#okay fixed and done

[egophiliac]

should've just let Vil be the one to fly, it would've gone SO much easier. 😔

also HEY how are everyone else's pulls going, because I have had the most RIDICULOUS luck, seriously, halloween magic is 100% real

[livecrow]

Imagine you want to try waxing your pussy, but it turns out to be quite the challenge to actually see what the hell you're doing.

Naturally you ask your boyfriend for help.

Simon won't hear any of it, growls that he's fond of your scruff. "Like 'er jus' the way she is." Her being your snatch.

You pout and try to coax him.

No dice.

You don't give up that easily, obviously. Besides, if you have to, you'll just do it yourself even if it ends up a smidge patchy.

So there you are, full winnie the poohing it on the living room couch, trying to contort yourself this way and that, armed with the waxing strips and a hand mirror. Just trying to get the right angle. The whole spectacle right in front of an unamused Simon.

You spread your knees wide, as wide as you can, to prop up your pussy. Mash your tummy and thighs out of the way, spread your lips out, grunting and whining all the way with exertion while you fumble with the wrapper. You're almost ready to just say "fuck it" and go in completely blind—

You should have been more suspicious when Simon gives in, when he marches over and grunts a short "fine". When manhandles you into an even more uncomfortable and exposed position he finds more suitable.

After the first couple of strips your ready to throw up your white flag and forget about the whole thing. When you tell him as much and try to wriggle out from under him—

Simon just laughs meanly.

"You wanted it, now we're gonna see it through, aren't we?"

Simon'd enjoy your squeals and teary eyes. Every jolt of your body trying to escape the pain your subjecting it to.

"Serves you right for tryin' to deface my sweet'eart."

For how much it hurts, you don't have the awareness to realize he'd actually doing it all somewhat carefully. Each strip layed in the right direction, smoothed down with enough pressure, ripped off in one quick motion. Hell, he even rubs the skin to soothe the sting while he peels the next strip.

...Rubs your pussy. Soothing circles into your heated, plump mons and outer lips that you could almost read as apologetic. He wasn't feeling hardly any sympathy for you, though. No, it was for her.

On the next strip your startled when his thumb actually grazes your clit, while the rest of his palm pulls the skin taught.

You wondered if it was just a slip, but alas. Nothing Simon does is ever an accident.

The traitor peeked out from the hood in interest. Every other strip after that has him stroking your pearl mercilessly, like his own worry stone.

The hot ripping pain melds with pleasure, it isn't long at all before your keening and dripping under his ministrations. It was inevitable.

Simon sounded so put out. Sighing, tisking that you're, "Sloppy fuckin' wet. Strip isn't gonna stick now, is it?" as if you're an idiot, trying to be difficult purpose.

As he chastises you, he crams two thick fingers in your hole, like he's trying to stem a bleeding wound. It punches the air out of your lungs. He tells you you're gonna ruin it, that they'll have to start all over if you keep this up.

He's about as done as he's gonna be, considering your drippy cunt. "Look at 'er. Poor thing's cryin', isn't she?" He coos to your crotch.

Simon turns back to you but his tone isn't sweet, he barks at you to stop squirmin', unless you want him to you fuck you while your still oll raw and stingin'. Since that's clearly what you want now.

He's always givin' you want you want, huh? You're spoiled rotten.

[inkprovised]

A little collision there...

Also, he knows your name 😁

[nerdy-hyperfixations]

He just wants to be missed

[npdkondraki]

hi. kondraki scpverse is a trans woman. cope and seethe and read my essay about her below the cut. (it's really fucking long) (please god i put so much fucking work into this read it im begging you)

ok for starters for people who dont know what or who the hell im talking about right now (doubtful) (only adding this for the unitiated & newbies): this essay is about my awesome wife DR [REDACTED] HENRICH KONDRAKI(1) from pseudo-niche internet horror-fiction site THE SCP FOUNDATION(2/3). if you can't tell by our url i am Bonkers Crazy Insane about her and have been sporadically obsessed with her for several years. she sucks bad. anyways this post is about why i think she's a trans woman instead of being a "cishetallo man" like canon claims she is. you may be wondering; "but sawyer how is canon wrong about this if its canon" and to that i say. I know better than canon does dont worry about it. ok with that out of the way lets get into the schmeat of this thang

FIRST OFF. kondraki's entire view on masculinity is inherently tied to violence. she believes that if she isnt violent, cruel, and hiding her emotions constantly, then she isn't a 'real man'. her entire worldview, including her view of her own gender, is perceived through the lens of men, including herself, needing to be 'masculine', but she defines this masculinity through her own warped idea of what masculinity 'really is'. because she perceives men, and by extension masculinity itself, as violence, then she herself is violent. everything down to the way she speaks is designed to make her appear cruel, vindictive, and, most importantly, violent. she goes as far as claiming her favourite memory of working for the foundation is when she chased a man down and, quote, "[shot] his fucking face off"(4). however, despite all her tough-talk about being "badass"(5/6), she actually appears to be incredibly regretful about her actions(7), unlike her words imply.

she creates a cycle of retraumatizing herself over and over by hating everything being a man stands for, but refusing to acknowledge it. she leans into the idea that she is violent and cruel, creating a self-made cycle of self-hatred. this retraumatization makes her more violent; it causes her to lash out more, to be more vindictive, to be more outwardly cruel to people, to be more "man-like" in her eyes. she places herself into a self-made twister of hating herself enough that it rubs off on everyone else, and then positively claims its "[her] design"(8) rather than accepting how depressing it makes her life. she uses her own cruel perception of masculinity as a way to shield herself from the idea that she could ever, willingly, be a woman, because she's too violent and cruel and she'll never be a real woman, not in the same way people like rights & iris are. she fully, completely, and genuinely, believes that if she is able to "out-man" every man surrounding her then nobody is able to question what she thinks of herself.

theres an additional layer to how she views masculinity, in the sense that it makes her also view femininity as inherently docile, something that she lives by even when she is acting as a woman. in doing so she continues to perpetuate her idea that she must be violent to be masculine, because she views women (or, more specifically, the concept of being a woman) as fragile, weak, perceptible to being hurt, and she refuses to be any of these things. in refusing to view herself as a woman she, in her mind, refuses to view herself as emotional, hysterical, and, perhaps worst of all in her mind, just a woman. it's an incredibly unfortunate mix of how she was raised and the culture at her work; she is punished for being feminine (emotional, caring, nurturing, etc) and rewarded for being masculine (violent, cruel, selfish, etc) because that's just how people are in her line of work(9).

she views the entire experience and idea of being a woman as a joke. she's allowed to think about it, as a joke. she's allowed to be feminine, as a joke. she's allowed to be a girl, as a joke. she's allowed to be a pretty princess(10), as a joke. the very few brief moments where she allows herself to act on her impulses and suggest, even a bit, that she would like to be a woman is played for a joke(11/12/13/14/15). she speaks of being a woman as though it is a mystical thing, something she can only hope to achieve, less of a real option and more of a fantasy. she is acceptive of trans people(16), going so far as to say it seems that "it’s quite remarkable how productivity and morale improves once they come out and settle into living as their correct gender. [she imagines] it’s a huge relief, and it shows in everything they do." it's just that she truly doesn't view herself as being worthy of that. her entire life has been spent convincing herself that she isn't worth anything, let alone joy or comfort. she doesn't think she deserves to be allowed to transition. she believes that dr. kondraki needs to die, needs to be shot, needs to get it over with and kill herself already, and doesn't realize that the distance she puts between "[redacted] henrich kondraki" and "dr. kondraki" is a mask, a shell she can hide behind; it's a way for her to excuse any mention of her being a woman. if dr. kondraki can't be a woman, then [redacted] henrich kondraki can't be a woman either. it's nothing but a fantasy to her, something she can joke about and then discard along with the rest of her fantasies of being a good person, of being someone who deserves to be happy.

you can even bring her entire theming of butterflies into her own repression; the butterflies act as a camoflauge in the same way her mask of masculinity does. the only time she ever is truly gentle or nurturing or caring, all tasks she has deemed feminine, is with her butterflies. butterflies are specifically used in metaphors for transition, quite often appearing in trans artwork as a way to represent the death of who you once were and who you are now. the fact the butterflies also possess camoflauging abilities, which they tend to specifically use to make themselves (and kondraki) invisible, is in and of itself a metaphor for being in the closet, or, in kondraki's case, being repressed and refusing to acknowledge her transness. her transness is treated as though it's invisible, something she only looks at when it's disturbed, not unlike the way you can only see the butterflies by disturbing them. she refuses to acknowledge it, hides behind her camoflauge as a defense mechanism. coming to terms with her transness would make her have to disolve and be reborn, and she doesn't believe she deserves that. she doesn't believe she deserves to live free of the guilt, of everything she's done, so instead she stays camoflauged, stays in her bubble of masculinity where she feels her self-imposed shame and guilt.

all in all; kondraki is extremely repressed and refuses to accept that she's a woman, despite her progressive views, because she believes it would mean she is weak and fragile. she's terrified of her femininity, and uses violence and humor to deny every feminine part of herself.

DISCLAIMER. my choice to use specifically she/her for kondraki in this essay was a purposeful and deliberate choice and if you choose to use he/him after i have literally solely referred to her with she/her in this entire post i hate you personally. in other words

[coco-chip]

cant stop thinking about their height difference

[louwhose]

Longing for what could have been...

Happy anniversary, Twilight Princess!

[jubileedeeznuts-posting]

performance of a lifetime

[chaoticke-rambles]

It’s all fun and games to speculate on what Edwin writes in his notebook all the time, but if he’s been writing notes in there both during his time in hell and in the decades since, then there has to be so much arcane knowledge recorded within in those pages.  He may not be inventing new spells (as far as we know---he 100% could be and we just weren’t shown that), but he’s been recording magical encounters, mapping hell, presumably making notes about anything that could help their future cases… That’s a wealth of knowledge right there, and I bet it’s super valuable.  Not that Edwin would ever willingly get rid of it, but how much do you think all that would be worth, in the magical community?  How dangerous would it be if somone else got ahold of it?

[ss-shitstorm]

If Starscream was gonna use a flowtoy it would absolutely be a LED fiber optic whip and he would *absolutely* use it to flog your ass raw in the bathroom stall right after cutting up the fucking floor with it.

Look at this thing. Look at it and tell me it's not a stripper S&M Airplane enabler. You can't.

They look like this in motion btw

and yes they fucking *hurt* to get hit with

[artistlara]

Redrawn whiteboard doodles

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon. her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[deputyrook]

Based on how he’s written in The Wigmaker Job, Illario should have been Reyes-Vidal levels of handsome-charming-rogue-bad-boy.

Like he’s supposed to be suave and manipulative and a little vain. He’s funny, he makes Lucanis laugh. You don’t see any of that in game. Think about how much more effective the betrayal would be, if Illario was genuinely really likeable and a fun character (like any other likeable faction NPC) and didn’t immediately come off as evil, bitter, short-tempered and suspicious.

It’s just… really disappointing how his character was written in Veilguard, especially since, hearing other characters talk about him in Veilguard, they’re still describing the Illario we got in Tevinter Nights. It’s truly insane levels of tell-don’t-show going on.

[varpusvaras]

Fox is dead.

He knows he is. His life hadn't been over instantly when his body had been suddenly and violently grabbed and twisted beyond what he could take. He had lied there, after, for a moment longer, knowing nothing but pain and the sinking feeling that he was dying.

He is here, now, not where his body had been left to die, but somewhere else. Somewhere he does not recognise, but knows, still, almost instinctually.

It looks like a grand hall with golden rivers and silver skies, so large that he cannot see how far the walls actually go. He tries to see, but everything is simply too far away.

There are others around him. Fox can see them and hear them moving around, walking past him, stepping around him like they don't see him but still know he is there.

Fox tries to look at some of them. He can see faces, so, so many of them, and if he focuses long enough on one of them, he can see it more clearly for a second, but no more. It is like they are far away from him as well, too far away for him to actually see them.

He watches as they go. They all follow the rivers, each a different one, disappearing somewhere alongside them after a while. Fox knows, somehow, that he is supposed to also follow one of the rivers to somewhere, wherever it may lead him to.

He hears one of them, faintly, if he listens very carefully. It's like the river wants him to follow, but cannot make him do so. Fox also wants to follow, but cannot make himself do so.

He knows the reason as well. He knows that he has done mistakes. Many of them. So, so many of them. He knows some of those mistakes have been too grave for his brothers to forgive.

Fox knows he is not welcome anymore.

The river sighs, and then flows away from him.

Fox stands there, and watches as faces he cannot see walk past him and disappear.

---

He waits.

It is the only thing he can do, after all. Wait.

It's a strange thing, waiting there. Every time he looks somewhere and watches someone, and then looks away for what feels even barely a second, there is already someone else there in their place. He needs to not forget himself, if he wants to not get lost there. He figures that out pretty quickly.

It's cold, there. The rivers look warm and the skies look clear, but Fox cannot feel them. He cannot feel anyone walking past him. They are there, just like he is, but at the same time, it is like they are existing on parallel realities, and only getting a glimpse of what is going on behind the glass that separates them.

Perhaps it's just Fox who sees them. Perhaps no one else sees him.

He tries not to think about that too much.

---

There are a lot of brothers walking around him.

Fox can see their faces clearly. They do notice him too. Many walk towards him, if they see him, and some of them speak to him, if they get close enough.

Fox wonders if they notice him because the Force recognises them as the same, or at least close enough. If the Force recognises them as kin, even when Fox has been casted aside.

His brothers want him to come with them. They can still hear the river, calling them, guiding them forward to somewhere they are meant to go. His brothers try to take his hands and take him with them. Fox had not expected that, if he is being completely honest. He would understand it, if the others were thinking that he was just any brother.

But no. Some of them do recognise him, and still reach for him, even if they are not wearing the Guard red.

"Of course you can come with", one brother in 212th gold tells him. "The Commander always spoke very fondly of you. You are our brother. Of course you can come with us."

He reaches for Fox, and he makes contact, and even when his hand is warm, Fox's legs are stuck on the ground.

The brother looks at Fox with sad eyes.

"I'm sorry", he says. "You are our brother."

"I know", Fox tells him. "I know. Can you say hi to everyone for me?"

"Of course", his brother tells him, and then follows the river away from Fox.

---

The Guards, once they figure out that Fox cannot follow them, want to stay with him.

"You are our Commander", they all tell him. "We're not going to leave you here alone!"

They stay, all of them, as long as they are able to. They hold onto him, like Fox is their anchor, the only thing keeping them from drifting away with the river.

Fox lets them stay with him, for a while, but eventually he tells all of them to go.

"Don't worry", he tells them. "Others will come along. I'll be fine. Say hello to everyone for me, alright? Go now. I'll be fine."

There is always resisting, but eventually, they do leave. They have to. The river is guiding them forward, and they have to follow it. Fox cannot hear the river, and his brothers cannot guide him themselves to it.

Fox stands there, and watches them leave.

---

Stone is the first one to arrive after Fox.

It's strange, to look at him. He looks both like the Stone Fox remembers, and like Stone Fox doesn't quite recognise, Stone who is slightly older and has a new scar across his face.

It's still Stone, though.

Stone stays with him for a long, long time.

But eventually, he leaves as well.

"I'll be fine", Fox says, for the hundreth time. "Say hi to Thorn for me."

"I will", Stone promises. "I will."

---

After Stone comes Hound. He stays for a long time as well, and promises to say hello to Thorn and Stone.

After Hound comes Bly.

Bly puts his arms around Fox and holds him.

"It's not fair", he says, again and again. "It's not fair, this isn't how any of this is supposed to go! It doesn't matter if someone has called you a Dar'vod, you are my brother! That should matter more!"

"I know", Fox says.

"Why are you so calm about this?" Bly asks him. "You are stuck here! You should be with all of us!"

"Bly, please", Fox says. "I can't. Please don't...please don't remind me too much. Please don't."

Bly goes quiet. He still holds onto Fox for a long time.

Eventually, he has to let go.

"It's okay", Fox promises him. "Say hi to Ponds for me."

---

Thire comes last.

Fox knows more time has passed now. It's strange, to look at Thire, and see his youngest brother there, but also someone who is a lot older than Fox ever got to be now.

He looks a lot like Prime before he died, Fox thinks, but doesn't say it out loud.

He also thinks it's a good thing Thire looks so much older than Fox. Fox knows he wouldn't have been able to endure his little brother dying young like Fox had.

"We have a chance", Thire tells him. "There are a lot of people standing against the Empire. Bail and Breha are with them."

Fox almost starts crying then and there. It's been- he doesn't even know how long it has been since someone has said those names to him.

"They're," Fox swallows, and tries again, "they're alright?"

"Yes", Thire says. "They are. I let them take your body, you know? You're there with them."

It's strange, to think about what happened to him after his death. Fox has been here the whole time, not there.

He guesses whatever was left of him there was what was left of him to everyone else, as well.

Fox thinks about it for a while, and then turns back to Thire.

"What else has been going on?" He asks, because he already knows that Thire is going to be staying for a while.

So Thire stays, and he tells his stories, until he has nothing else to say.

He promises, like all of Fox's brothers before him, to say hi to everyone for him. He hugs Fox for a long while, before he finally lets go.

Fox watches him leave for as long as he can.

---

The Galaxy is big, and there is always someone dying.

Fox has accepted that to be just the inevitable way of life. Everyone and everything dies eventually, even the stars. He thinks he had heard that from someone while he was still alive.

Still, some deaths are more tragic than others. Some deaths are ones that Fox thinks shouldn't have happened, not at least in the way that they did, no matter the inevitable nature of death itself.

He has seen it all pretty much, by now. Many people have been crying when walking past him, but as far as Fox has seen, they have all always dried their tears before they disappear with their rivers. He has seen anger and despair, both in a way that suits normal lives and in a way that he recognises to suit lives that are ended by the brutality of war. They all seem to always get past it, though, before they continue their journey past where he cannot see them anymore.

Fox has learned that it is normal for there to be a lot of people around him, and for them to be in distress.

But still, he knows something is wrong.

Maybe it's the way the people just seem to appear, all of a sudden, all at once, instead of coming in many rivulets. Maybe it's in the way that people are now moving. Many are still walking towards, around and past him, like they usually do, but many, too many, way too many, are running around, shouting and screaming names, searching for faces with desperation and grief written all over their own, whenever Fox gets to look at them for long enough.

It feels less like a river now, flowing towards their ends, but like a wild rapids, like rogue waves being pushed around against shores that are too small and tight for them.

Fox looks at them more closely.

He has seen it all, by now. Adults, elderly, teenagers, even children. People die at all ages all the time.

But this? There are so many of them, searching for each other. All of them are crying. He sees so many small children, healthy looking, yelling for their parents, for their siblings, friends, anyone, and just as many adults doing the same, searching for their children and parents and anyone they know, and they just keep coming.

Fox tries to look at them, tries to listen at them for long enough to figure out what is going on, but it's even more difficult now, when there are so many faces and voices around him. Something terrible, he can tell, because there seems to be no end for them, and whenever he gets to hear more than one word from any of them, they all sound the same, like they all speak the same language in the same way.

Fox doesn't understand how that can be. How can this many people die like this, all seemingly at once, in one place? He has seen war before, but even the largest massacres had been nothing like this.

He listens to them more, and there is now something familiar in the way they all talk, in a way that suddenly makes Fox go cold, like he was dying himself all over again.

He knows it. He knows the way they are all speaking, he has listened to that very same way of speech so many times.

Suddenly Fox understands everyone around him searching and screaming very well, because he is doing the same now.

Not screaming yet, but definitely searching. He tries to look at all the faces, to see if he sees them, and he prays to something, anything, everything, that he doesn't find what he is looking for.

He doesn't need to look into the faces of people around him to see them, eventually, because in the sea of faces and voices on the other side of a misty window, he sees two more than clearly.

Fox understands the grief in everyone's faces now too.

He is definitely screaming, now.

No words at first, no. Just a sound that makes its way out of him without him being able to control it at all. He sees them hear it, because they stop, and they start to look around, their eyes searching the people around them.

Fox hasn't had to breathe in a long, long time, but now he feels like he is out of air anyway. He drags his voice back in, and pushes it back in where it can be formed into words, and he screams again.

"Breha!" His voice is tearing up at its invisible seams. "Bail!"

He looks at them, and that's the moment they look at him and see him, standing there, in the same place where he has been standing his whole time there.

Fox watches as they start running as well, still looking at him, and then they are there, and Bail is just a little bit closer and throws his arms around him.

Fox stumbles, his legs ripping away from the ground. He doesn't get to wonder about it for too long, because Bail is holding him now. He is warm, just the way Fox achingly clearly remembers him to be, and then Breha is there as well, her arms going between Bail's to hold onto Fox just as tight.

They all stand there, for a moment which length Fox cannot measure, in each others arms.

Breha is the first one to speak.

"Fox", she says, in a way she always used to say his name, and Fox is barely able to keep the tears that have sprung into his eyes from falling.

Her hand reaches up and touches his jaw and then his cheek.

"Fox", Bail says then, as well, and Fox cannot hold it in anymore.

He cries.

He is pretty sure they are all crying.

There is another hand on his face, now, both of them wiping away the tears still falling down.

"Fox", Breha calls him again. "Fox, my love, our love. Look at me."

What else can Fox do, than to do as she asks of him?

It is Breha and Bail, standing there, just like he remembers them, but not quite. When Fox blinks, there are definitely grey streaks in Bail's beard and hair, and there is a long, silvery strand framing Breha's face. More lines around their eyes when Fox looks closer, ones he doesn't remember seeing there before.

It doesn't matter to him, not really. He knows them, still.

It's a strange mix of emotions he is feeling. Relief, of finally seeing them again. Happiness, brought by being held by them again.

Sorrow, for seeing them both there, emerging from the chaos of grief, knowing that they are here with him now, because they are both dead.

"Why?" He asks, because he doesn't know what else to ask. It's one word, but they understand it still.

The same grief is on their faces as well.

"The Empire", Bail starts, and pauses for a moment, like speaking pains him, "has figured out how to build weapons of mass destruction beyond anything we could've imagined. We've been fighting against them for a long time now, and...we finally got caught. Alderaan is no more."

"I don't understand", Fox says. "That doesn't make any sense."

Except it does, in a sense that it explains why there were so many of them all of a sudden, all frightened, like they hadn't had any time to prepare for their deaths. But it doesn't, because Fox cannot, will not believe that there is a weapon that can make a whole planet and everyone on it disappear.

"I know", Breha says, soothing, like she isn't the one who has just lost her own life and everything else. "It's not all lost. Our daughter, she's out there. She has the key to stopping them."

"She will do it", Bail says, and he sounds proud, so proud. "She will. We know she will."

Fox believes them when they say it.

"Of course she will", he says. "She is your daughter, after all. If she is anything like you, she can do anything."

They look at him gently, then.

"Our daughter", Breha repeats. "Our daughter. Just because you weren't there doesn't mean she is any less yours. She carries you with her as much as we did."

"She takes after you very much as well", Bail says, and there is a sparkle in his eyes again as he speaks. "Determined and strong, just like you."

Fox cries again. They don't rush him to stop, just stay there with him and hold him until everything has been spent.

"I wish I would've known her", Fox says. "I wish I would've been there."

"We wish so too", Bail says. "There wasn't a day we didn't wish that you were with us still."

"But you are now", Breha says, brushing her fingers softly over the skin under Fox's eye. "You are with us again. We have all the time now to tell you everything."

That is the moment Fox remembers that he can move again.

He has to make sure. He lifts one leg, and takes half a step back, and then makes the other leg follow.

He can move, but he still cannot hear the river.

"I would love that", he says. "But I...I don't know where to go."

"Don't worry", Bail says. He reaches for Fox's hand, and takes it into his, firmly and securely. "We know. We'll show you."

Breha laces her fingers with Fox's as well, tying herself to him like a safety line on the outside of a ship. They turn to face the golden rivers, meandering towards their ends under the silver skies, and they take Fox with them.

[esotericas-sims]

so stand and watch it burn we've passed the point of no return

[blurred-honey]

Just you wait doorkeay fans, I’ve got so much (trauma, stress, much) being thrown at me right now, my doorkeay fanfic is gonna be so representative of a bad time :)