#offbeat names

[labradoritedreams]

[good-to-drive]

Jeff Goldblum is literally the last person you'd ever expect to be named Jeff

[inklingofadream]

me, a fool and future hypocrite: i don't write things i don't want credit for. i'll never use the anonymous function except for exchanges that require it

anyway keep an eye out. where? dunno! secret! not under my name! not linked on here! somewhere on ao3, sometime in the next week(ish, probably), i will be anonymously releasing a longfic i Cannot risk being connected to me. like even more than i generally Cannot risk my parents finding my fanfic

it can be a fun lil scavenger hunt for y'all

[wavetapper]

confession I genuinely love it when a song is overcharged but only if it's done to a fucking stupid degree. like when a keysounded game just ignores the keysounds and just throws absolute Shit Nonsense at you it makes me smile sooooo hard

[puppys-rhythm-heaven]

i like just going to random pages on the wiki n seeing what i can find cuz there's so much dumb stuff honestly. for example.

here's the wiki saying flock step is a pun on lockstep and then saying it's POSSIBLY a reference to lockstep-

[airandangels]

Of course the outsides of a standard ice cream sandwich are a kind of cookie, but I've never seen them independent of the ice cream. I'm thinking that the controversial one should probably be called a chocolate chip cookie ice cream sandwich, for clarity (and because it's also studded with chocolate chips on the sides of the puck of ice cream).

So.

Chocolate chip cookie ice cream sandwich. It's a mouthful, but that seems appropriate.

[miss-conjayniality]

cute boy in dhol class today asked me how the enhypen concert was………..!??!!?!!!!!????????????? WE—

[tenth-sentence]

Its preeminence rested on neither size nor money; it hinged, rather, on the high quality of its diverse staff, above all Penrose and Haldane, and on what both fostered, particularly an offbeat, skeptical esprit and incisive style of thought that attracted original men and women and permitted them to thrive.

"In the Name of Eugenics: Genetics and the Uses of Human Heredity" - Daniel J. Kevles

[maladaptive-daydreaming-aphant]

✨ yippee!! ✨

congrats! due to the recent explosion in bracket-style poll tournaments, all the obscure/neglected media tags you follow are finally getting new posts! your favorite old blorbos are once again seeing the light of day!!

🚨 ...uh oh! 🚨

unfortunately, all of the aforementioned posts consist of your deeply beloved offbeat blorbos getting completely curb-stomped by [insert character here] from [insert literally any recent/popular fandom here] in what has inevitably turned out to be a popularity contest rather than the original point of the tournament! oops!

[lxvvie]

A relationship with König would consist of the following:

Your first date being the embodiment of 'shit happens'.

Spontaneity driving your later date nights because every time König planned one, shit continued to happen.

König refusing to tell you his middle name (after you found out that he had one) no matter how many times you beg, plead, and give him puppy dog eyes because he's embarrassed by it.

Marveling at how König can be so big and tall and somehow make himself seem so small when he's sitting sometimes. He also doesn't mind some cramped spaces, either.

König resting his head on your lap because it is calming and he tends to suffer from tension headaches. You rubbing his head also helps quite a lot.

König being in a state of constant mortification while you're damn near dying you're wheezing so hard because of his sense of humor.

Piggybacking off the last point, it's endearing because it's either offbeat or poorly timed. It also doesn't help (or rather, it does) that he's a bit of a late bloomer when it comes to getting hip to memes, the latest slang, etc. There was that one time with the eggplant emoji...

Never failing to laugh when he laughs... because of his laugh. König has the gremlin cackle thing going on and it is hilarious.

Testing König's inner koala as he sleeps. Turns out that if you put just about anything near him, he'll automatically hug it close to him. You tried it with a pillow.

Using his height to your advantage. You tend to use him as your personal crowd parter person thingie, especially when you're grocery shopping or just... out in public in general. Or using him when you need to get that one item that's all the way on the top shelf at the very fucking back.

Standing on his feet so you can get some height to try and kiss him. Konig thinks it's cute and funny, so cute and funny in fact that he sometimes will not bend his head down just so he can see you pout and whine about how he's "not being fair".

Giving him a compliment and watching König.exe stop working because of reasons. Reasons that involve feelings.

You having to avoid wearing some of König's shirts also because of reasons.

Watching the shenanigans of Drunk König. The most common theme is Drunk König thinking the closest thing near him is you and so he's practically talking to his Schatz and wondering why you're not answering or something like that.

[elodieunderglass]

Hey bestie whats a narrow boat? I saw you tag that on something you reblogged and I'm pretty curious now!

- Terry Darlington, Narrow Dog to Carcassone

A narrowboat (all one word) is a craft restricted to the British Isles, which are connected all over by a nerve-map of human-made canals. To go up and down hills, the canals are spangled with locks (chambers in which boats can be raised or lowered by filling or emptying them with water.) As Terry says above, the width of the locks was somewhat randomly determined, and as a result, the British Isles have a narrow design of lock - and a narrowboat to fit through them. A classic design was seventy feet long and six feet wide. Starting in the 18th century, and competing directly with trains, canal “barges” were an active means of transport and shipping. They were initially pulled along the towpaths by horses, and you can still see some today!

Later, engines were developed.

Even after the trains won the arms race, it was a fairly viable freight service right up until WW2. It’s slow travel, but uses few resources and requires little human power, with a fairly small crew (of women, in WW2) being capable of shifting two fully laden boats without consuming much fossil fuel.

In those times the barges were designed with small, cramped cabins in which the boaters and their families could live.

During its heyday the narrowboat community developed a style of folk art called “roses and castles” with clear links to fairground art as well as Romani caravan decor. They are historically decorated with different kinds of brass ornaments, and inside the cabins could also be distinctively painted and decorated.

Today, many narrowboats are distinctively decorated and colorful - even if not directly traditional with “roses and castles” they’ll still be bright and offbeat. A quirky name is necessary. All narrowboats, being boats, are female.

After a postwar decline, interest in the waterways was sparked by a leisure movement and collapsing canals were repaired. Today, the towpaths are a convenient walking/biking trail for people, as they connect up a lot of the mainland of the UK, hitting towns and cities. Although the restored canals are concrete-bottomed, they’re attractive to wildlife. Narrowboats from the 1970s onward started being designed for pleasure and long-term living. People enjoy vacationing by hiring a boat and visiting towns for a cuter, comfier, slower version of a campervan life. And a liveaboard community sprang up - people who live full-time on boats. Up until the very restrictive and nasty laws recently passed in the UK to make it harder for travelling peoples (these were aimed nastily at vanlivers and the Romani, and successfully hit everyone) this was one of the few legal ways remaining to be a total nomad in the UK.

Liveaboards can moor up anywhere along the canal for 28 days, but have to keep moving every 28 days. (Although sorting out the toilet and loading up with fresh water means that a lot of people move more frequently than that.) you can also live full-time in a marina if they allow it, or purchase your own mooring. In London, where canal boats are one of the few remaining cheapish ways to live, boats with moorings fetch the same prices as houses. It can be very very hard for families to balance school, parking, work, and all the difficulties of living off-grid- but many make it work. It remains a diverse community and is even growing, due to housing pressures in the UK. Boats can be very comfortable, even when only six feet wide. When faced with spending thousands of pounds on rent OR mooring up on a nice canal, you can see why it seems a romantic proposition for young people, and UK television channels always have slice-of-life documentaries about young folks fixing up their very own quirky solar-powered narrowboat. I don’t hate; I did it myself.

If you’re lucky, you might even meet some of the cool folks who run businesses from their narrowboats: canal-side walkers enjoy bookshops, vegan bakeries, ice-cream boats, restaurants, artists and crafters. There are Floating Markets and narrowboat festivals. It’s generally recognised that boaters contribute quite a lot to the canal - yet there are many tensions between different kinds of boaters (liveaboards vs leisure boaters vs tourists) as well as tensions with local settled people, towpath users like cyclists, and fishermen. I could go on and on explaining this rich culture and dramas, but I won’t.

Phillip Pullman’s Gyptians are a commonly cited example of liveaboards - although they were based on the narrowboat liveaboards that Pullman knew in Oxford, their boats are actually Dutch barges. Dutch barges make good homes but are too wide to access most of the midlands and northern canals, and are usually restricted to the south of the UK. So they’re accurate for Bristol/London/Oxford, and barges are definitely comfier to film on. (Being six feet wide is definitely super awkward for a boat.) but in general Dutch barges are less common, more expensive and can’t navigate the whole system.

However, apart from them, there are few examples of narrowboat depictions that escaped containment. So it’s quite interesting that there is an entire indigenous special class of boat, distinctive and highly specialised and very cute, with an associated culture and heritage and folk art type, known to all and widely celebrated, and ABSOLUTELY UNKNOWN outside of the UK - a nation largely known around the world for inflicting its culture on others. They’re a strange, sweet little secret - and nobody who has ever loved one can resist pointing them out for the rest of their lives, or talking about them when asked to. Thank you for asking me to.

[ingravinoveritas]

Lovely new article about Michael in Paste magazine. Article is behind a paywall, so here is a transcription (with thanks to the person on FB who transcribed it, and the parts in bold are my own emphasis).

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

I love this so much. The thoroughly well-deserved praise for Michael's incredible performance as Aziraphale, but also that Aziraphale and Crowley's relationship is specifically described as a "romance." And of course, the first sentence of the last paragraph that acknowledges how much Michael and David are indeed a "matched set" that cannot (and should not) be separated...

[idiopathicsmile]

I've been thinking about American diner lingo lately.

Like, relaying an order for poached eggs on toast as “Adam and Eve on a raft.” Or “shingles with a shimmy and shake” for buttered toast with jam.

(I personally learned about this phenomenon as a very young child because we had a picture book where a bear and an elephant are roommates and temp workers and they get a job at a diner for a while. Couldn't tell you why this streamed back into my brain like a week ago, but here we are.)

I'm not sure I can articulate this but there is something so beautiful to me about it. We as a culture know so little about its origins—maybe the 1870s, maybe the 1880s—or even really why it exists.

Wikipedia (yes I wikipedia'd this, yes I feel actual embarrassment about the lack of academic rigor in this aimless tumblr post but also there is also just not a ton of information on the topic) suggests that some diner lingo might've been mnemonic devices for short order cooks to remember specific dishes but honestly scroll through any list and you'll find it mostly isn't that. What it reads like is bored food service workers, mostly in the 1920s through 1970s, looking for a way to amuse or at least entertain themselves.

Milk is “moo juice.” Jell-o becomes “nervous pudding.” Black coffee is “a mug of murk.”

Western history loves its individual heroes, but my guess is the practice arose organically at multiple luncheon spots across the US. We don't know the names of the servers and cooks who came up with the terms but a few of the terms have survived, in a fashion—as wider used slang (“Joe” for coffee), as a vintage-y affectation in quirky restaurants of the present, and in compendiums of self-consciously useless factoids (oysters wrapped in bacon are transmuted into “angels on horseback”). It's something about the ordinary people of the world of the past, the tiny fossils we leave behind without even knowing it. One unknown day in history, someone then working as a diner employee thought to call a tall stack of pancakes “Jayne Mansfield” because for some reason it made their day a little better, and this somehow caught on to the point where I can, without doing much work, still find multiple written sources insisting it happened. It wasn't a marketer or a CEO somewhere, it was just a bunch service workers passing the time and leaving the slightest little linguistic footprints behind.

I don't know. Imagine if one of your inside jokes from work was still being spread by offbeat trivia lovers a hundred years from now.

[hanahanumana]

From AnaMaria Abramovic on Fb

Paste magazine has done an article about Michael and how underrated he is in Good Omens and I found a transcript since it's behind a paywall. Here's the link if anyone wants to subscribe. 💙

https://www.pastemagazine.com/tv/amazon-prime-video/good-omens-michael-sheen-underrated-performance-explained-streaming

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

[godmadeaterribleerror]

Chapter 14 - Choke on Sun

Series Masterlist

Author's Note: I’m really hoping you guys still like the long and fluffy chapters, because this is the longest and fluffiest chapter yet. Call this a calm before the storm, but the calm is tooth-rotting fluff and the storm is... a secret. Chapter Title from Welcome Home, Son by Radical Face

Word Count: 23.3k

Chapter Summary/Warnings: Everyone goes into lockdown, waiting for Stand Edgar to come through. Usual warnings.

Tags: Soldier Boy/Supe!Female Reader, canon divergence, enemies to friends to lovers, canon divergence, slow burn, so much fluff, pining

Read on A03!

Chapter 13 - Chapter 15

It wasn’t real. This wasn’t real. This couldn’t be real. You were burning and burning and burning, and Homelander was laughing. Holding you by your neck to make you watch as Neuman and Zoe and Hughie burned. Crushed under falling bricks, unable to escape Homelander, escape you. The longer you looked, the more people appeared. All burning. Butcher and Annie and MM and Frenchie and your sisters and brothers and father and- 

You couldn’t find Ben. Where was Ben. He didn’t leave you, he wouldn’t leave you, so where was Ben. You must have groaned his name, called for him, because Homelander yanks you back further, hissing in your ear.

“Soldier Boy won’t save you, because you don’t need to be saved. You belong here, with me. I love you, not him. He left, and I’m still fucking here.”

You shook your head. Ben wouldn’t leave you. Homelander must have found a way to kill him because Ben wouldn’t leave you.

“Are you sure about that,” Homelander sneered. “Because I don’t see him anywhere. But maybe I missed him. Here.” He lasered through the bodies and stone, guts and blood flying through the air and turning to ash. “Hm, nope. Still no Soldier Boy.”

You start to scream, and everything is just fire. Ben didn’t leave. He was somewhere, in pain, and you couldn’t find him. He couldn’t find you. And you were burning everything as Homelander laughed, because that’s what you were for. Homelander’s amusement, to help him burn the world, and you couldn’t find Ben-

Your sweat is cold, and evaporating around you. Scorching heat is drowning the air of the room, and the only thing that isn’t uncertain—isn’t melting or only drifting away in smoke—is something strong and powerful around you. Something grounding you in a world where your screams are becoming sobs, everything is hot but not burning, and Ben is there. He’s the thing around you, caging you against him as the dream faded and reality became sharp once more. It hadn’t been real. This was real. Ben was real.

He’s humming, and you can feel the sound in your bones. His voice really is terrible—he’s off key and offbeat and for someone who speaks in such a natural baritone his voice sure does crack a lot—but it’s more than enough. It rolls through you, and you don’t care how awful a rendition of Moon River this is, it’s Ben doing it. And that’s what brings you back down. It’s Ben who's humming, Ben whose hand is against your head, combing fingers through your hair. Ben who you can feel the warmth of as your fire dies out, and Ben who you can smell all around you. Pine and salt and gunpowder, not blood and barbecued flesh. Ben.

You pull back slowly and meet his eyes. His mouth is tight, jaw clenched, and he’s waiting for you to speak first. It takes a second, and your voice is hoarse from the screaming, but you find breath and croak, “How long was I out?”

“Almost thirteen hours. It’s 3am.”

“Did I wake yo-“

“No,” Ben grunts. “I was up. Working.”

You blink at him. “Working?”

“Making myself damn useful.”

You tilt your head at Ben, eyes quickly scanning to room for what he could mean. All the drawers and dressers are open, clothes are scattered in heaps that seem patternless across the floor, and Ben’s shield has been moved to the bedroom. The answer clicks, pushing through the exhausted haze of your brain, and you look back at him.

“Were you packing?”

Ben nodded curtly. “Starlight said they could keep Neuman in temporary lockdown, but they’ll be here in the morning to move us out.”

“Do you need help?”

“Don’t even fucking think about it,” Ben detangles from where he’s holding you, pulling the blanket up over you as he stands. “Rest.”

“I just slept for thirteen hours.” You say with a flat look, pushing the blankets away, and Ben glares down at you.

“And you’ll sleep for thirteen more.”

“Don’t fucking tell me what to do,” you snap. “I want to help. I want to be useful-“

“You can be useful, and fucking rest,” Ben retorted, not budging. “I can pack my damn self.”

“Can you?” You look around the room again, at how he’s tried to sort everything into piles that you couldn’t make sense of if you tried. “Because from where I’m sitting, it looks like you threw everything onto the floor and called it a day.”

He scowls. “I have a system.”

“Well, teach it to me, and I’ll help.”

“No.”

“Ben, please, I want to help. I need to help.” Any anger is quickly flooded by fear. Fear that you’re not useful, a burden, he’s not letting you help because you’ll just fuck it up and blow everything up-

“I told you, you’ll be helpful by fucking resting.” Ben leans down, holding your face gently between his hands. “You just took on a nuclear blast alone. Even for you that’s a shit ton of power, and you need damn rest. You're tired.”

He's right, you are tired. Your whole body is aching, and your eyes are heavy. Everything is heavy. But you still shake your head weakly.

“I just need to help,” you reach up to hold his arm and squeeze. “I’ll sleep in the van, and when we get to Jersey. Please.”

Ben sighs, and kisses your forehead. When he meets your gaze again, he’s searching your face for something, lips drawn in a frown. For a terrible moment you think he’s going to tell you just to sleep. That he’ll take care of it and that you’d be of more use asleep than helping him-

“If you stay in bed,” his voice is low and quiet. “I’ll be your arms and you can sort things your own stupid way.”

“Oh,” you nod, his hands still against your cheeks and jaw. “Yeah. Deal.”

He grunts, standing once more and walking to the center of the room. He turns, giving you an expectant look, and you survey his mess.

“So was there a method to your madness? Or were you just talking out of your ass when you said you had a system.”

“There was a goddamn system,” Ben grumbles, and you raise your brows at him. He sighs. “I can’t fucking remember what it was.”

You feel your mouth tug upwards. “Old man-"

“Shut the fuck up.”

“You’re no fun,” you’re smiling a little more, and he rolls his eyes. “We’ll start with two piles. Stuff that's yours and stuff that's mine.”

“How will I be able to fucking tell-"

“Do you wear bras, Benjamin?” You drawl, and he huffs.

“Brat.”

“I’m not the one who doesn’t know what his own clothing looks like. Two piles.”

Ben starts to shuffle through the room, throwing your things onto the bed and his next to his shield. You watch him move silently, hands fidgeting in your lap, and thank the universe that both of your wardrobes have been designed to withstand nukes. The way Ben is ripping everything from the floor and chucking them to their place he’d have probably torn everything he’s touched otherwise. At some point you realize that you’re wearing the same jeans and shirt from yesterday, and though they’re still technically intact the fabric is thin. One wrong movement from tearing. 

You start to stand, and Ben’s head snaps up from where he's been glowering at a pile of his boxers, your shirts, and mismatched socks. “What the fuck are you doing.”

“Going to the bathroom?” You give him a flat glare. “Am I allowed to do that, your highness?”

He grunts, attention returning to the pile. “Be fast.”

“I’m going to take the longest shit you’ve ever seen in your fucking life.”

You take several, slightly unsteady steps, and suddenly Ben’s arm is wrapped around your torso.

“I can walk-“

“I have fucking eyes,” he snaps. “You almost fell over.”

“That’s a little dramatic.”

“No, it’s not,” Ben scans over you, then around the complete mess of your room. “I’m going to carry you to the bathroom, you’re going to shit, and then you’re going right back to the fucking bed.”

He doesn’t leave time for argument, dropping down to hook his free arm under your legs and pulling you upwards.

“You know, I think you carry me more places than I walk at this point.” You mutter, and Ben rolls his eyes.

“I don’t see you fucking complaining about it.”

You shrug, “it doesn’t feel like a battle worth the effort.”

“Because you like it.”

“No, because it’s a stupid fight to have.”

Ben nods, winking as he lowers you onto the toilet. “And you like it.”

You glare at him as stands. “Fuck you.”

He chuckles, leaning down to quickly kiss you, and you lean forward into it. When Ben pulls away with a long suck of your lip, he’s smirking again. “Not until after you shit.”

“Wait,” you grab his arm as he moves to leave. “Can you get me some clothes?”

“Clothes?” Ben frowns. “For what?”

“Wearing?” You giggle at his scowl. “I need to change, these feel like they’re about to fall off my body.”

“I don’t see the issue with that.”

You whack his shoulder, pushing him out of your grip and back to the bedroom. “Shut up, you horny old man. Get me clothes.”

Ben leaves the bathroom with a grunt, closing the door behind him. You listen to him move around the room, tapping your foot in restless bounces, and right when you’re flushing a knock sounds on the door.

You stand, your legs a little steadier than before, and open the door. Ben is holding a large pile of shirts, pants, and underwear, still frowning as he looks down at you.

“This shit smelled clean,” he grumbles, thrusting the clothing forward. “Take what you want.”

Humming, you sort through your options. Ben seems determined not to let go of anything you don’t explicitly request, making this a little difficult, but you manage to turn through the pile without removing things from his arms. Most of the underwear is lacy and thin—you didn’t even know you owned anything like this—and you give him an amused look.

“I am almost positive I have clean underwear that isn’t lingerie.”

“You might,” he winks. “But I seemed to have missed it.”

“What if I just don’t wear underwear?” You tease, and Ben’s whole body stiffens. “Because I am not wearing,” you hold up a black pair made from the most itchy fabric you’ve ever felt, lined with bows. “These.”

“Promise?” He growls, staring at you with a gaze that’s far too intense for this early in the morning. You throw the underwear at his face, and he doesn’t even flinch.

You giggle, and he glares at you through the sheer material. Returning to the pile, you pull out a large, white t-shirt. “This is yours.”

“You’d look better in it.” Ben snaps his head forward, causing the underwear to fall back to the pile, and grins at you. “And just it.”

“Uh huh,” you wrinkle your nose at him, but still take the shirt anyway. “Pants?”

Ben nods at a single pair of shorts, and you glare at him.

“It’s the middle of February.”

“And? You’re a damn living furnace.”

“I can still feel cold.”

“We’ll get you a fucking blanket. You’re resting on the ride anyways.”

You sigh, but take the shorts, along with one of the slightly less lewd underwear options. “I’m never trusting you with clothing again.”

“Thank fuck.” Ben looks at the clothing in your hands. “You done?”

At your nod you think he’s going to close the door, but instead he drops all the clothing to the floor and reaches up to grab your face, pulling you towards him. You let out a small squeak of surprise, and he chuckles as your mouths meet.

It’s a long, gentle, lazy kiss. Sloppy and all tongue, one of Ben’s hands gliding into your hair as the other drops to wrap around you. He keeps going and going until you’re all but falling into him, and the moment your moans become his name he’s gone. Leaning back, smirking down at you as you try to catch your breath. You can feel him, all of him, the powerful thing in his chest and the hunger in his blood. It’s so painfully familiar, and it’s everything.

“Cunt,” you mutter through your teeth, and he laughs.

“Get changed, then get your ass back in bed.” He moves back down to kiss the scrunch of your nose, and then closes the door with a wink.

You flip him off through the wood, and hope he feels it. You have to lean against the wall of the bathroom to change—something you will never tell Ben—but you manage, and when you return to the bedroom it’s a little cleaner. Ben’s succeeded in separating the clothing into piles, and is glaring at your pile like it’s just insulted his mother.

“What’s wrong with you?” You ask, walking up behind him.

He doesn’t look away from the clothing. “You have too much fucking shit.”

“I’d say I have a pretty average amount of shit.” You hum, glancing at Ben’s own, much smaller pile. “It’s just a lot in comparison to your shit.”

Ben follows your gaze. “I have exactly as much as I damn need.”

You shrug. “As long as you’re happy with it. But don’t shit on my parade just because yours is tiny and pathetic.”

“As you’re aware,” Ben says your name with a smirk, arm slinging around your shoulders and tugging you into his side. “Nothing about me is tiny or pathetic.”

“I don’t think I am aware,” you meet his eyes, letting your challenge show across your face. “I think you need to prove it.”

He makes a deep sound that moves from somewhere in his chest to yours, and the lust almost explodes inside him. Inside you. Ben picks you up—your legs scrambling to wrap around him—and kisses your neck, then your jaw, then tugs at your ear with his teeth. He’s everywhere, crossing almost every part of your face with his mouth, holding you with one arm as the other roams your body. The only place he isn’t is where you need him the most, against your lips, pressing your tongue, inside you in the only way you can allow without completely shattering for him.

You fall back onto the bed, sinking into the mattress as Ben all but eats you alive, and your hands start to scrape at his back, up his neck, trying to leave some sort of impossible mark that proves he was here. That he did this to you, so the world will know that at some point he wanted you half as much as you need him. He still won’t just kiss you, biting and sucking and licking every single inch of your face except your mouth. If you could control yourself a little more, you’d stop moaning and whining his name to tell him to just kiss you.

“Ben,” you try to hiss or snap at him, but it’s just a breathless whimper against his ear. You’re starting to grind up into his body, and the groan that leaves his throat only spurs you on. “Fuck, Ben, you di-“

That does it. His mouth crashes into yours, burying you between the bed and him, just Ben, Ben, Ben, tasting like coffee and bruising you with his hands and the hunger and strength of everything in him. You think you scream his name into his mouth—you can hear a needy and loud sound but can’t really tell what’s happening to you save for the thirst and fervor for Ben—but he just keeps going, pressing his hips down until you’re pinned beneath him. You could live like this, you decide. Safe and desired under Ben’s body, nothing to worry about except trying to show him that he’s everything, no pain to feel except the ache all over you for him.

When Ben sits up, grinning down at you, he might be glowing. It might just be the haze and feverish heat he’s planted in your head, but you could swear he’s glowing. You try and pull him back down, but he just hangs above you, not ever moving an inch.

“Get your ass back down here, Benjamin,” it’s supposed to be a firm order, but even to your own ears it sounds like a plea. “You can’t just fucking do that-“

“Do what?” His voice is mockingly innocent, especially given the feral look in his eyes and the rumble of want you can feel from his chest. “You’re gonna have to be a little more fucking specific, Sunshine.”

“Fuck you.”

He doesn’t take the bait this time, remaining right above you but still too far away. “You’d like that, wouldn’t you?” Ben leans down so he’s whispering in your ear. “All you have to do is fucking ask.” 

You almost do. You almost beg, give in, tell Ben to do whatever he fucking wants to you as long as he’s doing something. Anything. Everything. Just as long as it’s him. But that cruel voice that lives in the back of your head creeps forward, reminding you the truth. Too much. That’s too much. This will have to be enough because if you go any further you just fall into Ben forever. You’ll give him everything, because he’s everything, and when this is over you’ll have nothing. So you can’t give him all of you, and he doesn’t want it anyways.

You’re silent for a second too long, and you feel something confusing and rough pierce in your ribs from Ben’s body. But he just leans down, giving you one last gentle kiss before standing. Leaving the air around you cold and empty without him. He’s gone from view, and when you sit up you find him hauling out boxes from the hallway.

“Where did those come from?” You ask, still a little breathless, and Ben shrugs.

“The French Prick and Kimiko dropped them off around midnight. Said to use them for transporting shit.” Ben looks up at you. “The French Prick said Kimiko wants you to text her when you’re awake.”

“Oh,” you smile slightly, looking around the room. “Where’s my phone?”

“Left it in your jacket,” Ben jerks his head to the dresser. When you start to stand, he drops the boxes and shoots you a glare, stomping over to your jacket. “Sit the fuck down,” he grumbles, fumbling through the pockets. “I’m the fucking arms.”

“You need to pack, I can get my phone myself-“

“No,” Ben pulls your phone out, stalking to your side. “You need to sit there, be beautiful, tell me what to do, and stop fucking moving.”

You snatch the phone from his hand, sticking your tongue out at him even as your face heats. “I’m helping you unpack in Jersey, and there’s nothing you can do to stop me.”

“We’ll fucking see,” he grumbles. “Fucking Jersey.”

You snort as he returns to the boxes, watching him kick them across the floor. “What’s your agenda against Jersey? What did it ever do to you?”

“It’s a shit state for fucking pussies.”

“You say that about every state that isn’t New York or Pennsylvania.”

“That’s because those states are fucking worth something.”

“I thought your whole thing was loving America,” you cross your arms, tilting your head at him. “Only liking 4% of it isn’t very patriotic of you, Soldier Boy.”

“Don’t call me that,” Ben grunts, attention still on the boxes. “And I don’t only like 4% of America.”

You hum. “If we go by state, 2 out of 50 is 4%. If we go by population, you might be just breaching 10%.”

“I like more than two states.”

“Really,” you give him a bored, disbelieving look. “Name one more state you like.”

“Massachusetts,” he looks up and winks. “It gave me you.”

“Kiss ass,” you mutter, and Ben chuckles.

“Yep.”

“Name one more,” you lean forwards a little, watching him hunch down to the clothing. “And divide them into smaller piles.”

“What?”

“The clothes, divide them into smaller piles. Pants with pants, shirts with shirts, etcetera.”

Ben shoots you an exasperated look, but starts to chuck his clothes around into slowly building bundles on the floor. “Fucking bossy,” he grumbles, and you scoff.

“You told me to be,” your tone is annoyed, but you can feel the smile stretching your face. “Name another state. California? That will get you a big population grab.”

“I fucking despise California,” Ben mutters. “Bunch of fake pussies with plastic tits taking boner pills.”

“What about Washington? First state to legalize weed. You love weed.”

Ben snorts. “Weed not being legal never fucking stopped me before.” He looks up at you with a frown. “MM said we could order shit now, right?”

“Yeah?” Ben opens his mouth, and you cut him off. “We are not ordering you drugs.”

He scowls. “Why the fuck not.”

“Because we’re literally moving to a federal building. We’re going to be living in the FBSA Headquarters. They’ll notice if you DoorDash cocaine.”

“What the hell is DoorDash.”

“Food delivery service,” you watch Ben start to throw clothing into the bins. “Are you not going to fold them first?”

“We don’t have time to fucking fold them.” He mutters, and you blink.

“Ben,” you say slowly. “What time are they coming by to pick us up?”

“Five.”

You look down at your phone, the clock reading 4:45, and look back up at Ben. “Benjamin-“

“I got fucking distracted,” he grunts. “You’re just as much to blame as me.”

“As I,” you correct, and he rolls his eyes. “And if you had told me-“

“You would’ve tried to help, and passed out on the floor.” Ben snaps, slamming the lid over the first box. “And we’ll be fine. We’ve got time.”

“But-“

Ben moves back to the bed, dragging the remaining boxes behind him. “I can fucking handle this. Text Kimiko.”

You glare at him, but open up your phone and poke through your messages. There’s one from MM—telling you about the van coming at 5am—two from Butcher that you don’t look at, and one from Mallory, asking you to clean the house before you leave. You would’ve, or at least tried to, if you’d gotten more than a day’s evacuation notice. So you send her an apology, and move onto the last unread message. 

Kimiko: Second Hottest Person on the Team

Are you ok?

I told Soldier Boy to make sure, but he didn’t seem to be paying attention

You glance up at Ben, who’s violently throwing your clothes into different piles.

“Can you please not rip my clothing,” you watch as he chucks a bra across the mattress.

“Your shit is built to withstand the goddamn sun. It won’t fucking rip,” Ben grumbles, but does throw the shirt in his hands less like he’s trying to pitch a fastball.

You look back down at your phone, responding to Kimiko.

I’m okay. Just tired.

You pause, watching Ben pick up the pile of pants at your side and dump them in the bin.

And Ben did tell me. He just has a resting bitch face.

The response comes almost immediately.

Kimiko: Second Hottest Person on the Team

Good

I’ll see you at the apartments

You blink at your screen, about to text back and ask why she’ll see you—because the team should be laying low after Neuman—and what she means by apartments plural, but Ben’s head shoots up, looking out the door and down the hall.

“Wha-“

Ben raises his hand, and you fall silent with a frown. His jaw clenches, dropping a pair of your jeans back into the bin, and says through gritted teeth, “There’s someone downstairs.”

“Ben-“ He’s walking out the door, and you hiss in a hushed tone after him. “Ben, it’s probably just Butcher-“

He glares back at you. “No it’s not. I know what Butcher fucking sounds like. Stay here and be quiet.”

“Benjamin-“

He’s gone, and your finger starts to tap anxiously. He said to stay here. And you trust him. But he’s also a paranoid ass, and might be about to attack Butcher or Hughie or MM because of it. But he said to stay here, and it might not be just one of your team members-

An unfamiliar voice shrieks from downstairs, and you don’t even think before you sprint out of the bed and down the stairs, skidding to a halt when you see Ben pointing a gun at an unfamiliar woman. She’s frozen in fear, shaking as Ben shouts at her.

“Who the fuck are you! Who do you wor-“ Ben looks up at you with a scowl, snapping your name. “I told you to fucking stay upstairs.”

“What the hell-“

“Take, take a step back and put your hands up,” a shaky voice interrupts you, and you look up to see another man—dressed in the same black suit as the woman—pointing a gun at you with a shaky hand. “Your behavior is hostile, and I will, I’ll shoot. I’ll do it.”

You sigh, realizing what’s happening. “Oh my god-“

“You shoot her and I’ll rip your fucking spine out and shove it up your goddamn asshole,” Ben roars, and the woman on the barrel end of his gun makes a weak sound.

“That’s, that’s a crime sir-“

“See if I give a single goddamn fuck-“

“Holy fucking shit,” you shout, raising your hands up. “Everyone calm the hell down, now.”

“Ma’am, I have been authorized to use force-“

“Fucking Butcher,” you mutter, before raising your voice and giving the man a glare. “I bet you have been. But shooting me will only make him,” you point to Ben. “Angry.”

“He, uh, he already seems pretty angry-“

“Angrier. Just put the gun down. That means you-“ you turn to Ben with a glare. “As well.”

“Not until they tell us who fucking sent them-“

“The FBSA, dumb dumb. They’re here to transport us, not try and kill us.”

Ben returns your glare. “You don’t fucking know that-“

“Yeah, I do.” You cross the room, over to the shaking man. His gun raises a little higher, aiming at your forehead, but he lowers it when he sees your bored expression. You stop in front of him, stepping to the side to give Ben a better view, and jab a finger at the man’s jacket. At the clearly displayed Agent Moore, FBSA badge pinned to it.

Ben scoffs, and lowers his gun. “How the fuck was I supposed to see that.”

“With your genetically enhanced vision?” You snap, and give the woman an apologetic look. “I’m sorry about him, he’s not house trained.”

“Shut up,” Ben grumbles, and you stick your tongue out at him as you return to his side. “They could’ve damn knocked.”

“And you could’ve asked questions first and shot later.”

“I fucking did. Do either of them look dead?”

You look between the agents, both trembling in fear but very much alive. “No.”

Ben gives you a smug grin. “Who’s unobservant now?”

“Still you.”

“Um,” the woman—squinting at her chest you can make out Agent Cortez on her badge—looks between you and Ben nervously. “We’ve been told by Director Grace Mallory and William Butcher to collect you both and bring you to the FBSA headquarters.”

“We’ve fucking figured that out-“

“We,” you raise your brows at Ben. “Who’s we?”

“Christ on a cross,” Ben mutters, only loud enough for you to hear, and you smile sweetly at him. “She,” Ben gives you a pointed glare. “Figured that out.”

“Will you, will you be compliant?” The man—Agent Moore—fidgets with his gun, and you feel Ben tense against you.

“Yes, we will be.” You elbow Ben. “Right?”

“Whatever.”

You roll your eyes, and look back at the agents with a close-lipped smile. “He’s grumpy.”

“Stop calling me fucking grumpy-“

“Stop being grumpy. And give the agent her gun back.”

Ben scowls. “No.”

“Ben-“

“I’ll be compliant,” his face twists at the word, lips curling like it’s disgusting on his tongue. “But I keep the fucking gun.”

You sigh. “Fine. Do you need help with the clothes-“

“No.” Ben shoves the gun between his pants and body and glares at the FBSA agents. “Wait here. And if they try anything-”

“They literally can’t hurt me. I’ll be fine.” You give him a slight pout. “But if you’re really worried, I’m sure I could come with you and help-“

Ben snorts, and turns to climb back up the stairs. “Nice try, brat.”

“Cunt!” You call after him, flipping off his back.

His laugh echoes through the house, and vanishes into your bedroom.

You glare at the spot he vanished, and turn back to the living room and to see the agents watching you with wide eyes and pale faces.

“Uh, I’m really sorry about that. But he’s kind of…” you sigh. “Vigilant. And I think we were both expecting someone from our team-“

“Is it true that you’re more powerful than Homelander?” Agent Moore blurts, and your blood turns cold.

“I, uh, I don’t-“

“Jerry,” Agent Cortez hisses at Moore, still looking at you wearily. “Director Mallory said not to talk to them-“

“But you saw her file!” Moore whispers back, also not looking away from you. “And we watched the Firecracker videos together-“

“Shut up,” Cortez snaps, voice dropping to an almost panicked, hushed tone. “We’re just supposed to get them and go. Not ask questions about their powers.”

“But her powers are confusing! She has like a million!” Moore wrings his hands, gun waving in the air. You should probably be worried about that, but you’re more annoyed with the whole conversation. You can understand why Ben was so whiny about this in December. It is annoying having people talk about you, in front of you, like you’re not there. And you do not have a million powers. You have—if you count the whole immortality thing—five.

“And there’s the whole weird thing with Homelander saying Soldier Boy kidnapped her!” Moore continues, still practicing terrible firearms safety. “But she doesn’t look kidnapped-“

“Shut up! Soldier Boy has super hearing!”

“But she doesn’t! This is weird, Lily! Yesterday the news is saying that Soldier Boy forced her to kill Vice President Neuman and Homelander arrived too late save them, then we’re getting a text at 1am saying to take them to HQ, and now-“

“I can hear you, you know,” you sigh. “And Ben didn’t kidnap me. You shouldn’t believe everything you see on TV.”

Both freeze, watching you like you’re about to attack them. Cortez stutters out, “We’re sorry, we didn’t-“

She’s interrupted by Ben shouting your name down the stairs. “Where the fuck is your phone!”

“In my hand!” You call back. “Are you almost done?”

“Can you ask the FSBI pussies if they have blankets?!”

You frown. “Blankets?!” 

“For the ride!” Ben’s face pokes out of the door, drawn in a stupidly handsome glare. “You’re fucking napping on the way to Jersey, Sunshine.”

“Oh, piss off.” You wrinkle your nose at him. “You can’t make me nap, I’m not a child-“

“I won’t have to make you, you’re going to sit down and pass out right the fuck out. You always pass out.”

“I don’t always pass out.”

“How many times have I carried you into the house?” Ben drawls, and you scowl.

“Fuck you.”

Ben winks, not with company over, Sunshine. You’ll make them deaf with all your damn screaming.

I’m going to fucking strangle you. You glower, and he chuckles, vanishing back into your room.

“Ask about the fucking blankets!” He yells, and you turn back to the agents with a sigh.

“We don’t have blankets,” Agent Cortez says nervously, looking past you, up the stairs. “Is he going to be mad?”

“He’ll whine like a little bitch,” you raise your voice to make sure Ben hears you. “But he won’t hurt you.”

“I am not a little bitch.” Ben appears back at the top of the stairs, somehow carrying three of the four large bins at once.

“But you whine like one.”

“Shut the fuck up,” he grumbles, descending back into the living room. “I’m just trying to make sure you’re comfortable, is that a damn crime?”

“Not on its own, but if you murder a bunch of FBSA agents about it, yes.”

Ben drops the boxes on the floor, glaring at the agents. “You pussies think you can handle carrying these outside?”

“Um,” Cortez blinks at him. “That will restrict our view, and we’re not supposed to let you out of our sights.”

“Well, you already fucking failed there.” Ben snaps, and you stomp on his foot. “What?”

“Don’t be a dick, they’re doing their best.”

“If this is their fucking best, I’d hate to see their damn worst.”

You ignore him, turning back to the agents. “Can you please help us bring our stuff out to the car?”

“I guess…” Moore mumbles, and Ben nods sharply.

“Good,” Ben grunts, marching back up the stairs. “And if she tries to help you, shoot her.”

You sigh. “Please do not shoot me.”

“Then don’t try and fucking help!” Ben’s voice carries down the hall, and you roll your eyes.

“I’m not made of glass, you asshole! I can carry a box!”

“Maybe,” Ben appears once more, holding the last bin and his shield, your jacket tossed over his shoulder. “But you shouldn’t goddamn have to.”

“I don’t have to,” you snap. “I want to help. I’m wide awake right now, and I feel fine. I’ll use a favor, Benjamin, don’t test me.”

“Fine. One box. The suits can carry the other two.”

You smile at him, wide and easy, and he just grunts. As Cortez and Moore awkwardly pick up their boxes you pull your jacket off of Ben and shrug it on. He doesn’t stop watching you—lips pulling down as you pick up your box—knuckles white on his own box.

You nudge Ben’s shoulder with yours as you walk to his side. “No sentimental goodbyes?”

“Goodbyes?” Ben’s voice is sharp, and you feel something contract in his chest. “Where the fuck are you going?”

“No, goodbyes to the house.” You blink at him, following the agents to the front door. “I’m going with you.”

“Good.” The thing loosens, and you could swear you hear Ben let out a small huff of relief. “And I’m not saying goodbye to a fucking house.”

“What, no emotional attachment to the sofa or the stove?” You tease, and Ben gives you a glare.

“Those are just fucking things. I don’t give a shit about a sofa. I can get a sofa anywhere.”

You hum. “Not at a McDonalds. Or a Sephora.”

“What the fucking hell is a Sephora.”

“You have a phone now,” you grin up at him. “Google it.”

“Why would I do that when you can just fucking tell me.”

“Because I won’t get to laugh at you trying to spell Sephora.” Ben scoffs, and you examine his bored, neutral face. Whenever your arms brush you can feel something that’s lazy and warm rooted in his chest, so it’s not like he’s bored of you-

Yet, the bitter voice reminds you. Bored of you yet.

“You really don’t give a shit that we’re leaving?” You ask softly, a little afraid of the answer. Afraid that he doesn’t give a shit about the house because it’s meant nothing to him. That’s he’s happy with this—with you—because of the lust, or because kissing you is just easier than trying to kill you. But he hasn’t been trying to kill you for a while, and the kissing only just started. But maybe that’s less about you and more about the convenience. He’s horny and you’re there. But he hasn’t pushed you, and if it was just about the convenience he would’ve fucked Drug Boobs at Frenchie’s weird club. Why didn’t he fuck Drug Boobs? If it’s about convenience why did he leave Drug Boobs? To find you, before the kissing had even started? Why did he go out of his way to get you home? Not home anymore, and why doesn’t he care about that? That it’s not home anymore? He doesn’t have to care, but why doesn’t he? Why doesn’t he care-

“It’s just a fucking house. We can get another.” Ben’s grumble pulls you from your spiral, and you frown up at him.

“But-“

“You’re coming with me.” Ben says your name, voice firm as he exits through the door. “That’s all I give a fuck about.”

Your whole body becomes warm, even as you follow him into the chill of the winter dark and wind. “Okay,” you whisper, and Ben looks down at you. His face is cast in shadows, and golden light of the street lamps makes him glow. It’s not just the haze of your thirst from before. He’s shining.

“Are you going to get fucking mad at me if I kiss you?” he grunts, and the shake of your head feels frantic.

“Never-“

Ben doesn’t waste any time, dropping his bin and shield and crashing into you. His warm hands holding your face, calluses rough against your skin, making you feel holy. Making you feel so safe under the wide night, because all of the sky and its stars could fall and collapse onto you and it would still just be Ben. The gravity of him would keep you close, and he’d hold the sky, and you’d worship him for it. Give him everything you have and more for making you feel this. For touching you like you’re not broken and shattered and missing pieces that are covered in ash and blood somewhere in upstate New York. For holding you like he could fill the cracks lining your head with gold and fire and him. That’s what makes you drop your own bin—your hands shooting up to sink into his hair and rest on his beard as his own arms drop to circle you—and push back into him with every single part of you that’s still worth something. Worth half as much as the zealous way he’s touching you, worth a quarter of the enormous and consuming ardor that’s climbing from Ben into you. Making every part of you beat against your body, telling you to maybe just carve your soul out of wherever you keep it and give it to him.

When you’re both breathless—your body alert and electric and that powerful thing in Ben like thunder—you separate in unison. Ben rests his head against yours for a second, one arm tight around you as its opposite moves a hand to your face, tracing your cheekbones lightly. He’s watching you, you’re locked into him. His eyes and smell and body and Ben. It’s when his hand moves a lock of your hair, plastered to your forehead from sweat, that you feel the weight of it crash into you. This is everything. This is the whole world, this is more than the whole world. This is you and Ben, and you-

One of the agents coughs, and Ben’s head snaps any from you, jaw clenched with his arm around you. “What the fuck do you want.”

“Um,” when you manage to look away from Ben, you see Moore looking between you with a blush. “Mr. Butcher just asked us to please hurry up.”

“Butcher said that?” You frown, and Moore scratches the back of his head.

“He used some other words too. And didn’t say please.”

“Other words, as well,” Ben corrects, and you feel a rush of pride through him. Through you—something dangerous and close to breaking out of your body swelling—even as you sigh.

“I’ve created a monster.”

“And that’s your fucking cross to bear, Sunshine.” Ben presses a kiss to the top of your head and peels himself away. Picking up his shield, his box, and your box. “Now get your beautiful ass in the car.”

“Give me back my box-“

“I can’t hear you,” Ben starts to walk away and you can hear the cocky smirk on his face as he says your name.

“Yes you fucking can. Don’t play dumb with me, Pretty Boy-“

Ben drops his shield and the boxes in the trunk of the agent’s SUV. “You’re tired.”

Your whole body suddenly feels like there's a weight on it, your head falling to a sleepy daze. “Stop fucking doing that.”

“Doing what?” Ben’s face is a picture of mock innocence as he returns to your side. “I didn’t do a damn thing.”

“Fucking cunt-“

“Brat.” Ben scoops you into his arms, carrying you into the car. The concrete, unyielding care and protection of Ben wraps through you, dragging sleep closer.

“I could’ve walked,” you mumble against his skin, your head buried in his neck.

“But you fucking didn’t, so here we are.”

You hum a muffled, faint insult—even you don’t know what it’s supposed to be—Ben chuckles. It rumbles through your guts and sits comfortably somewhere in your hips, and Ben’s grip loosens just enough for you to slide down his body as he sits. You can feel his warmth, smell the pine and gunpowder of him, and he’s humming again and god it’s terrible, but it’s somehow the best sound you’ve heard in your life. His hands start to trace patterns against where he’s holding you, and your whole body goes limp as your mind clears to Ben.

You don’t even know where you are. You could be buried in the sand of a desert, or floating through somewhere far in space, or dropped in the middle of the arctic circle, but it wouldn’t matter. Because Ben is touching you, kissing you until you can’t think about stupid things like where you are. It’s just Ben, it’s just you, and everything else is temporary. This is sacred, and could destroy the universe if you wanted it to. And when everything else was gone, it would still just be you and Ben.

He’s everything beautiful that’s ever existed. He’s the ocean in the summer, vast and consuming and the more you look the more you realize there’s no end. He’s the stars you prayed to as a child, so rare and peaceful when the city's blaring car horns and glowing billboards always drowned out the sky, such a small solace to see from the roof when your eyes were blurred with tears. He’s the songs you loved to sing when it was easy and uncomplicated—in the car and in the shower and into a microphone until drunk frat boys bought you a drink—making you feel like a little more than just a heart in a wide world, making you feel like there’s something you can shape with your will as your voice called like a siren to passers by. He’s every drop of sugar that’s ever hit your tongue, every soft patch of grass under your feet, every single smile and laugh and victory.

He’s above you, and kissing you, and touching you on every part of your body and in some spaces between. He’s growling filth into your ear, but it’s all just a blur of deep sounds that fall in time with your moans. Grinding against you and sucking your upper lip. Nose bumping yours and strong hands kneading your skin and ass and breasts. Knee pushing between your legs and tongue tracing your teeth. It’s all just Ben, and he’s yours. He’s not leaving you to rot in this fever. He’s grown something in you and you’ve grown something in him and now they need each other. You need each other to keep them alive. These wrathful and bloody and forgiving and luminescent things inside you. That you could survive without, but don’t want to. You have them now, and if you have any sort of power over your life you’ll use it to keep them. Keep Ben.

Your eyes blink open, and the first thing you hear is a too happy, over-saturated ding. There’s the rumble of the engine, the beat of Ben’s heart where your head rests against him, and another ding. You raise your head up—rubbing your face and letting your eyes adjust a focus in the dark car—and Ben squeezes your hips where he’s still holding on his lap.

“Go back to sleep,” he grunts your name, and you look up at him through bleary eyes. “We’re almost there.”

“How do you know that?” You mumble, and he shrugs.

“We’ve been driving for a million fucking years, we have to be close.”

You twist around slightly to see the front of the car and raise your voice for the agents to hear. “Excuse me-“

“Soldier Boy is correct, ma’am,” Cortez answers you before you can even ask the question, and you feel the smug satisfaction run from Ben into you. “We have approximately seven minutes until arrival.”

“Thank you,” you turn back to Ben, and are met with his smirk and overly pleased expression.

“Fucking told you.”

“Shut up,” you hit his arm, wriggling around so your back is pressed to his chest, using him as a very large, annoying chair. “And don’t tell me to go back to sleep.”

Ben scoffs at the drop of your tone and grunted words at the end, and you grin into the air. “Your impression of me is fucking terrible.”

“No, it’s not. I think I could’ve made it as a Soldier Boy impersonator at Voughtland if college fell through.”

“You would’ve been the worst fucking Voughtland impersonator in the world, Sunshine,” Ben’s chin drops to rest on your head, and you can feel every word he says through your blood.

“Why, because I’m a lady?”

He snorts. “You are not a fucking lady.”

“Fuck you,” you grumble, and a flash of hunger carves into your lower stomach. “And if they painted a beard on me, put a banana in my pants, and gave me a stupid helmet nobody would’ve known the difference. I’d have thrived.”

“They would’ve given you their shit corporate script to memorize and you’d have quit on the spot. No swearing,” Ben says your name mockingly. “You’d have exploded.”

You shrug, tapping your fingers where his arms wrap around you. “You seemed to manage. And you swear a lot more than I do.”

“I have better self control than you.”

That makes you snort. He has no idea how good your self control is. Every single second you’re in his presence alone you’re restraining every single instinct to just fuck him. To ride him or let him bury inside you, to damn every single piece of you that will never be able to recover from it. “Oh, fuck you.”

“When we get there, I’d be more than happy to.” Ben’s mouth is pressed into your ear as he taunts you, and he’s actively proving himself wrong. His deep voice is rolling through your body, his lips are taunting your skin, and you’re exercising godly amounts of self control to not jump his stupid bones. “I’d even be willing to do it here, but I didn’t take you to be an exhibitionist-“

The car stops with a jerk, and Ben’s hold you tightens as you slide forward against his legs.

“We’re here,” Moore’s looks at you in the rearview mirror, and you can see him fidget with his gun. “We’ve just been told to drop you off and move your belongings inside. Mr. Butcher will show you your…” He trails off, eyes flicking between you and Ben. Folded into each other, almost every part of you touching. “Apartment?”

Ben doesn’t think twice about Moore’s anxious guess—nothing in him twisting with disgust or annoyance—and starts to adjust your body so he can carry you out of the car.

“I can walk inside,” you slap Ben’s arm, squirming away from him. “You don’t have to carry me everywhere.”

“But I can-“

“But you don’t.” You roll off his body, and he scowls down at you.

“Just let me fucking help-“

“Ben,” you reach up to hold his face from where you’ve landed, head in his lap and feet hanging off the back seats. He stills completely, still glaring, something bloody and desperate running around inside him. “I am a grown woman. I will tell you if I need your help with anything, and right now I don’t.”

He’s still frowning. “Fucking swear it.”

“I promise I don’t need help walking the ten yards to the building.”

Ben’s scanning your face, something building taut against his chest. “If you even fucking stumble-“

“Then you can carry me everywhere for the rest of time and lord it over my head.” Your words are meant to be sarcastic and bored, but they come out a little too breathy, a little too hopeful. That Ben would be there for the rest of time, insufferable and annoying and right at your side. The bloody thing coursing through him becomes forceful—pushing up into his brain—and his hands cover yours.

“Deal.”

Ben pulls you upwards without a warning, and the small sound of the surprise that escapes you is swallowed into his mouth. He rolls you over in seconds, pressing you deep into the seats, and you really hope that the agents left the car at some point. Because nobody should have to witness the way he’s making you unravel, hear all the wet and lewd sounds from just the way Ben kisses you. With tongue and teeth with his body strong against yours and your legs hooked around him-

“Well, good bloody morning to both you twats.”

You start a little, Butcher’s sneer barely pushing into your brain enough to take you away from Ben’s mouth sucking against yours. Ben draws back first, looking over his shoulder to where Butcher’s voice came from. He’s blocking Butcher from view, not shoving you away from him, and one arm even pulls you a little off the seat so your head buries into his chest.

“Couldn’t fucking pick us up yourself, you pussy?” Ben drawls, and you hear Butcher’s laugh.

“Well, I’m sure as shit regretting that now. Could’ve gotten a front row seat to the sex show.” Butcher’s twisted smile appears in your vision as he ducks down. “Ready to admit you’re fucking him now, Love?”

Ben answers before you can. “She’s not a fucking liar. She hasn’t.”

“I just caught you two snogging like rabbits-“

“Well, we haven’t fucked.” Ben’s words are harsh and cold—the sour feeling returned—and the only thing that stops you from being overtaken with guilt is the stronger, almost overpowering steel like care that pulsing through him.

Butcher doesn’t seem worried or off put by Ben’s angry, defensive words, but you don’t think Butcher is capable of being worried or off put by anything. The only sign that he understands the unspoken, violent promise of Ben’s tone is that he raises his hands, palms up, and stands back out of your sight.

“Bit touchy, ain’t we,” Ben tenses against you, and you can hear Butcher’s scoff. “Well, you can keep not fucking later. Let’s get a bloody move on.”

He grunts, and starts to pull you up with him, but you whack his shoulder, dropping your legs to the floor of the car.

“I’m walking.”

Ben glares at you, and removes his arm from around you slowly. He doesn’t leave though, just looks down at you with none of that steel waning from inside him. Like he’s waiting for you to tell him to go.

You smile at him. “You should haul ass before one of the agents touches your shield.”

“They wouldn’t fucking dare,” he grumbles, but moves off you all the same. You grin after him, and avoid meeting Butcher’s eyes as you scoot out of the car.

The FBSA building is more or less what you expected. Tall, broad, black steel and long windows that reflect the rise of the sun. You’re parked around the back at what looks like a shipping dock, and Ben was, in fact, just in time to stop Moore from trying to pick up his shield. You see the chronically nervous man jump back as Ben rounds the car to the truck, his hands raising up shakily as Ben glares at him. You start to follow—if Ben tries to stop you from carrying a box he’ll get one thrown at his face—but Butcher shoots out an arm, stopping you in your path.

“Someone took their job of looking after Soldier Boy very seriously, didn’t she?” Butcher says lowly, and you glare at him.

“I don’t want to hear it,” you snap, narrowing your eyes at him. “You don’t get to pull any sort of morality card on me, Butcher. I know what I’m doing, and it’s not your business.”

“It’s my fucking business if you’re compromised.” Butcher hisses. “If you’d choose him over the mission, because you’ve got a bloody school girl crush on the fucker.”

You wouldn’t choose Ben over the mission. You wouldn’t let it come to that. You’d make sure that, at the end of the day, what needed to be done was done.

What if it did come to that? Something small and fearful whispers in your ear. What if it was Ben or the mission? And there wasn’t a trick or a move out of it? What would you do then?

It’s terrifying how quickly and against your will the entirety of you goes Ben. You’d choose Ben. It wouldn’t ever matter, because you’d fight tooth and nail to make sure you got both, but if it came to it, Ben. Every time you’d choose him. He might not choose you, but you burn the world to keep him awake and smiling with casual ease. You’d promised, and for some reason that’s more than just a school girl crush, that’s what matters. You trust him, he would keep you safe, keep you free, and so you’d always choose Ben.

But Butcher doesn’t get to know that, so you just say, “Fuck off, you dickwad. I’m not fucking compromised.”

“What are you going to do when he leaves?” Butcher growls. “When we’ve knocked Homelander off the map, and he’s shipped off to the fucking edge of the world? You think he’ll write you letters? Sweet little sonnets?”

No, because he’d said you could go with him. But Butcher doesn’t get to know that. “That’s not your fucking problem.”

“I’m just reminding you, Sunshine.” You loathe the way Butcher says that. Cold and angry, harsh in his mouth and screeching against your ears. “He’s not a bloody white knight, swooping in and saving the princess from the evil Vought Tower and the Homelander dragon. He’s just another, older, bigger fucking monster collecting a prize to keep on his shelf.”

Fury might blind you. Might eat you alive. The world becomes all bright white, closing in on you, pressing on your chest until it snaps.

“Butcher,” you say slowly, clearly. “I let you say a lot of fucking shit to me. I let you mock me and throw me to the wolves for the sake of the mission you claim I don’t care about. But if you ever-“ you spit the word, letting a bit of the fire that lives under your skin turn to smoke in the air. “Tell me how to fucking feel or think about something again, I will burn you alive. You don’t know anything about what it was like. What Homelander did to me.”

“Fucking tread lightly,” Butcher’s jaw is clenched, teeth gritted. “Becca-“

“Was the one he hurt,” you snap. “He hurt Becca. Not you. And he hurt me the same fucking way he hurt her. For years. But you only remember that when it’s convenient for you.”

“You better shut your mouth-“

“Or what?” You take a step forward, and Butcher flinches back. You hate it, it makes your skin crawl at how fast he retreats, but you don’t care that you hate it. The words are rocketing out of you, and you have no desire to stop them. “You can’t kill me. You can’t even fucking hurt me. You can’t do anything to me that won’t break me more than Homelander already has.” Something is wrapping around your throat, and your words become choked. “He fucking broke me. He broke Becca. And you might have gotten hurt in the fallout, but that’s fucking nothing compared to being the one that he actually hurt. On purpose. So never fucking tell me what to feel again.”

Butcher’s silent, staring at you with an expression you’ve never seen on him before. You don’t get time to read it—to try and figure out if he just started plotting your disappearance or might be feeling remorse for the first time in his life—because Butcher starts to speak again in clipped, frosted words.

“It's the twenty-first floor,” he chucks a lanyard at you, a badge with the name Jane Smith at the end. “Go left, then right, and you’ll be in one long hallway. You’re the last door when you go left. You’ll be expected in the dining hall at 7pm. Don’t be fucking late.”

With that he whips around, and stomps into the building. You’re stuck in place, watching him walk away as the world starts to spin around you. Everything feels big and hollow and you’re afraid. You’d blown up, and they already didn’t trust you. They barely even liked you. And you’d just threatened Butcher when he already thought you were dangerous. And you were dangerous. He was right. You were a walking volcano, a living hurricane, more powerful than Ben, more powerful than Homelander. You were the dragon, you were the monster-

You’re pulled back to the ground when Ben’s arm slings around your shoulders, and when the world becomes clear again you look up to see him glaring at where Butcher had slammed the door into the building. “About fucking time.”

You blink at him. “What?”

“That Butcher gets his ass handed to him,” Ben looks down at you. “Don’t you fucking think about apologizing to that pussy. I’ll put tape over your mouth.”

“You’ll what?!”

“You’re going to feel damn guilty, and you’ll try to tell Butcher you’re sorry, and I’ll fucking gag you so you don’t.” The bloody steel is back inside of you—inside of Ben—and his words are simple and firm. “The asshole deserved that. He’s no fucking better than me, and he’s not ever goddamn close to being better than you.” 

Something warm blooms in your chest, and you don’t know if it’s yours or Ben’s. It’s familiar—like it belongs there—where others' emotions usually feel foreign and strange. But the line between you and Ben has started to blur, might have been blurred for a while, and you can’t always tell anymore. But the warmth makes the world lighter, and Ben’s arm around you makes the fear that Butcher will toss you to the curb seem less daunting. He couldn’t touch you, because Ben was here. He must see the look on your face—the gentle way you can feel it relax as a small smile crawls over your mouth—because he pulls you a little closer into him.

“Got your shield?” You ask softly, and Ben jerks his head back to the car.

“The FASI chucklefucks are bringing everything else up.”

“I’m beginning to think you’re refusing to say FBSA on purpose.” 

“They should come up with a better goddamn acronym,” he mutters. “Maybe then I’ll be fucked to learn it.”

You laugh, and try to shrug him off your shoulders. “Go get your shield, Pretty Boy. I want to go inside.”

He didn’t move away, remaining heavy around you, and when you look up at him expectantly he’s watching you carefully, studying your face. “You’re not mad about Butcher seeing us in the car.”

“I wish you’d ask questions like a normal person,” you mutter, and he rolls his eyes.

“Sunshine-“

That sounds better. The way Ben says Sunshine—long and low, lined with some sort of care even when he’s glaring at you—makes time slow a little and your heart flutters in your chest. “I’m not mad,” you tell him, and it’s easy to do so. It’s the truth, and Ben makes the truth simple. “He would’ve seen it eventually. And he was going to be pissed off no matter what.”

Ben nods slowly, and something wired scratches under your jaw. “And if I kiss you in front of the rest of them?”

“As long as you’re not gross about it-“

His hand draped near your neck grabs your jaw, holding you still as he leans down. He kisses you so lazily, as if time is something he could pull to a halt or simply didn’t matter. Time could turn and the world could go with it, but Ben would stay here and keep kissing you. In the light of the morning, with both of you wearing casual clothes, with Ben’s arm wrapped around you, with the air clean and cold, this feels like it could be normal. Like if someone passed you on the street they wouldn’t think twice about it, because there’s nothing strange or violent or complicated about two people kissing like this. About one of them holding onto the other’s shirt to pull them closer, or the other tangling their hand in the hair of the first, because why wouldn’t they? Nothing’s odd or notable about you chasing Ben’s mouth when he starts to move away, nothing’s remarkable or worrying about him laughing when you do and giving you just that little more you wanted.

When Ben eventually does pull back he’s smiling, and everything in him and around him is comfortable.

“Ben?” You whisper, and he raises his brows at you.

He hums your name, and you can feel the warmth of his breath when it leaves his mouth. He says it in a teasing, drawn out manner, and you smile at him.

“If you ever put a gag on my mouth, I’ll burn it off and bite you.”

Ben laughed, that big chest laugh he does when there’s nothing to stop him, and it carries away into the wind. “Is that a promise?”

“Fuck you.”

“If you want,” Ben winks, starting to guide you over to his shield, arm never dropping from your shoulders. “I’d let you bite me without all the trouble of a gag.”

“Cunt.”

“Brat.” He picks up the shield, and glances back to the building. “Let’s get a move on before Butcher finds his excuse for balls.”

Getting into the building is worryingly easy. Ben pushes through the steel doors that hopefully will just lock behind you, and there’s nobody waiting when you walk inside. There’s an elevator next to the stairwell, but the stairwell says floors B-20, no roof access, so you step into the elevator and pray. There’s no 21st floor button, but there is a scanner that you press the Jane Smith badge against, and the elevator starts to move.

Ben leans over you, frowning at the badge. “Who the hell is Jane.”

“It’s a movie reference,” you frown at the photo Butcher chose for you, because you recognize it as your school id photo and can’t imagine how he got his hands on it.  “They can’t put my real name there.”

“Because you’re dead.”

“Legally dead,” you grin at him as the elevator slows. “As you well know, I’m very much alive.”

“Well, I wouldn’t want to fuck you if you weren’t,” Ben grumbles as you walk off the elevator. “I’m into some kinky shit, but that’s just fucking disgusting.”

Your face heats, now plagued with thoughts of the kinky shit Ben might be into, a spiral not aided by the words want to fuck you playing on repeat in your head. In order to distract yourself, you focus entirely on finding the apartment. “Butcher said to take a left-“

“I heard him,” Ben starts to herd you down the hall, and you let him. “He practically fucking screamed it.”

“That might just be your super hearing, Ben.”

“Or Butcher’s a loud fucking ass.”

You snort, and let Ben continue to move you until you stop in front of a tall, metal door with no handle or visible lock.

“How the fuck are we supposed to get in,” Ben grunts. “Dumbasses forgot to add a doorknob.”

“You know, it’s really amazing you were able to get anywhere when you left Russia, let alone to America,” you hum, raising the badge for Ben to see. “You’d really be lost without me holding your hand through the maze of the modern world.”

“I keep you around for a lot of fucking reasons, beautiful.” He mutters, squeezing your arm. “But the modern world isn’t one of them.”

“Okay,” you shrug. “Tell me what I’m going to do with this.”

Ben’s brows knit, eyes darting between the badge in your hand and the sleek door, eventually finding the scanner. “Put it there.” 

“And would you have been able to figure that out if I hadn’t done the same thing in the elevator?”

“Shut the fuck up.”

You laugh, and scan the badge. The door slides into the wall with a pleasant whirring sound. Opening up to the apartment. Your apartment. With Ben. It hits you hard, right in the chest, that this is your apartment with Ben. Not a safe house that you’ve been locked into for the sake of a plan. This is purposefully for you and Ben, with one bedroom and one bathroom for you to share. With Ben.

It’s nice. Almost empty—completely devoid of the generic suburban decorations of the safe house—but nice. Really nice. High ceilings, large windows, polished floors. The type of apartment you used to dream of having, that would cost a small fortune if you were actually paying for it. From the door you can see a small kitchen area, fireplace, a flatscreen TV, and a staircase. There’s a staircase. That goes up to a loft strip.

That spurs you into action. You grab Ben’s hand and pull him through the door behind you, gaping around you.

“Jesus fucking Christ woman, slow the hell down-“

“Holy shit.” You breathe. “This place is fucking awesome.”

“It’s okay-“

“No, Ben, it’s fucking awesome.” You point up at the loft strip that leads to a single door. “Look at that shit. That’s awesome.”

“It’s a normal fucking apartment-“

“Maybe for you, rich boy.” You say, nudging him lightly, a wide smile still on your face. “Some of us lived with rats and radioactive mold for most of their lives.”

“Radioactive mold?” 

You shrug. “That’s what the inspector said.”

“Why wouldn’t you just fucking move?” Ben sounds genuinely confused, like he can’t possibly fathom why you wouldn’t just leave. You can feel it, as well. The almost naïve confusion. “Go somewhere that doesn’t have radioactive fucking mold.”

“I have terrible news for you about how much an apartment in New York costs and how much the average waitress gets paid.”

“Waitress? When were you a fucking waitress?”

“I have more terrible news about how expensive college tuition is,” you shrug. “It’s like this for most people, Ben. So can you please acknowledge that this is fucking awesome?”

He’s watching you, his jaw clenched, and you can feel something rolling around in him, pushing into his throat before dropping to his stomach and bouncing all the way up into his brain. It takes root there, and he swallows heavily.

“This is fucking awesome.” His tone is bored, but when you grin at him you can see his face soften in time with something against his ribs.

“Thank you.” Ben only grunts, and you tug at his hand. “If you put down your shield we can go look at the bedroom.”

The shield has barely crashed to the ground when Ben is picking you up, getting a steady grip under your legs as he makes beeline for the stairs. He climbs them two at a time—your nails digging into his shoulder less for grip and just because you can—and kicks the door at the end of the strip open.

You’ll look around the bedroom later. Right now it’s all Ben, kissing you before he’s sat on the bed with an already open mouth, running his tongue over the roof of your mouth. Releasing your legs so you can use them to drag your body closer to his, using his now free hand to drop around your hips and rub the skin of your thigh. Releasing you for only a second to pull your jacket off to touch your bare arms and drop a hand under your shirt—his shirt—to rub your back. But not higher, or lower. Right where you’ve asked him to stay.

It gets harder to keep him there every time. When he’s groaning and growling into you and taking every single moan and whine you give him like he’s starving. When you can feel that he is starving. You can feel the hunger growing larger after every moment like this one, feel the rough and consuming thing that’s devout and savage push closer to the surface. It’s harder to pretend it’s not everything when it is, when you can feel every part of him against and around you. To pretend you don’t also want him inside you, making your head empty and the world just Ben. It’s harder to remind yourself that you can’t give all the way in, because fuck it would be so easy. Easier than pretending you’ll be fine like this. Easy to worship him and make him burn and burn with him.

After what might have been only a second or a whole decade, Ben leaves you for breath, dragging you up the bed with him to rest at the headboard. He seats you between his legs, your face against his neck, and just holds you. For another year—or what feels like one—Ben just holds you as you drift in and out of the rest of the world. Eventually you tilt your head up to look at him, and he’s staring at you, mouth slightly parted and inches from yours.

“What time is it?” You ask quietly, some part of you afraid that you’ll speak too loudly and wake up from this dream.

Ben’s voice is steadier than yours, but still low. “Noon.”

You press your face back into his collarbone. “We should probably do something.”

“Like hell we should,” Ben mutters. “I think we’ve earned one goddamn day not doing everyone’s jobs for them.”

“But-“

“One day, Sunshine. You can panic and plan all you want tomorrow, but today you’re not doing jack fucking shit.” He glares down at you, and you’re melting into him. Into the sturdiness of him, into the smell of him, into the feeling of his determination on your shoulders. “You can do whatever the hell you want, as long as it’s pointless.”

You glance nervously around the bedroom. Just like the rest of the apartment, it’s nice, but in a bland catalog way. The sheets are gray and cotton, the walls are eggshell white, and there’s a very sad plastic plant in the corner of the room. “What about a list for Mallory?”

Ben narrows his eyes at you. “A list for what?”

“Our apartment. Things we need or want.”

He tenses, and for a second you think he’s going to throw you off his body and run. That the word our made him catch a hint of your need for him, and he doesn’t want to deal with it. The only thing that keeps apologies and backtracking rationalization from falling out of your mouth is the content in him growing. Merging with the hunger.

“Fine,” he grunts. “But you stay in bed.”

You nod, craning your neck away from him. “Where’d you put my jacket?”

“Probably on the floor.” His grip on your tightens. “Why.”

“It has my phone in it.” You start to stand, but Ben keeps you against his chest. Kissing you one last, quick time before relaxing. He doesn’t fully let you go until you’re out of his reach, and watches you intently until you’ve grabbed your jack and returned to his side.

You empty the contents of your pockets—Ben hand resting easily on your hip as he watches silently—which ends up being the blue sunglasses, your phone, and a tube of lip gloss that had appeared out of thin air. You set the sunglasses carefully off to the side, leave the lip gloss thoughtlessly on the mattress, and pick up your phone to set to work.

You kill six hours like this. Leaning against Ben, who silently watches and holds you the whole time, and typing up a list for Mallory. You start simple, obvious. Basic groceries, with extra strawberry cream cheese and malt vanilla ice cream. A few durable cookbooks. Shampoo and conditioner, whatever’s cheap for you and a very specific brand you go out of your way to look up for Ben. Lots of toilet paper, a spare fire extinguisher, and a coffee machine. Maybe a laptop. You like sitting like this—In bed with Ben all around you and both of your bodies relaxed and spread out—but you also like watching TV. And you just saved the president, if you speak in very broad and hypothetical terms. You think you’ve earned a laptop. Then you start to have fun with it. With asking Ben stupid questions about colors that he entertains with one word answers—you don’t bother to ask about green or blue because you already know the answers will a yes and no respectively—and trying to find decorations get any sort of reaction other than a bored grunt. So far you’ve only garnered reactions of disgust, courtesy of a Deep life size cardboard cutout, a truly horrible leopard print bed set, and limited edition Soldier Boy set of china with his smiling face printed on every plate and cup.

“If you buy those, I’ll smash them.” He growls against your ear, and you look back at him with amusement.

“I’d have thought things with your face on them would’ve earned a resounding yes from you, Pretty Boy.”

“You get my face for free every fucking day,” he snaps. “Vought can suck my dick, turning a profit after they fucking stabbed me in the back.”

You pout at him, “but they’re collectibles.”

Ben snorts. “If you just want to eat off my damn face, all you have to do is ask.”

You slap his arm against you, attention returning to your phone. After several more attempts that prove fruitless, Ben squeezes your thigh.

“That,” he grunts, pointing at the screen. “Get that.”

It’s a carpet, dark green and fluffy. It’s so simple, such a common thing to see in any house that Ben’s concrete focus on it throws you.

“The carpet?” You clarify, and he nods with a low sound of affirmation. “Okay.”

His eyes shoot to you from where he’d been staring at the carpet. “If you don’t want it, just fucking say that-“

“No, I want it,” you stop him quickly. “If we want to give a shit about aesthetics I’ll have to change a few things, but that doesn’t really matter.”

“I’ll fucking live if you hate it-“

“Ben, this is the first thing you haven’t been either apathetic about or actively hated. I’ll live if I have to change the color of a pillow or some shit.”

He pauses, then gives a rough nod. “Fine.”

You give him a small smile. “Fine.”

When 6:45 hits, it takes a lot of work to get Ben to please just come to dinner. What eventually gets him is telling him that you’re going, with or without his ass, and he can either sulk like a child about it or just fucking go with you. Then, even as he glares at you, Ben hauls himself out of bed and follows you out of the bedroom. At some point the agents had dropped off the bins, along with Annie’s Nightmare Makeup collection and the same toiletries from the safe house. Half-empty bottles of shampoo, your body wash, and Ben’s stiff toothbrush. If you had more time you’d start sorting through the bins—you have very little faith in Ben’s ability to have properly organized them—but dinner. And you’ll have time later. Lots of time, here, with Ben, to throw clothing at his stupid handsome face and yell at him about pointless things. All the time in the world.

It takes a while to find the dining hall. There’s not a map of the floor or building, or a large neon sign pointing in the right direction. Ben drags you around for about eight minutes of attempts to just figure it out our fucking selves, and you’re a second away from caving and texting Kimiko when Ben stops abruptly and you slam into his back.

“What the hell-“

“Found it,” he grins down at you, gesturing to a door with a plaque by the side that reads Dining Hall. “I fucking told you I could.”

“Yeah, we’re only,” you glance at the time on your phone. “Ten minutes? Fuck, Ben,” he doesn’t budge as you slap his chest with a glare. “We’re late. Butcher said not to be late-“

“Butcher can suck my fucking dick until I get off,” Ben mutters, pulling you forward by your hand. “If the pussies were so fucking worried about us being late they should’ve done something about it.”

You’re going to protest, but Ben pushes the door open roughly to reveal a room that qualifies less as a dining hall and more as a middle school cafeteria. Tile floors and basic kitchen appliances, an unattended food service area, and low tables with benches. The only people in the room aside from you and Ben are grouped around one of those tables in a deep conversation. You can see almost everyone. Butcher is standing at the head of the table, and doesn’t look up or acknowledge you as you enter. Annie and Hughie are sitting on one bench with their backs to you, and Kimiko and Frenchie are across from them as they all poke at plates of varying food in front of them. You walk across the room slowly, Ben trailing behind you, and when Kimiko sees you she smiles and gives you a wave.

Did you see the rooms? She signs with a grin. They’re huge!

You laugh, and pull your hand from Ben’s hold. Does yours have stairs as well?

And a rain shower! She nods. We should’ve moved here months ago.

Before you can respond, we moved echoing in your head, Butcher’s voice cuts through the air. “Glad you could be fucked to join us, Love.” 

“You didn’t tell us where to go, you ass,” you mutter. “We had to find it.”

“Sure you weren’t just too busy fucking-“

“Can we not do this over dinner, Butcher?” Annie sighs. “It’s late, and it’s been a long week. I just want to do the briefing and go to bed.”

Butcher scoffs, and glares at you. “Sit the bloody hell down so we can get this over with.”

You flip him off, and round the table to sit beside Kimiko. Ben follows, dropping with a grunt beside you and placing a hand on your thigh, and you glance around the table.

“Where’s MM?”

“Getting dinner,” Hughie points to the empty food service bars. “You have to go all the way back into the kitchen, everything won’t be fully operational for a while.”

“So we’re all living here?” You ask with a frown. “Everyone gets their own apartments?”

“Well, me and Annie are together,” Hughie looks nervously at Ben, silent and stiff at your side. “Like, uh, you guys. Butcher and MM each have their own, and Kimiko and Frenchie have a two bedroom.”

“How did the FBSA even get the budget for this?” Annie wonders. “What could they possibly plan on doing with it after?”

MM appears behind Butcher, a tray in his hand. Not looking at you. “It’s going to be for supes who want to jump off the Vought ship.”

Hughie nods. “I sat in on the pitch when it happened. The idea is that maybe if we protect them, house them, we could contract the less, uh, violent supes. For better stuff.”

“Better stuff,” Butcher snorts. “Ain’t no supes doing better stuff.”

Ben’s hand tightens against you, and you feel your own body tense. At your side, Kimiko glowers at Butcher, and across from you Hughie pulls Annie a little tighter against him.

“Butcher,” MM says with a glare, dropping at Annie’s side. “Read the fucking room, asshole.”

“I can’t believe I let go this fuckin far,” Butcher mutters, surveying the team with a scowl. “Bloody one to one ratio.”

“Yeah,” Annie rolls her eyes. “Because going up against Vought with just four random guys was going really well for you at the beginning.”

“At least I didn’t have to put up with a bunch of whining, overpowered cunts-“

“Butcher,” MM snaps. “Can we just get this shit over with without anyone shooting or punching anyone else?”

“Whatever, but Starlight fucking started it-“

“No I didn’t you dick-“

Butcher raises his voice over Annie. “We’re waitin on Stan Edgar to come through, and until then we’re on lockdown. No quick trips to a bodega, no walks around the block, no nothin. Vought’s on high alert, the government's on high alert, you two twats-“ He points at you and Ben. “Got your faces all over the news. There’s a damn man-hunt, hashtags about freeing Homelander’s girl from Soldier Boy and avenging VP Neuman.”

“Avenging?” Frenchie asks with a frown. “Madame Neuman is alive, no?”

“Not to the public,” MM shrugs. “Easiest spin, fastest way out, was to make it seem like Bonnie and Clyde nuked her. Fits in with the whole terrorist narrative.”

“So why do we all have to be on lockdown,” Annie crossed her arms. “If it’s just them taking the fall?”

“Because Homelander’s about to go on a bloody rampage,” Butcher drawled, and everything becomes cold inside you. “He just lost a major ally, missed the Anomaly and Soldier Boy by a hair, and is feeling the pressure. So until Stan Edgar comes through, Mallory’s benched us.”

“What do we do if he finds us?” You ask softly, blood pounding in your ears, fire scratching at your skin. “If someone tells him where we are?”

“Nobody knows except us, Mallory, and some agents Mallory handpicked.” MM says firmly, still not fully looking at you. “This place is designed to protect people from him. We’ll be fine.”

“And we’re just supposed to sit around on our fucking asses until Edgar makes good?” Ben glares around the table. “Jacking each other off and pretending everything’s just dandy?”

“I’m not happy about it either, Gov.” Butcher sneers. “I’d like nothing more than to fucking rip Vought a new one while they’re in crisis. But unless you’re willing to go nuclear and flag Homelander down for a bloody one on one, we’re waiting.”

You can hear Ben’s jaw grind, and his grip on you is like iron. Hot and violent anger is flooding through him, and his voice is cold. “Fucking watch it.”

“You fucking watch it, Soldier Boy,” MM hisses. “We’re all stuck here because of the deal you made. Don’t act like you’re some sort of victim or hostage. You can leave whenever you fucking want, and we won’t stop you.”

Ben stands suddenly, and Hughie flinches backwards across the table. Annie catches him from falling, and MM doesn’t even twitch.

“I’m not fucking going anywhere,” Ben hisses. “And that deal is the only thing that will help you with Homelander. So fucking watch it.”

MM doesn’t back down, holding Ben’s glare, and you grab Ben’s arm. Holding him at your side. “Is that it, Butcher?” You ask, leaning slightly over to meet Butcher’s cold gaze. “We’re waiting for Edgar, no leaving?”

“Yep,” Butcher drawls. “Now call your dog off.”

You ignore him, tugging at Ben’s arm slightly so he looks down at you. Can we just go?

Ben examines your face—his anger not fading, but becoming wrapped in the stone resolve—and nods. Whatever.

You address no one in particular. “Is there anything we have to do while we wait?”

“I was thinking we could do dinners together,” Hughie mumbles, voice a little unsteady as he looks between Ben’s braced stance and MM’s expression of twisted anger. “But, uh, that seems like a bad idea now.”

“No, it’s good. Team building,” you stand slowly. “Good idea. We’ll see you tomorrow.”

You start to drag Ben away from the table, away from the violent tension building in the air.

“I am not doing fucking team building with those pussies.” Ben mutters in your ear as you walk back down the hall.

“It’s just dinner, Ben.” You sigh. “You’ll only have to sit, brood, and not kill anyone.”

He grunts, but drops it, moving his hand into yours. He’s silent as you return to the apartment, dragging you up to the bedroom before you can start to unpack.

“We’re not going fucking anywhere for a while.” He snaps when you start to protest. “You can unpack in the morning.”

And he’s right. That’s what makes it so easy to leave the bins downstairs and just go to bed. You aren’t going anywhere for a while. You’re going to be here, with Ben and his stupid fluffy rug you’re going to ensure Mallory buys. You’ll spend the days with Ben the same way it’s grown to be, easy and simple and good. He’ll hold you at night, make sure the nightmares don’t come, and keep touching you. He won’t leave. You won’t leave. And the bins will be there in the morning.

The days blur together. Unpacking only takes one morning, and things from the list start to appear in the hall outside your door. In only three days, you have almost everything, and the apartment feels like yours. Yours and Ben’s.

The time is filled without thought. Training your fire and singing, holding Ben’s head in your hands as he grumbles about not needing this—though he’s stopping saying he never fucking had shell shock in the first place—and teaching him everything about the internet. By the end of the week he sort of understands social media but thinks it’s fucking stupid, and can passably navigate a browser by himself. You don’t stop trying to get him to play Candy Crush, but every time you try and grab his phone Ben shoves it in his pants, giving you a glare that says I fucking dare you, Sunshine.

You always flip him off, because you won’t cross that line. You’ll touch him everywhere he lets you, but not there. Not unless you want to explode. The more days pass, the more Ben touches you everywhere but there, the more that becomes certain. If you let him do more than kiss you, more than have you grind on him in silent desperation as he grows hard against you, both of you never finding relief together, you’d turn into a beacon of fire and undying desire. You’ll never recover. So you don’t cross the line, and try to pretend you can’t feel his own strain for you whenever you’re touching him. Because it’s not the same as yours. Maybe more than lust, you can admit, but not the same.

You’re getting stronger. Ben is still pushing you, albeit with more underhanded, horny tactics that leave you aching when he pulls away with a mocking grin, but it works. Because you’re stronger. You still can’t fully control the illusions, but they’re never hazy anymore. And you can make things happen. If it’s a sad song you can’t stop the rain, but you can make it blend with sunlight until a rainbow mist fills the room. A bubblegum pop song will still be over-saturated and feverish, but you can choose to add something more concrete than just a strobing flash of lights. Moon River still opens the sky and brings in cooling wind, but the room is covered in blooming strawberry flowers. And your fire is powerful. Becoming less like an uncontrollable parasite and more like a muscle. A phantom limb you can move in time with the rest of your body. It’s no longer a part of you that you wish you could remove. It sits under your skin, humming softly, and only comes out when you tell it to.

Dinners are weird. Every night everyone slowly gathers in the dining hall, exchanging small talk and discussing everything except the looming threat of Homelander and Vought and the possibility that Edgar could fail. Ben silently sticks to your side and rarely engages in conversation, but nobody makes any attempts to make him do more than that. It’s the only time you see MM and Butcher, but some afternoons you’ll watch TV with Kimiko while Ben sulks upstairs. Then Ben calls Hughie his name instead of Cocksucker during dinner, and the whole table falls silent. Staring at him with wide eyes and frozen faces.

“What the fuck are you pussies looking at?” He grumbled, poking at the broccoli you’d dumped onto his plate.

Annie blinks a few times before speaking. “You just-“

“Nothing!” Hughie yelps, and you have a feeling he doesn’t want to call attention to it and cause Ben to backtrack.

“It’s clearly fucking something-“

You cut him off with a swift kick to the shin, shooting him a look of I’ll tell you later. Just let it go.

No, they’re being fucking weird. He scowls, and you roll your eyes.

If you don’t drop it, you’ll be sleeping on the couch.

You’re bluffing, because if Ben sleeps on the couch you’ll wake up screaming and alone, but you sell your glare well enough that Ben scoffs, this is fucking blackmail, and doesn’t say anything else.

After that, Annie and Hughie will text you to eat lunch. Then Annie stops looking at Ben judgmentally after another week, because she stops by to collect you and Ben answers the door before you can.

“I’m not here for you,” she snaps, and Ben glares at her, but steps aside. Revealing you, in shorts and one of Ben’s shirts. You’ve started to develop a habit of just taking them, and if Ben’s noticed he hasn’t stopped you. You think he might have started to leave them out on purpose, because every time you wear one he coughs and walks very quickly into the bathroom.

“Sorry.” You’re shuffling around the room, turning over pillows and crouching down to look under furniture. “I lost my phone-“

“It’s upstairs,” Ben grunts. “It died. I plugged it in.”

You nod, and start to move to the stairs, but Ben’s legs are longer and he gets there first. Stomping up to your room without a word, and returning with your phone. When you and Annie leave—Ben grumbling a goodbye and kissing the top of your head—Annie coughs as you walk down the hall.

“Um,” you look at Annie, who’s watching you carefully. “You two seem comfortable.”

“We are,” you say softly, and Annie nods.

“And you’re really not fucking?”

“Despite Butcher’s constant bitching, no.”

“Why?”

That makes you gape at her. “Annie?”

“You’re wearing his shirt,” she says your name slowly. “He seems like maybe 10% less of a violent ass. It’s not my business, but, I don’t know. He called Hughie his name. I’d have been comfortable betting you two were fucking like a month ago. Now it feels insane that you aren’t.”

“It’s complicated,” you sigh. “I really don’t want to talk about it.”

She nods, and drops it. That night, she still doesn’t talk to Ben, but also passes him salt when he asks you for it. Two days later, she brings Hughie with her to your apartment, and suggests you eat there instead.

“Is that okay, Ben-“

“I don’t give a shit,” he grumbles. “It’s your fucking apartment as well. Do what you want.” 

“Will you eat with us?”

Ben looks between Annie and Hughie, still in the doorway. “Fine.”

It’s a slightly awkward meal, Ben sitting next to you, only answering questions with one worded snaps. But nobody explodes, or makes cruel comments, so you count it as a victory.

They still don’t let you touch them, but Ben touches you more than enough to make up for it. Butcher is still crude, making snide comments about you and Ben, but it’s been almost two weeks of this and he hasn’t mentioned your outburst. His remarks remain in the realm of mocking and vulgar, but there’s no mention of you being compromised, or Homelander. MM still won’t fully meet your eyes, and you don’t blame him. You try not to think about it, but something small keeps gnawing at you. It grows quiet when Ben holds you, because he does it so carefully and gently. And you tell yourself that this Ben isn’t that Ben. That was Soldier Boy. Ben won’t even let you say Soldier Boy anymore.

Would he still do that? The small thing asks, and you don’t really have an answer. In December you would’ve said yes. In December you would’ve pictured the callous, sadistic man you threw a knife at and not hesitated to say yes. Now you picture him smiling at you, calming you after a nightmare, holding you tightly when the cracks Homelander left on you start to open. And that Ben wouldn’t. Your Ben wouldn’t. And what scares you more than the certain faith in that statement is the your part. How smoothly your brain calls him your Ben. Like he’s as much of a part of you as the fire has become. How even when you try to double back and correct yourself, reminding you he’s not your anything, every part of you just goes no. Your Ben.

That’s a thought that will have to wait a while to fight. Until after this is over. Hopefully you can keep pushing it down until this is over.

It’s something that starts to creep over everyone. That if Edgar comes through, if everything somehow falls into place, this could be over. By the end of March, this could be over. Flowers could start to bloom and the sun could start to herald spring in a world without Homelander. This could all be over.

“I miss my drugs,” Frenchie grumbles over dinner. “When we finally are allowed outside, I am getting all my drugs back from Madame Mallory and having a very good day.”

Ben doesn’t say anything, but gives you a look of I’ve been missing drugs from fucking months. Don’t see me whining about it.

You literally do nothing but whine about it, Benjamin. You wrinkle your nose at him. After one week in the safe house you’d started asking me for drugs every day. We weren’t even friends.

He rolls his eyes, and tugs you a little closer into his side. We’re friends now. Can I have drugs.

No. You elbow him, and your attention returns to the group.

“I think I’m going to eat a whole donut shop,” Annie is saying. “I miss donut shops.”

“I’ll second that,” Hughie nods. “And I’m never wearing a hoodie again. Or a baseball cap. Or anything that covers my face.”

Frenchie nods. “Oui. No more covering up. I’m going to streak in the park.”

“That’s not what I meant-“

“We ain’t out of the woods yet, cunts.” Butcher snaps over Hughie. “I wouldn’t start celebrating and bloody daydreaming before Edgar even comes through.”

“It’s good for morale, Butcher.” Annie shrugs. “Gives us something to look forward to.” Butcher grunts, and Annie looks at you. “What about you? Will you go back to Boston?”

You pause, because you don’t know. You don’t have anything, really, in Boston. Or New York. Even if Mallory gets you declared alive, you’ll have to spend a lot of job interviews explaining the three year gap in your resume. Your old friends might not be able to talk to you without pity or morbid fascination. You could go with Ben. A very large, hard to ignore part of you really wants to go with Ben. But you haven’t told anyone about that offer, and now doesn’t feel like a great time to breach the topic. Not when you haven’t even decided yourself.

Ben speaks before you can answer Annie. “Is your sister in Boston?”

“What?” You blink at him.

“Your sister.” He repeats through a mouthful of food. “She in New York, or Boston?”

You shake your head. “It doesn’t really matter-“

Ben shoots you a glare, you said you’d stop saying things don’t fucking matter, Sunshine, and says aloud, “you need to talk to her.”

“No, I don’t.” You snap. “I’m not bringing her into this. Fucking drop it, Benjamin.”

“You said you’d think about it-“

“And I did, and I won’t. So drop it.” You turn back to the table, which has fallen into nervous silence. The conversation picks back up slowly, and Ben is filled with that sour tight feeling against you. You tap his leg lightly and he looks at you with a frown.

What.

Are you mad? You blink at him, and he rolls his eyes.

Don’t be fucking stupid. His face relaxes a little. You can’t start to rely just on your looks, beautiful.

You smile lightly at him. Worked for you.

Ben snorts into a cough. Brat.

Cunt, you’re grinning fully now, and when you glance at MM he’s watching you with a frown.

That night there’s a knock on your door while Ben is in the shower, and you gape in surprise when you open it to see MM on the other side.

“Soldier Boy was right,” he grunts, and you stare at him.

“What?”

“You need to talk to your sister.”

You sigh. “MM, it’s really complicated-“

“No,” he snaps. “It’s not. Rocket science is complicated. This is real simple. That motherfucker isn’t right about almost anything, but he’s right about this. You need to tell your sister you’re alive.”

“Please don’t-“

“A second chance at shit like this is real rare,” MM says your name firmly. “I’d kill for it. Butcher would kill for it. Almost all of us would do real dark things to get another shot at family. Don’t waste yours, not when it’s being offered.”

“What if she gets hurt?” You whisper. “What if I bring her into this and it gets her killed.”

“Well, considering she was still calling the Starlight Fund every day before the number went out of service, I’d bet that’s still a fucking danger right now.” MM shrugs. “At least now she wouldn’t be in the dark.”

“She kept calling?” you feel the blood drain from your body, your skin starts to itch. There’s no smoke, and the fire is secure inside you, but you’re still staring with a tight face at MM. “Why didn’t you tell me?”

“Didn’t think you’d listen to me.” He mutters. “But for some fucking reason you might listen to him.” MM jerks his head up to the loft strip. “I’ll text you her number, it’s still in my phone.” 

“Okay,” you say quietly. “Thank you.”

MM nods tightly, and starts to leave. You almost reach out to stop him but jerk back at the last second. You can’t touch him. The movement still catches his eye, though, because he turns back around. “What?”

“I’m,” you take a deep breath. “MM, I’m really, really sorry about-“

“You don’t owe me shit.” He stops you with a raised hand. “But remember that you don’t owe him shit either.”

“I know. I’m still sorry.”

MM sighs, looking you up and down. “Just, I hope you know what you’re doing.”

The words echo around in your head as MM walks away.

You know what you’re doing. Butcher said you don’t, MM says he hopes you do. You do. You’re walking upstairs, and you know why. To wait for Ben.

Your phone buzzes only a minute later, and you stare at the number MM texted you. Violet’s one tap of a screen away. Right there, just a centimeter from your thumb, is the ability to hear your sister’s voice for the first time in years.

The shower turns off, and Ben enters the bedroom in only sweatpants. On almost any other night you’d be fully distracted by it, his bare chest and damp hair and the smell of his drifting around in the air, but you’re still staring at the phone.

He notices. “What’s wrong with you.”

You watch him as he drops on the bed. “I need your help.”

“With what.” Ben’s whole body grows rigid, his hands fisting as his eyes start to dart across you, around the room. “Who the fuck-“

“I’m fine,” you reach out to place a hand on his knee, and the consuming paranoia in his body hits you in the chest. You make your words a little more firm. “I’m really fine. I,” you take a heavy breath. “MM gave me my sister’s number. I’m going to call her.”

“Oh,” Ben relaxes slightly, but is still frowning at you. “The fuck do you need me for.”

You shrug. “Emotional support?”

“Emotional support?”

“Like if I need to hit someone. Or cry.”

“Oh,” he nods, looking you up and down. “Fine. Go.”

“Now?” You chew at your tongue, head shaking slightly. “I can do it tomorrow, it’s late, she might not even pick up-“

“Now,” Ben scoots a little closer to you, holding your eyes with his. “Or I’m not doing that support shit.”

The world starts to spin, and it must show on your face because Ben’s hand covers where yours still rests on his body. He’s silent, warm and real against you, and everything feels sharper. You take another large, long breath and Ben nods slightly, looking down at the phone number displayed in blue light on your phone. Waiting for you.

Your thumb presses it, and the ringing echoes through your room. The only thing that keeps air moving in and out of your body is Ben. Still touching you, making the tight anxiety around your throat loosen just enough to keep breathing.

The ringing stops suddenly, and a static hum fills the room for a second before a voice replaces it.

“Hello?”

Her voice sounds the same. It’s a little deeper, and a little more tired than you’d heard it before, but she still breathes the heh in hello. There’s still the slight hint of a Boston accent in her tone—because she’s the only one of you and your siblings who got that trait from your father—sitting in an odd combination with the slight southern lilt she’d given herself from watching old cowboy movies.

“Violet?” You breathe out, because that’s all you can manage.

“Who is this?”

You swallow, glancing at Ben as you say your name. He’s watching you, completely still save for his thumb, rubbing a circle on your hand. The line is silent for just long enough to think it dropped.

“That’s not funny,” Violet finally hisses. “I don’t know who this is, but screw you. I don’t know what the hell your problem is, or why you’re doing this, but screw you.”

“No!” You yell, voice high and panicked. If she hangs up, you’ll lose her. She won’t pick up a call from your number. You can’t lose her again. “It’s me! I swear, Violet, it’s me. I’m alive. You were right, I’m alive.”

“This is just cruel-“

“Please, please just-“ You scramble for some sort of proof, something that will convince her. “You were five. You were five and I was thirteen, and we were at one of Mom’s parties. I sang Tommy Dorsey, and my dress gave me a rash. You did a ballet routine, and Mom made you wear a tutu, and you gave it to the senator’s dog to eat the next day.”

The line is silent again, and you’re staring at Ben with wide fearful eyes. What if that didn’t work?

He shakes his head. It fucking will.

He’s right. Violet breathes your name through the phone. “If this is you,” her voice is cautious, but still there. Still on the line. “What was the last thing you said to me? Before you disappeared.”

“We were on the phone,” you say frantically. “I told you that if I got my PhD tomorrow I’d break you out of mom’s house, drive you to the Cape, and we’d spend a week getting drunk on the beach. You told me you were sixteen, and I said I’d pavlov you into thinking you were drunk. Then I said it probably wouldn’t happen anyways, because I’d only been working on my PhD for three years and normally it takes at least six, and you told me being normal never stopped me before.” You take a strangled breath, and wait.

“Holy shit,” she whispers. “Where the shit have you been? What happened? You just completely vanished,” she says your name, voice growing louder and louder. “You disappeared off the face of the earth for like two years and then you’re all over the news with a different last name and you’re Homelander’s girlfriend. People are saying Soldier Boy mighta kidnapped you and nobody will give me a single straight answer-“

“It’s complicated,” you say, feeling Ben’s tense. “Where are you?”

“In New York, I’ve been crashing with a friend. What the shit is going on?“

“I can’t say much over the phone. If you text the address to this number, I can send someone to get you. I might take a few days-“

Violet shouts your name, crackling over the speaker. “Someone to get me?! Where are you?”

“I can’t say that either.”

“Well, what can you say?”

Ben snorts, and you glare at him. “It’s-“

“Is someone else there?” Violet interrupts you. “Who else is there? Are you in danger? What’s going on-“

“I’m safe,” you don’t hesitate to say it, even as you scowl at Ben. “I’m fine. Violet-“

“Who was that, then?”

“Ben,” your words are half answer, half a hiss at the man himself. Because Ben is grinning at you and being very distracting as he starts to move closer.

You wanted me here, he winks, and you hit him.

“Who the hell is Ben.”

“Uh, Soldier Boy.”

“Soldier Boy?!” You wince at the volume, and Ben laughs again. “What do you mean Soldier Boy?! He’s there?! Right now?!”

You take Violet off speaker, even though you know Ben will still be able to hear her. It’s about the principle. “I really can’t explain over the phone. Soldier Boy didn’t kidnap me, I’m safe, and I can send someone to get you. Please.”

“Fine, but I want answers.”

“And I’ll give them to you. In person.”

“Good.” There’s a beat of silence, and Violet says your name softly. “I’m real happy you’re alive.”

“Yeah, I am as well.” You smile softly, because that’s the truth. “Thank you for not hanging up.”

“Is Soldier Boy really even hotter in pers-“

“I’ll see you soon,” you say loudly, because Ben definitely heard that. He’s smirking at you, and you can feel his smugness through where his leg is now pressed against yours. “Text me the address. I love you.”

You can hear Violet huff. “I love you too. Killjoy.”

The line drops, and Ben leans forward.

“Well? Am I hotter in person?”

“Shut the fuck up.”

“Fucking rude,” Ben drawls your name. “After all I did to help you.”

You scoff. “You just sat there, Pretty Boy. I did all the talking.”

He shrugs. “And you did a damn good job. I’m proud of you.”

The thing you’ve shoved deep, deep into you, the bigger thing you keep trying to ignore, flashes bright and hot through your body. “Thank you,” you whisper, and Ben grunts. “Do you, would you be okay if she came here?”

“Of course I would be.” He frowns. “I’m not going to get on your ass about this and pussy out when you finally fucking do it.”

“Would you stay here? Or go wherever we have to go to meet her?”

Ben pulls you fully against him, kissing the space between your eyes. “I’ll go wherever the hell you want me to, beautiful.”

It’s so difficult to just gently pull his mouth down to yours in thanks, and not climb on top of him and let him bring you the one place you need him to go. Into you, and against you, and with you forever.

But you manage to keep your senses, and smile against his lips. “Even Florida?”

“Don’t fucking push it,” he mutters, and you laugh. He lowers you onto the bed, keeping you tight between his body and the mattress, and you’ve never felt so calm and safe. Every time he does this, it somehow gets better. Every time he chuckles and it echoes through you, every time you can feel the hunger—now indistinguishable from the affection and what you’re afraid to call devotion—and every time his beard scrapes against your skin, rough and real, it gets better.

Butcher had been right. Ben isn’t a white knight. But you didn’t need a white knight. You didn’t want a white knight. A white knight would just put you in another, more golden cage. Would try and make you smile like you hadn’t been locked in a tower with a dragon. A white knight would try and save you, make you better. Ben didn’t need you to be better. Ben just made you better, in his own fucked up little way. You smile because he’s there, not because he told you. You scream and he screams with you. You need him and he doesn’t leave because it’s inconvenient. You burn and he burns with you. And he would never put you in a cage. He’d—if you were lucky—keep holding you like this and making everything better.

And that was just another reason, another thought, that made the thing you’ve pushed away rise to the surface. Closer and closer to breaking out. Flooding everything. 

Ben made things better.

————

She was a live wire. Scrambling around Ben, waking him up in the middle of the night to ask him how she was supposed to face her sister after everything. She’d given Mallory the address the same night of the call at Ben’s insistence—waiting until morning was fucking insane—and hadn’t stopped tapping Her hands or climbing up the walls since. It was making Ben wired. He could almost feel Her fucking anxiety, and he wasn’t even that annoyed by it. He was more pissed at the FBSI, because why the fuck couldn’t they just go faster? After all She’d done for them, asking for too fucking little in return, they could at least pretend to give a shit about her. Mallory had told them two days, and if forty eight hours passed by even a single extra second, Ben was using the gun he’d stashed under their bed to break out and go get Her sister. Anything to make Her stop asking stupid damn questions and looking so nervous.

“What if she doesn’t like me anymore?” She asked him as he entered the bedroom, foot tapping as she sat crossed-legged on the bed. “What if I tell her everything and she doesn’t understand?”

“That’s the dumbest fucking thing you’ve ever said,” Ben crossed the room, saying Her name. “You’re too fucking smart to be saying something so damn stupid.”

“But-“

Ben leaned down and kissed Her, holding her perfect face gently with his hands. It was an easy, effective, mutually beneficial way to shut Her up when she started to go into overdrive, when Ben could hear the gears of her brain start to grind and still not manage to move faster than her impressively quick mouth. She always let him, too, because Ben had worked out when She was mad at him for something fucking stupid—like when he’d kept carrying Her around and she’d yelled about treating her like a fucking doll—and when She was mad at Her.

The former She was always, annoyingly, fucking right. Ben had been treating Her like she was delicate, when she might be the least delicate person he’d ever met. But he’d wanted to help her. Give her one fucking thing that she didn’t have to do for herself. And it was so easy to carry Her, because Ben was doing something for her and he got to touch her. Hold her against him. He hadn’t told Her that, because he wasn’t an emotional pussy, but he’d settled for asking before he picked her up and letting her rant at him about modern media and how to navigate the internet. It always made Her look alive as she’d spiral adorably into the most off-topic, complicated rant about something Ben had never heard of and didn’t need to know. But that was something he was doing for Her, and she’d smile at him the whole time. So he let her.

The latter, She was always wrong. When she was mad at Herself it was always over some sort of stupid shit that she seemed to know was stupid, because she’d let Ben swallow her words and make a small sound when he pulled back.

“She’ll understand,” Ben grunted, still holding Her face. “And you’re impossible not to like, it’s one of the worst damn things about you.”

A smile tugged Her lips, but she still looked so fucking sad. “I hurt people. I killed people-“

“They all fucking had it coming. And I would rather you kill a million people and get back to me than keep your hands clean and I never see you again. I’m sure your goddamn sister would feel the same.”

“Yeah,” She’d finally relaxed a little, leaning forward as she held Ben’s wrists. Heart beating a little faster, but not in panic. “But that’s because you’re insane, Benjamin.”

“You like it.”

She laughed—full and light and the best sound Ben had heard in his life—and leaned up to kiss him again. Ben crawled over Her, pushing her further into the mattress with his mouth and hands, and practicing fucking astronomical amounts of control to keep it that way. To not fuck Her stupid until the bed broke, to not worship her until she proved his theory that the only sound better than her laugh in the whole world was his name, moaned from Her lips as she came.

The Thing was quiet lately. Such a normal part of everything, so deeply ingrained into Ben that at this point he’d accepted it wasn’t going away. As long as She was alive, somewhere in the world with her heart beating, the Thing would sit in Ben and try to keep her safe. If She left him he’d still let her, because he’d always let her. But the Thing would never stop clawing at him to get back to Her. And Ben was going to have to find a way to live with that.

He’d started to take photos of Her wherever he could get them and not be caught. He was fucking good at it now too, and he wanted to show Her. The only thing that stopped him was that she’d ask questions about it, and he’d be exposing the Thing to the air, so he didn’t. But he’d filled up his whole camera with Her. He’d filled up his fucking life with her. Stupid songs were more beautiful because She liked them. Food tasted better because She’d given it to him. Movies Ben would’ve hated even a year ago were better because She’d mouth the lines and tell Ben pointless facts about the production. Mamma Mia wasn’t annoying because she knew all the awful songs by heart, and Kung Fu Panda 2 was, in fact, the best movie ever made because she said so. She’d explained shit about art and allegories and doomed narratives the whole way through, and even though Ben didn’t remember a single thing she’d said he’d never forgot the way she’d smiled. Looking between him and the screen with frightening intent, her words too big and her tone too fucking serious with such a wide grin on her perfect face. Even the stupid off-brand Soldier Boy sunglasses she wouldn’t just throw in the fucking trash made blue a not completely dogshit color. Because She wore them.

And as Ben stood with Her in the elevator the next morning—watching Her taps and gnaw into herself—she was so fucking perfect it might be killing him. She had barely slept—rolling around above Ben until he’d locked his arms around her and kissed Her until she was tired—and it had given her bags under her eyes and a manic look across her face. Her hair was messy and she was wearing his shirt again and she smelled like flowers. Ben had never seen something so fucking beautiful in his goddamn life. That was true every single time he saw her. She managed to outdo herself every fucking time.

He wrapped an arm around Her, and the Thing hummed softly in Ben as she stilled quickly and leaned into him. Her hand shot up to hold his, and her whole body relaxed when he kissed the top of her head. Ben held Her steady as she took a sharp inhale at the elevator’s ding, and her nails dug into his hand as the doors opened.

The similarities between Her and the woman that steps into the hall are immediate. The woman is a little shorter, and She has slightly sharper features, but their noses are almost identical, and their hair has the exact same texture and color. The woman walked the same way too, long and careful steps off the elevator. Staring at Her.

The woman said Her name softly, and her voice was a little higher than it had been over the phone. But Ben liked the name the woman says Her name. Long, clear, and with the care that should be used to say it.

“Violet.” She breathed, taking an unsteady step forward.

They just stared at each other for another second, and it occurred to Ben somewhere from the back of his brain that She might not touch her sister. That it might have been ingrained into Her not to touch people so deeply that she wouldn’t touch anyone but Ben. He was about to tell to just damn do it because if Ben wasn’t able to touch her for a fucking week—let alone three whole years—he’d lose his mind, but before he could She made a choking sob, ran at the woman—Violet—and pulled her into a hug.

They both just stood there, Violet started crying too after barely a second, and Ben started to feel like he should maybe go. She could handle this—She could handle anything—and maybe she’d want a moment alone with her sister. Ben would rather shoot himself than interrupt this, so he was going to just back away and text Her that he’d be in their room.

Ben took a single step back, and Violet’s head shot up to meet his eyes. “Oh my god, that’s Soldier Boy.”

He nodded curtly, frozen as he waited for Her to explain it, because he sure as shit didn’t know how. Ben had no fucking clue how to explain what was going on, between them or with the whole fucking shit show their lives were. He would let Her, because she loved talking and explaining shit—she real was fucking good at it—and it wasn’t Ben’s story to tell.

“Yeah, it is.” She pulled back with a sigh, looking at Ben over her shoulders with a small smile. Her eyes scanned over him, brows raising slightly. Going somewhere, Benjamin?

Ben scowled. No. Shut up.

“What the shit is going on?” Violet gaped at Ben as they detached, and he felt a little bit like a fucking zoo animal. “You promised answers,” Violet said Her name again, giving her a glare. “I want them now.”

“You would like them now, please, Vi.” She grinned, tone teasing. “I’m gone for three years and suddenly you’re forgetting all your fucking manners. Not very lady-like of you.”

“Wow, you’re exactly the same, you sarcastic cunt.” Violet muttered, and She laughed.

“Cunt isn’t a very polite word-“

“You taught it to me,” Violet grumbled. “Give me my explanation now, please. You bitch.”

“Fine, but first.” She pulled Violet back into another tight, long hug, and Ben waited until She spoke again. “I really fucking missed you.”

Violet smiled, and Ben watched her squeeze Her back. “I missed you as well.”

They returned to Her and Ben’s apartment silently, Ben didn’t miss any of the confused looks Violet kept shooting him as he trailed after them. When they reached the door and She scanned the badge, Violet shook her head but still didn’t speak, and when they entered their apartment, Violet gaped around as she was led to the sofa. It was a little less wide-eyed awe than Her gape had been, and more completely confused.

Violet turned around, and gave Ben one last look before she spoke, “can you start talking very soon? Because this is crazy. Batshit crazy.”

“You might, uh,” She sighed, looking back at Ben nervously. “You might want to sit down. It’s a long story.”

“Is he,” Violet nodded at Ben. “Gonna be here the whole time?”

“Yes,” Her answer is immediate, and Ben is filled with stupid goddamn pussy warmth at the firmness of her tone. He was going to be here, because She wanted him here. The whole fucking time.

“Fine.” Violet dropped onto the sofa, and looked at Her expectantly. “Go.”

“Okay,” She sat down slowly, voice a little hoarse, and Ben didn’t even think as he crossed the room. Sat silently at Her side, pressed his leg against Hers. He ignored the baffled look from Violet, because nothing was more fucking important than the way She had let out a steady breath once Ben was touching her.

She glanced at him with a small nod. Thank you. Before she turned to fully face Violet. “Ready?”

Violet nodded, and She took one last long breath.

“I guess I’ll start at the beginning.”

“The beginning?” Violet frowned. “Like your suicide?”

“I didn’t commit suicide. I mean, obviously, but I didn’t try to either. I got kidnapped.”

Violet glanced at Ben. “Kidnapped?” She repeated slowly. “By-“

“Not by Ben. He’s still in Russia at this point. And I kind of kidnapped him a lot more than he kidnapped me.”

“You kidnapped Soldier Boy?!”

“Nobody fucking kidnapped me,” Ben grumbled at the same time Violet shouted, and She gave him a flat look.

“You are not being helpful.” She shoved him slightly with her thigh. “And it’s complicated Violet. We’ll get there, but I have to actually tell the fucking story.”

Violet nods, and She continues.

“Homelander. Homelander kidnapped me. He kept me in a dungeon for two years, and um,” She swallowed, staring at the floor, and leaned back slightly into Ben. “Hurt me. He’d just found out he had a son, Ryan Butcher, and he wanted more. So he hurt me. Then he wanted to be immortal, so he started testing a new compound V variation on me. He moved me into a lab for the scientists and they tested the V on me. I escaped, and the CIA kind of recruited me. William Butcher, you’ve heard of him?” She stopped, glancing at Violet, who nodded.

“He’s the dude who killed Madeline Stillwell. The same night you vanished.”

“Yeah, well, kind of. I think technically Homelander did that. But you’ve got the right guy. He’s the one who recruited me to his team, to kill Homelander. It’s Butcher, Starlight, Starlight’s boyfriend Hughie, this French dude who’s pretty chill, Kimiko, who’s mute but super sweet, and um, MM. Big guy, probably OCD but a really good dude. And me.”

“Cause you’re a supe now,” Violet says slowly. “You got shot with V.”

“Four times, yeah.”

“What powers did you get?”

She stared a little more intently at the floor. “I’m immortal. I don’t have invulnerable skin like him,” she nodded at Ben. “Or Homelander. But I have a regenerative healing factor that’s really powerful. I can survive being hit with a nuke. It helps with my healing power.”

“Healing power?”

“I can transfer wounds from others onto myself. I have a theory that it’s less about the wounds and more about the biology, though, because I can do mental stuff as well.”

Ben tensed at that. Because it made more fucking sense, sure, but She hadn’t mentioned that to him. That Her healing his alleged shell shock might just be biology manipulation. She’d said she was fine though, and it had been a few months-

“Is that it?” Violet asked, pulling Ben’s attention. “Can you explain Soldier Boy now?”

She gave a small, huffed laugh. “No. Not even close. Each shot of V added something, immortality and healing was just the first. The second was, um, empathy.” Her hands started to tap in Her lap. “I can feel people’s emotions when I touch them. I’m sorry, I should’ve told you first-“

“I don’t care,” Violet snapped, and Ben decided he liked her. “Keep talking. Second shot was empathy. Third shot?”

“Sensory manipulation. But I’m kind of terrible at controlling it, and it only happens when I sing.”

“You’ve gotten a lot damn better though.” Ben muttered, and She shot him a dirty look. “You fucking have, Sunshine. Don’t sell yourself short.”

“Fine, I can control it a little. But not completely.”

Ben nodded with satisfaction, and Violet gave him another confused frown before looking back at Her. “Fourth shot?”

“Pyrokinesis. Really strong pyrokinesis.”

“How strong?”

She answered slowly. “It alone makes me stronger than Homelander.”

“Oh,” Violet’s eyes widened. “That explains the CIA.”

“Yeah, and him.” She pointed to Ben, and Violet’s eyes followed. “I’m stronger than tall, dark, and stupid here. So I made the genius pitch to wake him up and use him against Homelander.”

Ben scowls. “It was a genius pitch. And I’ve been a fucking delight.”

She grins at him. Don’t be a baby. I’m teasing you, Pretty Boy.

He rolled his eyes. Shut the fuck up.

Make me. She stuck her tongue out at him, and turned back to Violet as the Thing pushed inside of Ben. “We lived in a safe house for a while, and after Neuman we’re here. The FBSA’s new supe compound. That’s it.”

She’d glossed over a lot of shit, but the explanation seemed to satisfy Violet. She nodded slowly, looking between them, and asked. “You’re friends? You and Soldier Boy?”

“Um,” She looked at Ben, and he shrugged. Whatever She said he’d take. He’d take and let it feed the Thing, because at least it was something. “Yes. We’re friends. Good friends.”

“Good friends,” Violet repeated slowly. “And you live together.”

She narrowed her eyes at Violet, and the room was silent for a second. Ben felt like he was missing something, especially when Violet just sighed and moved on.

“Just to recap,” she said slowly. “You’re a supe now. You’re more powerful than Homelander and Soldier Boy. You’ve been working with the CIA to kill Homelander. Soldier Boy didn’t kidnap you, you’re friends with him,” Ben didn’t like the way Violet said the word friends, like it was a fucking lie or joke. “And you can’t leave this place, which is a government supe compound.”

She nodded. “I know it’s scary and dangerous, but I can ask my boss Mallory to keep an eye on you. I don’t know if it will be better or worse to put a detail on you-“

Violet says Her name firmly. “I’m gonna be fine. I don’t need a detail, that’s crazy. Just,” she smiled sadly. “Can you not do the fix it thing for only two hours so I can talk to my sister?”

“I don’t do a fix it thing,” She muttered, and Violet gave Her a flat, bored stare that was uncannily similar to the one She always gave Ben.

“Uh huh. Do they feed you here? Is there a bell to ring?”

“We have a kitchen, Vi.” She snapped, gesturing over the couch.  “I can make something.”

“I’m not tryin to die-“

“I can fucking cook now, bitch.” She said proudly, and Ben felt the Thing hum again. “So I’m going to make something, and you’re going to eat it, and then apologize for being fucking rude.”

Violet scoffed, but followed Her when she stood and walked to the kitchen.

Ben trailed after them and watched. Watched Her, completely at ease, with someone that wasn’t him. Laughing about Her childhood, telling stupid stories, still brushing against Ben comfortably whenever she passed him. Letting him see this piece of Her from before. Still fucking wanting him there, with her, when it wasn’t about death and violence and the dark. Still fucking perfect, casually telling Ben to get the stuff he’d put on a shelf too high for Her to reach. Sitting across from him as they ate but keeping Her foot pressed against his. Talking to Violet about movies Ben hadn’t seen—but She gave him a look that promised they would watch them—their mother still being a bitch, and Violet’s life in the past three years. She was, apparently, a dancer. Going to some fancy fucking school for it.

“I can’t believe you’re actually doing that as a career,” She said, shaking her head. “Ballet?”

“Of course.” Violet shrugged. “I want to use my talent. Unlike someone.”

She laughed. “I didn’t need lessons for my talent like you did. It’s not my fault I’m just a fucking natural.”

“At least I can carry a tune. Kid me blindfolded could dance better than you now.”

“You don’t know that,” She muttered. “It’s been three years. Maybe I’ve gotten better.”

“Have you?”

She scowled at her plate, and Violet laughed.

“You can dance,” Ben frowned at Her. She could definitely fucking dance. The memory of it was carved into his brain. “I’ve seen you dance.”

Don’t help me, Benjamin. You’ll make it worse. She glared at him Violet snorted.

“Did you see her dance at a club or something?”

Ben looked between Her and Violet, deciding the numb feeling of Her kicking him under the table would be well worth some fucking answers. “Yes.”

“Ah, that’s not the same.” Violet grinned, and her voice turned to the haughty, mocking impression of their mother they'd been doing all morning. “She can dance like a slut, not a lady.”

“Fuck off,” She snapped at her sister before turning her glare to Ben. “And not a single word from you.” She didn’t kick him, but threw a crumpled napkin at his face. Ben caught it and winked at her.

I like that you’re not a lady, beautiful.

She scoffed. You would.

Violet hummed, looking between them, and She sighed. “What?”

“I’ve never seen you do that with someone who’s not family.”

“Shut up,” She muttered, but Ben leaned forward.

“Do what?” He grunted, because if he didn’t find out what the fuck Violet was talking about he might explode.

“That silent communication thingy she does. I’ve only seen her do it with me and our siblings. And a few of her closest friends.”

“Violet-“

“It’s a creepy talent.” Violet ignored Her, still addressing Ben. “Me and my brother tried to recreate it together once, but it only works with her.” 

“My brother and I,” She corrected without missing a beat. “And it’s not a talent. It just happens.” 

“But I’ve only seen it happen with people you-“ Violet was cut off as She threw another napkin.

Her face was tight, glaring at Her sister, and before Ben could demand more answers for what the fuck Violet was talking about, the door slid open, revealing the one pussy agents from their move.

“I’ve um,” the agent, it was the woman—the one Ben had taken the gun from too easily—looking at Ben, Her, and Violet grouped at the table. “I’ve been told to escort your guest out the front. For her safety.”

“It’s been three hours?” She asked with a small, sad frown that made the Thing riot.

“Yes, Ma’am.”

“Fuck,” She swore, standing slowly. Ben remained in his seat as Violet did the same, but moved his hand to the back of Her leg when she rounded the table. So he could just fucking touch Her. So She looked a little less like the damn world was spinning and her heart slowed just a little.

She paused a foot from Violet, arms tense at her side. “I don’t know if you want me to-“

“Can it,” Violet closed the distance, pulling Her into a tight hug. “I just want to hug you.”

Ben liked how fast She gave in. Comfortably, easily, muscles relaxing further where Ben’s hand rested. Because there was at least one other goddamn person on earth who saw that She was perfect, and just wanted Her. Not quite as much as Ben wanted Her, because that was simply fucking impossible. But still just wanted Her.

“You can’t visit frequently,” Ben heard Her say softly. “We can write off once, say you were just looking for more answers. But you can’t keep coming, or tell anyone, or really call, or text-“

“I know you’re not dead.” Violet squeezed Her. “I know I’m not crazy. Everything else is good by me.”

She looked over Violet’s head to Agent No-Gun. “Make sure she’s safe, please.”

Agent No-Gun nodded. “Of course, Ma’am.”

The hug lasted a minute longer before Violet pulled back, and gave Her one last smile. “Kick Homelander’s whole butt.”

When the door closed behind Agent No-Gun, She was swaying slightly. Her heart faster, her eyes glued on the door like it might open, or explode.

“Are you going to cry.” Ben asked, because if She was he needed to be ready. Figure out a game plan now.

She just sighed. “I’m not going to cry. I’m just. I didn’t-“

Ben stood and pulled Her into his chest. She’d stay there until her heart became even again. He’d hold her until she made him stop.

When She pulled back to look at Ben she wasn’t smiling. But her features weren’t too controlled, like something was being held barely fucking together inside her. She was looking at him, with a wide, open, soft, perfect face.

“Thank you,” She said softly, and Ben blinked.

“I didn’t fucking do anything-“

“You were here.” She buried her head back against him. “I’m just really fucking glad you’re here.”

“I’m not going a goddamn place without you,” he muttered, scowling at the air. “That’s that. So don’t fucking thank me.”

“Good luck stopping me, Benjamin.” Her words were muffled against Ben’s body, and he could feel her smiling into his chest. “Thank you.”

“Brat.”

She relaxed even further into him, and it made Ben smile like a fucking pussy into the air. She tilted her head up, staring at him with a gentle, simple perfect fucking smile. Looking at Ben like he was something she wanted.

“Cunt,” She whispered. And kissed him. She wasn’t horny, or mad, and Ben wasn’t doing anything except fucking standing there. Ben hadn’t asked, or initiated it because he was being mauled inside by not touching her. She kissed him, slow and so fucking easily. When She pulled back her whole perfect face was lighter, her smile bigger, and Ben returned it. Because why the hell wouldn’t he, when She was looking at him like that.

“You can’t fucking dance,” Ben drawled Her name, because he needed her to laugh a little. Be a little brighter.

She shoved at his chest, but didn’t try to get away from him. “Shut the fuck up.”

“I could teach you,” he leaned down a little, bringing his eyes to Hers. “I’m a goddamn king of waltzing.”

“Wow,” She wrinkled her nose at him. “That is such fucking bullshit.”

“I fucking am.”

“You’re going to kill us both.”

Ben scoffed. “With dancing?”

“You’d find a way,” She shrugged, but was still smiling. “It’s one of your many skills.”

Ben started adjusting Her in his arms, dropping one hand to her lower back and moving the other into her own hand. “Sing.”

“Sing?”

“Something slow. No fast shit.”

She gaped at him. “You’re being serious.”

“Of course I am, I’m not a-“

“Pussy fucking liar,” She stuck her tongue out at Ben’s glare. “If you drop me-“

“I’m not going to drop you.” Ben snapped. He’d listen to Butcher talk for fifty straight years before he fucking dropped Her. “Sing.”

She watched him a little more apprehensively than Ben liked, but did. A slow song that sounded like wind and sunlight, with guitar and gentle symbols. Ben recognized it, he wasn’t sure from where but he was positive he did. He’d ask Her later, but right now it was about this. About holding Her like she deserved to be held, spinning her around and making her smile. Guiding her legs as he moved into the four-step waltz his mother had taught him, that had only been used for stupid fucking Vought parties or boring galas with pointless themes he’d hated attending. Making Her keep looking at him like that. Her perfect lips parted slightly, eyes clouded with something that wasn’t panic or lack of control. Just staring at Ben, touching him, wanting him there. Her voice was making the world fill with sunlight, making her somehow more beautiful, making an ocean breeze carry through the world and everything become just them. Together.

The song ended too soon, and She didn’t move away. She rested her head back against him, and Her heart was uneven again. Ben couldn’t figure out why, why the fuck was her heart like that when she looked so peaceful, but when She looked back up at him she was smiling. So he let it go.

“Thank you.”

Ben didn’t tell Her to shut up this time. She never fucking listened anyway. So he just kissed Her. Made her open for him as far as she could go, made her moan into his mouth. He’d mastered using every part of her body he was allowed to touch, worked out how to get her happy and wrecked in his hands from just kissing her. He’d stay here forever. As long as She was doing whatever fucking thing turned Ben into a weak fucking pussy that was consumed by just Her, he’d stay right here. He’d ask Her to sing again, because she sounded like a fucking angel, and he’d learn every way to keep Her there. With him. If She told him she’d go with him, when this was over, there wasn’t a single fucking thing that would keep him away. Mallory could threaten him, Edgar could call in his favor, Butcher could mock and hunt him, but Ben would stay with Her.

He’d follow Her anywhere, and listen to her rants, and put up with all Her insane shit because she was fucking perfect. Because She did the same, for him, for almost everyone, and there wasn’t a goddamn person who deserved the world more than she did. So, if She let him, Ben would give it to Her. The world was fucking shit, but every part of it was more beautiful when she was around. 

So he’d find a way, bombs and fists and blood and gunpowder, to give it to Her.

End Note: I can’t believe I Avengers Tower 2013ed the Boys. Also for everyone going “gross where did the plot go” do NOT worry. It is coming. It is very much coming. We're about to CRAZY.

If you want to, leave a comment! Every single one makes my day and fuels my soul, so if you have any thoughts at all, share them!

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[thelifeofchuckmovie]

When it comes to ending the world, Stephen King is a repeat offender. He has brought life as we know it to a brutal conclusion several times over the decades, usually highlighting the cruelty and desperation that erupts among the last to go. But his 2020 story “The Life of Chuck” uses doomsday to evoke some unlikely sentiments: Wistfulness. Gratitude. Even joy.

The idea of creating an apocalyptic version of It’s a Wonderful Life is what led filmmaker Mike Flanagan to call dibs on the rights to the novella more than four years ago. The breakdown of society, extinction-level natural disasters, and the disintegration of reality itself is explored through the lens of one relatively meek and mild accountant, played by Tom Hiddleston, whose memories and choices are mysteriously connected to these tribulations. Retirement posters congratulating him on “39 great years” pop up everywhere. But who is this guy? What job does he do (or did he used to do)? And why does it matter so much to the fate of the world? This apparent nobody named Chuck Krantz has lived larger than anyone thought possible.

Having explored King country before in 2017’s Gerald’s Game and 2019’s The Shining sequel Doctor Sleep, Flanagan got involved after reading an early copy of “Chuck” before it was published in the collection If It Bleeds. The Haunting of Hill House and Fall of the House of Usher creator produced the film independently, believing it might be too offbeat for risk-averse studios to greenlight. He even secured a waiver from the striking Hollywood guilds last year to move forward with the shoot while the rest of the industry was stuck in the work stoppage. Now he and Hiddleston are ready to reveal the finished version of The Life of Chuck as it heads to the upcoming Toronto International Film Festival, where it will screen for potential distributors.

Among the skeptics about this adaptation was King himself, according to Flanagan. “His initial responses to me were a little like, ‘Oh, okay. Yeah. If you think that’s a movie…,’” he says. “He did say several times that he thought it would be a challenge to get it supported through traditional means.”

King has now seen the finished movie and no longer has doubts. He described it to Vanity Fair as “a happiness machine.”

“Well, he’s written something very tender and very wise,” Hiddleston says. “I think there is a great wisdom in the soul of the story, which is that it takes courage to hold on to what is good in a world that feels like it’s falling apart.”

Flanagan hopes others see it that way too, although the overpowering dread that begins the story may be more immediately relatable. “I’ve heard it said that every generation feels a little like the world is ending at some point, [but] I still feel like it’s different for us,” the 46-year-old filmmaker says with a mordant laugh. “Institutions we took for granted as propping up our society are failing left and right. Our politics have degraded spectacularly. The sense that it’s breaking down, that the world is moving on, has been increasingly palpable. When I talk to my parents or members of older generations who have been through their own turbulent times, the thing that strikes me is that they’re like, ‘Oh yeah, this is really bad.’”

But…it’s not entirely bad. And that’s the underlying message of The Life of Chuck as its various mysteries play out. “There’s no sense of terror in the way that King drew it,” Flanagan says. “Even as the world feels as though it’s ending, people become introspective, they reach into their past for loves that have left their lives for one reason or another. Strangers engage in open and fearless communication.”

It’s an indie-film variation on the big-budget cataclysm story. “A disaster movie has people meeting the end while running from tidal waves, and this story has people sitting quietly holding hands looking at the stars,” Flanagan says.

The key to it all is Chuck himself, although he doesn’t turn up onscreen until the second segment of the three-act story, which plays out in reverse chronological order.

The beginning is actually the end, as the whole world circles the drain. Caught in this spiral is Chiwetel Ejiofor (12 Years a Slave), a school teacher trying to apply logic to the planet’s troubles; Karen Gillan (Guardians of the Galaxy) is his ex, a hospital worker determined to save everyone she can; Matthew Lillard (Scream) is a construction worker neighbor who finds zen amid the chaos; and Carl Lumbly (Alias), plays a funeral director who has dedicated his life to easing people through death.

The end of the movie is actually the beginning, showing young Chuck (Benjamin Pajak) when he was a boy being raised by his grandparents (Mia Sara of Ferris Bueller’s Day Off and Mark Hamill). The insight of these two—coupled with the otherworldly revelations he finds in an eerie room tucked into the peak of their Victorian home—help him learn to seek out bright spots when life is marred by sorrow and darkness.

In elementary school, young Chuck discovers some important things about himself thanks to guidance from a brusque dance instructor (Samantha Sloyan), and a kindhearted English teacher, played by Kate Siegel, who gives the boy (not to mention the audience) some important information that serves as a code breaker for the story's more cosmic puzzles.

As for the middle of the film: It’s a dance number. That’s when Hiddleston steps in.

Compounding the peculiarity of The Life of Chuck is the question: Why is this song and dance sequence so important? The answer is for the movie to reveal, but it matters a lot. “The life of every human being is a constellation, as expressed in this film,” Hiddleston says. “There are certain moments which will burn most brightly as individual stars. Sometimes it feels like the world is going to hell in a handcart, and it’s full of pain and suffering, and it is—but there are moments of deep joy and deep connection.”

Hiddleston shows the audience this single moment in the life of a buttoned-up fellow who somehow controls the destiny of the world. It’s not necessarily the most important day in his life, but it’s a memorable one involving a street drummer (Taylor Gordon), a lovely stranger (played by Annalise Basso), and a fateful decision to cast aside caution and cut a rug. “It’s a reminder to do whatever it is that expresses whatever gives you that feeling of being alive,” Hiddleston says. “Whether it’s music or dancing or math or writing or creativity—do it. Do it now. Those moments are what you’ll remember.”

Flanagan considered casting a relative unknown as Chuck to “give the audience the experience of ‘Who the hell is this person?’” as the peculiar retirement signs begin to appear in the midst of the apocalypse. But he felt the promise of the Loki star would build more curiosity as the world falls apart. “You grow an enormous amount of anticipation to finally spend time with an actor like Tom, who can be a literal god in one story, and then an everyman in another,” Flanagan says.

A TikTok video of Hiddleston getting his groove on sealed the deal. “He had a completely unfiltered joy on his face,” Flanagan says. “He was a good dancer, but that wasn’t what struck me. I wasn’t amazed by the technique so much as the degree of happiness that was radiating off of him. The look on his face made me smile the same way I smiled reading that particular portion of the book.”

The resulting scene was created in a month-long collaboration between Flanagan, Hiddleston, Basso, choreographer Mandy Moore (So You Think You Can Dance, and La La Land), and Gordon, a real-life percussionist who performs under the name the Pocket Queen. “Taylor was there for all of the dance choreography. She wrote that piece of music for that performance. They built it together,” Flanagan says.

Hiddleston rattles off the lists of influences: “I had to learn in six weeks the full regime of any dance training. We did jazz, swing, salsa, cha-cha, the Charleston, bossa nova, polka, quickstep, samba. We were trying to tip our hat to anything that might have influenced Chuck. It might’ve had a bit of Gene Kelly or Fred and Ginger. Certainly moonwalking—Stephen King is very specific about the moonwalk.”

Precision was not the goal, exuberance was what they sought. “We need to always bear in mind that this man is an accountant. We needed this to be an earnest, escalating explosion of joy, and a remembrance of who he was,” Flanagan says. “It’s a chance to step back into the skin of his younger self, not caring that his feet are going to kill him the next day, not caring that he’s going to wake up with a horribly stiff neck.”

A surprising thing happened while shooting the scene over the course of several sweltering afternoons in the deep South. “I burned holes in my shoes,” Hiddleston says. “I was dancing out on the asphalt in Alabama, and by the time we’d finished, you could see my socks through the soles.”

The sequence begins awkwardly: Chuck is self-conscious as he first hears the busker’s rhythm while walking back from a banking conference. That feeling quickly gets shaken off. “Tom was very committed,” Flanagan says. “He was like, ‘If I look silly, that’s fine. As long as I look happy.’”

Flanagan remembers being in a bad place when he first discovered “The Life of Chuck.” Then again, everybody was.

His copy of the manuscript arrived in March 2020. “That was just as the world shut down for COVID,” he says. “We had been a week away from starting principal photography on Midnight Mass in Vancouver and had fled across the border before it closed to make it back to the States. We were hunkered down in our homes and had no idea if this was going to last for two weeks or if this was going to last forever.”

With everything halted as the lockdown set in, Flanagan had plenty of time to do nothing but read. The new King book seemed like the perfect escape. Except…

“The first third of ‘The Life of Chuck’ just rattled me,” he recalls. “There’s no way he wrote this before the world ground to this bizarre halt—but he did. And the feeling of anxiety, and uncertainty, and that everything was falling apart came roaring out at me. I wasn’t sure I could finish it. It just felt too close to the anxiety I was feeling.” But he kept turning the pages. “By the end of it, I was in tears, and incredibly uplifted, and convinced I’d read maybe the best thing that he’d written in a decade. I just was floored by the thing,” Flanagan says. “So I fired off an email to him right away saying how much I loved the story, how incredible I thought it was, how meaningful, and important, and how it had really tattooed itself on my heart and said, ‘It’s the movie I want to make so that it’ll exist in the world for my kids.’”

King’s response: Not so fast. Flanagan and his producing partner, Trevor Macy, had at that point secured the rights to King’s fantasy saga The Dark Tower through their company, Intrepid Pictures. The eight-book series is threaded throughout King’s other works, and adapting it was a massive undertaking that Flanagan is still working to make happen. Other filmmakers had either abandoned the project, were canceled midway through, or bombed miserably. The author didn’t want him to be distracted. “He doesn’t like to give the same filmmaker more than one thing, because it typically means one thing is not advancing at all,” Flanagan says. “He said, ‘Well, let’s focus on The Tower and I’ll try to keep this one available for you for later.’”

The quest to The Dark Tower remains a priority for Flanagan, but a number of disruptions to that epic undertaking led him to reapproach King last year about Chuck. Intrepid’s deal with Netflix, where they had created Hill House, The Haunting of Bly Manor, and other shows, had come to a close, and Intrepid signed a new development agreement with Amazon. That meant starting over on The Dark Tower. Meanwhile, the threat of a double-barreled strike by writers and actors was on the horizon, stalling nearly every major new project. The industry plunged into another production-halting lockdown, this time over contract impasses rather than a virus.

Since The Dark Tower was suddenly further off on the horizon, Flanagan saw a chance to make The Life of Chuck happen in the short term. “It’s so rare that I get to approach any project that just has not an ounce of cynicism to it. I just really believed in this thing,” he says. “But it was also clear that we would have an incredibly uphill battle bringing the story to any major studio. They would try to make it as familiar as possible, instead of leaning into what makes it so different.”

King gave Flanagan his blessing to proceed. “I was off like a shot,” the filmmaker says. “I think I turned in the draft to him before he got around to sending the formal agreement.”

For everyone involved, The Life of Chuck became a bright spot in an otherwise dismal time, which matches the theme of the film. “There is a profound optimism in this story,” Hiddleston says. “As the world is spinning off its axis, there are moments of magic.”