#now you should know not to use any symbols that you don't understand at all

[in2u-4asec]

Seems like the cult got another name for them all because of the symbol they so proudly uses ☠️

what goes around, comes around...

[crikitune]

waittt wait imagine the batfam doing the "we listen and we don't judge" trend!? (forgive any formatting errors, first time making a post like this!)

all: we listen and we don't judge!

dick: when I first came to the manor, i used to strategically time whenever I'd do acrobatics -off the chandeliers and stuff, of course- to when bruce was about to walk in just so i could see him look terrified and start freaking out. it was the height of comedy to me

jason: lowkey a mood... damian: tormenting Father seems to be a common passtime with this group.

all: we listen and we don't judge!

barbara: when i first became oracle, i hacked all of my ex-boyfriends devices and gave each one irreversible viruses. now anytime i get bored, i go mess with their replacement electronics in reversible but annoying ways

steph: sounds incredibly healing! cass: as you should.

all: we listen and we don't judge

jason: when i attacked tim in the titans tower, i did it in an adult-sized Robin costume.

steph: PFTT- WHAT duke: ...why, man? just why?

jason: ...I thought it was symbolic and poetic justice.

all, laughing a little: we listen and we don't judge!

cass: When i was still learning to communicate, I'd sometimes pretend not to understand what people told me so that I didn't have to answer their questions and they couldn't pester me about it ☺️

jason, laughing: ohhh cass that is EVIL tim: god, i wish i could do that with the board members...

all: we listen and we don't judge

tim: when i was going to Brentwood during my Robin days, my alcoholic roommate found my Robin costume, put it on, then passed out in it, so I had to literally peel it off of him and then gaslight him into not remembering it.

dick: WHAT. jason: bet you couldn't get that smell out for ages. tim: i really, really couldn't...

all: we... we listen and we don't judge!

steph: when i first met tim, i smacked him in the face with a brick. also i started dating him without knowing his secret ID, so that was pretty brutal...

cass: you deserve better. tim: hey! i wasn't that bad! steph: ehhhh you were, but it's okay cus I love ya and we're over it now!

all: we listen, and we don't judge.

duke: uhm. around when i first started living at the manor i thought it would be funny to pull a prank on Dick, so I put nair in his shampoo. it backfired spectacularly.

dick: THAT WAS YOU!? damian: i thought only Todd would be so idiotic... steph: *breaking down in laughter* tim: you were the one who started the 4 month long prank war!? jason: duke. i'm going to hit you. duke: ...aha, oops?

all: we listen... and we don't judge.

damian: ahem. you all remember the box of kittens i found on patrol a few weeks ago, which father forced me to bring to a shelter? *nods* well i did not give them to the shelter. they are in my room. i let them out everytime you all are out.

steph: ohmygod, dami, whattt jason: damn, you are a delinquent after all!

dick: wait damian. where are the kittens now.

damian, who's hoodie looks suspiciously padded: nowhere.

dick: damian show us the kittens right now-

all, as dick starts wrestling damian to retrieve the kittens: we listen- and we don't judge!

[sirfrogsworth]

These folks watched a whole ass movie not realizing the main character was transgender and it was a 2 second kiss between men that made them lose their ever-loving minds.

It's amazing to me that if it weren't for those 2 seconds, many of these folks would have given this movie a 4 or 5 star review. But two seconds of the most vanilla, non-sexy, yet genuine and loving kiss somehow ruined every moment of enjoyment the previous 90 minutes brought them.

Imagine if they realized the trans allegory. I wish I had a way to tell them. I wish I had a way to make them realize they related to a trans character. That they rooted for them. That they accidentally empathized with a trans story.

This was a beautiful movie. In every sense. I really hope between this and Spider-Verse, we can have a moratorium on every 3D animated movie using this style of character design.

It's time to let go of the rubber toy look.

I love Toy Story, but its success kind of doomed 3D animation to never take any risks. I thought maybe it was just a limitation of the medium, and perhaps it was for a time... but after seeing Love Death + Robots and Arcane...

I realized they can make 3D animation look however the hell they want now.

The rubber people were just risk avoidance.

"That's what people are used to and so we're sticking with it."

But the real beauty of Nimona was the story. I won't spoil it but the plot is pretty much, "If you get to know a trans person, you probably won't hate them anymore."

Not knowing any trans people is one of the biggest factors in anti-trans bigotry. And so this movie uses allegory to let an audience get to know a trans person. And you get to experience someone slowly start to understand what it is to be trans from an outside perspective.

It's sad that will probably be lost on those folks above because all they will remember is the kiss. Seriously, it was such a harmless, mundane, blink-and-you-miss-it kiss. But I'm hoping that others will take the lesson of this movie to heart. That you should get to know people before you judge them.

Part of me does wish we could tell trans stories without allegory. That we could just have overt trans characters. But I think this is the best representation possible right now.

It's crazy that Supergirl was one of the bravest shows as far as modern trans representation. It wasn't an edgy HBO drama trying to push boundaries. It was a family-friendly superhero show and they were just like, "Here is a transgender woman with superpowers and it's fine." And I loved that it was part of the character but it wasn't all the character was. Though I think they just missed the manufactured "moral panic" window where that choice would have been extremely controversial causing boycotts of Warner Bros. and whatnot.

My only complaint about Nimona was a small penis joke. It went by very quickly and many may even miss it. But I was surprised to see it in this movie in particular. Especially since those jokes can have collateral damage toward trans folks. With all of the positive messages, wasting a joke on body shaming was a tad disappointing. I mean, it was a fairly lighthearted "Is it cold in here?" joke. I don't want to make it sound worse than it was. But it still registered on my Richter scale of things that bother me.

Anyway, I wholeheartedly give Nimona a 5 out of 5. It helped me understand my friends on a deeper level and it was warm and funny and entertaining. There was a scene at the end that was so beautiful and heart-wrenching and I was crying my eyes out. The animation and the symbolism and the acting were just so perfect.

It's a shame Disney tried to kill this movie. But I am so glad it was allowed to exist despite that.

[mythelixir]

Right now, who are you, what do you need to hear from your future self and your inner child? Pile - 1

Pile - 2

Pile - 3

Pile - 1

Knight of Wands - reversed

King of Swords - reversed

2 of cups - reversed

Ace of Swords

Aura colour – orange/purple

What’s your vibe?

Well, to be put simply, you are reckless. You’re someone who is driven by adrenaline, never allowing anything to stop you. To you, the world is a small place, and everything is simple. But all these are carefully crafted façades. You, in reality, are restless and fearful. You fear that the time given to you is too short and you might die tomorrow, you live in that fear. So you do everything now. YOLO right? So, you lack self-discipline in the excuse that it only cripples your adventure. But to a heavy contrast, you feel for the people you love, so deeply that you protect them with the life that you so fear losing. You are an idiotic fool that everyone loves but fears you aren’t in your right mind more than half of their time.

You are someone who is gifted with the power of intellect along with victory. Doesn’t mean you’re favoured that way, it's just that the hardships you face, you always find a way to get out of, with triumph at that. Hence, you give off confidence in your walk and talk. I just saw a lioness. While lions are signs of reign and power, they are also known for laziness. But lionesses? They are the symbol of elegance and royalty. While some things confuse you, you don’t get stuck in it for long. You understand the problem and solve it quickly, you’re very action oriented. So, when people see you, they see someone reliable, someone they know can handle shit on their own. In others' eyes, you are that bitch that they fear.

You give off major Aquarius/Sagittarius vibes.

Messages from your future self:

I know you’re tempted to just use others around you, and step over their efforts to get to your destination, but please, don’t do it. You’re only damaging yourself in the process. Telling yourself, “One last time” before doing it? No, you're going to do it again, trust me. It will be like an addiction, even when you know you should stop, you won’t. You can't. Trust me. I know being this Ice Princess is a tempting imagery right now but that ice that is meant to pierce others? It will only impale you. Power-hungry jackals, you hate them right? Then why are you seeking to become one? Write down your feelings instead, so when you read them back, you’ll understand why you’d stopped yourself. Love yourself a little. Show yourself some peace. You need it.

Message from your inner child:

So you fear touch because you were never hugged, lulled to sleep or comforted when you cried as a child? No open communication, only screaming matches? Always being said, “You’re younger, you don't know the world. Just do as I say”. Unrealistic expectations that you were never able to meet? Well, when you were younger you might’ve, but as you got older, shit just didn’t make any sense. You wanted to rebel all of a sudden, but even when you did, you were brushed off as “immature”?

But now, it’s time to change the narrative. Start small—acknowledge your pain and let yourself grieve the affection and understanding you missed. Surround yourself with people who make you feel safe and loved, and learn to set boundaries with those who don’t. Explore self-soothing practices like journaling, meditation, or holding a soft object when you feel overwhelmed. Teach yourself that touch can feel safe again—start with something gentle, like hugging a pet, or even placing a hand over your heart to remind yourself you’re here. Speak kindly to yourself; replace harsh inner voices with affirmations like, “I am enough,” or “I deserve love.” Engage in therapy or support groups to unlearn the lies you were told and create space for your true self to grow. Healing begins when you nurture the love and care within you that was always waiting to be found.

Pile - 2

The Empress – reversed

Queen of Cups – reversed

The Hierophant

2 of wands

Aura colour – white/red

What’s your vibe?

You are controlling and manipulative, but that stems from lack of self-worth and constantly neglecting your needs. You simply cannot control yourself so you rectify that problem by controlling the people around you, that can either drive them away or to you. You might be the sole earner/breadwinner of your family, this power trip might be the reason for your behaviour. The cards also strongly suggest the presence of a woman/ feminine energy had negatively impacted previously in your life, which now has shaped you to be sceptical to women, this also might result to you being called “pick-me”. But no, you are just comfortable around men. This kind of treatment also makes you incredibly bonded with nature and also, food. You love treating the people you love with food and also, when you are depressed, you need rain/ rain sounds + lots of tasty food.

You also suffer from emotional imbalance/ low EQ. Insecurity, emotional insecurity and self-neglect are themes that you see yourself falling into. This leads to lack of empathy, distrust and animosity towards people that are nice just for the hell of it. You either loathe it because you think they’re being fake or you just hate them for being something you cannot. You also think emotional detachment is the way to go. You give off tsundere vibes.

Major Taurus/ all water sign vibes.

Messages from your future self:

You lack a belief system and you know that ruins you. The nights when you feel no one is there for you, no one can hear your wailing cries, you fail to get back up because of it. Because you have nothing to believe in. That breaks you from the inside. If people fail you and you hate the idea of following a religion, then imagine you future, where you see yourself. Where you succeed, where you are loved by everyone and work towards achieving that, when you do that, you have something to live for. A silver lining in the darkest of clouds. And, there is nothing wrong with being conventional/traditional. People stick with olden ways because they’re proven to work. So you do you!

I kept hearing “Too sad to cry” by Sasha Sloan when I was writing this, give it a listen but keep a box of tissues with you.

Message from your inner child:

I know you probably fear large bodies of water—it’s okay. Something must have happened back then, something that made the water feel less like a friend and more like a threat. You’ve learned to cope, though. You keep a support system nearby, like friends or a lifeguard, or rely on floaties to keep you afloat. But that fear also made you fall in love with the warmth of summer and spring, where the sun feels like a hug and you don’t have to face the uncertainty of deep waters.

You’ve always been the one who plans, the one who maps out their path because people around you (your parents/uncles/aunts) seemed to have glided through life, never planning anything and you’ve seen things go wrong because of it. And that because of that, your anxiety made you an avid planner.

But guess what? That’s your strength. You hold the world in your palm, ready to shape it your way, one thoughtful step at a time. I see you. I’m proud of you. Keep going.

Pile - 3

Ten of wands – reversed

King of Cups – reversed

9 of wands

3 of pentacles – reversed

Aura colour – gold/black/blue

What’s your vibe?

You’re the people that appear in those movies with truck load of books in their hands and fall over, stumbling out of balance. You take on too much, be it work, responsibility. You’re nothing short of a pressure cooker now, ready to burst any second. I got this image from this movie called “The 3 idiots” where they heads swell up like a balloon and burst due to an overload of information. It is supposed to be funny, until its not.

I feel like now, you’re trying to let go of certain things, delegating some tasks, freeing yourself. You’re setting clear boundaries, prioritising tasks and overall, gaining a better understanding of your situation as a whole. Teamwork is a part of your stress and you are starting to realise that/ you’ve already recognised that as your problem.

The cards also point to a lack of maturity and the need to withdraw from emotional situations rather than facing them head on. You may be emotionally detached,  avoiding expressing your feelings openly and also create walls when going into a relationship. You may also have a sharp tongue or make decisions hastily/in the heat of the moment. You might have unhealthy coping mechanisms, when I see you I see a person with dark cirles/ eye bags/ bitten nails.

Major water/fire sign vibes.

Messages from your future self:

You are so fucking strong and resilient. Believe in that. You are someone who doesn’t ever give up because you see other people doing shit and think “Well, bitch, I can too”. That is you. But also please, proceed with caution. Stop once in a while to take a breather, because even the strongest I people need rest to succeed in battle. You are someone who has gone through and will go through so much shit but the will to live, never once faded. You have this strength in you to just, go on.

I don’t know why but when I saw this I got remembered of this one meme from arcane, where this dude’s shirt says “I survived act III, but at what cost”.

I heard “Sign of the Times” from Harry Styles just now. Wow. Well, that might be a good or a bad thing, only you will know.

Message from your inner child:

I see your fear of masculine energy, and I understand—it might stem from times when that energy felt overwhelming, controlling, or unsafe. You’ve built walls to protect yourself, and that’s okay; they were necessary once. But now, those walls can come down, slowly and on your terms. Not all masculine energy is harmful—some of it is steady, nurturing, and protective. Let yourself explore it gently, whether in others or within yourself. As for stagnation, it’s not a failure; it’s a pause, a moment to reflect and gather strength. You’re not stuck—you’re resting, preparing to move forward when you’re ready. Give yourself permission to heal, to trust, and to grow at your own pace. There’s no rush, no timeline you must follow. I see your strength, even when you don’t. I’m here, rooting for you, every step of the way. You’re safe now.

[dr5amatic]

MONSTER YOU CREATED ,

a sentence starter prompts list comprised of quotes from arcane season 1. please be advised that this list may involve topics including, but not limited to violence. change verbiage as needed.

we're not gonna get caught. we'll be in and out before anyone notices.

thought last time was the last time we were gonna do this.

you could fill a damn library with all the things you didn't do.

a bit of advice. don't threaten the guy who pours the drinks.

when people look up to you, you don't get to be selfish.

you're gonna have to lay low for a bit, understand?

those who did this will be dealt with.

i ruined everything. i always do.

you have to believe me. i didn't do this.

i do love a good conundrum.

no great science should ever put lives in danger.

i believe i've discovered something truly incredible.

we look out for each other. it's the way it's always been.

all i see is a child meddling with things they don't understand.

i was trying to create magic.

arcane talents are something you're born with. they can't be fabricated.

you don't understand what's at stake, but how can you? that's a burden that only i carry.

if dangerous ideas didn't excite the imagination, we would never wander astray.

there's a monster inside all of us.

you're just a small man in a little hole the world forgot to bury.

i know you wanna hurt the topsiders for what they've done to us, but who are you willing to lose?

i saw it with my own eyes what magic can do, the lives it could save. you've no idea how beautiful it is.

when you're going to change the world, don't ask for permission.

what makes you different makes you strong.

you'll oblige a doomed man one last smoke, won't you?

you never did know when to walk away.

what have you done? this wasn't the deal!

you'll get people killed. for what? pride?

oh, i hated you for what you'd done, but as time passed, so did my hate. and i was left with an understanding.

the only way to defeat a superior enemy is to stop at nothing to become what they fear.

you'll die for the cause, but you won't fight for one?

willing to risk exile for your endeavor. that's quite the conviction.

wait a minute, this isn't my bedroom.

another late night. the work just doesn't end.

you were supposed to guard the cargo.

it was your job to make sure things went smoothly. you failed. don't disappoint me again.

do you have any idea what you've done?

how do you intend to prove any of this?

did my parents pay you to let me win?

i don't need favors. i need you to do your job.

you've just made yourself everyone's common enemy.

that place looks like it has bodies buried in the basement.

you're a symbol of the future now, whether you like it or not.

how can i say no to such an auspicious offer.

if you really want people to talk to you, you have to let them think you have what they want.

what is truth, but a survivor's story?

if i'm discovered, we're both finished.

are you headed home soon? i thought we could walk together.

betrayal, that pain that feels like it'll eat you from the inside out, can either break you or forge you into something greater.

loneliness is often the byproduct of a gifted mind.

do you contemplate death?

it's a sad truth that those who shine brightest often burn fastest.

i hate feeling so useless.

i know you have your reservations about me, but this only works if we can trust each other.

i just... want to feel what it was like... to be somebody. to make other people afraid.

how many problems can one girl cause?

you can fire that thing if you want, but i'm not going anywhere.

i'm not going to abandon you again.

i knew it was a mistake trusting you.

you look good for a dead girl.

that was a long time ago. people change.

nature has made us intolerant to change, but fortunately, we have the capacity to change our nature.

i know the look of a doomed man.

love and legacy are the sacrifices we make for progress.

i should have been there. for you. for everyone.

we came from a world where there was never enough to go around. that's why we fight. do you remember?

who found you? who cared for you? gave you a home?

i am your family. everyone else betrays us.

i'm only asking you to prepare to defend your people.

i'm worried i have to do something i never thought i would.

if you want to last in this world, you must learn to be both the fox and the wolf.

you'd give me a throne?

i'll give you the world if you prove you can take it.

sometimes, death is a mercy.

every time i think you can't get dumber, you dig a new low.

ego is one thing, brain is another.

weapons can't be unmade and they are always used.

that looks like more than a sprain. you need medical attention.

you have the passion of youth.

oil and water. wasn't meant to be.

we got a deal, pretty boy?

you've always been a part of this. you just never had to look it in the eye.

you really are fond of him.

i wanted to protect the city from people like you.

i can't believe you'd start a war just to cover your ass.

i would set the world ablaze to protect our family.

we lost ourselves. lost our dream. in the pursuit of great, we failed to do good. we have to make it right.

i'm trying to save you from annihilation.

i can't make a deal with a snake and cut off its head. we both have our shitty parts to play.

you'd be surprised what you can pull off when your life depends on it.

it's not enough to give people what they need to survive. you have to give them what they need to live.

is there anything so undoing as a daughter?

nothing ever stays dead.

the only thing that kept me going was the thought of getting back to you.

you're my daughter. i'll never forsake you.

remember who you are! i know you remember!

don't cry. you're perfect.

i thought maybe you could love me like you used to. even though i'm... different. but you changed too.

[alwaysless]

Fellow William analyst, greetings! I hope you are well, I hope you don't mind a question/ask.

I am curious about your thoughts on the lack of reaction we see of Will at the "one life" reveal at the dinner scene, if you haven't already shared your thoughts before! We know Annabel wasn't shocked, but what about Will?

It took me longer to answer than I thought, sorry

I'm not sure I can say anything new, but yes, it's pretty damn suspicious. The composition of the frame stylized as broken glass, makes it easy to draw Will with everyone, and a frame later we see him with other panicking students, so RnF didn't show his reaction quite intentionally.

But I also want to talk about his behavior further. In the next episode, Will doesn't behave the way you expect him to. Given his weak-willed personality, it seems like he should be scared and overwhelmed by the prospect of a survival game (like Morella for example) but he's confused at best, and moreover, confused by everyone else's reactions. He even tries to justify the deans, basically gaslighting the rest of the students.

Will is not afraid, but he does not understand why others are. I have only two possible explanations: either he knew, or he just doesn't care, just like Annabel. Or maybe both.

Maybe he has played these games before. Maybe he doesn't plan to fight for a second life (at least not in Nevermore, again just like Annabel). Maybe because he is somehow connected with the academic staff with all his doll aesthetic, there is no second life for him in general, he just works there. There are many options, but here I would prefer to focus on his parallels with Annabel - two characters whose reactions we don't see in this frame.

This is actually not the only scene where they are absent, contrary to common sense. In episode 6 we see the merit board for the first time. Most of the names on it are blurred, but some can be distinguished. Among them are Lenore, Annabel, Duke, Morella, Ada, Prospero and Will. All of them, except Annabel and Will, are present in the room at this moment.

I wouldn't have paid much attention to this scene if it weren't for Prospero. Why is he there? He doesn't speak a single line, and we haven't been introduced to him as a character yet. His presence here is useless. So maybe the idea really was for all the characters whose names were visible on the board to be in the scene(or at least have already been introduced, like Annabel).

So what about Will? My main problem with shapeshifter characters is that they can be anyone, anywhere, at any point in the story. Especially if they can also create their own copies. He could have already been introduced and we just didn't notice.

Now let's talk about the games these kids love to play so much. We know that Annabel is a talented chess player, and Montresor constantly uses card game slang. But did you know that it was William Wilson from Poe's original story who was a cardsharper? I just think it's such an interesting detail. Nevermore`s Will has never been seen like this, but considering how much of a board game aesthetic this webtoon has, I think it's important to note this.

And finally, there is a similarity that also makes them very different: both Annabel and Will have ribbons as an essential symbol, but it has a completely opposite meaning for each of them. For Annabel, the ribbons are a symbol of madness, fear, and perhaps her golden cage. It appears in her hallucinations after Lenore's fake death, as well as when Ada shows her her main fear.

Will, on the other hand? The ribbons are his weapon. He uses them to tangle other people. Curious, although his spectre is obviously a marionette, he doesn't have a control bar for strings, he controls the strings himself (not always successful but still).

No matter how weak-willed Will is, he's the only one in Annabel's group who isn't influenced by her. She blackmails Montresor, Prospero respects her as a leader and friend, Ada admires and envies her. But she doesn't have anything on Will. In the chess allegory, he will obviously be a pawn (and I`ll write a whole post about it, I swear), but not Annabel's pawn. I have an idea that sooner or later, Montresor will think of using Will to find dirt on Annabel in revenge. After all, given their spectre abilities, it's easier for them to find out lenabel's secret.

So, let's summarize what we found. Absolutely nothing. This post turned out to be longer than I had planned, because I was a little carried away, but I hope you found something interesting for yourself in this stream of thoughts.

Here, take funny little Will everyone. He deserves to be noticed.

[raayllum]

Can you explain why Claudia is so upset with Terry when they reunite after he leaves? And why Terry, of all people, looks so guilty with her that he can't even look her in the eye? It's one of those things where you know this should all be reversed, but isn't. Why? Why is the betrayer so hostile to the betrayed?

God I loved the messy as fuck whatever they had going on Claudia and Terry dynamic in S7, and I think there's a few reasons why

One of the cruxes of Claudia's character is that she is attached to seeing herself as a good person, and others as not-good by comparison. This means that she can engage in the exact same behaviour and justify it while assuming that others' reasonings couldn't possibly measure up.

This cognitive dissonance is not exclusive to Claudia (Callum and Rayla in particular have a tendency to justify each other's choices in ways they don't with other characters, i.e. Rayla viewing dark magic use being 'evil' except when Callum is using it and he's the 'goodest' person she knows) but the focus on 'my view of myself' largely is. Most other characters in TDP are focused on "I still view this other person as a good person," not being focused on "I view myself as a good person". But Claudia is, and it's this core desire being increasingly pitted against "I will do vile, awful things to keep my family together" that are constantly duking it out.

When Claudia finds Soren and Terry waiting for her, it's clear that not only has Terry joined her brother, but has turned against her (as he could've left and then just fucked off somewhere else). This association with Soren, I think, is one of the things that gets her haunches raised, since Soren made it very clear what he thinks the last time they saw one another in 4x07:

SOREN: You have to stop trying to release the greatest evil this world has ever known. CLAUDIA: I knew you wouldn't understand.

All Claudia hears is "there's something wrong with you." That she's the bad guy and on the Wrong side (which, to be fair, Soren also calls her and Viren bad humans when trying to wake Rex Igneous in 4x09). And, by extension, that Soren is better than her. More correct, more moral, more Right.

And Claudia cannot stand feeling judged. She cannot stand being treated like 'the bad guy' (because of course from her perspective, everything she does is right) and she struggles to hold a conception of "I did something genuinely wrong and can still be a good person" (see: "We're not going to the dungeons Soren, we didn't do anything wrong") usually leaning into one or the other, and normally the latter.

So Terry being with Soren is also "you think I'm wrong, you think I'm bad, and you think you're Better than me" (vs Aaravos' "believed we could be better, so he gave us magic"). She thinks the pair are there to stop her, and she's not wrong, on a certain level.

So when Soren makes a gesture of good will, openly contingent on Terry wanting to spare her ("You're here to save me? How generous [...] I can change, and you will help me. Did I get everything?" Karim vibes), it's just seen as "you're showing off how/why you think you're Better than me" and was, quite frankly, never going to work.

Soren setting down his sword came closer, as it's more reciprocal, and it also symbolizes Soren setting down his mantle/duty (the same sword that killed Viren the first time, presumably). But Soren makes another mistake; the same mistake he made in 4x07:

Dad is dead, Claudia. You don't have to do what he wants anymore.

Set down your staff, Claudia. Dad's staff.

But while Claudia has been doing stuff for Viren, she hasn't done what he wanted in a long time. She's been doing what she wants ("You are not letting go, Dad!") for a hot second, and now alongside Aaravos. (I need to write a scene on her and Aaravos' talk in 7x06, but that's for another day.) And that has included taking down elves and dragons as a whole (and any elf that doesn't help her) for a while.

The dragons and the elves, all the arrogant fools blinded by the searing light of their own self-righteousness.

They are wrong, and she and Aaravos are right ("So much we can make right"). This is a very black-and-white viewpoint in many ways, one that some characters are faster as dismantling than others, but I have no doubt that Arc 3 will push it to its breaking point for all of them. Soren and Terry have thrown in their loyalties with the elves and dragons, since Terry was previously a "good elf Exception" alongside Aaravos because they were both helping her and, as previously discussed, Terry has now turned against her, and all the baggage Claudia carries about such a thing is now dumped onto him by proxy (which Terry doesn't necessarily know or understand).

So what does he look so guilty over?

Honestly? The illusion plan. I'm sure he's worried that Claudia might get hurt, and that things might escalate / go south, but he is ultimately there with a plan that is not what he wanted. What Terry wanted was to find the real Lissa and give Claudia a real chance to connect with her mother and maybe change her ways. But it's not real. It's deception, and he knows it.

TERRY: You lied to me! AARAVOS: I never lie. I simply said we needed a big feather and a very small feather. That is all. TERRY: No. You say you never lie, what you do is worse. You tell people half-truths and let people fill in the rest. You make people lie to themselves. It's deception. It's manipulation, and it's wrong.

She betrayed him, and now in his own way he's betraying her.

So what makes him decide to turn around and do something... similar, shall we say? There's a few things. The first is that they're on a time limit and have no way to reach Lissa. The second is that it's plausible the others were going to do it anyway, and Terry accompanied them because 1) he couldn't stop them, 2) he felt responsible, and 3) hoped that his presence would make a positive difference to Claudia.

The second is the other half of what Aaravos says to Terry, I think.

TERRY: I'll tell Claudia. AARAVOS: Oh, it will change nothing. She loves me. [...] And what of Claudia, then? She knows so much more than she tells you, and she keeps it that way to protect you.

Now, Terry rightfully understands that Claudia wasn't keep things from him to protect him; she did it to use him and to keep him from leaving ("I knew he'd leave once he found out"). However, Terry being willing to live in a half-truth and employ one on Claudia because he genuinely believes it will help her, because he thinks it's a truth he needs to withhold to protect her ("You have to promise me that no harm will come to Claudia" is most easily kept if she backs down)... that I can believe, especially since it lets him believe that she's capable of change/quitting. He wants to Save her, not use her.

That doesn't mean he thinks it won't Hurt.

[acourtofthought]

can you genuinely say at this point in time, Elain wants lucien? I'm not asking for theories or headcanons. I am asking if you genuinely think that Elain in any way is secretly pining over Lucien, and what textual evidence supports that.

People have argued about her mentioning his name, but I don't think that has to do with romantic feelings for him, moreso basic respect for another. People have talked about a "half-step" which I must've missed bc I do not even remember that - but i don't think a "half step" necessarily conveys anything romantic.

I'm trying to form an opinion in this ship war, but its hard when I see a ton of misinformation from every side. The elriels have their own faults, but they can point to text now that shows Elain wants Azriel.

Can Eluciens do the same? I'm not trying to start a fight, I really just want to know what portion of each ship is backed by the current books vs. how much is just people theorizing they are end game and what they want to happen. And if the Elucien ship is purely just "SJM will always pair fated mates together" that's also fine and valid imo, I just want to know if there's anything in the books you can point to that shows Elain wants Lucien at this moment in time. I don't want to argue about hypotheticals and foreshadowing and what a rose symbolizes. I want cold hard words on the page.

Please note: I know just because it might not be there YET doesn't mean it's not going to happen. I want to evaluate the current standing of these books and the rationality of each argument. But to do that, I need people to be honest about what's there and what's not. I'm asking you because you run one of the more...logical shipwar blogs. But if you don't want to answer this - I also understand why.

At this point in time I don't think that canon supports Elain wanting anyone and that includes both Az and Lucien.

The only person Elain ever confessed having feelings for is Graysen. Real feelings. The "my heart belongs to you" kind of feelings.

Elain specifically said she did not want a male or a mate and those are categories Lucien and Az fall under, despite the almost kiss with Az in SF. It's been proven that a FMC in a SJM book can hook-up with a guy but not want a relationship with him (Feyre / Isaac, Nesta with fae who were not Cassian, Mor / Cassian, Mor / Helion) so Elain's actions in the Az bonus don't prove Elain wants him for more than a night of fun. In fact, the text in canon has her agreeing to "just a taste and that would be it". That's not a confession of long term commitment nor was there any to be found in any other interaction she's had with Az. Even crushes don't mean you're wanting forever with someone. Not to mention she was not written as looking towards either Az or Lucien in the 5 months after Solstice so absolutely no canon supports that she wants to hook-up with Az anymore. Elain's past actions from months ago (including those with Az) can't really be used as proof of canon of now, otherwise we should all be claiming she's still in love with Graysen since she never specifically stated she no longer has feelings for him. Nobody says that though, we use the canon of her no longer breaking down over Graysen to show she's moved past wanting to be with him and currently the canon suggests she's also moved past whatever she was about to do with Az on Solstice since there are zero signs to argue otherwise. There is also zero evidence of Az still wanting to be with Elain in any way now that we're 5 months beyond Solstice. 7 if you count HOFAS.

Right now I think the only thing canon truly supports is that Elain is showing no romantic interest in anyone, male or human. 5 months is a long time. Feyre left Tamlin then was mated to Rhys within 5 months and Elain was not mentioned as shedding a tear for Graysen in that same length of time, not mentioned as looking Az's way in that time, not having a reaction (good or bad) to Lucien in that time.

So to your question, canon does not support Elain wanting Lucien but it doesn't support her currently wanting Az. Canon also never supported her wanting to start a relationship with Az, canon doesn't support her wanting a mating bond with Az, canon doesn't support her having any desire to go forward with a forbidden love with Az.

Does that mean it's what she's actually feeling for Lucien or even Az? We can't say for sure because we don't have her POV but if we're truly basing this discussion off canon alone than Elain doesn't currently seem interested in anyone. It's not fair for e/riels to claim she still wants Az 5 months later as they have no evidence supporting it. It's only their headcanon that she does. Not to mention it's their headcanon she wanted to have a relationship with Az in the first place. They have zero evidence to show she'd be willing to seriously date him.

But as far as what I genuinely think (your phrasing)? I think Elain is struggling with the pull she feels towards Lucien and it scares her.

I don't think all Elucien's assume Sarah will pair Elucien together simply because they're mates. There are many layers behind what we feel.

I do think Elucien's use logic based on Sarah's writing and that logic tells us that characters don't simply ignore a mating bond. In canon, the bond creates a tug to the other that can never be truly forgotten. Based on that canon we hypothesis that there is a lot going on under the surface which is why she's hidden Elain's thoughts from us. She's the only main side character from the original cast who has never been given a POV and there's got to be a reason for that. Sarah was willing to share her almost kiss with Az but never her actual thoughts for Lucien who she suddenly began ignoring in ACOFAS after the events of ACOWAR and that seems a bit purposeful doesn't it? How a kiss isn't a secret but what she feels about the bond she says she doesn't want is?

While we've got no proof showing she wants Lucien, we were given so many examples of the author making an effort to show their compatibility. We were given a bunch of crumbs as to where Elain's future journey could take her and many crumbs placing Lucien in those same places. The author wrote Lucien (not Az) meeting Elain's father. We were given a bunch of scenarios where we're left wondering WHY Elain behaved a certain way towards Lucien especially after she defended him to Graysen, after she took a step as if she'd stop him from searching for Vassa, after she did follow he and Feyre instead of staying behind at her father's grave, after they were left together to wash up after the war, after she invited him to come back to Velaris but only after all that she began completely ignoring him for unexplained reasons. Based on Sarah's writing that pull and push typically means a character is struggling with her pull / desire for the other person and things aren't so one dimensional as "she doesn't like him!" If she didn't like him then why take a step as if to stop him? Why follow him instead of staying with her father's grave? Why peer up at him? Why invite him to Velaris?

We've been in this place before with a Sarah book. "Why did the character do that only to do an abrupt 180?" We saw it with Nesta, who was willing to die with Cassian in ACOWAR only to do the most 180's of all 180's by giving her virginity to someone else in the novella. To telling Cassian she wanted nothing to do with him though we knew she did. So Elucien's are only waiting to see how the author deals with Elain and her inner thoughts of Lucien. We don't think Elain's setup is going to be any less complex than Nesta's was. We believe the author is going to tell a story that is deep and meaningful. And while Elain's current setup doesn't prove this to us just yet, it is canon that Sarah has given that exact treatment to every single one of her mated pairs, whether the FMC was struggling with what she felt or the MMC (as we saw with Rowan and his bond with Aelin), so it would be silly for us to think Elain would be the only one who isn't given that same complexity.

While the textual evidence does not necessarily prove Elain has feelings for Lucien, I think it's valid for Elucien's to use textual evidence of Sarah's past writing patterns to predict the direction she's taking them.

I have no problem admitting that current canon doesn't prove Elain wants Lucien but I've never seen a e/riel admit that current canon, by the end of SF, also doesn't prove Elain wants Az. That canon never proved she wanted a relationship with him at all. Canon doesn't even prove she called his scars beautiful considering Feyre said she wasn't sure if she was referring to his Siphons yet they still hold on to that one.

Canon proves Elain loved Graysen though he was an asshole, canon proves that she was willing to hook up with Az with no proof of anything more, and canon proves that she shares a mating bond with Lucien that she'll never be able to completely forget ("it will be a bond that will trail her for the rest of her existence") though she's currently trying her best which results in weirdness for everyone. That is all the canon proves.

From a romance standpoint, only one of those storylines typically has staying power.

[tirsynni]

I'm already seeing it: everyone complaining that Trump is going to win. Why? Because people are frustrated with Biden. So their response is... what? To passively let Trump win? Are you kidding me right now?

If Trump wins, I don't want anyone blaming Biden. Not a single person. Everyone has already made their position clear and have also made it very clear that they understand the consequences of those actions. Just instead of accepting blame, they're blaming Biden. For their own choices. For their own actions.

No. You need to be an adult to vote. Now prove you're an adult and that you can take responsibility for your own actions.

No matter how pissed you are at Biden, you need to recognize that non-Trumpers outnumber the Trumpers and it doesn't mean shit if non-Trumpers don't vote. Guess what. Trumpers are going to vote. They're going to go to the polls and they're going to vote. If they vote and you don't, guess how it's going to go, even if non-Trumpers outnumber Trumpers. Doesn't mean shit if your vote doesn't reflect that.

What do you think is going to happen with Palestine if Trump wins? If you're pissed about Biden's actions and inactions regarding Israel and Palestine, how are you going to feel about Trump? Because I promise, if you choose not to vote for Biden, you are voting for Trump, and he will be worse.

There is no third party option which is going to win against Trump. Your symbolic non-vote is a vote for Trump. If you don't vote for Biden, you are fucking voting for Trump, so I hope you're ready for that.

"But Biden --" I don't give a fuck. Be an adult. Accept that sometimes in life, you have to accept the lesser evil. There is no room for you to go "Well, I have to do what feels right." NO. That is self-serving, self-indulgent, selfish bullshit. You are helping no one but your own feelings. You will pat yourself on your back with one hand and stab your neighbor in their back with the other.

If you are really concerned about Palestine, vote for Biden, because I promise, he's still better than Trump. Vote in all elections, because they all matter and Trumpers are voting in all of them. Make phone calls. Raise hell. Sign petitions. Do whatever else you can. I fucking promise you, though, that for any of that to count, you need Biden in the office, not Trump.

Again, I don't give a flying fuck if you hate Biden. I sincerely don't. The US presidential election will be two party. Should it be? No. Doesn't matter. That's reality. The US presidential election will be two party: Biden vs Trump. We need to be adults, and we need to recognize what we're dealing with. I will say it again and again and again: any vote which isn't Biden will be a vote for Trump. Don't think to yourself, "I don't want to show the Democrats they have my support with all of this bullshit, so I'm going to not vote/vote third party/symbolically write something in." Be truthful with yourself. Be realistic. If you are pissed at Biden and decide that you aren't going to vote for him, say clearly to yourself, "I'm voting for Trump and all that entails."

If you really think that way, please let me know so I can block your selfish ass. Make sure to tell your neighbors that you're cool with fucking them over, because you need to do what feels right, and that means letting Trump back into office. If you want to brag about your integrity, then at least have the integrity to at least be that truthful with everyone.

[nazrigar]

question, how would Megatron from your au interact with the Megatron from the TFPrime, transformers one, and earthspark universes? And vice versa with the Optimus with his incarnations?

Ooooh! This is the first time I've recieved this question, and I'll try to answer them as best I can. First things first however, All-Sparks!Megs would find it interesting that most other Megatrons has their Orions as peers and/or brotherly kind of friendships. Now as individuals:

He'd unfortunately be pretty harsh toward Earthspark Megs... because only now you're tired of war? Considering how ES!Megatron's decisions impacted Earthspark!Shockwave, Soundwave and Starscream, All-Sparks!Megatron, if he ever got tired of the war, would just straight up tell his subordinates his intentions first-hand, and if they object... well, they can test their convictions and say their objections directly... and if they or himself perish, so be it. Mind you, All-Sparks!Megatron doesn't even particularly like All-Sparks!Starscream because he was a former politician! However, there is one thing All-Sparks!Megatron would be saddened and wish he still had: Earthspark!Megatron's parental connection to Twitch.

He'd be mixed with TFPrime Megs. TFPrime Meg's motivations he'd consider noble and just. He'd like that he combines might and cunning, but feels like him being entitled to and starting a war because he was pissed off at the High Council for being rejected the position of Prime to be incredibly foolish. The Matrix is, ultimately, a fancy symbol of authority, and the rank of Prime a symbol of the deciever and the oppressor. Instead of leaving the building... he should have just burned it to the ground on the spot. If you had already the support of the people? Use it. Who cares about the platitidudes of a council that did twiddled their thumbs as the rot of the caste system spread? Also, don't consume the dark energon.

He'd be absolutely proud of Transformers One Megatron: Now THAT'S a young man with conviction, and most importantly the will and power to what must be done.

And now for All-Sparks!Optimus Prime, he's young but still powerful but boy howdy woul he LOVE to spend time with any Prime outside of his own and learn from them. He has a tiny bit of a witty tongue, but still respectful.

He'd probably be critical of ES!Optimus' trust of GHOST. Alls!Optimus has extensive experience with negotiating organics of varying trust with Cybertronians. On the other hand? Finally! An Optimus Prime that appreciates some jokes!

All-Sparks!Optimus Prime would find TFP Prime to be someone to admire and learn from (complete with notes), but wishes he lets himself be more open to others about what goes through his mind.

All-Sparks Optimus would sympathize a lot with TFONE Optimus, because he knows all about the pain of seeing someone you care for fall to darkness... and the feel of getting shot by a fusion cannon point-blank.

However, if there is a Prime he would have emotional breakdown over, it would either be Skybound or G1 Sunbow Optimus. Sunbow because he's the ultimate dad figure... Skybound because even after all that Skybound OP has went through, the emotional turmoil, he still has hope in his spark and a goodness that he so desperately wish he could see in his own father, a fleeting hope as war continues to rage on. Skybound!Optimus may not understand initially what is a 'dad', but if there's a father figure that All-Sparks!Optimus would look up to, it'd be Skybound's.

[redhoodinternaldialectical]

"Murder is Werewolves" - Batman

I don't got the SPOONS to do this thought train justice, I have seriously been trying to write this thing for MONTHS so just, idk, have this half baked skeletal outline of the essay I guess:

I don't believe that Batman's no-kill rule is primarily about rehabilitation or second chances.

His refusal to believe that Cassandra could have killed someone when she was eight years old because "how could a killer understand my commitment not to kill" is absolute fucking MOON LOGIC from a rehabilitationist standpoint. No jury on the planet would think for even a second that she could reasonably be held accountable for her actions in that situation! Her past cannot condemn her to being incapable of valuing human life under a rehabilitation centering framework. However, Batman's reasoning makes perfect sense if he believes that killing is a spiritually/morally corrupting act which permanently and fundamentally changes a person, and that corruption can never be fully undone.

Dick Grayson killing the Joker is treated both narratively and by Batman as an unequivocally WIN for the Joker. The Joker won by turning Nightwing into a killer. Note that this is during a comic in which the Joker transforming people was a major theme! Batman didn't revive the Joker because the Joker deserved to live; he revived the Joker to lift the burden on Dick.

His appeal to Stephanie when she tried to kill her dad is that she shouldn't ruin her own life. He gives no defense of Cluemaster's actual life. Granted this is a rhetorical strategy moment and should be taken with a generous pinch of salt, but it fits in the pattern.

When Jason becomes a willful killer, he essentially disowns him, never treats him with full trust ever again, and... Well, we can stop here for Bruce's sake. Bottom line is that his actions towards Jason do not lead me to believe that he thinks Jason can become a better person without having his autonomy taken from him, either partially or fully.

The Joker is, for better or worse, the ultimate symbol and vessel of pure, irredeemable evil in DC comics now. He hasn't been just another crook in a long time. He will never get better, he will only get worse. If you take it to be true that the Joker will not or can not rehabilitate, then there's no rehabilitationist argument against killing him.

Batman does not seem to consider it a possibly that he'll rehabilitate. Batman at several points seems to think that the Joker dying in a manner no one could have prevented would be good. Yet Batman fully believes that if he killed the Joker, he himself would become irredeemable.

Batman's own form of justice (putting people into the hospital and then prison) is fucking brutal and clearly not rehabilitative. He disrespects the most basic human rights of all criminals on a regular basis. It is genuinely really, really weird from a rehabilitationist standpoint that his only uncrossable line is killing... But it makes perfect sense if he cares more about not corrupting himself with the act of killing than the actual ethical results of any individual decision to kill or not kill.

In the real world cops are all bastards because they are too violent to criminals, even when that violence doesn't lead to death. Prison is a wildly evil thing to do to another human being, and you don't use it to steal away massive portions of a person's life if your goal is to rehabilitate them. In the comic world, Batman is said to be necessary because the corrupt cops are too nice to criminals and keep letting them out of jail. I don't know how to write a connector sentence there so like I hope you can see why this bothers me so damn much! That's just not forgiveness vibes there Batman!!

I want to make special note here of the transformative aspect. You don't simply commit a single act when you kill, no, you become a killer, like you might become a werewolf.

The narrative supports this a lot!

Why did Supes go evil during Injustice? He killed the Joker. Why did Bruce become the Batman Who Laughs? Bruce killed the Joker. Why was Jason Todd close to becoming a new Joker during Three Jokers? Because he killed people, to include the Joker.

Even if these notions of redemption being impossible aren't the whole of his reasoning (people never have only one reason for doing what they do) it is a distinct through-line pattern in his actions and reasoning, and it is directly at odds with notions of rehabilitation, redemption, and second chances.

So why does he give so many killers second chances?

Firstly because this doesn't apply to all versions of Batman. Some writers explicitly incorporate rehabilitation and forgiveness into his actions. You will be able to provide me with examples of this other through-line pattern if you go looking for them. The nature of comics is to be inconsistent.

Secondly the existence of that other pattern does not negate the existence of this one. People and characters are complex, and perfectly capable of holding two patterns of belief within themselves, even when they conflict to this degree. You can absolutely synthesize these two ideas into a single messy Batman philosophical vibescape.

Finally and most importantly to this essay: he has mercy on killers the same way that werewolf hunters sometimes have mercy on someone who is clearly struggling against their monsterous nature, especially if they were turned in exceptional circumstances or against their will. They understand that they are sick, damned beasts, cursed to always be fighting against themselves and the evil they harbor within. It is vitally kind to help them fight themselves by curtailing their autonomy in helpful ways and providing them with chances to do some good to make up for their eternal moral deficiency.

I think in many comics Batman views killers as lost souls. Battered and tormented monsters who must be pitied and given mercy wherever possible. (The connections to mental health, addiction, and rampant, horrifying ableism towards people struggling with both is unavoidable, but addressing it is sadly outside of the scope of this essay.)

Above all, the greatest care possible must be taken to never, ever let yourself become one of them, because once you have transformed the beast will forever be within you growing stronger.

To Batman, it is the most noble burden, the highest mercy, the most important commandment: Thou shalt suffer the monsters to live.

[vee-is-a-clown]

Ok you know what makes me angry? Why is Allura so mature and humble? She's a daddy's girl only child princess who was set to inherit a flourishing kingdom. Sure, she's well educated and probably elegant and graceful and tactful because that's how she was raised to act for diplomatic reasons but she was also probably spoiled throughout her adolescence. She probably got whatever she wanted whenever she wanted because her family had the resources to give it to her. Who's to say she isn't a spoiled brat who can otherwise act kind and approachable? Even if she isn't a brat, she was still handed her life on a silver platter. She has to learn how to operate and be self sufficient.

When she gets out of that pod, she should be scared. She should be angry. And she deserves to be so. Her father that she relied on for just about everything shoved her into a sleeping pod and suddenly she's awoken by someone who isn't him. Logically, that means he lost. She should be kicking and screaming. She should be having the worst panic attack ever. She should be mourning everyone and everything she's ever known. She should be mourning the status quo that will never again be maintained. She should be mourning the future that can never come to fruition.

She has to figure out life without any system or technology that she's ever relied on. Coran doesn't know how to fix and maintain everything. She's like one of those people that wake up from 10+ year comas and don't understand modern technology. She is my dad who has had the same flip phone since forever and now must figure out how to use a phone with a touch screen.

Every luxury she had as a princess is gone. The castle chef who knew exactly how she liked her food. Her mother's ladies in waiting who told her the castle gossip. Her own ladies in waiting who'd sneak out to festivals and other trivial things with her. The cleaners that arranged her room exactly as she liked it. HER MOM. I don't care if she was a daddy's girl, she still has got to miss her mom.

I feel like she should've had more outbursts. Seeing Keith in the red paladin armor should've made her cry. In fact, all of them should have. The new paladins in their armor is a symbol of a new era- an era without the people she loves. She deserves to scream at the top of her lungs and lock herself in her room and trash something. She should be yelling that life isn't fair. She should be angry. She should be so angry.

I don't care if she's trying to hold it together for the paladins in the show. She's holding together too well. She needs more moments of instability. She needs to grieve. She needs to be tired. She needs to be imperfect.

[hbmmaster]

how many games are there?

"how many normal play partizan games are born on or before Day 4" is an unanswered question that, depending on how much you know about game theory (the mathematical field of study, not the youtube series) either doesn't mean anything, sounds like something we really should have an answer to, or sounds like something that probably cannot be answered with existing technology.

normal play partizan games

I recommend this video (RIP Owen) as an introduction to the concept, but this is a very specific type of "game". these are turn-based perfect-information games for two players, conventionally named Left and Right.

every game (or game position, or game state) is defined in terms of what options the two players have from that game state, if it is their turn while the game is in that state. these options are themselves defined by what state the game enters when that option is chosen.

the "normal play convention" part means that if it is your turn and you have no options, you lose and the other player wins. ties are not possible.

the standard notation for games used in combinatorial game theory is the form {L|R}, where L is Left's set of options and R is Right's set of options.

equivalence

one important concept to understand for this problem is the comparison of games, and in particular when two games are equal to each other. I again recommend watching the video I linked, but here's the short version.

two games G and H can be "added together" to form a new game, G+H. the way the game G+H is played is that on your turn you can either make a move in the G part and do nothing in the H part, or make a move in the H part and do nothing in the G part. the normal play convention still applies: you lose and the other player wins once you don't have any options in either part of the combined game.

it's also possible to subtract one game from another game by adding its "negative". the negative of a game is simply the game where Left's options are all the negatives of Right's options from the original game, and Right's options are all the negatives of Left's options from the original game. in essence, the two players are swapped.

so then, for reasons that make sense but I am not going to get into, two games G and H are said to be equivalent to each other if G-H, the sum of G and the negative of H, equals some game where if both players are playing optimally, the second player wins.

the birthday property

since these games are defined recursively in terms of what other games can be reached from them, all "finite games" can be generated in an iterative process, building a new batch of games out of the games you got from the previous iteration ("day"). this is called the "birth" of a game, and the "day" a game is "born" on is, naturally, its "birthday".

on Day 0, no games exist, so the only possible set of games that can be used to make more games is the empty set. the only game born on Day 0 is {|}, conventionally called "0".

on Day 1, two possible sets exist: the empty set, and the set containing 0. so, there are four games born on or before Day 1 and their conventional symbols:

{|} = 0

{|0} = -1

{0|} = 1

{0|0} = *

Day 2 is somewhat more complicated but not by much. now that more than one game exists, sets with more than one game can be used as options. but for advanced game theory reasons, only some of these sets actually work for generating unique games. a total of twenty-two games are born on or before Day 2:

{|} = 0

{|0} = -1

{0|} = 1

{0|0} = *

{|-1} = -2

{-1|-1} = -1*

{-1|0} = -½

{*|0} = ↓

{0|0,*} = ↓*

{0,*|0,*} = *2

{0,*|0} = ↑*

{0|*} = ↑

{0|1} = ½

{1|1} = 1*

{1|} = 2

{0|-1} = -½±½

{1|-1} = ±1

{1|0} = ½±½

{*|-1}

{0,*|-1}

{1|0,*}

{1|*}

I don't think those last four have established symbols besides their {L|R} definitions, but this stuff is not that easy to look up.

anyway, once you get to Day 3 things explode, and now there's 1474 games! and beyond that it's an open question.

on Day 4 we know that there are at least three trillion of them, but there could be anywhere as high as 5.2x10^443, a number on a googological scale.

if it turns out the final answer is somewhere in the trillions then it might be possible to brute force the full list with enough computing power and time, but the space of possible games that need to be checked is simply too vast.

anyway that's neat isn't it

[snakes-and-fluff]

Contemplating when blood is explictly shown in Milgram MVs and for what purpose. (Plenty of shots of blood and bloodied people below the cut)

Both of Muu's songs show a pretty clear-cut image of the murder, blood and all.

But it's interesting to note that, while Muu does show realistic blood in both MVs, in After Pain it's only for a single shot: most of the shots of Rei's body have her covered in a neon green liquid instead - the same liquid inside the hourglass. But in It's Not My Fault, while the hourglass does return, it's not used as a stand-in for blood this time, only showing realistic shots of blood at the scene.

Realistic blood is again shown in The Purge March and although this whole scene is metaphorical, it is highly likely that this is what the state of the actual weapon would have been.

Some of the blood in MeMe appears to be representative of real events (though the circumstances around the murder are still so vague I can't say for sure), but some of it is clearly over-exaggerated for dramatic effect and not a representation what literally happened.

Sometimes blood is purely symbolic, like in Cat (in addition it is coloured pitch-black, even on Hinako's face when the lighting should make it appear brighter).

Similar to the above, the blood in Bring It On is symbolic of Fuuta's guilt, but is portrayed with more realistic colouration.

Then you have Haruka's weird midground, where he has blood in both his MVs, and both are heavily stylized (albeit in different ways). If the shot at the end of All-Knowing and All-Agony is any indication, he strangled his victim which should have been a bloodless death, but he has engaged in literal bloody activity before (killing pets), so his blood appears to be both metaphorical and literal.

At the end of Deep Cover, Kotoko stands covered in neon pink blood, chess pieces representing the other prisoners scattered about her feet. But the only pieces that are shown are those voted Innocent in T1 - those she has not yet attacked. So the blood here is not representative of any particular event, but rather her intentions.

But if that's the case, what does that say for Double, which portrays John standing in a train, dripping with blood the wrong colour as he attacks mannequins? Is this merely a mental block he has because he cannot clearly remember the events? Or, like Kotoko's similar theming above, is it purely metaphorical, indicating his emotions rather than his actions?

Then we get to Milgram Enigma Number 1, Mahiru. I Love You undoubtedly shows realistic blood, but whether it is literal or not is left very unclear. If the only bloodstain present was the one on his torso I'd be more inclined to believe it was truly all a metaphor; a betrayed or bleeding heart. But that doesn't explain the stain on the sleeve. And of course, it begs the question: if it is metaphorical, what is it representing? Fuuta showed guilt by recoiling at the blood on his hands, and Kazui showed remorse and how he feels like a monster by tearing a dove apart. But we don't see Mahiru cause this wound, nor does she react to it. As of right now I don't understand enough about Mahiru to form a concrete conclusion but if the trend in the other MVs is anything to go by, I'm afraid that these bloodstains might be more literal than I want to believe.

Interesting to note that Fuuta is the only character to show blood in his T1 MV but not the second, and both Yuno and Shidou show no blood in either MV (ironically enough for Shidou, as things like rotting fruit have to take the place of organs and blood instead)

[jpitha]

Used to Humans

Lots of "HFY" and "Deathworlders" and "Humans are $Adjective" stories understandably talk about early days with humans in the galaxy. It's fun to think about how humans could be different from other sapient species and how the things that we do that are normal to us could be seen by others. Eventually though, everything gets explained and the galaxy moves on, right? What does it look like when everyone already knows about the wild things humans do.

****

Vic burst through the door into the lounge. "I've got it! If we can route the neutrino stream away fro-"

Resimar and Pel'im didn't look up from their card game. Many of the games humans brought into space are popular, but almost all pale in comparison to the humble deck of cards. The idea of pieces of laminated paper with numbers and symbols on them to play hundreds of different games was appealing across all sapient species in the galaxy. Resi and Pel were currently deep into a Pinochle tournament.

Without looking up at him, Pel'im says, "Nice work Vic, I'm sure it'll work great." He sighs and flicks his eyes up to Resi. "twenty five points." Resi makes a face, but flicks her ears, indicating agreement.

Vic looks at both of them, incredulous. "You don't want to know what I figured out?"

Resi puts down four cards. "Kings around."

Pel snorts. He takes a moment to move the cards in his hand to a slightly different orientation. He doesn't look up at Vic. "Vic. How long as humanity been in the Galaxy?"

"Uh, more than one hundred Earth years now?"

Pel nods. "Right. And in that time, how many planets did you destroy?"

Vic thinks for a moment and looks down at his pad. "On purpose, or by accident?"

"That's entirely his point, Vic!" Resi looks up at Vic while Pel fusses at his cards. "For the last hundred and something years, when something wild has happened in the galaxy, you go to the center and you find one or more humans, either cackling with laughter or covered in soot going 'I had no idea that was going to happen!' We're just used to it now." She frowns at the cards in her hand. "You usually clean up any messes you make, so go nuts, have fun. Tell us when it's over. Is this going to be like the 'Apple Pie' incident again?"

"Double Pinchole!" Pel throws down both jacks of diamonds and both queens of spades, triumphant "That's thirty points, and my win for this round.

Vic crosses his arms. "No, it won't be another Apple Pie. For one, I know more about your physiology, for two, HR has forbid me from the kitchen, and for three the captain says that it wasn't that big of a deal actually, and nobody was seriously hurt in the end."

Resi sighs and scoops up the cards, carefully arranging them and with her smaller than human hands very carefully shuffles them. Pel leans back and takes a sip of his tea, satisfied.

Vic stares at them, deflated. "Oh. Uh, okay then. I'll let you get back to your game. Who is winning?"

Resi snorts. "Pel currently, but the tournament is not over yet."

Pel leans back and makes a gesture like rolling their eyes. "It basically is."

Later that day, when the bulkhead doors slammed shut to prevent all the atmosphere from venting from the ten meter hole that appeared in the hull near Vic's workstation, Resimar wondered if she should have expressed more interest in what Vic was working on.

[personwhowrites]

Treasure

König x f!reader x Ghost, some f!reader x Price.

Slight intension of.. smut. MDNI!!!!

——————————————————————

His hazel eyes are locked onto you, following your every step and gesture with keen interest. They trail along the contours of your enchanting figure, lingering on your captivating face. He's completely absorbed, unable to get his fill. The reason behind his fascination is a mystery to him, but he's not bothered by it in the slightest.

"Ghost!" you exclaim, waving at him from across the field. "Hey!"

He simply nods and averts his gaze. A hint of disappointment creeps into your heart, preparing you to run towards him. Just as you're about to take off, a gentle hand grabs your arm.

"Y/n..." someone says, smiling. "Surprise!"

"König?" you say, a wide smile spreading across your face. "Oh my god! What are you doing here?"

You embrace him tightly, and he returns the hug, casting a glance towards Ghost. There's an intensity in his stare, a simmering tension. Ghost clenches his fists and curses under his breath. You're within his sights now, within his personal space... not König's.

"How have you been, mein Schatz?" König asks, holding your hand, your fingers intertwined. "Have you been good?"

"I should be asking you that..." you reply, a giggle escaping your lips. "But I have been. How was your three-month mission?"

Ghost watches with anger as König engages in conversation with you. He understands the meaning of "mein Schatz" - "my treasure." It infuriates him how oblivious you are to the endearment, how effortlessly you respond when König uses it. Do you not know its implications? Are you okay with being referred to that way? Lost in his thoughts, Ghost fails to notice you approaching with König. He only realizes you're there when you tug on his knife.

"Ghost?" you say softly, concern in your voice. "Hey, are you alright?"

"I'm fine," Ghost replies, his gaze shifting to König. "Was..."

"What?" König interjects, his glare now fixed on Ghost. "I'll talk to you later, Y/n. I need to catch up with Ghost."

"But I don't have to go anywhere?" you say, puzzled and unaware of the mounting tension. "I mean, I was hoping we could hang out and work on our sniper skills."

"Later, mein Schatz," König says softly to you. "I know Soap was looking for you."

You glance at the two men and bid them farewell before turning to leave. König's eyes darken as they meet Ghost's, an intense exchange of gazes. It's a sight to behold - a tall, menacing masked man locking eyes with another masked figure. It feels as though a confrontation is imminent.

"...You and Y/n seem to have gotten close while I was gone," König hisses, his gaze still fixed on you as you walk away. "How funny..."

"Funny?" Ghost retorts, his annoyance evident in his voice due to König's presence. "What are you doing here?"

"Easy now..." König responds, his eyes still on Ghost. "I outrank you."

Ghost remains silent, releasing a frustrated sigh. König moves to Ghost's left, leaning against the tires, creating a symbolic barrier. König always exploits his rank, using it to his advantage in any situation. It stirs Ghost's anger, knowing he can't say much without crossing a line, given König's tactic.

"Stay away from her," Ghost asserts, his attention now fixed on a pair of rookies training. "She's mine..."

"She isn't an object," König retorts, a hidden smirk beneath his mask. "She chooses who she wants to hang out with..."

"I never said she was an object," Ghost hisses, his response causing König to side-eye him. "She... she just needs to be with me."

"Why? Is it because she's replacing all the trauma you've endured?" König says, a sharpness in his tone, causing Ghost to snap his head towards him. "..Isn't that right, Simon?"

"You're one to talk... hiding your face because of some high school bullies," Ghost fires back, his fists colliding with the tire beside him. "You don't know anything about me."

"And you don't know anything about her," König replies, now focusing his gaze on Ghost. "...You know nothing. Not her favorite food, not her favorite animal and color..."

"Those are just minor details," Ghost asserts, standing tall. "I know her more than you think..."

Ghost storms off, determined to find you. König watches as Ghost departs, and then he, too, sets out to seek your presence.

"Soap?" you say, entering his room. "Hey, König said you were lo—"

You pause, noticing Price rummaging through Soap's belongings. Price freezes, his eyes meeting yours. He looks like a deer caught in headlights, clutching a letter in his hand. Glancing around the hallway, you swiftly close the door and turn your attention back to Price.

"...What are you doing?" you whisper-yell, a sense of urgency in your voice. "Price!"

"I don't have to explain myself," Price responds, locking eyes with you. "Why are you here?"

"König told me Soap was looking for me," you reply, snatching the letter from his grasp. "What is this?"

"Give it back," Price says urgently, attempting to reclaim the letter. "Y/n, I'm serious."

As you try to open the letter to read it, Price inches closer, attempting to grab it from your hands. Unbeknownst to both of you, Soap opens the door, causing you to stumble backward and fall gracefully. In the process, Price loses his balance and lands on top of you, with his face buried in your neck.

Soap's bewildered voice fills the room as he gazes at the unexpected scene, "What the hell... What were you two doing?"

Ghost swiftly helps Price up, and König takes the chance to lift you in his arms, carrying you protectively. You quickly hide the letter and glance at König. Meanwhile, Price clears his throat, seemingly embarrassed.

"I was looking for you," Price stammers, rubbing his hands together. "Seems like I found you."

Soap directs his attention to you, asking, "Y/n, why were you in my room?"

"König told me you were looking for me, so I came to see you," you reply as König sets you down. "I just didn't expect Price to be there."

"I wasn't looking for you," Soap says, giving König a questioning look.

You turn your head towards König, gasping dramatically, "You lied to me!" You exaggerate your disappointment and then turn to Ghost. "He lied! How could he?"

König nervously rubs his neck, unable to come up with an excuse this time. Ghost smirks under his mask, glad that König has finally been caught in a lie. Price grabs your arm, shooting you a glare.

"My office now," Price orders, leading you away. "You three can talk to her later."

You don't have a chance to bid farewell to the others as Price pushes through the crowd, making a beeline for his office. Once inside, he snatches the letter from your pocket, leaving you confused and sighing.

"What's the letter about?" you ask, amused by Price's behavior. "Is it some sort of love letter?"

"No... uh, it's just..." Price stumbles over his words, rubbing his eyes. "Nothing, you're dismissed."

"Whatever you say, Captain!" you respond with a chuckle before leaving Price's office. As you step out, you accidentally bump into Ghost, who swiftly grabs hold of you. "Not even a 'what happened'? How rude."

Ghost scans the area and notices König approaching. He starts walking with you, drawing attention from onlookers. While Ghost remains unaware, you can't help but notice. Your hands are intertwined, fingers touching and entwining with each other. A warm sensation spreads through your heart as you gaze at your joined hands. It feels like König's touch, yet somehow even better. Eventually, you come to a stop and realize you're in Ghost's room.

"Don't choose him," Ghost pleads, looking at you with desperation in his eyes. "Please..."

"What?" you reply, growing more confused. "Wait, don't choose who?"

"König... you... and him... please," Ghost says, removing his mask. "Choose me..."

"Ghost, I..." you begin to speak but pause, captivated by his face. "Ghost..."

Even in the simulated room, his eyes seem to shimmer. You watch as he gently places his hands on your face, his thumbs tenderly stroking your cheeks. Your face warms up as he leans closer.

"...Choose me... please," Ghost whispers, his voice soft as honey. "...Choose me... over König..."

You remain silent, caught in the moment, when suddenly the door opens, and König pulls you away from Ghost. König glares at Ghost, and you shift your gaze to König as he removes his own mask. The tension is palpable. Ghost reaches out, grabbing your hand and trying to pull you towards him.

"Choose me," König repeats, echoing much of what Ghost said. "You have to... mein Schatz..."

"Guys... uh..." you stammer, trying to extricate yourself from their grasp. "I don't know what's happening. Why do I have to choose between my friends?"

"Friends?" they both say simultaneously.

"I mean, we are friends, right?" you inquire, utterly clueless. "Right?"

"Y/n, I love you," König declares, clutching your right hand. "...I love you, mein Schatz..."

"Y/n," Ghost's voice trembles with vulnerability as he takes hold of your right hand, his eyes filled with sincerity. "I can't keep it inside any longer. I love you... beyond the boundaries of friendship, beyond any words I can find. You mean everything to me. You're the moon that casts its gentle glow upon my darkest nights, and the sun that brightens my every day."

Stunned into silence, your mind races to make sense of the situation. Love? Is it possible that these two incredibly attractive men hold such deep affection for you? How and why did this come to be? Did you unknowingly impact their lives in some profound way, or is this an elaborate joke designed to mock your emotions?

"Wait, wait... what?" you stammer, your mind racing to comprehend the situation. "You two... love me?"

"Yes," Ghost replies, looking deeply into your eyes. "Pick one of us, so we don't have to keep suffering."

"It doesn't matter who you pick... we just want you to please pick," König adds, his gaze soft yet intense. "We can't keep pretending to hide our feelings for you."

Feeling overwhelmed, you take a moment to collect your thoughts. "Listen... you guys are both incredible," you say, trying to find the right words. "Any girl would be lucky to have either of you."

"But... I can't pick," you finally admit, your heart aching at the thought of hurting either of them. "I'm sorry... I hope we can still be friends and maybe..."

Before you can finish your sentence, Ghost's lips gently meet yours in a passionate kiss, taking you by surprise. The intensity of the moment sends shivers down your spine, and your eyes widen in shock. Just as you start to process what's happening, König leans in and captures your lips in another tender kiss, leaving you breathless.

The emotions swirling inside you are a whirlwind—confusion, desire, and affection all tangled together. You feel the softness of their lips, the warmth of their embrace, and the sincerity of their affections.

Finally pulling away, they both gaze at you with a mix of hope and uncertainty. Your cheeks flush red and you take a moment to catch your breath, trying to make sense of the whirlwind of feelings that now consume you.

But before you can utter another word, they nod to each other with a silent understanding. Ghost reaches out and switches off the lights, enveloping the room in darkness.

In the darkness, the sensations intensify, every touch by them makes your body burn with passion. Ghost's lips meet with yours, his kiss desperate with a passionate. The taste of him, mingled with a hint of urgency, lingers on your tongue, leaving you yearning for more.

As Ghost pulls away, König steps forward, his hands finding their way to your waist, pulling you closer to him. His kiss is a tender exploration, a delicate fight of lips and tongues that speaks volumes of his adoration. You can feel the softness of his mouth, the gentle pressure of his embrace, as he deepens the kiss, his desire mingling with yours.

The room becomes an intimate sanctuary, the darkness providing a cloak of intimacy that allows you to fully immerse yourself in the moment. Time loses all meaning as their kisses become an intricate symphony, a passionate exchange that transcends words and captivates your senses.

With each kiss, the intensity builds, the longing and desire intertwining with every brush of their lips against yours. The taste of Ghost and König becomes an intoxicating elixir, their essence seeping into your very being, leaving an indelible mark upon your soul.

Their hands continue their exploration, tracing trails of warmth along your body, leaving a trail of goosebumps. Every touch, every caress, is a testament to their love, their desire to please and ignite the same fervor within you. They take turns kissing your tender skin, slowly removing a piece of clothing, gently whispering sweet words into your ears.

“..Be good for us..” König mumbles while gently kissing your neck. “..be a good.. girl..”

“You will be good for us.. won’t you.. mien Schatz?” Ghost hums in your ear while pulling you to the bed. “Right..?”

Your face burns up as you feel their hands trail all over your body. The darkness.. being your friend that long.. long afternoon.