#oh hey i wrote a thing

[writinginthesecrettrees]

thinking about Sam post-Gadreel going to get his anti-possession tattoo re-done. And as the artist is working on him, he starts thinking.

Goes into research mode when he gets back to the bunker, looks up every sort of anti-possession ward he can think of, dives deeper into the library and starts making his own spells. He consults with Don for some advice, digs out Patrick's number and has a sigh of relief when the witch picks up and runs his thoughts by him, too. Searches and searches until he finds a tattooist who is hunting-adjacent and understands why he wants the ink mixed with a bit of holy water.

He gets his second tattoo on his back, centered, and it takes several hours spread out over months. Castiel helps him with the aftercare, spreads balm over the healing tattoo, washes it with holy oil, makes sure it stays clean and healthy the entire time. When it's done, his back is covered in runes and Latin and Enochian sigils. Esoteric symbols from every culture he could think of. All of them geared towards protecting his mind and body and soul from demons and angels and ghosts and witches. No possession. No body-swaps. No mind-control. Everything he and the witches and Castiel and the bunker library could think of.

When his back is done, he gets bits and pieces of the tattoo done on other areas. Anti-possession tattoo behind his knee, on the sole of his foot, on his hip and shoulder and around his navel. Enochian script flowing along his biceps. Tiny runes of protection behind his ears. And it's not enough. He still doesn't feel safe.

He gives himself an undercut, shaves away the hair at the base of his skull, and has a spell tattooed onto his scalp to protect him from mind-control and starts to feel better.

Finally, he asks "Have you ever tattooed something... intimate?"

The tattooist has been in the business, and known enough hunters, not to be phased. "It'll hurt," he warns.

"I can handle pain," Sam says, and he doesn't think about the Cage as he pulls his jeans and briefs down.

The request might not have phased the artist but Sam's size has him raising an appreciative brow - still professional, nothing that makes Sam feel uncomfortable, and he's all business as he wipes Sam down with sterilizing cleanser.

"Just fit as much as you can," Sam says.

The tattooist laughs at that. "Man, I could fit a novel on this," he says and Sam blushes as he chuckles.

Sam concentrates on staring at the ceiling and keeping his breathing steady, counts his breaths while the man works. The buzz of the machine is oddly soothing, and the clinical way the man touches him is reassuring.

Safe.

And for the first time since he kicked that damned angel out of his body, he can close his eyes without seeing Kevin's burned out eyes staring blindly, accusingly, into his.

[notourstars]

Chapters: 1/1 Fandom: Cobra Kai (TV) Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Daniel LaRusso/Johnny Lawrence Characters: Johnny Lawrence, Daniel LaRusso, Samantha LaRusso (mentioned) Additional Tags: Fluff, create the comfort you wish to see, Hammock Shenanigans, lawrusso, Idiots in Love, First Kiss, timelines mean nothing to me Summary:

Daniel gets talked into adding a hammock to the yard, for which Johnny absolutely has no ulterior motives.

[notanathleteslungs]

Chapters: 1/1 Fandom: Leverage Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Alec Hardison/Parker Characters: Alec Hardison, Parker (Leverage) Additional Tags: Character Study, i guess?, I literally wrote this in the hour between coming to bed and actually going to sleep, no one else has actually seen this, i did very little proofreading, I'm rewatching Leverage with my mom because it's actually very comforting right now?, Hardison is introspective on how he fell in love with Parker, minor cameo by Breana, is that how they're spelling her name?, the title has very little to do with the actual fic content Summary:

A look at the thoughts that led up to Hardison kissing Parker's cheek at the end of The Grave Danger Job

[a-polite-melody]

Imagine seeing an oppressed group of people saying, “hey we’re oppressed in ways that you’re unaware of for A Reason—erasure,”

and responding by going, “actually it’s because that oppression doesn’t exist,” like you’re So Obviously Correct and not directly contributing to The Problem.

[applecranberryjuice]

Something something it's a metaphor. Hair as a form of communication but also as passage of time and also as a way for letting people in and also as a detail etc etc you get it

Actual explanation in the tags btw

I'm really nervous about this comic actually, is not the best. It doesn't make sense, and the art is mid, but I put love in it and I think that's enough

[star--anon]

Minho, who moved into Gally's childhood house

unknowingly also moving into an active War Zone™

it's Gally VS Thomas

they're both ghosts

they're fighting over who gets to haunt the place

both of them have attached themselves to the house already and are trying to convince the other to un-attach themselves

attaching oneself to a place is a simple procedure

In fact, it's so simple it can happen on accident for a lot of ghosts

like Thomas, who thought the house was cute and spent so long there that he just woke up attached one day

meanwhile, Gally grew up in the house as a living human and has haunted the place for three years

So he's not about to let some silly accidental ghost take it away from him

any number of ghosts can be attached to a property, but traditionally, only one ghost haunts it

the others just kind of... meander

most ghosts lose interest in staying connected to the physical world

and enjoy floating mindlessly in some forgotten corner of an establishment, wandering in their waking dreams

but Thomas and Gally aren't those kinds of ghosts

Minho isn't even aware of the fight between the two at first

Thomas and Gally don't really pay attention to Minho either

He's not really a "human being with feelings"

he's just another part of the house

that the haunting ghost gets the right to mess with

until Minho starts tearing down the old wallpaper, renovating the showers, replacing the mirrors, etc.

the two ghosts quickly set their rivalry aside to drive away the parasite that's demolishing their precious haunting place

they start off small

Minho can't find his keys, his TV remote is always missing, why is his toothbrush in the toilet, where did all the windows go, was this area of the house always this dark, why is it so cold, why are his blankets trying to strangle him

(okay Gally went too far with that one)

Step 2: ants start stealing his food, faces appear behind Minho in the mirror, rats drown themselves in his morning coffee, the doors open and close loudly at night, the basement stairs try to chew off Minho's feet

(okay Gally went too far again)

before they can get to Step 3, Minho catches on

he guessed that there was a ghost in the house at Step 1

Step 2 made him realize the ghost might be more malicious than he thought

he starts tossing food into the campfire as offerings for whatever spirit is messing with him

a ghost is kind of like a vampire. They need permission to do certain things

such as eating physical food

Thomas, who died last week and is unused to no longer being able to eat, eagerly accepts whatever Minho throws out of the flames

he stops messing with Minho

Minho notices the decline in ghostly antics and increases the food offerings

Gally is offended that Thomas is so easily swayed

"This is why you would've never made a good haunting ghost"

"Okay but you haven't tasted his pasta. He makes really good pasta."

as respectful and knowledgeable as Minho is, he's wrong on one thing: He thinks there's only one ghost

He buys a larger bed and another pillow, inviting the ghost (just one) to sleep. He puts out a second toothbrush (just one). He makes a second dinner (just one) and buys a second kitchen chair (just one)

for all his kindness, Minho only ever invites one ghost

so of course, Thomas and Gally fight over who gets to be Minho's ghost

(at some point you have to wonder if maybe they just like fighting)

"Just haunt the house. You love this house. You've haunted it for three years or something."

"You're just saying that because you want to haunt Minho"

"You want to haunt Minho too!"

"He's in my house! He's mine!"

"I literally died last week! I deserve some sympathy! I'm vulnerable and sad right now! You have no sympathy!!"

"You can get the pasta that he throws into the fire"

they draw hearts in the mirror (Thomas erases Gally's)

they helpfully write grocery lists for him (Gally tears up Thomas')

they drive away pests from his garden (both try to take credit for what's technically a team effort)

Thomas coaxes a stray cat into the house and is heartbroken when Minho tosses the cat back outside, not knowing it's a gift

Gally offers his old childhood toys (memories are the most precious thing a ghost can give) by putting them on Minho's bed and then sulks when Minho doesn't touch them

(he's afraid of angering whatever put them there by messing up the toys)

Thomas irons out Minho's clothes

Gally steals clothes from random passerby's and gifts them to Minho

(definitely Gally going too far again)

(Minho is frazzled by the increase of naked people outside his house)

they TOTALLY fall in love with him during the process

this is important and 100% normal

they start worrying when Minho takes too long to come home from work

Gally and Thomas even detach themselves from their beloved house to go looking for Minho

(who fell asleep at work 'cause his boss overworked him)

(picture that scene from Ratatouille)

Gally drapes a blanket over Minho's exhausted body while Thomas angrily goes to find his boss

he spends the rest of the night terrorizing him

(Gally is impressed by Thomas' ferocity. He doesn't tell him that, of course)

Minho is losing his mind

because he is the receiver (the victim, really) of a ghost's affection

unbeknownst to him, he is in fact the victim of TWO ghosts' affection

and how is he supposed to maintain his reputation as a normal person... if he's starting to feel affection for a ghost

it ends with all three of them kissing btw

[ch1zzie]

Forgot to post this here butttt

Working on a welcome home animation and mighttttt take me a while

[recallback-art]

Day 14: Inspiration

Talking about my inspiration makes my brain feel bad, but I got the balls for this one. Tokyo Ghoul ended up accidentally being a big source of inspiration for Primrose Path's story and a handful of the characters in it, so consider this an AU doodle!

[lunarharp]

qifrey's birthday and silly stuff

[reticent-fate]

part 5/26ish

hey who spilled this plot in my otherkin hrt comic?

spoilers: it was me

from the beginning

[kaiserouo]

oh my god why do i not know this until now

yeah it's kinda fun

[carolinanadeau]

In Praise of Sally Ann Howes

As I've made it one of the purposes of my blog to share photos and songs and general positivity about the wonderful English actress Sally Ann Howes, I thought I'd make a post to talk in much more detail about all the great things about her and why I adore her so much!

This classy English beauty possessed a highly expressive face and eyes, an astonishingly powerful soprano, a great sense of humor, and the world's most charming laugh. One thing I cannot stop saying about Sally Ann is that she did not and does not get nearly enough credit and recognition for her immense talent and prolific career, and it's precisely for that reason that I'm here to do my part in giving it to her!

This overlong rambling post is a combination of biographical information and my personal fawning over her performances... whatever I felt I most wanted to put out there in the world and what I'd like people less familiar with her to know.

Click on Keep Reading and I'll take you on a journey!

As she preferred to work on the stage and didn't really pursue a film career, the catalog of Sally Ann's work that can still be viewed today is unfortunately small - though you can find almost all of her early films on the internet if you look hard! In her early film days, mostly made before she was able to pursue her true passion of musical theatre, her extraordinary singing talents weren't utilized by the producers at all.

However, we were fortunately blessed with exactly one musical film role from her, and it's an iconic one: the aptly-named role of Truly Scrumptious in Chitty Chitty Bang Bang (1968), the golden-haired, golden-hearted candy heiress who falls in love with and eventually marries Dick van Dyke's character Caractacus Potts after joining him and his children on a madcap adventure. She's a sweet, intelligent ingenue with hidden depths and one of my favorite sorts of character arcs - the uptight, lonely woman who becomes more and more warm and open as she discovers newfound freedom and joy in life and falls in love.

There is something about Sally Ann that just glows in every scene of Chitty, and it's not only that bright blonde hair! The way she widens her eyes sometimes, the way she raises her eyebrows, her gentle and soft presence in the happiest scenes, and the particular airy lilt she has to her speaking voice are all so distinctive and appealing, and I can't take my eyes off her. And her smile! When I say she glows it's barely even a metaphor, the woman just emits light. 

(Funnily enough, I started to realize that many of the laudatory quotes I've found about her also refer to her in this way, like this quote from a 1965 TV Guide article, from playwright Sidney Kingsley: "She's luminous as an actress. I mean that literally. In Brigadoon she really lit up the stage.")

For me, I'm weak for any actress who can do the defrosted-ice-queen trope so incredibly well. Truly starts out as closed-off and prim, and nearly reverts to that state when she and Caractacus have a Big Misunderstanding near the end, but in the scenes where she's happy and carefree, the warmth just radiates off of her.

She also has the most adorable chemistry with Dick van Dyke in an annoyances-to-friends-to-lovers relationship that absolutely shaped my young brain. Whenever Sally Ann and Dick glance at each other, whether with irritation and frustration early in the film or with warmth and affection later on, their chemistry is obvious and natural, and there's so much expressed in each one of those glances. One has no difficulty believing that these characters are going to be very happily married.

(Here's a cute on-set interview where she talks about, among other things, how easily she and van Dyke clicked.)

While I acknowledge that the character of Caractacus Potts was absolutely originally planned to be an actual Englishman, Dick van Dyke played him with an American accent, and to me they will always be an adorable English-American couple. It's a whole part of the charm of this pairing to me!

Sally Ann also had a great relationship with child actors Adrian Hall and Heather Ripley who played Jeremy and Jemima Potts, and did her best to help make them more comfortable and happy during the many very long days on set. Having been a child film star herself, she knew a great deal about how difficult and alienating it could be. The genuine affection the three of them shared is obvious in their scenes together, especially in the extremely adorable "Truly Scrumptious" number, and it really makes the developing mother-child relationship between the characters so believable.

The beach scene, where so much of the relationship between Truly and Caractacus and the Potts children is developed, is incredibly cute and heartwarming, and a lot of that rides on Sally Ann's performance and how her previously prim-and-proper character shows herself to be warm and loving, once she (literally) lets her hair down. We've already seen how happy the Potts family is together; now we see how Truly fits in perfectly and makes them all even happier.

Look at her! Literally glowing!

(One thing I should mention: I think both the plot and the love story of CCBB are greatly improved if one just treats the "dream sequence" as real events, which was possibly the original intention anyway, so just note that is always the perspective I'm coming from here. It's the only way to make some things make sense and for the characters and their relationships to fully develop.)

"Lovely, Lonely Man" is Truly's big solo moment, and was probably the least comprehensible part of the movie to me as a kid (lol), but is now indisputably one of the very best parts to me as an adult. It's an exquisitely beautiful love song, especially the bridge, and I somehow love it more and more every time I rewatch it. Sally Ann's dreamy, graceful movements and the way the whole scene is shot make her look like a princess, and the slow build of the song is masterfully done. She has this distinctive crisp way of articulating her words while singing, especially the closing consonants like N and M, that I just love to listen to. The string section and the building countermelodies are so beautiful it makes me want to weep. Everyone involved in creating this scene and song deserved an award, I'm being so serious. While it's not the highest of soprano songs and doesn't fully show off Sally Ann's astonishing range, she shows an incredible amount of vocal control here through the many diminuendos and crescendos, and she's mesmerizing to watch and listen to. One of her "glowiest" scenes, for sure!

While I've seen people call this song irrelevant to the plot, I strongly disagree - the romance is part of the plot, of course, and while I didn't fully understand the meaning as a kid, this song establishes how much Truly's outlook on life and hopes for the future have already changed since meeting Caractacus, and how much happier she is with the poor Potts family than she's ever been in her life of luxury. Plus, now we know for certain that she's head over heels for Caractacus, but he doesn't know... increasing the dramatic irony of the pining and yearning to follow!

In the reprise of "Hushabye Mountain", which was sung in a much earlier scene by Dick van Dyke alone, Caractacus loses the will to continue the song because he's overwhelmed with emotion thinking of his children being held captive. Truly comes in to aid him with the final verse - another pivotal moment in the developing romance - and Sally Ann's singing here is nothing short of breathtaking.

And of course, I can't neglect to mention the "Doll on a Music Box" number, where Sally Ann, who was not a trained dancer and in fact considered herself to be "appalling" at it, performs an incredibly precise, incredibly impressive clockwork song-and-dance number while on a spinning turntable! She practiced it so well that she managed to successfully complete the shot in a single take, prompting the stage full of extras to burst into applause.

This is another important character moment for Truly, though it's disguised in a diegetic performance: though it's another thing that went over my head as a child who only got to see the movie once, the lyrics about being trapped up on a music box and longing to be freed by love pretty clearly symbolize how trapped the real Truly's high-society life makes her feel, and how she yearns to break free from class restrictions and live happily-ever-after with Caractacus, as it's only with him and his family that she really feels free.

Then there's that incredibly warm romantic look that Truly and Caractacus share at the end of the song when she silently acknowledges the love confession he's just made while singing in counterpoint with her, though they're still in a dangerous situation and can't give themselves away by appearing too human and breaking their disguises... sadly this vital moment is cut off on all the Youtube videos of the scene I can find, because none of the people who clipped it understand that that's the whole point of it all, apparently. But here's a gif!

The character of Truly doesn't exist at all in the original (quite different) book by James Bond author Ian Fleming - surprising, I know, given her name! - and, honestly, the fact that Truly and the romantic subplot of this movie exist are why it had such a strong impact on me as a child, and very much why I fell in love with it again as an adult. Even though the score is wonderful anyway and the story is charming and magical, I can confidently say that I would not have become as completely enchanted or had such a strong desire to revisit it again and again if there'd been no Truly and no love story. The fact that Sally Ann's performance makes Truly so loveable is, obviously, a pretty crucial factor there.

Sally Ann's delivery of "Well, Mr. Potts... now you'll have to marry me!" after Caractacus kisses Truly... that slide from prim mock-outrage to the playful, warm, you-can-hear-the-smile-in her-voice conclusion is flawless. Not even exaggerating when I say that this was the moment that made me into a hopeless romantic as a 9-year-old child. Sure, this wasn't the first movie I'd seen where two people fall in love and live happily ever after, but I distinctly remember that this was the first romance story that had me in a giggling, kicking-my-feet, "I ship it so hard" state of mind. And after revisiting it as an adult for the first time last year, I have confirmed that yes, child me already had great taste in fictional romances!

Oh, I could say so much about the difference in her body language between the two scenes where Caractacus carries Truly out of her car that's become stuck in a pond. The first time, Truly is affronted and extremely embarrassed by the situation, holding herself so stiffly and awkwardly to avoid an accidental embrace that she causes him to nearly lose his balance and drop her. The second time, when they're in love and they know it, she snuggles right up into his arms without hesitation and it's the cutest thing ever. Sally Ann was 5'6" but looks so tiny in that scene!

(And that kiss! Maybe I'm getting off-topic here in terms of strictly focusing on Sally Ann's contributions, because Dick van Dyke deserves tons of credit for making this kiss so good... but wow, the kiss. Several times I have called it "the Most Kiss they could have gotten away with in a children's movie." Again, giggling, kicking my feet etc.)

While Truly's costumes and hairstyling are rarely historically accurate (the film is set around 1910), the stylized nature of her fashion is iconic and memorable in itself. Sally Ann also completely pulls off playing a fresh-faced ingenue who is 12+ years younger than her actual age - and I do wonder if the aging-down of Sally Ann is at least part of the reason why Truly wears her hair loose throughout most of the movie! Either way, it works perfectly and I was shocked when I first learned how much older she was than her character. (If you watch her in The Admirable Crichton, where she is also in Edwardian costume and was closer to Truly's actual age, she really doesn't look all that much different. If anything, I think she looks even more glowingly beautiful in Chitty!)

Also, as for Truly wearing her hair down... it may just have been an intentionally anachronistic stylistic choice, but in-story, I think it actually contributes to her character by showing a willingness to flout convention and pursue whatever will make her happy instead of what's expected of her, which happens to be a key theme of her character arc.

Another thing that led me to adore Sally Ann as a person as I learned more about her over the last year: in the 1960s, she appeared as a panelist in quite a few episodes of the game show To Tell the Truth (as well as a few episodes of Password), and these can be found on Youtube. I really adore how her personality shines through - she's unfailingly bubbly, witty, self-deprecating, and a bit quirky. Just listening to her speak is a delight and she has one of the best laughs I've ever heard. Here is one of my favorite little moments that I clipped. 

By all accounts, she was a delightful person to know and work with, witty and clever, very professional, and very serious about her craft. She also always maintained a great affection for and pride in Chitty Chitty Bang Bang and her role as Truly, which is always a wonderful thing to know about an actor in a beloved role.

Another bonus: here is a super charming interview with her after a backstage disaster at What Makes Sammy Run? on Broadway.

She was also, along with Twiggy and Diahann Carroll (as Julia Baker), one of the first three celebrities to have her likeness made into a Barbie doll.

Two of her earlier films I recommend are the comedies Fools Rush In (1949) and The Admirable Crichton (1957), if you can find them (hint-hint, you can.) You may also be able to find the 1966 TV movie of her reprising her Tony-nominated role of Fiona in Brigadoon with Robert Goulet, and although I feel like the oddly close-up way the film was shot kinda does a disservice to the actors at times, it's still amazing to be able to see and hear her in a role she performed on Broadway.

Richard Rodgers once called Sally Ann "the greatest singer who ever sang on the American musical stage." Now, I don't quote this to claim this superlative as some kind of objective fact. If you know anything about me, I am very, very strongly opposed to pitting women against each other and all the Golden Age sopranos are absolute queens who deserve crowns, no matter how much mainstream success or present-day name-recognition they have/had. I just think it's phenomenal that she received such high praise from a man who worked with many of the best musical theatre singers who ever lived... and to think, many people today have never even heard her voice. Without her performance as Truly Scrumptious, it's possible almost nobody would in the future! I am so glad that Sally Ann's lasting legacy was ensured by such a beloved film role.

Sadly for us, many of the theatrical roles which she originated (and thus, for which cast albums featuring her exist) were in shows that either flopped quickly or at least did not enter the theatrical canon, so she never achieved the level of mainstream recognition she clearly deserves. But Sally Ann also played such legendary and challenging roles as Eliza Doolittle in My Fair Lady, Fiona MacLaren in Brigadoon (for which she received a Tony nomination), Maria Rainer von Trapp in The Sound of Music, Anna Leonowens in The King and I, and, much later, Desiree Armfeldt in A Little Night Music. She received great acclaim for all of these performances and, judging by what we know of her process on My Fair Lady, was excellent at making roles distinctly her own and never merely imitating another performer.

Even in her iconic original role of Truly Scrumptious, you don't get to hear the true full power of Sally Ann's extraordinary soprano. For that, I highly recommend listening to "Another Time, Another Place" from Kwamina (1961), and "Something to Live For" from What Makes Sammy Run? (1964). I'm always sad that we don't have any recordings of her in her "fiery" star turn as Eliza Doolittle in My Fair Lady, but you can at least hear her do a Cockney accent, be silly, and sing "With a Little Bit of Luck" with Bing Crosby here!

If it weren't for the enduring success of Chitty Chitty Bang Bang, few people might have even heard of Sally Ann Howes today, and that would be a terrible loss. I cannot overstate that I am so grateful that we all know who she is because she played this role and we get to see her give this radiant performance of a character that's all her own. Maybe this sounds strange, but I think the fact that this was Sally Ann's only musical film role (and the ONLY role most people will ever see her in) makes it even more precious, and makes everything she brings to the character that much more distinctive and unique and special.

Both for all of the talent and charm she brings to the role itself, and everything else that I and many other fans have been able to learn of so much of her otherwise-obscure work because of it, the world is incredibly lucky to have the lovely Sally Ann Howes immortalized as our Truly Scrumptious, and I wouldn't have it any other way 💖

[candelasobscura]

i dont understand why ppl feel the need to voice their dislike for a ship right to someones face?? like i sent the little dorym thing i wrote last night (read it here) to a different ship server (not dorym) and someone replied negatively to it which was a huge fuckin blow. now theres a rule in said server where you have to spoil mentions of other ships in the live discussion chat.

this just feels VERY intense for me sending a little thing i wrote.

[bajablastflavoredsaxreed]

quivering rn what the heck

baron from the baronies is something that can be so personal actually

ough

[pixelpaladin24]

P: *exists*

Me:

[agendratum]

vay being written by changbin actually explains so much to me idk why i didn't think he wrote it