#oh yeah. this is going somewhere.

[agentplutonium]

Hear me out:

Arranged marriage au David & Sweetheart who are absolutely distraught at the idea of marrying a stranger but willing to do it out of duty but then become friends when they realize they don’t actually have to kiss and also… the other’s personal guard is pretty cute (Milo is David’s guard and Angel is Sweetheart’s vv)

I'm finally getting around to this, be grateful (/j)

No, but seriously, I've been thinking about this strand of AU for so long (as Max can attest because he lives with me and therefore is subject to the horrors of my rambling) and I will take this AU to my grave. Moving on, a small snippet based off of this (with the whispers of this being updated in the future/made into a series).

(small note: Sweetheart will be referred to as Culver for the most part, and David will call them Dear/my Heart for appearances. Angel will be referred to as Red for the most part. Of course, the pairings will use the canon nicknames but I have to stretch a few things.)

Pairing: David & Sweetheart, David/Angel, Milo/Sweetheart (technically, they just aren't prominent atm)

WC: 1355

Rating: Gen.

max is talking about this post.

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

"I cannot believe this is happening," Culver said, stretching out their back. The horse ride wasn't that far, but they hadn't taken a break yet and it's already been a few hours.

"Cheer up, Culver," Red chirped. "I hear that this king-to-be is very handsome."

"You know I've never been one for looks, Red," Culver said, rolling their eyes.

"I also hear that he's a great leader. In nearly every circumstance you two will be perfect for each other," Red said.

"Or, we'll be at each other's throats because we have different opinions," Culver muttered. "Besides, I don't know him! He could be a complete tyrant for all I know," they continued, back at their normal volume.

"Do you really think your parents would do that to you?" Red asked.

"They would send me to someone they thought that I could "fix"," Culver defended. "You know how they are."

"Aye, I do know how they are," Red caved. "I'm sure it will be fine, either way. You're a lovable person. It'll be easy for him to fall in love."

"I don't want him to fall in love after we're married," Culver said, barely keeping the whine out of their tone. "That's cheating. It isn't genuine, it's a forced proximity thing."

"Well, I don't know what to tell you," Red sighed. "But I will always be here to support you, your grace, you know that."

Culver relaxed, a small huff escaping their lips, "And I thank you for that, Red. I don't know what I'd do without you."

Red gave them a wink, turning back to the trail in front of them. As they came up to a bend, Red trotted ahead of Culver to ensure that the coast was clear.

Culver still wasn't looking forward to any of this, though.

~~~

"I can't believe this is happening," David muttered, tugging at the collar of his shirt. It was hot outside, too hot to be wearing his full regalia.

"I hear that your betrothed is very good at governing," Milo offered, trying to cheer David up.

"Really?"

Milo shrugged, "It's all I have left. You shot down the fact that they're the handsomest person in their kingdom. You shot down the fact that they were beloved by their people. You shooting down this. I don't know what to tell you that will get you excited for this new chapter in your life," Milo said.

"You're not going to. They're a stranger. The only reason I'm going along with it is because it would be stupid to turn down such a powerful alliance."

"Well, the good news is, once the wedding is over, you don't have to interact with them outside of publicity events," Milo offered. "Or, you fall in love with them after the wedding."

"That's superficial," David grumbled. "How do I know if I really love them or if it's just because they're here?"

Milo shrugged. "Only so much I can do, boss," he said.

A guard signalled the arrival of someone at the gate, and before David knew it, two horses were trotting down the path. David took a deep breath.

"Here we go," he muttered.

One thing is for sure, the rumours about their beauty weren't a lie. The royal was very attractive. It didn't make David feel any better about this arrangement. They slipped off the back of their horse, assisted by their knight. They approached, smile on their face. once they were a few feet away, they bowed.

"Your Majesty," they said. David approached as they straightened. "It's a pleasure to finally meet you."

"The pleasure is all mine," David said, bending to kiss their hand. "Please, come inside, my dad will be pleased to meet you."

Culver accepted, taking David's outstretched arm, interlinking them. David led them into the castle, followed by the two knights. Culver kept their eyes dutifully forward. David half wondered to himself what their intentions were. Were they excited for this? Did they have any plans? What did they know? How much power were they looking for?

Gabe was in the study, as he knew he would be. He always was here when they were expecting guests. He said that it made people feel more comfortable, and he got better arrangments out of it. It was in this room that it was decided he was to marry this stranger. David wondered just how much good luck it actually brought.

The conversation with his dad went off without a hitch. Culver was a hit with him, making him laugh and smile. His parents loved them. They seemed to know exactly what to say, and knew how to correct their mistakes (which were few and far between). David had no doubt they were a beast in political settings, getting what they wanted in the most efficient way possible.

Eventually, his dad excused himself.

"I should leave you two alone to get to know each other," his father said. "I should check up on your welcome dinner, anyway. Only the best for my son's spouse."

"Dad," David muttered.

"I'll see you two later," Gabe cut him off before leaving.

Culver seemed to deflate the second that the knights closed the door behind him. David was surprised, to say the least.

"Listen," they started, rubbing at their eyes, "I'm sure you're a nice guy, but you have to know."

"Know what?" David asked, shifting in his chair.

Culver took a deep breath. "I don't want to marry you. I never had any interest in marrying you, I just know that this will help my people. That's the only reason I'm here."

David felt a wave of relief wash over him. "Thank god," he muttered.

"Excuse me?" Culver asked.

"I'm so glad we're on the same page about this," David said. "I admire you being upfront about this."

"What else was I going to do? Lie? I only lie if I need to," Culver said. "It wouldn't benefit me to lie to you now. Especially since I was under the impression you wanted this."

"No, not at all," David said. "I was told that you were the one with the idea, actually."

"You're kidding," Culver said. "Is that what my parents said? No surprise, I guess, but still. Lord, cannot believe they would lie like that."

"So you don't want to get married to me?" David asked.

"Not at all," Sweetheart assured. "I'd much rather be running my own kingdom right about now, but this was the best thing to happen to my kingdom since I was young. This contract will be promising to my people."

David felt a smile creeping across his face. "That's how I feel, as well."

"That... was surprisingly easy," Culver said. "You're really okay with me having no interest in you whatsoever?"

"Absolutely," David said. "So long as you agree to keep up appearances and not fuck over me or my kingdom."

Culver chuckled, and it didn't sound at all like how they laughed before. Was David close to hearing what their real laugh sounded like? "Well, I definitely don't have plans for fucking you over. I'll keep up appearances if it means that I'll have my parents off my back, among other things."

"Well, good," David said, nodding.

There was a knock at the door, and then Milo was poking his head in. "Sir, you're being summoned by your father."

"I'll be right out," David said. "In the meantime, show Culver and their knight to their rooms, please?"

"Right away, sir."

David stood up, holding his hand out to Culver. They took it, standing up themselves. "I will see you at dinner," David said.

"Yes you will," Culver smiled. They were ushered out of the room by their knight.

David followed after a moment, Milo holding the door open. Once he was out, Milo shot him a look before leading the other two down the hall. Culver turned slightly to wave at him, that smile still there.

Perhaps this could work out, David thought, since they were already so in sync. Maybe they could be friends after all of this.

Only time would tell, he guessed.

[mychemicalbrromance]

#1 like a prayer fan none of you understand (insane)

[pandelacreme]

lots of speculation over how round 7 between luka and till will turn out! and its had me thinking about the presence of recurring motifs and how the main ensemble are foils of each other.

i know that many people like to joke about how sua and ivan are genderbends of each other/basically siblings... but in my honest opinion, i think the parallels between the two (similar hair styles and having the more subdued personality of the pairing) are to throw us off about what we know about hyuna and luka lol.

sua and ivan's similarities are to emphasize their situational differences, highlighted by the comic where ivan expressed envy over sua not being in an unrequited love situation (yeah i know that's literally what the definition of a literary foil is, but hear me out LOL). so in that sense i feel that they're not really as similar as it seems?

i personally think that sua has more similarities to luka than she is with ivan, excluding her relationship with mizi. both in terms of their upbringing as being treated like dolls and how their resting face is kind of empty when they're not with mizi/hyuna respectively lol. plus their listless acceptance of the lethal circumstances they exist in

tbh even the childhood dynamic between mizisua and hyuluka (before the hyunwoo thing...of course...) is pretty similar, with mizi/hyuna dragging sua/luka around

i think by emphasizing the similarity between luka and sua, it reframes the events that happened in round 5. while luka probably was purposefully exploiting mizi's grief, it does come to question how much of the cutting shots between the two was mizi seeing sua in luka.

so how does this relate to round 7 between till and luka? there's a lot of speculation that luka will demolish till by pulling the same schtick he did with mizi -- and conversely there's a lot of speculation that vivinos and qmeng will subvert expectations by having till somehow overcome his depression by becoming numb to luka's tricks.

here's a third idea i haven't seen being brought up: luka seeing hyuna in till. i propose this idea because i think we can make some comparisons between till and hyuna. both of them are the most rebellious of the ensemble, both had a tendency to roughhouse as children, and both's choice of music genre is very high-powered with a heavy emphasis on the guitar (i want to say they both have that rock and roll vibe but unfortunately music isn't my forte and i don't want the genreheads to get on my ass LOL).

and now suddenly it feels like the random tidbits we get about luka's interactions with till feels like they're hinting towards something:

[canon-gabriel-quotes]

Only the most important bits of the dev stream (trust me) with subtitles!

[kiddokori]

[baeshijima]

mmm thoughts of private executioner!blade, who is high priestess!kafka's bodyguard. well, more like her guard dog, as many fearfully seem to think.

he is aloof and gruff and rough around the edges, his name capturing it perfectly. when in the eyes of the public he either keeps to himself or stands ready by kafka's side, but when out he lurks in the shadows ready and waiting to carry out her death orders.

you, yourself, haven't had very many pleasant encounters with him... if you can even call them that. that being said, you haven't had many pleasant encounters with anyone. notorious for your... less than pleasant disposition, for a lack of better words, you have more people who'd rather see you run through than those you can call a friend.

in a dog-eat-dog world, you had no choice but to protect yourself. that, however, ultimately became your demise.

"oh? so you're the one sent to kill me. can't say i'm all that surprised."

standing before you is the feared executioner. his sword is tucked inside the sheath attached to his hip, that ever-present dark swirl of an aura stifling the air. he doesn't say anything, instead opting to silently stare down at your slumped and worn-out form. you find that his gaze doesn't bother you; rather, it's oddly comforting knowing someone will see you in your last moments.

"i've never asked you for a favour before, so this will be my first and last request for you." in all honesty, you're not sure where this chattiness stems from. considering you're currently in a holding cell under the crime of attempted murder towards kafka (a poisoned wine you were most definitely framed for, though you can't say you were surprised) and are awaiting for your turn to be under the guillotine for your public execution, you probably should be a little desperate towards the private executioner in front of you.

and yet, your mind is nothing if not peaceful.

with a huff, you relay your request, "can you make sure it's quick? painless, preferably, but i'd rather you just get it over and done with."

silence blankets the cold chambers. moisture accumulated along the cobble ceiling drip in a steady rhythm, like a clock ticking away the seconds. it's unnerving, almost, how there is not a single sound other than your impending countdown.

"why?" comes his low mutter, effectively causing a ripple within the stagnant air. you almost think you misheard him, but his following words cease the thought, "why won't you ask me for help?"

had it not been for the abrupt shuffle and clanging against the metal bars, you would have never looked up to see him in your last moments.

his scarred hands gripping the metal until his knuckles turn a ghastly white and blood dripping from his palms is what greets your sight. as your gaze slowly trails up, you almost let loose a laugh of disbelief; who would have thought blade, the infamous guard dog of the high priestess, could make such a desperate expression? one looking as though his whole world crumbled before him, in which he can do nothing but sit and watch.

(you will never know of the anger and desperation which coursed through his veins the moment he heard of your predicament. had it been anyone else, he wouldn't have cared. but you're not anyone else; you're you — unapologetically, wholeheartedly. it didn't take him long to hunt down those behind it, cutting them down without thought and putting an end to their miserable lives. he rushed as soon as he could when kafka gave him the order, no thoughts other than you, you, you, occupying his mind.

you will never know of the anguish which overcame him when he found you in such a state, your once healthy complexion and defiant gaze reduced to nothing but a tiredness which had always sat quietly behind your disposition. he's almost positive the muscle which unwillingly keeps him alive tore at the seams from your request, the acceptance in which you displayed causing his mind to go astray. even as he damn-near begs you to rely on him for help — to run away with him to some place no one knows of you and start anew there — you merely smile, resigned and peaceful.

you will never know of how much blade is willing to put on the line for you, for you never made it to see the complete and utter carnage he wrecked in your name.)

[wyvernity]

sss day my favorite national holiday WOOOOHHHH

bonus

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[naughtybg3confessions]

Astarion wasn’t able to drink the blood of humanoids for so long… he definitely gets a boner the first time he drinks Tav’s

[kaiserouo]

idk someone about bones or whatever

[quadrantadvisor]

Multiverse, Reverse Robins au, 2,514 words

-

Jason (Red Hood)

The imposters are good, Jason will give them that.

They need to work on their looks, unfortunately, because each one of them is a little off. Their Nightwing is too bulky, and his costume isn't made with Dick's flexibility in mind. Besides that, he's got an undercut that doesn't match the shaggy way Dick has his hair now, and his blue is too dark. And the swords. Those are different.

Their little Robin looks more like Dick, actually, Dick as he was before Jason's time, with his happy grin and his bright yellow cape. He doesn't match Damian's style at all, and Jason wonders if their intel was out of date. He tucks away his anger (the way he's used to doing, now) at these bastards roping some little kid into whatever con they're trying to pull. They can help the kid after they subdue him, and he stops trying to flip-kick people in the face.

The Red Robin outfit isn't bad, but the guy playing him is way too tall to be Tim. He doesn't use a bo staff, either, clearly preferring the armory of sharp little implements he keeps tucked away in his utility belt, including a wicked looking combat knife.

Which brings Jason to the current pain in his ass, the idiot trying to pass himself off as the Red Hood.

Yeah, they'd split off into pairs to fight. First off, for practicality's sake. Less risk of friendly fire if the only guy you're trying to punch is the one who isn't you. And secondly, it's just what you do, isn't it? Somebody gives you a set up like this, you go along with the poetic justice. No bat is immune to drama.

Jason is regretting that a bit, now. Fake Hood had taken him for a ride, leading him, he now realizes, far away from the warehouse where Nightwing and Robin had initially called in the disturbance. This other guy isn't the powerhouse that Jason is, but that doesn’t matter if Jason can't ever get in a hit. His movements are precise, deadly, and familiar in a way that makes Jason suspect League training. Jason is keeping up, but barely, and that's with the advantage of his guns. The other guy hasn't touched his, still gleaming red in his holsters, and Jason has a sneaking suspicion that they aren't filled with rubber bullets.

They're at a bit of a stalemate, standing on opposite sides of a dark rooftop, and Jason's trying to catch his breath but he can't relax, not when his gaze is locked onto his opponent, waiting for the minute twitch of muscle that will indicate his next move. He's wondering if he could get a shot off, wondering where to aim, when his comm crackles to life.

“Stand down!” Tim snaps in his ear. “Hood, Wing, the alternates aren't currently a threat. Deescalate however you can, and get back to the warehouse. We can explain this whole mess there.”

“Really?” Nightwing asks. He goes on to say something else, something about his doppleganger being incredibly threatening, thank you very much, but Jason stops listening, because there's something going on across the roof.

A mechanically distorted voice says, “What? No, I'd be able to tell. This guy isn't-” The imposter(?) cuts off suddenly, presumably listening to a response.

And then he… giggles.

“That isn't funny, Red,” he says, in contrast to the little peals of laughter making him subtly shake. “You- you get how fucked up that would be, don't you?”

Jason can't figure out what to do. Tim's intel is almost always good, but he can't get himself to stand down, not when, for some reason, that laughter is setting his teeth on fucking edge.

(He knows the reason. He'd know that cadence anywhere, he hears it in his fucking nightmares, but it isnt possible. He's in Arkham, right now, because Batman won't kill him and Jason isn't allowed to kill him and that uncomfortable truce is what got him his family back. Jason would know if he'd broken out, they wouldn't have kept that from him. They wouldn't.)

“Oh shit,” Tim says, and it makes Jason wonder how he knows, “Hood, is your alternate having some kind of fit right now?”

The sound escalates, from breathy little giggles to screeching laughter, and even with the hood's distortion, it's unmistakable.

It's the Joker's laugh.

It's the Joker.

And isn't this exactly some shit that Joker would pull, making a mockery of Jason's family, a twisted parody that fucks with his head? Tim's lying, he's trying to get Jason out of this situation, and Jason gets why, he does, but obviously the rest of them can't (won't) protect him from this, so if he has to take fate into his own hands, he will.

The green is creeping up, but Jason doesn't let it haze over his vision because he has to be in his right mind while he does this, not for them, for himself. As he stalks across the roof, he empties the clip from one of his guns and pulls out the live rounds, loads them into place.

He thinks Tim is calling for him, maybe the others, too, but the chatter over the comm is getting further away the closer he gets to his target. He should be smart, should take the shot, but maybe he's got more pit in his head than he wants to admit, because Joker, still laughing, pulls a knife, and Jason steps into his range to disarm him.

The strike is fast, but compared to the careful movements of before, he's practically telegraphing his actions. Jason sidesteps, and if the blade knicks him when he twists Joker's arm, he doesn't feel it. He's got the clown in a hold, now, and forces him to his knees with the gun against his temple.

If the hood is anything like his own, the bullet won't do it, not even at point blank range. Jason would like to get it off him, would like to see the life leave his eyes, but he doesn't have to. Jason moves the barrel beneath his chin, right where the armor ends. The pit rages inside of him, says this is too easy, says to make him suffer. Jason pushes it down. This is the compromise he'll make, this is what he'll do to try to maintain both his humanity and his peace of mind. The bullet will ricochet off the hood from the inside, will tear through Joker's brain at least twice, and he'll never come back from that, and Jason will finally be free.

It'll be easy.

This is too easy.

“Nothing to fucking say?” Jason growls, jostling the clown in his grip, because there's always some joke, some shitty twist.

The Joker just laughs.

“Unhand him this instant!” someone snaps, and Jason's finger twitches but somehow the trigger stays still. And now what's he supposed to do, because of course fucking Nightwing- but wait, that isn't- but it is, he's right there- it's both of them, two Nightwings. Fucking fantastic. Twice the guilt trip.

“Come on, Jay,” the Nightwing who's actually Dick pleads, and hey, what the fuck, codenames? In front of the fucking Joker, Dick? “Let him go, we can explain everything.”

“I'm not doing this again!” rips itself from Jason's throat, and he'll think later about just how wrecked he sounds. “I'm not just standing here and letting him go, Wing, not when one bullet can put a stop to all this, not when I can end him.”

“Jason,” Dick says, slow with forced calm, “that's not the Joker.”

“Don't you fucking lie to me!” Jason seethes.

His hand is wrenched to the side, the barrel facing open air, and before he can make a move the unfortunately familiar feeling of a high voltage shock courses through him.

By the time he's stopped seizing, Dick is at his back, supporting him with his own body and with arms under his pits and around his chest in a weird reverse hug. Technically, Jason's hands are free, but they're empty, the gun skidded to somewhere else across the roof.

Dick is murmuring into his ear, “Sorry, Little Wing, I'm so sorry,” and, “You're okay, you're okay, you're okay,” mantras meant to soothe his brother as much as himself. Jason wants to be angry, wants to snap at him to let go and fucking cut it out, but he's feeling strangely disoriented. He only has enough brainspace to pay attention to one thing, and that's the scene playing out in front of him.

Dick had clearly hauled them back a few steps, but Jason is still uncomfortably close to the bastard version of Nightwing (who, Jason realizes in hindsight, had tazed him while he'd been distracted by his brother, not cool) and the laughing maniac he should've killed. Nightwing is holding onto Joker's shoulders, his hands bouncing as the gasping, shrieking laughter continues.

“I'm going to remove your helmet now,” Nightwing says. He has a slight accent that Jason knows he's heard before, and his tone is professional, almost clipped. And yet, somehow, Jason can tell that this is a gentled version of the man's voice, the sharpest edges sanded away. His hands move from Joker's shoulders to the back of his head, carefully inputting whatever sequence allows for safe removal of the hood. Jason hears a hydraulic hiss when some sort of catch releases, and as Nightwing starts pulling the red metal up and away Jason can't help holding his breath.

At first, he sees what he expected to see. It's the Joker's expression, after all, his laughing face pulled into a rictus grin.

But the grin isn't right, somehow. The man is pale, but his face is unpainted, and the smile stretches wide, too wide, wider than even the Joker ever managed, and after a moment Jason recognizes the red, raised scar tissue on either side of his mouth for what it is.

Then, Jason takes in the actual features of the person in front of him. Dark hair, pale blue eyes, the cheeks, the jaw, the nose.

It doesn't make any fucking sense.

The Red Hood, collapsed on his knees in front of him, scarred face bare with no hood or domino to protect him as he struggles under the weight of his own laughter, is Tim Drake.

He's crying.

Jason is suddenly glad that Dick's holding him, because he's certain that he'd be on the ground, otherwise. Then, he realizes that he can't breathe.

Jason knows, logically, that his hood has sensors and filters that keep him safer than he could ever be without it. It is only every once in a while, when something stupid happens, that he regrets that he, a man with claustrophobia, decided to stick his head into a metal bucket.

Dick can probably tell that he's hyperventilating, and doesn't fight him as Jason gets his hands on the back of his neck and pulls off his hood.

Jason gasps in polluted Gotham air, and Tim's eyes snap onto him. Nightwing says, “I'm administering the emergency dose of your medication,” and then stalls, like he's waiting for a response, but all Tim does is laugh and stare. Jason stares back. He can't look away.

Nightwing retrieves a small tubular device, almost like an epipen, and presses it against Tim's leg. That shouldn't work. Tim's wearing body armor, same as the rest of them, and there's no way a needle could pierce it, but Jason looks as Nightwing draws the device away and there's a small raised circle of hard plastic on Tim's thigh that the head of the device fits into perfectly, like it was designed for that purpose. An injection spot, built into Tim's clothing, specifically for whatever drugs fake Nightwing just pumped into him.

Immediately, there's a difference. He doesn't stop laughing, or smiling that horrible fucking smile, but the manic tension is gone. He doesn't look like he'll shatter at a touch anymore, too brittle to be handled. The curve of his spine gentles, muscles no longer pulling it to the point of snapping. Jason watches as slowly, oh so slowly, Tim gets quieter, leans more into Nightwing's hold on him, starts gasping more than laughing.

Dick is talking behind him, into his comm, it sounds like. If it's important, someone will get his attention.

Finally, Tim breaks eye contact. “T- tell him,” he says to Nightwing, struggling between gasps and giggles, “tell him what you, gave me. Jay doesn't, he doesn't like, needles.”

The strange Nightwing turns his head, and Jason gets the impression of a sharp, searching gaze behind his domino. He's nothing like Dick, not at all, but something niggles the back of Jason's mind, some sense of familiarity regardless. He tosses something, and Jason automatically reaches up to catch it.

It's the empty tube of medication, which does seem a lot like an epipen, up close. “It's a combination,” the man says. “The antidote for Joker venom, an antipsychotic, and a mild sedative.”

“What the fuck?” Jason hears from his own mouth as he looks down at the innocuous little tube.

“It's only used in emergencies,” Nightwing adds, and does not clarify any further.

Jason doesn't know what to say to that. He shakes himself out of Dick's hold and grabs an evidence bag out of his jacket. He watches Nightwing, to see if he'll object, but he doesn't. Jason slips the medicine tube inside the bag and tucks it away.

“There you are!” Dick says in a bright tone, one meant to cover his anxiety and relief.

Jason turns, and finds that their roof has gotten a little crowded. All four Robins have arrived, his brothers mingled in with their copies, copies who don't quite match in ways that are now sticking in his brain. Tim, Jason's Tim, is standing right there, pressing his mask against his face like he'd broken the seal on the adhesive, and it isn't sticking quite right. Other than that, he's normal. He's fine.

The Robin, the one in the classic colors who Jason had thought looked a bit like Dick (oh God, could that be-?) gives a little whistle. “Trust Red Hood to cause drama!” he says in a bright tone that is too too familiar (fuck, fuck he is). “Must be a universal constant.” He grins, cheeky, looking past Jason.

Jason isn't processing fast enough to be offended for his own sake, but he turns and checks on Tim, other Tim, the Tim who apparently also has a claim to the Red Hood name. Tim is propped up on Nightwing's shoulder, looking drowsy and relaxed. He's looking back at Robin, and his lips are pressed tightly closed, but he's smiling, and it reaches his eyes.

Alright, then. This is probably fine.

Jason snorts, to get the kid's attention, and rolls his eyes. “Comes with the job description,” he snarks.

The kid lights up. Jason feels distinctly weird, having that smile directed at him, but it's not… bad.

Yeah. This is fine.

-

I'm planning to add a reblog with more information on this au/fic idea, so if you're interested, watch this space.

[front-facing-pokemon]

[hoperays-song]

My favourite aspect of fandom by far is it’s ability to just take one look at any new piece of material and go “thanks, but no thanks”, and utterly ignore the brand new canon information.

Don’t like a character? Easy, they never existed!

New movie/episode is trash? Don’t worry, it was a character’s fever dream the whole time!

Your fav died? That was just a hallucination of their loved ones while they’re in the hospital, they’ll be fine!

The ability of fandom to completely rewrite material is utterly amazing. The collective willpower and spite we wield at all times.

[coern-art-very-cool-and-nice]

sekai au 👊😔

[intotheelliwoods]

OK WHOS THE WISE GUY WHO ORDERED A KEYCHAIN FOR THE CITY I JUST MOVED OUT OF

[bumpscosity]

Actually all gravity falls shipping wars in back when the show was airing were hilarious. i once saw two ppl arguing abt wether pinecest or stancest was better like guys i think its better if we just throw both of you into the bottomless pit forever