#ok. now i have to have a good sit down and focus on wips otherwise i wont be writing again for like another year if i dont

[baeshijima]

did i just impulse create a new wattpad acc that i have no clue as to whether or not i will be using instead of working on my wips? yes, pls dont perceive me.

[zulivaris]

Art Block tips that helped me

 I’ve recently experienced art block after 3 or so months of overcoming my last one. Thankfully this block only lasted a few days thanks to some things I’ve observed and noted down from the previous time. So I’m sharing these few tips in hopes that it might help someone get unstuck :D!

First and foremost if you’re tired, sad or anxious don’t be surprised that you can’t make art, go and take care of yourself by treating yourself with kindness and patience, the sketchbooks and canvases will wait for you :)

The tips are under here:

Separate art studies from the creative time:  When you do art studies you’re there to focus on specific things, learn and understand how things work so you can apply them later in your art. Studies take a lot of energy and focus and are the opposite of the creative "flow” of making your own pieces. If you combine the two the results are either unfocused studies or stiff drawings. When you sit down at your desk ask yourself “Do I want to learn something new or do I want to create something of my own?”

When you have an idea don’t be afraid of being messy: Let’s say you want to make a picture of several cats kolo dancing in the moonlight. How do you go about doing this? Well since you came up with the idea you already have a vague image in your mind, sketch it out with simple shapes, stick figures, circle and spheres etc Don’t worry about cat anatomy, or the dancer’s moves, sketch out the essence of it. This method removes the need to be perfect or accurate. 

Ok after the messy sketch then what? Well now that you have sketched out the essence of your idea (and hopefully had fun doing so) now you go on to look for references! You put the creative process on pause and you can do a few brief studies if you need to: anatomy, color schemes, values, poses. Pick out a few of your favorites but don't obsess over them, they are a guide, a tool.

You know much more than you think. You’ve probably been drawing for a few years now. You’ve probably done some studies and drawn more than one type of subject. Then you have already internalized some of that information. I used to be obsessed with capturing the minute detail of the subject, and not be able to draw ANYTHING without reference. Instead of a useful tool, references became another obstacle to my creativity. That’s perfectionism my friend, and that’s no good. Here is an exercise a good friend of mine offered: Draw a few characters, animals and objects from imagination. Make sure that the subjects have no personal value to you (no ocs for example) so that if you make a mistake you won’t feel bad about it. Make the process relaxed and comfortable, pour a nice cup of joe, listen to your favorite music ... You will notice that you do indeed know how to draw some things without reference, and it’ll help with your confidence. 

The more you do studies the more you understand This seems evident but the more you understand your subject the freer you can be and the easier it’ll be to draw it from imagination in the future. If you really struggle with something to the point of frustration (as in you can’t get it right even with reference) It means you have to study it. Have a study list, for example: hands, perspective, color theory etc. And one of those days you want to study pick something from the list, and look for videos on youtube or useful sites like line of action etc. Only study one thing at the time. You can go from studying hands to studying arms since they’re more immediately connected, but you can’t study hands and then jump to learning perspective right after. Trust me you can learn perfectly fine with the resources online, and I’m sure you’re clever enough to do it :D

Mistakes don’t mean you “suck”  I’ve noticed that the two most common causes for art block are perfectionism and lack of self-confidence.  The two can often go in tandem which is worse :’D But let me remind you of something, you can fix your piece along the whole process. Use erasers, lasso tools, liquify , select, paint it all over etc If something looks off to you then you also know deep inside how to fix it. Useful ways to see what clunks: flip canvas horizontally (helps with placement, proportions), turn the image to grayscale (helps to check values and where your eye tends to look), look at your image in thumbnail size and ask yourself if it’s clear, see the pose’s silhouette and ask yourself if you can tell what the character is doing etc. Don’t fret, everything can always be fixed :)

Perfectionism, sometimes it stops you before you begin Perfectionism causes you to overwork a piece, it makes you draw less, it makes art stressful, it brings insecurity. Let’s remove it with a simple exercise. It can be combined with the “draw things from imagination” once you’ve drawn something you like: dont do line art, don’t shade it, keep it as simple and crude as possible and then...post it. Yes, post it. You’re not at your best? You’re only human, this will help you embrace that very human side of you. You make mistakes. So what? The more mistakes you make the more you know what you need to study and the better at art you become. Mistakes are there to show us what we need to learn. See them as another tool and not a sign of failure.

Make the process as enjoyable as possible: You like art. You love drawing. Never forget this. Otherwise why are you drawing if you don’t enjoy it? It’s easy to fall prey to the mentality of those relatable memes that “art= suffering” or “I can’t even draw the other eye”. No no no my friends, these messages are fueling your insecurities instead of overcoming them. Let me tell you what, art is fun. It is. Art is fun, because I decided to make it fun again. And you should decide on that too. Personally I adore lineart but my hand-eye coordination is lacking to do it digitally, so....I just skipped it. Yes. I skipped it. I do the sketch, I clean it up a bit and then jump onto color which I adore. It allowed me to draw more and more freely. When I draw I listen to music, make strokes with the rhythm, I take breaks often and I drink my favorite iced teas. If you don’t like coloring do it in grayscale, if you love lineart then do that etc It doesn’t mean you won’t learn your weak points in the future with studies and practice, but you won’t let your weaknesses prevent you from drawing at all. No no, you won’t let them. You draw because you want to, despite of them.

Don’t wait for inspiration, provoke it  Inspiration is not a divine and capricious muse. You make inspiration. It’s easy just collect all the things you like, music, artists, objects, characters, animals, patterns, plants etc Make boards on pinterest or similar sites, combine things you like. You like suits? You like birds? You can draw a bird in a suit, or a bird-inspired suit design, there is frankly a lot of ideas that can spring up from little things like these.

When a project stops being enjoyable either pause it for now or move on to the next thing. Pieces aren’t precious. They’re not “the one time I got x right” they are one of many. This advice goes mainly to hobbyists who can afford the luxury of passing to a new project. I have a WIP of a character who is overly complicated (I enjoy a challenge from time to time) sitting for half a month. I sometimes come back to it and add something... but as soon as it starts to create discomfort and insecurity instead of enjoyment I move onto something else. In the meantime I created 3 or 4 new pieces. If I had waited on finishing that piece I would have been severely creatively and physically exhausted. The art comes from you, not inspiration. The more art you make the better you become.

That’s about it :D I know it’s long but I prefer to be thorough and cover all the possibilities. If you have read of this: Thank you so much I hope this helps you at least a bit, if it helps only 1 other person I’d still be very happy. Have a nice one, and kick art block’s butt!

[sushiburritonoms]

I've been having terrible writer's block lately, not enjoying anything I've written, not getting anywhere with WIPs. Poor @darkisrising and @bronze-lorica have had to talk me off edges lately (thanks guys you're the best!). I think I finally have a chapter 3 for Sacred Texts but I'm sitting on it for a while to see if that's the direction I really want to go. I'm soooo sorry for the delay.

In the meantime I was looking through my notes for The Father the Son and the Exile and I found a bunch of scenes I wrote and abandoned as the fic moved in different directions. I figured I'd post some of them because they'll never see the light of day otherwise and because I have nothing else to offer right now.

Originally in Exile, Din and Luke were supposed to make it to Tython. I had them meeting up with Han AND Leia on the planet Ajan Kloss (its the planet Luke and Leia train on in TROS). Its interesting looking back at this, Din and Luke have a different dynamic since I wrote this a long time ago back in March when the story was going in a different direction (I also wrote an homage to one of Writer Owl's fics in the dialogue). I enjoy playful Luke, I don't really write him that often and that's a real shame. Anyways here's wonder wall, enjoy!

Ajan Kloss  was a swampy humid hellhole of a planet that no rational, sentient being should visit, let alone enjoy. Of course that meant that Grogu and Luke were comfortable in the sticky humid environment. In fact there was a rare smile stretched across Luke's face and he sounded almost nostalgic as he talked around their campfire.

“There’s a certain type of moss that grows on the trees here that’s edible.”

Din refused to look up at Luke from where he was cleaning their meal.�� “I’m not drinking any tea you make out of it.”

“It’s more of a garnish?”

Din sighed. “Don’t touch my fish.” He forcefully stuck a stick lengthwise through the fish as an emphasis.

“Grogu should really have more vegetation in his diet. Master Yoda used to eat plants.”

Din snorted. “You’re welcome to try.” It wasn’t like the kid never ate vegetables but they were always fried and covered in spices. That probably wasn’t what Luke was getting at.

“Maybe later. He did eat two whole frogs.”  Luke edged himself closer to the fire. “Maybe after this we could swing by Dagobah. You know, assuming we’re not about to trigger some sort of sneak attack or trap. There are tubers I could dig up for him that Master Yoda ate, plus I could pick up more gnarltree bark.”

Din blinked and raised his head up to properly look at Luke. He knew what Luke was doing. He was trying to distract himself with thoughts of the future. It was a tactic Din often used himself--strategize every possible outcome in the hopes the future won’t be as terrifying as it feels.

On the one hand, he was amused and touched by Luke’s continued fixation on Grogu’s eating habits, even if it was hypocritical of Luke given his own poor diet.  It reminded Din of some of the older members of the Covert that used to watch Din when he was little. They always used to harass him to eat everything offered to him and gave him sharp nudges when he tried to skip directly to the occasional sweet treat left out for all the foundlings to share. It was very Mandalorian of Skywalker and it felt good. Familiar.

On the other hand, Din really, really didn’t want any more tree bark in the Wayfinder. So Din didn’t really know what to say.

“Hold this.” Din shoved a fish skewer into Luke’s hand. Yeah that worked.

Luke took the skewer with a hint of a smile.  “Master Yoda used to eat certain mushrooms too, I think I can safely identify them. Or maybe I could put together an aquarium in the Wayfinder and we could take more frogs with us. I bet I can repurpose one of the smaller cloning cylinders I have in the back and add a filtration system...”

Din shuddered at the thought  of living with a cloning vat filled with frogs and the likelihood of frogs, moss and tree bark for dinner several nights a week.  Just no. “This is why our people are ancient enemies,” he shuddered. “You live like animals.”

There was silence. Too long of a silence. Din looked up.

Luke was staring at him with a shocked look on his face. “Our people are ancient enemies?” He whispered.

Ah kriff. Din winced. “So I’ve heard.”

“....Oh.”  Luke looked crushed.  “Nobody told--well. There’s a lot nobody told me,” he sighed. “About being a Jedi.”

Damn damn damn. Din wanted to throw his hands up in the sky.

“I guess that makes sense,” Luke mumbled. He was fiddling with the fish skewer in his hands. “All the other Mandalorians I’ve ever met have tried to capture or kill me. I thought it was just the Bounty…”

“I’m not like other Mandalorians.”  Din interrupted, desperate to turn the conversation. It was technically true, probably just not in a way that helped their relationship. Er--their partnership?  Their--whatever this was.

“I mean I like you…”

Din froze. What.

“You’re really good at fishing and Grogu loves you.  I’d hate to have to kill you.”

Din’s heart restarted in his chest again.  Was Luke...messing with him?   “You wouldn’t leave a mark.”

Luke blinked up at him innocently and fluttered his damn eyelashes.  “I could totally kill you in your sleep.”

The little shit!  “I’ll poison your tea.”

“It’s pretty much already poison. I’m immune.”

Heh, true.  “Your fish then.”

“I’ll just go grab a frog.”

“You’re staying here and eating my damn fish!”

Luke burst out into sudden loud laughter.  It was like a sudden fierce rainstorm in the way it showered over the camp. It startled Grogu, who had been ignoring both of them in favor of playing with some shiny rocks nearby.  He tilted his head and then matched Luke’s laughter with a baby chuckle of his own.

“Sorry! I think it's just my nerves talking but that just sounded wrong and so funny--”

Din just shook his head. He couldn’t for the life of him figure out what had set Luke off but he didn’t care. “Crazy Jedi.”

“Trigger happy Mandalorian.”  Luke gave him a giant smile.  “Hurry up and finish this.” He gave Din back the fish skewer and chuckled again.  Despite his comment about his nerves, Luke’s shoulders were relaxed and his legs were spread out comfortably by the fire. Din could stare at his lopsided smile all evening, especially as the sun set and the fire highlighted the delight in his eyes. The sun shone through the lighter parts of Luke’s shaggy long hair. It was now untied from the neat bun it had started in and looked soft and golden in the light.

Stars above help him.  Luke was beautiful.  Din was tired of denying the thought. He wanted to touch Luke’s face with his bare hands, run his fingers through his hair and that was terrifying. He hadn’t wanted to take off his armor for anyone, besides Grogu, in ages. Maybe with Omera...but this was much different. The feelings he’d had for her were a momentary weakness compared to the colossally bad idea this was to develop an attraction for this damaged Jedi.  Din had no idea what tomorrow was going to bring.  Even if nothing happened, there was the uncertainty of the next day and the next to worry about. Luke was a marked man and every day there was a chance something could take him out. Take him away. The thought burned in him like a chemical fire inside a reactor.  Caged deep inside of him, destructive it released, and burning with an intensity greater than Din could stand.

This was why he never got involved with people before he found Grogu. He didn’t know what to do with the intensity of his feelings and how to fit them into his unpredictable life.

“Din?” Luke’s smile fell slightly. “You ok?”

“..Yeah.”  Din did what he always did. He pushed his feelings away and tried to focus on the present.  What had they been talking about? Food. He sat and thought for a moment. Maybe...

“I have a contact on Tatooine, from a rural town few people have heard of. Mos Epsa.”

“Mos Eps--I thought that was wiped from the planet years ago.” Luke looked impressed.

“It’s still there.”  Din handed Luke a cooked fish skewer and settled back with his own. “We could go there, for a while. We’d be safe. I’m assuming we can both eat Tatooine food.”

Luke picked at his fish. “I do miss blue milk.”

Good.  “I’ll add it to the list.”

Luke chuckled. “You have a list?”

“Of safe planets we can stop at. We should have alternatives to the drop pods and not be reliant on the New Republic. My list is probably different from yours so we have more options.” Din stabbed his fish a little harder with his skewer to make his opinion of Luke’s employers known.

The smile on Luke’s face got impossibly wider. “That makes sense...Thank you.”

Din grunted. The smile on Luke’s face was too distracting.  Instead he looked down at his food. Oh. Right. Damn.

Luke made the exact realization at the same time. “Sorry! I forgot, I can go back to the ship--”

“Shut up and sit down, Jetti.” Din shook his head. He only hesitated for a half second before he reached up to his helmet and unlatched it. He opened it wide enough to take a bite.

“Or you could do that. Of course.” Luke babbled.  He turned his head so he wasn’t looking at Din.  Which was sweet. But also meant he wasn’t looking at his food.

“Eat.” Din growled. “All of it.” How was it this hard to feed a grown adult? Grogu gave him less trouble. Gods help Skywalker, Din was about to channel some of the fiercest warriors he knew to get him to eat more.

Luke gave him a mock solute. “Yes sir.”

Din began to reach for his sidearm.

Luke responded with a rather unnecessarily dainty bite of fish.

Din began to unhook his blaster.

Luke nibbled at one edge of a fin.

The blaster powered up.

Luke kriffing licked his fish.

“That’s disgusting.” Din gave up. He couldn’t help it--he chuckled as he powered down his blaster.

“Yeah it is,” Luke stuck his tongue out. “Fish is gross.”

“I thought you said you’d eat anything.”

“I do. I don’t have to like it.  I didn’t grow up eating fish, it’s both slimy and spikey at the same time.”

“You eat frogs.”

“You can eat a small frog in one bite! I’ve gotten fish bones stuck in my throat.”

“You’re not supposed to eat the bones.”

“Nobody told me that the first time. What part of ‘raised on a desert planet’ does no one understand?”

“You’re an idiot.”

Luke sat back. “I’m done now, mom. May I go now?”

Din sighed. “No.” He held out another fish skewer.

“You got to be kidding me.”

“We can do this the easy way or the hard way.”

“How hard is the har--YIKES! NO! LETGO! ARGHHH!!!!!”

‘Yup’, Din thought to himself as he held the struggling, still too skinny, Jedi in a headlock.  He had it bad and he was going to regret this.

Tomorrow. He’ll regret it tomorrow.

“DJARIN LET ME GO NOW OR YOU’RE GOING IN THE SWAMP!”

Here’s hoping the desert boy could swim.

[inyoursheets]

2, 16, 18, 23!

Tell us about what you’re most looking forward to writing – in your current project, or a future project

wow ok this is surprisingly hard to answer! confronting! im not even sure, there isn’t anything specific ive got planned out that im excited to write. i don’t have any future projects planned out yet. or. i mean.....there are some things at the tips of my writing fingers but i can’t allow myself to think about them properly yet bc i need to focus on and commit to finishing warm water. and my thesis (ugh).

there are some things from warm water that ive already written that im excited to share, but right now im in a place where writing just isn’t going smoothly, so whenever i have an idea (like the eloquent “sweatpants dick” note i took recently) (my only contribution that day) im not all that confident or excited about it bc im afraid the actual writing itself will be a pain? that i’ll drag my feet for days and it won’t come easy and i’ll hate every second of it -- until things click and the words start flowing, not unlike this post describes. idk i keep really wanting to write and sitting down for it and then it just--won’t happen. or if i do actually try putting pen to paper i just start hating it all, which i don’t want.

so! this is a sad note to end on! here’s some vague things i am looking forward to: i’m looking forward to being excited about writing in general! i’m looking forward to writing something i’m proud of, either in terms of plot or theme or characterization or dialogue or whatever! i’m also looking forward to having that oh-my-god-the-words-are-flowing-from-me moment, regardless of the result tbh, bc i just love that feeling of loving writing and having it come easily. that’s what im excited about -- being excited about writing again.  

Tried anything new with your writing lately? (style, POV, genre, fandom?)

ok so i have this terrible writing tendency to not know how to not describe every single action characters make -- every movement, every gesture. particularly on first drafts i feel the urge to describe it all, otherwise i can’t continue. i know that it’s not always necessary to write what happens every single second of a scene, but i can’t seem to stop?

idk if im explaining what i mean correctly -- there’s probably terms for this that i dont know -- but someone who i think manages to do the opposite of what i do very well is @fairhairedkings, who is really good at time jumps and not going overboard w the minute-to-minute descriptions, the way i tend to.

i know it can be pretty tiresome and it’s one of the things that annoys me a lot about my own writing, both in terms of reading it (it can be plain boring?) and for the writing itself. it blocks me! but i can’t seem to stop doing it, feel like i’m glazing over things otherwise or lose track of where im going. i have to keep reminding myself that leaving out certain things doesn’t mean that nothing happens or that people assume nothing happens.

so, to answer the question, ive tried to be a bit more concise with it’s hidden in heartbeats, exhales and in the hope of open hands when i started writing it. that fic is a product of being fed up with my other WIPs and it didn’t take more than a week from its initial idea to the finished product, so i really wanted it to be a quickie, and i thought something tight and concise could work for the plot. i didn’t actually manage to succeed though, still ended up describing just about every action there, too. i don’t think i’ll ever manage to write something concise tbh. i do bad with time jumps, i do bad with less is more, which is unfortunate, bc less can truly, truly be more. so! im gonna try this again some time!

Do any of your stories have alternative versions? (plotlines that you abandoned, AUs of your own work, different characterisations?) Tell us about them.

mmm well, warm water originally didn’t include mutual pining -- beth wasn’t supposed to be in love with rio yet, we were gonna watch her fall in love slowly, while he already felt things. but then i ended up almost turning that entirely on its head and now we’ve got the mess that is that this fic in its current state lol. there’s also an AU to warm water that i briefly considered bc of you which i won’t go into now bc of possible spoilers -- but ive considered things!!! 

also for it’s hidden in heartbeats, it was supposed to be more about petty!rio and haha, look, exes trying to get “revenge”, and to be light and funny, but i realized that idk how relationships work, let alone how exes work, so i couldn’t really find any good reasons for them splitting up, at least nothing that could generate comedy, so it ended up getting fairly angsty? idk why this keeps happening -- me planning to do something rom com-esque and it developing into something wayyyyy angstier, but it did!

What’s the story idea you’ve had in your head for the longest?

oh wow idek! ive definitely been working on warm water the longest, so i guess technically that one, but there are some other ideas that have been drifting near the surface that have been there longer and are very underdeveloped and need time and nourishment and attention and love, all of which i can’t give them yet bc im trying to stay focused on warm water and thesis writing. maybe the beth/stan friendship snippet ive got hidden in somewhere in my docs!

thank youuuu for indulging me!!! meta writing asks!!!!

[deadlybeautydbz]

“Behind Enemy Lines” - Sneak Peek!

The other week, I mentioned my long-fic I’m working on. Set in a future universe that is being destroyed by the androids, Goku has died from the heart virus and there are no dragon-balls to help. This will be a K/18 story like no other and with a twist that you wont see coming.

In this scene, Krillin finds himself coming face to face with 17 and 18 for the first time. Let me know what you think and if you’d like to see more! This scene is about 3000 words, and so far I’ve written about 30,000 (which is maybe 1/3 of the intended total length) so there’s plenty more where this came from!

Read below the cut. And please ignore any spelling/formatting errors, this is still very much a WIP

Another explosion, closer this time. More frantic screaming.

“No. Those people need my help. You go. Now!”

With that, Krillin turned around and ran. It wasn’t that he didn’t feel for Yamcha, he did, honestly, but right now, there were people who were in more serious need of his attention. He ran as fast as he could, feet pounding against the broken pavement, quickly covering the few blocks between himself and the Androids. His heartbeat quickened as he approached, not from exertion, but from fear. So far Krillin had managed to avoid a face to face confrontation with these monsters and he’d been hoping to keep it that was for as long as possible. There was literally nothing he could do to stop them. When it came to his power level verse theirs, he was as useless as any ordinary human. Hell, even Vegeta couldn’t put up a fight against the two of them, so what hope did he have?

Standing idly by wasn’t an option though. He knew he couldn’t take the Androids on, but that didn’t mean there weren’t people there he could help. Rounding the final corner, Krillin came to a screeching halt and felt his heart lurch up into his throat.

‘Okay,’ he surveyed the scene. There they were, right there, no more than 50 meters away. The Androids. Gohan and Vegeta had described them to him, but to see them here, 17 and 18, in the flesh – so to speak… it felt surreal. They looked like, well, like normal people. Krillin didn’t know what he had been expecting, something straight out of The Terminator maybe? Maybe that they would sound or move like the robots of bad 1950’s sci-fi? But here they were, standing right in front of him – they hadn’t noticed, or at least acknowledged his presence yet, and so Krillin was able to observe them for a tiny moment. Everything about them seemed, from this distance at least, unremarkable. If he hadn’t of known what to look out for, these two could have easily been mistaken for average survivors. A shiver ran down Krillin’s spine at the thought.

The girl, 18, stood on the sidewalk, arms crossed over her body, scuffing the tip of her boot into the ground. She looked bored. And 17, he was… oh no! He was holding a poor woman, who was too petrified to even call out for help, by the scruff of her shirt; a bright blue ball of energy sat in 17’s other hand. His crazy laughter echoed down the otherwise silent street.

Time seemed to slow to a crawl as what happened next unfolded.

“Noooooooo…” Krillin cried, alerting the Androids to his presence. Both twins turned to look directly at him. Two pairs of icy blue eyes piercing right through to his soul. He tried to run, to save that woman, but Krillin could only move at a snails’ pace. Everything around him happened in an instant, and it was taking hours for his brain to even make the connections. The woman was dead before he had even taken a single step towards her. Her lifeless body slumped to a heap at 17’s feet.

Time sped back up.

“Shit.” Krillin was a sitting duck, standing right here in the middle of the road, two killer Androids staring him down. Beside him, was the burnt out husk of a car, and without much more of a thought beyond surviving the next five seconds, he tucked and barrel rolled behind it, out of the line of sight of his predators.

 “Where did he go?” A male voice, dripping with sarcasm asked, making Krillin’s face blush a shade of red so bright, he was probably creating a glow. What a fucking idiot he was. These weren’t toddlers he was dealing with, they understood the concept of object permanence. All Krillin had managed to do was make himself look like an incompetent moron in front of them. Great. Classic Krillin.

Krillin took a long, deep breath, trying desperately to calm his racing heart. “Okay,” he said to himself, “okay.” Beads of nervous sweat trickled down his neck as he willed his mind to come up with a plan. Something, anything would do at this point. The Androids were closing in on him, the sound of their footsteps grew louder with every inch of ground they covered.

 “Come out, come out where ever you are,” 17 taunted Krillin, as he slammed his fist down into the hood of the car the small human was cowering behind. Krillin yelped in surprised fear, the pathetic sound that came out of his mouth was not one that he was proud of. Yet another thing to add to the list of stupid things to do on the last day of your life. The twins cackled with laughter as he leapt up from his ‘hiding’ place and tumbled out onto the road where he narrowly avoided crashing right into the pair.

“Found you!” 17 exclaimed with delight and clapped his hands. Krillin was bemused by the display to say the least, a reaction that he hoped wasn’t too evident on his face. Maybe he was dealing with a toddler after all.

18 was done, she’d had enough of 17’s moronic behaviour for one day. It was time to get down to business. “Knock it off,” she elbowed her brother in the ribs, and shot him a nasty glare, not so subtly reminding him that they were supposed to be intimidating and scary.

Receiving his sister’s message loud and clear, 17 cleared his throat, straightened his posture and put on his best detached, murderous psychopath look of nonchalance. It worked, Krillin was about ready to soil himself.

 “I don’t believe we’ve had the pleasure,” 18 turned her focus away from her immature brother and towards the man she had been stalking for a large chunk of the afternoon. “18,” she introduced herself with a coy smile.

“K…Kr… Krillin”

“I know who you are!” 18 snapped, silencing Krillin’s pathetic attempt at verbal communication. She would never stop enjoying the thrill of luring men into her trap with her sweet and innocent act before revealing her true, cold self and demolishing them. With looks like hers, it wasn’t hard. She fully intended to murder every living being on this planet, and still, men fell in love with her every day.

Krillin strained his neck to look beyond the pair, trying to spot any survivors further down the road, despite his better judgement and years of martial arts training screaming at him that now was the time to focus. Never take your eyes off your opponent. That was combat 101 right there. What would Goku say if he ever found out about Krillin’s lack of discipline? What would Vegeta say? They weren’t too far from Capsule Corporation and Krillin could feel the Ki signature of the Sayian superpower closing in on them; he must have sensed the sudden influx of Krillin’s power. He’d be here any minute.

‘Ok, great!’ Krillin thought, pepping up. All he needed to do was not die for a few more minutes, and then Vegeta would be here and he would be able to sneak away to find somewhere to hide – and cry, there would most certainly be crying. For a brief second, a relieved smile wormed its way onto Krillin’s face. It vanished as quickly as it appeared though, when the tall blonde standing before him cleared her throat and locked her dangerous eyes onto him, commanding his full attention.

 Who the fuck did this guy think he was? Ignoring them? Ignoring her? No man had ever dared look past her, and she wasn’t about to let them start now.

“Hey,” 18 bent over at her hips, bringing herself to eye level with Krillin. She was well aware of the fact that the scoop neck of her teeshirt was hanging in such a way that it allowed a perfect, unimpeded view of her perky, and very ample breasts - which were barely contained as they strained against a silky red bra. “I’m talking to you. It’s rude not to look at someone when they’re talking you know?”

‘Please,’ Krillin said a quick prayer to himself, eyes darting frantically up, down, left, right, anywhere but straight ahead. Of course he’d known the Androids were ruthless, but he was only human and this was just cruel! Why was 18 doing this? Obviously the second he looked it was lights out for him. But 18 was waiting, and he didn’t really see any other choice. Oh well. Krillin surrendered. He was most certainly going to die, and really, as far as final images went, this one was pretty good. With a loud, nervous swallow, Krillin looked directly ahead, copping an absolute eyeful of undeniably spectacular cleavage, before moving his gaze up a few inches and meeting a pair of the iciest blue eyes he had ever come across.

“Enjoy the show?” 18 asked, as she stood back up, a big victory smirk sitting smugly on her face.

“Uh, sis, I think he’s about to be sick,” 17 took a curious step forward, apparently not at all phased by the threat of vomit. “Looking a bit green there, short stuff.”

“Really?” “Definitely.” “Ugh. Gross.”

18 let out a sound that was half groan, half sigh and all frustration as she took a step towards the queasy looking Krillin and in one swift movement, kicked him square in the gut. Not too hard, she didn’t want to kill him yet, but with just enough force to knock him a block or so down the street. Not even 17, who was usually pretty good at reading his crazy sister, had seen it coming and he couldn’t help but laugh as he watched the small bald warrior fly through the air, a stream of literal projectile vomit following behind him.

They watched until he landed with an unceremonious thud in the middle of an empty intersection. Show over, 17 was finally able to turn away from the spectacle, and towards his sister. His one arched eyebrow said more than any words he could produce would be able to.

“I didn’t want him to get it on my boots,” 18 answered his question before he had even asked it. She shrugged her shoulders as she turned her back on the messy scene. “I like these boots.”

 Krillin pushed himself up onto his elbows, pain shooting through every fibre of his body as he tried to piece together what in the hell had just happened. His brain was still cowering behind that car 50 meters up ahead, it needed a few seconds to catch up. That was okay, Krillin had time to wait. It wasn’t like he was completely helpless and alone with two sociopathic killers or anything. What the hell was taking Vegeta so long? If he showed up with a Slurpee or something, Krillin would be so pissed!

“Hey!” apparently his brain had also detoured for an icy treat, because Krillin did not remember standing up, or shouting out to the Androids, who had already lost interest in him and were walking away. Yet here he was, doing exactly that. What was wrong with him? Why was he so hell bent on dying today? “Hey, stop!”

Krillin could feel that vomit coming back up as the twins stopped in their tracks and spun back to face him. He was a good distance away from them now, too far to hear what they were saying to each other, but close enough to know he was still in big trouble.

“Or what?” 17 called, his voice echoing down the empty road. Even from here, Krillin could see the sadistic grin on the Androids face. He swallowed nervously.

 “Or I’ll blast you into the next dimension!”

‘Oh thank god.’ The sound of Vegeta’s voice made Krillin weak at the knees. Relief flooded through him and he may have felt a few tears stinging at the corners of his tired eyes, not that he would ever admit it.

 “Oh, great,” 18 rolled her eyes. Vegeta was a cocky piece of shit who had no right to swan around acting as high and mighty as he did. Sure, he might have been the most technically accomplished fighter this planet had to offer, but he was still no match for her.

“Vegeta,” she spat out his name like it was a bad taste in her mouth. Honestly, she wasn’t in the mood for a real fight today, she just wanted to pick off weaklings like Krillin without ruining her outfit. “You take him,” 18 said to her brother, “I can’t be bothered with that buffoon today.”

“With pleasure!” 17 was like a kid in a candy store as he leapt off the ground and charged up into the sky towards Vegeta. A fierce battle broke out between them immediately. It was a flurry of lighting quick kicks and punches, much too fast for the normal eye to keep track of. 18 held up hands up above her eyes, as a sort of make-shift sun visor, it was a bright day and she wanted the best view possible, it was always fun watching Vegeta get his arse kicked.

 What was happening up above was of very little concern to Krillin right now. He could hear the sonic boom like crashes as arms and legs collided, the familiar crackle of a charging Ki beam and more than a healthy amount of swearing, but he was much more interested in what was happening on the ground.

18 had all but forgotten than he existed as she watched her brother clash with the only person on this planet who was any sort of real threat to them. This was his chance to escape.

Carefully, with the stealthiness of a ninja, Krillin tiptoed his way out of the intersection. 18 either hadn’t noticed his departure, or she didn’t care that he was running away, but he was able to slip around the corner of a building and out of her immediate sight with relative ease. For the first time since he’d offered to go on this stupid mission for Bulma – lesson learned there - Krillin let out a sigh of relief. He felt his muscles starting to relax as he rested his back against the cool brickwork and closed his eyes, he hadn’t realised how tensed up he was. Thank god the Androids didn’t actually engage him in a fight, he was not prepared.

“Help!”

What was that? Krillin’s eyes shot open and he instinctively dropped his body into a battle position. “Help!” he heard it again, a loud whisper. Normally, Krillin would have raced blindly towards the cry, ready to help whoever it was who needed him. Now though, after the cruel encounter he had just had with 18, he wouldn’t put it past her to play mind tricks on him, and so he preceded slowly with weary caution.

Following the sound of frightened whimpering, Krillin ventured into the guts of the building he was hiding behind. Like most every other structure in the city, and the whole world probably, it was mostly collapsed and in no way a safe place to seek refuge, but when the Androids showed up, you hid where you hid and worried about structural integrity later.

“Hello?” Krillin whispered into the darkness, carefully stepping over broken office furniture and collapsed cubical walls. As his eyes adjusted to their new dark surroundings, he was able to make out a figure huddled behind a makeshift forte of old desks which had been pushed onto their sides. Two figures actually.

“Please, sir, help us.”

A woman, maybe in her early twenties popped out from behind the desks, she had a small child, who looked to be about three or four with her, clinging tightly to her leg. She was wearing tattered clothes which were covered in a thick layer of grime, but that wasn’t what caught Krillin’s attention at first. It was her eyes. They were wild with fear. “What’s wrong? Are you alone?”

“Yes,” the woman nodded, seemingly grateful to have found someone kind in this cruel world. “Yes, it’s just me and my son, please, we need supplies. Food, water, anything. Can you help?” She wrung her hands together nervously, already preparing for a no.

Instinctively, Krillin went to reach for his backpack before remembering he’d given it to Yumcha. He had nothing. But he couldn’t do nothing. Not with that woman’s scared eyes burning right into him, begging for help.

A sound interrupted Krillin just as he was about to reply to the woman’s heart wrenching plea. A sizzling noise he knew all too well. “Watch out!” he yelped and lunged towards the woman and her child, knocking them both to the floor. He managed to reach out and scoop the boy into his grip as he was falling, pulling all three of them into a tight huddle, and as he did, a stray energy ball came careening into the building, missing them only by meters. By using his own body as a shield, Krillin was able to protect the pair from the danger of the flaming debris that was falling all around them. It burned through the thin jumper he was wearing as it hit him, scolding his skin, but he had been through worse before, and knew  worse would be coming after, so he grit his teeth and took it, knowing that he was capable of surviving much more than this.

“Are you okay?” he asked, lifting himself up off the pair as he did, and trying not to wince at the long forgotten, yet intimately familiar pain of fresh burns.

The poor woman wrapped her arms around her wailing son and pulled him close into her, she stroked his dark hair and kissed the side of his head over and over, fully aware of how close to losing him she had just been. “Thank you” she said through tears, “Thank you, thank you. You saved us. I’m Nora, this is my son, Ronin.”

“My name is Krillin,” he smiled a warm, honest smile at the pair, but it was short lived. They were still in very real danger. “We need to get out of here. We’re not safe.”

Carefully, Krillin lead the mother and son towards the exit of the dark building. The explosion had blocked their original path, but with some careful rearranging of obstacles, they were able to make it back out into the bright sunlight. Up above Vegeta and 17 were still trading blows, it was hard to tell who had the upper hand from down here, but Krillin had a feeling it wasn’t Vegeta. This whole area could be nothing more than a smoking hole in the ground any second, they needed to get away.

Where the hell was 18? Krillin’s eyes darted around frantically, he had no idea which way to go. Not that it made much difference really, it wasn’t like they were going to outrun her if she decided to toy with them. “This way,” he arbitrarily picked a direction and began to run.

[ilovereadingandilovebreathing]

all of them :P

There’s LITERALLY 50 omg >_> Ah well, if I’m procrastinating, might as well go big or go home. Warning: LONG.

Finally, an ask-meme for writers!

01: When did you first start writing?

My first ever time writing stories was in 2nd grade; we wrote stories weekly in my class. The first time I began to consciously write and consider myself a writer was probably 8th grade.

02: What was your favorite book growing up?

Ahhhh so many. Series more than individual books. Starting from when I was really young, my iconic series were: Clifford the Big Red Dog, Henry and Mudge, Horrible Harry, A to Z Mysteries, A Series of Unfortunate Events, Nancy Drew, and The Chronicles of Narnia, to name a few.

03: Are you an avid reader?

Actual books? Not as much anymore. I’m too tired or busy. I read fanfics, though :p

04: Have you ever thrown a book across the room?

Where the Red Fern Grows lol one of the only books to date to make me cry. 

05: Did you take writing courses in school/college?

Writing-specific? No. 

06: Have you read any writing-advice books?

I mean, I had to read like MLA manuals and other “writing tips” books for school, so yeah, I guess.

07: Have you ever been part of a critique group?

Not like a real one, just in class in college

08: What’s the best piece of feedback you’ve ever gotten?

I think the best feedback I get is on here, really! You guys are super sweet, and some of you offer some great concrete feedback! I can’t think of anything specific, but I also get really tickled when someone comments on my writing style. 

09: What’s the worst piece of feedback you’ve ever gotten?

Worst as in quality wise was “this was good.” or something like that lol

Worst as far as soul-crushing...ooo. Story Time!

Freshman year of college. I had to take this like early-level English class, and the focus was on nonfiction writing and stuff like that. My professor often picked apart my papers because he didn’t like my writing style, especially not my prose, because he said it was way too florid (flowery or wordy). That made me really sad, but then I had another professor who taught a senior level class who LOVED my prose, so. It’s all relative. 

10: What’s your biggest writer pet-peeve?

Mmmmmmm when people use the same word over and over and over again (which, I am so guilty of, so that’s probs why it bugs me haha) Also too many short sentences. I literally can’t read something if the syntax isn’t varied enough to flow.

11: What’s your favorite book cover?

OOOOoooo I like this one! But sadly I don’t pay attention enough to have an answer to this...Citizen by Claudia Rankine has a pretty thought-provoking cover. I also like the Penguin Classics cover of The Crucible. 

12: Who is your favorite author?

C.S. Lewis is a p cool dude

13: What’s your favorite writing quote?

Quote about writing? This was an important one for me as a growing writer and person, tbh:

“I deal with writer’s block by lowering my expectations. I think the trouble starts when you sit down to write and imagine that you will achieve something magical and magnificent—and when you don’t, panic sets in. The solution is never to sit down and imagine that you will achieve something magical and magnificent. I write a little bit, almost every day, and if it results in two or three or (on a good day) four good paragraphs, I consider myself a lucky man. Never try to be the hare. All hail the tortoise.” ~ Malcolm Gladwell  

This is literally me and the roots of my procrastination and anxiety with writing anything, be it fanfiction or school work. I worry too much about making it perfect the first time, but another great quote is: “The first draft is always perfect because all it has to do is exist” or something like that. It’s something I’m still working on, but have gotten better at.

14: What’s your favorite writing blog? c;

You mean besides mine :p haha JKJKJK I don’t follow any purely writing blogs, but I’ve read many GREAT pieces from (I missed SO many people in this, so I’m really sorry if I didn’t tag you. I’m too tired to go hunting too far.)

(Sanders Sides) ssides, random-snippets, tinysidestrashcaptain, stillebesat, pirate-patton, among others

(Soul Eater) smokeandjollyranchers, professor-maka, tsarodat, makapedia, kittenintheden, raining-down-hearts, earth-shines, sandmancircus, poisonedscarlett, among others

For non-fandom stuff, hawaiianmint and garnet-portrait have some great poetry that really makes my heart hurt.

15: What would you say has inspired you the most?

As far as writing, I assume....honestly, being involved in fandoms and writing fanfiction! I’m only where I am now because I read so many great writers and  adapted their good habits to my own. 

16: How do you feel about movies based on books?

I haven’t been a fan of a ton of books turned to screen productions, so that doesn’t help. I liked the Narnia movies until the Dawn Treader. I liked the ASOUE movie, and I’m still deciding how I feel about the Nextflix series. Other than those, I can’t think of any significant ones, to me lol

17: Would you like your books to be turned into TV shows, movies, video games, or none?

Books that I like or books that I write? Etiher way it depends on who’s directing.

18: How do you feel about love triangles?

Eeehhhhhhhhhhh overused trope that ruins otherwise perfectly good plots.

19: Do you prefer writing on a computer or longhand?

Computer. It’s so much easier. I won’t even pretend.

20: What’s your favorite writing program?

I just use Word, my dude.

21: Do you outline?

Not as often as I should, but it helps me a lot.

22: Do you start with characters or plot?

It’s give and take between both, usually characters, though.

23: What’s your favorite & least favorite part of making characters?

Favorite is customization and how no one can tell you that your own OC is OOC.

Least favorite is how involved and difficult it can be.

24: What’s your favorite & least favorite part of plotting?

Favorite is how much fun it can be to throw in twists and make it all interesting!

Least favorite is how I tend to overthink things or not be brave enough to really GO for something. Also research can suck.

25: What advice would you give to young writers?

You’re young. Don’t worry about being amazing at first. You’ll learn and you’ll grow. Online, ins a supportive community, is a good place to start. 

26: Which do you enjoy reading the most: physical, ebook, or both?

Physical 100% (I’d print out and read fanfiction that way if I could okay)

27: Which is your favorite genre to write?

Uuuuuuuuuuummmmmm fiction? lol

28: Which do you find hardest: the beginning, the middle, or the end?

Depends on the story, but usually the end.

29: Which do you find easiest: writing or editing?

Editing

30: Have you ever written fan-fiction?

Hahahahahahahahahahahahahahahah yes. help me. 

31: Have you ever been published?

Naaahh

32: How do you feel about friends and close relatives reading your work?

Anything other than my fanfics: Shy, but ok.

My fanfics: NONONONONONONONONONONONONO TOO MUCH. EMBARRASSING. -Virgil Sanders 2k4ever

33: Are you interested in having your work published?

I mean maybe, but I’m not good enough, tbh lol

34: Describe your writing space.

My bedroom.

35: What’s your favorite time of day for writing?

I don’t have a favorite, but it often strikes when I should be doing something else.

36: Do you listen to music when you write?

Sometimes! Depends on what I’m writing and how tired I am.

37: What’s your oldest WIP?

I have a lot of things I never finished, but in this case, WIP means, to me, that I might actually finish it, so that would probably be one of a handfuls of old Soul Eater fics I never finished or posted lol

38: What’s your current WIP?

Just one????? LOL

“Patton’s Intuition” (Sanders Sides Fic)

“Virgil the (Semi-)Friendly Ghost” (Sanders Sides Human!GhostAU)

“Eggs and Black Coffee” (A Soul-Eater College!AU)

“A Rose by Any Other Name” (Another Soul-Eater AU)

“Bedside Manner” (Soul-Eater Hospital!AU)

39: What’s the weirdest story idea you’ve ever had?

Mmmmmmm I don’t think I’ve really had any weird ideas. I once thought of doing a Soul-Eater Avatar:TheLastAirbender!AU. 

40: Which is your favorite original character, and why?

I have a few original characters. I guess my favorites would be the twins, David and Preston, from a story I wrote in high school called “Buried Alive.”

41: What do you do when characters don’t follow the outline?

Go with it. 

42: Do you enjoy making your characters suffer?

No, but sometimes that’s just how the story goes.

43: Have you ever killed a main character?

Not actively in the story.

44: What’s the weirdest character concept you’ve ever come up with?

I don’t have one lol

45: What’s your favorite character name?

Cassidy

46: Describe your perfect writing space.

In the mountains, a sunny day, on my back deck

47: If you could steal one character from another author and make then yours, who would it be and why?

Oooooooooooooooo in the fanfiction world, I really love Marin’s (ssides) University!AU versions of the Sides. 

I really like the characters in The Book Thief, To Kill a Mockingbird, and East of Eden. I just really like the personalities and characterizations of those characters. 

48: If you could write the next book of any series, which one would it be, and what would you make the book about?

I’d start a new A Series of Unfortunate Events series about little Beatrice. 

49: If you could write a collaboration with another author, who would it be and what would you write about?

I’d love to collab with so many writers I’ve read on here.

Mmmmmm IRL though it’d be too embarrassing to try to write with a published author because I’d get too nervous and doubt everything I did.

50: If you could live in any fictional world, which would it be?

NARNIA

[stevensavage]

My Personal Agile:  Work

(This column is posted at www.StevenSavage.com and Steve's Tumblr)

Now let's get on to the next step of my Personal Agile - doing actual work! You've got your Sprint Backlog, which is everything you plan to do this sprint (a month) so let's go.

How Do I Start?

Every day I look at my Sprint Backlog and figure what I should do and want to do. Then I do it. In time you get into a rhythm where you unconsciously know what you want to get done - usually.

Yeah, that's it. A daily review - maybe more than once a day - and doing stuff. Sounds simple? Of course it is - because you've thought this over and taken a manageable chunk of stuff to do. One of the great parts of Agile methods is that you get enough mindwork done up front and break stuff into manageable chunks that it's easy to focus.

Well, What Do I Do First?

That's pretty much up to you. In general, you should tackle highest priority work first and work your way down.

In practice, it's often not as clear cut:

There are time constraints on when some things have to get done. You may not list cleaning that grungy guest room sink as your highest priority, but mom's visiting.

Some work may need approval, materials, etc. Those art supplies you needed are late.

Some work you can't stand doing for an extended time period. Maybe you start mowing the lawn this evening but finish tomorrow (but hey, maybe your mowing should be two tasks or even two separate stories).

When you start things you quickly realize your priorities are off. You really don't need those new clothes.

Priority order is a good guide, but the only one.  Do what works.

Sticking With Things

To make sure you progress and stay focused, you want to stick with work.  Here's a look at what I do:

If you take a task, make sure it's one you can complete in one sitting or one that you'll get done without anything else interrupting. For instance if you want to write up an essay but don't finish it before bed, then the next day that's your top priority.

Once you start tasks in a story, that story should (more or less) be your top priority. This lets you focus on delivering value. It also helps get the Story out of your mind. Remember, good breakdown means more stories with less tasks, and that makes this easier.

In all cases, try to focus on something being done and complete. Deliver value - or parts of value.

Sticking with something helps you stay focused and keeps you from the mental waste of switching gears over and over.  In a lot of cases it's better to finish something and start the next thing unless you really have to.

How Do I Track Work?

You want to track the work you're doing and to know what you're up to and what you've done.  Here's what I do:

When you start a task, move the "hours" estimate into the appropriate column, and keep moving it. This way you're tracking work done:

Define - You're fleshing it out and getting ready.

Developing - You're doing it.

Review - You (or someone else) are confirming it's done.

Done - Well, duh. Done. Congrats.

This is why I keep totals at on my spreadsheet so, at a glance, I know how many "hours" of work are done where. I'll go into this more later.

One thing you'll note is that I track the state of every Task (some methods only do stories). I find if you track and validate Tasks, the stories usually take care of themselves - a truly well made Task may not complete the story but is verifiable. It also lets me follow my progress in miniature as I'm pretty focused on this.

You may only need to check your progress story-level. You can use a pivot table for this, or other forms of visualization I'll cover next.

How Do I Avoid Being Overloaded?

OK, here's where we get a new concept: Work In Progress.  This is important.

Work In Progress, aka WIP, comes from Kanban, and has been adopted into many Agile practices, including, of course, some variants of Scrum. The core idea is to limit what you're working on so you focus - and so you find blockages to completion.

It's simple - you set a limit on how much work can be in each column (Define, Developing, etc.).  This is usually only one item.  I usually limit it to one task, but sometimes it's limited to one story.  Nothing can move ahead until there's "space."

This idea of moving ahead only when there's space is called "Pull."  You don't push items forward - you pull them when available.  I find this comfort is very comforting, it changes your focus on work.

But what if you've got a task in Developing, it's done, but you have another task in Review waiting on approval? You don't move that Developing task. It sits. You can either go Define a task and do some research, or try to get the task in Review, well, reviewed.

If all three are filled up? If your Defined thing is Defined, your Developed task is all developed, and you in-review task is in review? You should focus on the in-review task, but if everything is blocked, it may be time to take a break.

Now of course work may have to move forward, but you should acknowledge how you got blocked and fix it in the future. When things get jammed up that's the sign of a flaw - and a sign you should change your approach so it doesn't happen again.

Think this is tough? Some folks like to keep it down to one item being worked on period, no matter what the state. In fact, I'm an advocate, on the individual level, for doing this method. Sometimes I even succeed.

So what does all this stuff with Work In Progress Do?

It forces you to avoid multitasking. Multitasking really distracts you, and the more you pile up half-done, the more you're distracted.

It rethinks work. The idea of "pull" of moving forward only when there's space helps you see work in a more relaxed, appropriate manner.

It reveals blockages and obstacles. Think of your workflow as a pipe system. If you restrict the amount that goes through it, when a jam up occurs you learn a lot. This is an enormous amount of Kanban - to the point where I've heard people say Kanban isn't a management tool but just a way to find and remove blockages.

It works better with good work breakdowns, so helps validate them.

Now because life gets complicated, I practice what I call WIP 1+1. That means the usual limit applies, BUT I allow myself to work on something else as long as I can get it finished in one go. This means if, say, something is sitting at my editors, I can go do some cooking or clean the bathroom. But I wouldn't start something that may need another editor's attention.

As noted, I do this on the task level.  You might find it works on the story level.

What If Something Takes Longer Than I Estimated?

That's fine, that's OK. It's something to note for review at the end of the sprint.

If this requires you to cut work, fine. Figure what the least priority items are and don't do them unless you suddenly have time. You'll review this.

One thing I do is change my estimate to fit my new findings.

What If I Get Everything Done Earlier?

Well you could take a break. Otherwise, just bring the topmost items in from the Backlog into the Sprint Backlog, one at a time. Finish those items before taking something else off the backlog.

So This Is Just Taking A List Of Stuff And Trying To Do It Without Multitasking In A Given Timeframe?

Well, yes. Welcome to Agile, where we cut through the bullshit or break the bullshit into manageable pieces.

Next Up?

This may seem easy, but we'll talk tools and visualization.

- Steve

www.StevenSavage.com

www.InformoTron.com

[akashathekitty]

Rules: list the first lines of your last 20 stories. See if there are any patterns. Then tag your 10 favourite authors. I’ve been tagged by @flightglow32 and @ariel-riddle 20 stories is like... most of my stories. But okay, let's see... I'll try to do them from oldest to newest. (And if anyone has You Change My Mind backed up, could you send it to me? I just realised I don't have that one in my files.) 1. Hermione was walking fast, almost running. She was late and curfew had set in, but she had been unable to resist going to the library to look up a minor detail that had been nagging her, and then, as usual, she had lost trac of time. Muttering under her breath, she rushed along the corridors, doing her best to remember everything she read, word by word. “Pickled Murtlap will help resistance to curses, while—“ She walked headfirst into a body that seemed to be appearing out of nowhere. “Ow! Watch where you’re going, Malfoy!” she said crossly, while she unsuccessfully tried to walk around him to be on her way. - Silencio 2. Hermione struggled against her bonds. ”No, please!” she begged, making the dark robed figures laugh. Death Eaters, bringing her to her fate. The last weeks had been Hell. They had been ambushed, betrayed by someone who should have been trustworthy. They had all fought as best they could. Hermione had been captured, but she had no idea what had happened to her friends. She didn’t know who had lived and who had died. - Master 3. Hermione was hurrying along the street on her way to work, when she saw it. She stopped up and stared at it. No way, they didn't. But it appeared that they had. It was a poster and the two painted people in the poster were flirting unabashedly, the man winking at the woman who blushed and looked at him adoringly. Hermione groaned. "Do you like it?" A grinning form materialized next to her. Where did he come from? "I think you know the answer to that one, Malfoy," she replied. - Taste of your Kiss 4. The seventh years were having Charms. Most subjects saw a dwindling in the amount of students taking them in the sixth year, and even more so, as a few realized they had taken on too much and dropped it in seventh year. That wasn’t exactly the case here. Twenty-five students from all four houses had chosen to stick with this particular subject, which actually made the class larger than in previous years. It was the last class of the day and it was Friday, so most students were feeling restless. Most, but not all. - The Bracelet 5. Hermione took a deep breath and tried to calm herself down. No reason to be upset. So there were a few minor setbacks. She had known there would be when she had refused the preferential treatment offered her after the war as one of the heroes. She had known she would have to work her way up from a nobody to a somebody and she had predicted that it might mean working a lot of nights and having to prove herself to people who didn’t believe she was really the Brightest Witch of Their Age. She hadn’t quite predicted that it would mean answering to the Biggest Git of Their Age. - The Nymph Hunt 6. Hermione nervously smoothed down her skirt as she was standing in front of the inconspicuous entrance. It had seemed like a good skirt to wear earlier, but now it seemed too short. Or maybe it wasn't that it was short; maybe it was that it looked a lot tighter when she stood still and it clung to her legs. Or maybe both of those things didn't matter, considering that it was so ... thin. - One Wild Night 7. Hermione was a bit tipsy. This was definitely against the norm as she didn’t usually drink – it was against school rules after all – but tonight was different. Luna had invited them up to Ravenclaw’s common room for a very unusual thing – a party thrown by one of the houses for, well, not all of the houses, but at least for invitees from other houses. - In the Darkness All Cats are Grey 8. It is an infantile superstition of the human spirit that virginity would be thought a virtue and not the barrier that separates ignorance from knowledge. – Voltaire Hermione stared at the letter before her, her face feeling like it was made of stone. She had a feeling she should be upset, but she wasn't. Not really. Rather, she felt absolutely nothing. Her insides had gone numb. This couldn't be true. It couldn't be happening. It must be some big, awful joke. Sometimes Ron had a rather horrible sense of humour. Yes, that must be it. It had only been a few months since they broke up, after all. And she'd even seen him during the Christmas holidays, only a couple of weeks ago. - The Virgin Conundrum 9. Draco slowly let his gaze slide over the serious faces in front of him, trying to figure out if this was some sort of elaborate prank. 'You're kidding, right?' he finally asked when nobody volunteered any further information. 'You have no idea how much we wish we were.' Potter did that extremely annoying thing where he ran his hand through his hair, making it all stand on end. 'We're out of options here.' Draco leant back in his seat and let his gaze rest on Weasley. He looked put off, but then again, he always looked put off around Draco. Weasley didn't really seem to have much to add today, though, which was new. He usually loved to make inane digs whenever Draco was forced to check in at the Ministry. Right now, however, he was just determinedly staring at his own hands, placed on the large, simple wooden desk before him. - Till Death Do Us Part 10. 'Zabini, could you focus?' Malfoy snapped his fingers in front of Blaise's face in the most annoying way. Blaise flashed his teeth in a hostile snarl. He didn't like this colourless git—never had and never bloody would. - Pure Depravity (Blaise/Pansy) 11. As far as cousins went, Rose mused, Al was actually pretty ok. He had been one of her best friends before they went to Hogwarts, and even after they had started there, the familiar connection had been present. It was just that with them being sorted into different houses and all, they didn't actually see each other a lot. That didn't mean that when they did see each other, he should be allowed to be such a git, though. - Playing Games (Rose/Scorpius) 12. When Hermione accidentally knocked over her inkpot, she did something that was completely uncharacteristic of her. She swore. The words coming from her lips were neither very loud nor very inventive, but they were heartfelt. Every single syllable pronounced with such loving care that one could have been led to think that something far worse than a soggy piece of parchment and a stained desk was behind it. One might have been right. - Flickering Flames 13. Hermione smoothed her new formal robes down over her stomach and turned sideways, scrutinising her own mirror image. Damn it. She’d kept accumulating weight this past year from sitting—and eating—far too much and exercising far too little. Damn the Ministry’s canteen for having such delicious cake. Usually, she wasn’t really one for sweets, but that cake... She needed to start bringing her own lunch, otherwise she’d balloon into something she wouldn’t be able to change. - Cake and Other Curses 14. Hermione yawned as she made her way to her cubicle. Maybe it would be a slow day and she could take a nap. She missed naps. There should be more naps in the world. She never truly appreciated naps when she was younger, but these days she just couldn't pull an all-nighter like she used to. Harry appeared in the doorway to his office. The lucky bugger. She wanted to be Head of Office too so that she could have her own office. It would make for nice, uninterrupted naps. - The Complexity of Carnal Knowledge 15. It was eerie. Almost like déjà vu. It had been eleven years since she'd last done this. It seemed like a lifetime. It had been a lifetime. Everything had changed so much since then. There had been a war. She had grown up. - Secrets 16. At the initiative of Hermione Granger, there was to be a Christmas play at Hogwarts this year. It was hardly because she was passionate about performance art, but in the midst of all the recent horror of war, people seemed to have forgotten how to have fun and feel good. - True Colours 17. Looking out over the cold, barren winter landscape, not even a hint of snow could be seen. The heavy clouds that were coming in and threatening to overtake the pitiful sun once more were promising nothing but more of the dreary drizzle of the past few days. Hermione raised her face to the rays of the sun, trying to catch a little of its warmth before it was swallowed whole again. - Out of the Woods 18. The soft, subtle notes of a Christmas carol playing in the background, was being viciously punctuated by some of the foulest swear words Hermione had heard in a while. In the spirit of the season, she attempted to ignore it and instead immerse herself in the cosy feeling of sitting in her warm office doing what she loved best, with the darkness and the calm falling over the land. A particularly nasty outburst yanked her back to reality, and she had to resign herself to interacting with the fount of holiday cheer that was currently decorating her office under severe protest. - A Time of Beauty 19. It was odd, Hermione thought to herself, how everyone could act like this was such an ordinary day and such an ordinary thing to do, when it was anything but. She didn't consider herself the dramatic sort, but in a sense this was the end of life as she knew it. Yet all around her people were talking, laughing, frowning at their watches... acting like there was life beyond the next half hour. - unfinished, unpublished D/Hr WIP 20. Once upon a time in an age long past and a day yet to come, there existed the loveliest of kingdoms with rolling green hills, crystal clear lakes and cosy little villages. Near the edges of the kingdom were thick forests and looming mountains, and they provided just the perfect amount of drama to the backdrop of the impressive castle. - an original fairy tale Okay, I don't know who to tag here, but let's all do it, huh? @RZZMG @CountessOfAbe @LadyLeanaM @PierreJ92 @DesBratty and... I don't know, I'm awful at remembering who's who around here. Just doooo ittttt :D