#of course that means if (spoilers for the manga) does die in the current arc then that's like the moral backbone of the agency falling

[note-boom]

Honestly, though, words cannot express my love and appreciation for the ADA and the way they subvert tropes. Like Fukuzawa for example.

You know how a lot of fiction (justifiably, I think) has leaders being corrupt and always undermining the values of their organization to protect themselves? How usually they're the cold-hearted logical ones who discard the ideals to save their reputation?

Well, that's not Fukuzawa. That speech about doing the right thing even if they were labelled as the bad guys was not only such incredible foreshadowing but it was also just to show what a strong leadership and family they are. He wants to keep them all safe and values them all equally...but he also does not let that get in the way of protecting and saving others I love him so much guys you have no idea....

[neonscandal]

explain to me how bakugo is traumatized. the kid he grew up with was nice to him once and he immediately came to the conclusion that he should die. that's not trauma, that's being insane.

I'm going to start with the fact that, justifiably, there's never a reason to tell someone to kill themselves. Additionally, note that me saying Bakugo is traumatized does not mean that Midoriya is also not traumatized.

Regarding your question, the trauma that I mentioned on a recent ask, (I assume this one prompted your question) referenced the following:

Captured by the Slime Villain, effectively bound and suffocated in front of an audience (doesn't include the fall out after being someone who is publicly assaulted)

Muzzled, bound and robbed of autonomy in front of a national audience at the Sports Festival

Kidnapped and bound by the LOV (the forcible binding is recurrent through all the above)

Don't really have to go into the swath of issues he and Class 1A likely can and do develop from being child pawns in a war of adults but that can be applied as well re: survivor's guilt, PTSD, paranoia from the mole, etc. from the PLF arc and up until current manga events (I didn't feel like a spoiler warning).

Things that people don't tend to capture in the box of Bakugo's characterization:

He comes from a verbally and physically abusive household, demonstrably (you can jump down to the second paragraph of Bakugo's Strengths listed here for my thoughts on that impact)

Forced to defend himself against older kids from a young age and possibly on a recurring basis, as referenced in the above image. We could probably chalk the confrontation up to a consequence of his false overconfidence, sure. But does that justify 4th graders ganging up on what looks like a kindergartener/first grader?

As for Bakugo and Midoriya's relationship, we don't have much to go on. We know they were close and amicable as kids, things likely went to shit when Midoriya didn't develop a quirk, there's some beetle excursion in the woods that Bakugo refers back to a lot which is pending further context for readers/viewers, and then there's a fall in the river which really soured relations as Bakugo misinterpreted genuine kindness for condescension (see home life and such above). Again, none of this justifies the bullying we see at the start of the series or the way their interactions have shocking physical components. But what I do find interesting is that I've previously likened Bakugo's disposition to Endeavors but, in retrospect, I think he's a strong parallel for Dabi too.

Dabi's rage stems from being robbed of what he thinks is his inalienable birthright as the oldest son and heir to Endeavor's legacy. He disproportionately targets Shouto as the usurper of what is rightfully his. Dabi's claim, of course, makes more sense from a traditional and, probably, cultural standpoint. But the reason I mention it is that I don't think Bakugo was constantly telling Midoriya to take a swan dive off a roof. It doesn't forgive the bullying but it contextualizes why, that day, the bullying reached a new height when Midoriya was outed for still trying to get into UA. Bakugo saw this as an immediate threat to his position because, even though he didn't admit it at the time, if anyone could get into UA, quirkless or not, Bakugo knew Midoriya could.

Just as Midoriya has always seen Bakugo as being heroic and capable of being number 1, Midoriya proves time and time again that, even without a quirk, he's got the spirit of a hero and is successful in spaces where Bakugo is not. As the story progresses, we see evidence and the ultimate manifestation of Bakugo's remorse through his apology and other ways he's softened up. I'm not saying he wasn't a little shit but that's also not all he was (IDK if you've met kids but... without healthy socialization they can be little emotional terrorists). As things have unfolded, we see that, internally, Bakugo uses thoughts of Midoriya to galvanize his path forward and we've recently confirmed that when Bakugo spoke to Kirishima about strength... he was referring to Midoriya, you can scroll down to paragraphs around the last picture. I'm just gleeful about calling it. But, suffice it to say they've both been looking to one another this whole time.

There are still periphery pieces of their background missing because the story is largely from Midoriya's perspective. I don't think we'll get a comprehensive backstory but I think there will be some sort of meaningful explanation behind the beetle trip that may inform why Bakugo ultimately misinterpreted things so poorly at the river. I mean, maybe it's as simple as the fact that he couldn't fathom kindness because it's something not typically afforded to those who are perceived as strong. I don't know but I look forward to finding out.

[halcyon-writings]

May I request headcanons Gojo with a s/o who’s a famous fashion designer & a powerhouse jujutsu sorcerer ft the first year trio? (fem!reader if you want)

gojo always dresses up like he’s going to some michelin starred restaurant when he’s just stopping by the convenience store to get a soda and i will die on this hill. also some spoilers for the manga (but it’s the flashback arcs really than actual current time).

gn!reader

nav

when gojo first learns about your interest in fashion, it’s because you skillfully manage to sew his uniform sleeve that a curse had managed to tear before he had crushed it with his technique. and rather than going to yaga and going to get a new one (because he didn’t want to “bother” the man, which you silently called bull on because you knew he really didn’t want to face the whole, curse actually managing to nearly hit him thing, suguru and shoko mindfully don’t bring it up either). so you offer to sew it for him instead, shrugging off the curious stare with your own short answer that you had picked up the skill back home. 

the near jagged tear is all but gone by the time you loop that final stitch, presenting your peer his coat like it was brand new, much to his delight. whether it was because it was just you two in the room or gojo didn’t care for appearance’s (probably both knowing him), you’re surprised by the tight hug he gives you, a soft ‘thank you’ leaving his lips, and you simply pat his back (later when you think about it, you’re touched when you realize that the way he almost constantly had infinity up was down for you to even allow you to come into contact with him).

but of course, not being one to be too serious, at least for the amount of time you knew him from your first year, gojo- satoru, he insists you call him now- of course does what he does best, and that is be nosy. he’s asking you when you started and why, at such speeds you feel the need to remind him to take breaths in between. and so that’s the start of a beautiful friendship *cue harp flashback music*

after, he notices the clothes you alter for yourself or just the sketches of designs in the margins of your papers and in the pages of your notebooks. 

now onto present day, think of your fashion brand as the equivalent of any of the big names out there, and one of your most loyal supporters? gojo satoru himself of course! when you confided in him one day, that you were uncertain of your choice of being a jujutsu sorcerer, and you had been looking into other routes, he was the first to tell you to do it. (he wanted to see you happy of course, and rather safe in a world outside of jujutsu society the memories of suguru and his fate weighing heavily on his mind). he has nearly fought someone for remarking that you “waste” your power as a sorcerer, almost killing them from fright before you dragged him away.

of course, as a famous designer that also means you’re in the spotlight more often then not, but thanks to his own techniques, any attempt at trying to identify your “beau” fail and you answer quite cryptically too when asked, . which means sometimes dinner dates are the both of you eating take out while on face time or he’s at your studio pulling you away from the different mannequins you have set up to actually eat something that was more than a cup of coffee. 

this is how our little group of first years find out about you, they see gojo going out at some random time of day, they follow (well nobara decides to follow and demands yuji and megumi come along). they see you in your “paparazzi be gone” get-up (sunglasses, baseball cap and mask) they know you existed, with their teacher swooning and cooing about his s/o anytime he could, the lovestruck man he is.

with varying reactions of course

nobara thought he was corny

yuji, the nicest of the 3, thought it was sweet

and megumi? at first thought you weren’t real.

they don’t officially meet you until you visit the campus personally, bringing gojo a little treat from a cafe you both had visited on one of your little dates.

nobara, a Material Girl if there ever was one, has probably seen your clothing lines in magazines she could only ever dream of wearing, of course, offering if she’d like to see the ones you are working on has her starstruck. apart from yuji, your little relationship now has three supporters. megumi is only lowkey but still, it’s nice to see gojo’s happy (”aw megumi! you do care!”). 

they don’t expect you to know how to fight if they do run into small curses outside the campus, since they didn’t actually know the background between you and their teacher (the declaration makes you laugh and satoru looks smug when he tells them they have no idea). they’re finally proven wrong when your technique, which kind of reminds them of strings/cloth, huh fitting given your career, takes out the curses in an almost hilariously easy way. they have more reason to respect you (even though you are with someone like satoru). 

but enough with the hcs now have a small drabble:

he twirls around you, your eyes studying him carefully before stopping him by gently grabbing the white haired man’s shoulder.

the sewing tape thrown over your shoulder as your fingers work on placing a pin on places you marked. 

satoru jumps and you huff, mostly to hide your laugh, “if you hold still i wouldn’t poke you accidentally.”

satoru makes a face, “that was not an accident! no way!”

you pinch his side, this time allowing yourself to snort when he yelps, “that was on purpose.”

he sniffs, “here i am being the best model and bringing you dinner but, this is the thanks i get?”

“aw, poor baby,” you rest your cheek against his back, and relish the warmth as he leans back into you, “will dessert before make you feel better?”

he hums, but you both know he isn’t contemplating, “maybe. what kind?”

your lips brush against his ear, and you see he shudders, “your favorite. daifuku, of course.”

the way he wilts has you laughing harder.

“i’m telling shoko you’re bullying me!”

“and she’ll encourage it.”

[makeste]

BnHA Chapter 318: On Your Left

Previously on BnHA: The Hawksquad+Lurkers were all “well this sucks” and sat around a bit talking about how maybe they should actually come up with a new plan that is actually good, but then in the end they were like “nah.” Deku was all, “THERE’S SOMETHING INSIDE ME THAT PULLS BENEATH THE SURFACE!! CONSUMING, CONFUSING!! THIS LACK OF SELF CONTROL I FEAR IS NEVERENDING. IT’S HAUNTING HOW I CANT SEEM TO FIND MYSELF AGAIN. MY WALLS ARE CLOSING IN.” Just, literally that whole entire song. All Might was all “Deku you should take care of yourself, try eating a thing,” and Deku was all “BYE, ALL MIGHT,” and just LEFT. He left!!! What the fuck!!!

Today on BnHA: Endeavor is all, “maybe if Deku didn’t listen to All Might he’ll listen to me instead.” Deku is all, “[doesn’t listen to Endeavor]” because, well, yeah. The Vestiges are all, “surprisingly, even we are a little concerned -- maybe you should get some rest, kid.” Deku is all, “((Ò ‸ Ó)).” The Vestiges are all, “holy shit.” Deku is all, “[wanders the ruined city streets terrifying the populace on account of him looking like Shelob had a baby with one of the Nazgul].” Some shriveled-up puppeteer villain asshole is all, “HORIKOSHI SAID IT’S MY TURN TO ATTACK DEKU TODAY SO I AM GOING TO SUMMON MY FRIGHTENED HELPLESS ATTACK MOB!!” Kacchan is all “WHADDYA MEAN THEY FOUND THE NERD!!! -- oh wait, that’s me, I found him. I found the nerd, you guys.” And just in time, too. I was about to owe a whole lot of people a whole lot of dollars.

so I have been super good about spoilers this week as always, but let me tell you guys, for the past 36 hours my dash filters have basically been nonstop “manga spoilers” this and “bnha 318” that, and so I’m coming in with a fair amount of hype here. your move, Horikoshi

oh, good! they got Endeavor to call Deku to try to talk him out of it. what a great and wonderful plan

“listen up kid, you haven’t slept since March and you are basically a walking biohazard right now, I’m just telling it like it is. didn’t you get shot like three times?? and there was a whole thing about how you urgently needed medical attention?? and supposedly we gave it to you, but I mean you haven’t even changed your clothes and don’t seem to have any fresh bandages or anything, so did we?? did we, really?? and also we all got blown up yesterday, so yeah.” hmm he’s making some reasonable points here you guys, but you sure do go on and on, Endeavor

oh he says foreign aid is finally on its way! I’m sure they’ll be very helpful. I mean in fairness they can hardly be worse than the home-grown heroes at this point

hey Enji, could you maybe try appealing to Deku the sixteen-year-old human boy, as opposed to Deku The World’s Last Hope? he does have value beyond his quirk. I know that’s always been an incredibly difficult concept for you to grasp, but could you maybe TRY, jesus

and also we’re worried about you as a person?? you’re just a kid and you’re pushing yourself way too hard?? you were going to say that part next, right. why the hell didn’t Hawks make this call instead

“don’t worry about me... I’m completely fine” Deku you do understand that saying it over and over again doesn’t actually make it true

and again with the rush!! all the rush rush rush!! we’re running out of time, we can’t let AFO and Tomura keep getting stronger, I have to end this now, there’s no time to rest, etc. etc. etc. just the constant pressure of this whole big countdown on top of everything else

holy shit, you KNOW it’s bad when even the Vestiges are telling him to chill

these guys are basically the walking talking embodiments of self-sacrifice; if even they’re telling him he needs to take five, then he must seriously be like half a step away from death’s door

OH SHIT LMAO

DIDN’T EVEN LET HIM FINISH HIS SENTENCE BEFORE HE SENT HIM INTO THE FUCKING SHADOW REALM WITH THAT FUCKING LOOK. HOLY FUCK. DIDN’T EVEN KNOW IT WAS POSSIBLE TO DIE TWICE. SHIT

(ETA: so I’m pretty sure this was just Danger Sense activating and so he cut them off to go do more hero stuff, but I’m gonna go ahead and stick to my original interpretation anyway lol.)

anyway so how’s everybody doing. we all good? En, you good? Banjou? Shino? I’m imagining you guys all curled up in a little ball on the floor right now lol. can’t say I blame you though, no shame

lmaoooooooooooo

“SHEESH.” sheesh indeed, lmao. “what in the FUCK was that”

see, this is why y’all need Kacchan. you need someone who’s not going to back down from him no matter what. if it’s a matter of out-stubborning Midoriya fucking Izuku, then there’s only one other person on the planet capable of that, and we all know it. don’t pretend like you don’t. I am not going to shut up about this! we’ve had our hurt so now what about SOME COMFORT, DAMMIT

“I’m afraid that he’s becoming influenced by my conscience” nah are you kidding Nana this is all 100% made-in-Japan pure original Deku right here

see, Banjou gets it. “that kid, he’s totally going on his own.” exactly. this was so inevitable it was basically scientific law

“well I for one don’t see the problem with Deku being so obsessed with saving everyone else that he pushes himself until his body and soul literally fall apart” okay, whose speech bubbles are these?? we’re about to have words

lol of course

well you always did prefer the direct route didn’t you. but even you can’t possibly think this is okay lol

dark AU!Kacchan please tell us more about your badass doomed timeline in which everything went to shit and you apparently had the same character arc that Deku is having right now except it somehow made you sexier instead of turning you into a rabid t-rex. I have so many questions

oh so now you want to help??? well -- good, actually. sorry if that sounded offended just now lol

(ETA: so at first when I got to the end of this chapter I was wondering if Katsuki B. had somehow summoned his alternate-universe counterpart through trippy OFA space telepathy lol. but in the original Japanese there’s no reference to “we”, so this appears to be a mistranslation. this line should probably read more like “if there’s something/someone out there that would be able to complement/complete the current Midoriya Izuku [it would be]…” which, oh hello, is that Horikoshi once again reaffirming that Deku and Bakugou complete each other lol. “guess what guys, the Vestiges ship it too" heck yeah. they know what’s up!)

look how admiring his boyfriends are. HORIKOSHI GIVE US THE REST OF THIS BACKSTORY ALREADY GODDAMMIT

“meanwhile somewhere in the depths of the ruined city, Deku was having a dance-off with the villains”

I like how the villains all have this “AHH WHAT THE FUCK” kind of body language to them lol. I mean if it were me, and an eldritch horror suddenly clawed its way from the shadows with its writhing glowy tentacles and pants-shitting nuclear death stare, I would probably just die on the spot. no need to stick around. only pain awaits

lol for a minute I thought this was Can’t Ya See-kun and I was like “WHAT A FASCINATING CROSSING OF PATHS” but it’s just some random girl

he seems genuinely confused lol

Deku it’s because you look like something that crawled out of a sewer drain, sweetheart

lol they just took his word for it?

so trusting. even though they’re immediately hauling ass anyway just to be safe lmao

“my appearance is frightening to others” no shit Deku it’s because you look like a fucking alien exorcism. you look like a Lich that got caught up in an oil spill my dude

NO NOT THE CHOSEN ONE ANGST AGAIN

I RAN OUT OF ESSAY JUICE FOR THIS ALREADY HORIKOSHI!! I’VE BEEN TALKING ABOUT IT FOR MONTHS NOW WHAT TOOK YOU SO LONG!! BUT ANYWAYS, GOOD!! I MEAN, BAD, THOUGH, OBVIOUSLY. BUT YES

“ENJOY THIS MONTAGE OF DEKU BATTLING A RANDOM KAIJU AND WANDERING THE WOODS LIKE A DERANGED GREEN BABA YAGA” okay yes but sir, exactly how much longer is this going to go on. if it’s a matter of you wanting to make sure we get it, let me assure you that aside from a few stray chuunis who think that Deku embracing the Darkness is the coolest thing he’s ever done, all of us here in fandom fully comprehend that this is Not Good

-- OH SO IT’S LIKE THAT

really. with the flashbacks to his loved ones’ smiling faces and everything. not even gonna try to aim above the belt, huh

AND NO KACCHAN??! NO CLASSMATES?!?! IS HE PURPOSELY NOT THINKING OF THEM??? OR ARE THEY BEING SAVED FOR THE NEXT PAGE??? SO HELP ME, IF THE NEXT PART OF THIS SENTENCE IS “CAN PROTECT THEM”, OR EVEN WORSE, “CAN SEE THEIR SMILING FACES AGAIN”, I...

WHAT DID I JUST SAY

(ETA: my man did Sero and Kaminari fucking dirty lmao. I miss their smiling faces too omg.)

the sheer, unparalleled irony of him saying this while he stands there looking like the gargoyle demon from Fantasia got crossed with an umbrella that got struck by lightning. Deku :(

oi who the fuck is this clown

is he controlling this mob with his evil hair. “what if I made an exhausted, running-on-fumes Deku battle a brainwashed mob at Ground Zero.” Horikoshi do you just have like a checklist of horrible things you want to do to your protagonist

easy there Sasori

well joke’s on you buddy because he’s apparently “completely fine”, so

“here’s to hoping that you know more about AFO’s location than the others” jesus christ Deku you really have hung your mercy out to dry huh

now he’s forcing his mob of terrified prisoners to attack Deku ahhhh. sucks to be them. at least they’re not being controlled by bees

so Deku is saying that Sasori’s control can be broken with “physical trauma.” similar to Shinsou’s quirk I guess. but so does that mean he’s gonna have to hurt them? ( •﹏•)

NO NOT MORE SAD EYES

“DEATH BY EMPATHY!!!” HORIKOSHI NO

fuck. he looks like he’s on the verge of passing out

this is what happens when you nerf a character’s self-preservation stats in favor of spamming their bone-breaking stats instead. NOW ACCEPTING BRAIN CELL DONATIONS FOR A BOY IN NEED!! with your loving generosity we can hopefully help him live to the ripe old age of seventeen

OMGFGGG

YESSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS

[grabs your hands] ლ(*꒪ヮ꒪*)ლ [swings you in a circle] へ(ﾟ◇ﾟへ)

THASSSSSSSS WHATSSSSSSS UPPPPPPPPPP

HORIKOSHI REALLY SAID FUCK THAT MASK (ノ°ο°)ノ YOU FINALLY LEARNED!! IT’S CHARACTER DEVELOPMENT!!!!

JUST FOR YOU KACCHAN, HORIKOSHI LEFT THIS ONE BAD GUY WHO’S STILL WEAK TO FIRE. GOD BLESS

IT’S YOUR COUNTERPART, KATSUKI B!!!! HOW WE DOIN OVER THERE IN THE TRIPPY COSMIC OFA SPACE REALM LOL. DO WE BELIEVE YET, FANDOM???

LIGHTS!!!!

INSTANT RESULTS!!! IT’S SUPER EFFECTIVE!!!

(ETA: imagine what this must look like to Deku though. he’s been caught up in this dark cloud of despair and exhaustion that’s been building up over... I’m gonna go ahead and say “weeks”, because yeah. and now he finds himself here, in the place where All Might’s legacy ended and the torch was passed to him. and the world is in ruins, and he’s surrounded by frightened people who are all trying to hurt him -- because who isn’t trying to hurt him, these days -- and he’s scrambling to figure this all out, but meanwhile the weariness is finally starting to catch up to him, and so he’s basically just standing there in a fog of complete and utter misery.

and then all of a sudden through that haze, he hears the one voice that’s more familiar than any other that he knows. like, I honestly wouldn’t be surprised if he thought he was just imagining it at first. Kacchan showing up to save him right when he’s at his most desperate and feeling the most alone. Kacchan, showing up to save him.

this is the person he always looked up to as a child (to be fair he was quite a strange child lmao). the person who was even closer to him than All Might. the person he always thought was amazing. and bam, here he is now. appearing in the sky out of nowhere to one-shot the bad guy with a single blast (which, btw, that was his armor-piercing attack too lmao dslkjlk take it easy there kiddo). like, that must have felt absolutely surreal to him, especially coming at a time when he’s already half-delirious and barely hanging on to reality. he must have really thought that he was losing it there for a second.

but he’s really there. it really is him. and for this brief moment -- before the rest of the situation catches up to him, and he remembers about all of the fucked-up AFO stuff, and remembers why he was so afraid and why he was pushing everyone away -- for just this one brief moment, he’s too exhausted and stunned to do anything except to just react. just stands there, looking up at him in awe.

and you know, it almost reminds me of...

just. you guys. the character development. the freaking character development. someone who brings reassurance. someone who shows up and makes you think, “oh, it’s all going to be okay now, because [person] is here.” the role reversals. the growth. the payoff!! because who is the one person who always had faith that Kacchan would one day grow up to become an amazing hero like that. WHO IS IT. YOU ALREADY KNOW.

omg. anyways, bless you Horikoshi, my feels which have been on backorder since fucking September have finally arrived lmao. yes, good, thank you. worth the wait. it is always, always worth the wait. fuck yeah.)

“LOWFRIES” SO YOU’RE TELLING ME THE WHOLE GANG IS HERE, AHHHHHHHH (º̩̩́⌣º̩̩̀ )

BEAUTIFUL. WONDERFUL. SENSATIONAL. I DON’T EVEN CARE THAT JUMP IS ON BREAK NEXT WEEK. THIS RIGHT HERE WILL SUSTAIN ME

[sashi-ya]

interested to know what you're thoughts are on how law's character arc will end in op? his alliance with luffy, his ability to obtain the one piece, anything really.

i'm convinced he's going to die. idk why, and i really feel like it'll have something to do with the eternal life surgery. hopefully i'm wrong! but as resident law lover, i want your opinion!

Hi babe!! thank u for asking! It is a liiiilte bit (a lot) long so I hope you don't mind ♥

Well, first in first I HOPE HE DOESN’T DIE because Idk if I can handle losing him. That being said, let me tell you what I think…

As much as Law tries to hide it, Law is Luffy’s friend. So no need to have an alliance anymore. He has found in Luffy someone who wants the same as him. Law is not interested in the One Piece treasure at all. His true motivations are a little different from being the “pirate king”. Let me tell you why….

Spoilers from “One Piece Novel: Law” (canon) and Manga under the cut. -And a LONG theory -

The novel tells us about what happened after Cora’s death, how Law managed to cure himself and how he ended up meeting Mr. Wolff, Bepo, Shachi and Penguin. In the novel it is stated that Law didn’t really care about being a pirate, but his true reasons to set sail were no other than taking down Doflamingo (What Law believed was Cora’s purpose). So, in order to fulfil Cora’s will he spent two years training not only his df powers but also as a surgeon working at a local hospital. Bepo, Shachi and Pen did the same, of course. So, to be honest, I don’t think Law's first purpose was in no way to become the Pirate King.

After the battle of Dressrosa, once Doffy was defeated and Law spoke to ex admiral Sengoku, he understood that;

First, as we all know, Cora’s love was beyond any type of revenge or plan against Doffy.

And then, the unknown meaning of the D. That meaning he was probably not really interested in until he saw how Doffy reacted knowing he was a D. And of course I’m sure he asked himself a lot about why Luffy has the same secret name? Is he supposed to do something similar to Mugiwara-ya? What does that D hide?.

Then, in Wano… he states his intentions to know about the meaning of the D clearly on ch. 995 of the manga. He even asks Robin if she knows about it.

But, let’s discuss something else here. His relationship with Smoker, X-Drake and Koby. (And ofc his step grandad Sengoku)

So, as you may know before the alliance with Luffy, Law was a Shichibukai right?

So, what happened in the two years of time skip for him to become a warlord? Most of the people accepted the quick explanation that this little emo doctor one day appeared at Marineford with a box of 100 PIRATE hearts and so the marine said “Oh amazing, let’s make him an ouka shichibukai”. Weird, right? Specially when it comes to One Piece. And mainly because how the fuck did they check if those hearts were from pirates? And what does that even mean? Did Law want to show the Marine how strong he was? or...

In the same chapter Law is presented as “Trafalgar D. Water Law, Surgeon of Death & Mastermind of the Rocky Port incident”. WHAT THE FUCK IS THAT? WHAT HAPPENED THERE?

So, the only information we have about it till now (+10 years) is that it also involves Koby. Koby was decorated as Hero and Captain of the Marine after that because he “saved many civilians' lives”. So, we could say that if Law was the one who planned the incident and Koby fought in it at least they have met each other -at least once-.

And of course we all think Law was probably the bad guy, right? But, there are NO proofs of it whatsoever. What if Law AND Koby worked together against the 100 pirates Law left heartless? What if Law is not a real pirate, but perhaps has something to do with the Marine? Maybe the idea of creating this incident was to show fake information to the Marine. One possibility is that they wanted to show Law as a rival to hide his connections with some marines (Koby, X-Drake, Smoker) or maybe just the opposite, like "hey, this guy helps the marine" let's give him the Shichibukai title.

And by this I’m not really saying Law is a Marine. I don’t really think so. But, maybe he has something to do with the S.W.O.R.D. project where Koby, X- Drake, probably Smoker and Tashigi and Kuzan are involved.

From here I think it is important for me to clarify that -in my opinion- there are two sides of the Marine. The “bad guys” who let’s say are represented by Akainu; people who use the word “justice” WRONGLY. Those who work in the Marine just to protect nobles and tenryuubitos. And then the "good guys" those represented by Smoker, Cora, Bellemere, Koby, Garp, X-Drake, Ishoo who fight for TRUE JUSTICE. Even though if that depended on fighting with and not against some pirates.

A good example and I think Oda wanted to show this as a foreshadow of the future big war was these specific moment at Punk Hazard

Marines + SWORD + Pirates together against people sent by Doffy (a former Celestial Dragon). Or even during Dressrosa!

Aaaand what about Law’s relationship with Smoker? Remember how Law saved Smoker ass during his fight against Vergo? Remember how Law told Smoker about Green bit? Why the fuck would Law tell a marine about his plans? There is some info missing here that I hope Oda will enlighten us with it sooner.

Another of the many reasons Law might be involved in the SWORD project is his relationship with X-Drake. Back to Dressrosa arc, specifically during Cora’s flashback, X-Drake literally saved Law’s life indirectly. How? Well… the Ope Ope no mi was stolen by Cora from X-Drake's father. Little Drake was there too.

When Doffy heard the Marine radio stating they had found a child he thought it was Law and so they escaped. But in reality, the child was no other than X-Drake. Drake was adopted by Sengoku, just as he did with Cora and became a Marine. Drake and Smoker TRAINED together.

And then again, up until the current arc, with the help of Drake I think Law was able to escape Wano prison and attacked Hawkins.

And why would Drake help Law to escape if after all his dad was killed because of the events that involved little Law?... well, maybe because they are more than fellow supernovas… and what's Drake? A marine from Sword like Koby.

(Not to mention how Drake got even with Law because of his past by hitting the shit out of him during the “acting” at Wano prison in from of Hawkins).

So… to not make this text endless (even though I have many other reasons to believe Law is not a pirate at all) I'm sure Law FIGHTS for TRUE JUSTICE (besides him wanting to know about the will of D) for many reasons; 1. To avenge his family deaths, 2. To end up with the endless night the WG has brought into the world… after all he is a D, right?

But if you ask me about what's gonna happen with Luffy? I don't think he will get mad when he learns the truth about his precious Torao. After all Luffy is used to fight with the good marines against injustice! He even accepted X Drake to join them during Wano raid (Ch.990)

About his possible death, I really hope he doesn’t die, but to be honest, Oda has the power to decide it so… let’s pray this won't happen. And as he said many times “the moment someone makes a theory that’s true I will change it”.

So I could make this theory ENDLESS but for the sake of your sanity I won't go any further hahaha.

Thank u for asking, darling! ♥

[lafayetteworld]

Robin 2021

Okay, so it's been a while since I've been actively posting on tumblr, mainly because I haven’t had time. That being said, the commentary I am about to make on the Robin 2021 series is not meant to offend anyone and while I am particularly critical, I also acknowledge that some people genuinely like it/prefer the direction its's going in. And that's fine. But I did want to break down why I feel the current series is just 'meh' to me at the moment and it’s not necessarily because Damian is potentially being shipped with a newly introduced character.

Please be aware, that there are lots of spoilers. 

So, to start off, I am a big fan of the older Batman and Robin (2009) series, where Damian had partnered up first with Dick and later Bruce (2011). I do no think they are flawless, certainly. I think, in particular, the Nobody plot - excluding of course the interactions between Batman!Dick and Robin! Damian which are gold - was very good. In just a handful of issues, I think we were offered a great insight into Damian's character and how layered he is. 

My first thoughts when I heard about Robin 2021, based on the announcement: Damian will follow his own path, for some reason he retains the Robin moniker which is weird but okay, it does seem like something he'd do I suppose. He will participate in mortal kombat-sort-of-tournament, which will showcase his abilities and in the process, 'he will seek his own destiny' (which I believe was a line used in the actual announcement). The reason he wants to win? Initially, it appeared to be only because he wanted to prove to be the world's best fighter -- which by the way, how is only a tournament of this level only coming up now? Anyways, ignored that. Not a big deal. The idea of watching Damian fight different opponents was appealing either way.

The art of those comics is perhaps nowhere as striking/appealing as Robin 2021 and there's certainly not as many elements to it, but there was just something about it. I stopped reading comics after, for reasons I can't recall but I do remember finding out that Damian was killed off sometime after. I was super heartbroken over it but luckily I found out about it right around the time DC decided to bring him so really I had to wait a short while to see the little shit being Robin again.

I am not as familiar with the arc on Alfred's death but I know Damian watched what was basically his grandfather figure die in front of his eyes. How it was addressed after was rather poorly and that's a discussion for another time, just as it is that hot mess of Gleason's Titans.

 My hopes may have been too high in thinking we will be offered the introspection we'd seen in Batman and Robin, or him deciding what type of vigilante he wants to be. Like who remembers Damian admitting 'sometimes I don't know who I am or what I want' or him saying he does not wish to be like Nobody. That was so poignant.  

First issue of Robin 2021 was a disappointment. I know that there's a lot of damage to the character that had to be addressed but why did he die from like the beginning? Why is it the first thing we see is the author's OC defeat him? I mean, we really didn't need that to find the tournament's rules. Anyway, I was so sold on the art that I could have overlooked all that, except then the art became inconsistent so.....

Do I think Flatline's design is awesome? Yep. Do I like that she is potentially a badass female fighter? Sure. Do I like her abilities? Somewhat? They haven't been explored that much. But to me, having an OC appear out of nowhere and kill the character I was hoping to watch mature/develop is a bit underwhelming. Then, we start getting references of how poetic it is that Damian may fall in love with the first girl that kills him. I thought it was funny at the beginning but subsequent issues only seem to point that actually, the author does want to use Flatline/romance in this journey of growth that Damian is undergoing. I mean, we really shouldn't be romanticizing that she killed him? The girl is serious about winning too. That she caught him off guard is actually rather awesome but I don't think it had to mean anything more than Damian meeting a potentially dangerous fighter and that he needs to be less reckless.

Damian is a pretty complex/difficult character with a lot to figure out. Why does he need a girlfriend? Why can't he have friends that helps him grow or mentor figures? Him and Rose have such a great dynamic, for example.

I see a lot of people saying 'well, he's a teenager boy so it's normal'. Yeah of course it is. But why can't it be the opposite? Damian isn't a normal teenager. Out there, may be teenagers who feel the same. They don’t care about this stuff. 

It is so frustrating, and underwhelming. Not because there's anything wrong with Damian having a crush. Not because there's necessarily anything wrong with Flatline. But because there's no need.

Why is it just because he's a teenager he has to have a romantic interest? If romance is introduced in a plot, surely it doesn't have to be just because 'he's a teenager'. And if he does, why does it have to be an OC that hasn't been explored very well? Flatline could be a seriously cool character without needing to be a romantic interest for Damian and vice versa, Damian has so much to figure out on his own. So for me it's not the shipping that’s an issue, it’s the reasoning and how it may perpetuate clichés when there’s other angles that could be explored. 

Also, why the hell is Alfred used to drive Flatline's likeability? If Alfred is Damian's guilt manifesting, then that's actually Damian thinking that?

'I like this one, Master Damian.'

Seriously. I really hope we end up finding out that was tied in with Flatline's ability or something. So, Williamson won't explore Damian's guilt over Alfred but he'll give us a panel where Alfred (or a manifestation of him) is basically giving his thumbs up for his OC. That doesn’t sit well with me. Not so early in the series, anyway. 

Why is this whole manga thing keep coming back? Yes, Damian reads manga. I loved this addition and I think it's great that Williamson actually brought it in. The fact that it was Flatline who found it seems cliché. And no, I don't think it's a parallel between the shojo manga characters and them two. I really hope that particular manga has a deeper meaning than that. The fact that we keep seeing the blood sprayed (or is it cuts? not sure) on it does seem to hint at that.

There were some good moments. Damian and Dick. Basically every single interaction between Damian and Ravager. The whole Damian and Conner could have been developed better, because it seemed rather sudden they had a heart to heart when Damian can be such a distrusting little shit. Damian reuniting with Goliath.

Why is it that we're five issues into this series and it's all over the place? I don't dislike it. The art is great, although there's so many inconsistencies. But it's been super hard to feel in any way about it other than just 'meh'.

Issue #6 was boring. I didn't mind Flatline and Damian analysing other fighters, it was interesting actually, but that it's still being framed as heading towards a romantic relationship is so.....well, eugh.

Overall, I just don't feel there's enough...substance? Damian does interact with a wide variety of characters and there are a lot of things going on - batfamily searching for him, Ra’s Al Ghul (which was funny yet so odd the way he was characterized), the whole tournament and magic island, so on.

Flatline is not the issue for me, but rather one part of why the series has not managed to appeal to me. I do feel there's a bit too much of her. Or rather, there's not enough of her as a character and too much of the whole 'they're teenagers so they'll have to end up having a crush on one another because he's a boy and she's a girl who literally stole his heart'. Like, I wouldn’t mind having Flatline or other fighters background explored, just to see the types of people they are and so on. 

I wish there'd more of Damian's inner thoughts too. If not that, then give us more fights. Not just snippets. It's a tournament. Let's see how badass they all are. Damian’s fight scenes in #6 were beautiful but brief. I hope the next issues will give us more of that.  As someone who does like Damian x OC fics, I can’t blame the author for wanting to hype their own OC, but I am also a great fan of friends to lovers, slow burns, friendships can be just as great as romantic relationships, of taking the time for mental/emotional growth. 

Anyways, if you've made it to the end of this commentary, I applaud you. Once again, if you do like the whole Damian x Flatline thing, that's cool. I don't, but I do understand to an extent why people find it appealing. And if you think the Robin 2021 series is amazing, then I am happy for you -- I wish I could be this enthusiastic about it.

P.S just saw the cover for issue #7 or is it #8 ? I think I may cry.

[helena-thessa]

Hi Helena! Big fan of your writing here🥺♥️ Your rivamika fics are my safe space 😭 (if you have time to answer) i’d love to know when you first started shipping them, why, and what made you continue to love this ship (or anything else to do with your journey as an RM shipper)? i love your characterisation of both levi and mikasa individually, but even more so, your portrayal of their dynamic as a couple, which is why i wanted to ask so badly ☺️ x

Hey anon! Oh woah, first of all, thank you so much. Second of all, oh god, you probably shouldn't have handed me the mic. heh 😅

I’m afraid to look at the word count of this response, I’m sure it’s much more than you bargained for, but I appreciate the question and enjoyed thinking through my response (: Most importantly, I’m so glad you find my stories as a safe space. It’s really an honor. Thank you for sharing with me 🖤🖤

TL; DR As a longtime reader, writer and lover of stories and story-telling, by being someone who pays attention to how stories are crafted and deliberately developed from beginning to end, I sincerely thought Isayama was setting up rivamika as an endgame relationship. So, I read into and interpreted meaning out of ALL their interactions and became deeply invested.

I don’t necessarily ship them cause of the parallels, age gap, enemies to lover trope, height difference, or some of those common reasons and/or kinks. I’m more basic and boring than that. I love the concept of them coming together as though it’s inevitable.

They both are unbelievably strong, selfless, and have suffered so much loss— so, no one else could truly understand them as well as they can understand each other. They both probably would have always settled for a stable, simple life, and been alone and lonely even without realizing it— instead, they find each other, and realize what it means to actually no longer be alone, to do more than just survive. It’s this understated bond, as opposed to a dramatic and passionate romance, that I envision in them and that I love so much.

Then, the passion, heat, the romantic "spark"— I think that’s an added bonus, the cherry on top, the perfect final puzzle piece. They’re both so physically capable, can speak through their actions, and don’t show much need or capacity for emotional/ verbal communication, so the ability to connect with each other through physical intimacy and mind-blowing sex seems like another given.

Still, at the end of the day, for me it comes back to their ability to fully depend on each other, to the inevitability. Not like some soulmate trope where they 'have no choice' in it, but like the stars aligned to prove it's right. How each of them have only one other person on the whole planet who could see and understand them, to be on par with them, to make them realize there’s more to life than settling and surviving, and they happen to find it in each other.

You asked, I rambled 😅 Here’s a breakdown of my thought process in my rivamika journey. For those who make it to the end or want to skip to the end, I'll finish with the excerpt of the very first rivamika scene I felt compelled to to write.

I've tried before to re-watch and remember the exact scenes, exact moments, that initially captured my full attention, but I guess it was all of them, the gradual and cumulative compilation of their earliest interactions.

Mikasa always appearing cool and indifferent, and paying no attention whatsoever to others fawning over, like Jean initially falling for her, but then her strongly reacting over Levi in the courtroom showed how uniquely capable he was at getting under her skin.

Of course, the scene in the forest chasing the Female Titan was a critical one. I think of that as the first time both Levi and Mikasa were truly able to see the other's strength, mental and physical. And for them, orphans and trauma survivors who have suffered extensive loss, I think that seeing strength in another person made them feel less alone. Less alone in a deep, quiet but cataclysm, life-altering sort of way, even if not a romantic one. Like they didn't know it was something they didn't have, something they didn't expect to get from life, but then found it with each other.

(Even when we found out Levi was an Ackerman, I was disappointed if it meant they were immediate relatives, but willing to accept it wouldn't be a romantic end to loneliness, it would be a familial end to loneliness. But... the author never explored that. Not once.)

In that forest scene, manga and anime, the way that Levi pauses to really look and see Mikasa and think about who she is, what she’s gone through, and how strong and dedicated she is now— that was a defining moment. It was also a visual demonstration of Levi breaking character, from aloof and ruthless, to considering and curious. I thought Yams was showing both of them do that on purpose.

Then, Levi getting hurt because of Mikasa in that scene felt like another clue. Sure, it was while saving Eren, and sure, it could have been meant to humanize super-soldier Levi, or sure, it could have been another aspect of how Mikasa rushing into things over Eren ends up hurting other people that later changes in her character development, but it felt like a very pointed statement about Mikasa being a vulnerability for Levi. And that's swoon-worthy, right? Most of us have been exposed to and conditioned by stories about how special and romantic it is to be the one and only girl who can make an otherwise disinterested or unattainable guy actually pay attention to her, and so admittedly I fall right for it.

I’m sure I’m forgetting plenty, but the opening of season 3 felt like confirmation. When Levi figures out Kenny's behind things and entrusts Mikasa with instructions to share with the others, instructions about fighting people instead of titans that ultimately everyone else besides her struggles with, and when Mikasa lets Levi hold her back from chasing after Eren, her most important way of trusting and having faith in Levi, I honestly took that as cues from the author that rivamika was endgame. I let myself get truly invested from then on. That’s that understated bond I was referring to. To me, that unspoken but undeniable trust is the most important dynamic.

Seeing them fight together or fight similarly has always been fun and powerful and fulfilling.

I'm newer to the snk club. I was originally an anime-only fan and started watching in fall 2019, I think. I wasn't on tumblr, twitter, or anything else to see fandom discourse. So, I didn't know that the rooftop scene of Mikasa fighting Levi over the serum was such a staple for our ship until much later. I love the scene just like many do for all the reasons we do, but I don't think the actual scene was pivotal for me, so much as it's aftermath. I thought it represented two things.

One, it was an important marker in Levi's characterization. Hands-down one of the most striking scenes to me is the one where Levi is in the alley, somber and alone, listening in on Eren, Armin, and Mikasa talking together. It artfully shows his longing for hope and connection. So, when Levi chose Armin for the serum, that represented Levi choosing hope. And when Mikasa ultimately gave up fighting Levi and didn't choose Armin, which Armin finds out about later on, I see that as an important marker in Mikasa's development. It puts a wedge between her and Armin/Eren [Armin, because he knows she would have let him die, and Eren, because Armin is too special to him and he couldn't look at her the same way after realizing she would have let him die]. That distance between her and her childhood friends is one I don't think could ever be healed completely, one of those painful lessons in growing up. By doing that, it then also puts a distance in Mikasa's own childhood self to her current self. I thought that matured her and separated her out in a way that was another clue toward eventual rivamika developments.

That's a whole other conversation on Mikasa, but I’ll stay on track. Her love for Armin was absolutely authentic and fierce, but at the end of the day, at the core of her being, she chose survival over hope. Meanwhile, Levi chose hope over survival. To me, that was soft, fertile ground for the reasons why eventually, if/when Mikasa found hope and chose hope, that could directly tie together with her inevitably in coming together with Levi. Again, less butterflies and fireworks, but more natural and in a way that was just a given.

I wrote Beyond the Walls before reading the manga from the Marley Arc and on, so that's why most of that story is her journey into embracing that hope. *manga spoilers* There's a lot of meta, criticism and talk about Mikasa's silent, off-screen and subtle style of character development in the Marley Arc and afterward. I won't go down that road, I'm still processing the end of the manga to be honest, but I think it's fair to say she does eventually end up choosing hope over survival when she lets go of Eren and saves humanity instead. I love the “Stay with Me” line and think it’s perfect; a simple but profound display of trust and their deep-rooted bond in a really understated way. *end manga spoilers*

Here's something I always wanted to talk about in full but haven't. It honestly reads to me like Yams was building toward rivamika, and didn’t do anything to stop that until too late. There are tools authors can use to ensure we stop shipping a pair or start shipping a new one; love triangles are commonly used in every artistic medium and we’ve all been persuaded by these tools. But Yams didn’t use these tools to make sure readers didn’t feel convinced by rivamika. For all the reasons I listed above, more I'm forgetting, and for the following:

If he wanted us to think they were family and it would be incest, he should have added in a conversation between them realizing they were (close) family and that they weren't the only ones left in their biological family like they thought. But he didn't.

If he wanted us to think it was completely inappropriate between a child-and-adult and student-and-teacher, then he could have done something to ensure Mikasa looked childish or Levi looked older, but no. They barely look ten years apart. I do think it's unacceptable and that there's a power imbalance between a child-and-adult relationship regardless of that, and that there can't be true consent when one is a superior and another a subordinate, so I personally age-up Mikasa in my head and try to handle his position of power responsibly in my writings... but the point being, by the end of canon, there's no inappropriate or non-consensual romance between them, yet there's a lot of history and chemistry that could naturally lead to an age-appropriate and consensual relationship. If Yams didn't want us to think so, he could have made it more clear that there were reasons it wouldn't happen.

The only thing that makes sense to me is the author planned on rivamika endgame but was shamed/pressured out of it (either internally or due to others) OR that the author somehow accidentally created such vibrant chemistry and an incredible dynamic between them. Like, he didn't put enough convincing substance of eremika in, didn't make Levi look old enough, didn’t have one of them do something unforgivable in the other’s eyes, etc. Those are some of those tools he could have used. Romance was never a key component in snk. And since we now know Yams planned or needed eremika endgame for sake of plot and the conclusion of the manga, I personally think he didn't know what to do with the riveting rivamika substance and chemistry being much more convincing to readers. Once he had them so well built-up, maybe the only option he felt he had was to just stop putting the characters together. We get little-to-no rivamika interaction, platonic or practical, after season 3 all the way up until the very end. But there was so much of it beforehand ?? So, it simply doesn't make sense. I think the author just straight-up cut any and all interactions out between them because it was too convincing and moving, more convincing and substantial than eremika. But, as the end of canon shows, we needed to have some eremika buy-in. It's messy writing and unskilled in the romance department, but considering for how long and how complicated snk has been in a creative process and how lackluster the eremika romance (the main and apparently pivotal romance) is developed, I think it’s plausible to say the author effed up.

As far as writing fanfiction goes, there's just so much room to explore them. In canon, we aren't given enough insight into their individual perspectives, let alone their dynamic together, so it feels like a blank canvas to work from. I think that's part of why I love to write them, and also why I don't necessarily read much of them. When I first started shipping them while watching the anime, I read a few of the classics that were canon-verse, but I haven’t really read much since. For me, exploring and discovering them as a writer is the most fun. (It's one of the reasons Naruto and Harry Potter have such large fanfiction collections. There's so much world-building and so many characters, but there's also so much left to the imagination.)

In general, I'm drawn to strong characters, especially women, who are multidimensional enough to be real, vulnerable and soft. Mikasa is the pinnacle of that. I don’t necessarily like to write about her love or infatuation with Eren, but I do respect and admire and consider it integral to her character and her amazing capacity to love. We can have strong, kickass women who falter when it comes to love but are still considered strong for it. The two don’t have to be mutually exclusive and Mikasa is a beautiful example of that.

And Levi is strong, but real and vulnerable too; he’s honestly a fantastically developed character, from Petra explaining to Eren in the beginning how he’s not the amazing hero he’s painted to be to the public, to how Levi genuinely cares for Erwin and others and chooses hope despite all he’s suffered.

The end of the manga wrecked me a bit. Kind of like Games of Thrones. You have something that was so epic and well-done for so long, a rushed ending that isn't immediately sensical and isn't fulfilling is hard to stomach. Eventually, I'll move on from the denial of that and process what I think and feel about it. The whole reason we have fanfiction is to expand on canon, but it's made me put rivamika on the back burner until I figure it out. So I'm a little less hyper-fixated on the pairing right now even though interacting with you all and asks like this remind me what brought me here in the first place. 😊

To conclude, I’ll share that the very first rivamika content I wrote was a compilation of moments I thought could be inserted into season 3. These are still moments I plan to edit and publish one day. For anyone that actually read this far, I’ll put a rough and unedited excerpt of the first scene I ever wrote about them.

Thank you again anon 🖤😊

BEGIN EXCERPT [after the rooftop fight for the serum, immediately following the ceremony where Eren touched Historia by kissing her hand]:

Part of her was embarrassed at such a flagrant act of disobedience to a superior, especially to one who saved her and countless others' lives in the past. But mostly, she was anguished by the situation Captain Levi put her in once he revoked the serum meant to save Armin and planned to use it on Commander Erwin instead. Her current ostracization and self-loathing was not entirely her own fault. Anger she felt toward herself was just as easy to wield against him.

It must have shown in the grit of her teeth or defiant tone, because he turned to look at her, more aloof than curious.

Like a flint struck to steel, it ignited the fury she felt toward him.

“I shouldn’t have hesitated. I should have just killed you,” she answered him at last, piercing him with eyes darker than the night.

He wasn’t concerned. “You’re good, but not that good.”

Her hands fell to her side, fists clenched as she stood with a single, fluid movement. Before she could let loose a threat, he sighed.

“What’s the problem, Ackerman?” He was dismissive, his shoulders relaxed and posture loose.

The fire too furious to contain, she went sailing for him with the same speed from the battlefield. Her fingers already curled, she tightened her grasp as she swung her fist into his gods-damned apathetic face.

Levi wasn’t unprepared. He easily side-stepped her, then snatched her wrist to steal her momentum. Though he tried to toss her aside, she was no less fast; Mikasa dug her heel in and spun, her other arm shoving hard into his chest.

Too graceful to stumble, Levi used the chance to hook her second arm too. He caged both her wrists in a grip so strong, she was sure it bruised her bones. Still, he only looked at her warily, almost bored.

“Shouldn’t you be grateful? I chose Armin.” If his reminder was meant to ease her anger, it had the opposite effect.

Fury and desperation gifted her additional strength. She shoved into his chest hard. Levi shifted backward, nearly forced into loosening his grip; within that split second of an opening, Mikasa slammed her elbow into his chin, rocking his head backward.

“You did,” she seethed, but as fast as the fire inside her exploded, it was doused. Her next words came out broken and damp. “But I didn’t.”

Levi remained stern and otherwise unmoving as he attempted to flex his jaw through the spasm of pain. As the momentum of the fight died down, he loosened his hold on her wrists and evaluated her distraught frame.

Mikasa immediately released her own hands and turned away from him, eyes stinging from tears she refused to shed as she focused on the stars ahead. Admitting the harsh words aloud hurt her far more than any injury she could inflict onto him.

Not only was Armin one of the only friends she had, but he’d been a steadfast one throughout almost all she could remember of her life. After the trauma of her childhood, it was Eren and Armin who embraced her, whom she learned to love. Now, though, there was a wedge between her and Armin she was not sure could ever be removed. What was worse, as deplorable and selfish as she knew it proved her to be, was the painful wedge it now put between her and Eren too.

Once again, she found Levi standing at the peripheral of her sight, close enough to see but far enough to be a blur at the edge of her watery vision.

“You almost killed me.” Levi repeated his earlier words, but he said them with an odd bite, torn between frustration and patience. “You would have killed me to save him.”

Too late, Mikasa realized he hadn’t meant these words as an accusation, but an odd form of validation. She bit her bottom lip, teeth puncturing too hard; the tang of metal was sharp on her tongue when she swallowed blood.

“You thought about letting your closest friend die,” Levi said quietly, tiredly. “But I did let mine die. I left him for dead, when I could have saved him.”

Mikasa was startled from her selfish reverie, for the first time acknowledging the sacrifice he made on that fateful afternoon. She’d been too absorbed in her own relief, and then, her own regrets to consider what the decision had done to him.

For a brief moment, she considered turning to face him, but the stark reality of the matter made her refrain. How could she feel pity for his loss, when his loss enabled her gain? An uncomfortable knot tightened in her stomach.

“Tch,” Levi sighed. He was only one notch less taciturn, but for him, that was soft. “You’ll live with your guilt, and I’ll live with mine.”

His words granted Mikasa’s tears the permission to spill. She buried her face further into her scarf, both hands trembling at the worn threads. As quietly as he arrived onto the roof, Levi disappeared from it.

.

.

It was rare for him to indulge in alcohol or celebrations, but Erwin’s absence felt more tangible than his presence ever did. Levi distracted himself with the chaos of the few remaining Scouts that Erwin had died entrusting his legacy to, and attempted to drown the pain with whatever drink Connie Springer shoved into his hands.

He found Hanji with their ale long-forgotten about on the table as they half-stood from their seat, frantic while explaining some morbid experiment in great, vivid detail to an unsuspecting and slightly horrified MP officer.

Though Levi wordlessly took the seat beside them, Hanji paused their rant to slap him hard on the back, an enthusiastic greeting flying from their drunken lips. The MP took this chance to excuse himself, a pathetic attempt at politeness, but Hanji either didn’t care or didn’t notice.

“Ah, Levi,” they smiled at his drink, though it didn’t entirely reach their one eye. “Where you been?”

Levi didn’t answer. “You know, shitty-glasses, you’re even more unbearable about your experiments when you’re drunk.”

Hanji waved dismissively and reached for their ale. Years spent in battle and command together had gifted both of them with an eased familiarity, and sometimes, genuine friendship. In the same manner he ignored their question, Hanji ignored his lack of response and went on with their original inquiry.

“Careful, Captain,” Hanji warned lightly. “Now that there’s far fewer Scouts, you having a favorite might cause some division.”

Even though Hanji meant the words, there was a glint of mischief that twinkled in their remaining eye.

“It’s not favoritism,” Levi countered bluntly, turning his vision toward the young man on the far side of the room. “Eren is simply the best chance that we have in this war.”

Hanji laughed as if he’d made a joke and Levi looked back to stare at them, unable to be surprised at their quirks or oddities any longer, but still a touch curious about what spurned this current demonstration.

“I wasn’t talking about Eren,” Hanji said at last, a pointed nod toward his injured chin.

Levi blinked. He didn’t realize he was nursing his injury with the hand not on his drink. As though it were too hot to touch, Levi dropped his hand.

Hanji was not judgmental, nor inquisitive. In a war-torn life of losing too many cadets entrusted to him, the fact that Levi found a soldier with the strength and skill to remain safe was not only rare, but worth special attention. Still, it made him too lenient.

“Sometimes I think you’d let her get away with murder,” Hanji chided halfheartedly.

When he thought of Erwin dead in his grasp, sometimes he wasn’t sure if he already had.

[mrskurono]

a/n: the second chapter! This was going to be longer but I decided to divide it up into two for ease of reading. Gege gives us no canon idea yet so who knows if any of this is right word count: 2k tags: post!Shibuya arc, takes place during this current arc in the manga, I can’t say manga spoilers bc we don’t know what’s going on, Culling Game content character(s): Noritoshi Kamo, fem!sorcerer reader pt l

No lie when you descended the mountain side from the empty temple. 

In fact you had never seen so many cots and sleeping arrangements in one place. Every piece of floor under Kamo name seemed to have a pair of feet on it. Most of them not even familiar with the grounds. Many of them found outside in this mess just like you had been. All of them proclaiming thanks to the young heir who'd shepherded them to this safe haven at least.

Displaced. And taken in without question. Noritoshi truthfully wasn't lying. At least about this.

Among those rescued were bunches of children. Someone knowing where their parents were. And some less fortunate. When a group of them who'd been seen without a parent or guardian since you came, were circled around a little girl who'd tripped. You found a moment of purpose to help when everything else was in disarray. 

Wiping clean your hands on the backs of your pants after helping get the smudge of dirt off the little girls knees. And assure the rest of the kids that there was no blood and no one was going to get them. They were put at ease and acting more like rowdy kids as they began to go their own way once again. You don't quite hear what the cluster of kids said when they run off in the opposite direction. Unaware of most things but what was right in front of them after you consoled them. 

Instead of what was right in front of you, your eyes drift up towards the same thing you had been staring at every day since descending down the hill.

"It got bigger."

More than just caught off guard. You whip around to the semi familiar voice behind you. Noritoshi, with his arms crossed under the sleeves of his robes as he leans into the side of the doorway the kids originally tripped through. He was looking exactly at what you were as well. Looming over most of the city and Kyoto countryside was an eye sore more than just a new building. 

A blotch along the skyline. 

Devoid of light and overshadowing everything else. Even at high noon it felt like days had become dimmer since that thing blossomed into existence. Just like the rank stench of a curse. Whatever that thing was left your nostrils burning and skin crawling.

Noritoshi pushed off the door frame and straightened back up, "Do you have a moment?"

"Seems that's all I have these last few days." You retort to your host. Gracious as he was. The past two days felt nothing short of cabin fever from feeling so useless amongst the uncertainty. Not as humorous about it as you seemed to be. You redact your comment and answer him, "Yeah what?"

Still facing up towards the nameless bubble that overtook much of Kyoto, Noritoshi came beside you to clear his throat and lower his voice, "I was wondering if you gave anymore thought to what I told you."

Your eyebrow arched up, "That I can kill you if you lied to me?" The Kamo family head was not amused again so you folded your arms and stiffened up a little, "That sounded like gibberish. How am I suppose to believe anything you said when communications are basically down."

"The heads of the family have always been in contact," Noritoshi drew his attention away from the looming threat and back onto you, "The clans existed before the elders even. Besides, we were allotted more direct information today."

"Ok?" 

"I'd like to that to show you."

This sounded like a favor being disguised as something else. You hold onto your breath unsure what was in the best interest of you or anyone at this point. All you really knew was everything stunk like a persistent curse and you wanted it to end.

"Why aren't the clans working together then?" You poise a real question any sane thinking human would come up with. While equipped to deal with curses you did not feel equipped to deal with the politics of it all. 

A grimace on his face unlike the one the day before, "Things are....less than ideal."

"Really?"

Noritoshi wasn't delighted with your tone.

You sigh and decide against anything to self serving at his expense, "Fine. If it means possibly keeping everyone safe then what is it?"

That caught him slightly off guard, "What about yourself?" Noritoshi asked frankly.

Of course you scowl that someone from one of the clans would ask that, "I didn't become a Jujutsu Sorcerer to keep myself safe."

Admirable. He had to nod to that. Turning away quickly when he beckoned you to follow him back towards the innards of the Kamo estate.

Unlike the last time you were invited into what could only be described as a mock situations room. That had been involving dirty stares from a handful of men you didn't know or even heard of. And your credentials as a sorcerer scrutinized even in a time of panic when you thought help would be welcomed with open arms. Apparently the clans firmly held onto the idea that those serving themselves was severing everyone around them. You objectiably had different ideas about sorcery. 

Thankfully unlike last time when you had to deal with a room full of stuffy mindsets. You were surprised but worried to find no one awaiting to tell you that you couldn't be in there. 

What was there happened to be a jumble of papers, or what could constitute as a jumble, and two chairs pulled away from the table. Something about the urgency of such a small meeting left your skin crawling seeing the mess. Unease not worn often on your exterior. You looked around at the papers on the table and no one going over them.

"What is this?" You pick up the first few on the top with what appeared to be Noritoshi's hand writing all over them. Most of it seemed like chicken scratch saved for one word you picked out of the bunch, "Culling? What? What is this?"

Somber look on his pale features left Noritoshi gathering his thoughts like he was doing to the papers strewn out, "The heads of the family received more information on what those things seem to be connected to."

"Why aren't you discussing this with your clan then?" 

A pause from the man next to you, "...it seems alliances are already being formed."

Your brows pinch together leaving you to search for more of the papers on the table for an explanation, "Alliances? Alliances of what? What does this have to do with the giant stink ball in Kyoto? Or the curses? What does this have to do with what you told me yesterday about the Shibuya incident report?"

Something unfamiliar on the Sorcerer's face. You hadn't seen it yet. Something accustomed to worry crept onto Noritoshi and he handed you one piece of paper yet to make it into your grasp, "You couldn't have any idea working independently. That's why I asked you to come look these over. I just...I need someone to tell me they're reading this like I am."

Swelling your chest with a deep breath. You snatch the paper from him with a skeptical look once over. Whatever could be conjured up to add worse news to the unleashed curses rampaging across Japan. You held your breath with your eyes scanning it over. Feeling the air in you slowly draw out. Just as you finished the last few sentences. Suddenly you understood what could have made this worse.

"...it wants us to die..." Hands clammy and grasping for another deep breath, you read over the part again about the nineteen day warning. 

No, it wasn't a warning. This was an outright threat.

You shake your head trying to count the days that had melded together in your mind since everything went haywire, "That means...well, one...two...four-"

"Every Jujutsu Sorcerer has two weeks," Noritoshi having already done the math tipped his head down to scan the table for something. He took the deep breath you just couldn't seem to get a hold of. He grabbed for a paper tucked under pens and you watch them roll and scatter away from him, "...As of yesterday I may have sent a small handful of Kamo members to check the site out."

"Before you go this information?"

Noritoshi nodded, "I got this only an hour ago." He focused on the paper in front of him, "There were five sorcerers sent....and none of them have contacted me since they left."

Rightfully so you didn't like where this was going.

"I need to go look for them...I can't leave people to die like this." Noritoshi, though most the time calm and without a crack to his facade, faced you with both his eyes open and a waiver to his tone, "Will you come with me? Please, if something is going to happen to other sorcerers I can't let them be a victim of my own faults."

Much like the confrontation when you both ran into each other in the abandoned temple. This request left you at odds with your choices. Like coming with him or staying up at the temple alone. You could go with him. Or you could tell him no.

No meant possibly saving your own hide. But thinking about what those papers said, well, saving yourself seemed to mean nothing with a countdown. Only slight extension of the inevitable.

"Who will stay here to watch the civilians then?" A real concern you saw with non sorcerers piled into one place. The buffet for a curse or two that might catch a whiff of the displaced humans.

"I have sorcerers stationed here. With a single grade two member and a handful of semi-grade two sorcerers." Noritoshi had planned straticigally even before knowing everything that came into light, "You're at least a semi-grade one I take it."

The assumption irked you as you hadn't divulged anything yet to him for the sake of keeping as many tokens stacked in your favor, "....something like that, I suppose."

"Then we should be ok for any curses if we're careful."

"And why ask me instead of one of your own?"

"Because...." Noritoshi dropped his gaze down to the mess in front of him, "...I can trust someone who has no ties to the clans." He stopped and looked at you, "You'll kill me if I'm lying, which means more people will be safe if in fact sorcerers are turning on people."

He was right. About killing him. Not once had the thought left since being on high alert during all of this. If everything you read on those notes were right then going alone was suicide. For either of you.

"...One promise," You firmly demand. Noritoshi remains silent but nods. Finally with a deep breath you find your calm, "...neither of us go in that thing until the eighteenth day. Even if your members already went into it."

He held out on your words for a moment. Either mulling them over or finding something to make you promise. Finally Noritoshi spoke up, "...what happens on the eighteenth day then?"

What would happen? You could see if this set of rules was a bluff or you could comply. Either outcome seemed grim with little control for anyone at all. Faux hope with what you said next.

"On the eighteenth day we both go in." You said somberly, "I'll go in with you and anyone else you deem trustworthy enough." 

For a second it looked like he was going to carry on about something. But there was one thing you had to remind him to see crystal clear about all this.

Stepping close to the sorcerer your voice lowers and you make him look at you, "...I will kill you if you're lying. That promise still stands. Either you're on my side or your not....culling game or not, I won't let someone rule over me. Got it?"

Maybe he was getting use to it. Or perhaps Noritoshi believed you both to be truthfully on the same side now. He gave a nod and didn't falter, "I expect nothing else from the angel of death I met on the mountain side."

[bokunoheroanalysisforthefuture]

Team Midoriya versus Team Todoroki! Who will win? (spoilers, that gets determined next chapter.)

I skimmed over the chapter, and the character sheet actually had me cackling. Can’t wait to get to it!

[No. 29 - Unaware]

We come back into the middle of the battle, with Kendo pointedly telling Monoma to not add insult to injury, and that there’s no sense in making enemies. Monoma agrees, saying it’s not very hero-like, plus you hear a lot about begrudged heroes getting payback from villains. Which, naturally, is him still doing his best to rile up Katsuki, which is working.

Katsuki is shaking from barely-repressed rage while Kirishima tries to talk him down. He warns that if Katsuki doesn’t keep his cool, the team won’t be able to get their points back. Katsuki slams a fist into his other palm, setting off an explosion, and then he tells Kirishima in his most furious voice to keep moving, because Katsuki is as cool as ice.

Yeah, totally cool as ice. Honestly, I still wonder how Monoma survived his introduction into the series. 

We get a nice cover spread for the chapter, featuring all the staring character of the chapter (from 1a anyways).

Not gonna lie, the horse really, really confuses me. I guess it’s a reference to the fact that this is a cavalry battle, and so the team has a ‘rider’ and ‘horses’? It’s still kind of weird and a bit creepy looking, since I don’t think the horse has pupils or irises or anything. Ghost horse. 

Anyways, we move on with the chapter, returning narrative attention to Izuku and the two teams targeting him. Tsuyu comments to Mineta on how teaming up with him had seemed like a good strategy, so how’d he lose his headband? Mineta says he doesn’t know, but now they have nothing to lose. He dramatically points at the other two teams, saying that their own team is out if they can’t steal the other teams’ points. Shouji himself swaps into an attack mode, abandoning the cover in order to have all his arms free to attack. 

Meanwhile, Izuku and Shouto are having a dramatic staredown - and it’s not even the last one of this arc! Tokoyami comments on how this likely won’t end without a fight, and how the other teams are really gunning for them. Izuku replies that they’re halfway through, so they have to keep moving, but there are… well, there are multiple teams incoming. 

At the same time as he’s noting that, Shouto tells Tenya to move forward, Yaomomo to prepare the defense and the insulator, and Kaminari to- well, Kaminari cuts in to say he’ll stay alert. We also see that team Todoroki all have roller blades on their feet, which have likely been helping with the mobility, especially with tenya basically making them speed on wheels. 

(Ka-chow.)

The insulator gets pulled out just in time, providing Shouto with a barrier against Kaminari’s Indiscriminate Shock that gets teams Minetas, Kendo, Rin, and Hagakure. Team Midoriya is just able to avoid being shocked because of Dark Shadow, but the poor quirk does not like it in the least and it’s obvious. 

Dark Shadow doesn’t deserve this. He’s a good birb. :(

We get a few more closeups of the teams being zapped, and then a scene of Shouto holding a long rods in his right hand, dragging it along the ground. Said rod is made from his ice, and allows him to send his quirk outwards and trap the unfortunate teams in place. While he’s doing this, he apologizes and tells someone to hang in there - probably Kaminari? Who to be fair does seem to have managed to restrain himself enough to not make himself brain-dead despite the immense power he just put out. 

Up in the announcement booth, Aizawa gives a quick play-by-play of what just happened: Shouto waited until the other teams were stopped by Kaminari’s attack before freezing them in place. He wouldn’t expect any less, especially if Shouto recalled how many competitors managed to dodge his ice during the obstacle course. Present Mic complements said play by play, and we transition right back into the action.

To add insult to injury, Shouto does take the headbands off of Rin and Kendo. For Team Midoriya, even if they avoided most of the electricity and the ice, enough got through that the jetpack is on the fritz, meaning no more escaping into the air. Ochako worries that the other team is too strong and that they’ll never get away. Tokoysami says he’ll create a diversion, sending out Dark Shadow ahead of them in a threat to attack. 

However, Shouto was one step ahead, with Momo pulling out her premade defense to block the attack. Tokoyami is annoyed, Momo is pleased, and… she just lets it drop the ground. Uh, Dark Shadow probably come have come in swinging for another attack there, you know. Just saying? Izuku calls her creation quirk a pain, but Tokoyami corrects him - Kaminari is the real problem. His sunlight(?) attack would have wrecked his defenses.

[I’m guessing here that it was a flubbed translation, and was meant to translate to a lightning attack.]

In order to clarify this statement Tokoyami made, we get a brief flashback to before the match started. Izuku is informing Tokoyami that he just needs to focus on defending, and that there’s no need for him to attack. Tokoyami considers the plan interesting, and lets Izuku know of Dark Shadow’s dual nature. The darker it is, the more ferocious Dark Shadow’s attacks - but also the harder it is to control. In daylight, Dark Shadow is easier to manage, but not much help in a fight. It’s not like Izuku knew, but choosing Tokoyami and his quirk for pure defense is not a bad choice at all.

We transition back to the present as the flashback concludes with Tokoyami telling Izuku to use him as best he can, and that he trusts Izuku. Izuku acknowledges Kaminari’s electricity as an issue, while Tokoyami tacks on that as long as Kaminari keeps it up, he doesn’t have a shot at doing anything. Dark Shadow, meanwhile, is sniffling and crying, asking why they can’t all just get along. Tokoyami calls his quirk fickle.

God, I love these two dorks. 

Izuku acknowledges that Dark Shadow has less offensive power now - but the other teams don’t know that, right? Tokoyami says that’s probably the case - the only one he told about his weakness was Koda, back at the USJ, and he doesn’t talk much. 

[Another translation flub here, wherein they call Kouda ‘Kuchida’ instead. Probably an alternative reading of the kanji in his name? That’s all I can really think of… or maybe the site I’m pulling from, despite posting the official translations on current manga chapters, might have been a bit less discriminating in the beginning. Hard to say for sure.]

Anywho, we get a brief panel shot of Shouto wearing a few of the other teams’ headbands around his neck, with an interesting little flare at his left shoulder, as if drawing attention to it. We shift back to Izuku, who determines that as long as the other teams don’t know, they can fake them out. They’ll be fine, and the ten million points will stay with them.

We shift back to Katsuki and Monoma’s teams, with Katsuki taking an explosion to the face. Monoma calls it neat, and complements Katsuki’s quirk as he shakes off the last of the explosion. Katsuki realizes it’s his quirk, as well as Kirishima, who hardened to take the blow. Katsuki throws his own explosion right back at Monoma, who blocks it with Kirishima’s hardening, stating that he’s better at it (which I guess refers to using the quirk.)

Kirishima is shjook, no doubt by what seems like another person with the same quirk as him. Katsuki corrects him - Monoma is just a copycat. Monoma acknowledges Katsuki getting it right, then undermines the ‘complement’ by saying any idiot could figure out that much. We then get a blurb on how his quirk, Copy, works: after touching someone, Monoma can use their quirk as much as he wants for five minutes. However, he can’t use more than one at a time!

As if team Bakugou wasn’t having enough issues, the massive guy with the oddly-shaped head from before swoops in and shoots out a massive amount of what turns out to be glue, surprising both teams. Bondo and his rider rush up, while Kaibara tells Monoma he can get away now - with that many points, he’ll be in the top four for sure. 

Kirishima struggles to get his leg out of the glue, since it’s already hardened. Mina tells him to hold up, and that her quirk will be able to melt it away. Sero tells her to hurry up, since they’re at zero points, while team Kodai and team Monoma rush off in the other direction. Of course, Monoma can’t leave well enough alone, and turns around again to give a mocking goodbye by flashing Katsuki’s quirk again. As he does so, he tells Katsuki to not be mad, since it brought it on himself, after all. And hey, what was that pledge he made earlier? Sees kind of embarrassing now… well, whatever, thanks for the points!

Seriously, how did Monoma not actually die? At this point, he’s honestly earned a death by murderous mobs. Katsuki states that he’s taking first place - but not just first place, no, it’s gonna be the first to end all firsts!

...and with that, we’re closing out this half-ish of the chapter. Monoma really just drains me to have to read / analyse. See y’all tomorrow with the rest of the chapter + the character sheet.

[lost-in-yujikiri]

Hello, since I understand that you are a knowledgeable person, I would like to ask you a few questions <3

(Warning: I'm sending Alice and Eugeo so I'll ask about them, sorry if you get bored with my questions)

1) Eugeo is in love with Alice30?

2) Are Alice30 and Alice Zuberg the same people?

3) If Alice30 is the same as 11-year-old Alice, is there a chance to remember Eugeo?

4) How would Alice30 react if she remembered Eugeo? (I'm sure there isn't any information on this subject, so you can add it to your own opinion)

5) How were her days there after Alice Zuberg was taken to the Cathedral, was she acting depressed, or was she calm and happy enough to leave everything behind?

6) Could there be "love" between Eolyne and Stica, or will Reki Kawahara bring them together?

(I'm sure I misspelled the characters' names, sorry)

7) Will Alice finally get her memories and remember eugeo?

8) What exactly does Selka think of her older sister Alice30? (Does he want his real sister or does he see Alice30 as his real sister?)

9) Is there something emotional about Asuna and Eugeo?

10) Why is Eugeo being greeted by Tiese and not Alice Zuberg?

(As Quinella destroys Eugeo's memories, Tiese, Alice, and Kirito appear in Eugeo's mind, but I wonder why Tiese was the first to appear to Eugeo, and I wonder why Tiese and not Alice Zuberg?)

11) Will Alice get her memories at the end of the anime? 💕

Well, first of all sorry for taking a while to see this, as I'm currently off tumblr for a while. Thank you for trusting me. My answers will be based on the info in LN (*UNITAL RING ARC SPOILERS WARNING), the game Alicization Rising Steel (which is semi-canon & expands on some parts in LN), and the game/manga Alicization Lycoris (alternative timeline where Eugeo survives and met Asuna & other Kirito's friends)

1) Eugeo had a crush in his childhood days with Alice Zuberg, he doesn't have romantic feelings for Alice S30

2) Alice S30 & Alice Zuberg are not the same people. Anime glossed over it a lot but the LN & games' narratives made it clear they are not.

3) To explain it would be difficult, so think of Alice Zuberg's memories as an old google cache while Alice S30 is the new completely different google update, restore the old google cache mean the update would be deleted. So that's why Kirito said restoring Alice Zuberg's memories would make the current Alice S30 die. So no, she can not remember Eugeo the way you want to.

4) If Alice has both memories of both Alice Zuberg and Alice S30, then tbh she would become a new Alice rather than "Zuberg" or "S30" and would feel extremely confused about her own feelings for either Eugeo or Kirito tbh.

5) According to LN & ARS game, after Alice Zuberg was taken to Cathedral, she spent 2 years to study Sacred Arts in hope that she would return home, and she missed Eugeo the most. Though when Chudelkin tried to trick her to say "Remove Core Protection" for the Synthesis, as a Sacred Arts genius she saw through what the spell means and resisted, thus Chudelkin put her through forced Synthesis. Alice Zuberg's will & memories were locked into Memory Crystal and Alice S30 was born. After that Alice S30 was greeted welcomely by the Knights even though she was originally shy & perplexed by the new world, and was trained to become the strong Knight she is today.

6) I don't know where you heard this from but if it's certain twitter user then it's wrong info. There is so far no clues or info so far that shows any feelings between Stica & Eolyne beyond the Captain and his cheeky subordinates. The illustration scene you might think of is where the girls Stica & Laurannei are heatedly talking about how they fought a match 2 versus 1 against Eolyne and still lost, Stica argued that she doubted they can beat him while Laurannei argued that give it 10 years and they can (very competitive cheeky subordinates, very different than meek Tiese & Ronye, Eolyne must have a handful of headache). Also, Stica & Laurannei are only 15 years old while Eolyne is 20, shipping these two age groups is yucky for me -_-

7) If you're talking about Unital Ring arc, no, she doesn't show any signs of that and probably she won't, for the reason please go back to my answer no.3

8) According to Alicization Lycoris game, Kirito, Eugeo and Alice S30 went back to Rulid, Alice S30 is very afraid to meet Selka as she has the complex that she's not Selka's "real" sister. Though the trio ended up hiding the truth from Selka before they can return Alice Zuberg to her body (Kirito already had a talk with Alice Zuberg while having a slight coma in this timeline, and promised to return her to her body). In latest DLC, even though they didn't spill the bean, Alice S30 spitted out a number of time that she's not the Alice sister that Selka wanted, but in the end Selka still said Alice S30 is her sister whether having childhood memories or not and she will always love her. Tbh while the DLC is heartwarming I always feel like the Rulid Trio keeps overcomplicating things by not telling Selka the truth.

9) Asuna & Eugeo never met each other in canon so of course nothing. In Lycoris, they are good friends as they quickly bond over being the closest ones to Kirito who took care of him for years. In one quest while Eugeo was going out with Kirito and suddenly met Asuna in the street, Eugeo intended to bail out to give the lovers alone time, but Kirito & Asuna kept him back to talk it out, at the end of quest Asuna allowed Eugeo to hang out often with Kirito as she saw how close and happy Kirito is with Eugeo. Other than that they still have very few interactions.

10) I think you're making an assumption out of nothing tbh -_-. The point of the anime scene is that Tiese, Alice and Kirito are the ones to have closest relationships with Eugeo (Tiese - his page whom he felt responsible for what happened to her recently, Alice Zuberg - his childhood friend and crush whom he hasn't seen for 8 years, Kirito - his best friend & closest partner who has lived with him more than 2 years and has 10+ years of childhood memories with him but both couldn't remember yet) and would influence him with their talks. And while Tiese & Alice can give some words to Eugeo before Admin shut them off, Kirito was also saying something but Admin cut off what he said to Eugeo right from the start. So who is the most important influence to Eugeo that even Admin feared? Kirito

11) You're repeating the question by the way. I still think she won't, but I won't fault you for continue hoping for it.

[thevoidable]

Why did Dabi let Hawks into the League? (major manga spoilers ahead)

This is a question that’s been plaguing my head ever since Dabi proudly announced to Hawks that he’d known all along that he was lying.

If that was the case, what was the point of bringing him in? Surely Dabi must have seen this coming by enabling Hawks to continue his infiltration? What exactly was Dabi’s end-goal here???

It’s unclear whether or not if this will get explained eventually, but after giving it a lot of thought, I think I have a pretty good answer to the question regardless. Essay under the cut.

What is Dabi fighting for?

First, we have to address Dabi’s motivations. They run deeper than just making Stain’s will a reality - he’s taking steps that Stain never even considered to make, because even he was blinded by something that Dabi despises more than anything: hero idolization. Stain saw All Might as a true hero, someone worthy of the title, but in Dabi’s eyes, All Might is one of the biggest contributing factors to why there is such a huge problem with the hero system, and aside from All Might allowing other heroes to become complacent, it’s all because of Endeavour.

Hawks and Dabi are two sides of the same coin when it comes to the new no. 1; Hawks grew up seeing Endeavour’s ambition to surpass All Might as impressive and heroic, mostly due to the fact that Hawks himself lacks the drive to become so great, because all he wants is to live life comfortably. But for Dabi, Endeavour’s need to surpass All Might was nothing but a blinded greed for power, the need to be the best of the best for his own selfish desires rather than to actually save people. It was a path that led him to horrifically abuse his own family in order to achieve it, because he saw Quirk breeding as the only way to fix his own flaws. As such, Dabi, AKA Toya, suffered greatly at the hands of it. He knows firsthand just how much the hero system is unjust, allowing for people with unhealthy mindsets like Endeavour to gain positions of power. He knows that people admire Endeavour for his heroism, but are unaware of the monster that lurks behind closed doors, even when his temper comes out during public patrols. This is a man who is the very definition of a false hero, a man who let his eldest son die and traumatized his entire family.

Dabi goes on to claim in chapter 267 that there are no true heroes - this, however, does not mean that true heroes cannot exist. All he means is that there are simply no heroes currently present and he plans to change that, because in the system that society has right now, it’s near-impossible. Hero idolization forces heroes to become perfect images that people can admire, and it also enforces the mindset that only the greatest heroes can come from schools like UA and Shiketsu. This results in a flood of people longing to become heroes for reasons other than saving people. Uraraka, for example, while she is gentle and kind-hearted, is still only becoming a hero so she can support her family. It’s a well-paying job, and that kind of promise will most certainly lure anyone in who is desperate enough. Yes, she has good intentions in mind, and she does want to save people, but saving people is not her ultimate goal. So, by Dabi’s definition, she is not a true hero.

Becoming a hero should also not be as easy as it is, and becoming a hero certainly should not start at such a young age. UA and the other hero schools are putting teenagers between the ages of 15 - 19 at severe risk, and we’ve seen worst-case scenario results of this twice over the course of the series, and it’s terrifying to think that there are most likely more that we haven’t heard of.

First you have Shirakumo who died before he had even graduated, an incident that led him to becoming a nomu working for the League, who would then go on to cause the second result.

By placing children in such a dangerous training course, it automatically places targets on their backs for villains before they even get their licenses. The League proved just how incapable the staff are at protecting their students by not only successfully attacking a location within the school, but also kidnapping one of said students later on, even after UA’s attempt at keeping the location of the training camp hidden and Dabi himself had revealed their basic plan to Aizawa.

This is all fuel for Dabi’s fire in his journey to rip hero society apart at the seams, and while he is absolutely planning to kill every false hero he comes across, he also has a secondary plan in mind, and that is for the students.

In One’s Justice 2, Dabi has this particular voice line to Hawks: “We’re working for the glorious future where those UA kids are hollowed, and brought down to earth. We’ll have to see what you’re working for.”

Dabi knows that while they are all still young, there is still time to prevent them from falling into every hero’s brainwashed mindset: villains bad, heroes good, no matter what either of them do. 

Something extremely important that the MVA and the current war arcs do is flip the black and white narratives on their heads, showing us just how human and empathetic the villains can be, while the heroes are doing nothing but making unheroic choices and opting for making the violent move first. We’ve seen all of the heroes do nothing but dehumanize Shigaraki, calling him “it” and “thing” like he’s just some monster that they have to kill. We’ve had to watch Hawks murder Twice in the name of “justice” simply because Twice refused to come quietly and be forced back into a life he felt miserable in. Even X-less chose to focus on the machinery next to him rather than getting a near-dead Shigaraki medical attention, and we all know how karma decided to treat that.

And this is where I would like to bring your attention to Tokoyami.

We’ve seen multiple times before how Dabi seems to have no interest in actually harming the students - initially, anyway. He leaves Aoyama alone even though he saw him; he taunts Shoto but doesn’t attack him to get him away; and lastly, Tokoyami first showing up to rescue Hawks actually calms Dabi down. Dabi shows no intent of hurting them because they’re still just kids, not heroes.

Calling back to how the heroes are currently being depicted as the ones making all the disturbing decisions, Dabi doesn’t hesitate to be the first to call out their decision to bring the students into what is essentially a covert-ops assassination mission that has turned into an all-out war. He first recognises that the boy in front of him is just that: a boy, and instead of attacking, Dabi gives Tokoyami a chance.

But what chance, exactly? To escape? Absolutely not.

The first thing Dabi does is make Tokoyami aware of the crime his so-called mentor just committed, and carefully wording it so that the stakes were made clear.

Twice was trying to run away to protect his friends.

But Hawks still killed him.

Dabi is giving Tokoyami a chance to recognise that the hero system he admires hides many skeletons in its closet, and is something that is severely corrupt. He’s giving Tokoyami a chance to rethink his working relationship with Hawks and everything Hawks has taught him.

But Tokoyami doesn’t take it.

As soon as Hawks speaks up again, Tokoyami returns to being obedient, ignoring everything Dabi just said and focusing only on the task at hand regardless of the moral dilemma presented before him, and that’s when Dabi’s intention for Tokoyami changes, because as Dabi put it, “You’ve stopped thinking for yourself.”

And indeed, Tokoyami has. Tokoyami is now cemented in the brainwashed mindset, blindly putting his faith in that Hawks’s decision to kill Twice was right, simply because Twice is the villain and Hawks is the hero, and Dabi realises this.

Tokoyami is now a false hero, and thus on Dabi’s kill list.

So, we have established that Dabi fully intends to wipe-out existing false heroes, while simultaneously trying to save those who have the chance to recover/escape from the brainwashing before it’s too late.

“Keigo Takami!!”

It’s no secret that Dabi clearly knows exactly what kind of situation Hawks is in. The fact that he knows Hawks’s real name alone tells Hawks that Dabi knows far more than he is comfortable with. So, seeing as Dabi was able to see through Hawks’s lies so easily, let’s assume that Dabi knows most, if not all, of what we the readers know about Hawks and how the HPSC groomed him.

Considering that Dabi came from the no. 1 hero’s household, there’s a high chance that he knows quite a bit about the HPSC and just how shady they actually are, especially if the theories are true that they had a hand in covering up his own death. Dabi is well-aware then that the HPSC is responsible for the hero system being so broken, and the reason they do nothing to fix it is so they can stay in power. They are not afraid to make questionable decisions which they know is only making the villain situation worse, because villains are what’s keeping them in business. And what’s sad about this is that even when the decisions they present are clearly morally wrong, the heroes are in no position to argue, because the HPSC is in complete control of their jobs. The HPSC governs the hero system, so whatever they do must be just, right?

Well, Dabi definitely knows the answer to that.

The HPSC deliberately manipulated the heroes to believe that the UA students were needed on the front lines for this mission, and so far, we’ve seen that they really weren’t, actually. The evac team remains the best place for the students to be, because while the pros with all the combat experience can focus on the villains, the heroes-in-training can focus on the smaller task of getting people to safety. Sure, Kaminari, Tokoyami, and the other front-liners helped, but the pros absolutely overwhelmed the PLF on their own. All the front-liners did was just kind of...pave the way, make things easier, and then they were sent back to rejoin their classmates. And the heroes didn’t question the decision at all.

What’s even more disturbing is that the students weren’t even aware of what they were getting into, and most of the pros weren’t aware that the students weren’t aware.

But, as mentioned before, Dabi doesn’t hesitate to call this out.

It’s highly likely that he’s able to connect that the HPSC were the ones who organised this attack and sent the kids out onto the battlefield, which also means that he’s unfortunately no stranger to the HPSC reducing talented children to nothing but weapons, a concept he is also personally familiar with.

Toya was bred with the intent of creating a Quirk superior to Endeavour’s, and then put under extremely harmful training that abused both his mind and his body. We already know that Dabi is heavily against valuing a person’s Quirk over their individual worth, thanks to his fight with Geten.

And in the world of heroics, this unhealthy mindset is unfortunately in abundance, especially in Hawks’s case.

What makes Hawks an especially tragic character is that he started out with the same longing to be a great hero that every child has. He wanted to be a comforting sight to those in need, and his innocent mind thought that the HPSC would help him make that reality.

Instead, the HPSC presented him with a life-changing decision that a child his age has absolutely zero mental capacity to consent to, and it’s heartbreaking that Hawks’s grooming began right from the second they met. The HPSC forced a child into intensive training at an age even younger than students training at proper hero schools, and they ever-so-gradually began chipping away at Keigo’s hopeful dream, starting with the erasure of his own name, the first step in disconnecting him from who he once was.

Over the years of the hero Hawks growing up under the HPSC’s wing, he had been stripped of his childhood and moulded into the perfect image of a hero, one that is loveable to the public, obedient to his handlers, talented in his work, and completely self-sacrificing to his missions.

The HPSC has successfully groomed Hawks so that his selflessness is now their trump card that they hold over him - instead of using his selflessness to save others no matter who they are, he’s been manipulated to believe that he has to give up everything in his life to be a great hero, that he’s not suited for being a “shining light”, thus bringing about his new goal of creating a world where heroes have free time, a goal that he is unfortunately pursuing in the wrong way. He’s been brainwashed to not think about villains too much, to not sympathize with them and dig into where they came from and why they became villains, which is why he’s targeting the wrong problem when it comes to making his dream a reality. He believes that he has to solve every case as fast as possible, and eventually there will be virtually no more villains left to hunt down, but the League has already shown us that the roots of villainy stretch much further down than that.

We catch a glimpse of how Hawks even acknowledges that he’s being held down by hero society, caged, and yet he does nothing to change it.

The result of his grooming has left him stuck in a thoughtless state, where it’s easier to believe that everything he is doing is right, and the villains are wrong.

And this is unfortunately something that he has spread to Tokoyami, as evidenced earlier.

Hawks is a hero who was groomed and manipulated from a young age, being thrown into training just so he could become a tool for those in power to use.

Sounds awfully familiar, doesn’t it?

Dabi can read Hawks like a book

It’s wonderfully ironic how Hawks prides himself in being capable of fooling anyone and everyone, making himself the hardest person in the room to read while simultaneously being able to read everyone else, and yet the one person that he couldn’t predict ends up being the only one who knows him better than anyone else.

Throughout all of their interactions, Dabi has always been two steps ahead of Hawks, able to catch him off-guard and ruffle his feathers. Keeping in mind that Dabi had known all along that Hawks was faking his desire to join the League, it’s interesting just how long Dabi kept stringing him along. Was he simply doing it for his own enjoyment?

Maybe a small part of him was, but in the long run, Dabi was absolutely still testing Hawks’s worthiness. What makes this great, however, is that Hawks was unaware that Dabi wasn’t testing him for what he originally thought.

Loyalty was absolutely out of the question for Dabi, since he knew from the start Hawks wasn’t planning on being as such. So, what exactly was Dabi looking for?

Looking through the tests that we know Dabi put Hawks through (the battle with Hood, and taking out a hero of Hawks’s choice), we can analyse what Dabi was impressed with, and what he wasn’t.

First off, there’s not a lot that Dabi didn’t like about what Hawks did. The most he complained about was Hawks simply bringing along Endeavour to the Hood fight instead of someone else.

It appears that he also complains about Hawks not letting anyone die, but Dabi is always quick to point out when heroes are prioritising lives, and this will become important later.

Then, we have Dabi asking Hawks to take someone out who isn’t the no. 1. When Hawks brought him Jeanist’s body, Dabi was genuinely surprised, but pleasantly-so. 

Now, Jeanist’s death here serves multiple narrative purposes:

It shows us that Hawks won’t hesitate to kill for a mission (RIP Twice),

It shows Dabi that Hawks is capable of killing anyone, not just villains,

And lastly, it serves as blackmail for Dabi in his pursuit of bringing down false heroes.

(There’s also Bakugo’s whole thing with his hero name, but this isn’t about him.)

That last point is what granted Hawks access into the League, contrary to Hawks believing that the only reason he got in is because the merging of the League and the MLA suddenly made it easy to do so. 

Dabi wasn’t going to let Hawks in without making sure he had a backup in mind in case Hawks tripped up.

But, blackmail wasn’t the only thing that Dabi was looking for. If anything, it was just a bonus.

What the Hood battle and Jeanist’s death showed to Dabi were the two sides that Hawks possessed: a bird of prey that isn’t afraid to kill for a cause, and the innocent child who just wanted to help people. Dabi was searching for both of those qualities within Hawks, because they’re both qualities that Dabi himself has.

Dabi relates to Hawks

As previously mentioned, there’s no doubt that Dabi is aware of how Hawks was trained and forced into a life he didn’t want. He’s very aware of how much Hawks longs for freedom but still wants to help those in need, but what separates them from each other is that Dabi has achieved the freedom that Hawks wants and is pursuing his dream in a way that works.

Dabi kills for his cause, but that cause is ultimately to prevent the future suffering of innocent lives at the hands of false heroes. In his own twisted way, he too wants to save lives. He wants to stop the possibility of another him from being created. He is choosing to be the unfriendly reminder that something is very wrong with the current system, and it needs fixing ASAP.

And that is exactly why Dabi can see through Hawks’s lies, because he recognises that Hawks too is a victim of the same system.

Dabi’s plan for Hawks

With Hawks presenting himself in front of Dabi, it offered up a multitude of opportunities for him. Dabi not only had a new connection to Endeavour through Hawks, but here was a hero who was prepared to get his hands extremely dirty just for a way to bring down the League. 

Dabi’s prior knowledge of Hawks and his past allowed him to constantly have the upper hand, but not in case Hawks attacked.

Through testing Hawks to see what qualities he possessed, Dabi was able to see if Hawks was worthy not for joining the League, but for undoing the brainwashing he’d been subjected to.

Dabi let Hawks into the League because he was giving him a chance, the same chance he gave to Tokoyami, to see hero society for what it really was and decide to do something about it. Dabi saw the potential in Hawks to be a true hero, to return to the boy he once was and save people for the sake of saving them. He saw Hawks’s potential to kill false heroes and that he wasn’t afraid to do it, and the idea of someone thinking the same way as Dabi, of understanding him and his goals wholly, would have absolutely been enticing to him.

Dabi claims to not care about the League, but even if that were true, Dabi recognises that the other League members are important to each other, especially when it comes to Twice and how eager he is to make friends. Dabi introducing Hawks to the League was his chance to show Hawks that they’re all human, and gain sympathy for them and what they stand for. It would have been the ultimate power move on Dabi’s part for Hawks to turn on the heroes and go villain, undoing what hero society did to him, providing him the freedom he always wanted and ultimately proving Dabi and his ideals right.

But, unfortunately, that wasn’t how things went.

How Dabi’s plan backfired

When Hawks first joined the PLF, it was obvious that Dabi was sticking close to him, both to keep an eye on him and to be genuinely friendly and accepting.

It’s rare to see a smile like this on Dabi when he’s around heroes, and he never smiles around the League, but for Hawks specifically, Dabi is always smiling. I think it’s safe to say that Dabi did genuinely enjoy Hawks’s company and that he was the only one Dabi actually liked, which is probably what led to him being comfortable with leaving Hawks to his own devices for the next few months, especially when he started a budding friendship with Twice.

Dabi must have been confident that Twice would be the one to break through the last of Hawks’s walls, because if we were seeing genuine smiles from Hawks, then Dabi must have seen them too.

However, it’s clear that Dabi severely underestimated Hawks’s capability to kill anyone. 

Hawks leaked the information to the heroes, an attack was launched, and Dabi immediately knew why.

And he was, understandably, incredibly pissed.

Upon confronting Hawks and hearing how he was about to kill Twice, Dabi used what he’d learned about Hawks during the Hood fight to his advantage and triggered Hawks’s rescue response, prompting him to subconsciously save Twice from Dabi’s flames, because Dabi knows deep down that a hero is who Hawks really is. What he was most likely hoping was for Hawks to maintain that response, but he instead made a mistake and directly caused Hawks to go back into mission-mode.

And it’s just a downward spiral from there, with all of Dabi’s last-ditch efforts falling flat. In one last desperate attempt to reach through to Hawks, he called out his name. His real name.

Dabi’s final chance to bring Hawks to his senses was to try and reconnect him with his past self of whom the HPSC had carefully erased, and it almost worked. Dabi let Hawks know that he knew everything about him, everything that he once was, but just like with Tokoyami, Dabi learnt the hard way that Hawks was beyond saving.

With Twice’s death, Dabi completely lost it, scolded Hawks for not focusing on him, and dropped one last bomb on Hawks before ending yet another false hero.

Until, yet again, that too backfired due to Dabi’s hope that he could save an innocent mind from the hero system’s brainwashing, and Hawks escaped with his life.

We get a glimpse of Dabi’s defeated expression, the knowledge that he can’t cry, and that he just lost two friends within the span of just a few minutes.

What next?

Honestly, if there’s one thing that is going to break Hawks, it’s knowing the truth about Endeavour. My hope is that Dabi is going to have a chance to make his reveal public to the entire nation, and exposing Enji Todoroki for the abuser he is will really shake things up.

At the moment, it’s still not clear exactly what Dabi told Hawks in his redacted bubble, but it was obviously something relating to his identity. Only time will tell what Hawks knows once he regains consciousness.

[gogo-karasuno]

cna I ask for ushijima/reader/sakusa hcs? pls and ty!!!!! 😘🥰😍

Thank you so much for this request! I really love their dynamic. Be mindful there could be some slight spoilers for the current arc of the manga.

- -

- Dating Sakusa and Ushijima is honestly a super quiet relationship. Neither of them are very loud people on their own and it does not change together. That does not exclude the chance of them dating someone who is loud on their own at all. Variety is the spice of life! But, they are not going to complain that someone they’re dating is quiet like them.

- The person who unofficially leads your relationship is Sakusa. It has less to do with him possessing an overall super dominant personality or need to be in charge and more just his personality. Sakusa has the most things to accommodate from his dislike of crowds and germs to other little things. He does love when both of you surprise him by planning dates, especially because of the attention to detail you include.

- For two professional volleyball players in the same league they really are calm about things. It is not uncommon at all for them to show up at one another’s games in support. The one catch is when it is an Adlers verses Black Jackals Game. Nothing brings out the competitive spirit like going matches against one another. The tension does follow them home after the game but that is what a shared shower and some time in the bedroom can solve.

- Speaking of the Black Jackals...you know a lot about Bokuto and Atsumu Miya. Sakusa has so many Opinions about his teammates, especially those two boisterous fools. He knows so many things about Bokuto and his life with his boyfriend. It means he absolutely has to share with the two of you. Atsumu has matured greatly but still has some Meltdowns. Another thing Sakusa could live without hearing but what is his life? If you enjoy gossip then you should look forward to whatever Sakusa has to say because he will die before he admits he likes gossip. Hinata is a precious angel who, while loud and dumb, is also likeable in a way Sakusa can’t explain.

- The most common invited-uninvited guests around your home are Komori and Tendou. Both are your boyfriends best friends since high school, or even before, and some things never change. Both are pretty personable so striking up a friendship with them yourself would take almost no effort at all. Of course, the same applies to your long term friends as well.

- The number of home delivery services you have come in at around A Lot. Sakusa’s dislike of crowds and both of their recognizability in public makes this much faster. Sure, there are totally things you still go out to be together or apart. But, the vast majority of things are just shipped to the door. One of Sakusa’s things is you have to wipe the products down with disinfectant wipes while checking for tears, openings, or damages. It took a bit to get used to at first but now it is second nature. 

- Speaking of shopping from home...do not let Ushijima near home shopping channels. It sparks something deep within him that begins to research different products. More often than not you get another new thing. The household absolutely can afford it so that is not the problem. But, you still just want to be like, “Are we really getting another new blender? The old new blender still works great.” because time to learn another set of complicated switches. You just rehome things to whoever needs something.

- HEALTH FOODS ARE SUCH A THING IN YOUR HOME! Actually, all kinds of healthy living in general is just like Your Lifestyle Now. Everyone is all about clean and nutritious eating with Sakusa really favoring cooking at home anyway. If you did not have the motivation before you certainly do now. This also carries over to having a lot of health things around from teas and vitamins to aromatherapy diffusers and bath salts.

- Sakusa earns an ungodly amount of layerable clothing and shoes specifically. The closet space is mostly his clothing store’s worth of belongings. You and Ushijima both have what you consider to be a reasonable amount of clothing. Meanwhile, your fashionista owns way too many coats, parkas, and footwear for a single being who dislikes going outside near other beings.

- You know who gets lost when you go out places? It is 100% you because those two decided to be mountains of human beings. Should you get separated then you start looking for your lighthouses such Sakusa’s masked face or the crowd near someone, which is almost always Ushijima. But, no matter how small they make you feel when you see their teammates you really are like, “They make people this tall...naturally?” because wow are the foreigner players especially giant.

[retrocontinuity]

rev, rev, fight the power: thoughts on the first half of chainsaw man

Spoilers through the end of the Bomb Girl Arc.

Devil Hunting in the Age of Fascism

As one of the cohosts of a podcast on Gundam Wing in 2020/2021, I've been thinking a lot about how authoritarian regimes and the concept of societal control is treated in anime. Which is to say: usually in a very limited sense, and based on the actions of a few bad actors, as demonstrated with its effects on a few unfortunate protagonists. It's not that creators don't care about the issue, but rather a sign that the genre (and yes, I do consider manga/anime to be a genre more than just a medium, but that's for another time) and its conventions are not particularly well-suited to showing you those effects.

So, Chainsaw Man. On an individual character level, Fujimoto has some stuff to say about the choice between death and life, and I do want to talk about that and what it says about the characters and what life means in CSM. But it's hard to tell whether or not he meant to create a world with some really fucked up institutions too. 

For instance, the civilian, non-public sector Devil Hunters. These appear to be explicitly authorized by the Japanese government, to the point where it is a crime for the Public Safety division's hunters to kill a devil that a civilian is in the process of capturing. They don't have guns (this is Japan!) and I imagine they are only allowed to kill Devils, but just, like, think about this. What if you kill someone else in the process of trying to kill a Devil? What if you suspect someone is a Fiend but actually they're just acting weird? What if you kill someone, then claim later it's because you thought they were a Devil?

This is likely the American in me talking, but I can’t help thinking about how badly this would be abused and how horrible an idea that would be. And I can’t help but think about how the Devils allow the world of CSM to separate fears from human nature. By which I mean, in the world of CSM, evil is otherized in a very specific way; they’re represented by very individual, very distinct, and very monstrous representations. Here is the fear of scissors, the fear of sharks, the fear of the future, and so on. But in the real world, we know it isn’t just fear itself that is the problem; it’s people, well-meaning or otherwise, animated by those fears that create the most evil, or people harnessing those fears to gain power. This may be unfair—I don’t know what Fujimoto has planned for Makima, whose mythos and power seems very much wrapped up in the idea of using Devils to her own advantage. But there’s an assumption here that all actions taken towards eradication of the Devils, or maybe just one Gun Devil, is a de facto good. And in 2021, that’s a very unnerving position to take.

Death in Chainsaw Man is a sacrifice. In these early arcs of the series, death is a "contract," an expending of activation energy to achieve something else. So Pochita gives Denji life (which is really a contract repaid, for when Denji gave him life), so the Devil Hunters "trade" something in a contract with a Devil for power (like Aki giving away literal years of his life to his curse sword), so Denji dying to the Eternity Devil would have freed the rest of the team. But there are plenty of deaths in the series where nothing is traded, nothing is given. These tend to be nameless victims or, in one harrowing scene, convicted felons who die at the hands of Makima as she chases down Katana Devil. 

What did they gain? What was the contract formed by the deaths of these 雑魚?

Makima says at some point when she's attacking the gangs that are affiliated with the Katana Devil that "the truly necessary evils are always kept collared and controlled by the state." Which I think is at its face about the fiends and Devils kept “collared” by the Public Safety Bureau. But maybe it’s also about the idea of sacrifice, about giving yourself over to the state, in order to control a world thrown into chaos. The contracts formed by the deaths of those ordinary citizens is meant to bring about an eradication of fear. It gives birth to the Public Safety Devil Hunters, to Devil Hunters in general, to the use of whatever means necessary to achieve an end. But whatever those consequences are, we only see them in the fates of Denji, Chainsaw Man, and the impossible characters around him. 

A state under threat, a state that feels like it must collar evil in order to survive, will have ruinous consequences. I just hope we get to see what those are. 

Just A Teenage Dirtbag, (Bomb) Baby

I read some reviews about Denji being the anti-shounen shounen manga hero which I can presume were written by people whose only frame of reference is Bleach, Naruto, or One Piece. Sure, the Big Three were, in their most simplistic forms, feel-good series, and CSM's first half is basically a feel-bad series, but that hardly makes it unusual. It's really not dissimilar from other manga like Homunculus, Freesia, and Oyasumi Punpun. Of course, only old fogies like me, who still remember getting scanlations of these series off of IRC, and query, of course, whether or not those series are shounen at all, or more like seinen. If it were up to me to name the genre, and of course it is not, I would call it “simply another line of stories about fucked up things happen to fucked up people.”

Many fucked up things have happened to Denji. I’d call it traumatic, but I don’t think “trauma” covers what this poor man has been through. The effect, though, has been to make Denji less than human, even in his human form.

Denji and Power's nonchalance towards the fate of their human coworkers who die to Katana Devil and Sawatari is framed by the manga through Denji as a potential sign of callousness. Kishibe notes it as a sign that they are "insane," in other words, "not like other humans," and thus capable of bringing down something like the Gun Devil, which would otherwise drive "normal humans" insane. 

But like, huh? Denji and Power's reactions are, on the contrary, extremely human, because there’s no reason for them to extend feeling towards other humans. Simply put, they’ve never been human to the humans around them. They seem to be bonded most closely to each other, and in fact almost all the Fiends are, because the wider Public Safety employees treat them so poorly. Remember how the Infinity Devil Arc starts? Basically, they're told to be the advance guard, and threatened to be killed if they ever act out. Denji is kept on a short leash, and is so proud (in front of Reze) that he's allowed to go places on his own now.

Which, I'm not saying that that's wrong. Denji is incredibly dumb, holds monstrous power that could easily be tricked into using for horrible purposes, and appears to be the target of a number of Gun Devil's allies. Power is... well. I wouldn't let her out of sight either. But what Makima does that makes Denji feel so loyal, so utterly tied to her, is simply treating him as a human. She convinces him he has a heart, just like any other human. She tells him about all the love experiences he'll have in the future, because he's just a human teenager. And just like Makima, Reze is able to bond with Denji by treating him like an ordinary 16-year-old horny boy. Is it because as a Devil she knows what he wants the most? What he is craving, and never had? It doesn't matter that Denji had been just an ordinary human before fusing with Pochita or before he began his life as a Devil Hunter; as an orphan growing up on the street, unwanted and unloved, he was no more human than a Devil.  

The ending of the Bomb Girl Arc—with Denji asking Reze to run away with him, only to be stood up—reminded me so very much of Aku no Hana. There's the classroom scenes between Reze and Denji, of course, but mostly I think about how Denji—betrayed, injured, manipulated Denji—still asks Reze to run away with him. I'd written about Aku no Hana before, how one of the saddest things about Nakamura is that she cannot imagine a world beyond her current circumstance (and, in fact, the manga ends up dooming her to stagnation). Denji and Reze are Nakamura and Kasuga's perverse mirror. It is because Denji doesn't have the capacity to imagine a larger world beyond his immediate now, three meals a day and a job and this woman who taught him how to swim, that he asks her to do this impossible thing, to run away with him knowing that to do would mean both of them betraying their masters. It is because Reze knows that it is impossible that she does not meet Denji at the cafe. Reze is more human than Denji, because she is capable of dreams, and because she is capable of dreaming, she knows she cannot afford their luxury. She knows too much about the world and its cruelty. And, so, she walks straight into its open maw, and straight into her death.

I don't think we can take Reze at her word that she wanted to be a town mouse, or rather we should say instead that Reze proves that the division between the town mouse and the country mouse is immaterial. The issue is that both, in the end, are only mice, dreaming of a safety they can never achieve. Safety, in the world of CSM, is neither town mouse nor country mouse. It is to not be mice at all. It is to be the dog that digs them out from the cold winter dirt. 

It is, in fact, to be Makima, the person who orders the dogs to kill the mice.

Denji, aim for the top! Transcend the town mouse/country mouse divide! Or else you will constantly be hunted and used!

(Side note: CSM goes at a break-neck pace, and I think the speed through which Fujimoto rushes through these early storylines has made it very difficult for me to actually connect with the characters. Reze and Denji’s relationship is one of the victims to this pacing. Do I believe that Denji could fall for a girl and be willing to risk it all for her after about 3 chapters worth of interaction? Sure, he’s that kind of guy. But does it work for me? Not particularly. We’ve hardly had time to linger with Reze before she swears she’ll protect Denji forever, as long as he’ll run away with her. Though the reader at that point knows there’s something off about Reze, it’s still just not believable. Reze’s actions seem like someone trying to bulldoze her way into Denji’s affections, and though she herself is a bittersweet character, I just really feel like CSM could have spent less time with Bomb Devil vs Chainsaw Man and more time with Reze and Denji.)

No Ethical Women Under Capitalism

The Eternity Devil arc, for all its mini-boss game feel (it wouldn’t be out of place as one of the floors in Tower of God), struck a nerve with me, if only because it felt, however unintentionally, to be a story about working under modern capitalism. A floor you can never leave, that loops endless, where the only way to escape is to destroy it, literally, from the inside, by making it so painful, an eternal feedback loop of destroying ourselves and destroying it, before it opens its heart to us. The Capitalism Devil threatens us, tries to tear us apart. Asks us to sacrifice the strongest, the weakest, anybody among us, as if by climbing over the bodies of our friends and coworkers, we can come out ahead. It makes us suspicious of each other, ready to tear into any weakness for an advantage. 

No wonder this is the chapter where Kobeni lays bare her reasons for joining the Public Safety bureau. She needed to work, to make money. Her options were to be a sex worker or a Devil Hunter. Either way, she was selling her body to the system. Kobeni is a victim of capitalism, which forces her to do what she hates, for goal that are not hers, and then gaslights us into thinking that she’s wrong for being crazy, she’s wrong for losing her shit, for not being able to handle it.

But... that's an asspull for me, even if it's my ass and I'm the one pulling. I'm truly not sure how to feel about Kobeni. Like, what is her deal?! I’m not sure what to make of her appearance in Chapter 20 in her sister’s hand-me-down. Are we supposed to pity her? See ourselves in her? Even in what I think was intended to be a mic-drop-ish line (at least for her), telling Aki that she didn’t quit because she was waiting on her bonus, landed flat for me, too deadpan to be pathetic and not sharp enough to be actually funny. Part of it may be because she is a character very much shaped by her circumstances as opposed to her personality or any interaction/action she does onscreen, but we don’t actually see her family situation in these chapters. We’re left with a painfully shy and cowardly woman who can’t seem to form any human connections with any of the other characters, who in multiple scenes is shown caving to the slightest pressure or threat.

Do the rest of the women fare any better? I’m not sure. Kobeni is unique in that she does not use her gender/sex appeal to manipulate the men around her and/or Denji (even Power lets Denji cop a feel to get her cat back!). Himeno, Makima, and Reze all hide their intentions for Denji behind the veil of his attraction to them (weak or strong) and are either unable or unwilling to be forthright in their desires and ambitions (Himeno to care for Aki; Reze, to accomplish whatever mission Gun Devil had her set out to do; and Makima, for fuck do I know at this point, but she’s up to something!!). Meanwhile, the men are straightforward to a fault. Did Fujimoto intend this? Is this just a subconscious reveal of his own conceptions of gender and Bitches Be Weird? 

I’m not a person who needs to have a strong female narrative in a story, but when you start a story with a protagonist whose life ambition for many chapters was just to feel a boob, you better be careful, you know? CSM doesn’t lack for women; Makima and Power are both formidable characters in their own rights, self-assured and unbeholden to anyone but themselves. But so far almost every arc has featured a woman offering herself to Denji sexually in order to get him to do what they want. It’s getting real old real fast. 

[uozlulu]

JJK chapters 156 – 158 reaction and spoilers

Chapter 156

Luckily this is a good place to jump in and I know enough major spoilers from the Shibuya arc I don’t think there will be any super major surprises.

Of course it’s the Southern Cross as a plot point while I’m currently marathoning Fist of the North Star.

I would like to point out that the constellation does have five stars associated with it. It looks a bit like +. with a fifth star in the bottom right quadrant. So it wouldn’t surprise me if perhaps Kirara is acting as that fifth star, which if so I’m curious if we’ll find out the other two anchor points farther away from the door than Fushiguro and Panda.

Going to just assume this is Fist of the North Star inspired because not only the Southern Cross but also the attack is called “Love Rendezvous” and the famous You は Shock opening song’s title translates to something like “Take Back Love.” Reuniting with a lover is also part of the driving plot of the first arc as well.

I was both right and wrong about the star order mostly because I was taught that the star they call Ginan in the chapter is the fifth star of the constellation, but here it’s marked as the fourth.

Chapter 157

Wonder if the guy Itadori’s fighting has some kind of friction curse where he can increase air resistance or something. It’ll be interesting to find out the explanation.

Chapter 158

Knew Gojo got sealed. Didn’t know principal died. That’s a plot point that sounds like it’s going be tough to watch when the anime gets there (or I get my hands on the graphic novels eventually when it’s safer to go to the library).

”He died fighting a higher up [after Shibuya].” Definitely going to be heartbreaking but interesting when I get there.

Given that Junpei, Nanami, and the Principal both died I’m kind of curious if I’m right about how the manga ends. I mean obviously the manga ends when Itadori dies, but I keep thinking about how his grandpa said, “When it's your time to go, make sure you're surrounded by others. Don't end up like me,” and how that might mean Itadori will have living friends and dead friends around him when he dies. Like he definitely won’t die alone, he’s going to have people will him on both sides.

Fushiguro: I'm the head of the Zen'in clan. Fushiguro: [thinking] Whatever. I might as well take advantage of it.

ilu, Fushiguro

I read up on the culling game rules since it was easy to find. Since this player has made a new rule they must have killed at least twenty sorcerers, which given their character design, I would believe that’s possible.

”They [the sorcerers participating in the culling game] were stronger 400 years ago. Where is Sukuna?” Ominous. Also ominous they’ve got 200 points, which means 40 sorcerers.

Fushiguro’s like “We’ll discuss [how Sukuna fists into this] later,” and it’s like boy I hope so because I am curious about his past.

ngl I’m not super into plots like culling games, which is why I never got into the Hunger Games franchise, but I’m curious what Akutami is going to do with the material and this is a good place to jump into the manga, so I’m glad I got caught up now.

[jcogginsawriter]

Hand to Hand: Mark Waid’s Flash

I have been a fan of comic book characters for a long time. I started with the cartoons, and as I got older, I began doing deep dives into wikis, reading fanfiction, and participating in that shallowest of internet past times, the vs debate. I dabbled in writing fanfic for myself, but I spent far more time thinking about writing fanfic instead. I would come up with all these ideas about what I would take from the various different versions of the characters, and don’t get me started on the idea of Crossovers.     The point is, I knew a lot of what happened in the comics, but I never read many comics. I didn’t know where my local comic shop was, and even if I did, I wouldn’t have had the money to spend on them. The comics that I did read were usually fan translations of manga. I did read a few comics, big name stories like Death of Superman or Crisis on Infinite Earths, but they were few and far between.

Recently, I’ve begun to change that. I now follow several comics as they come out, most notably the current X-line. This change sprang in part because I began reading a lot more comics criticism. In particular, I followed the blog of a certain Superman fan, and began to eagerly digest his various takes. I wanted to be able to ask him questions about new comics without looking like an idiot (This is how 90 percent of my interactions on comics twitter go, BTW) and that was a kick in the pants for me.

After getting into a steady habit, I decided to look into reading some of the classic runs I’d read so much about throughout life. To go from knowing them second hand, to knowing them first hand. After a bit of hemming and hawing, I’ve settled on Mark Waid’s legendary run of Flash Comics to start off with.

(Spoiler Warning for some 30 year old comics, by the way)

As of this writing, I have read up to the final issue of his story arc Dead Heat, wherein Wally does battle with the speed cultist Savitar. Before we get into things like plot and characters, I want to discuss the art, because no discussion of comic books is really complete without talking about the art. Unfortunately, the art in this run hasn’t done much for me, but that’s not really it’s fault. I read this comics in manner that they were not created to be read, digitally and zoomed in. These comics were drawn with physical issues in mind, and I don’t doubt that they’re good in that format. It also doesn’t help that I’ve read far more manga than I have American comics. American comics have never clicked with me the way manga does. Even now, I still find the layout of manga more legible than the layout of an American comic. That’s not a value judgment, it’s just my personal experience.

I do distinctly recall thinking that the art was better up to issue #79 (The conclusion to the Return of Barry Allen storyline), than it was after. I prefer the less exaggerated character designs, and lighter inks, though it could very well be a case of me having gotten used to the initial style and not liking the change. One thing that thing I can say about the art is that it helped me grasp how Wally’s costume differed from Barry’s. Before this, I was incapable of separating them in my mind, but seeing them side by side made it clear to me how different Wally’s Costume was colored and shaded.

Now, onto the writing of the run, we’ll start with the lead, Wally West. My previous touchstone for Wally was the Justice League series from the DCAU, which I watched a lot as a kid. The Wally in these comics comes off as more serious that his DCAU incarnation. Not too serious, he still cracks jokes, but he’s more on the ball. He takes his adventures as seriously as any hero would, rather than the more carefree attitude I recall his DCAU version having. This is not unsurprising, Wally here is the lead whereas there he was part of an ensemble cast, and here we get his internal monologue which gives us a much more thorough sense of his headspace. Not to mention, the DCAU version was voiced, so we know with no ambiguity what tone his dialogue’s in. In text, tone is more up to interpretation.

Perhaps the biggest thing that set Comic Wally apart from DCAU Wally is that the Wally in the comic was more consistently angry and frustrated. While his DCAU incarnation had hidden depths, I can’t recall a time when he got seriously angry. This Wally is frequently irritated, usually by things which are enitrely understandable. On occasion, his irritability causes him to be rougher with the bad guys than he could be, and that feels uncomfortable sometimes, though thus far he hasn’t gone too far.

Going into this, I knew that one of the issues that Wally had to overcome was his mental block about surpassing Barry, and to my surprise, it wasn’t as much of a through-line as I expected. I was expecting it to be a reoccurring issue that was solved by the Return of Barry Allen storyline, but in reality there are only one or two times something like it comes up, usually in the context of him not being able to do the vibrating through walls trick. In the Return of Barry Allen, it feels more like an issue introduced in that story than a long running plot line. Granted, it may only feel this way because I’m solely reading Mark Waid’s Flash. I didn’t read the issues prior to his take over, so that storyline could have been more apparent there for all I know.

Moving on, starting with Waid’s run had another knock on effect, that being that the character introductions aren’t introductions. I came into this expecting to see when Wally met Linda, when he met Jay Garrick, when Pied Piper redeemed himself, but all of that happened before Waid took over the book, so they’re already part of the cast from the start. Again, not a flaw of the work, it’s just a result of my personal experiences. Now, let’s take a look at some of these characters.

I’ve heard a lot about Linda and Wally’s romance, and so far it’s not bad. I wouldn’t rate it as one of the best of all time, but I haven’t gotten to most of the major moments yet, so that’s not a huge surprise. One thing that’s very apparent is the Lois Lane DNA in her character. Some of that is to be expected, which the love interest to your superhero is a reporter, but I see a lot of similarities in their personality as well. There’s a lot of the same fire in her. Fortunately, the fact that Wally’s identity is public lends a very different arc to their relationship than what you see with Lois and Clark, so Linda doesn’t come off as a Lois rip-off. Linda’s concerns that there’s no place for her in Wally’s wild superhero life is the kind of relationship hurdle that isn’t present in Lois and Clark’s Relationship.

Next, let’s take a look at the first Flash, Jay Garrick. Within this series, Jay is perfectly pleasant, and by no means unlikable, but he also comes across as...kind of superfluous? There are three elderly male speedsters in this comic, and of all of them Jay is by far the least defined and has the least role. Max Mercury is the Wally’s mentor in the ways of speed, the one with the most knowledge of the Speed Force. He’s basically what I expected Jay Garrick to be going into this. The third of the group is Johnny Quick, a speedster who is the father of another speedster, Jesse Quick. Jesse is also very skeptical of Max Mercury’s teachings, which veer from the scientific into the mystical.

Because Johnny takes the role of skeptic, Jay is left without a role in the narrative because being the nicest of Wally’s friend group. Veering over to Hollywood for a second, whenever a book gets adapted into a movie or TV Show, minor characters get lost in the transition. Either they get composited with other characters, or they get cut entirely. Game of Thrones is the most prominent example in recent memory. I bring this up because, if Waid’s Flash were to go through that process, it’s hard to argue that Jay wouldn’t get the ax. Despite being the most important of them in the context of the universe at large, Jay is the least important Speedster in this narrative. Of course, Jay’s importance in the context of the larger universe means that in this hypothetical adaptation, he probably be composited into either max or Johnny. More likely Max, since mentor is the logical position for the first Flash to take in the Third Flash’s narrative.

I mentioned Jess Quick there, so let’s talk about her. Thus far, her most prominent role in the narrative has been to call Wally out and be his critic, though she does have very good reasons to be angry. In the Terminal Velocity storyline, Wally believes he’ll die soon, and tells the Flash Family that Jesse will be his successor, but it turns out to be a lie in order to motivate Bart Allen to take things more seriously. Jesse has remained angry with Wally since then, though it hasn’t seriously impacted her hero work. That’s good, because her continued competence lends legitimacy to her anger within the narrative. She’s not being punished for being mad at Wally for mistreating her. Hopefully it stays that way going forward.

Now let’s take a look at the character Wally chose over Jesse, Bart Allen AKA Impulse. I’ll say up front that I’m not reading Bart’s solo series during this read through, as I didn’t want the hassle of going back and forth between books. As such, the only issues of it that I’ve looked at are the ones that tie into the Dead Heat arc. I feel it’s important for me to say this, because I’m basing my opinions of Bart primarily on his showings in Wally’s book, not his own. In Wally’s book, Bart’s character flaws are more on display.

Bart is a character deliberately designed to be obnoxious, and such characters are a hard tightrope to walk in fiction. Gotta be annyoing enough to get the point across, but not annoying enough to turn people off from the work. Bart in Wally’s book isn’t perfectly balanced, and tends toward the too much pile. Not to an egregious extent, but a little bit. I found myself echoing Wally’s frustration with Bart more than a few times. In Bart’s defense, Wally does share some of the blame here. He doesn’t do a very good job as a mentor, and handing those duties off to Max is probably for the best.

I find it interesting, that a character like Wally who is so defined by inheriting a legacy is a poor mentor, to both Bart and Jesse. He makes different mistakes with both of them, but he still fails both of them. I’m eager to see how that plays out in the future issues.

Now that we’ve discussed the supporting cast, let’s discuss some of the book’s villains. We’ll start with the one who is most infamous, Eobard Thawne. Thawne’s spends the majority of his time in this book thinking he’s Barry Allen, and if I’m being honest, he’s more effective under that guise that he is as Eobard. The scenes where what appears to be Barry Allen turns evil out of jealousy of his successor are powerful, more so than the more traditional villain Eobard displays after the reveal. Not that it would have been a good idea for it to actually be Barry, of course. Much as I prefer Wally to Barry, having Barry go full supervillain would have been very out of character. In any case, this run had a profound impact on Eobard’s character going forward, solidifying him as an agent of toxic fanboyism, making him a dark mirror of Wally West.

The next major villain of the run is the cult slash terrorist organization Kobra. That might bring thoughts of GI Joe to your mind, and you honestly aren’t far off. So far as this run goes, the biggest differences between DC’s Kobra and Hasbro’s is A) DC’s version prefer green over blue, and B) Hasbro’s version has more in the way of distinct characters. Kobra thus far is more of a plot device than  anything else. They’re generic terrorists with little to make them distictive. Their storyline, Terminal Velocity, is more notable for it’s introduction of the Speed Force, Wally preparing for his upcoming ‘death’, and Linda going on a revenge quest after said ‘death’. All things that Kobra is incidental to, any villainous organization would have sufficed.

The final, as of my current point in the run, major villain is Savitar. Savitar was formerly a soviet test pilot who gained a connection to a the speedforce, gave himself the name of Hindu god, and started a speed worshipping cult. It says a lot about my mind that my immediate thoughts upon reading Savitar’s origin were. “Huh, an AU where Hal Jordan became a Speedster the same way would be neat.”. Savitar is in some ways an improvement on the Kobra Cult from Terminal Velocity. This time the Cult has a more direct connection to the Flash and his mythos. Dead Heat is by no means a retread of Terminal Velocity, but if you wanted to mesh them into one story, it wouldn’t be hard. And it’d improve on both, in some ways.

One of the things I like to do in my fanfic ideas is connect the other speedsters to Thawne’s theme of Toxic Fandom, and it wouldn’t be hard to do that with Savitar. His entire motivation is to deprive those he considers unworthy of their speed, and that can easily by played as a metaphor for gatekeeping.

Over all, while the run is far from perfect, I must say I’m enjoying these comics a good deal, and if you’re like me and have read a lot about comics without actually reading them, I don’t think you’d regret jumping into them.

[leoandreeda]

Samurai references in One Piece

Even when this is "short" this took me a long time to made but I finally finished it. I know that maybe I do not have ALL the references, but I'll mention the ones I've been seeing since I'm watching One Piece again. Also you'll read a lot about Zoro because he seems to be the character in which Eiichiro Oda likes to represent these warriors. I couldn't avoid pointing them out, especially since we're actually in Wano, to show you all a little of the influence they have in One Piece (at least in this arc.. or just in Zoro...). Of course there'll be manga spoilers.

1. The breath of all things.

While Zoro and Daz Bones were fighting in Arabasta, Zoro sees that he is at a disadvantage against his rival because this one is the user of the Devil fruit of steel, and that is a material that he wasn't capable of cutting. After a few attempts, he remembers a particular moment from his childhood about one of the lessons that his teacher and Kuina's father, Koshiro, teach him after a young Zoro asks if it is possible to cut steel. Koshiro gives him a demonstration when he tries to cut a piece of paper with his sword, but fails. After receiving a confused look from his student, he says what is in the pic beneath.

This teaching is inspired by one of the legends of Masamune Ozaki. In this story, Masamune (Who was not a samurai but a blacksmith who still was closely related to them) is challenged by his disciple Muramasa Shinji to see who of the 2 is the best blacksmith in Japan. Masamune accepted the challenge and after days of dedication and effort he created Yawarakai Te (Soft Hands / 柔らかい手). Muramasa also worked tirelessly and, finally, shaped Juuchi Yosamu (10,000 cold nights / 十千夜寒).

To test the value of each of them, Masamune and Muramasa were summoned on the riverbank one day at dawn. Once there, Muramasa submerged the first the tip of his sword in the water, against the current. Juuchi Yosamu, the Muramasa blade, cut everything that came close to its edge: it split the leaves that floated in the river and cut in half the fish that swam nearby. It even cut the morning air and the same sunlight. Masamune recognized with a deep reverence the great work of his disciple Muramasa. Indeed: there could not exist in all of Japan a sharper blade than that blade and only a Grand Master could make a sword like Juuchi Yosamu. But now his turn had come. He closed his eyes for a few moments and unsheathed Yawarakai Te. The brightness of the soft forging of his blade was reflected on the water while the old blacksmith dipped the tip of his sword into the river. And, then ...

Nothing happened because the fish that came close to Masamune's sword swam peacefully around him, without getting hurt. The leaves that floated down the river collided with it, turned on themselves and followed their course where the current led without splitting or cutting. Sunlight shone on the sword and the wind whistled softly as it struck its edge. Muramasa began to laugh at his master's sword. "You are no longer able to make a sword that really cuts. Now the best blacksmith in Japan is me" he said. Masamune did not answer. He drew his sword from the water and, still smiling, dried it first and then put it in its holster.

An old monk who had seen everything from the other shore said: "There is a sword that is very well made, that is very beautiful and sharp, but is eager to cut and does not discriminate against who or whom. But the other sword is undoubtedly more beautiful and more perfect because its edge is still finer and does not need to cut what is innocent and does not deserve to be cut. There is a sword that takes away life and another sword that gives it. "

Note: Of course this is only a legend since Masamune Ozaki and Muramasa Shinji are many years apart (almost 100 I suppose), so I understand they did not even know each other, but you get the point.

2. The Kitetsu.

The kitetsu are a "trio" of Yōtō ( cursed swords / 妖刀) that are said to bring misfortunes to their owners until they find death in horrible ways. They are demonic swords whose thirst for blood is insatiable and whose edge and ease to cut things are incredible, almost incomparable.

Now, this is related to one of the aforementioned blacksmiths, specifically with his clan, the Muramasa. Muramasa Shinji was a person of unstable and violent character, it was said that his swords leaves, shorter, more curved and more affiliated than those of Masamune, instilled in the warriors that carried them an uncontrollable desire to kill.

But the swords of Muramasa fell into disgrace when Tokugawa Ieyasu arrived at the shogunate, at the beginning of the 17th century, due to the many misfortunes that these swords caused to his family: the Kaishaku (end of the seppuku ritual in which the assistant beheads the suicidal with a katana) of Ieyasu's son, Nobuyasu, was made with a Muramasa; in his childhood, Ieyasu was wounded with a Tantō Muramasa; Ieyasu's grandfather was killed with a Muramasa katana; Ieyasu's father was attacked with a wakizashi Muramasa. Therefore, the shogun banned the use of Muramasa clan weapons in Japan. Even the Bugyō (commissioner / 奉行) Nagasaki, who was a collector of Muramasa weapons despite the ban, was executed under direct orders from the Shōgun (army commander/ 将軍) Tokugawa Ieyasu for considering this as an obvious conspiracy against his clan.

For all this, they said, Muramasa's katanas brought their owners misfortunes and unnecessary deaths, while those of Masamune were only unsheathed when the situation inevitably required it.

3. Taken from movies.

Maybe some of you already know it, but I do not lose anything mentioning it. Issho (or Fujitora) is based on Zatōichi (座頭市), the protagonist of a television series and a large number of films about a blind, but very skilled swordsman.

Literally is the same thing without scars, they even have the same sword... However, the designs are not the only thing that Oda has been inspired to add to his work. There are a number of thoughts/quotes that he has also taken from different movies like this one, that he says is one of his favorites, called Shichinin no samurai (The Seven Samurais/ 七人の侍).

I won't make much spoilers. In one scene of the film, while the protagonists are looking for another samurai to join them, they hear that one has arrived at the town. To test if he's worth of joining them, one of them hides to the side of the door to ambush him, saying: "If he is a true swordsman he will be able to dodge it, a samurai never lets alcohol take control on himself". Does it remind you of something?

4. Roronoa Zoro's "true" inspiration.

Even though we all know Zoro is based on François l'Olonnais, who was the cruelest pirate of the Caribbean Sea; I can say that he is also a little based on Date Masamune.

Excellent military tactician, was popularly identified because of the lack of one of his eyes, commonly being called "dokuganryū" (Dragon of a single eye/ 独眼 竜). The exact cause for which he lost his entire eye is not known, but it is said that as a child he lost it because of smallpox and to save himself he took it off. After this, his mother told him he could never become a warrior, explaining to Masamune's father that having just one eye already put him in an abyssal disadvantage on the battlefield. Because of that, he swore he would never let anything else get over him, not even something like an illness. At the young age of 17 or 18 years old, he took his father's place as the leader of Date's clan; later becoming one of the most powerful Daimyō (大名) of the old Japan.

This fiery samurai was also known because of his cruelty and cold personality. Not caring who he was talking to, he'd always be a prepotent and shameless man who gained the respect, but mostly fear, of those who were around him.

5. Pirate hunter's journey.

As we all know, in the begining of the serie when Luffy asked Zoro why he sailed, the swordsman told him he was looking for someone (Dracule Mihawk) but then got lost. Sailing to the sea to find recognition and become the greatest swordsman, as he promised to Kuina, sounds like certain practice called Musha shugyō (warrior training/ 武 者 修行) that's based on traveling or pilgrimage to which the ancient samurai were ascribed. A practitioner of this concept has to roam around Japan practicing and honoring his abilities without the protection of his family or his school, all alone and exposing himself to the dangers necessary to prove his worth. The possible activities of the adventurer could include training with other schools, fighting a duel, working as a bodyguard/mercenary, and looking for a Daimyō to serve.

Soooo he found a "Daimyō" to live and to die for.

Note: I'm not saying Zoro is a samurai, in fact and sadly, he isn't. I repeat, I'm just pointing things that I can relate to them.

6. Kaidan.

Kaidan (怪談) is a Japanese word consisting of two kanji: 怪 (kai) meaning “strange, mysterious, rare, or bewitching apparition" and 談 (dan) meaning “talk” or “recited narrative.”In its broadest sense, kaidan refers to any ghost story or horror story, but it has an old-fashioned ring to it that carries the connotation of Edo period Japanese folktales. Kaidan entered the vernacular during the Edo period, when a game called Hyakumonogatari Kaidankai (A Gathering of One Hundred Supernatural Tales / 百物語怪談会 ) became popular. This game led to a demand for ghost stories and folktales to be gathered from all parts of Japan and China.

Originally based on didactic Buddhist tales, Kaidan often involve elements of karma, and especially ghostly vengeance for misdeeds. Onryō (Japanese vengeful ghosts / 怨霊) are far more powerful after death than they were in life, and are often people who were particularly powerless in life, such as women and servants. You all know who were servants? There's certain transtalion or meaning to samurai that says "those who serve in close attendance to the nobility"; Not only that, since Kaidan appeared in Edo period these warriors are the co-protagonists of many of those stories. If we look up at some of those stories we can conclude something; at least two of them are the "inspiration" to certain samurais in Wano and they are Kin'emon and O-kiku. We need to be clear on something, they are considered ghosts by the people of Wano that seek to avenge Oden's death so thinking that Oda made this on purpose is pretty logic, right?

Lets start with Kin'emon. He's, at least a bit, inspired in Botan Dōrō (The Peony Lantern / 牡丹燈籠) This tale tells that on the first night of Obon, a beautiful woman and a young girl holding a peony lantern stroll by the house of the widowed samurai Ogiwara Shinnojo. Ogiwara is instantly smitten with the woman, named Otsuyu and vows an eternal relationship. From that night onward, the woman and the girl visit at dusk, always leaving before dawn. An elderly neighbor, suspicious of the girl, peeks into his home and finds Ogiwara in bed with a skeleton. Consulting a Buddhist priest, Ogiwara finds that he is in danger unless he can resist the woman, and he places a protection charm on his house. The woman is then unable to enter his house, but calls him from outside. Finally, unable to resist, Ogiwara goes out to greet her, and is led back to her house, a grave in a temple. In the morning, Ogiwara's dead body is found entwined with the woman's skeleton.

Why I relate Kin'emon with this story? To be honest it reminded me of him for dumb reasons ;;; The woman's name sounds like Kin'emon's wife's name, O-tsuru. Also I have the feeling that he won't be able to resist any longer being apart with his wife, wich he seems to love very much. Or not necessarilly because he wants to be with her but to warn her to run away at some point and someone will notice and bla bla bla.

Now, O-kiku is inspired by the history of Banchō Sarayashiki (The Dish Mansion at Banchō / 番町皿屋敷 ) that tells that once there was a beautiful servant named Okiku. She worked for the samurai Aoyama Tessan. Okiku often refused his amorous advances, so he tricked her into believing that she had carelessly lost one of the family's ten precious delft plates. Such a crime would normally result in her death. In a frenzy, she counted and recounted the nine plates many times. However, she could not find the tenth and went to Aoyama in guilty tears. The samurai offered to overlook the matter if she finally became his lover, but again she refused. Enraged, Aoyama threw her down a well to her death. It is said that Okiku became an Onryō who tormented her murderer by counting to nine and then making a terrible shriek to represent the missing tenth plate – or perhaps she had tormented herself and was still trying to find the tenth plate but cried out in agony when she never could. In some versions of the story, this torment continued until an exorcist or neighbor shouted "ten" in a loud voice at the end of her count. Her ghost, finally relieved that someone had found the plate for her, haunted the samurai no more.

In some versions of the tale, Okiku is a maid who incurs her mistress' jealousy. Her mistress breaks one of dishes that Okiku is responsible for and Okiku commits suicide. Similar to the other versions, her ghost is heard counting the plates, but her mistress goes insane and dies.

Did you notice the same name, that in her first apparition she is holding a plate and that she refuses someone who's looking for her to be his lover? Hmmm.

7. Extras.

These are just mentions so I'll compilate them here.

⦁ Zoro's name in Wano is Zorojuro, which sounds a lot like Sanjuro, the name of the protagonist from another samurai movie called Yojimbo (which probably Zoro got his personality from); casually made by the same director from The seven samurais, and a lot more movies about these warriors, Akira Kurosawa.

⦁ It's possible that Shuusui is based on, it is said to be, the best sword ever made by Masamune Ozaki, called Honjo Masamune. I think this sword was "stolen" and is still lost.

⦁ Zoro's way of seeing the world is absolutely based on Miyamoto Musashi's lessons writen on his book Go Rin no Sho (The Book of Five Rings/ 五輪書). Not only that, Musashi felt that he won his duels not because he had mastered the strategy, but because he was stronger, prepared or just lucky... we all know Zoro likes to leave all to luck.

⦁ Vivi calls Zoro "mr. Bushido". Bushidō (武士道) is a strict and particular ethical code to which many samurai gave their lives, which demanded loyalty and honor until death. If a samurai failed to maintain his honor, he could recover it by practicing seppuku.

⦁ O-Tama saying that is a disgrace for a warrior to feel hunger is also said in The Seven Samurais.

⦁ The Gorōsei (The Five Elders / 五老星) the leaders of the World Government and, as such, the world's rulers and the highest authority only below Im, are based on The Council of the Five Regents, or council of the five great elders (go-tairō / 五大老). This was a council formed by Toyotomi Hideyoshi to govern Japan instead of his son, Hideyori, until he came of age. Hideyoshi chose his five most powerful daimyō for this task: Ukita Hideie, Maeda Toshiie, Uesugi Kagekatsu, Mōri Terumoto and Tokugawa Ieyasu.  With the creation of the council formed by five people, Hideyoshi hoped that the different components of the same one would be balanced, preventing that none of them took control of the power. However, almost immediately upon the death of Hideyoshi in 1598, the regents were divided into two groups: Tokugawa on the one hand, and the other four on the other. The war, however, did not begin until the mid-1600s, ending the same year at the Battle of Sekigahara, where a difficult peace was agreed upon that left Hideyori alive and in control of Osaka Castle.

⦁ It was said that Miyamoto Musashi, the most famous samurai of all time, could win any duel with one look. Ehem... Haoshoku haki?

⦁ The Iaidō (居合道) is a Japanese martial art related to the unsheathing and sheathing of the katana. It was practiced by the samurai, especially in the Edo period. These techniques arise mainly to be able to attack or defend at the same time that it was unsheathed, beginning therefore the confrontation with the weapon still in the saya (sheath) and unsheathing with the appropriate speed to attack or counterattack the opponent without giving him time to react. The main idea of Iaidō is to be able to react correctly to any unexpected situation. The first letter 'I' has as a translation of its ideogram the meaning of Spirit, Being, Will and also Intention, therefore, decomposing the term Iaidō we find its philosophical meaning as "the path of the harmony of the Being or the path of union of the spirit "('I' is spirit, 'ai' unite or harmony, and the suffix 'dō' way). I don't know about you but it reminds me a bit of the meaning of Wado Ichimonji (Straight Road of the Harmony / 和道一文字); of course not ignoring that this style is used sometimes in the serie.

⦁ In the second point "the Kitetsu", I also mentioned that there was a certain time in Japan when Tokugawa Ieyasu banned muramasa's swords around the country. Well, in chapter 926 we were shown that civilians couldn't carry weapons because that would be a clear statement of rebellion, just saying.

⦁ Ishho is based more in a Sōhei (Warrior monk / 僧兵) than in a Samurai.

⦁ Even when Miyamoto Musashi was known for fighting with 2 Bokken, he had an actual sword. The Tsuba of this sword, now in the Art Musseum of Fukuoka, is a little bit similar to Wado Ichimonji's tsuba.

⦁ Shimotsuki Yasuie or better known as Tonoyasu or Yasu, the happy man from Wano that lives in Ebisu, was shown to be based on the Shōgun mentioned in the second point, Tokugawa Ieyasu. The most famous Shōgun in the story of Japan.

⦁ Gyukimaru on Oihagi Bridge is based on Saitō Musashibō Benkei (西塔 武 蔵 坊 弁 慶 1155 - 1189), popularly called Benkei (弁 慶), Was a Sōhei who was under the orders of the samurai Minamoto no Yoshitsune. He is generally presented as a man of great stature, very strong and loyal, and is one of the favorite characters of Japanese folklore. Tells the story that Benkei would have been located on the bridge Gojo in Kyoto, where he challenged each warrior who passed, taking the sword of their defeated opponents, reaching a total of about 999 swords. In his 1000th duel, Benkei was defeated by Minamoto no Yoshitsune, son of the warlord Minamoto no Yoshitomo. Therefore, he became a warrior of Yoshitsune and fought alongside him in the Genpei war against the Taira clan. Curious, don't you think?

⦁ The relationship between O-kiku/Kikunojo and Kin’emon implies that they’re very close, we can see it in their flashbacks and even when they reunite, however, if we look at things in a more... real life way, we can say that their relationship is, or was, influenced by Shudô (衆道 ). Shudô was a samurai custom in which adult samurai engaged in pederastic relationships with younger samurai. This custom is most prominently seen, or discussed, in the Sengoku and Edo periods. The older man in the relationship, known as the nenja (念者), and the younger man, known by a variety of terms including wakashû (若衆), formed a close, tight personal relationship with one another. A nenja typically engaged in such relationships with only one wakashû at a time, and vice versa. Though much discussion today, based in modern/Western social mores about homosexual relationships, focus strongly on the homosexual sexual acts involved in the relationship, Shudô relationships went beyond this, and were strong personal and sentimental or emotional relationships, which involved as well strong elements of mentorship. Mentorship and training in the "warrior" lifestyle and values of the samurai was a major element of the relationship.

This is all I have so If there's something I missed please let me know, thanks for reading.