#now i wish i'd never looked at the source material and had any expectations

[aliferousdreamer]

ngl hotd season 2 has been really disappointing

[gamerism]

Kiryu Kazumi is an interesting exercise in fandom, in my opinion. And I wanna talk about that.

[Kazumi is the fan created drag persona for Kiryu. Often Kiryu is genderfluid or exploring identity through her.]

Kazumi places a few tiers down the "non-canon fandom iceberg". She exists in response to Goromi who is already a very minor thing in canon, and was written as a Bit/with the intent to make an offensive joke about drag/ect, the fandom were the ones who made Goromi mean more than that. So Kazumi is a layer down from all of that already.

Despite her existence being entirely fanmade, she's not a vehicle for the fandom to cannibalise the source material into something unrecognisable purely for fanworks' sake. Though she might look it on the surface.

If the fandom decided to make Goromi mean something because she's the most blatant moment of queercoding for Majima in a long history of queercoding for him, then her theme is ultimately masculinity in canon.

Which is absolutely what Kazumi is about. Kiryu sits at the very beating heart of Like A Dragon's themes about masculinity. Be it toxic, be it ideals, be it the kind of appearances you're expected to maintain in the yakuza. Kiryu shoulders the heavy burden of them all.

We see him exhibit both positive and toxic masculinity throughout the series. But what the games have rarely brought up for him, is the rejection of masculinity in any context, or at least, femininity in equal amounts.

This isn't really surprising, if they're unwilling to make Majima say he's gay with his own mouth after using queerness as a means to Other him and make him seem dangerous, untrustworthy and even scary...they're certainly not going to have their shining beacon of Honour, Kiryu, do that. (Majima's queerness and coding has changed role somewhat over time and is generally more neutral or positive in positioning now. But even as recently as Yakuza Kiwami, it was being used in a negative way.)

So Kazumi serves the purpose for fans who wish to delve more deeply into that thorny complex relationship to masculinity.

[Kazumi In Kiwami 2 On NexusMods] By kiryussideburns.

Personally I find the idea of Kiryu exploring Kazumi as a means of escape, as a means of fully free self expression (something Kiryu has never had), really really interesting. I also find the time frame she's generally written in interesting. Most people place her post-2005. Kazama is dead. This is a hugely important factor in Kiryu's willingness to take the risk to explore gender expression. Kazama is not the kind of man who approves of any (perceived) weakness in men. In Kiryu and Nishiki's lives he's who instills a lot of toxic aspects of masculinity in them. I'd also hazard a strong guess that he's homophobic, though we don't actually know that.

The next largest factor is that December 2005 is the point where Kiryu leaves the Tojo Clan permanently. Kiryu definitely still cares a great deal deep down about his image and public perception within the underworld after leaving, but his day-to-day is no longer dictated by the rules of that life.

(Some people, me included, also dabble in Kazumi in 1988. But the same things essentially apply there. Kazama is in prison & as far away as he can functionally be while alive. And Kiryu is out of the Tojo Clan temporarily.)

As someone so enamoured with this exploration of gender expression for the character, I was floored when LAD Gaiden allowed Kiryu to wear makeup. Seriously, I had to go lay down to calm down about it when playing Gaiden day of release.

(Gaiden's lighting is very contrasted, I did my best to find a screenshot where you can actually see the makeup.)

The makeup, nail polish and pearl earrings in the Boutique was kind of unbelievable to me. I know RGG didn't really mean anything by it, that they didn't make those customisation options because they were going to touch on these themes. But even the hint of that in canon, it was so much more than I ever expected....even if it did go nowhere, as I knew it would.

It kind of gives me hope that Goromi might mean something more than just an offensive joke (in canon anyway) in the future. Or if not Goromi than something else, in LAD9 or such. Either way Kazumi will continue to be fandom legacy for gender expression, presentation and what the expectations Kiryu & other characters have resting on them mean.

[daitranscripts]

Before the Dawn Pt. 3

Sahrnia Quarry

Before the Dawn Masterpost First: Source of the Red Templars Previous: Lyrium Smugglers

If the PC goes to the mines before the quest: PC: Red templars. What are they guarding here?

PC: Cullen would be interested to know about this place.

—

The PC goes to Sahrnia Quarry after talking to Cullen.

PC: Cullen said this mine is the main red lyrium supply for Samson’s army.

Party comments:

Cole: There are templars ahead. Red inside.

Iron Bull: I’d expect guards. Big ones.

Cassandra: No doubt it will be well-protected.

Varric: I’ll watch for company.

Sera: So there will be guards and yelling. Wad up.

Blackwall: Swords at the ready.

Solas: Expect guards, then.

The party comes across some of the red lyrium growing near one of the carts of villagers.

PC: There’s a corpse in this lyrium!

Party comments:

Vivienne: So that’s how the red templars created it so quickly. Blood, to speed the growth.

Dorian: So that’s how Samson grows it. That’s why there’s no end to it.

Solas: Interesting. The red templars sped its creating by “growing” it from the dead.

Blackwall: Maker’s balls. Is that how they’re getting the red lyrium? Growing it off people?

Sera: Ugh! It’s growing out off him!

Varric: It looks like it just burst out of him. Or… her. It’s hard to tell.

Cassandra: They grow it. From the bodies of the living and the dead.

PC: Cullen will want to know about this.

The PC finds some letters in the mines.

To confirm: yes, I've heard the reports. The Inquisition is on the rise, but they'll be a toothless hound once our Master deals with them. ㅤㅤ ㅤ ㅤ We stand between the enemy and Corypheus. He gave us what the Chantry never would: a second chance. I don't want to see a single man let him down. ㅤㅤ ㅤ ㅤ Sow the lyrium. Let it follow where we walk, take root where we settle. Never forget that your footsteps - yours - mark Corypheus's path to victory.

PC: I’ve found a letter. From Samson himself.

To Paxley, ㅤㅤ ㅤ ㅤ I've seen the transformations. It's a horror to watch your soldiers' faces change, to realize they might not remember you day-to-day; it's a sword in the guts. But the ones who make it through are near invincible. ㅤㅤ ㅤ ㅤ Feed elfroot to the soldiers hurting, as much as they want. Beyond that, it's just waiting until they stop feeling pain. Remind them they spread the lyrium. It grows at our touch; with the "materials" I've sent, they'll grow enough for a dozen armies. It's proof we're on the right path, that any suffering is worthwhile. Remind them. ㅤㅤ ㅤ ㅤ Samson

PC: A note from Samson, about spreading red lyrium.

To Besen, ㅤㅤ ㅤ ㅤ Maddox needs twice the usual red lyrium to modify my armor properly; taking over as the Vessel means it has to be perfect. Have the amount ready in three days, and you and your squad will get a chance to serve as Corypheus's honor guard. ㅤㅤ ㅤ ㅤ My own proving goes on. When I first donned the armor, I thought I was drowning in fire. Without Corypheus to stop me, I'd have torn my own skin off. Now the armor's settled, I can march for days without rest, break a man like kindling. I'm finally fit to be the Vessel. ㅤㅤ ㅤ ㅤ Maddox may come to you to work on my armor's modifications. If he gives you instructions about the lyrium, follow them to the letter. Treat Maddox like you'd treat me. ㅤㅤ ㅤ ㅤ Samson

PC: Cullen would be interested to hear about this.

The PC clears out the mines of the red templars.

PC: We should inform Cullen that we’ve taken care of Samson’s red lyrium hoard.

Party comments:

Cassandra: He will be pleased.

Dorian: Our dear commander might crack a smile for once.

Sera: Should cheer him up. Shift that stick in his arse. Vivienne: Thank you for the delightful image.

Iron Bull: Wish we could be there when Samson hears about it.

They return to Cullen’s office.

Cullen: I’ve been reading the letters found in the quarry. Samson is making red lyrium from people?

PC: Not anymore. Not in that mine.

Cullen: I knew Samson had fallen, but this? It’s monstrous. We have to put an end to him. Look at these orders from the encampment. That armour must give Samson extraordinary power. We may not be able to stop him.

Dialogue options:

General: All the more reason to try. [1]

General: Then we break the armor first. [2]

General: Everything has a weakness. [3]

1 - General: All the more reason to try. PC: Samson’s a menace. If we can’t defeat him, no one stands a chance. Cullen: Then we must destroy the armor.

2 - General: Then we break the armor first. PC: Take away his armor and the lyrium, and Samson’s just another man.

3 - General: Everything has a weakness. PC: That’s what he wants us to think. But no one’s invulnerable. Cullen: Then we must destroy the armor.

4 - Scene continues.

Cullen: I couldn’t say how. Templars are trained not to destroy expensive magical equipment.

Cullen (Dagna recruited): Perhaps Dagna has some ideas? She crafts the impossible every day. Cullen (Dagna not recruited): We need an expert in enchantments. Perhaps they could find a way to ruin Samson’s armor. [You must recruit Dagna to continue the quest.]

Next: For Testing!

[silvereternitywrites]

Genies and Laws

Prompt: You are a Genie but not a malicious one. Though you are bound by the Genie Code to grant wishes with some horrible or ironic twist you make a real effort to leave an obvious loophole and strongly hint how to avoid that fate. Unfortunately the Genie Council has found out and they aren't happy. Prompt Source: user Lorix_In_Oz; subreddit “Writing Prompts”

I crossed both arms over my chest, floating in the Council's Ring of Judgement.

"You can all just fuck right off and tie your tails in a Gordian knot," I snarled at the Assembly of Judging Genies.

I saw on their faces this was not what they were expecting. Cowering, maybe, or begging was usual, as was desperate, stammering explanations.

I, however, was furious.

"Not expecting me to be upset, were you? Didn't remember I bite? What, did you think that you'd haul me in like a misbehaving child and I'd meekly accept your chastisement? I. Mother. Fucking. WARNED YOU," I finished at a full roar, now with my second set of arms manifested and my hair turned into wrathful flames. Dammit, it was going to take ages to get back into a bun now.

"You have been warned before-"

"I AM AS MUCH A GENIE AS ANY OF YOU! Did I NOT. Act within the letter of the law as you so carefully laid it down the last time I was here? Am I not as much of a contract-finagler as any Judge who hovers here? Don't fucking try me! I warned you- I TOLD you, I don't want to have to think of some new fucking twist to perfectly nice, small wishes, but YOU all said it's Genie Law, no Genie is allowed to grant a wish exactly as it was most likely intended unless the language is explicit with little to no wiggle room! You said! You made your fucking wishes known and they did not align with my aims. Don't any of you float there and think you have the gods-damned right to reprimand me for what I am when you are all the same!"

Ah. My claws were out, too. A human could mistake me for an Ifrit, I was so angry and made of sharp edges.

"Clarification could always be applied," one of the judges said, and my attempts to breathe deep and calm down went up in one abrupt puff of white-hot fire.

"If you try to put any more restrictions on me I'll go rogue," I warned, voice dropping to a hiss, and they stiffened. My kind were rare these days; nobody but us knew the true depths of power we held, only that it was only our agreements to abide by the Council that kept us from doing whatever we wanted. Only we knew that each and every one of us had made different, individual deals when we agreed to be bound to the Council. Only each individual knew what line, when crossed, would break the agreement and send them 'rogue', bound to no rule but the Rule of Possession. Unlimited wishes, tethered to a mere material object, able to break the laws of physics, time, space, and some of magic.

"I have obeyed your ridiculous law of not abiding by the logical intent of wishes. It has never been- and must never be- forbidden to make loopholes obvious to wishers or there will be a full-scale genie rebellion. We've all met that one wisher who just wants to save a cat, or fund an animal shelter forever, or help their parents stop struggling with work. Do not try to keep genies from granting the wishes they want to grant. You've already made me do twice the work with this stupid loophole business because I can't just grant the wishes I want to without it being convoluted. Stop while you're ahead."

The council's silence stretched for seven eternities.

"No actions will be taken," the head judge said, unwilling to look me in the eyes. "Council dismissed."

Good. Even if this did mean I was back in the lamp. Back to my interrupted nap...

[beautifulterriblequeen]

B2:S - Chapter 3

Much of this series will be about the differences and additions in the novel version, and how they contribute to my understanding of story canon. But there will be character appreciation, the odd theory and headcanon, and suchlike as well.

Here be Lujanne, Callum, Rayla, Ezran, Bait, and Soren goodness!

Spoilers for Book Two: Sky below.

Lujanne having excellent fitness for all her walking around the Moon Nexus, and she's so energetic that Callum has trouble keeping up with her! She seems like those active grandmas who almost never stop moving, who have a lifelong supply of endless stamina. It makes me wonder if Lujanne will need that level of fitness for some upcoming conflict.

Callum feeling really hungry over not eating grubs and then still deciding he'd rather be hungry. It makes me wonder all over again how Lujanne got to the point where she eats grubs, considering that other Moonshadow elves we know of back in the Silvergrove don't. I still love my hc that the giant leech ate all of Lujanne's moonberry bushes and she's taking her revenge. Whatever's going on there, Callum is definitely not at that point yet.

When Lujanne asks Callum how he knows she's real, he thinks to himself that he'd put up with just about anything from someone who was going to teach him magic. That's a great parallel and foreshadowing for Viren's student/master relationship with Aaravos! And it's telling that neither student gets exactly what they hoped to get. Lujanne doesn't actively teach Callum any spells, because she believes he can't learn Moon magic at all. Aaravos does offer Viren power, but it takes him to some very dark places - literally and figuratively - and the cost is terribly high.

Callum sees a moon shape among the ruins, and Lujanne explains that the Moonhenge layout is an intricate rune that uses the structures themselves as part of its symbols and power. That's apparently a thing even with ordinary Moonshadow villages like Hollow Wood in the east, which is the coolest idea I've seen in a while: city planning as magic runes!

Yes, that's the same shape as the pendants Ethari made for himself and Runaan. Protection? Home? Feelsiness? A sense of safety and belongnig for all cycles and seasons?

Wonder what this Moonhenge rune stands for, then, and how much of this landscape is included in that rune. I bet it's more than we think!

But it makes sense now, how toppling the stone pillars would disable the spell the druids would cast to connect with the Moon Nexus lake. Breaking the infrastructure of the Moonhenge breaks the rune.

There's a physical sensation involved with the visuals that Historia Viventem brings up! When that one ghostly druid walked through Callum, he felt icy cold. Like in ghost stories. I really wonder about what exactly Historia Viventem is doing when it activates. It shows truth, "what really happened here?", so it must have some kind of time-related element, maybe tied to how the moon always repeats the same cycles or something. But it also seems to draw on the spirits of any living people involved in the flashback, because Callum could physically feel that wispy shape passing through him. So very interesting!

Orrr... is that all wrong, and there's something else at work with this spell than time? Maybe the world beyond life and death can act as an imprint of the things that have happened in the living world, and the spell that Lujanne (and later Callum) casts taps into that place, with perfect recall. I'm looking really hard at the sentence that says "dozens of translucent elf ghosts" and "phantom Moonhenge" and "lost in their own world" here.

Lujanne says more here than in the show about the world beyond life and death, being her mysterious Moonshadow-mage self. She says that "beyond" and "between" might both apply to where this other plane of existence is, and she doesn't much care which. With all the relativity swirling around this place, and not much in the way of empiricism, it's sounding like perhaps multiple conflicting ideas might actually coexist in such a place, allowing more ideas to fit there than we might normally believe is possible. Which is a fascinating bit of worldbuilding. Basically, every headcanon anyone has ever had about the Moon Nexus could all be true at the same time, for all we know.

Oh oh oh, Callum coming in soft with a secret wish! He takes one look at the Moonhenge and immediately thinks of finding a way to see his mom again! Poor boy, my heart! I'd say that could be another interesting parallel with Viren, but then, who wouldn't hold that sentiment?

Oh my, is this another breath of life into Ye Olde Ley Lines headcanon? Lujanne mentioning the Nexuses again, so soon after talking about the runic design of the entire Moonhenge, makes me wonder if the six nexuses are in fact giant runes. On Earth, the places where ley lines cross are called nexuses, and there are those who believe those points got marked with ancient structures, like Stonehenge and many many others. If Xadia were crossed with magical lines which naturally formed nexus points where they met, and if powerful magical runes were built across those entire areas, well. That would be cool beans, fams. Can I smack a map of Xadia and release a spell like Luz Noceda does? Because ngl that is my first instinct here.

Lujanne has got to be missing some grandkids to spoil, right? The way she's always whipping out cake and ice cream for Callum, and she's so grandma-ish about it. Headcanon about her being Runaan's mom aside, she is canonically lonely and she's very sweet to Allen and Ellis and I think she's missing whatever family she once had in the past. She may never get to have that family back, so she's finding a new one among the humans who live nearby, and I think that's sweet. Found family isn't just for the young.

But Ellis is straight up gonna be her fave, I bet, because she didn't turn up her nose at Lujanne's illusion food!

Ezran and Bait have a lot more to their relationship than was visible in the show, and I'm so excited by it! Ez can tell by looking at Bait's colors that he's not truly jealous of Zym, even if he's really grumpy about the dragonling taking up his favorite human's time.

And Ez thinking a lot about his dad and the things he's taught him. They're soft leadership material, and I love that so much! "Pick your battles" and the importance of encouragement. Ahh, my heart. Ezran, you're going to be such a good king.

But wait a second: both times that Bait gets extra grumpy in Zym's first training session, Ezran has just mentioned something about flying. Guys, I think Bait wishes he could fly, really badly. And that's his biggest problem with Zym, and with Ezran teaching Zym to fly, instead of Bait who doesn't have wings so. Bait is so old that his secrets have secrets, and I'm really curious how flying fits into them now!

Rayla, Dramatic Assassin: "I need to patrol for dark forces." That's what Lujanne called the source of the purple wisps that found them. I wonder if that's an official term all Moonshadows know, or if Rayla is just taking her cue from a veteran Moon mage. And I wonder how far Rayla is falling into the apparent pattern of "one mage, one assassin", since she does spend a lot of her time patrolling without being asked.

When Callum tells Lujanne that he was bad at prince stuff, and she asks if he didn't give up and got good at those things anyway, it's an opportunity for Callum to embrace subverting his parents' expectations in favor of seeking his own path, which is a primary theme of the show. But Lujanne is a couple generations older than Callum, at the very least, and I have to wonder what her upbringing was like. Is her version of success the one she took? Was she bad at magic once too, but she persisted? She is very soft and doesn't want to kill anyone.

Maybe Lujanne had dreams of doing something else with her life, but she felt she had to pursue the destiny that others handed to her, so she studied magic as hard as she could, and she did get good at it, but using it to defend Xadia from humans is not what she wanted to do with her life. Whether there's a parallel between her and Ethari on that point, there's one between Callum and Ethari, I think. How much of your life are you willing to let others direct for you?

LISTEN I WAS DYING AT THE EAR BREAD SCENE OKAY

This is my new favorite Soren and Claudia moment ever. Soren loves him his bread, okay. Even as earplugs for Claudia's sleep ocarina tune. The fact that it's "super effective" makes me think of a Pokemon defense. The fact that he learned it at camp, where he also learned about Moonshadow Madness, is hilarious. Later on, Corvus doesn't know Soren by name, but I still love the idea of Corvus being a kind of Strider-esque camp instructor, filling the ears of his young charges with all kinds of useful tactics like ear bread for magic spell songs (which actually seemed to work as intended), and warnings about the enemy elves' blood-themed tactics (which may or may not come back around in BH)

I thought they were gonna go in a kind of deep direction when Soren still wanted his ear bread back, but then he just. Eats them. Just noms them. I love this kid. Give Soren all the bread!

[supermoviemaniac]

DEFENDING...

THOR: RAGNAROK!

Okay, so yesterday I asked you guys which is your least favourite MCU movie and why. I said I'd take the most commonly disliked film and try and defend it, using my personal reasonings as well as attempting to counter what issues you had with it yourselves.

Firstly, I'm quite surprised that Ragnarok was the most hated! I was expecting Age of Ultron or Iron-Man 3 (though they weren't too far behind). To make it clear, it's okay to dislike this movie, my attempt at defending the movie is just a bit of fun, but if it lets you see and appreciate the movie in a different light then that's cool! If it doesn't then that's cool too! Here goes...

I'll start with why I personally love Ragnarok, and how it was actually my favourite MCU movie, until Infinity War inevitably took that spot.

Thor was the first character in the franchise to introduce outerspace, and the cosmic side of the cinematic universe. With Iron-Man, Hulk and Cap being restricted to Earth, Thor was key to broadening what types of stories they could tell, what sort of threats and stakes could arise etc. The first Thor movie was certainly a bold move at the time, hoping that audiences would embrace the fantastical themes that he and Asgard brought to the table. Bar Thanos, Thor and Loki are the reason sh*t's going down in the first Avengers movie, so you have them to thank for that.

Flash forward to Dark World however, at this point we've seen Asgard already, so the novelty has worn off slightly. As much as the movie expands our view of Thor's home, we still feel very restricted, as though we're only seeing through a keyhole, when we actually wanna bust the door down and see what an outerspace adventure could really offer, hence why people gravitate towards Guardians of the Galaxy so heavily, because it let loose and didn't feel like it was shying away from the sci-fi elements that made the property what it was.

So with Dark World leaving a bad taste in our mouths (even though I think it's underratedly funny, but perhaps another time), and Thor not quite standing out in Age of Ultron, we're left thinking, do we really even want another Thor movie at this point? Something had to change. The studios' take on Thor was good in ways, but wasn't gripping people as much as say Iron-Man and Cap. If Captain America could have an amazing sequel, why couldn't Thor? With the damage already done via Dark World however, Ragnarok had to be Marvel's shot at redemption and reinvigoration, and I personally think it was.

There's no arguing Ragnarok was a bold step to take Thor, though not everyone agrees it was for the better. Could the Thor we were used to still work given the correct writing and direction? Who knows, but with already 'failing' once with Dark World, it was surely less of a risk to go for something completely unexpected. We go from majestic golds and elegant architecture, to crazy, vibrant, jagged imperfections that you'd expect to see in a retro sci-fi movie. The Thor we knew and expected has lightened up a little, during his few years between Age of Ultron and now, scouring the universe for information on the Infinity Stones. No pun intended, but perhaps his absent couple of years provided some much needed soul searching. So to those that wonder why Thor is suddenly so funny and witty, he's been out and about off-screen for quite a while loosening up! That's how I like to see it at least.

In the first 10 minutes, we're given more cosmic calamity than any of the other Thor movie has provided in their joint runtimes. He's in the fiery realm of Muspelheim, kicking the crap out of hellish minions and their giant demonic flame lord, Surtur, whilst the Immigrant Song plays. Then moments later, there's a damn dragon beast that's on fire that chases him, as the coolest little synth melody twinkles in the background. That cool little action scene not only gave Mjölnir the ultimate send off, but I remember thinking just from that point, "This is what Thor movies are meant to be like! This is already my favourite MCU movie!"

I think the comedy is people's biggest issue with the film. Admittedly, the style of humour was a little jarring at first, but I soon let go of doubts and embraced what the movie was trying to do. Notice how I said 'style' of humour, and not just 'humour' as a whole, because a lot of people forget just how comedic the first two Thor movies actually are. I feel like humour allows a sort of alleviation to what could potentially be something rather odd on screen. That way, if the movie embraces it's outlandish source materials, the comedy allows us to laugh with it, rather than at it. I think people are okay with the inclusion of comedic elements - I think they just weren't expecting the amplification that it had. So as I said, you can either let that ruin the film, or you can embrace/accept it, because there is just as much heart in this film as there is humour.

I know there's people that think Hela was wasted. Having watched these movies countless times, I rarely see any issues with villains anymore. The fabled 'villain problem' springs to mind, where everyone says that they were just there as a device to make the hero save the day. But what's actually wrong with that technically speaking? And how is that any different to other movies outside of the superhero realm? I see most of these villains as stepping stones for the heroes. These movies belong to the heroes, so the way I see it, the villains are there to develop and shape the good guy into whatever the finished product may be by the time the credits roll, just like all the other characters do in the movie. To prove this point, everyone loves Thanos as a villain, but that's because Infinity War was his movie, given the amount of time spent with him. I think the only exception is Loki, but his character is so well-received because he sits within the grey area of good and bad. We've seen both sides of him now.

Yes, I understand that villains are a little lack luster in most of these movies, but I liked what Hela brought to the franchise. We get the shock of discovering Thor has an older sister, she manages to take over Asgard, she demolishes everything in sight, she was the reason Thor is reinvigorated via his new right eye and weapon, she forced Thor's hand, making him enact Ragnarok (even though there's no stopping Ragnarok but it was a cool twist) and destroy Asgard, she was the first main female villain at long last, and she had a giant wolf. Some films spend more time with the villain, and some sacrifice it to focus more on the hero. There's never a straight 50:50 between good and evil in their storytelling, and I imagine it's always a hard call to make when balancing and ensuring that not only do the audience care for the hero, but also everything and everyone around them. Regardless the solo hero is always the focal point. Unless you're watching Breaking Bad or American Psycho or... *Lists shows and movies told from the bad guy's perspective*

I think the underlining disapproval stems from the fresh direction that it took. His hammer goes bye-byes, his warrior friends die just like that, Thor no longer looks or acts like the Thor we're used to, and Jane moved on. People will either be okay with those things, or it'll be too much to accept. Was the film too bold? Perhaps, but Thor can conduct lightning through his body now and that fight scene on the Bifrost bridge was badass.

Jokes aside, I suppose it's up to the individual audience member to decide whether or not the change is too much. A part of me wishes that the Thor we currently have was the Thor from the get go - things would've been different, but I love the character no matter what weapon or haircut you give him. Ragnarok gave the God of Thunder the opportunity to prove why he's a badass and not just a guy that relies on a hammer. They turned the dial up on his power level, and then again in Infinity War, which is good because I feel like prior to Ragnarok, Thor was kinda just there, y'know?

Everyone has their own favourite and least favourite movie, and no one should force you to alter your personal interests and disinterests, but if I were to wrap up what I thought of the film, Thor: Ragnarok to me is a fun, crazy joyride from start to finish, that provided a lot of heart as well as light-heartedness. It introduced some new, diverse characters whilst also giving the Hulk a much-needed story arc. A bold game-changer for the character and the lore he contributes to the MCU. It's the type of change I can appreciate and most definitely get behind!

What do you guys think? Have I swayed your opinions, or do you hate the movie more now! Let me know. Thanks for reading! Shall I do more of these? Let me know that too. I'm off to buy snacks and watch Ragnarok now, no joke!

[kittykatknits]

"I do have thoughts on the potential baby and how it could play into the story along with what it would mean to Jon/Sansa as characters." I'd love it if you'd expand on this.

Anonymous said:Do you think Sansa will end up raising Jon and Dany’s child?

Anonymous said:I know you said you’ll do a write up and it’ll take a few days but can you please just answer this question: Will Sansa raise Jon’s and Dany’s kid?  

The original plan was to do a longer write up after the season was over but I’m going to do this summary instead. It’s still ridiculously long. It seems like there are a number of frustrations, to put it mildly, with this season. I’m going to dispense with this whole Jon bending the knee nonsense, because it isn’t happening in the books. Then, we can go into the potential baby.

First, and this is a big surprise to me, is how much impact dropping f!Aegon from the storyline is causing. Honestly, I thought it was a good idea when first learning of it and am still pretty sympathetic to the decision. However, D&D are still trying to create, with varying degrees of success, the dance of dragons we are going to see in the books. It’s this change in the source material that is leading to the stand off between Jon and Dany. To put it bluntly, Jon kneeling to Dany is going to be a complete non-issue.

I think it is extremely unlikely Jon will be crowned the KitN, that’s a show-only invention, given to him for a variety of reasons. Right now, I’m playing with the theory of Jon as a King of Winter since it better matches with his story. Jon isn’t going to be king, he is not going to be in a position to negotiate or offer up the north.

Now, let’s talk about the wight hunt which led to Jon’’s offer to bend the knee. Sure, the specifics of how it happened are stupid, but the entire damn concept makes no sense at all. The WW are an intelligent race, they communicate, they have weapons, they have a purpose, even if we don’t know everything yet. But, wights can not go south of the wall. It’s enchanted, it’s got spells. Remember the rotting hand with Aliser Thorne? Realistically, if this happened, the only thing Jon would have to show for his efforts is a rotting corpse. He could dig up a random grave and get the same results, with a lot less danger.

So, about the big meeting at the dragon pit. Again, that won’t happen either. In the books, it isn’t going to be some gathering of nobles in KL (it will be all blown up by then) that alerts the Seven Kingdoms to the danger in the north. It’s going to be Sam at the Citadel. He’s perfectly positioned to know when the wall goes down and happens to be where the single largest collection of ravens is located in all of Westeros. Honestly, this is one of the scenes I am looking forward to the most, I expect to be crying over it.

Back to Dany, as I said, the show seems to want to keep some version of the Dance. This is why Jaime’s character is all over the place, because in the books he’s already filed for divorce. It’s one of the reasons Euron’s story has been changed as well because he sure doesn’t want the IT. As for Tyrion, he’s not Team Dany and is not going to be interested in forging some sort of truce between her and Jon. He’s actually going to play Dany and Aegon:

“Dragons,“ Moqorro said in the Common Tongue of Westeros. He spoke it very well, with hardly a trace of accent. No doubt that was one reason the high priest Benerro had chosen him to bring the faith of R'hllor to Daenerys Targaryen. “Dragons old and young, true and false, bright and dark. And you. A small man with a big shadow, snarling in the midst of all." 

- Tyrion VIII, aDwD

In the books, I do believe Dany will land at Dragonstone, ready to conquer and take the throne. She’s going to be battling against Jon C. who will use Tywin-like methods in his efforts to secure the IT for Aegon. It’s going to be bloody, a lot of innocent civilians are going to be killed. There is a quote in the first (I think) Arianne gift chapter with a dragon dream that describes just how bad it will be. Dany’s conquest will come to an end after she blows up KL, killing an entire city’s worth of people. It’s only after this happens that Dany will finally turn her attention north to fight  the WW.

In the meantime, Jon will have no crown, no houses sworn to him, and he won’t have the Vale. Kneelgate ain’t gonna happen, at least in the books. There’s a ton more regarding Northern Independence, the GNC, the “Dance of Wolves”, and other stuff that plays into this too, but they all reinforce the same conclusion. They aren’t going to marry to join the north and south, they aren’t going to mary for some grand political union.

Ok, let’s talk about the Magical Targ Baby. As I said earlier, Dany is not barren and she never was. At least in the books, if Jon has a child with her, it will be a bastard. It’s just like Martin to give Jon what he most wants, a child and family in Winterfell, and what he wants least, the child to be born as a bastard like him.

Now, will, the two of them have a child together? Maybe. Possibly. We don’t really have enough information to know for certain. Whether this happens or not, I do believe Dany will not survive the series. She’s going to go out saving humanity from the ultimate form of enslavement, fulfilling the messianic role as the breaker of chains.

As for Jon, he’s a rather straight-forward monomyth hero. He’s interesting and well-done (at least to me) but not particularly unique as far as characters go. In the show, Jon has reached the final stage of his journey, freedom to live, and is singularly focused on defeating the WW. The truly fascinating part, is that it was Sansa who came along on his journey towards the end. Like, that blows my mind every time I think about it. Sansa was the one at his side while he finished his journey. How awesome is that? In the books, we don’t yet know how Jon’s return home will play out, he’s still in the underworld.

We also don’t know what will come after. Will Jon go out like Neo, saving the world? Or will he be closer to Rand and Frodo, still alive but no longer able to be part of the world. Or perhaps he is Odysseus, longing for nothing more than going home again?

Before I go any further, I want to state, that I am a Jonsa shipper. I hope/want (like desperately so) them to be endgame but I will not say that is the case because I just don’t know. None of us do right now. I’ve also been reading these books for years and have learned to keep expectations low when it comes to my personal wish list. So, to get to a point here, I am not advocating for or wanting a Magical Targ Baby.

Frankly, this season has left me kinda depressed with aSoIaF, forcing me to think about the potential endgame for the first time in awhile and I’m not enjoying it.

If Dany does get pregnant, there are two options I foresee, neither of which I like. Dany is either going to die in battle and her child meeting the same fate. Or, she’s going to give birth and still die. If that does come to pass, I do believe the child will be raised in Winterfell by Sansa. As I said, I don’t like these options. Martin loves his dead mothers (“Lady Stark. She’s dead.”) and the idea that he would do this to Dany really turns me off.

Now, if Dany dies while pregnant, it flies really close to the idea of a Magic Targ Baby as sacrifice and the theme of death paying for life. The other option is that Dany gives birth and then dies saving the world. I can’t figure out how to make this work (that wall is on the verge of falling) in the middle of the war for the dawn. If this happens, Sansa will be raising Jon’s bastard in WF, a repeat of what came the generation before. I find this problematic too. There are a number of implications here I find deeply uncomfortable. But, it fits with Sansa’s story and the mother theme that keeps appearing in her arc.

Now, as to how this relates to Jon and Sansa. I’m going to assume, for this post, that Jon lives through the end of the series. If this is the case, Sansa will still be raising the child and be the only mother it knows. If the two of them get married, or end up together, it will be based upon a relationship of respect and affectation that will grow to something more. I am not convinced we will see all or even most of that take place on the screen/page. We will get a dream of spring.

I could go on and on but hopefully this answers some of the questions sent my way today. I will also say that I play around with and mull over theories constantly and tend to be very slow to make a final decision on what will happen. Like my “Jon will be remembered as a villain” theory or my ever-favorite “Sansa will never marry but give birth to a bunch of bastards” theory. My tendency to do this is what has kept the books fun for me so long, the idea of possibility. So, these are my thoughts, as they are today, in this moment. Ask me again in a month and you may get a different answer. 

ETA: I’m not trying to depress anyone, sorry if this did. I’m trying to answer the questions as honestly as I can while also keeping my expectations low. I will also happily remove tags if they are upsetting anyone.