#obviously lots of context but super funny

[lilgynt]

anyway yesterday i had this huge break down like sobbing screaming throwing my self on the floor the whole 9 yards and it sounds like outtakes from the midsummer scene and any guess what started it. my dad asked me to buy rotisserie chicken

[storm-of-feathers]

i was like 5 hours away from finishing the beverly hillbillies video and now its gone forever ;-;

[sourcetalkrambles]

Consuming a newer piece of canon source material that you don't relate to at ALL is so funny like. just that visceral reaction of That Is Not Correct

[txttletale]

hey what DO you watch on youtube? seems like you'd have some neat recommendations :3

i really loathe the like super-highly edited sound effect post-mrbeast slop most of youtube is now so i mostly like stuff that's like... calm and sedate. stuff i've been watching lately in no particular order:

northernlion vods and clips. he's an OG. i especially like his react court series, i must have watched all of them like five times.

speaking of OGs i've been watching zero puncutation (now fully ramblomatic) for like ten years and if anything it's only gotten better. best game review content on the internet. been really enjoying his more recent, slightly longer and more thoughtful 'extra punctuation/semi-ramblomatic' series too.

any austin's skyrim unemployment rate videos. instant classics to me, it's just a guy going around in skyrim trying to figure out the unemployment rate in every town. it's a very dry kind of humour, he plays it admirably straight, and it's weirdly calming.

kitten arcader's foot the bill videos. in a kind of similar vein, he watches the saw movies and then produces an itemized bill for everything jigsaw needed to buy to make his traps. it's kind of like... if cinemasins was fundamentally curious instead of fundamentally incurious, it scratches a similar sort of nitpicky detail-oriented quantifying itch but without inimical to the concept of art.

shuffle up and play. it's a magic the gathering play series that has enough editing that the gamestate is actually legible but not enough editing (or at least, not enough obtrusive in-your-face editing) that its annoying. i also like that they reguilarly play non-edh formats like cube and pauper.

spice8rack. i'm pretty picky about video essays but spice8rack has very obviously actually read books and has interesting things to say about the topics it discusses (mostly magic: the gathering). sometimes it has a kind of grating Theater Kid Energy but the fact that it actually meaningfully structures essays and analysis to earn the silly long runtimes is a rare delight from a video essayist.

jenny nicholson is a long-time favourite and another permanent fixture in my rotation. she's just extremely, remarkably funny which makes her the only 'basically just summarizing a thing' youtuber i think is worth the time of day.

i watch some sketch comedy, mainly wizards with guns and aunty donna, who both consistently put out really funny stuff that's kind of ITYSL-adjacent in its barefaced absurdism and contenmpt for concepts like "stopping a joke at the logical punchline". i also really like alasdair beckett-king and binging the old clickhole backlog for short-form comedy on youtube.

wolfeyvgc is right on the edge of the level of editing i find tolerable but as a long-time fan of multiple esports he Has It, he's absolutelyt fantastic at t elling the narrative of a tournament, explaining plays clearly, and generally making competitive pokemon esports thrilling and interesting ti someone (me) who#s never played it and doesn't care about pkoemon that much

i religously watch every elliespectacular/dathings YTP, the absolute best in the game right now, top tier snetence mixing and really good at actually setting up and paying off jokes in a way it feels like a lot of ytp doesn't. verytallbart is also pretty good.

trapperdapper is a channel i recently binged, it's a really fucking funny parody of minecraft challenge content that veers slowly from obvious angles of parody into pure absurdism with tons of blink-and-you'll miss it subtle visual gags.

too much future is a great youtube series where the two guys from just king things/homestuck made this world play through every fallout game and analyze them in that context. extremely funny and also just top-tier very sharp analysis. really good

another one of the rare good video essayists is jan misali. they're really funny and will go into topics that kind of seem narrow or strange to begin with in such depth and make them so interesting that it's consistently astonishing.

oh and finally sarah z makes pretty good videos. 'the narcissist scare' is an absolutely brilliant deconstruction of one of the most annoying pop-psych phenomena of the last couple years. and remarkably well script supervised i think did anyone else watch it and think 'wow the script supervisor on this must have been, a mind geniuse'

ok i think that's all i've been watching lately. hope you like whcihever of these recs you check out :)

[psychotrenny]

It's funny to me how Armoured Core 6 spawned like an entire sub-section of Mecha fiction that isn't even based around the game's actual overall content but rather an exaggerated form of some very specific dynamics and ideas that crop up. And like the extent to which this sub-section "really" exists is kinda debatable, being something you only see in like short-form erotic fiction posted on Social Media and Fan-Fiction websites. But it's "real" enough to spawn a whole backlash to it which is also funny because of the stubborn refusal to recognise this fiction as like its own thing

And I'm not saying that this whole sub-section is "good" or that you have to respect it or that it's a thoughtful and compelling reflection of broader Mecha fiction. It's certainly reasonable to dislike this style of Mecha fiction. But you have to at least realise that this sort of thing is it's own style and stop criticising it as just a failed attempt of something more mainstream. Like I'll often see indignant cries of "Do these people even watch Robot shows? How can they call themselves Mecha fans?" and like yeah I'm sure a lot of people who enjoy this form of Erotic Mecha fiction only engage in that specific form of Mecha; which may make them fans of something you don't like but it's stupid to call them "fake fans". And there's also people who do very much engage with and enjoy other works of Mecha fiction but are obviously going to take a very different tone when talking about such erotic Mecha fiction in contrast to Gundam or something. They are very different takes on the same broad idea; interest in one doesn't automatically include interest in the other but that doesn't make them mutually exclusive either

I think an obvious illustrations of this is the whole "Imagine if a Mech Pilot was just a normal guy" post that was going around. To fans of the broader Mecha genre, both Super and Real robot, this comes off as a pretty inane thing to say. It's a common enough idea even among the most well known and successful properties; hardly something you have to "imagine" because most genre fans would have outright seen it. Not to mention the fact that most "proper" mech pilots are just ordinary human soldiers who have been trained for a special job. Like it's not a novel idea in the slightest. But within the specific context of (loosely) Armoured Core 6 inspired erotic Mecha fiction it takes on a whole new meaning. In such fiction your average pilot is some sort of lobotomised cyborg puppygirl, with the simultaneous transhuman and subhuman status of the pilot being a consistently major thematic aspect of the sub-genre. In that context, it would be pretty weird and fucked up for an ordinary guy to be caught in the middle of all that

Which isn't something you need to find interesting or compelling as a Mecha fan. It's perfectly understandable to reject this sub-genre and its ideas as stupid or obnoxious or whatever. But that rejection has to be a conscious act, not a reflexive outburst about how it's different from your preferred form of Mecha fiction. If you're going to criticise this sub-genre of Mecha then the criticisms need to be on its own terms; around what it's actually trying to achieve. You're missing the point entirely if you main criticism of horny mech posts is their failure to understand the themes of Mobile Suit Gundam.

[pseudophan]

whenever i see outsiders say “i thought you guys were just freaks but wow they really are like that” i’m like no please don’t get us wrong we ARE freaks. we just happen to be right a lot because they are freaks as well. it’s a mutual thing

i do think it often gets lost on people that us being freaks isn't like a thing that came out of nowhere, at its core this is all very much dan and phil's own fault. that's not to say we don't cross the line sometimes, especially in the past, but a lot of outsiders seem to think dnp have just always been making this super normal casual content and their fans are weird for no reason like NO those two are INSANE

even the hat fic, the best known instance of debauchery from the phandom to both phannies and the general online public, is just a product of the internet culture and humour at the time that dan very much participated in. someone didn't just randomly write that shit, dan was often talking about shock content and the fucking milk fic being like Ha Ha Isn't This So Funny Lol. i think a lot of that context gets lost over time, cause obviously now the existence of the hat fic is unfathomable bc it's just not a big thing anymore but at the time, while it was still an outrageous thing to read, it wasn't overwhelmingly surprising that someone wrote it lmao

and then now it's just...... dan and phil roleplay live on a charity stream and we sigh and pull up ao3 like alright, fine, whatever you want dan and phil

[cina-full-moon-xanadium]

What's wrong with shout's sentai subs?

So even putting aside how they straight up stole both the subs used for Dekaranger and the subs used for Ohranger, Shout's official Sentai subs are simply very subpar and very stiff.

Personally speaking, Shout almost had me dropping Carranger before I switched to the fansubs halfway through and immediately started having a much better time. This is because Shout's subs are not technically wrong, but are far too direct; failing to take into account character and accents and tone in a way that's really bad for a show as comedic as Carranger -- and honestly, Sentai as a whole.

For example:-

The fansubs (from Harorangers) are on the left, while the official subs are on the right. What stands out here is how the fansubs give a voice to the particular characters -- Blue Racer is the smart guy of the team and so the show has him speak with longer words and more 'intelligent' phrasing most of the time, which is funny in the context of quipping back in a heated battle. Green Racer is a country boy whose accent sometimes slips through when he's heated up enough, as a funny contrast to how he's otherwise (attempting to be) a smooth-talking salesman. Both of these character traits are rendered invisible in Shout's official translations of their lines, instead going for much more generic statements that could have been said by any character.

Dapp's catchphrase - he apends his own name 'dapp' to a lot of adjectives and verbs - is entirely missing, as is the tone he's going for. Even the grammar seems to be off in this example.

This also showcases another aspect of fansubs vs official -- Harorangers translated the enemy gang, 'Bowzock'; as 'Bykergang', while the official subs leave it as is. Of course as many Warring Driver-wearing Ornacs would have you know, it's best to just leave names untranslated most of the time; but in this case the point of the name Bowzock is the humour in taking the name for a biker gang and turning it into a villain organization name, which the fansubs get across perfectly.

Signalman's voice is much more distinct here; as an uptight officer it is fitting he'd say he wants to "stamp out" a criminal organization that just the generic term 'destroy' doesn't get across.

No comment.

These examples are all from the exact same episode, and the reason I have them all is that this is the episode I switched over to the fansubs on; and the difference was immediate and I was having a far far better time! Harorangers' subs simply do a great job at conveying the humour of the show overall where the official subs completely fail.

Obviously this is a more extreme example, as Carranger is a self-parody and a much more heightened comedy than even other Super Sentai shows -- any flaws I've highlighted here are much more damning when it comes to something you're supposed to find funny.

So for another example...

Now this one isn't bad per se to be clear (and they do say the whole team name in Shout's subs i just left out their saying it for mirroring), but the Hurricanegers' roll call is meant to be a stage play. It's meant to use heightened, striking phrases and the 'Asanjou!' at the end is in context of them being on stage! So the fansubs (from SS this time) yet again get across the meaning far better.

If you're flicking through these images btw, you'll also start to see that whatever masters Shout used are lower quality; and for some reason their subtitled are rendered weirdly pixel-y? So there's a few visual issues too.

If Shout is your only way to watch these I can't tell you no -- partly because it is an accessibility thing! Shout means that all of Fiveman through Dekaranger are just fully available to watch on streaming on Tubi and Tokushoutsu and Poob and whatever at the flick of a button instantly, and their versions are also the only ones you can buy and own a physical DVD of. But their translations are very lacking compared to the fansubs and sometimes even stolen to the degree that I beg if you have the option, just torrent the fansubs; those versions will give you a much better viewing experience. ... you'll also need to anyway if you're interested in any movies and specials, as Shout only subs the episodes.

I feel this is likely just a result of how fast they have to pump these out -- if you didn't know their Sentai shows released about 2-3 months apart while they were still doing them, and that's a fucking insane schedule for 50-episode shows that it's not hard to imagine their quality would be hit. When Discotek said they were doing Toku they acknowledged it would take a long time to get us so many of the shows they'd licensed because these are very long shows and hence it takes time to do subs for them, which is reasonable to expect!

I imagine this is also why subs for Kuuga and Ryuki and such turned out so much better, due to the infamously long amount of time it takes Shout to do a new Kamen Rider show. This also makes me wonder if Zyuranger (the first Sentai they did) and Fiveman (the first Sentai they did after a long hiatus) might be better than what I've shown here, I'll have to check sometime. I just wish a company like Discotek would be given the Sentai license or that at least if Shout does carry on with Magiranger and Turboranger and what have you, they get given much much more time to work on them; because these shows deserve so much better than this.

[ur4niumgl4ss]

Okay now that its not 10 pm for me after a long trip! I've got a few notes on the new magnus protocol ep (29) as a czech person because there are some tidbits in the context that may be good to mention :3c

Spoilers for TMAGP ep 29 below the cut!

First of all, I am super excited abt the rep no matter what. I think the base is actualy pretty solid and i love that they used the locks as a part of it because man thats such a fun aspect of Prague culture to turn into horror.

1. Idk if Andrej was intended to be, but his descriptors + where he appeared STRONGLY remind me of a Vodník, a slavic folk creature usualy taking the form of a man with a pipe in messed up patchy clothes. They are known to manipulate water, drown their victims and then keep their souls inside cups in their underwater lairs. They can also shapeshift into catfish or carps! This overall lines up Strongly with, yknow, the ep where a guy got brutally drowned in Prague.

2. Prague is known for its Alchemy! Which is a strong theme in TMAGP. Rudolph II Habsburg also used to reside here. One of his main alchymists was none other than Edward Kelley (sound familiar? Wink wonk)

3. The Sex Museum is a real place. There is also a waffle shop in Prague that sells waffles shaped like genitalia. Just a funny side note.

4. While I appreciate the attempt from the team to include czech language in the episode. Please please know czech has a completely different structure to english and a lot of the pronounciation was butchered. Mainly the key (lmao) phrase "Odemknout své srdce" is pronounced differently. Also it translates more as "to unlock your heart", the correct phrasing should be "Odemkni své srdce" aka "unlock your heart".

5. "Zamčené muzeum" also doesn’t translate as "The lock museum" but "the locked museum" which could either be a really cool spooky detail that the place isn't meant to be accessed since the statement giver is obviously a person that doesn’t speak czech on a native level or a slip up, "the lock muzeum" would translate as "muzeum zámků"

Either way??? This ep went hard, i am so excited for next week. Its on the train yall.

[couldnt-think-of-a-funny-name]

I love jack so so much he's perfect but tbh I do think it would've worked much more with the show if he was a destiel baby instead of lucifer's. and I'm not just saying that as a shipper or whatever I mean narratively it would've been a lot cleaner- and actually, I think it would've been super funny to no-homo them creating a baby together, like, literally all they would have to do is say "oh, when cas rebuilt dean after hell he accidentally left some grace tangled in his soul, and every time he's healed him since then it's been growing stronger until a nephilim was born". like yes the studio is homophibic etc etc but all the jokes they'd make about dean being spiritually pregnant would be very funny for me personally.

but ANYWAY, jack's story gets messy and convoluted and I think this would've been like...a simple fix. them worrying about him going dark side could be because they're worried how demon!dean and lucifer!cas affected him in development, the show LOVES bloodline drama, chuck's wanting abraham and issac 2.0 would've worked better this way, dean's storyline with him would be improved, bc rather than 'oh no I slowly but surely emotionally adopted the antichrist' like I think he would've had an easier time clocking his john-behavoir if it wasn't a question whether he was jack's dad or not. plus last time dean actively raised a kid he went to great lengths to keep the supernatural away from him, so it'd be interesting to see how he handles a kid he CANT possibly hide from this part of his life. it would make more sense why michael wanted jack as a vessel- yes obviously he wanted the nephilim power boost but also having him as part of the winchester bloodline, making him a PERFECT vessel he doesn't have to worry about burning up would add a lot. we could also use this argument for why lucifer is so interested in him if anyone actually liked that plotline in season 14 lmao. we know chuck hated cas and dean's relationship, could you imagine if he checked in and found out they made an unauthorized baby together💀 like that really would've given better context for why he hates jack so much. cas wouldn't need that whole weird brainwashing arc to wanna protect unborn jack, PLUS it could've been an interesting source of angst for him- he feels like he's failed once again, creating an abomination and putting dean in danger, but also still loves jack immensely. it'd be so good! also imagine how fucking stressed out heaven would be to find out a mini castiel is on the way. they wouldn't even wanna exploit that kid for power they'd be preemptively treating the headaches they know they're gonna get lmfao.

also. the casting directors literally put jensen and misha into a face morph app and cast the first actor they could find that matched the results. which would've made more sense if,,,,he was just Theirs. the comedy of dean and cas making a baby before either of them managed to admit their feelings to each other would be more fun then the "dude adopted a kid and pawns him off on his unwilling roommate's all the time and they eventually warm up to the kid" storyline we actually got. we also could've replaced some of the jack-dean angst from the show with "dean wants to connect more with jack but he feels shut out whenever cas is around bc he can't relate to any angel stuff so obviously jack's going to cas for help more!", which I think would be interesting!! how AWFUL dean and cas would feel that jack didn't feel safe enough to be a baby. dad!sam is still in full swing but he cares for jack right off the bat instead of trying to use him for his powers at first. lily sunder talking about how cas killed her kid bc he thought it was a nephilim and dean, who's already fully aware he's (spiritually) knocked up by cas is like 👹 inch resting cas-tee-elle tell me more. mary having a 'my baby has a baby' crisis. cas insisting jack looks nothing like him is a running joke but then at some point he explains its bc jack's 'true form' looks just like dean's soul....

ALSO- in a show where, canonically, the very first act of free will was cas falling in love with dean...the physical manifestation of that defeating chuck and taking his place as god? come ON.

[goldenhourwriter]

•✮🕷️𝐧𝐞𝐰 𝐤𝐢𝐝🕷️✮•

part one (you are here) • part two •

⋆pairing: miguel o’hara x wife!reader

⋆warning(s): i guess just fighting and some cursing. and threatening to bite someone lol. also i got translations from spanish dict, if i did something wrong, please correct me. i tried to use the right definitions/context to use those definitions in! also pregnancy.

⋆a/n: this was so fun to write! requests are open, and i am new to this blog, so hang on while i get this all figured out. requests are open, and this will be a mini series i am continuing!!

It’s not usually this quiet at the Spider Society.

It’s nice.

I walk around, humming softly to myself as I munch on a banana, a craving I usually get. I let my hand rest on my slightly swollen belly, my suit especially made to let it stretch and give the baby some room.

Yeah, ever heard of a pregnant Spider-Woman?

It happened a couple of months ago, as married couples tend to let happen. It’s twins, actually. One boy and one girl, but, my husband doesn’t know yet. Doesn’t want to know. I called the doctor anyways, and even though he threw a hissy fit that could rival a toddler, he relented and said it was fine.

And, it was kind of nice being alone. A lot of the spider-people tend to do things for me, think I’m incapable of doing things now because I’m pregnant. Even the ridiculous Spider-Man T-Rex gave me a ride through the halls. I snort at the thought, gaining some weird looks.

Obviously, I didn’t refuse. Who would pass up a ride on a freaking dinosaur?

My few 30 minutes of bliss, however, was interrupted by the beeping on my watch. I tap on it and smile when I see Lyla. She gives a wave.

“Hey, big wifey,” she teases, pushing up her pink, heart-shaped glasses. I roll my eyes. Everyone knows I hate that name. It doesn’t make me feel fat, it just makes me very aware of the two babies living inside of me, and how very uncomfortable life can really get.

“Hey, algorithm girl, what’s up?” I shoot back with sarcasm. I am met with satisfaction as she gives me a dead-pan look.

“Haha, very funny, love that,” she says sarcastically. “Your husband is struggling with an anomaly. Earth-65, some kind of Renaissance bird-man.”

I giggle at the thought. I can imagine his annoyance. “Gotcha, and did he actually call for back up?” I ask, but i already know the answer. I take another bite of my banana, shifting my weight onto my right leg. I can never stand still for too long, luckily, being a super hero can keep me moving. Keeps the babies satisfied.

She snorts at me, like i was making some hilarious, un-heard of joke. I relent, sighing and preparing my bracelet to go to the universe she said he was in.

“Alright, alright. How long do you think until he actually asks?”

“I’d give you about two minutes. He’s getting really thrown around with this one. And there’s another spider person, trying to ask him too many questions.”

My eyes perk back up to the hologram when she mentions this. “I haven’t heard of a recruit from Earth-65, is she new?” I ponder out loud. I cock my head to the side, adjusting my mask. Well, half mask. It really only covers my eyes. Lyla nods. “Yup, she’s a new one. She’s a nice kid, too.”

I smile.

“I’ll be there in a minute.”

Lyla logs off and I sigh, patting my baby bump. “Alright, you guys,” I whisper to my belly. I stick out my hand and the portal opens, and I jump in. I shout with joy, flying through the portal, and as I practically fall to the other end, my hair whips around.

I fall on the other end, and I groan as my hair blocks my vision. I hear grunting, crushing, wings flapping, and snappy remarks being thrown about, but I can’t see anything. I flip my hair over my head, shaking it out.

“I need a hair tie on these things,” I mumble to myself.

I look over, and I see a feminine-looking spider-hero staring at me. I give her a small wave. Her eyes are wide, I can tell. I examine her suit, which seems like it holds up pretty well. It has hood, which is new to me, and she’s wearing…are those ballet flats? I smile

“Hey, babes! You look cute!” I compliment to the get up.

She waves back again, and she looks down at my stomach. “Are you….?” She trails off. I look down, and put a hand on my hip. “Yep, I am. It’s twins, but don’t tell my husband the sexes yet. He wants to wait.” She nods, but seems to remember that she doesn’t know just who my husband is. She takes a step towards me.

“Who are you married to? Are there even more people like us?” I nod.

“My husband’s right….” I don’t even flinch as he gets thrown into the wall right in front of me, and I smile. “There.”

He groans as he slips to get up, his mask eyes squinting at me. I squint my eyes right back.

“Don’t give me that look. I’m carrying your children,” I scold. He gestured to the giant creature that hurls towards us. “I need help here!” He shouts at me. Lyla puts up on my shoulder, and we both cross our arms. He sighs, looking down.

“Please, Y/N? Sabes que no me gusta mendigar,(You know I don’t enjoy begging),“ He pleads quietly.

Vulture screeches at us. “Love truly makes me sick,” he narrates out loud, and he reaches his talons out for me. I stuck out my wrists and web up one wing, so he goes sideways, just barely missing me. He breaks free, but I web up behind him again.

“Your attitude makes me sick!” I shout at him. “You seem like the Beethoven of your area, jerky, cold, and not the greatest people-person!” I struggle to speak as I try to web him up again, but it doesn’t work. He barrels towards me, and grabs me in his talons. I hear Miguel growl and leap off the ground, landing on his back. He tugs on the man’s feathers, making him spin around to try and find him. I take the opportunity to web myself away from his grasp, kicking him away as I do so.

“Is this guy made of paper?” I ask, rubbing my hands together as I take a moment to actually register what just happened. Miguel grunts, and yells as he speaks to me from the bottom of the building. “Honey, I love your voice, but I really need you to use your actions right now!”

I spot a few witnesses trapped behind some rubble, so I shoot off the side of the wall to swoop them up. They scream, clutching onto me, and I drop them off right by a big police officer. He gawks at me, and I give him salute as Miguel webs me up again. I twist up, getting wrapped in his webbing, and I break free using a kick, hitting Vulture square in the jaw with my foot. He grunts in pain, squeezing his eyes shut, and Miguel uses this moment to try and guide him down, so he won’t escape.

I land right next to, what’s her name? I’ll learn it soon enough. I land right next to the teen as she stares at me. I smirk at her.

“What, never seen two married spiders?”

She swallows. “Can you adopt me?”

“What?”

“What? Nothing! Nothing!”

Miguel groans, and I can tell he’s growing tired. “¡Por Dios! ¿Puedes dejar de hablar por un momento? (Oh, my God. Can you stop talking for a moment?)” He calls out to me. I let out a heavy sigh, putting my hands on my knees. “I’m sorry, but your babies are making it hard to move right now!” I shout at him. Gwen webs away from me, and Miguel lands right next to me again. “Last time I checked, it took two people to make those two babies,” he grumbles. We take a moment and watch as Gwen tries to take down Vulture by herself.

I look at Miguel, and raise my eyebrows. “Did she call ya ‘Dark Garfield?’” I ask. He groans, and I can tell hair eyes shut as his head falls forward. “Yes.”

I giggle. “I like her. Maybe we can recruit-“ “No. No, we can’t, and you know why.” My somewhat playful attitude disappears with a frown, and I nod in compliance. He grabs my waist and he swings us up, and then we fall onto the Vulture back again. I scream through gritted teeth as I try to hold him down on the ground, but he flings me off, a sudden, new found strength in him.

“What the hell?” I curse. “Not cool, man!”

“This ends now,” he says to me, and he springs upward. I curse under my breath again, but it seems Miguel is on top of it. Literally.

“If he gets out, this whole universe will collapse!” He shouts, mainly at Gwen. I know the risks involved, having to save almost every universe from them every day. I shoot my wrist out, but I groan. I hit my web shooters, but nothing comes out. “Fuck-Miguel! I’m out!” I try to jump from floor to floor, but I quickly get nauseous while doing that. I look down at my stomach again, poking it. “So web slinging is fine but jumping is what doesn’t please you guys?” I ask the unborn babies. I get a mere kick in return. “I know that was the girl. That was way too sassy,” I grumble to myself.

Spider-Girl lands right beside me, and she looks at my husband and he battles Vulture. They both crash right through the glass ceiling, and we shield ourselves from the shards that could possibly cut us. She looks at me.

“What is he gonna do?” She asks. Miguel takes the Vulture’s face in his hands, and opens his mouth, wide, baring his fangs and giving a loud roar. “Oh snap,” whispers under his breath. But, he’s cut short, when a helicopter shines a light on him. He yells at the helicopter, his mask coming up again to cover his face.

“I’m a good guy! I’m here to help!” He desperately explains. My spider senses then go off, and I scream up to Miguel.

“Miguel! Watch-!“

I’m too late. Vulture throws two weapons at the helicopter, and then the helicopter starts to spin, going down, and fast.

“Shit.” All three of us say in unison.

I look to the kid, and she’s already looking at me. I nod towards her, and she returns the gesture, and we both know what that means. She launches off the floor, and she begins to web a net. I take a deep breath. “Alright, babies, don’t make me throw up,” I say sternly to my unborn babies.

I leap off the ground, and I fly through the middle of the helicopter, grabbing the two pilots and landing on the fourth floor of the building. I grunt as I roll on the ground with them, and we writhe in pain.

I turn to the both of them, checking on them, and I run to the edge, well, the mess that made the edge. I look down, and the teenage girl is flying through the air, webbing up a net. And just as the helicopter is about to crash, she flies right underneath it, just barely getting nipped by the chopper.

She lands, breathing heavily.

“Wow,” I whisper. Miguel hops a bit in front of me, landing on some rubble.

“I was gonna do that,” he says quietly to himself. I can tell he’s thinking her, thinking about her hard. Miguel and I share a glance at her, and she nods. She turns and hops down from the huge rock, and goes back towards the wall, out of sight. I turn and see the two pilots staring at me. I smile.

“Yeah, I know, there’s lots of freaky spider people, that was my reaction too. Cmon, let’s get you two a medic.” I reach down and offer my hand to them, which they take, one at a time. I help them to the big opening in the building where the door used to be, and I hand them over to some officers.

I sigh, turning around to find my husband surveying the area.

I walk up to him, putting a hand on his back, feeling his tense and rigid muscles, alert and still in attack mode. He seems to relax a little at my touch, and he lets his mask down. I grin, amusement

“Your hair is all messed up.” “Can you and I have one good moment after a battle where you don’t make fun of my hair?” “Absolutely not.”

He lets out a low growl, rolling his eyes. I walk a little in front of him, and stare at the place where the teen escaped to, hearing some grunting from there. No doubt she’s recovering on her own. My hand comes to rest on my stomach, my thumb running over the bump. I turn back to Miguel, my mouth open to speak, but he beats me to it.

“I said no,” he rejects me as he leans down to pick up some broken machinery. He scoffs at some poor excuse for art. “I’m starting to think Vulture did everyone a favor by destroying this place, this art sucks-“

“Miguel O'Hara, no cambies de tema,” I say sternly. He lets out a sigh. Spanish isn’t even my main language, so when I speak it, he knows I’m not messing around. He spins around, holding a figurine of a balloon dog in his hand. I would find it comedic, a big guy like him holding a small thing like that, but not when he’s trying to avoid my questions.

“You know we can use her. I’ve never seen anything like her, and she even beat you to one of your moves. You have to agree with me on this!” I gesture out in front of me, as if the conversation is laid out in front of us. Miguel sighs, walking up to me with his hands on his hips. His expression is hard, but his eyes give it away. He’s considering it, it helps if I’ve spent about a couple years with him now.

He brings his hand to my waist and another to my hair, leaning down to press a kiss to my forehead.

“Te amo demasiado a veces,” he mumbles into my hair.

Okay, that gives me absolutely nothing.

His hand travel down to my stomach, and his two very large hands splay over my tummy. His lips quirk up a bit as one of them kicks against my skin. “Did you do okay today?” He asks quietly, referring to my very pregnant self. I nod, but it doesn’t seem to reassure him.

Vulture struggles next to us, but we just give him an annoyed look. “I’m done with your attitude!” Miguel tells him, pointing at him. He sighs, turning back to me, grabbing my waist and pulling me impossibly closer, so we’re basically sharing the same breathe. My stomach flutters. Even after marrying him, he really can have the same affect on me from when I was a new recruit.

“You know you can always opt out whenever, I can call for other backup,” he says quietly. He’s trying to spare my feelings, not letting others hear so I won’t get embarrassed. I’m never embarrassed, it’s life, I got pregnant, but I appreciate the sentiment. I lean up and kiss his nose.

“I know, thank you, but really, I’m fine.” I stick a hand up as he begins to protest. “At 7 months, I will take maternity leave. I’ll rest and just be the desk person, okay?” I ask. He debates it for a moment, and lets out a grunt and nods. We stay in our somewhat embrace for a bit, when we hear a gun shot. My head whips to where Spider-Woman went and hid, and I look at Miguel.

His mask forms again, and he kicks Vulture, telling him to be still as he picks him up. Miguel picks me up with his other arm and swings to the opening as we fall in.

“Dad, please!” She begs the cop standing across from her. Miguel shoots a containment pod at him, and she runs towards him. I grab her by the shoulders, trying to use my softest voice.

“Hey, hey, kid. Hey, it’s okay, we’re here, we got you,” I say quietly to her. She’s crying as she clutches onto my arm, staring at her dad. Miguel opens a portal, and I give the kid one more pat and walk over to him.

“What are we gonna do?” I whisper to him. He looks at me. “What do you mean?”

I roll my eyes.

“We can’t just leave her here!” I get a bit louder, but he shushes me, putting a finger up. My jaw drops.

“You did not just shush me,” I growl.

“Oh, I think I did.”

“Oh, I know you didn’t-!”

Miguel and I bicker back and forth, and at some point, Vulture voluntarily hops into the portal, all tied up, not wishing to stick around. I stick my finger up as I try to argue with him, my hand coming to my hip, and he towers over me, but that never took away my edge.

Then, some sniffling gets us to shut up.

The kid looks at us, her eyes watery and wide. She looks like what she is…a teenager who’s lost and alone. She opens her mouth to speak. “I-I don’t know what to do.”

I look slowly at Miguel, and he lets his head hang forward.

“Yeah, well….”

I raise my eyebrows at him.

“Join the club.”

🕷️ 💍

[lumilasi]

Since I've been updating one of my bleach fics more recently, I felt the once-in-a-blue-moon urge to draw something from it.....decision I VERY MUCH regretted lmao, because what I picked was SUPER difficult to draw, and I had to take some creative liberty with these designs, lessening the detail in them (Didn't even have a proper ref for Oni-Ichigo to begin with...).

Still, I managed to finish this at least. Fanart isn't really my thing anymore that much so these will be rare, even if I am writing semi-regularly.

The scene this bases on from Jack of All Hollows:

(Context, this is a memory viewed by "main" Ichigo of the story, Oni-Ichigo is a separate person)

Grimmjow eventually shifts, now just sitting on the bridge ledge properly, dangling his bare feet over the water. His companion follows his example, though chooses to keep his legs towards the bridge instead, sitting the other way around. He was still glancing at Grimmjow, and Ichigo could tell that color on his demon doppleganger’s face wasn’t just alcohol. He looked like there was something he was trying to say, but was hesitating.

Ichigo knew what it was.

Clearly, Grimmjow was aware of his companion mulling over something, as the blunet eventually snorts and turns to look at Oni Ichigo annoyed.

"What? Spill it, I can literally hear yer overthinkin’ shit again.”

"You can share memories, not read minds.”

"The gears in your brain are so rusty they make shit ton of noise, Kurosaki. Hard not to hear all that.”

The ginger demon laughs at that, his reaction seemingly confusing his companion a little, the point he now grabs Oni Ichigo’s arm and threatens to throw him into the river if he didn’t explain what was so damn funny now. His companion eventually manages to stop laughing with a wheeze, now looking back at the pouty looking blunet, who was clearly still confused about his behavior.

"Yer way too drunk huh; never knew your stubborn ass was this lightweight.”

"Yeah, guess I am.”

Watching the pair, Ichigo felt uneasy now, suddenly having a feeling this wouldn’t end well for his twin. Obviously, this Ichigo had died, but beyond that…

Suddenly, his twin leans closer, clearly catching Grimmjow off-guard. The kiss doesn’t last long, and once his twin pulls back he had gone completely red, now averting his gaze and rubbing his neck sheepishly. Grimmjow had gone completely stiff, just like he’d done that night at that other bridge.

"S-sorry. I….uh.”

He seems to struggle for a moment to decide what to say, still avoiding the blue eyes staring at him. Grimmjow still hadn’t moved an inch, as if his brain had short circuited and he was struggling to process what just happened.

"….You know. You’re not as bad as I thought when we first met. And lately, I don’t know. I just….I like hanging out with you, when you’re not trying to kill me.”

Oni Ichigo chuckles sheepishly, still avoiding his gaze. Grimmjow now turns his head away, his face still unreadable, though the shock seemed to have faded. The atmosphere around the pair had shifted from the easygoing drunkedness to something much more tense and awkward, though Ichigo wasn’t sure if he was reading it that way, or if the emotion was attached to the memory itself.

"I’ve been thinking about that a lot. And….I-I don’t think its…”

Oni Ichigo swallows down hard now, finally daring to look up at Grimmjow. Seeing that uneasy look in his eyes, oh fuck he was scared too. It had clearly taken his twin a lot to bring this up, and so far, neither could tell what Grimmjow was thinking.

"I don’t think it’s friendly affection I’m feeling.”

Silence.

[kakarotcake]

Had a giant early morning realization on why I enjoy Gochi as much as I do. (I wrote a lot in this; there's a TLDR at the end but please read through my hopefully-coherent rambling to get full context.)

It's specifically because of how non-conventional they are. They didn't date / go through a courting phase before they got married. They barely knew each other at all in fact. Yet, Goku felt unbothered enough to honor a promise he made as a child, and agreed to go forward with the marriage anyway. Chi Chi stayed committed to Goku's promise, despite how she didn't know him, and literally got his consent as an adult first before they went on.

And they made it work.

I so wish we got to see the 5 years of Goku and Chi Chi living together + the early years of Gohan's youth, but specifically because I would like to see just how they each adapted to their new living situation. But regardless, the fact remains that they STAYED together. Chi Chi for sure would've left Goku if she was that unhappy with how Goku just isn't a conventional guy when it comes to relationships. Going home to her dad and resuming being Fire / Frypan Mountain's Princess was always right there as an option. Hell Chi Chi's been identified as an attractive lady in-universe, so she could probably meet someone new before long! But she didn't take it. IIRC, she never has.

I also feel like Goku would also get up and leave if he was unhappy. He's never had to force himself to sacrifice his own happiness for someone else as he lived on Paozu by himself for years, then spent the rest of his teenhood traveling around & training, so if presented with that kind of scenario he wouldn't think twice before being like "ok whatever, see ya" and just peacing out. He wouldn't see the point in staying, since why would he make himself stay somewhere he isn't welcomed or doesn't feel welcome? Grandpa Gohan's old home was always there for him.

My personal biggest gripes with their relationship have honestly never been because of how they had little chemistry before they got together. For me it's always been about how Chi Chi is just treated like a joke by the writer(s); she follows an angry housewife stereotype. Sure, it's supposed to be a joke and she's supposed to come off as comedic, but it only ends up doing damage because it encourages you as a viewer to not take Chi Chi or her relationship with Goku seriously. (I'm ignoring Goku here, but his writing in DBS *anime wise at least* is atrocious and further fed into this btw.)

Yet, from what I've seen over the years in the western fanbase, people's biggest issues with Gochi (aside from general Chi Chi hatred) is because it isn't a conventional relationship. It had hardly any chemistry going into it. I understand that logic, don't get me wrong, but I only understand it when I factor in society's amatonormative & allonormative lens. And I hate both of those things. Gochi not complying with them is what I find charming about the ship.

They didn't date or establish a super deep bond or whatever, yet they lived together in peace for 5 years. They continued to bounce off of one another throughout Z. Chi Chi NEVER remarried or even dated someone while Goku was dead for 7 years. She was crying happy tears when he finally returned at the end of the Buu saga. Goku was more than happy to go home with her and their kids (and tbh I'm 99.99% sure he wouldn't have minded if Chi Chi chose to get with someone else - he chose to stay dead after all). OBVIOUSLY they care for one another a lot, despite how they married each other as strangers. They themselves are narrative (if that's the right word) proof that conventional love & romance & whatever don't guarantee successful marriages. I adore that.

And it's funny because Vegebul is a pairing that also had little to no chemistry going into it, but unlike with Gochi, the no chemistry actually does hurt it for a couple of reasons (all of them revolving around how Vegeta was/is a terrible person) that I won't get into here because it'll derail this post and it's long enough already. I just wanted to point that out in text myself first, before other people came at me trying to argue it.

Anyway. TLDR Gochi as a ship defies amatonormative & allonormative concepts regarding intimate relationships. "You have to date / court someone first, fall in love with them, then marry them because marriage will make sense & be healthy then." They didn't do the first two parts, but after getting married, they're happy together. They spat in the face of societal norms & expectations.

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

KFP4 has its flaws and there are a lot of aspects that I dislike, but the I greatly admire and respect the hard work put into the film by those of the crew who put their efforts forward and tried their best to make it work. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good (even great!), but only given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[spanishskulduggery]

Just discovered while talking to someone in Spanish that "Adiós" is more of a permanent goodbye, something you might say to someone you expect to never meet again, like a stranger. Instead, he said I should use "nos vemos" when speaking with people I know, which makes sense. I was wondering what other goodbyes I could use that aren't permanent? Obviously there's "hasta luego" and "hasta mañana."

I wouldn't go that far necessarily, but yes adiós can be used for people you don't expect to see for a long time (possibly never again like sayonara means in Japanese)

Literally, adiós is "go with God" which would have been a lot more impactful in the time of needing to journey days/weeks/months to meet some relatives, and possibly having to deal with war, disease, wild animals etc

A lot of Western langauges have something similar, even "goodbye" is "God be with you/ye"

Some people do use it for a permanent goodbye. Others use it for an indefinite but probably long period of goodbye

And some people just say adiós as a standard goodbye with no deeper meaning other than "bye"

Note: You can also say adiosito which I wouldn't necessarily recommend outside of friendly conversation since it can sound sarcastic; it's like "toodle-oo" but it's literally a little goodbye

Note 2: If you vehemently hate someone and you hope to never see them again, you can say hasta nunca which is like "see you never" and I think that's beautiful

-

Today people do use adiós just as "goodbye" though it can read as "we won't see each other for a while"

The more short-term is nos vemos "we will see each other"

Another variation is a direct object version rather than reflexive. You can say te veo pronto "I'll see you soon" for example, instead of nos vemos pronto "we will see each other soon", that sort of thing

-

There's also hasta pronto "see you soon", hasta la próxima "see you next time"

And a lot of people have adapted certain words into Spanish like bye/bai or chau/chao for goodbyes

chau/chao in particular comes from ciao and is super common especially in South America

Another common one I say is cuídate "take care of yourself" / cuídese for polite, cuídense for plural

Depending on context you can also say ¡Suerte! "Good luck!" (or ¡Buena suerte! or ¡Que tengas mucha suerte! "Hope you have lots of luck" or te deseo mucha suerte etc)....

Another common one I say is ¡Ánimo! which means something like "Chin up!" but literally it's "energy" or "cheer"; if you're saying ánimo with someone you're essentially saying ¡Aguanta! or ¡Resiste! which is like "Hang in there!" or trying to pep someone up, where animar is "to cheer someone on" so it's all related there

-

Also I know you said spoken but just in case, if you're signing off on a letter/email there are some basic phrases you can use:

saludos = (a generic kind of goodbye) [lit. "salutations" or "regards"] un cordial saludo = (something like "kind regards")

atentamente = "yours truly" / "sincerely" [lit. "attentively"]

estamos en contacto / estaremos en contacto = "we'll be in touch"

And if you're writing a friendly letter you can say abrazos or besos for "hugs" and "kisses" respectively; it's very common to say something like te mando un abrazo "I'm sending you a hug" or something like that

-

Also, if you're at a party or something, you can say something like ya me voy or me largo or something like "I'm heading out"

I tend to say something like hora de irme "time for me to go" because in my English-speaking brain saying me largo feels awkward like I'm storming out but I know that's not what that always means

Additionally you can say debo irme "I should go", something along those lines is pretty standard

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If you're being funny, I think me piro vampiro is somewhat used in Spain (but maybe not so much now)... it's just there for the rhyme. Literally "I'm out, vampire" or "I'm leaving, vampire" [pirarse is an idiomatic way of saying "to leave"]

For Latin America, more common would be chao/chau pescao which is literally "goodbye seafood/fish" since pescao is an informal spelling of pescado where the D can kind of be aspirated

You may also see/hear chao/chau bacalao "goodbye cod"

Again, all for the rhyme. The equivalent of "see you later alligator" in English. Everyone loves a rhyme

But obviously only do this among friends because it's informal and a bit childish

[the-100-days-of-junkan]

Day 51

Alright, yesterday was a LOT. So what to we have toda- OH FUCK YEAH MORE VAMPIRE JUNKAN!!

I’ve done a lot of neck biting up to this point, so why not finally throw in some arm biting?

I really liked drawing this one, like, a lot. I don’t know what to describe what I was going for but I guess something a bit more casual? Plus i got to draw a flip phone! I love those things!

Decently proud of the outfit I came up with for Junko’s Pajamas, super cute.

Okay so I obviously can’t drag this one out much on it’s own, so instead let me tell you a fun story. So I’ve mentioned many times already that I’ve spent a big portion of this project keeping it a secret from most people, but I did eventually start telling me friends about it despite my worries given that I assumed being a Junkan Shipper made you public enemy number 1 for some people. 

And once I showed them the art, explained myself a little, etc. They all liked it! I’ve actually had a pretty consistent streak of showing people Junkan and them liking it, even when its people who have the full context of Danganronpa. (This makes the punchline of my semi-unfounded paranoia all the funnier)

The funny story comes in with one friend though, prior to me properly getting to know him a mutual friend of ours told me in a call “Just don’t show him the Junkan art, he’ll kill you” (for context Mikan is one of his favorite characters of all time). And solely because we share space in a server he did end up seeing it . . . And he was fine with it lol. Like it does rely again on the fact that I do ship it in a very unique context compared to most but it was really funny in hindsight since we're total besties now.

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[obstinaterixatrix]

THE GLIMM*R ZINE IS AVAILABLE FOR DIGITAL DOWNLOAD TO BACKERS AND IT'S SO GOOD IT'S SOOOOOOOOO GOOD I think it has a good mix of requited/unrequited, mundane/fantasy, literal/figurative (though dreams inherently skew more figurative than literal) (maybe more... a good balance between a 'concrete' implementation of 'dream' in the sleep sense, and 'abstract' implementation of 'dream' as the wish/goal sense?)

all the artists did a great job, I think every single story was complete and satisfying and competently executed (though obviously some of them hit my biases more than others). I can think of positive and unique things to say about each story. so I will.

Midnight Smack by Anna Chen Campbell: The art style is fun and distinct and very expressive, I loved the role reversal of a fantastical creature being in the position of going What The Fuck. Very solid meet-cute!

Dear Nina by Kristina Luu: The story is told through the perspective character reminiscing of the past, which means a nice intimate first(/second) person narration. I really liked the mood whiplash of wistful longing and seething cynicism, the atmosphere is top-notch.

Good Morning, Rose by Rowan Maccoll: I love the dream vibes in this one--it really captures that experience of going along with different scenes that aren't supposed to cohere, disjointed in a way that works for the story. I love how the... not-really-negative space is used during the true form reveal, very atmospheric.

R.E.M. by Jona Li: It's one of the heavier stories because [spoilers] the narrative centers suicidal ideation/suicide attempt, and I think the artist does a good job with emotional nuance; I also like that there's ambiguity whether the subject of the dream is their real self, or a projection of the dreamer. The contrast between hard/soft textures is super arresting.

Merderous by Gabrielle Kari: The first of three illustrations! Alas, the two-page spread is broken up in pdf format... I can't wait to get my physical copy so I can see it in its fully glory... it's got what's clearly an intricate narrative with no context or explanation, so you get to puzzle out your own interpretation if you want, which I liked.

Eternal Waltz by Adeline Kon: EXTREMELY heated drama between women. It has resentment, it has longing, it has separation and bitter reunions, it has violence, and it has a butch woman who's definitely an arrogant fuckboy. I want fifty more comics just like this.

Derailed! by Kimberly Wang: I'm very unfairly biased towards this comic because I've been following this artist for a while and I Love Their Work. Great composition, great expressions, great energy, just all around great stuff (there's also an interview about Of Thunder And Lightning in this zine!). Anyway, they described this comic as "type A hobonichi girlie meets girl who's perpetually late and has no impulse control, who survives", it's very funny and very charming and I knew I'd love it from the very first preview. and I was right. I want fifty more comics of this duo.

The Visitor by Yuchen H: The second illustration, which is also the cover of the zine. The art looks so soft and edible, really captures a dreamy atmosphere. I want to bury my face in those feathers. The pain (and longing...?) for someone ignorant to the impact of their own actions... solid vibes.

One Last Dream by Laura Rovinsky and Ez Carol: The protagonist is an old woman in hospice care, which really grabbed my interest. Despite the heavy premise, it's super sweet and cute and Filled With Joy, and there were a lot of elements I liked (the main character being active in working with the love interest, the main character's waking life being enhanced by the dream, etc). I would love to see more old women protagonists!

Step By Step by Jess Fleming: I liked the maze setup--the artist did cool stuff like the blueprint-to-completed-gardens page, and the atmosphere's very... I think liminal fits best. Also, the impossible status divide between a groundskeeper and a noblewoman who's in an arranged marriage to end a feud, AND the emotional implications of constructing the maze PLUS having to guide the noblewoman to her betrothed? Very good setup for The Longing

Love Everlasting by Ellen Mei: The third and final illustration. VERY clear narrative and VERY heated drama. I love an unethical scientist and I love how Very Definitely Unhappy the android looks about the situation. Sooo tasty and unhinged, nobody's getting out of this unscathed.

anyway, those are my thoughts, must-read for yuri enthusiasts, if you didn't get the chance to back the kickstarter definitely pick up a copy once it's for sale. I love it.