#nunuwho

[stars-and-spice]

[icewarrior2000]

Boom

(Series 14, Episode 3)

Summary: Moffat continues his obsession with religious military types as the TARDIS arrives on a planet devastated by a pointless war and the Doctor immediately steps on a landmine.  He spends the entire episode standing on it and my back was aching just watching him standing on one leg for that long.  Spoiler: he doesn’t explode.

Watch because: Ncuti Gatwa basically stood still for 45 minutes and still managed to have me spellbound.

Original Air Date: 18 May 2024.

Doctor: Ncuti Gatwa.

Companions: Ruby Sunday (Millie Gibson).

Writer: Steven Moffat.

Director: Julie Anne Robinson.

Producer: Vicki Delow.Executive Producer: Russell T Davies, Julie Gardner, Jane Tranter, Joel Collins, Phil Collinson, Julie Anne Robinson & Steven Moffat.

[lasttree-garsennon]

Wait did she say 66 meters??

Or about 73 yards in imperial?

[what-gs-watching]

“Because  what is a coincidence but a form of accident?”

So I went home for Christmas for the first time in like four years, which was really nice. Sometimes it’s good to be surrounded by family. But try as I might, I couldn’t convince a room full of adults who have never actually seen Doctor Who to watch the new Christmas special. 

Clearly, my family is a little bit lame. 

Which means I was late to watching The Church on Ruby Road, but finally got into it the other day and y’aaaaall, that was cute. 

15 is gonna be his own whole thing, and I’m climbing aboard, for better or worse. Are we pandering to gen-z a little bit? Yes. But I think I’m okay with it. Sometimes you need to shake shit up. 

Wherein the Doctor meets Ruby Sunday, a ‘foundling’ born on Christmas Eve, that has been having a ton of weird accidents and/or coincidences. Hijinx and numerous outfit changes ensue. 

Everyone is talking about the fashion, and I love that 15 is just like ‘I’m gonna do whatever, why are we always wearing the same damn thing?’ Amazing kilt? Yes. Gorgeous leather jacket that seems like a callback to something Donna had worn with 10? Absolutely. Weird little zip up sweaters? For sure. 

Baby boy, you are gonna be SO interesting. 

Okay so, Ruby was a baby abandoned on Christmas Eve, and then adopted by her foster mother. Once again we get like a tiny baby companion, this girl is 19 because of course she is. But she’s just living her life and dropping shit and tripping over things and weird things are happening to her and she thinks it’s all good but we can see weird little hands causing all of her mishaps and the Doctor is following her a little bit because he’s got an inkling something weird is happening. 

My favorite part of his lurking is obviously when he runs into her in the club - beauty is DANCING IT OUT. I absolutely love it. He bi-generates and is like ‘yo I know what i need’ and he just tears up the dance floor. Sometimes you need to get sweaty and let your brain drift away because there’s pulsing music and people everywhere. ‘Dance it out’ is one of the best ways to get over things, to remember you’re alive. I felt that so hard. I haven’t danced it out in FOREVER. 

Anyway, we find out that she and her adopted mother are still fostering children, and on Christmas Eve, Ruby’s birthday, they get assigned another foundling baby who was ALSO just born that day, what a coincidence! All about coincidences, this episode. 

So Ruby gets left with the baby while her mother pops out for something and SURPRISE! The baby gets taken through a window. Ruby obviously follows out the window, up to the roof, and sees little weird aliens taking the baby up a rope ladder, which she immediately starts to climb. Gotta love a new companion going for it. 

The doctor sees her, and starts jumping from roof to roof to follow her, and he jumps onto the rope ladder too and they’re suspended precariously in the air. This little smartie pulls out a set of gloves - he says he invented them because he’s always hanging off of things. Each of them put one on, and they take the weight and the pressure and let the two of them dangle off the rope ladder, easy as anything. 

This dude comes out swinging with these gloves - gloves that would have let Rose hang on and not been sucked into the other reality. Righting wrongs all over the place, it’s sweet. 

So they climb up the rope and to a super weird wooden ship in the sky - we learn the creatures are goblins, and they’re immediately caught and tied up. But the Doctor can get out of that, obviously, and he’s saying that the goblins are gonna eat the baby and that coincidence is what makes the baby tasty, because that makes sense.

He says that the goblins went back in Ruby’s timeline and started weaving in her accidents and coincidences, entwining her and the baby, making a tapestry. He says it’s the language of luck, and it’s a new science to him, and he’s so excited by it. I always love how excited the Doctor gets when he comes face to face with something he doesn’t know. 

Ruby calls the goblins time travelers and he gets so offended, saying “They are not time travelers. Excuse me! Time travelers are great. Like, the best. Like, wow.” It’s adorable. But he doesn’t tell her he is one. He also doesn’t tell her he’s an alien, at any point in their adventure. And she doesn’t ask. Which is interesting. 

So they need to get out of the little hold they’re in to save the baby, and the Doctor realizes the ship is tied together with knots, so he has to learn that language too, and he does. They escape into some equivalent of ventilation shafts, and they stumble upon the main area of the ship where a ton of goblins are getting ready to devour a baby.

But FIRST, they’re gonna do a musical number? The lyrics of which explain what’s going on, and introduces the Goblin King? Because that’s something we’re doing now. I told you, I’m climbing aboard. So it’s hilarious when the Doctor and Ruby drop down from the rafters and the Doctor is like ‘I’m going with it’ and he joins in on the song, Ruby too. Like fuck it, this is weird and we’re DOING it. 

So they use their part of the musical number to distract everyone and get their hands on the baby, and the Doctor reverses the power of his new fancy gloves to pull them down out of the ship, and back to Ruby’s apartment. 

Nice and clean, right? Back in the house, the Doctor says he doesn’t think the ship will try to invade, that they thrive on accidents instead so they start running around the house making sure that nothing can go wrong. In the middle of it, Ruby’s mom comes home and they’re trying to explain the Doctor and reassure her that everything’s fine and the three of them are in the room with the baby and they’re talking about all the kids that Ruby’s mom has fostered, 33 including the baby. 

The Doctor says “I’m adopted”, so we really are going with the timeless child thing, but the point is it’s a coincidence and there’s a weird storm brewing outside and then there’s a loud CRACK and the roof of the apartment has a giant seam running through it and the Doctor runs through the house to make sure everything is alright, he thinks that maybe the goblins have gone and wrecked the apartment as a parting gift, but when he makes it back to the bedroom, there is only the baby and Ruby’s mom. Ruby is gone. 

And her mom has completely forgotten her. The pictures of all the foster kids she had on her refrigerator are gone, and she’s complaining about needing to  foster this random baby on Christmas Eve, she’s clearly not the woman she was, and the Doctor realizes the goblins have gone, but they’ve gone back to the night Ruby was left outside a church, and have taken her instead. 

Out to the TARDIS he goes to intercept them. And they’re there, the night Ruby was abandoned, singing again about how they’re going to eat her. So he uses his gloves again, he gets a hold of their rope ladder and he starts to PULL. Down, and down, and down. And the ship is directly over the church that’s got a nice pointy little steeple. And it gets impaled. And we see the steeple go directly through the Goblin King, and then boom, the entire ship disintegrates.

Super helpful, those gloves. Finding positivity in past trauma, and all that. 

So the Doctor grabs baby Ruby and puts her outside the church door like she’s supposed to be, and she gets scooped up exactly the way she had been meant to. And the Doctor sees her mother walking away, and Ruby had so desperately wanted to know who she was, but he doesn’t go after her. I can’t help but think that’s going to be a thing, later. That sort of situation is always a thing, later. 

Back in the present, the Doctor returns to the apartment and Ruby is fine, if a little confused. He tells her that they went back and she was gone and she doesn’t understand it but then he’s popping out again because he needs to help a woman who had gotten caught up in Ruby’s accidents and coincidences. Once that’s done, he’s  out on the street again, about to go back inside but he stops and he says “maybe I’m the bad luck” so don’t worry y’all, not all that trauma is gone. He’s still doubting Doctor a little bit underneath. 

Meanwhile, Ruby is putting it together a little bit. The stuff he had said about time travelers and how the goblins went back and how he mentioned spending a summer with Houdini and she grabs her coat and runs out to the street. And there’s the box. With its door open, just a bit ajar. And she peeks in, and then she circles it, touching the sides. She doesn’t SAY it’s bigger on the inside, but her face implies it. 

And then she gets in. And she asks, “who are you?” and he just smiles all debonair and he says “I’m the Doctor.” 

Basically, I’m bought in. Even if it was a little bit silly, and I never got an explanation about what the goblins really were or where they were from. Even if we’re using random gadgets now. Because each of them are their own thing, and that’s what’s so good about it. You have to let the last one go a little bit. You have let each one of them go, a little bit, and embrace whoever the Doctor is now. Which I’ve struggled with in the past, after Matt Smith I was devastated for a while and ended up just binging 12 and 13 a little begrudgingly, but I’m gonna follow 15 along his way, and it’s gonna be different and weird and good. It’s always good. 

15, let’s get it.

[angels-in-overcoats]

"No more reboots of Doctor Who. Whether they be Classic, New, or New New."

[potatoknitsmysteriouscoinkidink]

consider this. rogue isn’t the jack of this era of nuwho, jack is the guy rogue lost

[clitbiter]

ruby sunday thank u for being revolutionary

[adlamu]

hearing the tardis' materialisation/dematerialisation (vworp vworp) noise at the tail end of the shotgun mix of prey (recoil):

[stars-and-spice]

Until further notice I am calling the upcoming era of dw NuNuWho and Noo-Noo will be it's mascot

[icewarrior2000]

The Devil's Chord

(Series 14, Episode 2)

Summary: Full disclosure here: I just don’t get the Beatles.  If I had access to a time machine, there are literally millions of other artists I would go and see live, but I think I’m in the minority here.  ANYWAY, an evil being named Maestro pops out of a piano and starts stealing music, making all songs super bland and terrible, but they can be defeated if you find the right chord.  Step up Lennon and McCartney, the greatest musical geniuses who ever lived (*sceptical sighing*) who manage to find it. Maestro is banished and, because I am a lover of big, camp musical numbers, I enjoyed the twist at the end.

Watch because: Jinkx Monsoon just eats up the scenery as Maestro.

Original Air Date: 11 May 2024.

Doctor: Ncuti Gatwa.

Companions: Ruby Sunday (Millie Gibson).

Writer: Russell T Davies.

Director: Ben Chessell.

Producer: Chris May.

Executive Producer: Russell T Davies, Julie Gardner, Jane Tranter, Joel Collins & Phil Collinson.

[lasttree-garsennon]

What the fuck is bad guy doing in fucking 1813

[literatemisfit]

Rewatching The Giggle and I'm astounded at how beautiful 14's send off is to 15. Everything about their interaction post-forehead kiss is an honouring of 15's future, acknowledging that he's taking 14's place.

The salute. One legacy to another.

"Where's he going?"

"Everywhere. .....Good luck."

Breaking with tradition or not, never have we had such a literal handing-the-baton moment from one doctor to another with respect, well-wishing, and real love.

It's a closing of DT's remarkable legacy, but it's also the beginning of Ncuti's as it's about to skyrocket and they know that.

You can see the love and respect and fandom between the two actors. 14 finally gets his reward and his legacy is cemented forever. And 15 flies away to NuNuWho, as he should.

[what-gs-watching]

“I can only smile like this because I have lost so much.”

Y’aaaaaaall, how excited am I that Doctor Who is finally back?! The 60th anniversary specials got me so on board for 15, and I am really so curious about how his arc is going to play out. Nunuwho, and all that. I’m here for it, I’m ready, I desperately need the distraction. 

Obviously, last time we saw 15 he was getting into hijinx with his new companion Ruby over Christmas, and I appreciate that’s exactly where they picked up for the first episode. 

Let’s talk about it. 

Space Babies

Wherein the Doctor and Ruby end up on a space station and something is definitely wrong.

Okay so, this episode was honestly just really cute from start to finish. Babies on a space station? Running the station, rolling around in little strollers? Trying to fight the boogeyman? Fucking adorable. Was the CGI to move their mouths weird? Of course. But again, I’m totally bought into this absolutely ridiculous situation so you gotta just roll with it. It’s pretty clear that this season is going to be a lot more whimsical than they have been in the past, and that might not be some people’s thing, but oh well. I can’t drag myself away from Doctor Who, it’s become too much of me, so I really will just follow where they lead, why the eff not. 

It’s also obvious they’re gonna keep leaning into the whole Timeless Child business, and I’ll go along with that too even if I was NOT a fan of the Flux because I’m interested to see what 15 is going to make of it. He was surprisingly upfront about where he was from when Ruby was grilling him, that was something that historically had to be PULLED out of the Doctor. Telling her, “the one that was adopted was the last one left” (which, isn’t he technically the first time lord also, since they basically harnessed whatever he technically is to become time lords?) And then this man actually said the word ‘genocide’ AND  expressed his gratitude about the fact that he’d survived. Is the Doctor finally letting go of the guilt he felt over that entire absolutely insane situation? 15 really is all about that emotional growth. You love to see it. 

Bypassing the ridiculousness that is a monster made out of straight up baby BOOGERS, I also thought it was interesting that they let that creature live. I’m not sure 10 would have. But again, the whole ‘the only one of my kind’ thing. Adopting the forgotten. Saving everybody, for once. 

Basically, the whole thing was pure fluff. And I like that sometimes. Cute first official adventure. Even though I gotta say I was surprised he gave Ruby a key like, fucking immediately. 15 really is going all in on those human emotions. It’s gonna get him in trouble, gang…

The Devil’s Chord

Wherein Ruby makes a request for where she’d like to go, and they land in 1963, but again, something is definitely off.

OKAY so, here’s the thing about this episode. Asking to see The Beatles recording their first album is a DIRECT LINE to my heart. Ruby talking about listening to records with her aunt - that’s me with my dad. And it’s absolutely what I would suggest. I enjoyed that he said everyone asks about the Titanic (I would too, eventually) but this girl got her priorities right. 

And I loved how he reacted to it. Pure fucking joy, 15. And the little vignette with them getting dressed up and strutting through the fucking TARDIS, yelling “I’ve got wigs galore!” And then being so absolutely excited about landing basically on the cross walk of Abbey Road. Just, all of it. Pulling all kinds of strings for me. I can’t even. 

I can also appreciate how  they got around not being able to utilize actual Beatles music - music is dying! Music is gone! John and Paul singing about having a dog; “my dog is alive, he’s not dead … he’s not your dog, if you want a dog get your own.” I loved the surprise of it, how absolutely absurd. 

The conversations that Ruby and The Doctor have with Paul and John too…the whole episode is a love letter to music, and I love that. 15 says something like “songs that lift you and devastate you and-and make you soar…” and shit, that’s exactly what it is (I say, as I continue to cry through The Tortured Poet’s Department).

John saying “why do I wake up crying?” ugh. The whole fucking thing. As someone whose life has always revolved around music in some way or another, the thought of losing it really is mind melting. All the feels.

All that to say - the Maestro. Damn, gang. Hard fucking whimsy, I see. And what an absolute psychopath. In a creepy, good, but also terrible way. What the fuck was that? 

The point being now we know a little bit what they’re up against - because 14 played a game at the end of the universe, they apparently let gods from the Pantheon into the universe. So now we’re less about aliens, and more about forces The Doctor really shouldn’t be fucking with, but is going to anyway. Because he caused it, after all. And the devastation he had when he realized that - 15 feels so much, so hard. Gonna hit the entire emotional spectrum with this one, which is so not a Doctor thing, and I will enjoy the entire ride.

 There were so many good moments in this one - Ruby playing the piano on the roof, or when she was trussed up in musical notes and just started emitting Christmas music - and that’s the other thing, the Maestro saying “this creature is very wrong.” Girl, what are you? I love the companion backstories, I really do.

Oh AND The Doctor declaring they had to hide, at one point. My dude is realizing his limitations. 14 wondering what he was underneath all of the gadgets and the time machine really sunk in. And then him talking about how his soul was ripped in half? Jesus. Growth, growth, growth. 

Someone might as well get the emotional epiphanies I should probably be having. It counts if I watch someone else go through it, right? 

There’s too much to say about this one. I loved it, even if I did think the last musical number was almost a bridge too far. But, I’m already on this train, so I’m giving up on clinging to expectations.

Boom

Wherein the two of them land on a planet that’s clearly at war but maybe it’s not all that they think it is.

This one is definitely more classic Doctor Who - immediately they’re in danger and it just ramps and ramps and ramps the entire episode and you can never really relax. I love those. This episode is basically all stakes. 

Doctor standing on a landmine? Check. Ruby valiantly trying to help but most likely is going to make it worse but does it anyway? Yes. Post-apocalyptic “ambulances” wandering the battlefield killing people if they’re injured instead of actually helping them because an algorithm decided it? Of course. 

I feel like a lot of shows lately have been trying to lecture me about the danger of AI (I’m looking at you, Murder At The End of The World, which was so terrible I didn’t even bother writing it up) and I’ve been like ‘yeah yeah I get it jesus’ but I think they did a solid job of it in this one. Capitalism and AI together is honestly a worrying combination, and they got me with this plot.

Essentially, 15 is trapped on a landmine that immolate whomever it ensnares basically, turning him into a giant bomb  which isn’t great because as we know he’s a big ol’ space-time event and he needs to get out of it but then the daughter of a soldier we saw killed by the ambulance shows up and then another soldier coming after the kid and things just go haywire. 

The point is, AI is running everything because war has become an industry (more than it already is) and the algorithm is forcing casualties in a war that literally doesn’t exist and everything is kind of terrible but the Doctor manages to talk his way out of it sort of, by connecting to a projection about being a father and protecting their kids always and forever, no matter the form they’re in. 

It’s kind of sweet that they’re letting 15 talk more about his long, long life - in the previous episode he mentioned his granddaughter and when Ruby asked if he had kids he said something like “did have, will have” and then at the end he tells the child he’ll be back to check on them and that “fish fingers and custard” is his favorite which obviously made me squee and I just really appreciate that he’s more…integrated? It’s always felt like they worked so hard to make sure they’re all different and of course they are, but they’re all The Doctor and I want that thread of all of the things that have come before. 

Also, Ruby again with the weirdness, making it snow after she gets shot accidentally and then grabbed by the ambulance, basically dying on the ground. Girl is complicated. Gimme that backstory!

The other thing I really enjoyed was the mockery of “thoughts and prayers”. Fuck people who hide behind that. Fuck corporations that hide behind that. The Doctor’s not taking your shit, and neither should we. 

All that to say, all three of these episodes were ridiculous in their own ways, and I’m about it. So far, 15 is 1000000% his own thing and I love it even if it is fairly far off the beaten path for Doctor Who and I’m excited to see where else he’ll take us. 

Like he said, “There's hardly any time that we're not dead. Which is a good thing, too. We've got to keep the pace up.”

[youabsolutewalnut]

I think the bi-generation is genuinely such a good way of ushering in the NuNuWho era tbh. When RTD started the 2005 reboot, he gave The Doctor all this trauma and backstory with Gallifrey being destroyed. It was a very slow process to get him to open up about it to anyone, and even then, The Doctor hasn't stopped to process anything since. Bookending the era with the earliest post-time war Doctor (that would come back to the show. I miss you Eccleston) getting to slow down, spend the rest of his regeneration finally dealing with everything that's happened, and heal? Gorgeous. After 13 bottling up all her emotions, The Doctor needs this to be able to move on and grow, but therapy sessions and grocery shopping aren't exactly great sci-fi. This bit needs to happen off-screen because it can't be fixed with just a couple of conversations. And having 14 do it instead of 15 lets us jump straight into 15 with the personality we see in the special.

Now, Ncuti and RTD can start the next era with a new chapter of the story with a cleaner slate, letting The Doctor evolve in ways we haven't seen before. Fleshing out the timeless child / flux and exploring what repercussions the salt had are the new backstory, just like the time war started the last era. (Ik a lot of people hate tc but I think it's an unfinished story that I'm willing to see through to the end) I think it will be refreshing and exactly what we need to reinvigorate the character and the show as a whole.

[clairedelune-13]

I refuse to call the NuNuwho “Season 1”. I’m not doing it.

[thealogie]

I'n my opinion I don't think Martha would want her own doctor. However, I need her and Donna to become bffs again now that Donnas memories are back (honestly, a fave duo of mine) and then maybe she can come by and throw a cup of tea on the doctor

Yeah I’m mostly kidding about her getting her own doctor but I’m genuinely disappointed she didn’t get to be part of the family. Like they should have had her in unit and she’s off having adventures without the doctor and Donna but it’s implied she drops in for dinner sometimes and has cooler stories than the doctor. That’s the only miss for me in an episode that was otherwise brilliant. in was supposed to be the nuwho finale and launch a new era….yet major companion gets a mention EXCEPT MARTHA? that better be because RTD plans on only bringing Martha into nunuwho lol