Lucius's house with him, or at the very least is using it as a professional base. I almost always see people interpreting it as that Voldemort lived at Malfoy Manor, which I don't necessarily think has to be true, but I think it's a fine interpretation, and I enjoy it.

With both Wormtail and the Malfoys, Voldemort forces them to witness him in a domestic setting, forces them to claim they want it, and makes them aware that he knows that they hate it, which he knows is terrifying.

While he's at Malfoy Manor, he inserts himself into their family business (as discussed in linked post), commenting on a marriage in the family, speculating on what children the couple is going to have and what relationship the children will have with the Malfoys. We can see he's clearly using this to amuse both himself and the group of Death Eaters, as he makes multiple jokes (implying Bellatrix may be happier about her family member marrying a werewolf than she is about Voldemort's presence, asking Draco if he is going to babysit the cubs) and allows the DEs to laugh.

He also turns Bellatrix's complimentary but not overly inappropriate comment into what I think is unquestionably a sexual innuendo, and then immediately intentionally embarrasses her and induces a group of almost all men to laugh at her:

Regarding Bellatrix, there's often a misconception of viewing Voldemort as someone who would not stoop to a certain level of bodily intimacy or give up his own privacy—but he shares an entire body with Quirrell, he willingly gives up all of his autonomy/privacy with Wormtail, he even rises out of the cauldron fully nude (could have been done privately, I mean the Riddle House is right there, just carry the blood up the hill) and forces Wormtail to again interact with his naked body (and his real one now, not just the baby one) to dress him. So yeah he very much would, and he does, over and over. Voldemort gets bottle-fed and probably diaper-changed for 11 months but noooo he'd never have sex. Be serious. Voldemort takes every physical intimacy he's offered and much more.

Also just want to note that Voldemort is prone to discussing people's personal lives also in situations where it is wanted. For example, Barty Jr. reveals at the end of GoF that they clearly had some personal conversations about Barty's relationship with his father where Voldemort also offered information about himself. Voldemort definitely seems to know Bellatrix personally, and I would very much guess they've had personal conversations. And also the conversations with Snape about Lily (see last post too)—when Snape comes to him about sparing her, they have a thorough enough conversation that Voldemort believes Snape just 'desired her' and then they follow up later about how there are better women for Snape. He likes other people's business!

Overall, I very often read Voldemort as doing things for a major purpose of entertaining himself. He seems to find amusement in many different situations he's in and make jokes to himself and others. His tendency to overstep boundaries of bodies and personal space—both intentionally and by necessity—is one of these things.

[birdiebirdjay]

does anyone else just see canon severus and lily's relationship as completely platonic?

like i know the fandom's general portrayal of sev's love is romantic, but what if they were just really good friends? canonically there's really nothing pointing to severus having a crush on her but i guess boys and girls can't just be good friends.

if anything, james is the one that had the very creepy borderline stalker portrayal, not severus. from my memory, severus did follow lily around for a while after the mudblood incident, but he did stop when she directly told him to get lost? james on the other hand had apparently been harassing her for literal years and asking her to date him if she wanted him to stop tormenting her best friend for existing. jfc how tf did this guy get one of the biggest fanbases within the harry potter fandom???

[songmingisthighs]

Pitiful, You're Pitiful

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ch. vi

group : ateez

pairing : aged up!wooyoung × aged up!reader

genre : angst, mature

word count : 2.8 k

warning : argument, mentions of cheating, negative depiction of wooyoung, mentions of loss, calling an adulteress an assortment of names, idk what else tbh lmk if there is anything else I should add

a/n : I FINALLY UPDATED !!!!! this chapter might be slightly shorter compared to the others but trust me when I say it's very much intentional because I just want to focus this chapter on this one specific interaction. some sort of catalyst or like break from the obliteration of pyp!woo's image ig lmaooooo BUT YAY I DIDN'T FORGET TO POST PYP THIS MONTH !!!!

buy me coffee ?

After the fiasco that was your unveiling of a VERY important information about a staff of the academy, Wooyoung was immediately pulled in to get his side of the story. And of course, unfortunately, you. Luckily, you didn't get chastised by anyone because you were CLEARLY the victim in this situation. Heck, the HR team even reached out to apologize to you for the inconvenience you experienced due to their staff's "misconduct" because you're one of the founders's wives. It was an interesting way of saying that their staff is a cheating whore without any redeeming value but you'll take what you can get out of them and the situation. Which also includes his own friend group contacting you every now and then to make sure that you are okay and some (Yunho, Mingi, and Jongho) even going as far as swearing to denounce their familial relations with Wooyoung which was sweet.

Speaking of Wooyoung, he had been shoved into the heap of horseshit that he had piled on himself. You honestly have never seen him so down because he was "suggested" to take an extra two weeks of break to "settle down from the issue" which was really code for HR still having to clean up his mess because Harin decided to not go quietly. From what you heard from a reliable source (Jongho over pastry and coffee after he ditched his vocal classes to gossip), Harin came back the day after she officially got fired and made a ruckus. Literally, she went crazy and made a mess of the lobby; throwing chairs and tables around, scattering pamphlets, breaking vases, and screaming random weird things like how the company is a misogynist for firing a woman for something that was beyond her control. Safe to say, because Harin refused to move to a quieter spot, Hongjoong had to step in and reiterate all the mistakes she had made including but not limited to her having an affair with a married man who was her boss. Hongjoong had even told her that while there was another party involved, another party that acknowledged the mistakes that he had made and agreed to accept whatever disciplinary actions were required, it was also her choice to partake in such behavior. Long story short, a student uploaded the whole thing on YouTube and as of today, there were 15 different TikTok remixes ranging from EDM, screamo, and even a Donald Trump edit. Without Jongho pointing it out, you could imagine that Harin's career in South Korea was over, not because of the cheating, but because of her disorderly conduct.

You found yourself spending time rather peacefully in recent times which was surprising since your house seems to always be in a state of chaos. For once, Wooyoung didn't try to make you talk to him or about him. In fact, he had the decency to be very considerate of you and your feelings, particularly about being in the same room as him. It made you feel slightly bad to be honest because although you both were going through something, he was in the middle of being the butt of the joke and jab by everyone at the company. It was sad and pathetic but also very much deserved. Sure you sometimes found his isolation to be sad, pathetic, and downright pitiful, but then you remember what he did and you remembered how he put himself in that position without even considering the repercussions.

The same could be said about Dayoung. Well, only in the sense of her isolation seemingly from the rest of the world. Your outgoing, extroverted daughter seemed to spend a good chunk of time locking herself inside her room after school. Usually, you would have to turn into a negotiator three times a week just to get your daughter to come home right on her curfew. This time around, you had a worse time trying to get her out, even making her run some errands just so she could get some fresh air. It wasn't until a while later that Wooyoung clued in on why Dayoung was acting like that. The way you went off on Wooyoung for breaking the news in such a manner without you present or even consulting you. You did try to understand that maybe he just... slipped or that he was so emotional that it just slipped out but the point stood that he waited until you were trying to piece things together to finally tell you. Yet another secret he kept from you. Considering the frequency of things he said but hid away from you, you had to think if this was some sort of behavioural pattern that he hadn't exhibited even if you both had been married for quite a long time. Maybe he had became a master a suppressing it and all it took was you forcing the truth out of him to make said behavior to come back to the surface.

On the other hand, Woohyun was turning into a more mature and responsible version of himself. the day you both came home from confronting the slut, Woohyun became so very helpful towards you. The first thing he did was took your bag and brought it over to the kitchen table before he dashed to the bathroom to wash his hands, cleaning himself up before you had to tell him to. Then he made himself very available for you by making sure that he spent almost every single waking or available moments with you. When you;re in the kitchen doing the dishes or cooking, he would be on the counter or the dining table doing his homework. Sometimes he would even try to do chores like one time he tried to help you bringing his sister's laundry basket from the second floor and he ended up scattering everything down the stairs. Woohyun was upset and worried that you would be mad but instead, you laughed it up and helped him clean up before teaching him how to carry items that are heavier than him down. Although you couldn't find it in yourself to bring it up in case you ended up accidentally telling him yourself, you had a feeling that Woohyun was trying to distract you from the reality of what was going on with your husband in his own way. One of the things that solidified your assumption was the fact that Woohyun had limited contact with his dad significantly. The two of them used to spend time together playing games or pulling pranks on one another and even on you or Dayoung but he had suddenly refuse to spend elective time with Wooyoung no matter how much Wooyoung tried to negotiate with him with everything that he got. Despite that, Woohyun dudb't lose respect for his dad.

"Mom?"

You almost dropped the plate you were washing when you heard a voice come up from the doorway. It was surprising to see Dayoung standing there, timid like a deer because she was always happy, lively, and rambunctious, even straight-up disrespectful to you, your space, and your boundaries. But never this. She had been so... quiet for a week and it would've made you freak out had it not been for Wooyoung letting you know that Dayoung knew. That was all he said, she knew. You did not know what had gotten over you to not deck Wooyoung right then and there but he should absolutely consider himself a lucky bastard.

The sight of your own daughter standing there made you feel... anxious. You probably (most likely) should not be afraid of a bitty teenager, but how can you not? It's not like you thought that she was going to attack you or worse, ask you to give Wooyoung a sponge bath. But you just never saw your daughter this... Muted. It was as if she had stepped into an old TV where there was nothing but black and white. You silently wished that Woohyun had not gone to the zoo with his playdate friends because he would be a great buffer. Or witness for whatever that was bound to happen.

"D-do you need help with the dishes?" She asked, stepping closer to you slowly. At first, you were surprised, not exactly expecting that the first thing she would say was an offer to help you with a chore. But, you welcomed her with a smile and nodded, stepping to the side so she could come next to you and start wiping down the washed dishes.

There were no words exhchanged between the two of you for the first five minutes or so but it wasn't awkward. It was the first time that the silence was peaceful when it was just the two of you. Usually, the silence would always only come from Dayoung and it was because she was mad at you for something. Not at you and Wooyoung, just you. You were always the receiver of her animosity even when she was mad at her dad for whatever insignificant reason there could be, but this time was different.

"Mom..." she called you suddenly but what came next surprised you instead, "I'm sorry," she started, not looking at you which was unfortunate because you were staring at her with a very priceless dumbfounded expression. "I- I- what?" "I'm sorry for... This, my part in... Whatever's going on with you and dad. I'm really sorry for making you take care of him. Had I known, I wouldn't have made you take him in," she confessed and you could see that she was starting to tear up. Your heart broke and you really wanted to pull her in and give her the biggest hug that you could muster just to show your support for her but you knew that it would just make yourself feel better for accomplishing something and not actually help her feel better. So you took a step closer to her and breathed out a sigh of relief when she didn't push you away. "I'm really, really, REALLY sorry mom. He's the worst husband ever," she sniffed which made you chuckle as you blinked back the tears that were threatening to fall, "Well, I would say that Emperor Peter, Catherine the Great's husband is a far worse husband than your father."

Your attempt at making light of the situation was met with Dayoung squinting her eyes at you. "Mom, I'm serious. I've heard about my friend's dad cheating but not like this. Not in your situation, and not with someone dumb enough to think she can substitute a hand wrap for martial arts with boob tapes," she scoffed, annoyed. You sighed and shrugged, "Well, people are complicated, sweetie. I... I'm not mad, annoyed, or angry that you wanted me to take care of your dad because, in retrospect, it WAS the absolute right thing to do. I mean, your dad was injured and he's facing such a hard time at work. It would be absolutely wrong to just toss him to someone else. Who would we even toss him to? His friend? His parents?" "His whore, mom. We could've tossed him out and have his whore handle him."

The very second the words left Dayoung's mouth, your eyes widened and your neck snapped in her direction to see her frowning, staring up at you. "He's a cheating bastard and we have the right to not even be in contact with him anymore," she curtly stated. "Jung Dayoung," you started shakily. Dayoung simply shook her head to cut you off, "No, mom, oh my God, you need to stop being a doormat." "Dayoung!" you exclaimed, surprised that she was able to say such a thing and perhaps slightly offended. "It's true! God, mom, how long have you known that he has a side piece who's as dumb as a bag of rocks? How long have you held everything in and just let him walk all over you? He fucking CHEATED on you mom! When you were so down in the dumps to the point that you couldn't even take care of yourself properly! You used Woohyun and I as a distraction, shoving all the attention and care to what, fill in the void over the loss of my would've-been sibling? And where was he? He was with some other woman because he is the worst of the worst and I will never forgive him for what he did to our family!"

Maybe it was the volume of her voice or the massive weight of her words but you felt your blood boiling and before you even realized it, you had shoved a plate into the sink and you were huffing, "Jung Dayoung that's enough, you should not talk about your father that way." "Why? Why shouldn't I, mom? My God, this is the first time in like, maybe ever that I'm standing up for you, this is me protecting you and yet you're still trying to make excuses for that pathetic son of a bitch who betrayed his family!?" "He did not betray our family, okay? He betrayed me, Dayoung!"

Just like it was the first time Dayoung defended you, you had experienced your first time screaming at her and to say that she was scared was an understatement. Dayoung shut her mouth and stared at you with sadness in her eyes because she had yet to comprehend why you were still trying to stand up for your cheating husband.

"Your dad did nothing to our family, sweetie. He did this to me," you sighed, closing your eyes and exhaling shakily as you used both of your hands to hold onto the counter to stabilize yourself. "Sure, he might have altered the dynamic and whatever else in our family but he... What he did was nothing against our family but it was just against me. At least, that's what I think. I don't think I have it in me to find out exactly why he did what he did because I'm weak, Dayoung. I'm a coward like that." you turned to her and shed a tear, breaking Dayoung's heart as she realized just how strong you were all this time.

"Then why, mom? Why are you still letting him off?" Dayoung asked, her voice cracking. You tearily chuckled and shrugged, "Who said that I am? I'm doing this, ALL of this, not because I want to. I did it, because for the longest time, that was what we have agreed on in our marriage. He deal with the monetary stuff and I deal with the family stuff. As much as it hurts, no matter if I like it or not, he is still my family because his behavior be damned, he... He gave me you and your brother and that is something I would never regret. For that, I will always be thankful to him and that is also why you should still respect your father. You can be mad at him, you can be hurt by what he did, but your respect should be non-negotiable not because he deserved it, but because your dad an I taught you better than that. He truly loves you, Dayoung. He might not love me anymore but you and Woohyun are the apples of his eyes, you are his stars in the dark night sky, and you are the best thing he had and would ever achieve. Do you understand me?"

Dayoung groaned and dropped her head on your shoulder as she wrapped her arms around your waist. "Damn it mom, why do you have to make it hard for me to unleash my wrath on him?" You couldn't help but chuckle and return her hug, "Sorry sweetie, part of my job is to make sure you grow up to be a decent human being and sometimes I have to make or say things you don't like," you chuckled, making Dayoung roll her eyes but nudge her hips with yours.

As you spend a heartwarming moment with your daughter, you can't help but let your mind slip and travel somewhere else. You couldn't help but think about how you and Dayoung would probably not have experienced such a changing moment in your life. So as much as you hate it, there was a silver lining in this whole shenanigan.

Beyond the heartwarming scene in the kitchen, alone in the dark and cold emptiness of the living room, Wooyoung stood with his back to the wall. Having come down when he heard the commotion, Wooyoung initially thought he might have to step in to get Dayoung off your back. But when he heard you yell back at Dayoung, he stopped in his tracks and debated If he should stay or leave until his interest was piqued and he ended up listening in on the conversation which left him feeling broken down. Despite the gnawing pain that made him feel like he couldn't breathe, he knew he deserved that and more. He should not complain and instead, he should just accept the harsh truth. Not just the facts that you laid out to Dayoung, but also the truth that your action further proved that he was truly the devil in this equation. And perhaps he doesn't deserve to be forgiven.

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[jcollinswrites]

How the fudge are you writting so fast??? I sit down to write and end up with nothing or reworking plot instead of writing 😭Have any tips you want to share? Perhaps the ingredients to the dark ritual you perform to get the motivation and remain focused 👀👀👀

So, first of all, you'll need half a newborn, shaken, not stirred…

lol jk (don't shake babies)

Believe it or not I'm the same as you, so here are some stuff that helped me tremendously, especially with my squirrel ADHD brain:

NUMBER ONE that I needed 20 years to learn, is that… forget editing, man. You can't edit if there is nothing to edit, so first you have to sit ya ass down and just fuckin' do it. It doesn't matter if it's shit at first. It's called work in progress for a reason. Who cares if it's shit? You can edit it LATER when the whole thing is already done. What you're reading in my game is literally my first draft. Lots of scenes might change later. In fact, I'm already changing scenes in the background, I'm just not always telling you. It doesn't matter. If anyone gives you shit for it, tell them to kindly fuck right off.

Have a plan for the book (written down. Not just in your head). Don't even start writing until you have a plan for the entire book. It doesn't have to be detailed. Mine is just bulletpoints, but you should know which chapter will contain what, including plot points, character development, relationship progress etc, otherwise you'll get lost, especially in a big IF. And then as you get closer to the next chapter, you can work out more details in the plan to help the actual writing.

If you don't feel like writing a scene, then don't write it. Leave a placeholder word there (I use 'mandarin' because that word likely won't come up anywhere else in the text), and instantly move on to another scene that you have inspiration for. Later, you can just search for 'mandarin' and add the scene when you feel like it. If you accidentally come across any MANDARINs in my game, that's the reason lol.

If you are writing an IF, it helps to start simple. Write the story until a choice comes up, then write the title of the choices, and continue ONLY with the route you feel the most inspired for atm (use mandarin for the rest). Don't let your momentum die by getting bogged down in choices. That's why I have so many greyed out choices when I start a new origin or chapter. I just write write write until the end of the chapter, THEN I go back to whatever choice is the simplest to add, and put the variations in the already-existing text if needed. Repeat until all the choices are written and coded in. This way, the text might feel more organic too, because you already have a pre-written skeleton that you can just add variations in.

Keep notes. It helps to have them on paper, next to you, so f.ex. when you make 9 different deities to choose from, you don't have to go back to the beginning of the chapter every single time to look up which deities those were and what they mean, you can simply turn your head to the side lol.

Take regular breaks. Exercise, stretch. Keep a daily schedule. Eat and drink enough. Try to keep a good health. Your brain won't work if it's starved.

Know yourself and your habits, and be honest with yourself. I know of myself that once I start working on the big plot points, I won't have any motivation to come back to the beginning again. That's why I'm writing all the origin stories first, because I know that if I start going into chapter 2, I definitely won't feel like coming back to start yet another route from the very beginning. So if you don't feel like doing something, then just… don't do it. Or do it simpler. Do it smarter. Trick that asshole brain into cooperating.

Last but not least, guys, 90% of my motivation COMES FROM YOU! Your engagement, your messages, your feedback, every little interaction is what keeps me going! So write me! I will answer! (if you aren't a dick). Literally, about anything. Even if it's just "hey I really liked this small detail here", that will already make my day, seriously. I LOVE talking about my work, and I'm pretty sure every author is like that, so keep engaging with writers, because that's 90% of the reason when a novel gets finished! I'm writing for YOU! Your enjoyment, your fun, because I love telling stories, but those stories don't mean anything if no one is reading them.

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[oldbutchdaniel]

How did none of us notice anything off about fake!rashid in S1? Like….i really thought his fine, big tittied ass getting fed on by Louis and making Daniel’s favorite martinis, rushing in to stop Louis when he’s torturing Daniel by flaring up his Parkinson’s and im out here thinking he was just the help? What fools we were!

no literally like it's crazy how the context of s2 / honestly just knowing armand is rashid provides so many little narrative points and character traits that we could probably elaborate endlessly on. kind of one of the reasons iwtv is one of the shows of all time to me. like armand as rashid blends so seamlessly into the background even when at multiple and specific points they're calling attention to rashid's presence like increasingly up to the point where daniel remembers him and he reveals himself. but then when you've seen season 2 and go back to season 1 rashidmand reveals things about armand's relationship with basically every character on the show and armand's perception of himself and everything else. like how'd they do all that so perfectly

[rin-hanarin]

Sometimes I go out there. To hell. Also known as "YouTube Comments Under Veilguard Videos", where people keep starting funerals for the franchise for reasons they clearly pulled out of their ass after not paying attention to it for at least ten years. The general vibe is "We're just saying anything at this point." Qunari foreheads discourse with the subject matter being treated like it's an unfixable core issue and not a texture that can be tweaked or patched in. Evil corporation EA is evil, but it's conveniently forgotten when previous failures of Bioware are discussed, and people keep bringing up Andromeda and kick Anthem's corpse like it's inconceivable that the devs could learn from their mistakes. The rose tinted glasses for Origins are so tinted that it's elevated to a flawless masterpiece it really isn't. "My DA gone woke", but it's about the same identity options BG3 had and nobody gave a fuck. "Where's my tactical combat" bitches who most likely never used it and were switching to Morrigan all the time because being a warrior and pocking an enemy with a pointy stick was boring.

I genuinely don't get this degree of hate because like. People somehow can like Bethesda games, and then look at a cinematic game with obvious effort put into it and start bitching because it doesn't cater to their specific tastes like literally everything else in the industry. Just don't buy it, what even is this backlash? Against what?

[venus-is-thinking]

DRDT Chapter 2 Episode 14: Initial Thoughts

What an episode! I can't believe that we're probably starting to near the end of the Trial. But, considering we're almost there, we DEFINITELY have a lot to talk about. It's a longer episode, and there's a LOT to go over, so buckle in!

SPOILER WARNING FOR DRDT CH 2 PART 2!

T/W: Murder, hanging (with depictions)

The Reactions

Hu is literally so pretty.

I wasn't expecting her to get a whole mechanic defending Nico, but it makes sense. Letting other students cut in during the Class Trial is a great way to draw specific attention to a character point, and it's very clear that Hu's over-defense of Nico is going to be important moving forwards.

RIP to my "using the weight rack as the carousel" theory. The fan probably makes more sense. I just still have no idea how the 300-ish pound or whatever weight rack managed to get knocked over in the struggle.

I'm glad they directly pointed this out. Trying to kill everyone in the Class Trial was the EXACT thing Hu was so pressed about David doing. It's a weird double standard to be so forgiving of Nico when they tried to do the same thing.

Insane thing to say if Eden is the culprit and killed Arei because she didn't believe her. Then again, if my explanation for a lot of Eden Trial dialogue is "she's speaking out of regret for killing Arei now that she knows Arei was being legit," maybe she's just calling herself cruel as well.

This is honestly very valid.

Do you think "here" implies Nico trusts someone in the outside world? Based on their secret, it seems like they probably didn't have many friends. Could also be referring to animals? Or Mai Akasaki?

Big psychic damage to Hu though, considering we know she thrives on other people relying on her. She wants Nico to be someone who relies on her sooo bad, but they just... don't.

Like, girl. They literally JUST said that they don't trust anyone. That includes you.

She's clearly projecting in some way, though, which is definitely an oof. I wonder if Hu wishes she had someone who was undeniably on her side in the past...?

(To be clear: I think Hu is a very well written and interesting character. She fits the fucked up vibes of Despair Time, but coming from a more surprising angle of "that really nice and caring person can also be fucked up." She's just clearly in the wrong here, so I get to clown on her as I clown on everyone else.)

Ace is honestly so valid for this. Like, yeah he's kind of a bully and he sucks sometimes, but. Like. He did almost get murdered and people are, like, mad at him for it? Huh???

If Ace does end up being the Chapter 2 killer because he snapped, I honestly think he's so valid for that.

It is my personal agenda to record every instance of J being notably anti-murder. I don't know where it's going but if it does go somewhere I want my credit because it is Apparent.

(The entire fanbase nods in agreement.)

I know some people definitely still think/thought that Hu and/or Nico was responsible for the crime, so we've all DEFINITELY been squinting at that alibi. I fully believe it's true, but that doesn't change the fact that I wouldn't put it past Hu to make a fake alibi to protect Nico. Idk if Nico would go along with it, though.

I got so jumpscared by the Closing Argument-style CG.

I'm so glad we did get a definitive answer on how this thing worked. I was so afraid that we were just gonna solve the Arei murder method and the exact solution of Ace's would be a "left to audience interpretation" kind of thing.

I'm not exactly sure where the blood on Ace's fingertips comes from? Maybe he cut his hand on the wire when he was trying to struggle after he woke up or something.

This makes so much more sense than anything I saw theorized though, lol. The fan falling from drop hanging totally checks out as a way that the murder mechanism could fail.

I have NO fucking clue why Nico opted for this as the murder mechanism, though. I get wanting to use Hu's wire to frame her, but why didn't you just cut Ace's throat with the wire in the first place???

where did their cape go :(

Potentially suspicious line from Ace? I don't know what he's referring to as "go through all this." Like, maybe just reliving the murder attempt, I guess...? Could also be going through the Class Trial, though, if Ace killed as a result of Nico trying to kill him.

*Levi's secret quote looms*

Things that make me think Nico is either a victim or a survivor. Like, are you really gonna say this and then go try to kill someone else? ...Or Ace again, I guess??

Fun fact: this was actually what guided me to my initial killer picks, before I discussed with anyone else or read any theories! I thought the killer was trying to frame Nico, so it had to be Eden or Ace. The tape and everything else was just what locked it in for me. It's fun to see Teruko follow more or less the same path that I did when I was trying to solve the mystery :)

TAPE TIME :D

The use of the Bound Wrists truth bullet actually really confused me at first bc I didn't realize we were just talking about the tape. I was like, were Arei's wrists bound because Ace's were and it was intended to be another similarity???

Maybe Eden's just being nice, but I find it really suspicious that her instinct after all this time is "didn't MonoTV take it" and not "oh I guess Ace is probably the murderer."

Teruko has now outlined two different ways that it makes sense if the killer was in the gym that night. If I were Eden, and I were innocent, I would be realizing that there's a very small suspect pool left, and I know that I'm not the killer, giving me additional information. Instead, she's questioning the validity of the tape argument, which isn't useful for narrowing down the killer-- it's useful for keeping the suspect pool wider and not leaving herself as one of three (but basically two) options.

I kinda get why people are upset with Rose here, but it's also kind of an oof because they're only mad because Rose is really smart. Like, no one's out here like "oh my god Ace you didn't recognize the tape??" Y'know, because they think he's stupid. Rose has a really good memory, which raises the standards really high, which sets Rose up for failure.

In Rose's defense, she also never saw the tape in Nico's gym murder OR on the carousel for Arei's murder. She only saw the pieces in the trash can, which seemed to be inside out. Against Rose's defense, it would probably have been for the best if she'd gone in to look at the crime scene.

Am I tripping, or is "fish misunderstanding" a weird way for David to phrase this? The misunderstanding with Teruko was assuming that the murder happened last night, which was in fact because of the fish-- but the thing Teruko should have noticed, which makes it Teruko's mistake specifically, was the body swinging.

I'm probably reading into things too hard, but it's so hard with David. What do you know!!!

Damn, Teruko is SPEEDRUNNING this character arc. Considering we basically know she's locked in for all 6 chapters, I'm really surprised to see her making this much progress this fast.

I'm guessing that this means that Teruko is probably due for a major setback sometime sooner or later. But, interestingly, this makes me feel like Teruko realizing that working alone doesn't work isn't her character arc's end destination; it's the willingness to open herself up to caring about others even in the face of the consequences of losing someone you love. Teruko is closing herself off from everyone because she knows she's going to lose them. Maybe her end destination is allowing herself to love people, even if she might lose them someday.

This was fruity as hell btw. I'm starting to think Rose may be our replacement support if Charles does die in Chapter 3.

It's so funny that this is basically Teruko claiming in-universe protag privilege. Go off, queen.

I also said something along the lines of "Hu are we really doing this again." Totally forgot that the BDA is still relevant, lol.

I personally find the way Veronika phrased this to be very telling from an author's POV. Veronika doesn't say "she must not have committed the murder," she says "she must not have witnessed the murder." It would be totally reasonable for any of the students to forget that the rule is written in a way where a killer could fail to see the moment of murder, but DRDTdev wanted to draw attention to the rule's exact phrasing again, which is a deviation from the phrasing in the canon games.

To be clear here, I stand by this even if Eden isn't the killer and the BDA group really is Eden/Whit/Teruko. I still think it could be a reminder for a future chapter when it comes up. But, I don't think it makes sense to change the phrasing of a base rule unless there's a specific reason you want it to be different. Whether now or later, this feels like a reminder that it IS possible for the blackened to trigger the BDA.

I don't necessarily "believe David," per se, but I do think it's interesting that we're drawing attention to this. I don't really think it matters, especially because I doubt the characters remember, but I'd place my bets on Eden being the last one because of that, "Teruko, wait!" thing.

It doesn't matter because, if David or anyone else saw the body, no one can confirm which two of Teruko, Whit and Eden set off the BDA, but it's an interesting note.

It's so funny how no one, fanbase or in-universe, can tell if David is lying though. Like, he COULD have seen it, but he also easily could just be making shit up to try to throw the Trial again.

will I EVER understand what the fuck this man is cooking

Why. I thought you wanted to end the killing game to finish what Xander started. I don't know what's happening :( /pos

My guess for now is just that he's still trying to kill Teruko, in keeping with Xander's plans?? Idk how making her more distrustful makes her more likely to die, though.

I do find it very interesting that Eden's approach/reaction has been to be very quiet and freaked out whereas Ace's approach/reaction is to freak out VERY loudly. Ace's is fitting because what does he do other than freak out loudly, but I might have expected Eden to do... idk, something else? It makes enough sense though, considering either the group is right to suspect her, or she's still coping with losing Arei a little bit ago.

...*squints REALLY fucking hard*

The music and voice acting in this section is REALLY fucking good. It's sad/charming/soft enough that it feels like it could be genuine, but there's still a little something that makes you have to question whether or not it's real. You WANT to believe Eden, but it's so hard to do so fully.

Y'all think Eden's crying is reminding Teruko of whatever Arei's crying reminded her of?

i'm out of images :(

I really like Teruko assuming that Eden is innocent first. She's too distrusting and also reasonable (it is life or death after all) to just hard clear Eden based on nothing, but she's offering a bit of a reprieve to Eden. Eden's friendship means that she isn't going to get immediately targeted in her most down moment, and that's it. It's a small way to show Eden she does care.

On another note, the fact that Eden got to hug Teruko and that Teruko said the "let go of me" NOW is honestly one of the main reasons I trust Eden more. I felt like that was obviously going to happen, but I was expecting the post-Trial. Putting it here is wild.

Theory Update/Analysis

Oh boy, it's accusing time! It makes sense that we're going to start with Ace. At this point, I can honestly see it going either way. Major props to DRDTdev either way, but ESPECIALLY if Eden really is the culprit. I was so confident in it, but they're really making me question my assumptions.

I think that both Ace and Eden have good reasons to be the blackened or not to be, and good reasons to die here or to not. I'm going to do my best to make a list of reasons for both characters and give a bit of my thoughts on them. They're roughly ranked in most to least important order imo, but I didn't think too hard about it.

EDEN

Reasons Eden Would Be The Blackened:

THE TAPE: It would be easier for her to take the tape than Ace, as attention was on Ace in the gym. The tape's disappearance from the background also happens to coincide with Ace knocking her over and her standing back up.

THE NOTE: Eden already knows all the info she would need to know to write that note. She could have put the note back together to give herself a defense, to try to disprove herself as the culprit with her handwriting, because Rose was going to do it anyways, and/or to frame Arturo if she didn't know he had an alibi. I think any of these reasons, or a combination of these reasons, are enough to make it possible, and while Ace could've overheard, it's definitely less easy for him.

NOT BELIEVING AREI: Both Arei and Charles have, in this trial, been shown to question whether or not Eden believed Arei wanted to be Eden's friend. If Eden simply did, this plot point goes nowhere.

A GOOD PERSON: Eden has been called a good person, but other than that freaky CG, nothing has really come of it. Is the plot relevance of Eden being a good person really going to resolve by saying "Eden is a good person, she'd never kill her friend!"? If a good person isn't gold, Eden still feels like a missing piece of that puzzle.

INCENTIVE TO FRAME NICO: This one's a bit more of a reach, but I don't really understand the point of framing Nico if you're Ace. Of course Ace is going to insist Nico is the murderer no matter what. If you're Eden, you have a direct audience to setting it up similarly: Ace. If you can get Ace to go all in on Nico, that's one less person who was in the Gym who suspects you. Eden and Teruko feel less likely to say "oh well it looks like Nico's murder so it MUST be Nico."

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter death's important content shortly before their deaths. Eden has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Eden Wouldn't Be the Blackened

HER EMOTIONAL REACTIONS: I think I stand with everyone else when I say that the thing giving me pause with Eden!Culprit is how devastated she truly seems to be. I do still think it could be a combo of guilt and panic over the prospect of dying, but it's hard to justify everything.

HER FRIENDSHIP WITH AREI: Sort of a spinoff of the last one, but Arei was at least offering to Eden to be friends and to protect her. If Eden did believe that, to any extent at all, it's hard to imagine her killing Arei in cold blood.

THE FISH: The biggest question when it comes to evidence as to how Eden could be the killer. If Nico fed the fish and they were all still there last night, and Eden had an alibi until after the Relax Room closed, how would she have gotten the fish to add to the crime scene?

THE BDA: Easy to ignore imo considering we've already called it into question within the series proper, but still worth talking about. For Eden to be the culprit, either someone else saw the body first and isn't claiming to have (or it's David), or we're burning the "Eden didn't witness the crime and thus could still trigger the BDA" card here.

GENDER BALANCE: Possibly an irrelevant point, but it is true that we've had 2 women and 1 man die so far. If a man was the killer, it'd keep it even. Unlikely to be relevant as any disparity could be easily balanced out in Chapter 3 with (presumably) 3 death slots.

Points About Eden That Could Go Either Way

THE FORK CG: I firmly believe that this could be setting up for Eden being a more important character throughout the series or to die after a moment of intrigue, possibly letting us explore/imply more in her post-death bonus episode.

RELATIONSHIP WITH HU: Hu has lost David as a sane ally. Nico is telling her that they don't want her speaking for them and that they don't trust her. Would DRDTdev prefer to fully isolate Hu moving into Chapter 3 by getting rid of Eden, or to leave Hu with one friend who still believes in her.

CHARLES HAVING EDEN'S SECRET: By telling us Eden's secret ahead of time by Charles revealing it to Teruko, extra focus was given to Eden's secret. Was this just the easiest way to get everyone's secrets revealed based on character dynamics, or was it meant to imply that Eden's secret is extra important? Is that because she's the killer? Is it a #ArEden sweep???

ACE

(why are they both orange)

Reasons Ace Would Be The Blackened:

NO EVIDENCE-BASED ISSUES: This is the biggest and strongest point across the whole board imo. There is no tangible, evidence-based reason why Ace COULDN'T have done the crime. Out of all 13 currently surviving students, he's the only one who that's true for. That obviously makes him a viable suspect.

WOULD ABSOLUTELY FUCKING DO IT: Ace has been Freaking The Fuck Out this chapter. I could VERY easily see him deciding to kill here. I don't think anyone is trying to argue that Ace is too emotionally attached to the cast to try to kill all of them, because he clearly isn't.

WHERE DO WE GO FROM HERE?: I'm not really sure where Ace's character is going to go from here. I'd be interested in seeing more from him, but, like, where is his character arching to if not a killer? Ace is so disliked and intense that it's hard to imagine him really, fully pivoting and caring about others, but if he can't do that, is he destined to be a killer eventually?

HEAVY FOCUS IN CH 2: DRDTdev seems to give the chapter's death important content shortly before their deaths. Ace has been one of the most prominent characters this chapter, which could be a bad sign.

Reasons Ace Wouldn't Be the Blackened

OBVIOUSNESS & POINT OF CHARACTER: Of course Ace would be willing to kill Arei or whoever and the rest of the students. This is kind of the inverse of my "would absolutely fucking do it" point-- I don't know exactly how much surprise it would carry if Ace were to be the culprit. And, more than that, I feel like the point of Ace is that he is a victim here, but he's so unlikable that no one wants to acknowledge that or believe in him. I think it'd be an interesting comparison, if everyone really wants Ace to be the killer, but he just isn't. To everyone's dismay, Ace is still here. Now what?

SECRET LARGELY UNRESOLVED: Ace's secret hasn't really had any plot relevance yet. It seems like most people's do. I'm like lowkey expecting them to bring back the starvation motive from SDR2 in Chapter 4 and have SOMETHING happen with Ace there. Either way, while it could be reserved for his bonus episode (a la Min and Xander), I'd expect that his secret would have more main-story impact before he dies.

EXISTENCE OF SCRUM DEBATE: We're suspecting Ace first, but we still haven't done the scrum debate for this trial. Unless the scrum debate is "do we just vote for Ace without ever really pursuing Eden" and the answer is "yes," I don't see how we get out of this suspecting Ace period with a scrum debate without at least entertaining the idea of Ace's innocence.

STRONG CONNECTIONS TO OTHER CAST MEMBERS: Ace is very relevant to the Levi, Nico and Hu plotlines right now. Are they really going to just... get rid of him, when that's what both Nico and Hu would want?

ABILITY TO FIGURE OUT THE CONTRAPTION: Ace would not only have to recognize the way in which Nico was trying to kill him (which, to be fair is easier if he did wake up partway through), he would also have to conceptualize and figure out how to make the playground contraption successfully. I think Eden's clockmaking skills and... generally higher intelligence imo would be better suited to that.

COWARDICE: Ace is so fucking scared of everything. Would he want to put himself into harm's way by becoming the killer and having a do or die moment in the Trial? But, is he more scared of dying as a victim in the killing game, after seeing how close Nico came to killing him?

Points About Ace That Could Go Either Way

TAYLOR LORE DROP: Ace's friend, named Taylor per a Q&A with the dev, got vagued about in this Trial. Is that something to be pursued in a later Ace free time (following the one with Levi), or is that something that's going to be explained further in Ace's bonus episode (which could VERY easily be about friendship, considering it's Mai fucking Akasaki as the other person in the convo).

ACE'S BREAKDOWN @ LEVI: When Ace said he didn't fall for Levi caring about him at all, was that him affirming himself that it was the correct decision to try to kill, even if it'd put Levi's life at stake, who he previously kinda liked? Or was he lying to himself, and, at least previously, he wouldn't have wanted to kill Levi, no matter how harsh he seemed on the surface?

Well, that's all I got! Please let me know if you can come up with any more points for any of the 6 categories, because I'm very very curious to hear them! I'm thinking I might try to do an expansion on this in a separate post before next episode if I have time, exploring the ins and outs of each point with more textual evidence to back it up. I'd love to discuss any reader-suggested points too, if y'all have some in mind!

For now, I'm still personally leaning towards Eden as the culprit over Ace, but I wouldn't be surprised to see it be either of them. Well, other than the fact that my reaction to the killer being revealed is going to be :O no matter what.

[dullgecko]

Ok so we’ve had Riz accidentally becoming human sized, but have you considered the rest of the bad kids accidentally/being cursed to be goblin sized or full goblin themselves.

I’m honestly leaning more towards they’re all goblins since then they get the full goblin experience with all the instincts and biology quirks that come with it, also a curse that turns you into a goblin definitely seems like something some jerk of a long dead wizard would create.

Like gorgug is absolutely freaking out cause suddenly he’s small and he has to look up constantly and he’s so used to not using his full strength for anything and now he has to put his whole body into just opening a door, on the plus side he’s now the right size to give his parents proper hugs.

Fabian has to jump on and scramble onto every piece of furniture and everyone at school keeps trying to pick up! The whole thing’s incredibly undignified, plus especially with fighter as his main class he has the strongest urge to pounce on and hunt anything fast moving he sees.

Adaine is used to be quite and unseen thanks to her upbringing, which when she was an elf was still nit ok but atleast you could look away from her for a second and not have her disappear under a table etc.

Fig of course uses her new found sneakiness and increased senses to be an absolute menace, she’s taken to running up suprise biting peoples calves then running away before then can even spot her.

Kristen is trying to use the experience to learn more about being a goblin and kinda what Riz experiences just day to day, also Bucky definitely see her at school and has a mini freak out about her being cursed and turning into a ‘monster’ for turning against Helio (nothing against Bucky he’s just 14, heavily indoctrinated with 2 overbearing racist parents and with what he sees as direct evidence of what they’re teaching/telling/warning him in the form his sister)

Xx

Riz is having a bad time because he's trying to wrangle his entire party and they are not at all used to the level of anxiety that comes with being a goblin. They are small, they are prey animals, and he's trying to drag them through the hallways of the school in the middle of the day so he can set them up in the library and start working out how to fix the problem.

All five of them are clustering together as close as possible and on high alert and snappy. Fig, Gorgug and Fabian are the worst of them because they have the urge to protect everyone else.

Adaine has to be holding someones hand at all times or she will literally burst into tears from panic but they need her to focus because she'll have to research to break the curse and turn them back to normal.

They don't all look like normal goblins because their normal ancestry carried over slightly with the change. It's not helping things because it's such an oddity seeing something other than a Chaos Mountain or Bastion City goblin in the school and people keep trying to get a closer look.

Adaine as a high elf is the oddest looking, she's a pearly white with much larger ears that droop down at the ends with a much longer tail. She looks the closest to the goblins that stayed hidden the the fae wilds and escaped being controlled by maglubiyet and kidnapped to the material plane. She honestly looks like if someone wanted to make a marketable toy of a goblin and made them 'cuter' to be more appealing.

Gorgug is much taller and stockier than Riz but looks very close to him in colouration. His ears are a little smaller, and his tail is shorter but much thicker.

Fig is bright red and has little horn-nubs on her forehead. Her ears are slightly longer and thinner than Riz's and she almost looks like an imp and a goblin got crossed. The tuft on the end of her tail hides a wickedly sharp backwards facing set of spikes, similar to the point on the end of an imps tail.

Kristen could be mistaken for Riz's cousin they look so similar like this, if you discounted the hair colour. She has a lot more visible freckles than Riz though and her stripes are darker.

Fabian looks like an Ixalan goblin, goblins that evolved to run around on ships out at sea who are skilled at scaling the rigging, but with far darker skin. His tail is actually prehensile and can hold his full body weight in a way Riz's can't. He's also a little bit stockier but still has a hard time climbing things as much as Riz does because he's not used to it. The tail being much stronger than Riz's is useful, because the rogue has to grab it SEVERAL times to stop fabian chasing after things. Riz thinks, aesthetically, he's just as pretty as a goblin as he was as a half elf.

They're all slowly starting to realise that oh no Riz actually has a fairly high level of self control, and so do most goblins they've met before. Wrangling their instincts takes a lot of work and their rogue is constantly trying to get them back on task as he drags them through the school to the library to set them up somewhere dark and quiet where they'll settle down for a while. They're also realising why he sometimes snaps and gets cranky when they flick a light on when he's in a room. Everything is WAY too bright and hurts their eyes.

Riz ends up setting up his entire party in a study room in the library with the lights off while they start hunting through books for a way to break the curse. Adaine calmed down a lot in the smaller darker room and is happily flipping through the books with her incredibly small version of Boggy perched on her head.

Gorgug ends up conked out napping in the corner because oops, it's daytime and they're nocturnal now.

Fig gets bored and cant resist the urge to go cause mischeif, the librarian ends up catching her and bringing her back once she tires herself out with her biting game.

Kristen is surprisingly chill about the whole thing and tries to go to her classes as normal, right up until her brother sees her and starts saying some very hurtful stuff. She abandons her idea at that point and comes back to cuddle sadly with Gorgug and Fig where they're napping in the corner.

Fabian, at some point, finally registers something in his brain and whispers something in Riz's ear before dragging him off. They disappear for nearly half an hour and Riz returns disheveled with a thousand yard stare, a split lip, and a VERY smug and equally dishevelled looking Fabian. If anyone asks him what happened he just says bathroom and nothing else.

Riz just goes back to helping Adaine look for the way to break the curse without comment. Fabian sitting down next to him and playing on his crystal because he doesnt understand any of the wizard shit they're doing but keeps intertwining his tail with their rogues.

[bomber-grl]

Enemies to lovers with Leo Valdez

Pairing(s): Leo Valdez x Gn!Reader

If anything it probs stemmed from a misunderstanding

Maybe you were cranky the first two times he ever approached you

And perhaps you may have taken it out on him

And maybe just maybe he thought u were those stereotypical condescending people

Basically what ensued from then on was just you two attacking each other verbally each time you ran into each other

But then you’re officially introduced to him by either Percy or Annabeth or anyone else that’s part of the 7 that’s close to you

He’d be especially shocked if it’s Piper or Jason who introduces you two to eachother

Of course that doesn’t automatically solve anything and you’re both total assholes to each other still

Leo is complaining about you and how could any of his friends also be yours?

You feel the same exact way

And unfortunately this is a case of forced proximity as is all my hcs because I’m an uncreative bitch

Maybe it’s just me but I’d imagine constant bickering and making faces would be a bit hard to ignore and go unnoticed

So they all agree to force you two to get along

So you’re on the Argo ll and are forced to clean the stables

(Before the Athena Parthenos is put there obv)

It’s not messy messy but it’s still something

You two both finally agreed to be quiet

But then he gets almost thrown out the window by the ship getting rocked by a monster or something

And so you have to save him by obligation

You two are literally hanging out the window and Leo is yelling like crazy bro

Eventually you bring him back and he thanks you

It was done reluctantly- you make sure he knows that

Plus the situation gives you material to make fun of him for 💀

Then some time after that you’re fighting some daily monsters and he (despite not rlly being a fighter) helps you out by firing some of the weapons on the Argo

This incident spawns this unspoken alliance??

Literally everyone else is made aware of it too and even they’re confused

But honestly at least you’re not constantly at each others throats anymore

Instances where you saved each others asses continued from then on out

It got to the point where you saved eachother so often that you became literal 4lifers

Like genuinely enjoying each other’s company despite the occasional off handed remarks

There was obvious tension that you were both teased for by your individual friends

Even couch Hedge acknowledged it 💀

And youd both deny it

I mean it was the obvious choice

But there had always been tension between you two if you’re being honest

Like if someone asked you if you thought Leo was cute , well let’s not say you’d say he was, just that you really couldn’t deny it

And so your interactions and dynamic continued all the way until the prophecy that started this quest came to an end

And so did you interacting with Leo

He was dead, and despite having liked him, you’d never be able to tell him.

That’s something you had come to accept, and something you realized you’d never get the chance to admit to him

Until you could.

Leo appears back at camp with Calypso in tow

Let’s just say Leo felt ok about her and saved her cuz he’s a good guy and she went along cuz she wanted an escape)

Anyway like everyone else you line up to hit him

Ain’t no way you’re running to him when there’s so many other ppl infront 💀

Gods forbid YOU end up being the one that gets jumped

Even from the good amount of distance you’re away from him you can still very much see his- what can be best as described- upset demeanor

Why he looked that way? You didn’t know and couldn’t tell even if held at gunpoint

Well anyways eventually you end up face to face with him and his expression can’t even be described with just a few words

So ill try anyway

Hes absolutely star struck and, in truth, made breathless from the sight of you alone

I mean with the way Leo looks at you, you’d think he spotted his only true want in this world.

The guy doesn’t say anything at all but then he sorta gains consciousness (?)

He tries to hug you but then hesitates- tries again/ then hesitates

Before he could do anything else you slap the hell out of him 💀

The act is honestly so violate and loud it was genuinely startling

Some would say that you jumped him that day of his return but what did they know??

And then you hugged him

A deep, emotionally charged hug

All the days you had spent mourning him, being tortured by his death that you couldn’t help but feel was avoidable despite the prophecy-

And yet you couldn’t help but melt into the hug

Obviously awkwardness follows after- and for a good while after too

But in the end you two end up together (per advice from emmie and Jo once Apollo casually mentioned the undefined relationship between you two as defense against a remark Leo had made)

And after Apollo is done at the waystation (and you’re not already involved there)Leo will ask if you’d want to stay there together and go to school and be “normal” teens.

The answer is up to you, but we all know what you’re gonna choose

Cmon you’re reading this so you’re obviously down bad 💀

[caesarsaladinn]

Today in “Sal, what the fuck are you talking about?”: the middle Byzantine period.

The period from the mid-ninth century to the late 11th was defined by a resurgence in the empire’s fortunes, as the Abbasid Caliphate weakened and the bloody stalemate on the eastern border yielded to conquest, plunder, and expansion into regions that the empire hadn’t controlled for centuries. Domestic politics responded predictably to this influx of land, wealth, and prestige: the generals who led these conquests became immensely rich, respected, and in some cases powerful enough to make themselves emperor. Byzantium had never had a true hereditary aristocracy—when you died, your titles generally died with you—but these guys came pretty close, as a few dozen intermarried clans came to dominate both military and civilian politics for generations.

Making military leadership into a family business generally went well, as future commanders could begin learning the trade from a young age, instructed by the most experienced leaders in the empire. The downside was that their egos grew along with their conquests, and when they felt they weren’t being treated with the honor due to such a distinguished family, they had all the resources they needed to launch a rebellion against the throne. This happened again, and again, and again, and again; it’s no coincidence that this was the period when surnames became common among the wealthy.

In the palace, this era was defined by the so-called Macedonian Dynasty, a string of emperors and usurpers founded by Basil, a peasant from—you guessed it—the military district of Macedonia. Basil took the throne by becoming the emperor’s confidant and most trusted servant, before quite literally stabbing him in the back.

The next two centuries saw an alternating series of Basil’s descendants and usurpers take the throne, with coups and rebellions too numerous to list here. Basil’s heirs had a tendency to die while their sons were still minors (or to leave no sons at all), leaving a mad scramble for a new man to marry or kill his way into the imperial family. This was also the heyday of the court eunuch, as aristocrats looked for servants who would serve their family without trying to displace them in favor of their own sons; of course, plenty of eunuch did displace emperors in favor of their own friends and family, or else overshadowed them so completely as to become the functional ruler themselves.

Culturally, this period was quintessentially Byzantine. Emperors were very concerned with soft power, so they poured money into anything that would make them seem like the holy sovereign they considered themselves to be—histories, encyclopedias, churches, monasteries, public games, bejeweled reliquaries, and the like. Foreign ambassadors were feted with gold and silk in front of a throne that could rise from the floor until the emperor was looking down at the from the heavens. My favorite piece of writing from this era is the Book of Ceremonies, which spends hundreds of pages detailing the protocol for every imaginable public event, from the order of seating at imperial feasts to the proper weight of cargo loaded onto an army packhorse; it shows how the emperors tried to synthesize the importance of orderly, standardized, professional administration with the need to appear wise, just, and all-powerful to their subjects. It also shows how unbelievably wealthy the government was—very few states, at any point in history, had the time and resources and literal tons of gold to spend on court ceremonies that intricate and impressive!

I’ll spare you the list of emperors, their personalities, and the various schemes and subordinates that put them on the throne; that’s a whole separate post. Suffice to say that I think this is one of the most interesting eras of history, and I encourage everyone to learn more about it.

[morgana-ren]

The League of Villains are cool and interesting and deserved better not only because they were easily the most interesting characters in the entire damned manga, but also because of how their particular quirks embodied their grievances with society and their reason for becoming villains in the first place.

Tomura, born of blood and ash, his hatred for everyone so fucking intense that he makes it his literal mission to destroy the world. His quirk is decay, which destroys anything and everything he touches— even himself. It destroys him in the same way that his unabashed hatred does. It took everything from him, and now he'll use it to take everything from everyone else too. Any love he held for society decayed, ironically because of decay. The world is stagnant and wrong and he would see it rot.

Dabi, whose all-consuming hatred for his father and the society responsible for his origins burns with the rage of 1000 suns. His quirk literally eating him from the inside out, spilling uncontrollably from him like a forest fire. Rage and fury made weapon, even if the flames consume him too. His inability to let go and forgive is quite literally killing him, the inferno growing and growing until there isn't anything left to burn. Not even himself.

Toga, the abandoned child. Her quirk allows her to become someone— anyone— else. Someone who doesn't have a scary quirk. Someone who is embraced by society. Someone who wasn't abandoned and branded unlovable and left to fend for themselves in a world that neglects her at best and is actively malicious at worst. Toga is an abandoned child who probably wished she was someone else at some point— someone her parents and the world could love. Her obsession with love utterly tragic because those who were supposed to love her unconditionally cast her aside, and now she grasps with fangs and claws, drawing blood in her need to keep people near. To fight the abandonment through blood.

It's the same thing with all the rest of the villains too. Idk I just think it's neat.

[drbased]

ok I have to talk about 'the dialectic of sex' by shulamith firestone because it was one of the first proper feminist books I read and I didn't have the confidence back then to address this book:

so this is still the only book I've read so far that actually uses the words 'radical feminist' - except her definition of this politics is essentially transhumanist luxury space communism. because her understanding is that the 'root' of women's oppression is our reproductive capacity and therefore no matter what happens society will never fully be able to share the burden of childbirth and child-rearing across both sexes.

this book feels so evocative of its time - like there was a small window of pure hope shortly after the invention of the pill and the hippy movement where everything entirely changed for women. like, think about it: up until that point unless you use some sort of condom (which men don't like using - and also not 100% effective anyway) you're basically always vulnerable to being impregnated by a man during piv, which is considered the basic form of sexual intimacy wth men, which women are expected to engage in to be considered full members of society. so women would have all been in some sort of constant state of low-key fear; one sex - or rape - away from having a child that would change their entire existence. that's got to really fuck you up, especially your relationship with your own body. and you could get an abortion but only if you're incredibly lucky, and still getting an abortion is probably more like surviving a car crash than anything - like you're glad you made it through but also you're still damaged psychologically and probably physically as well. and it's such a silent fear as well - because women are supposed to want babies and babies just happen so you're not allowed to complain that this is because your husband always wants sex and he's the one who impregnates you but if he does people say 'she got herself pregnant again'. like there's layer upon layer of psychological terrorism surrounding men's impregnation of women and that's gotta mess you the hell up.

so the invention of the pill - holy shit, just imagine it. the hope. you can take the pill in secret, you can take the power back, you're not uniquely vulnerable to your own bodily forces anymore, that gives you time to fucking think, to be alive, to feel, to feel vulnerable, to feel free. it's like literal magic. if the most basic of happenings - pregnancy - can be actually prevented, then what else can we do to the body? what else can science do for us?? how more free can we get?? It's women's first time to (ironically) feel like a god, able to transcend the body. I'm actually surprised that I've not found more writings like shulamith's - that there weren't more women spurred on by this amazing discovery into further transhumanism. I guess the problem was that women were starting to notice that whilst women were able to change their own individual lives with the pill, that wasn't making men behave any differently.

but I still find it fascinating how this definition of radical feminism hasn't survived at all. as it stands on radblr, the 'root' of women's oppression is men, and therefore the only real solution is separatism. but like, what happened to the brand of feminism that says, uhhhh isn't it actually kinda fucked up that half the human race are burdened entirely with pregnancy, birth and child-rearing? and could we maybe be freed from that if we used science to bring about children another way? I'm not even agreeing with her that that would solve everything (because regardless even if we *could* make babies in a tube, that doesn't mean all women are going to magically become infertile, and it certainly doesn't mean than men are going to be less violent against us), but I'm very interested in questioning what the 'root' of women's oppression is - because modern 'radical feminism' has a lot of gaps to allow for a simplistic narrative that I'm sure many in the community, definitely myself included, are rapidly tiring of. and I think it shows in the separatism debate, which rages on because no one can think of any other solution, because the unspoken tenet is that what the 'root' is is solved and agreed-upon, and therefore the answer is just so damn obvious that the women who don't agree must be scared and stupid. I've been wanting to address this in some form or another for years now, and I guess I'm dipping my toes in it now.

at the very least, I'd like to know if someone has a good source on where the term 'radical feminism' came from and how its meaning has evolved over the years. in ariel levy's 'female chauvinist pigs' she touches on this debate that started in the late seventies that led to the fracturing of feminism and the creation of liberal feminism - and it seems to be along these same lines of separatism vs fucking men. I've always found it odd that there's essentially no middle ground here - like you don't need to embrace 'sluttiness' in order to want to have a healthy sexual relationship with a man, but it seems the liberal feminist side chose that, meanwhile the only other 'mainstream' option seems to be separatism. obviously a lot of the women in radblr don't actually fully agree with that - but all us hetties are suspiciously silent on that subject.

to me the issues with separatism go further than simply sex with men - sure it's psychologically good for you to only purchase from women owned businesses and only read books by women etc etc, and it financially uplifts other women. but also we live under capitalism, which obscures our reliance on each other. when you buy from that woman-owned business, the person delivering your package is likely to be male, the person who assembled the vehicle he drives is likely to be male, the person who constructed the roads he drives on is likely to be male. this is not to say that men are vital - but rather, your 'separatist choice' is a fundamentally capitalistic one that exists more for your peace of mind than being anything actually radical - as in, nothing about the 'root' of women's oppression is addressed in doing so. there's no ethical consumption under capitalism yadda yadda. and only speaking to women irl is also less of a capitalist action but still ultimately an individual one. there's so much emphasis on personal actions as the height of feminism and it screams liberal individualist to me. like you took 'the personal is political' and ran with it.

but if the root of the problem is men, then that's simple, isn't it? just don't interact with men. don't have sex with men. don't pay men, apart from the men who happen to be an inescapable part of the supply chain, they will inevitably get paid by your actions anyway, but you don't have to think about that because that's what capitalism does: it makes you think you have this magical power as an indvidual to make real radical choice in the world, to 'vote with your dollar'.

I'm not exactly calling for firebombing a walmart but I'm bored with the capitalism-loving individualistic liberalism of what this community calls 'radical feminism' - but that same thought-terminating cliche keeps getting thrown at us: 'we're radical, which means we grasp at the root, and the root is male violence, so you can't call yourself a radical feminist if you don't want to do the basic things of not wearing make-up and not fucking men'. and nobody ever seems to stop and question, does any of that actually address the root of our oppression? capitalism isn't the only economic system that has ever oppressed women, but it's the one we live under, and it's very good at sneaking into the backdrop of our lives and naturalising hierarchies - capitalism becomes its own justification, e.g. women choose low-paying jobs just because that's what we gravitate to, yanno?

being genuinely anti-capitalist recomplicates politics all over again, because suddenly it's not an easy men vs women but also men vs women vs rich people, some of whom are women??? and like, what's the solution to that? do we stand with men agains the capitalist system and risk our voices getting silenced, or do we go full single-issue and just go fuck it, capitalism was created by men for themselves like solanas said, so if we stand against men then idk capitalism will just sort of fall by itself? or in reality it's just not addressed at all. separatism itself always sits there as a thought-terminating cliche in and of itself - an accusation ready to be levelled at anyone who wants to question any of these unspoken tenets of radblr. and the goal-post is ever-shifting - separatism is women's land, but if you say that's not a real solution in our capitalist interconnected world then you get accused of not wanting women's spaces because that's obviously what separatism has been about this whole time. also separatism is not fucking men, actually it's not about that it's about prioritising women (vague), and on and on and on - the argument always shifts so the word stays pure. but like, is separatism an end-goal? a political tactic? something you do to enrich your own life and psyche? something to give space for consciousness-raising? I saw someone ages ago claim that the suffragettes wanting the right to vote was somehow separatist because idk, the women were making spaces for themselves? but wanting to involve yourself in male politics is literally assimilationist, no??

I'lm going to stop rambling for now but this was good to get my thoughts out there - I enjoy my theorising in this space but I'm also deeply interested in questioning. I've noticed time and time again that discourse is always stopped by 'you're not a real radical feminist if you do/don't do x' and I've found it really odd and telling that no one's questioned that? like sure I know we've built our whole political framework on 'words mean things' but also it's always worth questioning the definition of 'radical' and what the 'root' of our oppression is, and what we can actually do to address it, and if our narratives and assumptions are too simplistic. the community would be all the better for it imho. I already think the influx of 'tirfs' in the community and the khelif debate has been opening up these unspoken simplistic narratives on the nature of gender vs sex, of socialisation vs low-key biological essentialism, and I think we can push that kind of questioning even further. ramble over.