#omens and signs

[cavorta]

Newbie questions about paganism and/or witchcraft

Alright, I see the same questions coming up again and again by newbies in the fields of paganism and/or witchcraft/magick. I do like to answer newbie questions, so I am going to answer a few ones which I have heard over and over again.

Starting today (September 8, 2023) with this one: I have seen this … is it a sign?

Let me answer this with a quote (which is also in the picture): "It is important to recognise that not everything you see or notice is a sign, a symbol or a message. If for example you always have crows in your garden, if they nest in the trees around where you live, if you see them every day or almost every day then seeing crows is highly unlikely to be a sign, a symbol or a message. Sometimes a crow is just a crow. If though the crow is doing something highly unusual such as tap dancing on your patio then it may very well be trying to give you a message." quoted from: "Signs, Symbols and Messages" © Yvonne Ryves from the anthology "iPagan", John Hunt Publishing (Moon Books)

[hansoeii]

crowley

[ineffablerainstorm]

So this just happened… 😂

[sassy1121]

Signs of Hell from Good Omens season 2

[thebibliosphere]

Not to keep reliving trauma on main, but I'm getting weird deja vu from where my health was a few years ago and where it's at now. And most of it is revolving around Good Omens.

In May of 2019, we genuinely thought I was dying because I was dying. My organs were in the process of shutting down because my red blood cells were prematurely self-destructing and damaging my kidneys in the process, and I was rapidly coming to terms with the fact that I might not survive much longer. I'd fought the good fight, and I'd lost. Mostly due to medical neglect. And I was mad about a lot of things, but do you know what I remember from the traumatic blur I'm left with?

"I'm going to be so pissed if I die before Good Omens comes out."

I'd waited 20+ years at that point for something like a tv adaptation of Good Omens. Ever since I was a child and my dad read the book to me, and I fell in love with it. And here I was, mere weeks away from the TV release and on the verge of death.

Then like a miracle, a miracle that hinged on human compassion and a doctor being willing to listen to me, I was saved. Dragged back from the jaws of death by a relentless hematology department that refused to give up on me and ultimately saved my life. And a week later, I got to watch Good Omens propped up in my own bed, still weak, still ill, with my heart stuttering in my chest every time I laughed. And I remember thinking, "I did it. I got to see it."

That it's now it's 2023 and my health has tanked again. My organs are rebelling against me and no one seems to know why. But yet again, a few weeks before Good Omens is set to release, I find a doctor who listens to me and is doing all he can to help. Striving with the grim kind of determination that can only come from a place of compassion and care. Like my world is worth saving, and not just his.

Which is rather fitting, I think.

[bowtiepastabitch]

So because I'm normal and well adjusted I was scrolling Michael's media tab on twitter just enjoying how pretty he is and....

....no nightingales

I am distraught. The omens. They were not fucking good.

[fuckyeahgoodomens]

If you happen to be at Heathrow now :)

signing ninja Neil is at it again! :) <3

[emotinalsupportturtle]

neil gaiman and RTD are absolute legends for being the showrunners of 2 mainstream shows funded by large production companies in the year 2023, and proceeding to make the most queer positive episodes ever seen by man

meanwhile david tennant is just vibrating with joy because he gets more opportunities to wear his one-thousand-and-twenty-four pride pins

[willowfernn]

WHY DID I NEVER SEE THAT SIGN??

[guardian-of-soho]

Thinking again about the very first scene, and how Aziraphale was fascinated and besotted by the Starmaker. Not-yet-Crowley is so full of light, and joy, and innocent intent — and Aziraphale is already afraid. He already knows not to ask questions. Whoever he’s been with, they aren’t like the Starmaker. Heaven already isn’t safe; they don’t love what they’ve made. They’re blithely planning its destruction. But the Starmaker loves his stars. He wants them to live. And even though Aziraphale doesn’t have words yet for what is wrong in Heaven, he feels the fear of it — and he sees the Starmaker hasn’t gone wrong yet, and he loves him for it. He loves him for loving the world.

[brainwormcity]

I've seen people remark on how awkward the 1967 scene is and that is so frustrating because, for me, it is one of the most emotionally resonant flashbacks in the entire series. It is so multifaceted and ripe with implication and that assertion is baffling. As though just because this conversation appears to be hard for them, it must mean that there has to be some sense of weirdness or awkwardness between them?

This scene feeds heavily into my theory that 1941 ended in some sort of aborted romantic moment between the two, most likely initiated by Crowley. Aziraphale can barely stand to look at Crowley because the very first moment he looks him in the face, he can't stop himself from giving him this hooded eyes, barely contained look of longing.

The next thing we see is Aziraphale immediately launching into a statement about his fear for Crowley's existence that is as brutally sincere as it is heartrending. His eyes are wide, his voice is heavy with emotion, and it's clear that he is terrified beyond belief to lose Crowley. Even as he acquiesces and gives him the holy water, you can see that he wants to take it back and deny him it all over again.

Then, of course, Crowley asks if he can give him a lift, which is definitely something that they both know is a totally different question than what lies on the surface, given that they're mere feet from the bookshop and at first Crowley frowns so deeply that it's almost cartoonish but a moment after Aziraphale turns him down you get this glimpse of very real sadness:

Aziraphale sees it for what it is and in an attempt to comfort him, without being able to do what currently seems impossible to him, shares a fanciful but resigned fantasy about spending time together unbothered and unrestrained, all to the tune of these tight little, loving smiles:

When he asks again, you can just see Crowley's desperation for Aziraphale not to go. It's hard to say how long they'd been apart, but it's safe to say that for them, that previous interaction likely is very fresh in their minds.

Aziraphale has always been more fearful than Crowley when it comes to their feelings for each other. You could even potentially look at the holy water as a metaphor for their relationship. In his expressions of concern about The Arrangement, Aziraphale has always been remarking on how Crowley could be destroyed, similarly to his words here. So when he's telling him, "You go too fast for me, Crowley," what he's really saying is, "I'm terribly afraid and I'm not ready to take that step if it means that I could lose you." And it's plain to see by the wistful look on his face that it pains him greatly to say it:

The scene so quickly cuts to Crowley looking intensely at the holy water after Aziraphale has left the car (as if trying to convince you that that was the real point of the scene) that it's easy to miss this devastated expression on Crowley's face:

There's no look of perceived rejection on his face. Just a somber look of resignation. There are so many barriers in front of them, and I think that Crowley was willing to risk it but understood that Aziraphale wasn't ready to.

This is the most honest and laid bare we ever see these two be when it comes to their emotions. There's so much being said without being said and even their actual words (i.e. Crowley remembering exactly the amount of time when the 'fraternizing' conversation happened) are so full of emotion that it might even be a bit hard for some people to watch.

It's not awkward. It's just that the scene is just so incredibly earnest and heavy with coded language that it's easy to be swept up by the fact that the two aren't engaged in their typical banter and bickering. What we truly have here is an incredibly difficult and loving conversation between two people who are stuck in a seemingly impossible situation.

[bartimaeus]

And I longed for your kiss for a million years

The story of the Ineffable Husbands is not that different from that of a stalactite and a stalagmite finally finding each other.

My friend @lunaramoonlight and I just visited a cave in Spain and she said stalactite and stalagmite have the slowest of the slow burns, only kissing after thousands and thousands of years... and I was like OMG THAT'S SO GOOD OMENS CODED! So I simply had to draw them like this.

[mrghostrat]

oh, yea, it’s very real btw

[canonically-asexual]

Guess I have a type

[w3bkinz-t0yb0x]

warrior cats omen of the stars original book covers

[fuckyeahgoodomens]

The Good Omens score signed by the brilliant GO composer David G. Arnold, which he was selling in December, is heeeere! 😍❤❤❤