#now this. THIS is a character with a LOT of potential for some quality plots.

[tenebriism]

He went to the Lantern Rite for the first time, and emerged a freshly smooched man. This is all he's going to think about for a good, LONG while.

Did he reciprocate it? Absolutely not. It was akin to kissing a very stiff, albeit pretty tree, but it certainly melted a layer or two off of that cold, hopeless barrier of his. :)

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

KFP4 has its flaws and there are a lot of aspects that I dislike, but the I greatly admire and respect the hard work put into the film by those of the crew who put their efforts forward and tried their best to make it work. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good (even great!), but only given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[h50europe]

BUCK / TOMMY - HELL HATH NO FURY LIKE A FANDOM SCORNED!

I did some thinking. Never good, but my brain can't wrap around the breakup that came out of the left field.

Recently, it was announced that a spin-off of "9-1-1" is in the works. While no locations have been finalized, Hawaii and Las Vegas have been suggested as potential settings. The showrunner is already working on the project, with filming set to begin in March 2025.

However, one of my biggest fears has come true: the focus of the showrunners is being diverted from the current show to concentrate on this new spin-off. All the energy runs in the new project. Also, at this point, we don't know if the mothership will be renewed. Without an early renewal, we must wait until May for the announcement. That is another reason why they are focusing on the new show. I wonder if this is why the plots feel rushed and repetitive. It's nice to revisit the past, but not ad nauseam. 9-1-1 does it too often lately. What's the point in bringing back Gerard and turning him into the butt end of a joke? What's the point in digging out Abby's Tommy and hanging it around Tommy Kinard's neck when nothing was ever mentioned in the past. The focus is clearly not on the current show. It feels like Tim abandoned the ship to board a new one. It's fresh, it's crisp, it leaves room for a lot of things. Even if the breakup was meant as a shocker. If your focus is somewhere else, you don't see it. Right now, the mothership is leaking and starting to sink. If Tim keeps his focus on the new project and isn't invested in the current show, the lights will go out sooner rather than later.

Bringing in an established character was probably the biggest mistake Tim could have made if he wasn't meant to stick around. Bring in Mary Sue or Marty Stu to be a LI but not a character with a history that connects to so many people on the show. You can't sideline them forever. Especially as Buck's bi-arc was announced as something big. And it was big. A bit too big to be treated the way it was. The fanbase that had built around TEVAN, or BUCKTOMMY, within weeks, was massive. It drew so many members of the queer community into the show. Suddenly, many of them felt seen. Tommy and Buck were different from the other queer characters out there. Different from what was represented on any other show. People were willing to watch to get the slightest glimpse of them. Because they felt real. Their chemistry shot into the stratosphere.

And then you go and end it on such a horrible note? I don't care if the haters call Tommy a plot device. Everyone on the show is one at some point—even Christopher, Eddie, or anyone else from the main or recurrent cast, Karen, for instance, the Wilson kids. You name it. Tommy Kinard came, saw and conquered. So why not give him more room? They did it with Taylor (yes, I know JLH was pregnant then, but that's reason enough? I doubt it). As I said in my other long post, you could cut in a sequence of 5 minutes and show a summary of Tommy's and Buck's life.

Tim makes the same mistake as many showrunners do. Cramming a shitload of plots into 42 minutes of airtime. Is it really necessary to tell that many stories in such a short amount of time? That feels like speed dating. You blink, and you miss an important scene. Every episode, you jump from plot A to B to A to C to B. We didn't have this fast pacing in season 1 or 2. Stop it. Make Quality plots over quantity stuff.

In Tommy's voice: And for God's sake, clean up that mess you created with that shitty breakup, or the audience will wither away.

I'm sorry. I could write a book about what is happening in my head. You'd get Super Brownie points if you made it here.

[quillsandblades]

What could be the reasons for Hange's death?

I’m not best at doing these analysis posts, but I’ve had this in my mind for a while now and it needs to get out.

As a sort-of writer, I know there’s always reasons to kill off a character, especially if they're well-developed and play a crucial part in the story. So what could’ve gone through Isayama’s mind when he decided to kill our precious Hange? Here’s what I think.

First of all, reading the manga I really felt like her death was forced, staged. It didn't seem right, didn't seem to fit. Now I don’t know if the rest of you felt this way but I sure did. And that's why I'm gonna talk about why I think Isayama killed her.

There are four points in this post and each explains a potential reason:

1. To make the readers cry

Many characters are killed just to give a truck load of emotional damage to the readers. And sometimes authors enjoy it — don’t get me wrong, we love the characters, it’s just what even is a good story if devastated readers aren’t sending you death threats for killing their fav fictional pookie? Such characters often possess some or all of these qualities: Lovable, witty, humorous, determined, has big goals/dreams, you get attached to them easily and if they have a love interest that you’re invested in, and they both got plans to *ahem* live peacefully once a certain war is out of the list of duties, it’s over for you (IFKK 😭).

And who do we know that holds nearly all these characteristics, and died?

Maybe Yams was in killer mood the day he wrote chapter 132. I wonder if he’s doing the evil laugh somewhere, thinking how we’re suffering every day.

2. It’s crucial to the plot

These kinds of deaths aren’t in the author’s hand, and they really hurt us sometimes. I have a few characters very close to my heart and I hope I never have to put them to death cuz I may not have the willpower to write ahead if I do. It happens when you get dead-ends (yes you can get dead-ends even in fiction as well, at least that’s what I think because the setting or world you create has to have some limits), when the rules you have set up to make that world start to cage you in. And sometimes there’s no option but to kill them. Their death is important, it’s a key point, or maybe it’s part of what their personality demands. It’s needed, and it hurts.

But coming to Hange, I can safely say that’s not the case. Her death could’ve been avoided. In the manga she barely managed to get much time. Yes the plane made it, but it’s Hange we’re talking about and she has a big brain. She could’ve made a less harmful plan to stop the Colossal titans right there, I don’t doubt her intelligence at all. Or someone could’ve helped. The part about titan shifters saving their strength was a flimsy excuse Isayama, cuz taking out a Colossal isn't such a back-breaking task for the Shifters - they’ve had worse and done better.

3. Some other character needs to take the spotlight

This happens when our character is in the way of someone else’s glory. They need to be taken off the stage so the next one comes up.

For Hange I’d say, that was Armin. I think Isayama might have wanted to give the stuttering blonde kid a glow-up, and I gotta say it worked well. I’ve seen countless posts where Armin back then and as commander is compared and people are like, ha! Y’all used to laugh at him cuz he was a timid, scared little thing but look at him now, Commander of the scouts and such.

I’ve seen him get a lot of hate for not being strong enough, not being confident and such things. So what does Isayama do? He takes that character and upgrades him to Commander. I think he’s wanted to do this for a long time, to show just how much potential the kid has, and take it as a character development. He was chosen over Erwin and then Hange. He couldn’t be Commander after Shiganshina cuz Hange was named successor. He got his chance in ch 132 and took it. The only way to make Armin Commander was to kill Hange and so we had to part with the crazy genius we loved. (I don't hate Armin though, it's Isayama's fault not Armin's)

But here’s the thing, she could’ve still come back. Battered and bruised, and Armin would still be Commander as the title was already handed over. Then why go all the way and kill her? Here’s why.

4. External reasons

This and the 3rd point, In my opinion, are the main reasons for Hange’s death.

The external factors here include her relationship with Levi. The man has a HUGE fanbase and he’s shipped (and shippable) with so many characters it’s concerning. And the most popular ships are Ereri (this one doesn’t even make sense) and Eruri. As a character that’s so popular among fans, I don’t think Isayama wanted to confirm anything related to his love life as that would only create rifts among fans or even drop his popularity. By keeping it vague he kept the fanbase up. But what has Hange living got to do with it?

Well, we all heard her ‘Let’s live here together’ confession. It’s probably the most romantic thing anybody said to Levi canonically and no one can deny it gives hints. Then comes Levi's double meaning statement of ‘Unrequited titan love’ and I’d say that pretty much sealed the deal. ‘Devote your heart’ was the cherry on top and now if Hange returned they both would be so canon.

But for the sake of argument, let’s say all of that meant nothing romantic. But if Hange’s still alive we all know she’d never leave Levi alone in his impaired state after the war. She’d be the one pushing his wheelchair around and since they’re already veterans and very close friends, Levi would only tolerate having her around him at all times. So if someone’s gonna say that all of those ‘confessions’ meant nothing, then these facts are proof enough that after the war Levihan had all the chance of being canon. So if Hange had lived these two would have been a sealed deal - but that isn’t possible in reality due to Levi’s popularity.

So, Hange dies and Isayama avoids a ton of mess for himself.

All of this is entirely my take on breaking down my fav character’s death, not saying it’s 100% legit. Just a harmless analysis.

[powerpuffobsession]

It's been a while since that interview where Vivziepop said some vague things about killing off characters and wishing she spend more time with Adam. Instead of saying directly - "Adam will come back", or "Adam won't come back". There is no knowing what to make of it until we see the actual future seasons. Vivzie sounds like she's avoiding spoilers

And I'm kinda tired of people already jumping to negative conclusions and shoving them down the throats of anyone who hopes for Adam returning, all the while calling Adam irredeemable and saying he has no purpose in the plot anymore

Here are my thoughts about those points:

The fact that the fandom still goes on with "Adam is an irredeemable monster because he genocided defenseless sinners and enjoyed it", shows how much hazbin howl sucks at not sugarcoating it's setting and Charlie's radical ideas of forcing criminals into heaven

Like... boo hooo, poor little defenseless rapists, pedos, murderers, nazis, bullies, drug dealers, violent drug addicts, scammers, and other people anyone would normally be happy to see get hurt or die because they have hurt other people? Let me play the wold's smallest violin in their honor

Adam did the right thing and he had the right to enjpy murdering sinners, fight me about it

His actual sin is that he wasn't picky enough about who he was going after and that he attacked Charlie who is innocent

But you know what? We are literally being shown that decent people in hell are VERY few and rare. The majority is just a crowd of psychopaths who actively tell Charlie to f off with redemption

And if you spend your afterlife living in heaven, of course you are going to think that all of hell's population is dangerous

However, Adam has a potential to get redeemed if he interacts with Charlie in a more grounded way and learns that she's not dangerous, despite being a daughter of two people who stabbed him in the back. Sins of parents are not a child's sins, and Charlie's life has a big worth. As well as lifes of more decent sinners who make an effort, like Angel, Vaggie, Husk and sir Pentious

Through Adam other characters can be developed. There are a lot of them who have connections to Adam - Charlie, Lucifer, Lilith, Eve, Emily, Sera, etc... Showing flashbacks just won't be the same as having Adam himself in the plot

And do not get me started on how bringing Adam back is not logical and ruins the cartoon's quality. I've got a lot of not pretty things to say about hazbin hotel's "logic"... There are already a bunch of plot holes and lazily slapped on character changes. Finding a way for Adam to return won't be hard

Have you seen the way Stolitz and Sir Pentious, for example, ended up, compared to what they were claimed to be at the start of the series? Or the way fan theory about Vaggie being an exterminator suddenly got added into canon last minute after she had been a moth sinner for so many years and lot of people got used to it? I won't be surprised if Vivziepop will actually retcon the lore or come up with something to resurrect Adam

Maybe, "if a soul of a redeemed sinner gets into heaven, which is a rare occasion and didn't happen before the events of hazbin hotel, - the dividing system finds a sinful angel soul to take their place in hell". There you go. The lore about angelic blade murdering for good still stands, but now there is a loophole for Adam specifically to be lucky enough to survive

[bartypluto]

Everything wrong with the marauders fandom ── rant

Long rant about everything that I think doesn't make sense in the fandom since marauders TikTok is driving me crazy (I did not proofread this and I don't know how much sense it makes but I hope you get the point).

People in the marauders fandom ship characters and make friend groups based on tropes and the personality of the characters (e.g. Regulus being with James bc of the brother's best friend trope and because their personalities are cute together) instead of taking the characters' morals and opinions into account (e.g. James (canonically) hates Slytherins and blood supremacists, therefore he wouldn't like Regulus (romantically or platonically)). By doing this, the characters are reduced to stereotypes without morals. Everyone likes each other (the Death Eaters are friends with members of the Order) and there's no room for a plot. Why would blood supremacy exist if not a single Death Eater or member of the OOTP actually upholds their beliefs? What's the point of the Harry Potter novels if everyone is best friends with each other? (I'm not saying personality doesn't matter or that the tropes make no sense, but ignoring everything a character stands for is taking it too far).

Characters are limited to being "bad people" and not being allowed positive qualities or "good people" who don't have flaws (e.g. the Marauders being perfect (except for Peter) and Snape being irredeemable and the devil incarnate). Why is it always so black and white? You've already stripped characters of their morals and now you're also not allowing them to have both good and bad in them?

So basically friend groups and ships don't make sense, lore doesn't actually matter anymore, and talking about anything is pointless since everyone is arguing about headcanons (which can't easily be disproved, cause if you say someone's headcanon isn't realistic, they'll start talking about how "nothing is canon so it doesn't matter!!!" Which is just plain out wrong by the way).

The ideas of a good work of fiction and character analysis are ruined since no one cares about the canon things we know about characters. They are under the illusion of not having any canon information, even though there's actually quite a lot of info in the books. Character headcanons should be an expansion of said person, an elaboration of what they're like. Making random things up is not valid unless we genuinely don't know a lot about someone (e.g. Dorcas, but even in her case we still know she was against Death Eaters and blood supremacy, so saying she'd be friends with Death Eaters is a reach unless you're claiming she actually doesn't have strong morals or you think she was friends with them before they got blood supremacist beliefs).

Also please come up with better names cause what are "Slytherin skittles", "Partyvan" or even "dead gay wizards"? I'm sorry this might just be the hater in me but I cannot take this anymore. Being gay has become some kind of quirk and making every character lgbt is seen as a good fandom trait (the dead gay wizards name has been around for a while, but point still stands).

The fandom claims to be oh so inclusive because everyone is gay, yet they make Sirius a femboy because God forbid two masculine men are in a relationship. One of them has to be feminine, right? You're definitely not promoting negative stereotypes by doing that! Also Jily and other straight ships being seen as boring because "all heteros suck and only gay characters deserve a fandom!" You're literally setting us back under the false narrative of "being inclusive". You're perpetuating stereotypes (again) and you're acting like being gay is some special personality trait.

All the characters from the Marauders era are so interesting and the era has so much potential, but it's being wasted because of the fandom's poor understanding of fiction.

[seventeenlovesthree]

Character/Relationship Analysis: How Taichi's and Sora's arcs in the late Etemon/early Vamdemon arc are intertwined, how they (in)directly activate each other's Crests and how they're the most important plot drivers/leading figures at this point in the series.

One of my early theories regarding the character line-up in Adventure was how Sora could have potentially been the secondary main character besides Taichi (instead of Yamato). And I still believe that nothing makes that theory more apparent than taking a close look at how the "Crest activation period" frames these two as main plot drivers that are the reason why the group sticks together - and also why they all found their way back together after Taichi's disappearance. So let's break this down, shall we.

As pointed out in the analysis post above, when you just watch the opening of the series without any context, you might assume that Sora is the secondary/female main character anyway, because she (and Piyomon) are basically always coming after Taichi (and Agumon). And if you look at Sora's impact in the series, that isn't even too farfetched - especially when you consider that she is LITERALLY stepping up to be leader in the Etemon arc in the novels while Taichi is in a dark spot, whereas Yamato is later on declared to be "too emotional to be a leader".

That aside, let's dig into the set-up here: In the Etemon arc, Sora's Crest is the last to be found. We do not know a lot about the characters' singular arcs at this point, so watching her worrying about the situation doesn't strike the viewer as too weird yet. While it astonishes her that Taichi is so keen on finding her Crest for her sake (despite knowing how selfless he can be too), Taichi himself doesn't see any reason to falter and reassures her instead. This is important, because these two have known each other for quite a while already; they have been in the same class together since elementary school, are also partners in their football club - thus, Taichi's view on Sora is pretty settled. He is very vocal when it comes to "words of reassurance" towards people he cares about and so he repeatedly mentions how caring and selfless Sora is to him, how she always worries about others first and how she shouldn't doubt herself and her qualities - neither because of her own perception of herself nor because of the lies PicoDevimon had been feeding her. Because Sora's perception of herself is indeed slightly skewed, but we will get to that.

Taichi's road to (re)discovering his personal sense of courage is irrevocably linked to his wish to save Sora; initially, his recklessness had repeatedly caused trouble, not only by letting his own Digimon partner go through a dark evolution, but also because he let one of his longest and best friends get captured by the enemy. He initially promised that they would find her Crest for her - and now he is being humbled once more, threatened by an electrical fence right in front of him that could potentially kill him, punishing for losing his way once again. He is aware that something important was lost, referring to both his "brave heart" - and Sora.

Why is that so important?

Not only is Taichi fulfilling both of his promises in the end - saving Sora himself and personally giving her the Crest they've been looking for -, but this is (in)directly mirrored in Sora's arc as well.

Once Taichi disappears after defeating Etemon, the group starts to search for him - for two whole months, while some of them already start to lose hope and drift apart. Sora realizes that the group is torn on how to proceed, but can't stop herself from wishing to find Taichi. Because, once again, something important was lost, indirectly referring to both Taichi - and the sense of togetherness in the group. One might argue that her leaving the others behind may not look very sensible at first glance - but just like she was the one who enabled Taichi's Crest to glow, her disappearance indirectly has an impact on (almost) everybody else's arcs as well. (Additionally, they would not have learned the meanings of the Crests, if Sora hadn't overheard PicoDevimon talking about them to Vamdemon...)

As a complementary force to Sora, Taichi's return reunites the group bit by bit. It almost feels like they're acting as fairy godparents to everyone else, each in their own way - while Sora is hiding in the shadows, giving everyone advice (Agumon, Mimi) or physical aid (Jyou, Yamato) to protect and guide them in the right direction, Taichi directly tries to pull them out of their corrupted viewpoints (Takeru, Yamato, Mimi, Koushirou rather indirectly), whether through words or actions. It's absolutely no surprise that the scene where Yamato tells Taichi that he was the one who brought them all back together (episode 28) is basically a direct mirror of them all coming together to agree to save Sora (episode 20). Because these two are the glue that keeps it all together.

And so, of course it puzzles Taichi that Sora doesn't want to reveal herself to the group again. Of course it surprises him that the girl, whom they all came together for to rescue, who secretly protected all of them behind the scenes due to her kind heart and selflessness and who never gave up looking for him - once again, doubts herself like that. Not only that, she screams at him, tells him that he has no idea who she really is. That her "love" is a facade, that she has no idea what love even means - that she had lost (or never even possessed) her personal sense of love.

(To go on a small tangent here, their framing is just endlessly interesting to me, because the misunderstanding and miscommunication between them is a red thread that spins throughout the entirety of the series. And it is rather tragic, because throughout it all - they actually never really seem to be drifting apart, but due to their lack of means of communication, they cannot be close for some reason. Whether you think of them as platonic or romantic doesn't even matter, the general idea remains the same: They are on each other's minds, they are incredibly important to one another and never stop feeling that way, consciously or subconsciously. It's why Taichi encourages Sora to be with Yamato, but still goes observing the black spore kids together with her in 02, it's why Sora still feels comfortable being physically close to Taichi in DSB and Tri, it's why she gets upset that he ALWAYS gets her - somewhat - right despite not finding the CORRECT words in OWG and Tri, it's why the connections never vanishes in Kizuna... But they're also both awfully insecure about certain parts of themselves, especially when it comes down to decision-making towards their futures and selves. Since neither of them can be fully open up to each other about that, things kinda feel like they are on hold.)

In the end, Taichi (mirrored by Pyocomon's words below) had been correct to tell Sora not to believe in PicoDevimon's lies, not to give in to her own self-doubts - and eventually, she realizes that, just like her mother, she simply did not want anyone else to get hurt even more.

The way Taichi is framed here, smiling at her with absolute glee and satisfaction marks the end of this arc - while he wasn't directly triggering her Crest to be activated, he still believed in her best qualities just like her Digimon partner did, refusing to let her get corrupted more. And even if the infamous sentence "I want Sora's love too" is more of a light-hearted little throw-away line, it's intriguing to look at the potential implications overall here: Since Taichi's arc of Courage was fueled by his wish to save Sora, since Taichi was the one who eventually gave Sora the Crest of Love, since both their arcs were initially sparked by their wishes to find each other again as they took the others under their wings like proud parents... Let's say, after all this time since Taichi had successfully saved Sora, after all the searching leading up to finally being reunited (after several months in Sora's case), they both must have been incredibly relieved that it had all turned out nicely. To see each other again alive and well.

It started with his Crest - and ended with hers.

Long story short, the Adventure would have stopped rather early if it hadn't been for these two, their bond and loyalty toward each other - and also their sense of leadership.

Last note: Shout-out to the third most important character in this arc - if it hadn't been for Koushirou, Taichi would not have found Sora, may not even have found a way back to the Digital World and they also would not have been able to solve the card riddle to get back home.

[cupofadonis]

Wow, it's been a while since I drew something based on Sonic the Hedgehog!...

Well, well, I tried my hand at the Sonic Ova style a little, and I liked it!!

Honestly, the world of Sonic Ova - Planet Freedom is for me the most beautiful, interesting and canon place, and I am very sad that this world did not and never received its continuation...

This whole story with Sonic living on Mobius or Planet Earth is some kind of nonsense to me, because when I see cultural inconsistencies in the Sonic canon (which does not exist?? wtf-) I feel almost physically ill. A lot of characters were lost, deleted despite games and comics.

Eggman as a character stands still, and Sonic's world is not even clearly divided into which states...

Sonic's Ova revealed its potential for me in one film - What happened to the people in the new territory of "Dark Eggman"? Was it the apocalypse? How long ago did this happen? Is this why people moved to the fly islands? Why did people acquire animal features (For example, Sarah's cat ears and tail)? Is this due to the merger with the "Mobians"? Were there anthropomorphic animals before the apocalypse, or are they a consequence of it? Maybe the reason?

What about Sonic and Tails' house? Damn, did you see this COOL DESTROYED PLANE?!? Now remember Tails' house from IDW comics, which is just a damn joke

I can't love the damn Black Doom saga enough because it feels like a cheap Metarex parody. The only good thing Black Doom brought was the character Eclipse from Archie Comics -...Oh yeah, he doesn't exist anymore either. Like Cosmo.

Sally was a typical good character from the 97's who could stand up to the mouse from Chip 'n' Dale, but due to the company's negligence we have no SatAm ending, some kind of porn parody in Archie from Penderson, #Rally4Sally

No Sonic Ova, no completed Sonic Multiverse, there is no properly explained story of Silver, Blaze and Elise from Sonic 2006.

What about the fact that it was Sonic who was the Ultimate Life Form in the plot of SA2? What? Don't remember this? But what about the blue flask that fell to Earth and was considered lost? I congratulate you on the bad narrative of the SA1 and SA2 game series, friends...

Sonic Ova and SA1-2 feels like the only correct versions, it pains me to see how Sonic’s character is now changing for a new audience and the psychopathic egoist and narcissist Sonic turns into a sweet and shy hero, although even taking into account the seemingly terrible and negative qualities, Sonic was a hero...

Changes have always been and will be, this is normal, I don’t want to shout that it was better before and the grass is greener, but for me the canon is only Sonic Ova vision, and I would like to add this vision for myself in my Sonic Ova AU. I think it would be fun. Just for me and my auditory...

So ... What do you think about all of this?

[xerith-42]

Why Blaze is MyStreet's Most Failed Character

Blame the big bang discord for this post, I wasn't gonna write it until those fucks encouraged me.

Anyways here's an entire essay about why Blaze is the most wasted character in the entirety of MyStreet and I will literally fight Jessica and Jason Bravura with my bare hands.

To get us started on our harrowing tale of wasted potential and the best improviser Jessica ever hired, we need to go back a little. Back to Phoenix Drop High Season 2. We won't stay here long, I promise, I hate it more than you can possibly know. But the single saving grace of this absolute mess of a season is ya boi, Blaze. Introduced in the 18th episode of the season, airing on April 12, 2017, with the airing of Phoenix Drop High Season 2 Episode 18, Blaze was a character who started his brief tenure series with a bang!

Literally dude showed up and the first thing he ever did on screen as a character in a piece of media we can engage with is throw someone out of a window. We do not know this mans name yet and he's already left a lasting impression. Sure throwing people out of a window is common in werewolf culture, which I don't care what you say that's objectively funny, but it is bold to start a characters entire introduction with that. Blaze comes out of the gate swinging before he's said a single line.

And then after introducing himself he throws a dead bird at Aphmau to show off his hunting skills?? Okay so he's just that fucking weird and overly enthusiastic about things I guess! That's amazing! MyStreet always shines when it just lets it's characters be fucking weird without making a big deal out of it or talking them down for it. Dottie even says that it's romantic which is again just a great showing of Blaze's enthusiasm and lack of what might appear to be common social decorum because of said enthusiasm.

This is all punctuated and brought to a hilarious breaking point when Blaze's final showing of why he should be the new top dog at his school is when the crazy mother fucker rips his shirt off to literally flex about how he's one of the hottest guys in the school. And I'm going to be real with you, given Blaze's later characterization as a himbo, I'm pretty sure he doesn't actually care about this. He just says it because he thinks it'll boost his chances. Blaze is later shown to be a character willing to throw away his reputation for the things he cares about, but he does get a rather sincere moment with Aphmau, even if she's blushing the entire time.

It shows that Blaze is not only physically affectionate, but also weirdly comfortable with his shirt off. Because this is purely objective character analysis I will not be shoving my Blaze is autistic and has sensory problems with things touching his chest propaganda down your throats, but now that I've mentioned it once you won't stop thinking about it when this comes up.

The show admittedly fumbles the bag a little by having Blaze say in his internal monologue that he thinks Aphmau is cute and acts kind of like a tsundere, but this is Jesson writing so there's always bound to be a bit of That Shit. But in spite of that, Blaze is a character who has an instant impression that leaves a lot of room for comedy potential, and just good ol' fashion silliness. And while the werewolf plot of Season 2 is... bad, Blaze and the Werewolf Pups are stand out characters in the sense that their characterization leaves a lot of potential if they're in a different, better written story.

And even if the arc is bad, Blaze still is a quality part of it. His shallow but hilarious initial characterization gets built on in some really solid ways. Namely in how he acts as a force for good in Aphmau's life even if she doesn't realize or give him permission to do it. This entire season is about how the different men in Aphmau's life handle helping her in a crisis, and funnily enough, in a season centered around Aaron literally overthrowing Aphmau's new love interest, Blaze is the one who was consistently doing what was best for Aphmau.

Aaron fumbles the ball more than a few times, Ein is shown to be actively malicious, and Kai gets hate crimed. But Blaze, who's barely even a contender in this ship war, is constantly working to actually make things better while everyone else is pulling Aphmau away from what actively matters about her position. While Ein is manipulating her and Aaron is trying to prove that, Blaze throws caution to the wind and just does what he thinks is best to restore order.

But more important than that end conclusion is his true goal of standing up for Daniel. A wolf it is established he barely knew before this year, that Blaze is willing to throw his reputation and standing in a bull shit hierarchy because he's seeing how this hierarchy is hurting someone who doesn't deserve it. Blaze is the one who is baring his fangs and willing to throw hands when Daniel cowers away from bullies. By the end of the season Blaze has been given adequate screen time to not only show off his fun and maybe a tad out of touch side, but he's been given a real level of sincerity that's tied into the things he's enthusiastic about. He loves being a werewolf, and he extends that love to all the werewolves around him, until they start being dicks to other werewolves who are literally just sitting there.

At the center of Blaze is that inherent goofiness though. He's always cracking jokes, or the joke when he's on screen, and in a series that was originally pitched as a light hearted slice of life comedy in contrast to MCD's general misery, that sort of character is needed to keep the tone. Such is show in episode 22 when Blaze is reading a book on the Scientific Method to just learn more about science, but realizes the book is upside down.

But he actually understood it enough to properly apply the scientific method to this situation?? Iconic. It's played off as a joke of Blaze exploiting a loophole to get out of class, but even that's pretty smart honestly. Blaze may be a dumb ass but he's always willing to cheat an unfair system.

Episode 22 is basically a Blaze centric episode, which I did not expect, but now that I'm rewatching it for this post it might be the reason I love this character so dearly. It's not only the episode where Blaze manages to learn the Scientific Method upside down, but also stands up for Daniel in a really substantial way. Blaze is loud, enthusiastic, and strong, all traits that are celebrated by werewolf culture, and whether he realizes it or not, him just being around Daniel can do a lot to get bullies to back off. Everyone has seen Blaze toss a mother fucker through a window, they do not want to be on the receiving end of that.

He spends the rest of the episode trying to figure out what Ein's deal is when he hears that Ein went behind Aphmau's back on werewolf matters, landing Daniel in this situation. He hears Ein actively plotting against Daniel, but that is normal werewolf behavior. He concludes that he'll keep an eye on Ein. And this through line of "normal werewolf behavior" informs a lot of Blaze's decisions once he comes to the conclusion that Ein sucks and deserves to be undermined. He resorts to letting his actions speak louder than words and goes to violence after realizing that the wolves aren't listening to reason, they're listening to instinct.

He fights fire with fire, and while Aphmau might not approve, it's more effective than her soft rhetoric has been in getting people to be less of jackasses. This eventually lands him in hot water where he steps in for Daniel after Ein tries to get his goons to beat him up, and even if Blaze is fighting in a five v one, he still goes down swinging. And I'll say it, I think it's sweet that he calls Aaron after this happens. While it's clearly meant to be a thing of Blaze calling the last alpha because he's probably the only person who anyone will listen to, there's an important detail I think is easily overlooked.

He has Aaron's number.

He says he got it from the werewolf pups, but that means that Blaze went out of his way to make sure he could contact Aaron. He's the reason that Aaron even realizes Ein is playing all of them. Blaze is the catalyst for his undoing because unlike Aaron who's nearly imprisoned, heartbroken, and been hesitant to act in the plot as a result, Blaze doesn't actually care that much if Aphmau currently likes him because he's more worried about her physical and mental well being than whether she wants to kiss him or someone else.

How many Aphmau love interests can say that?

Can any of them say that?

Blaze can.

Blaze actually consistently shows a level of selflessness that's unfitting of how I've seen some people characterize him. He gives up his real chance to be Alpha because Daniel is so compassionate and earnest and genuinely deserves it. Blaze wants to believe in a future lead by people like Daniel and Aphmau where he might not have to keep fighting people to keep things sane. Blaze constantly gives up his pride, his power, his safety just to make sure that his friends are taken care of, or to effect real change in a school he's about to leave.

It wouldn't be long after Phoenix Drop High Season 2 ended that Blaze would make his debut in the main series My Street in the second episode of Season 5, airing only a few days after the end of Phoenix Drop High Season 2. Just like before he really shows up with a bang, literally throwing himself through the air between Lucinda and Kim just to catch a frisbee because Blaze is the most extra mother fucker ever, and then immediately proceeds to flirt with them. Iconic as ever. Short but sweet.

It's in episode 3 that it's revealed that Blaze and the werewolf pups kept Aaron company during his rehabilitation year. But from the way it's worded it sounds like Blaze was called in before anyone else by Aaron's parents. Based on the way they talked and actively planned together before, I wouldn't be surprised if Blaze was the first person who came to his mind when Aaron thought of a werewolf friend.

I think Aaron reached out to Blaze when he needed it.

And even though I've previously stated that I don't think Aaron's parents initially liked Blaze because by this era he's old enough to fully take on his persona as the cool stoner friend who's also a little insane in the most charming way possible, he has a good impact on Aaron. Aaron likes being around him, and maybe they smoke weed to help Aaron relieve some of the lasting pain when no one's looking.

Regardless of his methods, Blaze does an ultimate good in Aaron's life as a result of being there for him when he needed it. So much so that he was invited out to Starlight and is shown to be one of Aaron's main pillars of support. We are given scarcely little of this actual friendship, which is where the problem lies. While before Blaze was a surprisingly engaging part of an other wise terrible story, at least in season 5 the story is a lot slower and character focused. And Blaze can work in these moments, we saw him have real moments of sincerity before.

He gets some of it, but the issue is that Blaze isn't allowed to be alone anymore. The cast of MyStreet is huge, and Blaze is a character who is making his second major appearance, while some characters in the cast have been present since literally episode one. It's hard to justify giving him solo screen time when he's been in the series for such little time and we barely have enough time for certain significant characters to really have arcs (Lucinda). Most of Blaze's scenes are scenes with at least four other characters on screen, he's never allowed screen time without at least two other werewolf characters attached to him.

I don't object to Blaze hanging out with his friends, or even making new ones though out the season but... Would it kill the writers to let him have a scene with Aaron? Like. A single scene. Where it's just Blaze and Aaron. I mean just Blaze and Aaron without Aphmau there. They've done this before. They did it in the season Blaze showed up in. Just one scene where the two of them get to talk about literally anything would do so much. Even if they talk about Aphmau, it's better than nothing. It would strengthen both of their characters so much to be able to get a scene where they talk to each other not as conspirators who kinda know each other, but as real friends supporting one another.

Show that even though Blaze said Daniel was more compassionate than he was, Blaze still is a compassionate and even empathetic person. Show why Aaron was grateful to have him during his recovery. They have those scenes of Aaron at physical therapy, right? Why not have Blaze take him one time and just show how they interact then? The possibilities with this unrealized idea are endless, and that's genuinely upsetting. Opportunities like this present themselves every time Blaze makes an appearance, they even tease me by giving me scenes where Aaron is alone with a character he has little to no connection with, Maria.

Maria was a foil for Aphmau. And Ein was a foil for Aaron. And Blaze was a foil for Ein. There is no reason for Maria to really have a rapor that matters with Aaron. He doesn't really know her that well, she's clearly a friend by association, and it seems like an odd thing to focus on when Blaze is LITERALLY RIGHT THERE IN THE BACKGROUND OF THIS SCENE.

Why won't they let Blaze talk to Aaron? It's so infuriating. The closest we get is in episode 7 when Blaze attempts to calm down Aaron, but he's shown to be ineffective and it comes down to, of course, Aphmau being the one to talk him down. I swear to Hatsune the writers are making fun of me at this point. They're going "Oooooh you want Blaze to be an actually helpful and supportive figure in Aaron's life soooo bad." AND I DO!

I'm serious when I say the show is teasing me. I've been skimming through Season 5 and only watching the episodes when Blaze is on screen, and so far he has never been in a scene with less than 4 people in it. Never. And even in scenes where he gets to be at least a focal point, he's always limited because he has to share that moment in the spotlight with FOUR OTHER CHARACTERS.

Episode 14 is a great example of this. When the werewolf gang gets told they aren't allowed to eat at a restaurant because they're werewolves, Blaze makes it abundantly obvious that he's put up with this before and really doesn't feel like being hate crimed on his vacation. And he knows that actions speak louder than words and therefore joins Maria in saying they should "teach this establishment a lesson." Personally I think Blaze would've just thrown the manager through a window only to realize it's an outdoor establishment and throw him into the ocean. Which would be objectively funny and deserved because that owner was being cringe and racist.

I love the conversation that happens because it shows the unique way that Aaron sees things from passing as a human for most of his life. This has never happened, but he knows that further acts of violence as a result will only make it happen again. This is a great scene for Aaron. Not really good for Blaze, and the next scene makes him worse. I love the detail that Blaze is an instinctual person more than a planner, but it feels wrong that he doesn't even let Aaron consider planning. I know he wants Aaron to be more spontaneous but he should have more awareness of his friend and his habits and be able to accommodate it, not talk over it.

But it's Jesson, so misunderstanding even their simplest character is par for the course. At least episode 15 gives me Garroth and Blaze talking in the background, and I'm starved for good Blaze content, so I was eating this shit up. The problem with watching MyStreet this way is that Blaze... Just doesn't get a lot of moments... At all. There are some episodes where he doesn't even speak at all, and when he does get to talk in episodes, he gets a few lines in one giant ensemble scene.

I don't object to a show having an ensemble cast, or even a lot of characters with a few central ones, but it really is a detriment to the show that Aaron never gets a scene alone with any werewolf he isn't related to. Nana gets to talk to Blaze when she's having a crisis of her relationship history and experience, but it's just so Blaze can tell her the opposite of what she wants to hear. It's not a scene that feels like it was written for Blaze, because it wasn't. It was written for Nana.

And before some jack ass says it "Blaze is a side character he's not supposed to get a lot of focus" and I'm not asking for a lot. I watched every scene he's in in PDH to prove that it works

BECAUSE IT DID.

Blaze showed up officially in episode 18 out of 30, and he wasn't in every episode after his introduction. But the writers gave him a solid introduction, one good episode that spent most of its run time with him, and really good moments throughout the rest of his time in the series. All I'm asking is that Season 5 at least give me one of those things. Either a good episode where he and his relationship with Aaron is brought into focus, even if it's used as a vector to study Aaron's character, or just more sincere moments for him.

It feels like Blaze is a joke character now when he previously made it very clear he's far more than that.

And then they just forget about him. During the first part of the 3 part finale Blaze is there. He's the one who got everyone to gather at the docks because an mf wants to eat some scrumptious food. But when Aaron sees Ein and starts freaking out, Blaze is literally just not in the scene. At all. Not even as like a throwaway of someone who could've helped but failed, he just is not in the scene at all. It legitimately feels like the writers forgot about him entirely.

Blaze the minute the plot shows up:

He's there after Garroth gets turned and was apparently at Garroth's bedside trying to calm him down which I will be thinking about. A lot. I'll be thinking about how we deserved to see or at least hear some of it, about how the writers continue to tease me with an interesting scene that involves my favorite little fucker, about how heartbreaking it would have been to see Blaze and Melissa try to calm Garroth only for him to scream in pain and try to push them away only to reveal that Zane and Nana are able to hear the entire ordeal downstairs and Zane is panicking when he hears his brother screaming in pain. Just thinking about what we could've had if the writers actually cared about any of these characters.

And then after that he dies.

I'm not watching any of When Angels Fall because I know what's good for my health. I know what happens in Season 6 Episode 9 and that's all I need to know. It doesn't matter if the writers may have finally given Blaze an emotional scene, it doesn't matter if they finally gave him even a hint of character development, it doesn't matter if he made a connection in a real way. Because no matter what he did the result is the same. No matter what quality the writers might've pulled out of their ass, it would ultimately be in service of one end. From the start of this season these writers knew what they wanted to do. They wanted to up the stakes and add more drama to the show, and they wanted to do it by killing Blaze.

And I think I know why.

This is 100% a limited view, but I was on Aphmau Instagram at the time that this season was airing. And I ran a Blaze fan account. I talked to a lot of MyStreet fans during this time and I was constantly upset and disappointed that people didn't understand Blaze's character, or just didn't appreciate it as much as I do. Most people liked Blaze on a very surface level, or because he was attached to another character they liked. I found very few people who genuinely cared about him as an individual, probably because Blaze stopped getting scenes alone by the end of PDH, and because the Aphmau fandom (at the time) had more of a focus on shipping than character work and quality. Blaze was easily shippable with a number of characters, canonically shipped with Dottie a little, and had enough characterization that people cared about him, but not enough to get a large dedicated fanbase.

He was the perfect one to kill.

Enough people liked him because he was hard to hate, he was stapled onto Aaron's character with little regard for a story of his own, and his death could be eventually inconsequential. And it was! Blaze's method of dying is so bad it makes me physically angry!

I know the whole story for the last few seasons has been all about Forever Potions and turning people against each other, but just mind controlling Blaze and having him die while under mind control is such such a missed opportunity. There's been a disappointing lack of proper Aaron and Blaze friendship content, but they could have made up for it in this scene with just a few tweaks. Just have Blaze not be mind controlled at the end. He can still go on that rant about Aaron being the cause of all the bad that's happened, but then the words start to become... disjointed. Jilted. As if Blaze is struggling to say them because he knows that they're wrong. Aaron's his friend, there's no way he'd say that about him.

Have it break.

Have him look at his friend in a worse state than he's ever been in, and instead of approaching him with intent to harm, it's intent to heal. A final attempt at getting through to Aaron. And like the times before, it doesn't work. Aaron's angrier than ever and he isn't seeing or thinking straight thanks to Ein's bull shit. All he can see is an enemy in his way. Maybe he sees Blaze's eyes but Blaze's green eye is still Emerald Green, even if the control broke for a moment. Whatever reason, Aaron still attacks.

He doesn't realize that Blaze wasn't trying to hurt him until it's too late. Aaron's anger already ruined a friend's life, it already pulled all of them into the hell they're in, and now it's killed one of his best friends.

ONE CHANGE. THAT'S ALL IT TOOK. ONE SINGLE CHANGE TO MAKE BLAZE'S DEATH ACTUALLY MEAN SOMETHING.

Ideally I'd like it Blaze just didn't die at all, least of all before the finale, but if you're going to kill him off unceremoniously at least make it have some emotional weight. You've been neglecting him for an entire season and now you just kill him off? Just like that? Oh he gets to show up in heaven? How nice. Is it a scene where he gets to express regrets, remorse, or even give any insight into his feelings?

Of course it fucking isn't! Are you kidding me, that's not even close to what happens. I said i wouldn't watch When Angels Fall but

I LIED!!

I watched Blaze's death scene and his scene in heaven to make sure I knew well and good how badly they failed to kill off my favorite character! And man, the scene in heaven is just the worst! Blaze does a genuinely kind thing for Aphmau and decides to stay with her when she's alone because he doesn't want her to hurt. He saw how much pain Aaron was in without her. He just wants to fucking help her.

But Aphmau's too self absorbed to realize that and instead goes on a whole rant about how she always needs other people to take care of or protect her and how everyone else would be better off yadda yadda. What she doesn't realize and what Blaze eventually gets to tell her is that people were around her and took care of her because they just wanted to. Because she was nice to be around. And they never expected anything else, and never saw her as a burden.

And that's actually a really nice moment. Sort of. There's two major problems. First, Blaze gets cut off from telling Aphmau this at first because Irene has to go on a whole rant about Aphmau being selfish. And she is right in everything that she says, but it feels weird for Irene, who literally doesn't know her, to be making this judgement. This scene should have been Irene observing a conversation between Blaze and Aphmau were Blaze just tries to make her feel better.

And that would hopefully solve problem number two. Which is that what Blaze says is very genuine and heartfelt, but severely handicapped by the fact that he and Aphmau were only friends for a short period of time in High School, and an equally short period of time within the last few months. What Blaze says about why he likes being around her is true, but it would have a lot more weight if there was a chance for Blaze to have been around her as a friend more.

Fuck it, if you need Blaze to be on screen with at least two other characters, why was there never a scene of Blaze, Aaron and Aphmau just talking? Would a single scene of that fucking killed you? Just one scene would have made their friendships a lot more solid and therefore heartbreaking to lose when it gets torn apart.

Third problem, the scene ends with a focus on Irene. Blaze's words echo in her ears, and remind her of her friends. And I like that idea because I'm an absolute sucker for MCD, but it takes the scene away from the focus. This should be a scene about one of Aphmau's friends encouraging her to not give up even if it all seems lost. At least don't let her death be in vain by saying such awful things about her friends while they may be grieving. But Irene is brought into focus again because the show isn't about Blaze, or Aphmau apparently, I guess her Aphmau Main Character Powers overrides Aphmau's. She has more experience with them.

Blaze and Aphmau's very heartfelt dialogue is brought down by the fact that these two characters lives didn't intersect very directly out of high school. Through the course of Season 5 I never got the idea that Blaze was Aphmau's friend. Not to say they weren't friendly, I think Blaze adored her just as much as he did in high school, but as a viewer I was never shown that they cared particularly for one another. I believe that Blaze sincerely cared about her even after all this time, but that's not because of anything the writers did with him in these seasons. It's just because that's the kind of person Blaze is.

But their friendship not being strong really weakens the scene. This is a scene that I know for a fact worked as intended when I watched it as it was coming out. I was an overemotional mess of a 15 year old who hated how this series was going but kept watching it because it was almost over and I might as well get it done with. It pulled on my heartstrings and they sang and I cried. I cried a lot. This scene made me incredibly emotional, and it still got to me as an adult, but the devil is in the details.

Blaze and his arc might work on the surface. They work if you don't pay that close of attention to it. They work if you care more about the characters he's constantly around more than Blaze. And when I first watched Seasons 5&6, I still had a very deep attachment to a lot of these characters, especially Melissa, who he shares a lot of scenes with. So I felt... satisfied? I would've liked more, but I probably wouldn't have complained about what I got (his death scene not withstanding I always thought that was bad).

My my, how the times have changed.

If it wasn't obvious from the four thousand or so words you just read, Blaze is a rather unique case of these writers failing as writers. A rather unique case where the perfect character to fix a lot of problems with their show practically jumped up in the air waving his arms around and they still brushed past him to focus on a predetermined story he was shoved into. I don't think the writers ever really had a plan for where Blaze would go or what he would do.

A lot of Blaze's best character moments are when he isn't being written by Jesson. The reason I love the minigames so much is because there, Blaze's incredibly talented voice actor Jason Lord is actually really funny and pretty good at improv. Obviously some bits of the mini games are scripted, but a lot of them are just seeing how much voice actors can get into their characters, which he's fantastic at. A lot of Blaze's funniest moments come from this too, which is great when the writers turn him into a comedy character but the characters voice actor is funnier than they both are and is only a funny character when they don't have direct control of him. Lord is able to bring life to a character who may have been lacking it due to the simultaneously focused and unfocused way the series was written.

Blaze is proof of what happens when writers don't bother to develop their characters beyond the outline. The draft notes for PDH Season 2 said "there's going to be a wolf character who tries to become Alpha and instead stands up for Daniel when he's bullied." and then Blaze was born. The writers gave him some characterization as a treat to make the story work better, and then were done with it then and there. We fleshed him out enough, good character, time to put him in season 5 so people stop criticizing us for not giving Aaron enough friends.

But the problem wasn't a lack of quantity in friends, it was a lack of quality. It was a lack of scenes that let Aaron interact with other characters without Aphmau present. It was a lack of characters to point to that were real emotional connections Aaron had that weren't his last minute family or his girlfriend. It was a lack of attention given to the few characters that could've filled that role. Dante almost filled it in season 2, and Aaron and Garroth could have arguably become closer after everything in season 4, but at that point Aaron's entire arc became centered around Aphmau.

It was the fact that Blaze was one of the few people who ever directly reached out to Aaron and then was never given a scene alone again. It was because the writers wrote too many characters, tried to give the series a more direct focus, and then failed to account for the characters that were dragged along even if they didn't necessarily know what to do with them.

So when Season 6 came around and they decided to make the show super serious no really stop laughing, they needed characters to kill off to up the stakes. It's not like Blaze's character was going anywhere. It's not like they had a plan for him. Nothing was really being lost.

It's not like Blaze was one of the most sincere and dedicated characters in the series. It's not like he had one of the biggest potentials in regards to his relationship with Aphmau or Aaron. It's not like there was time spent proving that he could be a solid pillar of support in both of their lives even under dire circumstances. It's not like he was set up that way through individual scenes where he got to talk to each of them on a personal level. That definitely didn't happen.

TLDR: MyStreet peaked at season 2 and they fumbled the bag with the best chance to make it peak even higher and I'm forever bitter about it. Now get out of my house.

[nipuni]

Some various lighthearted life updates 🏃‍♀️

It's been a very busy last few months! in a good way mostly. We had a friend visiting us from overseas so we showed him around the city and took him to all our favourite places. We also met new people and were invited to a bunch of events so it's been very fun! We are all out of social battery tho so now we are slowing down a bit and getting back to work. Nicolas is on a short work trip to Berlin and I'm back to painting. We also started running! aaand we are also back to watching a bunch of shows and to me talking about it here to like five people 😌

Under the cut cause it's a lot as usual!

We finished watching S13 of Doctor Who! (we still have the specials to go but after that we are all caught up!) I haven't updated in ages so here are lot of opinions!

We really did not enjoy S11 😞 I was aware it wasn't very popular but we were hoping it was for all the wrong reasons, sadly we found many to be valid. Some of the episodes were baffling, Rosa? Kerblam?! the writing of the whole season in general felt like a rushed school assignment. The first part of Spyfall was a strong start for the next season but that ending in the second part was really not it. We did love Sacha Dhawan's Master tho!! and we really love Jodie too, 13th is adorable and reminded us of Ten at times! Jodie is such a fantastic actress that it makes the quality of the writing and everything else around her even more frustrating 😫 S12 was an improvement in general. In the last few episodes It felt like the writing team suddenly remembered the companions could have a personality and agency lmao. Highlights for us were Spyfall one, Fugitive of the Judoon and Haunting of villa Diodati, tho we did also enjoy most other episodes of the season despite their issues.

The timeless child plot reveal felt a bit underwhelming? The idea on itself has potential but it felt mishandled (and it had a bit of a Moffat flavour to it? and not in a good way). I think it was meant to add more depth to the Doctor's lore but in a way it ends up having the opposite effect. Then the flux was just a complete mess. It read like a Marvel sort of plot, very comic book like which is alright I suppose if that is something you enjoy but it felt out of place. But mostly it was just way too much, it got out of hand. Anyway we still have the specials to watch! and I think the Master is in them so we are looking forward to it 🥰

We also watched Broadchurch!! and we LOVED it. We ended up binging all three seasons. Chibnall's writing on this is surprisingly great and Jodie's acting is spectacular she really shines here. Olivia and David are always brilliant!! honestly everyone's acting was amazing. This series had us both tearing up every five scenes. The direction and the music are outstanding. I could watch Hardy and Miller solve crimes forever I really love their chemistry and dynamic. We went into it expecting the usual detective fiction but it ended up being a whole study on grief with such a focus on family and community and trauma and a ton of touching interconnected character arcs, just really really good!!

Then we also watched Taking over the Asylum!! MAN we were not expecting to have our hearts wrung out like laundry by this!! We thought it was a lighthearted show!! GOD we are still not over it, what the fuck!! It was so good we loved it!! but we were not prepared lmao what do you mean 'the end'?? we'll be thinking of this for months, I was expecting an extra scene after the credits or something. Excellent characters, refreshing depictions of mental illness and trauma and so crushingly realistic. Every character is so loveable I really wish this was longer 😭

And our quest to watch everything with David Tennant on it continues. We watched Decoy Bride on Valentines day too and it was terrible but such a hilarious fever dream kind of bad that it was fun, it has David on it and he never disappoints. I feel so lucky that Nicolas and I are both in love with him, get yourself a man who shares your celebrity crushes lmao it's so fun!! We feel like teens again chatting about him and drawing little hearts next to his pictures haha 🥰 We watched the BAFTAs just for him and speaking of the baftas!! I was not expecting that last drawing of his outfits to get that much attention oh my god 😭 thank you!! you are all insane and I appreciate it so much!! and thank you for all the support in general, about my art and photos and just everything. I feel very lucky and grateful 😭 anyway I'll end this before I get sappy, that is all for now! I hope this week is kind to you all, I'll be sharing some more art soon 😊

[rfpetals]

Why I think Ramattra deserves a redemption arc

OKAY HEAR ME OUT. First of all, what I mean by “redemption arc” is a bumpy journey of self-discovery and inner peace akin to Zuko’s. I don’t think Ramattra will ever forgive humanity or join Overwatch. The end goal of a redemption arc that I want to see is one where he finds inner peace and forgives himself for his sins.

Exhibit A: It would parallel Zenyatta which is really cool because I love characters that are foils of each other and follow a similar path with an outcome opposite of the other’s and-

It’s implied that Zenyatta didn’t have the best circumstances before joining the Shambali. When Ramattra found him, he may have saved his life, as the “nearly got him killed” line in Ramattra:Reflections seems to allude to a dangerous situation. Ramattra also set him on the path of the Shambali, where Zen found belonging, purpose, and perhaps inner peace. Ram gave Zen a second chance and he turned his life around because of it.

(Side note: This may be why Zen was so adamant in helping Genji. He knew from experience what a second chance can do for someone. This makes Genji and Ram’s hatred for each other even funnier.)

It’s clear that Ram is not in the best mental state right now. I don’t think normal people attack the planet and subjugate their own people. I believe if Zen successfully reaches out to Ram and (somehow, idk we’re too early into the plot) gives him a second chance to go on a journey of self-discovery, and he does end up finding inner peace because of Zen, it would be a very satisfying payoff and poetic parallel. It would also lean into the implied thesis of Ramattra’s character arc: “You didn’t have to fight alone”.

Exhibit B: Throwing him in jail/killing him off would be a waste of potential

Yes, Ram needs to face the consequences of his actions. Yes, throwing him in jail is a realistic and satisfying punishment. But you know what else is a realistic and satisfying punishment?

Facing worse discrimination from the humans who hated you and hunted your kind to near extinction and also being cast out and feared by the very people you tried to save and now you’re left with the guilt and shame of your ultimate plan to help your people having failed and you’re left with nothing and nowhere to go. Seeing Ram struggle with these consequences, try and fail to be better, and finally achieve inner peace for himself despite everything, would be ten times more narratively satisfying than watching him rot in jail for 10+ years.

Exhibit C: The seeds are already in place

There’s already a lot of foreshadowing and word choice in Overwatch official media that implies that this is the direction that Ram may be heading towards. Hell, even Ram himself has literal redeeming qualities. In one of the Ram Dev Updates, it’s stated that the Narrative Designers wanted Ram to be “exciting, felt understandable, dangerous, and someone you wanted to get to know better”. In the iconic Invasion cutscene, there is a lot of stuff that Mondatta says to Ram, and his reply, “Perhaps, one day, we truly will be together again”, implies he once had hope for peace, which could be a key motivation in his arc, or could lead to a realization he needs. In a 2022 Polygon article, it’s explicitly stated that “players should not think of Ramattra as a villain, but an ‘antagonist’”, again, alluding to the possibility that he’s meant to have an arc. There’s also the fact that Talon is clearly being set up as the bigger, actual villain, and they’re cooking up some sort of plot that leads to their betrayal of Ram. Why else would Doomfist send Mauga, Reaper, and Sombra to steal Ram’s technology instead of just asking him for it? (maybe he did and Ram told him to fuck off)

Ok so, Ramattra gets a redemption arc. What happens? I DON’T KNOW! YIPPEE!! Exhibit D is that Ram is already such an unpredictable and complex character that his journey could go in any direction.

He could try to regain his following, he could atone for his sins, he could return to the Shambali, he could try to reconnect with humans again, he could be an ally of (not join) Overwatch and get to know them, he could wander the world and find the answers somewhere out there, he could see the errors of his ways and try to rebuild the world he destroyed knowing full well that it wouldn’t make people forgive him and he does it because his journey has led him to a path where he finally chooses to do things for himself and achieve the life HE wants and thus fulfilling the sacrifice and wish Aurora made for him, meaning he accepts his own sentience and finds inner peace! What makes the possibility of a redemption arc so fun and exciting is that anything can happen. It’s what storytelling is all about!

Why wouldn't you want that? And why can't I be a little delusional sometimes? If Ramattra ends up being thrown in jail or nuked or whatever, I will definitely be disappointed, unless I am horribly wrong and the foreshadowing is actually pointing to that fate instead.

Anyway Bliz please stop dumping the budget into collabs and pay attention to the lore more thanks farewell

[doevademe]

hi dan! maybe a lot of people are already asking you about this, but what is your take on tsats 2 (as a long-time pjo fan)? is there any way that rick could 'salvage' whatever wasted potential solangelo had and kinda make things right? since the book would be inevitably published, what are some things that you might want it to feature, character-wise i mean (especially nico's and his relationship with other characters, not only with his boyfriend)?

thanks so much and i hope it's not much of a bother.

Hi there! My first thought when it comes to tsats 2 is... what would it even be about? Nico and Will ended tsats with no open plot threads, nothing to do. Is it going to be just slice of life? Riordanverse books have never really done that, and I doubt it can start now.

As everyone that sees my blog may know, I hate solangelo, but I'll try to be as objective as possible. Even without that bias, I don't have high hopes for this book, and while I wouldn't call the story completely unsavageable, it is pretty darn close. It would need to give Will an actual personality, not shy away from Nico's non-familial relationships, address the elephant in the room that are the Kakodaimones and their "birth", and most of all, you need to show me why these characters should be together, what makes them a good match, because tsats 1 only convinced me Will just got with Nico due to inertia and would dump him the second Persephone became available.

As for what I would want it to feature? Them breaking up, after the fiasco that was their relationship in tsats 1, I also wouldn't be opposed to Nico exploring his relationship with Hazel, and how he feels about Reyna joining Artemis, since it's a repeat of what happened to Bianca.

You know, things that would never happen, if we take wotg as an example of current PJO writing quality.

[nonbinarypirat]

Hello! I really like your character analysis from m!ik. I wanted to ask you what do you think of Amerie? And her influence on Iruma? And their relationship?

Great question! Okay, I’ll go in order of your questions since you have a few for me :)

Okay, so I have issues with how Ameri is written on the character, some of the few issues I have with Nishi’s writing thus far. But before I talk about the negatives I want to focus on the positives of Ameri and her character because I do think she has a lot of potential that I hope we get to see! Ameri is a classic capable but soft character type that we see in both her romance fantasies but also her deep care for her fellow students. She isn’t just a student president because of the prestige or power it could give her, it’s because her ideal is for every demon to be proud of themselves and their authentic selves. And this is a quality in her that I find deeply profound and beautiful. She’s proud of herself and she wants others to be proud of themselves as well. And what I like about Iruma and Ameri is that she encourages him to strive for more, more than he ever could have dreamed of in the beginning. And he makes her enjoy herself more rather than overworking herself. He makes her be still more, stop to appreciate the little things. She also has the power to inspire others, a nature born leader, and one that is willing to do anything for her fellow students. Not to mention she has given her fellow student council members a place to belong and by doing so, they have deep respect and loyalty to her. And for demons who are inherently selfish and idealistic, this says a lot. They aren’t with her because of her strength, they care for her and I think that speaks volumes in itself.

What I have a problem with is how much her growth is tied to iruma. I think in this Nishi failed at making her an independent character. For instance, we don’t get to see her work towards rank 7, which would help her in her main ambition. We know she wants to take over for her dad, but we don’t know why that’s so important to her yet. And we don’t get to see the steps she takes towards that goal. Her growth is her progress in her relationship with Iruma and I think that’s a let down. Like I said, I love how she inspires and pushes iruma to be a better version of herself. I enjoy that a lot about their relationship. But I don’t find myself interested at all in the romance aspect of the two, mostly because of how they met each other. The trope is that in so many animes and mangas (and the romance genre in general) have two characters run into each other and instantly fall for the other. They went for the trope, we had some laughs about it, but then it kind of just… stuck around? It’s making fun of the clique while also adhering to it and to me it just didn’t land. I think for the joke to work and to make the relationship flow better, the immediate attraction should have quelled and from there a more slow burn of feelings for Ameri. I think if she didn’t become so Iruma crazy so soon into the story, it could have made a more compelling relationship compared to the current one we have. Right now, besides motivating each other I don’t see much in the way of their relationship? I think it’s also hard because we see so little of her in the actual plot and story so the relationship feels like it’s going at a snail’s pace while also going too fast when we do get to see them interact again to make up for the lack of Ameri. It’s weird, they’ve gone on three or four dates (or at least, we can categorize them as dates even if both characters haven’t called it that) but at the same time it’s like nothing has happened for them. I guess besides Ameri realizing her feelings, Iruma blushing when hugging Ameri, and the talk with Henri. I wish the relationship was more friendship focused or the feelings took longer to develop. Because she’s a busy woman and she’s a year above Iruma, we don’t see her actively take part of the plot often and it just makes it hard to get to know more personal stuff about Ameri.

This isn’t to say I’m a Ameri x Iruma hater, I just don’t find their relationship a fun part of the story. I do also admit to having a bias for the love trio when it comes to Iruma ships. But I do hope that the relationship develops more in an in-depth way because I could see her and their relationship becoming more interesting if Nishi takes the time to write her (in my opinion) better.

[jules-writes-stories]

Anon was very callous about it but you do write Mithras as a stereotypical twink and have him bottom exclusively; you gave Eris a lot of the same qualities as him (feminine, thin, smaller than his partner, flamboyant) and I think that is probably what throws some people like anon off. Not saying it doesn't work in the story because it does, it's well written, but Azriel doesn't have any submissive traits about him so I think people find it hard to believe he might fit into a submissive role.

Anon,

Long reply ahead: I’ll try and address everything you mention!

1. I never want to imply that Eris is physically weaker than Azriel. He’s not. In the very first scene they’re together, I say he and Az are close in height. Az is slightly taller and Eris is leaner in build.

Eris is a war general and warrior. I try to make that clear multiple times in the story. The story has not offered a chance to show Eris in his role as a warrior/general yet, but there are scenes where he spars with Sylvan and Lucien and he owns the Autumn Council in Chapter 2.

I’m not sure I would describe my Eris as outright flamboyant… (I think Mithras more so, but some of that is affect).

But I want readers to picture Eris how they want, so if flamboyant and femme works, go for it! I definitely say he favors the LoA in looks (a plot device, but I can see how it may be interpreted.)

He is not a bear, and he’s bratty, he’s pretty to look at (all Vanserra boys are imo), and he kikis with Fidel, always serves a look, so Ok. I can see what you’re saying. Bottom line: there’s a lot left to interpretation. And that is intentional. Some of it is vibes and just what the character told me while writing him. I am ok with people reading him as a Twink (although I would warn against reducing him to solely that— he is much more). But I also think I’ve left it open enough that readers are not forced to see him as that, because the term Twink sort of implies he’s just one thing?

2. I can also see how easy it is to equate Mithras x Sylvan’s ship with Azris, since (without giving much away) there are parallels. But a quick reminder: Azriel and Eris have known of each other for 5 centuries and their mating bond snapped (in JEL) at the HL meeting.

Mithras x Syl have known each other for significantly less time. They care for each other and there’s chemistry/potential— I love them—but as of now, they’re not mates. So their sexual relationship is new. They haven’t explored or had the opportunity to grow.

3. One of the reasons I bring up this difference: I have Eris top Az in the last chapter because I want to express that Azris (through their bond, love/shared trauma) have an innate understanding of what the other needs in moments of crisis.

Chapter 12– the Velaris Chapter—Eris is overwhelmed and struggling. Azriel takes him to Velaris and Eris “lets go” emotionally, (musically lol), sexually— and Azriel is there to “catch” him, right?

Chapter 18—after Azriel’s torture scene—there’s a role reversal. It’s not about one character having power over the other— It’s about a character who struggles with vulnerability letting go and knowing his mate will catch him/carry him home (metaphorically).

So even if Eris is a twink (non-comittal because I want readers to have their own views and want to avoid being reductive) I don’t think it precludes him from topping, particularly in the loving/nurturing way he does this for Az, when he realizes it’s what his bat needs. It’s more about Azriel being vulnerable rather than submissive? A relinquishing of control, versus a giving away power.

TLDR: it’s not really about penetration. It’s more about giving each other the chance to be vulnerable, to trust, be cared for and to let go.

Real life example: Troye Sivan is a self described Twink who also identifies as a Vers…

I hope I made sense in this very long reply!

[magpod-confessions]

(loosely responding to a confession i saw a while back, but just a lot of stuff in general)

i don't like how the fandom is so quick to slap labels like 'sexist, racist, misogynistic, etc' onto anyone who dislikes a certain character. i know these things are very much an issue, especially in fandom culture, but it's really anoying when people will just throw those labels around just because people dislike a character that happens to be a woman of colour. because 1. people are allowed to just dislike characters 2. people can have perfectly good reasons for disliking minority characters that have nothing to do with them being part of a minority group

specifically i want to talk about preferring michael distortion over helen distortion. obviously michael is widely depicted as a white man, while helen is widely depicted as a black woman so it's easy to look at the general favouritism towards michael and shout racism and misogyny. but that doesn't account the numerous reasons people could have to prefer michael over helen that have absolutely nothing to do with helen being black or being a woman. So, I present several such reasons:

(now, to the people that are going to say "why are you comparing them?? they are different characters and you should treat them like it" first of all, why have you read this far. second of all, that does not apply here. these are not two seperate characters. these are two different interations/personas/whatever of the same being. comparison should be expected if not encouraged)

michael is more interesting than helen. becuase michael is the distortion when jon and the viewer know very little about the distortion and the fears, he gets to be more cryptic, he can hint at things and and be all mysterious and vague about the nature of himself and the world. helen on the other hand is the distortion when we have a much better idea of the distortions nature and the fears and how they work. thus, she has less opportunity to be cryptic and vague and mysterious, which , in my opinion, is one of michael's best qualities-and what makes him so loved by the fandom. helen attempts to be weird and cryptic like michael, but it's just very repetitive and boring because we already know how everything works and there is very little she can hide from us

michael is a more 'iconic' character. this basically comes down to, he's more quotable. he has his whole trademark laugh and all his great quotes "i am not a who archivist i am a what" "how would a melody decribe itself when asked" "does your hand in any way own your stomach" "there has never been a door there archivist your mind plays tricks on you" i could go on. i'm sure helen has some great lines as well but i don't know any off the top of my head, which honestly proves my point a little. anyway, helen doesn't have all that. probably becuase the writers didn't want her to feel too similar to michael but yeah. this reason is a bit basic but it's still true

michael is made to seem more important. I just want to clarify, what i mean here when i say a character is more importamt here, is that the podcast makes this character seem more important. they both had their effect on the storyline, but the show definitely makes one of them seem more important and influential (this reason encompasses a lot of things so i'm sorry if it gets a bit ramble-y) this kinda ties in with the michael being more mysterious thing. micheal is treated as this mysterious unknown character, a potential threat, an antagonist at some points. Michael affects the characters quite a lot, and jon specifically seems to dwell on him a lot. So despite having a lot less screentime than helen, he's built up to be quite an important figure. Helen is not treated as important by the show in the same way. by the time she comes along, the whole mystery and drama of the distortion has already happened, so she isn't that important. she becomes a little irrelevant to the plot, occaisionally popping in to bother jon. and that's what she's really framed as —an annoyance, a bit of a nuisance, but not that important or influential. especially in season 5, she becomes almost a comedic relief character. mag 187 is the exception to this, where she is very important for about one episode before being almost immediately forgotten about. her effect on the characters is made to seem important only in retrospect. michael remains relevant even after his 'death' because he plays an important role in jon's struggle with his humanity and his conflict over gertrude's morals. even though michael has very little screentime compared to helen, every bit of it is made to feel relevant and important to the overall plot. I AM NOT SAYING MICHAEL IS ACTUALLY MORE IMPORTANT THAN HELEN. YOU CAN LOOK AT HELEN'S EFFECT ON THE PLOT AS MUCH AS YOU LIKE. I AM SAYING THE PODCAST ITSELF CLEARLY MAKES MICHAEL SEEM MORE IMPORTANT. sorry i just want to be super clear on that

michael has a more tragic/serious backstory. we all know what i mean here. michael shelley being manipulated and decieved and betrayed and kept in the dark, to become a monster that's whole purpose was to do those same things to countless innocents—there's so much that can be drawn from that and it's so poetic and interesting. it's also relevant to the overarching plot of the podcast like i said before. and like i mentioned before, helen is treated as a more funny character, not as serious or tragic as michael. don't get me wrong, there is tragedy in her becoming but it is not explored in the podcast canon. you can definitely talk about the srious stuff of helen's character but it isn't as grounded in canon if you do. also michael's death seems more tragic because michael shelley was framed as super innocent and undeserving of his fate while helen richardson was canonically kind of an asshole (not saying she deserved it either of course)

helen replaced michael. this relates to what i said at the start of this list—helen is going to be compared to michael as she is literally his replacement. for one, that does set michael fans against her slightly already because she's complicit in his 'death' a tiny bit. but the real problem is, she's expected to live up to michael—while also being different enough that it doesn't feel like the same character—which i personally don't feel that she does. i think i'd like her better if she was her own character and hadn't replaced michael, and i think that's a big reason that many people that prefer michael don't like her as much. it's also a valid reason to dislike a character. also, this has absolutely nothing to do with her being a woman of colour in fanon. if she was another white boy i'd still probably dislike her when she didn't live up to michael standards.

that's all i can be bothered to write, i think i had more ideas but i forgot sorry lol. anyway, notice how none of those reasons had anything at all to do with helen being a woman or often being depicted as black? if michael had been a woman of colour and helen had been a white man instead, these reasons would still apply

anyway i spent so long on this i thought of a couple reasons someone might preferhelen because i still love her and i don't want to make it seem like i dislike her. i don't. i just prefer michael but helen is still definitely top5 tma characters for me for sure.

we get to see the distortion adapt to it's new identity as helen which is super cool (i do not understand why no one talks about this.like hello????? it's so interesting?)

sometimes it's nice to have a more funny character, especially the juxtaposition between the more dark stuff of the podcast and lighthearted moments between helen martin and jon in season 5

i like her more subtle manipulations and the whole 'fake friend' thing. i thought that was a really interesting concept and a good way of bringing something new to the distortion

anyway, i know that white-twink-favouritism is an issue within the tma fandom (and dare i say tumblr as a whole) but let's remember than not everyone who likes or dislikes certain characters or prefers one character over another does so because they are sexist or racist. there are so many different reasons for someone to dislike or like characters that have notihing to do with race or gender.

i notice this debate particularly with michael and helen and i agree there could certainly be an element of sexism and a bit of racism too (not racism so much because she is not canonically black it's just a fanon thing so racist people probably just see her as white idk) but i think most people have genuine reasons like these to prefer michael and should not be called sexist or racist for having preferences.

🗣️ if i remember right mod i know you prefer helen so disagree with me if you wish. I'M NOT SAYING MICHAEL IS OBJECTIVELY BETTER THAN HELEN I'M POINTING OUT REASONS THAT A LOT OF PEOPLE PREFER HIM. i'm not really here to debate whether michael or helen is 'better' i just wanted to point out something that annoys me a bit

oh my god you are so right anon. at the end of it all both distortions are just. the distortion. michael was more impactful to the actual story as a whole, being one of gertrude's assistants, but helen is also super important in jons journey into avatarhood. both of them affected how jon sees himself through this ( him seeing himself as a monster definitely is also from the distortion ) in their own ways , and while helen is more of comedic relief , she still is new. she's fresh. she is a blank slate for the distortion after having been michael for so long and that is so interesting , especially with how she feels at the very start after merging. - deceit

Agree agree agree. I love helen sm and I find her incredibly interesting (and well the disortion in general) and I do prefer her over Michael personally (partly bc im gay as hell), but I definitely understand why ppl love Michael sm. And yea I dont think ppl should be called sexism or racist over liking a character. Like theres a big difference between liking a character for genuine reasons and liking them bc you have a bias. Idk yea - Rosette

[azure-firecracker]

The X-Files Season 4 Review (First-Time Watcher)

It has been a minute but we are back!

(Full disclosure - I am actually a little ways into Season 5 as I write this. College has given me more time with energy for watching than energy for writing. Such is life!)

Life seemed to stand between me and this season. I finished the first half in about a week and a half, and then the second half in three times that because…college happened. But we got there! And oh boy did we get a lot.

This season was hyped up to me even before I watched it (it won my favorite seasons poll a while back) and it DID NOT disappoint! I think this season managed to merge the melancholic energy of season 2 with the consistency of season 3. The first half was especially consistent (out of the first 10 episodes, there wasn’t a single one I didn’t like), and while the second half was a bit more uneven in terms of quality, when it hit it hit hard!

I thiiink Season 2 still takes my favorite spot among the seasons, but this is a close second. It’s just so good, and the second half especially has this looming sense of heartbreak that I haven’t seen in the other seasons. If Season 1 is a campy monster flick, Season 2 is an alien soap opera, and Season 3 is an action movie, then Season 4 is a Shakespearean tragedy of epic proportions, wrought with miscommunication, near-misses, and hurtling towards an unavoidable, doomed ending that lurks in the background even of the most mundane moments. I’m a sucker for a good tragedy, so I loved every moment we got. I was also happy that Scully got to have a real emotional arc. Especially in Season 1 and 2, those usually belonged to Mulder, but the cancer arc is first and foremost about her, and the show takes a lot of care to keep her at the center of that story - which I appreciate.

I found the MSR dynamic this season to be fascinating. It’s like they’re in this territory - even before the cancer arc but especially during it - where they’re realizing how much they mean to each other but also how much it could damage them both. They’re closer than ever and yet more at odds than ever. They’ll cling desperately to each other in the face of death but run away from each other in the daylight because they’re afraid of what it means. It’s tragic and less fun than what we’ve seen from them before, but it’s also fascinating.

As always, I do have a few gripes. My biggest is that, while the cancer arc is beautiful and heart-wrenching, I wish they’d explored it a little more. Only Memento Mori, Elegy, and Gethsemane center around it (and Never Again, if you go off of airing order instead of intended order). Maybe Zero Sum too, but that’s about Skinner and kind of its own thing. And I just felt like there was some wasted potential there. Scully was literally DYING and losing control of her life and Mulder was powerless to stop it. There’s so much plot and character potential there that really wasn’t touched on, and it felt like they really only scratched the surface. Of course, part of the fun of this show is that they leave a lot for us fans to do ourselves, but it feels a bit like a wasted opportunity on the show’s part (friends: please be kind and point me to the fanfic now!)

Also, while I love the cancer arc for emotional value, I do have some qualms about yet another major arc about Scully having her bodily autonomy taken away. Why must all of the female protagonist’s arcs have to do with this? (I wrote about it in Season 2 here).

But frustrations aside, I think this is objectively the second-strongest season after Season 3, and subjectively my second-favorite after Season 2. Its overall arc is maybe the most compelling of the show, and the individual episodes (for the most part) are all fantastic.

Speaking of which, let’s get into the individual episodes! Quick disclaimer- because this season took me so long to watch, it’s been quite a while since I watched the earliest episodes. Just something to keep in mind:)

Herrenvolk: Unfortunately, I feel that this was the show’s weakest season opener so far. It’s not bad by any means, but it falls victim to the same gripe I have with many mytharc episodes, which is that it prioritizes plot over character work, and that rarely works for me. On top of that, the plot here was kind of hard to follow, especially Mulder’s half (Scully’s half was easier because she was literally explaining everything like the scientist she is I love her so much). Also they were separated which is never fun. At this point, I sort of feel like the show is just adding more and more elements of the conspiracy without explaining what we already have, and it’s getting to be a lot. I did adore the hospital scenes between Mulder and Scully, though - it’s a vulnerability and openness we rarely get from both of them (and I think it scares the shit out of them both - hence why their dynamic for the next 3 episodes is kind of weird). Anyway I’ll give this one a 7/10

Home: I know opinions on this are mixed, but I really liked it. It was genuinely SO creepy, especially the scene where the Peacocks are beating up the sheriff and their car music plays in the background. I agree with @graciehart who says that Mulder and Scully’s dynamic in here was odd, but I kind of get it. Scully represses a lot of her emotions, and it would make sense that she might not think or talk about motherhood until she sees a distorted version of it, and she can examine it from a more scientific angle. For Mulder’s part, @theswisscheeserag said that this episode was sort of an exploration into Mulder’s privilege, and how he’s a little bit immune to the darkness that lurks behind the small-town American ideal (in part because that ideal is something he never had). All of that is interesting. I also liked Scully really taking the lead on the case, especially when they thought there was an innocent woman in danger. This show has a trend of victimizing women, so it was really nice to see Scully, who’s been a victim of this trend herself, fight against that. Overall I’ll give this a 9/10

Teliko: I am never safe from the ethnic flute, am I?

Plot-wise, this episode was boring. The pacing was slow, Mulder and Scully were fantastic when together, but that wasn’t a lot, and really not much happened the whole time.

But that wasn’t the real problem - the problem is that this is a “cultural episode.” And a bad one. They sort of half-engaged with all of the racial issues, and they said some super out-of pocket stuff that they then didn’t elaborate on, and it almost seemed like they got what they were talking about for a second but then they didn’t and the whole thing was weird but definitely problematic.

When I tell you I have never hated a score more - TRIBAL CHANTING AND DRUMS SHOULD NOT BE USED TO SHOW HOW OMINOUS YOUR VILLAIN IS! DO YOUR PROPER FOLK MUSIC RESEARCH!!

Alas I would love to 100% hate this episode, but I love the climax SO much. This is the first genuine kidnapping loss-of-bodily autonomy role rehearsal that I’ve been begging for since Season 2, and this is my favorite trope, so I devoured it. It’s also SO sweet. I wrote a meta about it. It’s here.

Anyway my love for the climax will bring this episode up to a 6/10 but without the climax it’s like a 3 lol.

Unruhe: Okay. Kind of like Our Town, I have to separate my feelings about this episode from its actual quality. Because in quality alone, this episode is fantastic. The villain is interesting, the tension is palpable, the climax is gut-wrenching, and Mulder and Scully’s dynamic has this fascinating push/pull that’s reminiscent of early seasons but starkly more intense. The way they yell for each other when he’s saving her from the van (trailer? Large vehicle) is haunting, especially for her part, because Scully never screams like that. And the outro of this episode - Scully talking about finally being forced to understand evil and how it can be inside her and come for her while a single tear slides down her face - is my favorite of the whole show.

But it seems I am not recovered from Season 2, and the second I saw violence against women I knew exactly where this was going. I spent the whole episode waiting for the other shoe to drop, and when it did I was more annoyed than anything else. There is one hilarious frame right after Scully wakes up in the trailer where Gillian stares into the camera and looks annoyed af as if to say am I seriously filming this kind of scene again? and I was like same, girl, same. But with the understanding that most of this comes from me and not the episode itself, I’ll still give it a 10/10

The Field Where I Died: I have mixed feelings. I like the idea of past lives here, and the idea that Mulder and Scully were always friends, I love. I know it bothers some people that they weren’t together romantically, but I don’t think they need to have been romantic in past lives in order to be romantic now. I actually really love the idea of the same souls reconnecting in different lives but always in different ways (I’m thinking of the musical Ghost Quartet if anyone here knows it). I also love the concept of Scully always dying before Mulder in past lives - it adds another layer to the tragedy.

But also this episode feels like it’s missing something, and introducing a one-off character to be in the reincarnation cycle was kind of weird, and even though I think the concepts are cool, I just can’t quite love it. I’ll give it a 7.5/10

Sanguinarium: Finally a short episode review! This one was spooky and fun! Nothing in particular to love or hate about it, just a really creepy good time. A good episode for spooky season. 7.5/10

Musings of a Cigarette Smoking Man: Naturally, I missed Mulder and Scully during this, but I thought it was really interesting! I’d much rather take a tour of CSM’s past than see another meeting with the high school board of trustees shady government organization of white men that I don’t care about. I also love that he’s an aspiring author and that he sucks at it - he’s kind of a bad bad guy too if you think about it. My favorite thing about this is that it wasn’t a tragic backstory and that he wasn’t redeemed! A tragic villain who redeems himself is great, but it’s also great to let your villains just suck. 8/10

Tunguska/Terma: Okay Mulder/Krycek shippers, I may not live on your planet, but I now see the roots from which you sprung. Their dynamic in these was actually wild.

This was overall an excellent two-parter! It focused more on character tension than alien plot, which I feel is always better. I liked the juxtaposition of very different high-stakes scenarios for Mulder and Scully - the Russian gulag and Scully being held in contempt of Congress, and kind of the implications that all corrupt governments are the same with that parallel - all good stuff! Although, for being hyped up as inescapable, Mulder sure got out of that prison camp real fast. Also…Mulder being injected with the black stuff is a HELL of a plot point to never touch again, but it is in character for the show. But TELL ME why there are no post-ep fics for this! There’s so much angst potential! Anyway 9.5/10

Paper Hearts: *cries*

See this is what Oubliette could have been if it had properly utilized Mulder and Scully’s dynamic, because Mulder’s search for Samantha is him making all the wrong choices, knowing they’re wrong but always digging in the dirt anyway, and Scully seeing the inevitability of Mulder’s downfall but standing there and letting him hold onto her after he breaks, coming back again and again because he always needs her and she’ll always follow him.

I do think the climax was a bit underwhelming given the emotional weight of the episode. I think Mulder maybe figured the killer (forget his name) out too early. But the post-climax scene is, of course, phenomenal, as is this episode overall. Point me to the fics for this one too! 10/10

El Mundo Gira: And this time the ethnic flute is accompanied by a vaguely Spanish guitar! And a boring plot! And some actors who are supposed to be native Spanish speakers who are very obviously not! 2/10

Never Again: Yes, I did watch this before Leonard Betts, and I’m glad I did, because I think it’s more interesting to look at Scully’s actions through a lens of her reaching breaking point than as a trauma response. I know this is controversial- the wonderful @mulders-too-large-shirt and @thursdayinspace aren’t the biggest fans, but I’m going to have to disagree and say I adored this one. Scully episodes are always treats for me, and this one was no exception. I know that people don’t like the implication that she sees Mulder as a disapproving authority figure, but I saw that as more of a manifestation of her fears than anything else. Scully will always crave the approval of those she loves, no matter how much they show her that she doesn’t have to earn it, she will try, and especially with Mulder, who can be a bit oblivious, the extent to which he values her can go unnoticed, and she’s left feeling like she’s bending over backwards for nothing. She doesn’t feel this way all the time, but here that feeling reaches a peak for her, and she gets these desires to break the mold and do something else and just try everything she never tried before. And as someone who also has a good girl identity, this really resonated with me.

The ending is also killer. Mulder wanting to say it’s become mine but he can’t finish the sentence…especially knowing what’s coming for them…GOD. This is in fact a 10/10 for me.

Leonard Betts: I mean, this is really just cancer arc setup. All of that, and the last few scenes with Scully, are fantastic. Individually, this is pretty good! Nothing to really complain about. 8/10

Memento Mori: *cries* I seem to be doing that a lot this season.

What a fantastic introduction to the cancer arc. I adore that this episode starts with Scully’s narration, to really emphasize how this is her story, and she will be taking center stage. I love how this episode showed Scully and Mulder’s reaction to her disease, and really dove into their psyches in a way they really wouldn’t again. It’s Scully’s desire to maintain her strength, to keep going, to just accept it and keep working as she does so many things. It’s the way the fear of death hangs over her, and she accepts it with open arms because it would almost be more vulnerable to fight it, but Mulder fights it because there’s nothing he fears more than losing her, and yet when she calls him he’s there in an instant, because he’ll give up every answer to be with her. It’s One Breath all over again.

And of course, the hallway scene. Gillian Anderson the actor you are. They both look at each other with so much care and grief and tragedy and love, and it’s fantastic. Though this is not the show’s first forehead kiss (there was a blink and you’ll miss it one in Irresistible) it was the first noticeable one, and it’s so tender but also heartbreaking. I was sobbing in my dorm room. 10/10

Kaddish: I did enjoy the parallel to Mulder not wanting to let go of Scully. And I loved the score, which actually drew on elements from Yiddish folk music (Yiddish is a very prominent folk music for Eastern European Jews). Makes me wonder why they couldn’t do that for the non-white “cultural episodes.”

They seemed to be a bit more clear on the messaging regarding antisemitism than they are when they’re dealing with non-white cultures, but it still felt a bit muddled to me, what with the villain being one of the Jewish people (sort of). I’ll give this a 7/10

Unrequited: What’s that? There was an episode? I must have fallen asleep. 3/10

Tempus Fugit/Max: My lovely friend @california-112 loves these - alas I must disagree. These fall victim to the “too much plot, not enough character stuff” thing that I don’t like. I want to emphasize that this is a subjective taste thing for me, but it does impact my viewing experience nonetheless. I was just annoyed that there was a big mytharc two-parter and Scully was LITERALLY DYING OF CANCER and it wasn’t about that. It felt like that whole plot was just sitting there, wanting to be used, and it wasn’t. And while the plot with Max was nice, it seemed like an awful lot of significance to give a one-off character. If he had been recurring, I might have liked this more.

But I did, of course, love the birthday bookend scenes. He finally celebrates her birthday because he thinks he may never get to again😭😭😭 And her explanation at the end. I love them❤️ Overall these two are a 7.5/10

Synchrony: I actually really liked this one! Maybe it’s because I’m a physics girlie but I liked the time travel elements of the whole thing, and I thought the continually unraveling mystery was really cool. I guessed some of the plot twists for sure, but not all of them! Also Mulder literally quoted Scully’s thesis at her, which was especially fun because, as a physics student, I now know what the Twin Paradox is. Anyway this was an 8/10 for me.

Small Potatoes: I need David Duchovny to star in a comedy immediately. This episode gave us some much needed levity in a pretty gloomy season. All of the jokes landed for me, and I love how pathetic of a villain Eddie is…and that’s exactly why he’s dangerous. I also love every second of body-swapped Mulder and the way the show takes the opportunity to make fun of itself. “Where do I sleep?” might be my favorite joke in the whole show.

I also like that this episode has layers, and kind of gets sadder the more you think about it. Read what I wrote on that here.

All that being said, I do agree with @california-112 that this episode falls into the trap of belittling women who were victims of SA, and I do think that that’s generally icky and a problem. With that in mind, I’ll give this episode a 10/10 for my personal enjoyment but an objective 8/10.

Zero Sum: Another Skinner episode! I do feel like Avatar gave us more insight into his character than this, but I still thought this was intriguing. I thought the push-pull between Mulder and Skinner was entertaining, and the thought that Skinner was willing to go to such lengths while Scully was sick is an interesting one - but most of this episode escaped my memory and I did watch it fairly recently, which I think is telling. So 6/10

Elegy: *cries* Scullyyyyyy

First of all, the ghost makeup in here? Terrifying. It got me. And I’m not easily spooked by this show.

But I loved Scully’s reaction to this. Her in therapy, only admitting how much she needs Mulder when she knows he can’t hear it, because she’s still fighting those same battles with her emotional walls and her self-image. Her refusal to believe in what was happening to her because of science, but also because she doesn’t want to admit that she’s dying and that things aren’t normal and they can’t be normal and they can’t go on. I also don’t know if this is the episode where she finds out her cancer has metastasized (what we learn in Gethsemane), but her final argument with Mulder hits so much harder if you think it is. I know what you’re afraid of, because I’m afraid of the same thing…and what that really is is being apart. And the final shots of her in the car…this season has so much Scully crying and I hate it but I love it. 9.5/10

Demons: Dare I say…tied with Irresistible for new favorite episode? I’ve already made a meta about this, so you know I adored it. Plus it takes place in my hometown which is awesome!

All jokes aside, this episode was so sad but so wonderful. Mulder feeling like his life is spinning away from him and he can’t save anyone, taking desperate measures to find answers, and just being fully swallowed by his self-hatred, willing to go further than he ever has because there’s no hope left.

And Scully, who is his beacon of hope, following him and believing in him when no one else does. She stays until the case is solved and she puts every single piece together herself because she has to. She follows him into the house and stares down the barrel of his gun because she will never fear him, no matter how far he goes, and he will run endlessly into the darkness chasing the truth, and she will run just as far to pull him back.

God. He’s so broken and she’s so devoted to him and this episode showed both things in spades. It was beautiful (and, on a more self-indulgent note, played into all of my favorite tropes. It felt like an upgraded version of one of my fanfics). Obvious 10/10

Gethsemane: Like Talitha Cumi, this is more of a precursor to Redux than a finale in itself, but it’s still a really good episode. High stakes all around! This really digs deep into the question of is it aliens or the government or both, and that’s an ambiguity I’ve always loved, so it was nice to see it back. Scully saying her cancer had metastasized absolutely killed me, but what really got me was the ending. Holy shit! 9.5/10

I think this may be my longest review so far, which is fitting for Season 4! Please feel free to tell me your thoughts on these episodes or the season as a whole, or to send me asks about TXF or anything at all! There’s truly nothing I love more than fangirling with all of you! I’ve had such a stressful few weeks with college, and you’ve all been so kind to me, sending me asks and commenting on my writing and chatting with me, and it’s just meant the world to me, so thank you❤️

On another note, my birthday is coming up in a few weeks, and I’d love to make something special for it, so if any of y’all have ideas, please let me know:)

Until next time!