#now we need this covered

[realstrap]

10/14/2024

My partner @800-dick-pics needs their medication, c19 has left me without a paycheck this week, and cf efforts have come up short unfortunately.

Without their medication my partner is prone to seizures and intense bouts of chronic pain especially with the days getting colder, They've been without for the past 36 hours so this is an emergency!!

$150 needed by today preferably, anything helps !!

CA: $lezsalt or $sleepyhen

Vm: wildwotko

Dm 4 P@ypal

[bumblebeebats]

As much as i love Dungeon Meshi, i do think that given Ryoko Kui's attention to realistic worldbuilding there ought to be a companion series called Dishes Meshi where they spend 2hrs washing and drying and packing away. Alll the goddamnfuck dishes they just made

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[mimimar]

˖⁺‧₊⟡₊˚⊹my commissions are currently OPEN!˖⁺‧₊⟡₊˚⊹

all info ✧here✧

all my commission types are open right now, including custom paper doll commissions!

i am also open for commercial work in many kinds of projects, including book covers for self-publishing authors. email me for any inquiries♡

[silveyn]

I'm not apologizing for it.

[ivysos2001]

I still can’t believe marvel had Steve tell Natasha he could only really see himself with someone with ‘shared life experience’ (5 seconds after they literally kissed) and then had the two of them practically glued together for literal years (in this movie and in every other movie after it), only to not even seem to consider them as a potential couple/love story

[territorial-utopia]

Hyvää Joulua! Good Yule!!

Since I can't yet spend my yule with @theshiftingworkshop I need to compensate with art. Totally not inspired by an ice skating show we went to see together while I was visiting her. The outfits with bows were gorgeous and the men had white tail coats and UGH! What's better than dressing up as the present when you're v smol-

[little-mouse-adventures]

@orangerosebush's post here, with my comment and @fowlblue's tags today got me thinking.

Artemis Senior has been teaching his son matters of business from a young age. Not only was Artemis, at 11 years old, discussing stocks with his father, but Fowl Senior had been imparting his wisdom onto his son for years by that point, discussing the ever-increasing value of gold with him before tucking him into bed. Even outside of pure monetary value, Sr. had tried to go legitimate with his business dealings, leading Artemis to have a few legal ventures of his own.

We also see very early on in the books that Artemis has been regularly using Butler as a resource for his plots: bouncing ideas off him was apparently a fairly common tactic when he was scheming.

Both Artemis Senior and Butler are interested in (or at least, not opposed to) educating Artemis on the ways of their lifestyle(s). It would be Artemis Senior who would have taught his son the value of banks and safety deposit boxes and hidden safes but it was Butler who was actively working with Artemis to rob those safety deposit boxes.

In the same vein of breaking-and-entering, TLC also gives us the fun little moment where Butler hands Artemis his own lockpicks, to get into the workings of the bomb.

With one line we learn that Artemis knows how to pick locks, but does not have his own set of lockpicks. Butler, on the other hand, has both the tools and knowledge how to use them. Partnered with a brief mention in TTP of some the specific trades of those previously employed by Artemis Senior (including such things as crime lords, insider traders, and cat burglars), we can extrapolate that Artemis Senior would generally hire someone to pick a lock for him, rather than do so himself.

It's pretty logical to conclude then that Artemis learned big-picture management from his father, and day-to-day skillsets from his bodyguard.

Essentially, Artemis Senior taught Artemis how to run a criminal empire. Butler taught Artemis how to be a criminal.

[basofy]

i think you can be as critical about the venezuelan opposition and maría corina and edmundo as you want but arent venezuelans allowed to choose for themselves even if the options arent perfect? are you willing to justify electoral fraud and police brutality, class inequality, bad management of resources, lack of maintenance of the country, breach of the law, lack of investment in health services and education etc etc just because the person doing it is someone you like or because you don't like the other option? are people at fault for wanting something different?

[aquickstart]

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

[nokaru]

eyo this is how a true power trouple looks like

enjoy these complementary shitposts as I scream about matching ObiZenYuki–

[creations-by-chaosfay]

Emergency Roof Repair and Storm Cleanup Commissions

As mentioned in previous posts and pinned @anotherdayforchaosfay , we have just been through a natural disaster. Please read the pinned post on that blog. Updates will be added once we get outside and photograph the damage for our insurance claim.

I have opened commissions three months earlier than planned because we need to raise money to cover our insurance deductible as well as hiring someone to remove the tree from our roof and yard. The tree is owned by a lazy landlordlord who owns the property next door. We have told him repeatedly it needs to be trimmed or there will be damage. His property got a quick install sunroof.

I have four slots available across the board and prices start at $150 USD.

I have made the option of commissioning me for a quilt available. Three finished quilt tops are listed as commissions because they're ready for handquilting. Several people have inquired about one of the tops, so now's your chance to have it done sooner than later.

If you can do only a partial payment right now, DM me. I'll write up a contract for payments, and will require 50% upfront and weekly/monthly installs after that. You will then receive an invoice.

Commissions will begin immediately because we now have power.

I will close commissions when all slots are filled or June 1st, 2024. Whichever happens first (hopefully the former). If slots are filled, I will reopen them again after I finish all the commissions. I work fast and may complete six quilts netween now and then.

Donations are accepted,and there are four listings available in my shop with the option to pay more than my asking price (if you add an extra zero, I may very well cry).

Samples of my work below as well as in my gallery.

[fictionadventurer]

Potential January Reads

A Brilliant Night of Ice and Stars by Rebecca Connolly

Rhododendron Pie by Margery Sharp

So Big by Edna Ferber

Jane Eyre by Charlotte Bronte

Vibrant Paradoxes by Bishop Robert Barron

The Diary of a Country Priest by George Bernanos

Doctor Thorne by Anthony Trollope

Katherine Wentworth by D.E. Stevenson

[icantalk710]

😌

[landofanimes]

I want to change the world Without letting go of my hand Accept that I am watching over you And I'm sure you can do anything

Change my mind I won't let you be alone Everyone is here We'll break through whatever may happen It's wonderland

[leverage-ot3]

no but the hivemind-like exchange between parker and eliot in the rundown job when they are pinned in the subway car and the bioweapon bomb is about to go off

in the beginning of s4 in the long way down job they went to great lengths to firmly establish that to some extent, parker and eliot think the same way. they are able to make those calculations, take those risks, do what needs to be done to protect the ones they love above all else

it’s what makes them them

and in that moment, the three of them are pinned down under the rage of a psychotic gunman and the bomb is seconds away from going off, which would mean thousands and thousands of people would most likely die and only they are the ones that can stop it.

and more importantly, hardison is there, right beside them, and he would die too if the bomb went off and that was something they couldn’t accept. not now, not ever. there is no plan m.

so eliot gives parker a look and a nod, and she kisses hardison for the luck she’s never needed before and they jump into action. eliot steps into the line of fire to cover parker (always, forever. ‘til his dying day) and she runs off to neutralize the bomb at the very last second.

hardison is horrified and terrified for them but it’s what they do, who they are, it’s what makes them them and parker and eliot have that same deep understanding to know that