#omnisphere

[tilt5951]

YOOOO THIS IS FINAL FOR SUREE!!

[acidhydraart]

new song!!

[bobsterspace]

No, I didn't really buy Omnisphere. It was a floating blue orb in space that was summoning me. It repaired me and gave me a new army of minions 🗿 ...wait maybe that is the Transformers movie from 1986...

[bonitobutillflake]

[soundbanks2342]

Spectrasonics – Omnisphere 2.8 Download

Dive into a world of limitless sonic exploration with Spectrasonics' Omnisphere 2.8. Renowned for its unrivaled sound quality and vast array of synthesis capabilities, Omnisphere 2.8 is the ultimate tool for musicians, producers, and sound designers alike. With an extensive library of over 14,000 meticulously crafted sounds, including synth pads, evolving textures, pulsating rhythms, and much more, Omnisphere 2.8 offers endless inspiration for your musical endeavors.

Unlock the power of Omnisphere's advanced synthesis engine, which seamlessly integrates wavetable synthesis, granular synthesis, virtual analog oscillators, and sample-based sound sources. Create custom sounds from scratch or modify existing presets with intuitive controls and real-time manipulation options. From lush cinematic soundscapes to cutting-edge electronic textures, Omnisphere 2.8 empowers you to sculpt sonic landscapes that defy conventions and spark creativity.

But Omnisphere 2.8 is more than just a synthesizer—it's a complete production powerhouse. Dive deeper into its extensive effects library, featuring a wide range of high-quality processors, including reverb, delay, modulation, distortion, and more. Take advantage of Omnisphere's powerful arpeggiator and step sequencer to add movement and rhythm to your compositions effortlessly.

With its intuitive user interface, comprehensive sound library, and innovative synthesis capabilities, Spectrasonics' Omnisphere 2.8 is the definitive solution for all your sound design and music production needs. Elevate your productions to new heights and unleash your creativity with Omnisphere 2.8 today.

[fm-r-iznow]

Update

Right I'm updating my Arturia V collection 8 to X

And im shocked at how easy it was to download as apposed to UVI Falcon. And I wanted Falcon. I have a 12 year history with them and I'm very very very satisfied as a customer I mean thank God it likevl bumping an old. And you collab together.

NOW UVI has rejected me and refused to accept my money my credit even my PayPal info. I wrote a complaint letter asking if they could help me.

The shocking part is they never wrote back.

That's a warning I can only give to you all. I'm sure is quite a few of you happy campers out there but i am not one of them. There are other fish in the sea and I am happy and I recommend Arturia to any one. They even a free collection which I haven't gotten because I assume with the V collection I already have those sounds?

So now im downloading the update and I'm excited about I can make?

I also really am loving Omnisphere2 I learn something everyday and I spent 800 on it over time and I'm debating on other software what do you think?

Let me

/VRtaFdnJNf8Jt4za6

[extraplugin]

Spectrasonics – Omnisphere 2.8 for music

Discover boundless sonic possibilities with Spectrasonics Omnisphere 2.8, a cutting-edge virtual instrument that redefines music production. Tagged under "Spectrasonics – Omnisphere 2.8 for music," this software is a must-have for composers, producers, and sound designers seeking to push the boundaries of their creative endeavors.

Omnisphere 2.8 introduces a realm of diverse sounds, from lush pads to intricate textures, pulsating rhythms, and soaring leads. With its massive library of over 14,000 sounds, including inspiring presets and multisamples, it's a playground for sonic experimentation. The software's intuitive interface encourages exploration and sound manipulation, offering deep synthesis capabilities, granular synthesis, and advanced modulation options.

The real-time effects processing engine provides an array of sonic sculpting tools, enabling users to transform sounds in unique ways. From ethereal atmospheres to aggressive basslines, Omnisphere 2.8 covers an expansive sonic spectrum.

Whether you're a seasoned professional or just starting, Omnisphere 2.8 is a versatile tool that adapts to any musical genre. Elevate your music with its expressive and evolving sounds, tag "Spectrasonics – Omnisphere 2.8 for music," and open the door to a universe of musical creativity that knows no bounds.

[tecania]

Download Free Spectrasonics Omnisphere 2

Download Spectrasonics Omnisphere full version program free setup for Windows. Omnisphere is a powerful music production environment and an award-winning tool with different synthesis types. Omnisphere 2 Overview Among different audio processing tools, Spectrasonics Omnisphere is a very powerful and versatile environment providing a bundle of synthesis in one place. The users can easily import…

[moonrpg]

adventure time snail episode genuinely one of the worst pieces of television I’ve had the displeasure of watching but its heavy use of the omnisphere vst did make me laugh a little. I will keep an ear out but afaik they don’t use that plugin much in at music? like it rlly sticks out in that ep. the slime I guess

[earthidiot]

Lord Enasni’s Notes: The third planet from the middle-aged G-type star Sol in the Orion Spur of the Milky Way Galaxy that is home to the most intelligent species on that planet…if that species were not the troublesome, barely evolved and self-important annoying bunch of primates called humans, unfortunately.

[tilt5951]

second arc main fight theme. Shiverz droids

[sleepanonymous]

Once again, a round of applause for Mr. Lever. You will see an obscure photo of Vessel and II if you click that link, fyi. I actually can't find Vessel, but II and George are def in it, and a friend says Vessel is too. For obvious reasons, I did not include the photo while formatting this post.

Full Production, Mixing & Mastering catered to by George Lever here at G1 .

Prelude

Working with Sleep Token is always a pleasure. I get this deep seated selfish enjoyment when we start new projects, mainly because I’m safe in the knowledge that the experience is going to be beautifully intense and incredibly rewarding.

Tracking

We started working on ‘Two’ just before winter started in 2016. Working on maturing the structure and fleshing out tones. Its no surprise that when it came to the final tracking that we changed the sonic balance almost completely (this is a running theme by the looks of things) Time restrictions led to us using programmed drums, however we took samples of the real kit to sequence so that it didn’t ‘feel’ completely robotic or lost. Guitars last time around resulted on leaning on my Kemper, however this time we used a live amp and cab for the majority, the momentum from the tubes / movement of the cab is something I’ve had to accept is difficult to recreate ITB. Its easier just to go down the most direct route. I had recently purchased a one of a kind Randall modded amp from a friend in the states. It turns out its an early prototype from when Fortin partnered up with Randall, its not a looker but its a box of pure filth. The Fortin was fed into my Mesa OS, placed an SM57 on the cap joint of the cone and off we went, pretty straight forward really! Bass is a hybrid setup between two real basses and then a 3rd lane of audio from a programmed bass. Because of the way the song’s have been written, keeping the sub lows consistent is vital to ensuring the song flows without feeling disjointed section to section / genre to genre. Vocals is where the most change happened (from a tracking perspective). Originally we had finished and finalised everything with my go-to setup. Modded Oktava > Germanium Chandler > Empirical Labs Distressor. And for the most part it worked. However halfway through the process I bought a Slate VMS. A modelling microphone. Without going into too much detail, its a microphone that can imitate more expensive vintage setups and it does it without any issue whatsoever. Obviously when testing it out and comparing, the VMS won without breaking a sweat. So back to tracking all the vocals again. (The vocalist is amazing however, the repeat performances were just as good, if not better than the original final takes) 

Gear Used

Guitars

Ibanez Prestige (7 string) – Bare Knuckle Aftermaths Fortin Modded Randall Diezel Einstein Mesa Oversized Cab Beyerdynamic m201 & 57

Vocals

Slate VMS – AKG C12 Emulation into Neve Pre

Drums

Sampled the original kit, programmed performances.

Bass

Fender Jazz Customshop Dingwall Combustion

Synths / Samples

Logic Stock Omnisphere Spitfire Albion LA Scoring Strings

Mixing

Everything with Sleep Token (from a mix perspective) is orientated around the vocal. The vocal here is god and attempting to get the mix to flow any other way would have been very strange indeed. Sleep Token were very clear and concise about the structure for the mix, Vocals, Samples, Drums then everything else equal after the fact. Very much like how pop is built actually. It turned out to be the most happily balanced mix I’ve worked on. I expected to have a harder time balancing moving between a few different genres through out the track but in all honesty, it just worked. Which in itself is testament to the quality of the song writing. We worked on a few different ‘perspectives’ for the mixes, however in all honesty. The mixes came together with very little effort and the tracking stage defined a lot of the movements that would happen later down the line.

Testimonial

“Worship” Vessel doesn’t give quotes. – ST

Mastering

I ended up going against my usual workflow for the master chain, trying out new things always lends to another perspective / approach / result. The signal chain looked something like this;

FG-Bomber Slate VMR – Neve EQ Focusrite Red 3 Slate VMR – Custom EQ UBK-1 (the density control on this is awesome!) Izotope Limiter FabFilter Limiter

Lastly…

If you haven’t already checked out Sleep Tokens first release ‘One’. You should. ‘One’ was also produced here at G1 but resulted in a darker sound overall! – G

[pukicho]

Puki if you don't give me advice on how to start getting into making music I'm gonna die from idiot disorder my life is literally in your hands please don't fail me puki

What do u wanna learn? Download a DAW first, I think FL, Ableton and Logic pro are some of the best. FL is the cheap, Reaper is cheaper but if ur a mac owner Logic Pro is the go-to, unless u wanna splurge for Ableton, which is the best >:) (Logic pro is like a pro version of garage band) - - Get a nice virtual synth, Ableton includes loads, different versions of FL give u access to their vsts - harmor is a great synth, btw all synths will work in all DAW's (except Logic which uses AAX but most virtual synths come with that too.) - my favorite VST's are Serum, Sylenth1, Zebra2, Diva, Dune3, omnisphere, and I use loads of Kontakt libraries and other things - this isn't a comprehensive list but I'd suggest shooting for Zebra2 or Serum for your first purchased synth since they have massive comprehensive presets, both user-made and built-in. Then go to splice or loopmasters or find all the free samples ur heart desires on reddit and then ur good to start learning. Get going.

[the-scrombler]

Small detail I noticed but it’s cool to know Marina canonically uses a Mac, Logic Pro and Omnisphere to make her music (much like the actual Splatoon composers!)

[ivo3d]

Sneak-peak of a light art group exhibition at Fénydóm Budapest/ my cell/part - 'instinct - ancestor' (omnisphere 2017 animation variant/adapted to the given space) from 01.03.2024 - 17.03.2024, another projection-mapping installation.

[fm-r-iznow]

New ambient