#odd numbers can be great

[just-a-whumping-racoon-with-wifi]

I have aged. Am 25 now

[unnecessarilygrandiose]

.

[unproduciblesmackdown]

the most recognized as comedic song being the best part of the movie musical because the conventions that serve as a mode of communicating ideas, for example "people just bursting into song" or "choreography" or "'noticeably stylized' cinematography" that accentuates nonliteral nonrealism-invoking choices, are regarded as Silly or Frivolous. and the effort to shove everything else that's more "serious" into what is expected to be read as dramatic cinema that's not stylized in any ways that seem too "Genre" which only makes [but someone's singing?] underwhelming and out of place because no other elements are supporting it

[dukeofriven]

So often alt-Earth worldbuilding falls apart under the slightest bit of pressure: what if every human on earth from birth had a sentient, speech-capable, physical manifestation of their soul that could shape shift and eventually settled on a form that revealed some inner truth about your person would that not radically alter the course of human history? To which the answer, apparently, was 'not in any meaningful way, no.'

Live theater in the His Dark Materials universe must be wild. Surely an actor's daemon also has lines to recite, so their daemon's form probably also factors into casting decisions. Maybe some plays have vague character descriptions for daemons, but I bet other plays have really specific or central daemon characters. And sure, big-budget theaters can afford to hire a separate actor with a particular daemon to stand backstage while their daemon plays its part onstage, but community theaters don't have those kinds of resources.

Like if you're casting for Julius Caesar, surely the real historical Caesar had a pretty iconic daemon, right? Are you going to cast an actor with a pigeon daemon as Caesar and just have everyone suspend their disbelief that it's Caesar's lioness, ἁμαρτία?

[milfsisyphus]

for me personally i don’t think another straw could break my back. i have plenty of straw on there already and i feel great. one more would give me an even number and one more after that could be odd again for all the even number haters and losers. if you see a good place for your straw just throw it on there i can take it. i like the straw and i don’t ever think about dropping it all. my friends call me strawguy and we all laugh !

[runa-falls]

what a mess~

pairing: miguel o'hara x reader cw: smut, established relationship, superhuman stamina, overstimulation, cum EVERYWHERE, 'use a condom, it's too messy X(', 'bitch stfu i'll show you messy'..., so many sheets, reader is a pushover (bc I WOULD BE TOO) wc: 1k + a/n: i um... just take this and I'll go to a corner of a room and think ab what I've done.

---

Having a superhero boyfriend is great – he gets you discounts at your favorite restaurant, he easily carries you home after a long night out at the bar, he saves you from getting kidnapped by his arch-nemesis for the fourth time this month (though isn’t that his fault in the first place?....) – but there are aspects of the relationship that you didn’t consider before. 

Apparently, with great power comes great… stamina. 

To put it plainly, Miguel’s (sex) drive is unheard of. You better clear out your schedule for the whole day because he can go for hours. And most nights, you can barely sit up after he fucks you.

You like that – or you did when you could afford to be sore every other day. You like how enthusiastic he is – how much he wants you. It makes you feel desired and beautiful. But it’s not just the intense workout you risk every time you steal a kiss that turns into more – it’s the number of times he can…finish. 

Every time you think he’s finished, he’s still hard and thrusting into you, overstimulating you until black stars start to fill your vision. 

It’s a mess in the end. 

You lay on top of him, filled to the brim, dripping all over his lower stomach and onto the sheets under you, breathing so hard you’re sure you’d rupture a lung. You feel like you’re barely conscious on the bed as your heart beats harshly against your chest from how hard you came. Hair sticks graciously against your forehead as your eyes struggle to stay open to see Miguel, who gently pulls out and watches his mess spill out of you. 

He whispers sweetly of how well you took him, how pretty you look all fucked out, how much he loves that he can turn you into a blabbering – mindless whore. Being the possessive man he is, he attempts to shove it back in, using two of his thick fingers to gather and push his essence back into you, hoping that, against all odds, it’ll take, despite the fact you take your birth control religiously. 

Of course, when he sees how your thighs shake and squeeze around his hand from the overstimulation of him fucking his fingers into you after you just came, he immediately gets hard again. 

He gazes down at you with apologetic red eyes as he bites his lip under a sharp fang, “I can’t help it when I see how wrecked your pussy is for me…”

It’s nice – it’s hot – but you end up having to change the sheets 5 times a week. He’s insatiable… well ok, you’re just as thirsty as your boyfriend, but the amount of maintenance you need for each session is ridiculous. You basically gave up washing your sheets after every fuck, and instead ordered several identical sets of bedding to make the process easier. 

Many sheets have been destroyed beyond recognition. Okay, maybe you’re being a bit overdramatic, but the amount of cum-stained sheets in your linen closet is insane. How are you supposed to hide this if you were to have guests over?!

After staring at the layers of folded-up and stained sheets that you��ve accumulated over the past few months, you decided you were going to do something about it. 

You can still have fun without the mess.

…right?

—

Miguel has you on your back at the end of the bed with your legs resting on the crook of his arms. You have on a cute little nightgown – white to symbolize purity (though what you were about to do was far from pure) – with nothing underneath. It was one you bought just to get a reaction out of him – and now you got it. 

He holds you open for him, regarding you like he would a special gift – though there’s nothing to really celebrate (unless you count his raging erection). He breathes harshly against your neck as he paints your skin with kisses and nips. You’re nearly folded in half with how closely he’s pushed against you, but you can barely recognize the mere tinge of soreness in your legs with how fluidly pleasure seems to travel from his lips down to the apex of your thighs. 

Miguel O’Hara, the strong, independent Spider-Man, is truly a mess in front of you. His once neatly ironed tie now hangs loosely around his neck, his crisp white shirt unbuttoned halfway down, and his hair a tangle of unruly curls. His fingers, now caressing your body, are already dripping in your slick from when he forced a couple of orgasms out of you right when he got home. 

You find a sense of satisfaction in the disheveled state of his appearance, relishing how his once meticulously groomed demeanor has been disrupted – how his eyes transition from their usual chocolatey brown to a striking blood red, how his lips swell sweetly with lust. 

Miguel groans deeply as he grinds his clothed hardness against your wet center, “Mm…I want you so bad.” He unbuttons and unzips his pants, sighing as he releases himself from the tight fabric. No underwear? 

“Wait, Mig." he pauses his movements, waiting patiently – prepared to do whatever you want. “Get a condom.” …Except maybe…that. 

“Condom?” He could barely hold back his sneer, but you could faintly hear the growl vibrate from his chest. 

“Mhm, we’ve been too messy lately. We can’t just keep buying new sheets every week!”

“...We could…”

“Miguel!”

“I don’t see what the problem is… this is just how it is.”

“But it’s too messy.”

“I thought my baby likes to be filled up…”

“...I-I mean, I do sometimes, but –”

“Don’t you like it when I get you all messy?” He leans in close, distracting you from denying him. “Have you dripping with me for days?” He presses closer, and you can feel his hard cock slip against your wetness, dragging against your sensitive clit. 

“Miguel.” You whine.

It’s so hard to deny this man.

“How about we just try to be more careful, hm?” He presses against you gently, nearly entering you, but not quite. It feels so good, the tip of him barely stretching past your entrance. 

“Okay…j-just this once though…” You surrender with a whisper.

[yuuchama]

The easiest way to find Sebek is to walk around the Night Raven campus, going "where's my Sebek?"

It elicits odd stares and plenty of snickers from the other students, but it gets the job done. You'll know when he's nearby. After repeating this phrase enough times and in multiple places around campus, you'll hear a familiar thundering cry.

"I am not your Sebek!"

The shout is eventually followed by the man himself. You can tell what direction he's in by the heavy stomps, thudding against the ground almost as loud as his voice. His frown is as sharp as his furrowed brows. The slight tinge of embarrassment colors his face.

"Human! How dare you..."

The familiar face makes you smile with joy. "There you are! There's my Sebek."

He falters. It's clear he has so much to say, but can't find the right words to get out first. They pile up in his mouth while he stammers. You fear you may have traumatized him until the verbal barrage bursts out like a dam.

"How dare you! You know I serve none other than the great heir to Briar Valley. To even imply that I am yours? A mere human's? Inconceivable! Your absurdity knows no bounds!"

He sounds as energetic as ever. You decide to interrupt the angry monologue before he really gets going.

"Sebek, I wanted to know if we're still having lunch together."

"To insult the very essence of my being! As if you..."

It takes a hot second for your inquiry to reach his ears, but when he catches it, the rambling drifts off. He grows oddly quiet. He balls his hands into fists and unclenches them several times in quick succession, testing the limits of his uniform gloves. This would already have delved into a physical fight if you were any other student.

Despite your inane actions, you're practically harmless. Any great guard should easily be able to ignore petty taunts. It's best to consider this a test. Sebek clears his throat.

"Of course we are. You didn't have to come find me just for that. I always keep my word." The redness of his ear tips peeking out from under his hair remind you of a Christmas tree.

"Great! Can't wait."

You stick out your hand for a parting high five. Sebek subverts expectations by grabbing your palm. His gloves are warm and a little sweaty after rushing to find you, and his grip is anything but soft in a boyish display of dominance.

"Do not do this again," he says. He's stern, but after that warning his voice drops to a normal level and he sounds almost gentle. "Just... text me, like a normal person. You have my number."

[prokopetz]

I'm curious for your thoughts on the most left field take I've heard on d&d 4e - specifically, that it is best dusted off if you want to play as magical girls.

I'm aware there are far better ttrpgs for such a goal, but it was such an odd analysis of 4e that it stuck in my head for years since.

Basically, the problem with tabletop RPGs that a. expect a non-trivial amount of system mastery when it comes to building characters, and b. support multiple distinct modes of play is that people who enjoy throwing big numbers around are going to be tempted to spec heavily into one of those modes of play at the expense of sucking at all of the others. You see this issue in many flavours of D&D, where characters who spec heavily into combat end up with no cool toys to play with in exploration mode, and characters who spec heavily into exploration struggle to contribute in combat. It creates a perverse incentive to make yourself bored at the table because you're constantly spending 50% of each session twiddling your thumbs.

One approach to solving this problem is to institute some form of game-mechanical siloing: player characters are given distinct, non-competing sets of rules toys for each supported mode of play, so it's not desirable – perhaps not even possible – to favour one by short-changing the others. This is the approach that D&D4E tried, largely successfully. However, some players found it counterintuitive, because it didn't provide a good narrative rationale for why your character's rules toys should be siloed in this fashion. You ended up with players squinting at the flavour text of their combat moves and arguing that a strict reading suggested their rogue ought to be able to double-jump, or trying to drop into exploration mode in the middle of a combat round in order to take advantage of one of their exploration mode rules toys, both of which tended to break the game in interesting ways.

Conversely, when there is a good narrative rationale for why player characters aren't allowed to cross the streams in a game which supports multiple distinct modes of play, such siloing can be an easier sell. Take Tumblr's favourite indie game Lancer, for example; Lancer has a great deal of D&D4E's DNA in it, except its two mechanically distinct modes of play aren't "combat" and "exploration": they're "piloting a giant robot" and "not piloting a giant robot". There's typically very little narrative ambiguity regarding whether or not you are, in fact, currently piloting a giant robot, so D&D4E style siloing of player-facing rules toys rarely creates situations that are difficult to reason about.

And what's another popular genre of media which will handily furnish any tabletop RPG based on with a built-in narrative rationale for having two mechanically distinct modes of play?

Yep: magical girls.

[jedi-starbird]

Alpha-17 and Obi-Wan being friends (derogatory) on 17's part and friends (threatening) on Obi-Wan's part is such an underrated dynamic

They could be so funny and terrifying, like Obi-Wan went through a soul shredding experience with Alpha-17 as his only company. They're friends because what else are you gonna be after you witness each other at absolute rock bottom from torture.

It's like 'dog put in cage of cheetah who's threatening to go crazy', except the dog is a grizzly bear and also threatening to go crazy.

Emotional support trooper except the trooper in question has never done any sort of supporting in his life and is actively an emotional distress trooper to a great number of the CC batch.

I want them texting everyday, I want Obi-Wan mailing handmade BFF bracelets to Alpha and Alpha sending pics back of him flipping off the camera but still wearing them, I want Alpha using Obi-Wan to keep track of and occasionally terrorize his cadets, I want 17 ending problems in the GAR (like Krell) before they begin because Obi-Wan has him shipped out on a personal transport at the first opportunity, decked out with slug-throwers Obi-Wan got him for his decant-day.

Natborn officers think this is all just an odd indulgence of General Kenobi, the Vode, however, correctly identify it as a goddamn threat and their danger assessment of Obi-Wan ticks up significantly.

When Alpha arrives on Kamino, Shaak Ti presses a shiny new comm into his hand. It has the Jedi Order symbol painted onto it alongside a smiley face sticker, and it pings immediately with a new message: Hello! I hope you're settling in well!

Alpha stares at the message, stares at the singular contact named 'OWK' and then stares Shaak Ti in the eye as he pitches the comm straight into the ocean. Shaak Ti's serene smile only grows larger as she calmly reaches into her robes and pulls out an identical comm, only this one has a frowny face sticker, and presses it into his hand. It lights up: I'm afraid we've bonded, Alpha :). Alpha shuts it off and pockets it with resignation.

Cody arrives on Alpha-17's personal recommendation.

A-17: He's the most difficult little bastard I have. You're perfect for each other. OWK: Thank you, he's very handsome :3 A-17: No. Stop.

The first thing he asks once he gets comfortable is who his general is texting so much that has him swinging his legs and twirling his hair. Cody assumes it's Anakin, given they seem joint at the hip anyway, but little does he know Obi-Wan's ability to consistently have the Weirdest Relationships Ever.

"Oh, it's Alpha-17, I understand you're familiar with each other?" Hmm. OK. Cody.exe is experiencing a processing error, please hold. He exits the room instead of answering. The next day he peeks over the General's shoulder when he's texting and sees walls of rambling messages from Obi-Wan. Alpha-17 replies every hour with a single text: Lose this number. Obi-Wan giggles. "He's so funny." he says.

When Obi-Wan meets the rest of the CC batch, Cody makes sure to stand perfectly angled so that he can record the reactions when his general cuts off their introductions with "Oh, no need, Alpha-17's told me all about you." It's always immediate FEAR.JPG followed by a slow spiral of What The Fuck.

What do you mean by that General. What does that mean Cody. What do you mean they text. No. Cody. What the fuck is happening, Cody. Alpha-17 doesn't have friends he has enemies and enemies he tolerates enough not to shoot on sight.

OWK: Wolffe reached for his vambrace? when I mentioned you A-17: That's where he keeps his spare knife. OWK: Hm that does explain the way he eyed me up, ambitious. A-17: Clearly not enough, he should have followed through. I taught them better.

[fanfic-reading-challenge]

The 2025 Fanfic Reading Challenge

Welcome to another year of the Fanfic Reading Challenge (FRC)!

I won't bore you with the history of the challenge, this year, but I will welcome you to check out past posts that do explain some of it, as well as include a brief overview of what, exactly, this challenge is, though it does change year to year. (Essentially you read fics to complete goals and win bragging points and an artsy badge.)

This year is especially different, as I had the extreme pleasure of having @noxsoulmate as a partner in crime in keeping me hostage on track to completing this year's FRC. Another valued member of the mod team is @jandjsalmon and speaks for all of us if you need questions answered!

As for the challenge....

This is, indeed, a challenge. Of course.

First of all... you must obviously read fanfiction. As if you don't already!

You also need to download and make your own copy of the spreadsheet, which can be found here, as well as below in the important links section.

To participate in the challenge, you read fics that match the tasks in the challenge. An example of a task can be: "read a fic with a title containing the word purple in it." Should be easy! Of course, there are harder ones.

Which is why there are different modes of challenge to the FRC. These are as follows:

Participation (Complete 1 task)

Regular Mode (Complete 80 tasks)

Hard Mode (Complete 150 tasks)

Extreme Mode (Complete 220 tasks)

Complete (Complete 250 tasks)

The challenge lasts from January 1st, 2025, to December 31st, 2025.

There are badges that go with the modes completed, and even a secret 6th badge that will be fairly obvious if you look at the spreadsheet! Doesn't mean it'll be easy to complete though. *smirks* (Blame Noxy)

Most important of all: this challenge operates on the honour system. We don't check your work, or your reading logs (see below), so I mean, I guess if you want to be slippery with the rules, you do you, and that's on your conscience, but honestly it's so much fun to see how much you can get done by following the letter of the law/tasks! You can be slippery even with following the tasks fully. It's great fun. ;D

I think that's enough for an intro, really, maybe too much.

Important Links and Reading Logs/Trackers

As there is a component of the FRC that includes tracking numbers of words read, most of us use a reading log/tracker to keep count of how many fics we read, including data such as words, of course, chapters, month completed, ship, author, title, fandom, link to the fic, and such. It's a great place to mark what fics you want to read in the future as well!

This year we have FOUR trackers on offer, quite different from one another, so take a look, play around with them and check out their "intros", and choose according to what you think will work best for you!

Fic Tracking Sheets

Juulna's 2025 Reading Log

Noxy's 2025 Reading Log

2025 Jandy's Fic Tracker

Taru's Fic Tracker 2025

Discord

We have a blast on Discord. From general chatter to sharing pet pics to being there for each other during the tough times to forming lasting friendships and making friendships you’d never make in a ship- or fandom-specific Discord, to asking for help ‘rolling the dice’ (pick a number between 1-10!) to choose the next fic to read, to finding some of the really challenging task fills in fandoms people might not have ever read but are willing to try, or finding fandoms someone has never read and is very tentative about stepping out of their box, but they’re being 100% supported and know they don’t need to complete the fic for it to count for the task, stepping out of their comfort zone… we’ve formed a very odd group of, if not friends, then companions (but there are definite friendships that have formed!! Just ask the people who have started watching NHL and NFL together in our off topic channel!).

In any case, our Discord is not necessary, but it is a worthy and tactical element to completing many of the tasks of this challenge. 💙

And.... without further ado....!

The 2025 Fanfic Reading Challenge! (link)

There is an info/rules page as the first sheet on the spreadsheet that should fill in any further questions you have. It also has more contact info than just this page if you have any further questions and perhaps need a more immediate answer for your needs.

*Occasionally you will run into something that looks like an error, and it may in fact be one! Let us know if you see it. It's hard not to make a mistake on as large a spreadsheet as this.*

Please, first of all, have fun and just read fanfiction that you enjoy! I (Juulna) did that last year and didn't even come close to completing the entire challenge, and I still had a blast because I was enjoying what I was reading and rereading. Others took the challenge right to the completed end. Others forgot about it halfway through but still had fun, and some even went back and filled in the sheet for a really good showing! The challenge is what you make of it, what you want from it. So... just have fun. Read fic. Smile. Enjoy. :)

Second of all... well, we would love if you signal boost this post!!!!

Third of all, we do have our pinned post that includes a link to this page and that will include a link to our Discord and all our trackers as well, including past links for memento and informative purposes.

Thank you, and a blessed 2025 to all!

[felassan]

Sylvia Feketekuty: "To celebrate DA day, I've made a bluesky account that I'll keep active for a few days to talk about my work on Inqusition or Veilguard! After a few days I'll lock the account, because I'm not a social media person. Happy to talk until then though. I want to say straight off: the reception to Emmrich, Manfred, the Mourn Watch, and the Grand Necropolis has been heartwarming for all of us who worked on those people and places. Thank you all very much!" [source, two]

Rest of post under cut due to length and spoilers. [Post Two, Post Three]

Sylvia Feketekuty: "In the meantime, I do want to talk about a couple of things I saw floating around regarding Emmrich: 1. Emmrich being 52 or 50. I think people got 50 from data mining a character file, but we can't do a ranges in those files. As in, I couldn't input 50-60, it had to be a whole number. I put down 50 as an early ballpark, then went more accurate in later audition scripts. 2. Fifty-two is a old number I threw into an early document before his art or character was totally final. (And which caused another developer a headache because they thought it was accurate, I never updated it. Sorry about that.) 3. "Wait, how old is Emmrich then?" Once I saw his final character art, I felt more mid to late 50s. MAYBE early 60s. But unless we specifically state a character's age in the game, it's all malleable. I honestly would just adjust it to your impressions unless stated otherwise. 4. I've also seen comments on how weird it is for Emmrich to act like there's an age-gap in the romance if your Rook is around his age. And you're right. 5. The reason is because Rook WAS younger when those scenes were written and worked on. I felt it'd be odd if I never addressed the May-December aspect, especially as it hooks into some of Emmrich's worries. 6. By the time that shifted, it was really too late to change without catastrophic repercussions to the excellent cinematics and music and other things that depend on line delivery and timing. 7. To be clear: you can feel how you want about the age gap coming up at all! But that's how the discrepancy came about. 8. "Is there a way to reconcile Emmrich acting like my Rook is way younger than him if they're not?" Great question! I have several suggestions: -Accept it's an error. (True, but unexciting) -Emmrich considers a gap of 3-5 years scandalous. (Funny, albeit a bit cartoonish.) -The Mourn Watch has perfected swapping out organs, and Emmrich is nervously hiding that he's way older than he looks out of vanity. (Untrue, but funny.)" [source thread]

User in reply to point 6. above: "I'm personally glad it was too late to change because their argument about it is genuinely my favorite scene in the entire game! 😭💕 It's such an important moment to me" / Sylvia: "Thanks! That one was one where I was all sweatily trying to balance things out, with tone, with pacing, etc. Really glad it came together for you. (Cine and the actors did heroic things there to get it feeling just so!)" [source]

More snippets:

Emmrich's favorite ice cream flavor? Rum raisin [source]

Lots of people on the dev team shared the vision of having a bunch of gothic weirdness in that pocket of Thedas [source] (Necropolis/Nevarra)

Sylvia "especially liked writing the Mourn Watch origin, it was fun to write a fellow nerd for Emmrich to chat with" [source]

Sylvia poured some personal worries and fears into writing Emmrich [source]

On Vorgoth and their nature: "I'm a little leery of saying anything, partly because I'm cowardly avoiding publicly defining anything more until/if I ever need to. And partly because I did want them to be a fresh unknown. Sorry!" [source] "I'm glad you like Vorgoth, but I'm afraid I don't have much for you that isn't in the game. I deliberately wrote them so as to leave room, if we ever revisited them, or for Vorgoth to remain mysterious, if we did not. I'm sorry if that's not a very satisfying answer!" [source] "I will say, it was fun to throw in a few lines about Vorgoth's art collection. Their passion for it is sincere and deep. (I wanted all the Watchers to have a little non-death related hobby or interest, because they can be so singularly focused.)" [source]

Dwarven Mourn Watcher is a rare origin combo for Rook so Sylvia wanted to call it out [source]

On the outcomes of Emmrich's quest: "I tried really hard to make the options equally viable, and more up to the player's interpretation or preferences of what it would mean for Emmrich in their view. It's been interesting seeing reactions to it, which hinge sometimes on various single lines pushing people one way or another!" [source]

"The Grand Necropolis is always eager and ready for a new member of the Mourn Watch to grace its ranks." [source]

User: "I loved Emmrich's view on death and what his personal quest ultimately went on to say about the nature of death itself, and how the beauty of mortality lies in its impermanence and unpredictability." / Sylvia: "I really wanted to dig into those themes, and everyone in cine and art and level design and editing and the whole team honed in exactly on the vibe. The floral stuff especially, I was so thrilled when I played through the Memorial Gardens' with the art and lighting in." [source]

User: "I experience thanatophobia and that first conversation w/ Emmrich was so affirming and helped me describe my own anxiety to others" / Sylvia: "Thanks, the thanatophobia was, as you may've guessed, a personal experience for me too. I'm glad it was something that helped a little." [source] "I suspect that phobia is way more common than people think, and part of the reason Emmrich talks about it was to express that sentiment out loud. I find it helps sometimes just to acknowledge it." [source]

What languages does Emmrich speak other than Trade? "I think he'd be familiar with Tevene, since there's surely many, many old texts about magic written in that language. Kind of like a doctor that knows latin through their work. I also named that MW alphabet "tomb-script", though I'm not sure if it has a spoken component or not since it never came up in-game. If it does, he'd be able to speak that for sure." [source, two]

User: "Playing as a Mourn Watch Rook has been an absolute delight!!!" / Sylvia: "Thank you so much, I really liked writing those branches of the dialogue. Since Emmrich's so focused on necromancy, it was fun having a Rook who could be both casual and knowledgeable about it." [source]

User: "In your opinion, what outcome do you prefer for a romanced Emmrich (lich/non lich)?" / Sylvia: "Interesting question! To be honest, I'm afraid to answer it properly in case anyone takes my answer to be a canonical one. I really wanted either path to feel equally interesting/correct for whatever you decide fits your Rook's relationship with Emmrich. (We're also in the strange waters of meta-reasoning. I GAVE Emmrich his fear of death-Sorry Emmrich!-which makes me feel a little culpable for that, even though he's entirely fictional. And that might prey on my mind when trying to decide. A very odd experience!)" [source, two]

What music genres would Emmrich be into? "Classical music is very much playing to type for Emmrich, but I feel it's also correct. He'd enjoy a nice concerto or an organ recital. Or, if he's feeling daring, a bold new Orlesian opera! But I don't think his tastes are too outré in that area. That said, I saw someone post something like "Leave Emmrich alone, let him attend the Depeche Mode concert" while listening to Depeche Mode's "Violator", for the first time, which made me laugh. (Great album. If he could get over the shock of synths, Emmrich might enjoy "Waiting for the Night".)" [source, two]

When writing Emmrich the devs wanted to try and hit the gothic romance vibe [source]

Does Emmrich mix his own fragrance/cologne? Does he ever vary it by the season? "I think Emmrich goes to some of the many perfumers that have set up shop in Nevarra City around the Necropolis, just because he trusts their judgement and expertise. I hadn't considered him varying it by season, but that's very fun! I certainly think he has more than one bottle of scent." [source]

User: "How does Lich Emmrich have sex?" / Sylvia: "I don't mind the question! But my answer's a bit boring: I generally stay at arm's length on the more explicit romance stuff, just because if it's not stated or shown in-game, I don't want to bring in a canonical answer that might affect what people imagined. My general preference for romantic scenes that get physical is to leave blank space somewhere, so players can imagine what happens next. It's not the ONLY way to do it, I think there's legitimate artistic reasons to go more explicit. But that's how I approached Emmrich (and before him Josephine.)" [source, two]

User: "The scene with the fade glow where he touches your hand haunts me in the best way" / Sylvia: "Aw thank you. Our animators and audio people made that scene way better than I could've hoped! They took such care with everything there. I want to say that little eye-peep from Rook was added in by one of them, which was the perfect touch." [source]

User on Emmrich: "i’m curious whether you think he’d prefer dogs or cats (or both, or neither)" / Sylvia: "I think he'd consider cats and dogs a little too noisy and messy for his tastes. Not like a nice, quiet plant or skeleton! (Weirdly, I actually had a scrap of banter going over this exact subject at one point. It got tightened down to the exchange with Harding about the pig he used to hug when he was a kid.)" [source, two]

Sylvia was trying to tease Nevarra with the Tevinter Nights story Down Among the Dead Men [source]. "It was really fun to tease the Necropolis, so to speak, in TN, and I'm grateful we got to actually let players through its gates at last." [source]

User: "if Rook chooses to save Manfred and keep Emmrich mortal, what would Emmrich wish to become of his body once he did pass on?" / Sylvia: "Good question. I think he'd want to remain active and useful in death. A guide for other Mourn Watchers, or posted as a mystic guide somewhere dangerous, or perhaps an oracle in the library." [source]

User: "when and how was it decided that Emmrich would be romanceable? I remember reading that he would not be a romance option." / Sylvia: "I'm not sure where that came from, because I pitched him and then shortly after that we decided the entire cast was romanceable. That was fairly early on in the development of Veilguard, as I recall it. (Could've been a crossed wire?)" [source]

Trick Weekes: "Sylvia wrote the fantastic Emmrich "the Vol-carnage" Volkarin and everything that happens in Nevarra while dealing with a lead writer whose attitudes about corpses and undead are... not dissimilar from Taash's." [source] / Sylvia: "I still remember when you gave the very accurate feedback "I think we need to give players whose Rooks aren't into corpses some roleplaying choices to express this" and I was all "Ohhh yeaaaaaah." (Thank u Trick, you were right)" [source] / Trick: "Specifically, being able to express this without locking themselves out of the content! (For non-Sylvia folks) Given my issues with corpses, Emmrich as a whole was SUPER Not For Me, so I gave one caveat and then said, "For the rest of my critique, I will be impersonating his target audience." [source]

Sylvia on the secret origins of Manfred: "After I pitched Emmrich, I started jotting down notes and thoughts on his plots, his quirks, all that kind of stuff. It was very early on Veilguard, anything was still possible. We were chatting in the writer's room about it one day, and I think we'd just seen some early concept art for Emmrich. And our lead writer Trick Weekes joked that Emmrich looked like a man who'd have a skeleton named Manfred. And I laughed and went "Yeah he does!" And then I thought about it. It's wild in retrospect, but that one comment spurred a train of thought that led to the core of Emmrich's arc. He may've ended up a very different character without it! tl;dr: I stole it from Trick." [source, two, three, four]

"I got to play with a pretty free palette when defining the way Emmrich and the necromancers view death and spirits. But I tried to keep it within the confines of existing lore. That's one reason why that scene where Emmrich talks about Manfred to Harding goes into "the eternal question" of whether a soul actually returns with the dead or not. Nevarra has distinct beliefs, but I thought it'd be interesting if its people argue over their interpretations of those beliefs." [source, two]

"the other writers also suggested a bit later on that the big choice dig more into Emmrich's philosophies. Initially, it was more personally focused on his fears, which made it 'relatable' but pettier. Without that correction, I think it would've been weaker, I totally needed the team push." [source]

"I have a few guides to graveyard symbology, and it's so packed with references and meaning." [source]

User: "Did any of your own fears & experiences, make it into the writing of Emmrich? If yes, is it information you’re comfortable sharing with us? If it’s too personal to give any details, that’s fine as well. Also, across the other games, who do you think Emmrich will get along with best?" / Sylvia: "some of his fears are absolutely personal. The reflexive-compulsive panic over death is something I'm very familiar with, and I wanted to explore that through him. Because I suspected it was not uncommon, and worth examining. The question of who he'd get along with from the other games is surprisingly tough! Because without asking the other writers about their characters, I wouldn't know for sure. So I can only really speak to Josephine with surety. That said: -I think Josephine would be polite, and grow to like him, but would never entirely be over the ostentatious necromancy. -I think Emmrich meeting Sera would be the funniest match." [source, two, three]

"Peter Cushing was also one of my go-tos as an example of what I wanted Emmrich to be." [source]

"(Huge shout out to all the animators and level designers making Manfred run, quite literally. Like 95% of his personality lives in his movement, I think they nailed it.)" [source]

On Emmrich: "I tried to put a lot of passion and sincerity in his love for the dead, and I admit the Necropolis was THE big place I wanted to see in Thedas myself ever since reading about it in a codex." [source]

User: "Thank you for letting him have that cemetery dream date!" / Sylvia: "Having the date in the cemetery was one of the first things I wanted when thinking about the romance." [source]

"Josephine was the first time I was entrusted with a new character and a new romance at once, and that'll always be special to me." [source]

User: "How much input did you have in Emmrich's appearance in the podcast?" / Sylvia: "In the podcast, none myself. I believe it was handled by a third party but reviewed by a few people at BW, I don't know too much past that. (We did provide a descriptor and character rules. Stuff like "Emmrich never swears" and "always says amongst" and broader, more thematically useful things.)" [source]

User on Emmrich: "Are you planning any other external-media stories for him?" / Sylvia: "Thanks very much, The Flame Eternal has a special place in my heart for being the first time Emmrich got to be center stage in a story. (And very flattering to hear about the cross stitch. That's so cool!) I can't speak to any external-media plans, I'm afraid. That's not an implied hint about anything existing or not, it's just literally outside what I'm allowed to chat about. It'd be fun to do something like that again though!" [source, two]

"I must give full credit to Nick Borraine, Emmrich's voice actor. He got the compassion and tenderness the character needed right away." [source]

"And glad him being closer to your age resonated, I really wanted someone older out on an adventure. No reason that has to stop at any age IMO." [source]

User: "do the mourn watcher/nevarra in general raise their pets after they die to keep them around? like a dog skeleton with a whisp in it?" / Sylvia: "To be honest I hadn't thought out this one, but it's a very good question. I'm not sure how common that would be, or even if it's permitted to have pets running around the family crypt. (I definitely thing people would WANT to do it.) You know, I think I'm going to have to leave this one in the vague quantum foam of the future. I think I'd want to not only double check existing lore, but answer that in-game (or in a book or etc.) if we ever need to. (Hope that's not too much of a cop out. Sometimes I like to leave questions I'm not sure about alone, because until it's in an official game or story, it doesn't quite count.)" [source, two, three]

User: "as someone who shares emmrich's anxiety about mortality, getting to spend time with him, and in the grand necropolis and with the mourn watch, was genuinely soothing" / Sylvia: "Thank you, I'm glad he was a comfort. It's a familiar fear for me too, and I'd hoped he would connect that way with people very much." [source]

On the giant ribcage 'ceiling' in the Necropolis: "sadly, even I don't know all the mysteries of the Necropolis. (Which is to say it's a very cool bit of art but has no stated origin yet. Could be a large dragon, a giant...or something weirder!)" [source]

On TN story Luck in the Gardens: "It was nice change up, writing in first person and with someone so rascally. I've got an enduring affection for the Lords after writing Hollix, the scamp." [source]

User: "I just love his genuine enthusiasm for everything he does. If the other party members had fan clubs Emmrich would be the president of each and I love that for him" / Sylvia: "Thank you! I really wanted him to embody a kind of expansiveness and generosity of spirit, to stand in contrast to the eeriness of his abilities." [source]

User: "What was your inspiration for Josie?" / Sylvia: "My girl! When I came on to Inquisition, there'd already been work done on setting up the spine of the main plot, and figuring out the overall cast. But one of the advisors was a little murkier. It just said "Diplomat" on the white board. We knew we wanted someone in that position, but not who. So in a game where you were out exploring, killing demons, etc., but also had a big organization to run? I immediately wanted to make a Diplomat firmly there for you. Somebody you could hand the keys to the entire Inquisition to while you were out, and know it'd be in good hands. I also thought it'd be fun to have someone from Antiva, since that area wasn't covered yet by anyone in the cast. And I needed her to be polished, smooth, but heartfelt, because of that aforementioned trust. And that was the core of Josephine! Her voice actor, Allegra, brought her to life with such lovely charm, and hearing those early sessions also helped me further hone her tone." [source, two, three, four]

"Our music supervisor Ron Dazo hit it out of the park with Emmrich's music IMO. And so glad you liked Hezenkoss! Just very fun to write as a character." [source]

User: "Did any specific watcher raise MW Rook?" / Sylvia: "Good question! I kind of left that one alone because I wasn't sure if I wanted to let Rook define that themselves, or leave it open, and also I'd have wanted a full conversation on it. In the end that was a little out of scope so I left it unsaid. Which is to say that it COULD be Vorgoth who helped raise your Rook. And that stands until/unless we give a definitive answer (or let you choose from a range of answers) one day." [source, two]

"It was such a pleasure for all of us to finally get to explore the Necropolis, I am very glad we got to throw open the gates." [source]

User: "I was wondering if there were any Mourn Watch details you wished you had more time to explore? I was so struck by some of the ethical implications in your stories" / Sylvia: "Geeze, now that's a question. I mention it with Emmrich, but there's some resentment over the power the Watchers hold as THE mortalitasi of the Grand Necropolis, between them and the other orders. There's something to that situation I liked. There's also questions of how they select people for the order. What their standards are, how closely they work with benign spirits. And how they cultivate those relationships. How deep does that go? I also mentioned in a codex "the lives and bodies of those who tamper with the undead of the Necropolis are forfeit unto the Mourn Watch." which is pretty chilling. What's that punishment like, exactly? And in general, writing about anything weird or unexplained in the Necropolis brought me much enjoyment, and it would be fun to dig around how the Mourn Watch deals with (or what they want out of) all these mysteries and entities." [source, two, three, four]

"Geeking out with Emmrich about spooky stuff was a delight to write." [source]

"I liked writing someone older this time, it was something different for me and rewarding in some unexpectedly different ways. (And thanks especially for the nice words on DAtDM - I was very excited to introduce people to the Mourn Watch there!)" [source]

"Ah, tomb-script. I named it but it was our concept artists who went developed it with the hexagon shape-language of the Mourn Watch, which I loved. Conceptually: I think it's used purely an occult or sacred language. Something for the graves, or books on magic, but not everyday things." [source]

"Some trans people kindly offered their help with some feedback on some of the romance lines and others, which absolutely made them much better." [source]

"Trick Weekes actually wrote a ton of the banter where Emmrich inquires into qunari artifacts and customs, and Taash talks about what it was like to grow up under a scholar. I really dig the dynamic they unearthed between the two there." [source]

[neil-gaiman]

These are impressive, by author Steve Erickson. A small sample, but please go and read the whole:

WE DO NOT HAVE THE LUXURY OF CONFUSING AN IMPERFECT CHOICE FOR AN UNCLEAR ONE Any dispassionate observer can reasonably conclude Biden should drop out of the campaign. It’s not ageist to suggest that though he’s not too old for the job at the moment, he will be sometime in the next four years, and from a political standpoint his age now so permeates the collective perception of him that nobody can see him straight; his poll numbers are almost perversely at odds with everything about his job performance. But presently every indication is that Biden is going to be the Democratic nominee, and sometime soon it will be time for the rest of us to just shut up about it. Whatever one thinks of his age or Israel policy or Afghanistan withdrawal or anything else, he’s still the only one of the two prospective nominees who will defend your right to call him unfit for the job. Now and then a choice can be at once profoundly imperfect and manifestly clear anyway. WE DO NOT HAVE THE LUXURY OF DEUS EX MACHINA While wishing Trump to be accountable before the law, we must accept that any trial or decision by a higher court is unlikely to spare the country what it karmically doesn’t deserve to be spared: a national political referendum on who we are as a people. Otherwise Trump will evermore in the eyes of history — not to mention his supporters, who will find a way to believe it in any case — be martyr to a systemic technicality. Trump needs to be rejected electorally by every single patriot who can drag her- or himself to the polls to do so. Which brings us to the final resolution....

[vaguelyhauntedcornfield]

Thinking angrily about how all it takes it one person showing kindness and understanding to someone viewed as an “outsider” in a group setting to make the rest of the group reconsider and feel bad about isolating or being mean. Why do some people find human decency so hard? Why are you, as an adult, forming cliques and designating social outcasts?

[michaela-o]

Random things i think Cybertronians would find adorable about humans~♡ Pt. 2

1. Us getting scared by small things

Humans jumping or screaming at a bug, sudden noise, or a scare prank would probably seem hilarious to the bots, who would be 100% amused by how easily humans can be startled. I bet MANY bots would take advantage of this when there would be a lil human on the lost light. Bots like Whirl, Trailbreaker sometimes Swerve that would like to scare the human despite them telling him not to.

Ya all know the vine video? With guy that goes: "Aaah stoop im gonna drop my criossant."

Yes that XDD

2. Us getting lost even with maps or GPS

I personally have terrible sense of direction and orientation (*p_q*) And some bots catching humans struggle with directions, even with GPS, would be both puzzling and funny to them. They always wonder how humans get lost so easily. But come on give the lialison a break the lost light is fucken HUGE.

3. Getting “hangry”

I mostly get tired when i'm hungry but when im also irritated i become hangry. I think bots would find humans getting irritable when they’re hungry both funny and perplexing to them who might see it as an amusing “malfunction” due to our a basic need.

4. Human body “glitches”

Hiccups, sneezes or random muscle twitches and similar reflexes would be entertaining to the bots, who’d find these involuntary responses both weird and amusingly unpredictable especially when we tell them that we can't control them. Get ready to be friendly bullied for this by some of the bots.

Human sitting over on Swerve's bar counter: *sneezes*

Whirl: What the frag was that sound? A sparkling's war cry?

Human: ( ｡ớ︿ờ)

5. Collecting random souvenirs

Humans collecting small souvenirs, like seashells, keychains, or mugs from places they visit, would be amusing to Cybertronians, who might see it as an odd way of marking memories. Since from what i was reading in comics i didn't see any bots do this and i think they would find this pretty adorable. Almost like we materialize memories.

We are all like crows :3

6. Huddling for warmth

When humans instinctively huddle together or bundle up in thick layers when we're cold. Bots would simply find it cute amd definitively have to fight the yrge to just- squish-

Our need to find warmth and the cozy solutions we come up with would seem quaint and endearing (*´˘`*)

7. Gathering in groups for safety

The way we instinctively form groups, especially in unfamiliar or intimidating and scary situations would be both cute and a bit amusing to bots who might see it as humans’ way of finding strength in numbers despite their physical smallness. But we find great comfort in it ( *^艸^*)

8. Soothing or hugging each other in stress

When we instinctively comfort each other with hugs or reassuring words would be adorably puzzling to the bots, who’d find it endearing that humans can find peace in such small, gentle gestures. I bet a bot that is visibly sad would be pretty surprised when the human lialison comes up to them and just hug their servo and ask if they want to talk about it. It personally makes me happy when i can comfort and help someone in need ( ｡ớ ᴗờ)

9. Making eye contact to connect

Humans instinctively make eye contact to establish trust or share feelings, which many bots would find very intimate, sincere and honest because it shows how deep the personal nature of human connection can go ( ⁎ᵕᴗᵕ⁎ )

(bots getting lost in human's eyes is one of my guilty pleasures)

10. Fighting for what’s important

We humans naturally stand up for our values, friends, and families, often driven by an instinct to protect or defend what we love. I think bots would find this fierce loyalty and bravery adorably noble for such a small species such as us. I even think that many would take us for an example in this (｡>ㅅ<｡)

11. Helping others instinctively

Cybertronians would likely find this endearing that humans instinctively help each other out—whether holding open a door, picking up dropped items, or offering support without being asked. This is the very nature that makes us human (*´▽`*)

12. Blushing when embarrassed or flustered

The way our cheeks turn pink or red when we're shy, embarrassed, or flustered would be extremely cute to the bots, who’d see it as a “giveaway” that adds to our vulnerability and the fact that we just can't hide our emotions makes us very emotionaly transparent is just straight up adorable.

13. The way the human brain is so simple

I personaly am very simple human being and i find many stupid and simple things funny and laugh at them. I think because of this many bots would find us very innocent and adorable

(｡>▽<｡)

AAAAARRRGH there's so many other things i wanna write but i decided to make part two of this bc i enjoy writing this stuff. Dis a good soup :33

(i might add a small masterlist to my pinned post :3)

[tan1shere]

Heyyyyyyy could YOU please PLEASE do one where Billie tells the reader how to touch herself, while Billie is on tour?!!?

Call Me

Billie Eilish x female reader !

A/n: coming righttttt up, hope you like it 😊

Warnings: smut, phone sex ?? Masterbating - think thats it !

Masterlist

It was lonely here all alone. Finding little jobs and activities to do to fill in time. Whenever you weren't working, yourself. Your girlfriend, Billie was currently on her HMHAS tour. And you haven't seen her in days. Truth be told you missed her like crazy. Her presence. Her voice. Her touch..

Which led to the next feeling you missed. Ovulation was no joke. And you were currently facing the feral-ness of it. Even more so that she isn't here. You had been frustrated all day. And you only now realize why. You needed to touch yourself, you had to relieve this pent up tension. So as the night comes along you get into your warm, comfortable bed. Checking the time. Billie usually calls around this time.

You figure shes sleeping, she had been extra tired lately. You go to slide your hand down into your shorts, about to touch yourself. When you do, but stopping. Things aren't the same. You wanted her touch. You try to continue but nothing was feeling good right now. That caused more frustration to bubble inside you. Deciding to just sleep it away. And hope tomorrow was normal.

Next day rolls around and you still have the same feeling. Frustration and horniness. Not a great combination, the day felt longer because of it. It was a bit earlier when you got home, but thankfully Billie didn't have a show today. So she was hopefully going to answer when you call. You couldn't take it anymore you needed her help. And you needed it desperately.

You go to lay on the bed, grabbing your phone and dialing her number. She answers in seconds, causing you to grow nervous. In all the years of being with her, phone sex was the one thing you've yet to do. So ofcourse you were nervous. Would she even help you, would this be odd? "Hi baby." You hear her say, cheerfully. You smile to yourself. "Hello!" You try your hardest to not jump into things, going to try give her some hints.

"How was your day?" She then asks. You sigh, ever so lightly. "A little frustrating, good to be home though. How about yours?" - "Mine was pretty boring I've just been preparing for tomorrow's show and chilling. Why was yours frustrating my love?" You think for a moment. "Just some work and other little things, some of which I just can't fix by myself.." - "I'm sorry, anything I can do to help at all?" Yes. Phone fuck me. Was all you wanted to say but you had to play things cool. Even if your body was heating up at the thought of this happening.

"Not that I can think of, just wanted to hear your voice I missed you." She smiles to herself. "I miss you too babe." There was a small pause, you were contemplating on how you'd do this. When a small idea pops into your head. You missed her voice so much, and it sounds like you had just woke her up from a nap. Her voice was slightly raspy, a bit of her tiredness peeking through.

"Did anything else happen today?" You then ask, getting comfortable on the bed. Moving your hands just above the waistband of your underwear. You had decided to get straight into your sleepwear, just a loose night gown. Wanting to feel good as all you've been wearing lately are big t-shirts to bed. You wanted to feel hot, make this moment more sensual. "Not too much if im honest, just got my outfit for tomorrow, did some other things. Just boring stuff really." You hum in reply, moving your hand in your underwear as she speaks.

Was this wrong? It felt a little like that. Your face heats up what're you even doing. But you get pulled from your thoughts when you hear your name. "Hello? Y/n, baby. You still there?" The name made you bite your lip. "Y-yeah sorry." She chuckles. "You didn't answer my question love." "Oh, oops. What was it?" She smiles to herself again, finding you cute. Except what you were doing was far from cute and downright filthy. "I asked you how shark had been, he's behaving right?" Your hand moves lower, trying to stay focused on the conversation and her voice. "Y-yeah he's been good." You let out a quiet sigh but she hears it. "Everything ok?"

You get nervous again, how were you even going to manage this. "I'm fine.." You needed her to keep talking, and thankfully she does. "Ok, Im sure if it's anything youre just tired. I was going to talk to you about when I get back, we have a dinner with Finn on the Friday. Just thought I'd remind you incase you forgot." Your finger had been in you, slowly moving the whole time she was talking. And when you don't reply she gets more confused. "Baby, what're you doing you seem distracted." You holt your movements, trying to think of an excuse but why? You wanted to call her and ask.

Ask her to talk to you, help you. So why were you so damn nervous. "Talk to me baby." God sake her voice was so hot even when she wasn't intentionally trying. You bite your lip again trying to stop any noise that was about to escape. Mustering up some sort of strength to reply. "I'm f-fine." Was all you managed to respond with. Billie sits there in thought, when she hears another sigh. Was she catching on? She needed to be sure. "I miss you, so. So much." She was playing with fire. You don't respond again, having your eyes shut as you try to give yourself pleasure.

When it's not working you let out another sigh followed by a tiny whine. She hears that loud and clear, smirking to herself. She knew good and well what you were doing. "Can't wait to see you in a few days, get to kiss you. Hold you. Touch.. you." She chose her words evily. But she didn't stop there. A breath was to be heard. Followed by a frustrated sigh. "Let me help, baby. You sound annoyed." Another small whine left you, at the fact she was right and just overall the way she was speaking to you.

Your brows knit together, giving in and letting her. She knows now, there's no point in staying silent. "It's no good, I miss you. Your hands." She coos. "I know baby, I know. I'm just so good at touching my girl huh?" Your head rests back. "So good." You breath into the speaker. "Your fingers still inside?" You reply with a hum. "Move em." So you do just that, slowly at first. "Move your thumb, touch your clit for me." You do that, touching it then moving your thumb in a circle motion.

Everything was so still and quiet she could hear your wetness and God it was driving her nuts, she wanted to be there. To see it, to feel it. "That's it." She says encouragingly, hearing your noises as you speed up on both tactics. She could just imagine it, you touching yourself just to her speaking. "Was baby doing this the whole time I was talking?" She then says. Your cheeks grow red with heat. "I- uhm." She lets out an evil chuckle, sending tingles straight to your pussy. It was such a hot chuckle. But then again, anything she did right now was 10x hotter. "You're such a filthy girl huh?" You bite your lip yet again.

Feeling more pleasure than you had been. "Please keep talking please." You begged. Voice so needy. "Plunge deeper for me, know you can. Imagine my fingers. How deep they go. Imagine your thumb is my tongue as I swirl it around your throbbing clit." Your back arches at the thought, you needed it more than anything. "Need you so bad." A louder moan was to be heard. The fact this woman is just talking to you and you almost coat the sheets in your nectar. She felt all the power in this moment. "Go faster for me - that's a good girl." She finishes as she hears the squelching increase. Your breaths and moans mingle into one as you get closer.

"Mmm, fuck I'm so so close. Please." She laughs yet again. "So cute, still asking to cum even when I'm miles away. So incredibly good, aren't you?" Your head lulls back into the pillows again, feeling the knot almost snap. "Fuck, Billie." - "Faster baby, rub your clit. Wanna hear you squirt." Just those words alone send both of those sensations out of you, having you leak and squirt all at once. Your breath being uneven as your eyes roll back. "Good, girl. That's what I like to hear."

[thebibliosphere]

I both believe "poor people deserve art" and "artists deserve food", but it's hard to reconcile those beliefs. I blame capitalism. And I suppose it mostly matters who you're stealing from?

I don't mean to question you at all, I'm against people pirating your stories. I guess I was just wondering if you had more thoughts regarding the reconciliation the two beliefs I quoted above.

I think the reconciliation is working toward a future where things are better, and authors and artists don't have to beg people not to steal from them because they think every author is Stephen King, who wouldn't notice if you stole the pennies found under his couch when in reality most of us are hunting for spare change down the back of the couch because we are earning below minimum wage.

We need people to embrace the idea that art belongs to the working class, both in terms of consumption but also creation.

If you don't support the working-class creators, you'll only end up with rich fucks with no scope of the world beyond their own narrow view of privilege.

Indie creators are actually working very hard to change the way the industry works, and the publishing industry is shitting itself over it. They don't like the success some of us are having. It's why they keep upping prices while slashing corners on their own production (while never affecting the man at the top) to try and stay competitive within the rat race they've created.

They're not interested in the proliferation of art. They're not interested in making sure their authors can afford to live. They don't want more diversity. They don't want inclusion. They want profit at whatever the cost.

And while indie creators very much need to get paid because we live in a capitalistic society and everything is burning down around us, and a carton of eggs now costs more than what I earn per hour, our creativity is directly at odds with the type of profiteering big publishers want.

The money should go to the writers. Not the CEOs. The money should go to the workers in the print houses. Not the CEOs. No one needs the kind of wealth these people have. It's obscene. We need direct action against these conglomerates. We need unionization. We need a means to fight back so that we can make art and make it accessible.

So, how do we do that? I don't know. I'm just a very tired, disabled creator doing my best to keep my head above water. But I think getting people to realize that art and books are worth saving up for would be a good start.

That putting money in the pockets of creators is just as important as your own enjoyment of their art. Because if there aren't any artists, you've got nothing.

Getting them involved with their local libraries would also be a great start. Educating them on how the industry works is part of that. The number of people telling me they had no idea libraries paid authors is staggering. And that's intentional. It's a by-product of right-wing propaganda to make you think libraries are worthless and just sap taxpayers' money.

They're not.

If they were, the fash wouldn't be trying so hard to take them away.

Basically, we need working-class solidarity and for certain people on the left to rid themselves of the idea that just because something isn't borne of manual labor, it doesn't have worth. We need the artists and the dreamers as much as we need to bricklayers and the craftsmen. Otherwise, what's the fucking point of it all?