#object cutouts

[pngsk]

happy birthday! (2023/2024) - Nightcord at 25:00

like/reblog if using. no reposts. f2u dont claim as your own

[trenchcorporation]

whatever, go my art dump

Very long vvvvvv

[transgoldeneagle]

mauls your cobs design. /vPos

thank you anon🥹🥹🥹

[varpusvaras]

I don't know what it is or what part of my brain causes this, but I am very much incapable of suspending my disbelief if I don't have some sort of emotional connection to a character. Like. I am so ingredibly aware that some characters are just characters, and I can't make them be interesting to me no matter how much I try nor can I imagine them performing actions and emotions because I'm so aware that they don't actually have any. It's so jarring.

[jess-is-toolazy]

Y'all look at my Airy cardboard cutout I made I made so many mistakes on this one 😭

I ran out of brown as I was colouring so I had to substitute with the most closest colour 😔😔

[upsidedowngrass]

playing video game but rest asured. imt thinking about liam the whole time....... he is in my thoughts always . i think about him

[lord-squiggletits]

The main thing about IDW OP that I'm on my hands and knees begging people to understand is to actually treat him like a fucking character and give him the nuanced understanding that this fandom gives to other characters just fine. Like, I s2g the reason no one even talks about IDW OP is because at the first sign of him making mistakes or having a flawed worldview (you know, like a REAL PERSON and not a cartoon caricature) they instantly bail and go "zomg worst Optimus ever".

Like please for fuck's sake IDW1 is a story steeped in realism and moral grayness can you stop for ONE SECOND and realize that IDW OP being a little bit of an asshole or making big mistakes doesn't instantly make him the worst character ever and maybe take the time to actually read his story? B/c half the shit people say about IDW OP makes it obvious that they've only read MTMTE and LL (badly, might I add) and it annoys the shit out of me

[miiilowo]

https://www.tiktok.com/t/ZTR7dvQKk/

You fr when the FNAF interest comes back

real.

[books-apples-socks]

me on my quest not to rag on francis ford coppola and get pelted in the face/put in the stocks for it part 8348329239: captain's log it's not going well

[nickbutnodick]

there are three kinds of queer rep: gay for the gays, gay for the straights, and gay for nobody at all

[patheditprovider]

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[pngsk]

happy birthday! (2023/2024) - WONDERLANDS x SHOWTIME

like/reblog if using. no reposts. f2u dont claim as your own

[techgurusaurabhsblog]

How to Remove Background in Corel Draw 2024 || कोरलड्रा में White बैकग्र...

[johnnywriter]

Miki is a teenage magenta Eskimo cat who lives with her father, Yukon who is much shorter than her. Ever since Ravenna and her minions started attacking her village, Miki has been practicing dodgeball every day so that she’ll be able to compete against Ravenna someday. Her father forbids her from challenging Ravenna but Miki is somewhat sneaky and will do anything for a fun challenge.

Ravenna is a teenage human girl who has a sassy and brass personality. She specializes with dodgeball magic thanks to one of the crystal suns she found and uses her powers to attack a snow covered village of eskimo cats. A pretty dark rumor about Ravenna that’s spread around the village is that the tombstones around her mansion are the victims who challenged her to a dodgeball match. Copper and his teammates along with one of the village’s residents named Miki will have to defeat her in a game of dodgeball.

These are minions that Ravenna made with her rod thanks to the power of the 3rd crystal sun. They have four types like Normal, Fire and Ice.

[writers-potion]

Storyediting Questions to Ask

As You Read the First Draft:

Are there place that surprised you as you read your first draft? - Why do you suppose that is? - Is there material there you'd like to expand?

What are the character really doing in this story? - Might they have issues you haven't explored fully yet?

Look to the places that drag. - These might be scenes where you have avoided dealing with something deeper. - What are the characters really thinking in these places? - What are their passions, frustrations, and desires?

Imagine alternative plotlines. - How might your plot be different if ti headed off on another tangent from various points in the story? - You don't have to follow them, but they might suggest other streams that can flow into the main plot.

Think About Structure:

Does you story play out naturally in three acts?

Is there an immediate disturbance to the Lead's world?

Does the first doorway of no return occur before the one-fifth mark?

Are the stakes being raised sufficiently?

Does the second doorway of no return put the Lead on the path to the climax?

Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?

Are there strongly motivated characters?

Have coincidence been established?

Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?

Is the timeline logical?

Is the story too predictable in terms of sequence? Should it be rearranged?

About Your Lead Character:

Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?

A lead character has to jump off the page. Does yours?

Does this character avoid cliches? Is he capable of surprising us?

What's unique about the character?

Is the character's objective strong enough?

How does the character grow over the course of the story?

How does the character demonstrate inner strength?

About Your Opposition:

Is your oppositing character interesting?

Is he fully realized, not just a cardboard cutout?

Is he justified (at least in his own mind) in his actions?

Is he believable?

Is he strong as or stronger than the Lead?

About Your Story's Adhesive Nature:

Is the conflcit between the Lead and opposition crucial for both?

Why can't they just walk away? What holds them together?

About Your Scene:

Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?

Is there enough conflict in the scenes?

What is the least memorable scene? Cut it!

What else can be cut in order to move the story relentlessly forward?

Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?

Does we need a new minor subplot to build up a saggin midsection?

About Your Minor Characters:

What is their purpose in the plot?

Are they unique and colorful?

Polishing Questions:

Are you hooking the reader from the beginning?

Are suspenseful scenes drawn out for the ultimate tension?

Can any information be delayed? This creates tension in the reader, always a good thing.

Are there enough surprises?

Are character-reaction scenes deep and interesting?

Read chapter ending for read-on prompts

Are there places you can replace describing how a character feels with actions?

Do I use visual, sensory-laden words?

For a Dialogue Read-Through:

Dialogue is almost always strengthened by cutting words within the lines.

In dialogue, be fair to both sides. Don't give one character all the good lines.

Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.

Can you get more conflict into dialogue, even emong allies?

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

[transgoldeneagle]

GIGGLES AND RUNS AWAY

if some of you cant tell, this was mainly @transgoldeneagle style they made me like this blame them