#ok actually genuinely what the fuck

[pocketslook]

this is what it feels like to get into a ship then looking it up on ao3

[raebonnz]

who up sqlointing they peter rn

apotheosis 12 spoilers below cut

literally finished drawing this right when he died like what the hell dude 😭 im literally so afraid to start the finale tho dude 13 pt2 alr made me cry 😭

[marvey-sideblog]

"And it just happened to be empty?" "Something like that."

Suits 4x8 "Exposure" Mike returns to Pearson Specter and gets Harvey's old office.

[xxplastic-cubexx]

it doesnt need to be said but its genuinely so funny how at-the-hip charles and erik are in krakoa like they really had the green light- the OBLIGATION- to be as obnoxiously close to each other as possible and abused that right to the fullest extent

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[grandwretch]

ok so I've had an au in my head forever called the deserters where Marco, to his horror, survives the last suicide mission and goes a little crazy so he steals the time matrix and uses it to stop ax from being absorbed

what follows is marco trying to convince ax not to go back to the andalites while also dodging everyone who wants to kick his ass, including his own teammates, but I've always had problems with the beginning

HOWEVER...

"My name is Marco Alvarez, and I am my father's son," do kinda hit as a first line I won't lie

[spearxwind]

not fucking AI generated art on the tumblr radar 💀💀💀💀💀

[moeblob]

Right and his work menaces (Brent and Karen).

I don't remember last I mentioned it but apart from crude nicknames to people (except Chris), he also just puts them in his phone really weird (except Chris, who is literally in his phone as Chris). And I bring this up because in Right's phone, Karen is saved as "Lawful Obligation".

[lynn-tged-posting]

something i've been learning again and again recently is that tged has absolutely wonderful reaction image material

i've been using these on my priv twitter account and it has been VERY fun scrolling back and seeing them,,, they work so well

like theyre so silly,,, they fit so well,,, i can use them in any situation,,, and the art expresses it perfectly,,,

they,,, may have replaced my tmnt ones

if i had the storage space i absolutely would go through the webtoon again to get fun screenshots for reaction image purposes,,, alas i do not so i will just use the ones i take every now and then

i love the art in tged so so much im so glad i read this webtoon

[bonetrousledbones]

i think. i want to focus on the idea of roaring knight papyrus where he knows exactly what the roaring entails

[pardonmydelays]

huh

[loopdile]

transcription under the cut!

The worst ship chart ever.

Ship name: Loopdile

[insert very tiny math] Ages: 43 and 31? Age difference: 8?

Portrait of Odile with an eyebrow raised saying "I'm not telling." Name: Odile. Gender: trans woman (maybe nb but idrc rn). Sexuality: Aro lesbian.

Portrait of Loop with a finger raised saying "I'm not telling~" Name: Loop. Gender: Nonbinary (??? what is identity). Sexuality: Ace bi

General sliders. "Relationship starts quickly vs the slowest burn you can possibly imagine" is marked fairly close to slowly and trails off towards slow burn. "They'll be together forever vs They'll break up after 2 months tops" has two marks, one at 2 months and one really close to forever. "Cute couple vs dear god they're ugly" is marked a quarter slider away from cute. "Reasonably healthy and normal relationship vs They're dying and getting killed and hurt man" has a wide mark all the way from the halfway point to a quarter away from healthy. "Extremely popular ship vs literally no one ships this but me" is marked fairly close to no one.

Specific sliders. "Giddy and happy to be in love vs they just killed themselves 40 times in their head at the idea of being in love" has loop at died and odile fairly close to died. "The madoka vs the homura" has loop at homura and odile a third of the slider away. "Telling anyone who will listen about their partner vs rarely brings up that they're in a relationship" has loop a quarter away from telling anyone and odile fairly close to rarely. "eats and/or encourages a healthy diet vs eats dry instant noodles only" has loop at noodles and odile a third away from healthy. "crazy ass vs truck freak" has loop at crazy ass and odile fairly close to truck freak.

Tell me why your ship is interesting... go!

What draws them together? Odile is the only motherfucker that can handle them; Loop is weird and intriguing.

What stands in the way? Poor communication skills; Loop is clingy but Odile often needs space; Loop lashes out and self-isolates.

What are their good traits? They're both hilarious and dedicated to the bit; they're both devoted to their loved ones.

What makes them hopeless at romance? Odile is aro-spec and uninterested in romance; Loop both hates/fears and craves romance; Luckily they can just be something stranger!

Describe them with one trope: found family, deadpan x emotional, secret third thing, I'll protect you from yourself.

[oopsallmabari]

....why are the youtube comments so mad lol don't y'all like to have fun. don't we like to have fun here

[nicomoon69]

watching a video abt queer comic characters 😁😁 they start talking abt how tim and kon should’ve ended up together 😞😞

[basilibino]

Season 8 was like 6 years ago(I feel old) and I know ppl have differing opinions on the Mr Echo thing (but it was intended, made it to storyboard and blocked animation and then dropped, soooo) but. I can see his recruitment p easily tbh. Bc the whole reason Dr J was in that lighthouse was because he was resurrected, forced there, and ordered to build Skulkin vehicles by Samukai. But Samukai in the flashback we see has already been deposed as leader of the Skulkin/Underworld. Which means the orders to do so most likely came from Garmadon.

And since Mr. E is one of the head honchos, he's likely an early arrival to the team, so I don't think Harumi has a whole lot figured out at this point, she's just got her Trauma and some Bad Influence Friends and an obsession with Lord Garmadon. So. Like. Plausible deniability road trip that she's just visiting important markers of Ninjago's recent past, all of which involve Lord Garmadon in some meaningful way; its sightseeing, its cathartic, and it gives her time to develop her dream Motorcycle Gang/Resurrection Cult. She's not looking for anyone at the Lighthouse, but she is looking for vehicle blueprints so she can be the Koolest leader on the block. But oops she looks in the basement and there's an Echo.

And she's flipping out bc??? A Ninja???? In the Lighthouse basement??? I mean it makes sense that it would be this one but???

Except this rusty old robot has no idea what she's talking about with this Ninja stuff, he's just waiting for his dad to come back.

And Harumi pauses.

Because how long has he been waiting? He's not sure, he had no proper way to measure time in the basement, and he doesn't have the best view of his clockwork heartpiece. But it was after his father saw a strange ship docking; Echo was worried it was the People who had locked up his father in the first place, but instead his dad sounded happy when he saw whoever was out there. It could have been a front, though, as clearly it was never safe to let Echo back out. Then Dr J popped down briefly, while everyone above was resting, to tell Echo he was desperately needed elsewhere, that it wasn't safe to bring Echo, but that he'd be back in no time.

And the pieces are fitting together for Harumi. And she's like. Your dad's dead, bro.

And he's like. What? Did he die doing what was needed of him?

And she's like. Oh, no. He died a few years later.

And he's like. Why didn't he come back for me????

And she's like. Probably because they kept him away.

And he's like. Who's they?

And she's like. The Ninja I was talking about earlier.

And it surely can't be hard in universe to find pictures of Zane and Dr J post s2-pre s3, so she pulls one up and shows Echo who is freaking out bc why is that one kind of like him and Harumi explains that that was the droid his father created first, that he became a Ninja, and that hes probably the one who took their father away and kept echo waiting for years.

But Echo has doubts, shocked as he is abt a new older brother, he wants to believe the good in the situation so he's unsure. But Harumi mentions that the Ninja's failures to uphold more than their self preservation/interests has led to uncountable losses and devastation in Ninjago time and time again, before delving into her own story. And she seems so kind, and so hurt, and I do think there's a genuine connection btwn these two that forms from this shared emotional torment that they decide came from the Ninja, and now Echo is more receptive.

And then Harumi gets to start her Garmadon pitch because wait! If Echo was made here, then that could only have happened because of Lord Garmadon. And she reiterates that he's the reason she and her city could have even survived The Great Devourer. And maybe Echo's family-by-creation left, maybe they were untrustworthy and lacking, but that's OK bc if you look at it all a certain way, Garmadon is more of a father to Echo than Dr J was. And Echo is a vulnerable, overwhelmed mess who just found out his dad fucked off for years without him and also died, and also he has a brother??? Who their dad clearly seems to have favored??? Did they even know about Echo??? Did they delight in their life free of him???

Basically. Kinda Spinel-core but getting abandoned and left completely alone does that to you. Especially when the first person to find you after being abandoned is a deeply hurt and misguided teen who is probably kinda desperate for someone, anyone else to see the Ninja the way she sees them.

[bacchuschucklefuck]

assorted thoughts 1/when sklonda mentioned getting drinks with sandra lynn now and then I straight up cheered I was so scared for her social life being so overworked 2/straight up have no judgement on the whole ratgrinder situation on account of being a whole grown man. Im not getting into beef with fictional teenagers let them sort that out among themselves 3/sprak levefre