#oboeaesthetic
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thereedblog · 4 years ago
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HAPPY INTERNATIONAL CAT DAY UWU
Henriette Rönner-Knip, The piano lesson, 1897, oil on canvas
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thereedblog · 4 years ago
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thereedblog · 4 years ago
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Reed making session: the wrapping🤓
Please, remember good things take time
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thereedblog · 4 years ago
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Mozart: Concert for oboe in C major KV 314 hr-Sinfonieorchester ∙ François Leleux ∙ Andrés Orozco-Estrada
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thereedblog · 4 years ago
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Quote of the day🌈
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thereedblog · 4 years ago
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Vivaldi - Oboe Concerto in D Minor RV454
Alfredo Bernardini, baroque oboe
Orchestra Barocca Zefiro
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thereedblog · 4 years ago
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Camille Saint-Saëns - Bacchanale from Samson and Delilah conducted by Maciej Tomasiewicz
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thereedblog · 4 years ago
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Reed making session: shaping😽
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thereedblog · 4 years ago
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Reed making session: the scraping🕊
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ph. by @thereedblog , please, do not repost
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thereedblog · 4 years ago
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VIVALDI: Oboe Concerto in A minor RV 463, Baroque Academy NSO
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thereedblog · 4 years ago
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thereedblog · 4 years ago
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On Tuesdays we listen to Tchaikovsky and practise✨
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thereedblog · 4 years ago
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Le Api, Studio for oboe and piano
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thereedblog · 4 years ago
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Jean-Baptiste Lully was the first composer to establish the standard characteristics of the later folía, such as the melodic line and the chord progression.💃🌹
This genre usually features a chord progression of this kind: i-V-i-VII / III-VII-[i or VI]-V / i-V-i-VII / III-VII-[i or VI7]-V[4-3sus]-i, whereas we find a slow sarabande in triple meter at the beginning and the end of the musical composition. Indeed, this serves as a model to follow, whilst the rest of the folía is characterised by variations in rhythm and the melodic line.
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⇖Salomé, Paul Antoine de la Boulaye
⇗The end of the ball, Rogelio de Egusquiza
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thereedblog · 4 years ago
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Tiny pieces of me
Ph. @thereedblog 💕 please, like if you use this pic
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thereedblog · 5 years ago
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Yes! Yes! Yes!😭♥️
This is a new fave of mine.
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