#now i don't know what to say. i got the person posting this into comic books

[dreamingaboutsakuratrees]

Dear God how I fucking hate when people dismiss s character's traits because "that's just a facade! you as the reader have to see underneath it!!" like yeah no fucking shit Sherlock, a well written character has more than one (1) defining trait but that doesn't mean their most prominent one or the one most recognized by fandom ISN'T there

yes this is about people thinking dick grayson isn't actually a ray of sunshine, that it's just a mask. he's much more than the happy one, of fucking course, all batfam members (when written well) are, but that doesn't mean that being happy and bright is not a crucial part of his personality. he brings light to people's lives, he's a beacon of hope, that's what Robin was born for, as a light to Batman's darkness. That's what Nightwing is. He can be serious, sure. He's smart, an amazing strategist, incredibly good at fighting, he can be manipulative and morally gray and sometimes an objectively bad person. But he's ALSO funny and quippy and bright and sunshine. BECAUSE HE'S WELL WRITTEN.

Like Jesus stop making him so sad and wrong all the time just because you want so bad to go against "fanon". It's not fanon if it's literally his core trait. It's not fanon if it's what the character was BORN AS. God.

[taylor-titmouse]

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

[weirdmageddon]

i love these tags this person is so right

actually, can you imagine if dave was raised by B1 roxy?

i wanna get into this actually

(ok i had to spend a few hours rewriting this because IT DIDNT FUCKING SAVE AFTER FIVE HOURS OF WRITING WHEN MY COMPUTER UPDATED WHILE I WAS AFK so it would mean a lot to show this post some appreciation. i LOVEEE hearing what other people have to say)

even though these things mom does are presented in an extravagant, kitsch, jokey way, her intentions always came from a place of sincerity. she is simply Funnie

but rose reads too far into it and assumes things that aren't there, that her mother is passive-aggressively feigning interest in rose's interests simply because the things she does are so extra. "why do all of this if not to mock me"

im telling you right now if dave lived in this household he wouldn't assume antagonism, he'd go,

don’t forget who LITERALLY patented tangible jpeg artifacts as their post-scratch adult self and scattered shitty scummed up statue of liberties all over the planet. theres no way some of that overboard artful shit wasnt post-ironic / circling back around to genuine funny sincerity

dave's natural state is funny sincerity like roxy. he's had the natural capacity for this type of humor from the start and this is the direction he goes towards when he grows out of his brother's shadow by the end of the comic. dave and roxy share an earnest “so bad its good” type of humor

(lots more under the cut; the length of this meta analysis just got unwieldly with all the pictures and whatnot)

despite the alcoholism, roxy is a supportive mother. she's not the ideal guardian but hells of a lot more supportive of her kid than bro is. if she knew dave's interests she would totally indulge in them with some over the top silly goofy haha shit as a genuine gesture simply because she loves him

rose isn't too keen on it though. but she is more similar to dirk in her natural state of thinking of overthinking shit and assuming the worst, like the tags said

and yes dave got the sweet cuddly yet sometimes backhanded ouppy gene from roxy, probably even moreso lol

roxy's even said rose "sounds like girl dirk"

side tangent here, but this is something i wanna talk about.

i dont think bro should ever be in custody of children ever but if theres anyone who would be up to the task it's rose probably. i know she'd be able to keep up with him. not only does she have a defined personality (dave is more malleable and absorbs his environment like a sponge), if anyone can pick apart B1 dirk's batshit brain and probably be right on the money it's her. lil cal has been pumping patriarchal nonsense into bro's head and rose would be able to bring the fucking facts to the table without losing her own and being a living example of a badass little girl. i also don't think bro would try to force masculine roles onto rose like he did with dave, seeing as she is a girl, so she would actually have more of a leg up and get some passes that dave was never afforded. and rose wouldn't stand idly and accept any bullshit; she is no doormat. and i think this would earn bro's respect

but anyway, from this, couldn't we conclude roxy "sounds like girl dave"?

yeah okay. we havent even gotten into their penchant for funny typos or misspeaks, deliberate or otherwise

so, dave's environment

the sentiment "god you hope you can be as good as your bro at this some day" might have been genuine at the time when he idolized bro but of course he's not able to express that in any sort of sincere fashion because he's in dirk's fucking household. and this level 10 irony shit isnt doing dave any favors

his role models were the Internet and a vague idea of what Bro was like. So he built up his facade based on irony–not the literary definition of irony, as Rose might be quick to point out, but a popular concept of irony based on the idea that things that didn’t make sense actually made sense in some roundabout way. As a master of irony, Dave probably reasoned, he could see in a way other people couldn’t why a world that was scary and didn’t make sense really did make sense, and could therefore convince those people that he was superior to them. And he would wield his knowledge to maintain the appearance of superiority by calling everything ironic and pretending he didn’t care about things that didn’t make sense, and he would use walls of vaguely rhyming words to keep everyone at arm’s length so they wouldn’t discover his insecurities (source)

roxy's style is the embodiment of post-irony. being raised by mom lalonde would be like being raised by joel vinesauce ok

what can i say ….. (getting meta about this actually, hussie got these jpeg wizard wallpapers from a spyware website. link takes some time to load because internet archive)

rose is quick to read post-irony as actually being a joke/insincere, which in bro's case would be true. but i believe dave's natural instinct, outside of the influence of bro, is to read post-irony as genuine, which is exactly how mom serves it. we see this as early as act 3 from him; he understands her motives better than rose does herself:

and in act 6 intermission 2 i think it's pretty clear

but the thing is, it's always genuine from her. dave wouldn't have to second guess it because he's not one to naturally second guess someone's sincerity; that was learned due to his bro being virtually unassailable

there two types of ironies at play here:

seems like a joke, is actually genuine (roxy)

doesnt seem like a joke, is actually a joke (dirk)

you can make the argument that the second is is more psychologically destructive because it makes you question the reality of what is genuine sentiment and what isn't. dave never knew what was genuine and what was irony so he just sort of existed in this sincerity-ironic limbo and always did the opposite of what he genuinely felt on principle even if it always did originate from a genuine place.

"it just a joke bro i was just being ironic i dont actually x" is so much more trust-breaking and psychologically damaging than "wait are you being serious" / "i am being so fucking fr rn davy gravy" / "ok thats actually pretty fucking awesome. giant ass wizard statue" / "RIGHT"

how much about dave would change do you think? his character arc would be completely different for one thing, i think he'd have it good aside from mom's alcohol issues. he'd be left with the sweet and funny parts of him that we see at the end of the comic. the fake coolguy stuff is out, but this remains. this is dave in his element and we see it as early as act 1

he'd probably have no shades growing up in the lalonde residence* either cause those were given to him by bro straight out of the crater as an extension of his own cool image. and john gave dave ben stiller’s aviators for his 13th birthday to replace them so he could “spread his wings”

dave said he was wearing them for the ironies but i kind of doubt it. maybe post-irony but there was some reacharound to it being genuine because dave never put those pointy anime shades on his face again.

*though... it’s kind of hard to imagine him without his shades at all? B2 dave still got stiller’s shades from stiller himself so maybe getting them is a universal constant. i can imagine mom getting him them as a birthday gift cause shes pretty wealthy and probably could buy it out in an auction. but also itd be cool if john still gave him it as a gift

dave is actually a lot more genuine and easy to read than he lets on even when grappling with his upbringing with B1 dirk (again, see this post). this can be seen all throughout he comic but a good example is the evolution of thoughts about his interest in the preserved dead things in his room:

if B1 roxy was dave's guardian he probably WOULD have pursued paleontology because she wouldve indulged him in it and probably find it cool and worthwhile to pursue, instead of allowing dave to flounder under ironic detachment, being poisoned by irony to the point of gaslighting himself into believing he doesnt actually believe he thinks this shit is cool. even if it was indulged in this such a way; a superficially kitsch and ironic appearing presentation, it comes from a genuine place and inspires genuine interest. just read the comments.

basically, i think if B1 roxy raised dave, their relationship would have a surface level appearance of being bizarre or over-the-top but they’d have an unsaid mutual understanding that it’s completely in earnest and just build on each other's funny and absurd gestures of affection. rather than seeing it as one-upping each other, it'd more like collaboration of some silly bullshit that you take a step back and look at full and just say, "fucking incredible"

speaking of paleontology, mom had the proto-ectobiology lab. maybe they'd be able to use the equipment to appearify paradox ghost imprints of the dead shit to create paradox clones of things from the cambrian era??? sounds like a fun mother son bonding activity. and theyd actually put the sciencey shit in the household to use

oh god i know exactly the kinds of music shed listen too also growing up as a teen in the 80s. she on that (post)-punk/art rock/new wave/new romantic mtv stuff. XTC shit fr. this is a B-52S HOUSEHOLD. maybe the associates for the campy melodramatic flair. so he gets to keep the record on his shirt cause he is an enjoyer of the shit in her vinyl collection. dave would still gravitate towards musical expression and music itself but of more variety outside of just rap, with an 80s-90s, even 70s flavor due to mom’s influence. see this for perhaps a glimpse. ​she probably visited new york city a lot for business trips and because the music scene was cool as hell around that time, imports came straight from jfk airport, she probably got in on that a bit and have remnants in the form of vinyls and cassettes. in this way she could be distributing void to dave (influencing him with forgotten / presently irrelevant music). now he can REALLY rave about bands none of his friends have heard of. “hey davy grvay watcha listenin to” (he holds up vinyl cover) “omg snakefinger”

btw dave lalonde would look like this to me

[alllgator-blood]

FINISHED THAT ONE COMIC I POSTED ABOUT ALMOST 30 FULL DAYS AGO?? I FINALLY REMEMBERED IT EXISTED AND FINISHED IT. I HAVE SO MUCH I WANT TO SAY ABOUT MY LAMB NOW THAT THEY'RE FINALLY THE MAIN CHARACTER IN A LONG COMIC, BUT it went on forever so I put it below the cut.

While we're above the cut, I have a bunch of REALLy good asks I'll be trying to draw for soon. But keep an eye out for a poll coming up soon...cause now that this is out of the way, I want another big project to have in the background and I have Big Ideas for Big Angst Comics........

OH YOU CLICKED THE THING, NICE. OKAY. SO:

Have I ever talked about how my lamb works?? I need to do more with them but I'm a bishop enjoyer to an obsessive degree. The lamb operates on the same kind of level as kallamar did during the breakdown comic, but on a more permanent, more stable level. After being told to hide for their whole life, to never show their face and not even being given a name......being beheaded by four gods and recruited by a fifth forgotten one who claims they're the Chosen One just made the lamb think "OH! None of this is real. My brain wanted me to feel important before I died, and this is my dying vision. Okay, I'll play along >:)" and now they're the equivalent of when you beat a game and replay it while picking the funniest/worst options to see what'd happen.

USUALLY their decisions are clouded by the assumption that nothing they do actually matters, but they're still......a person who held things dear and had standards while they were alive. So they love hijinx, but aren't like leshy who launches people out of catapults for fun, or kallamar who sees mortals more as lab rats than people living their own lives. They'll do some things for the lolz but their humanity definitely shows through when dealing with someone like shamura.

I think they went into the bishop slaying quest wanting to hate shamura, assuming they were an irredeemable antagonist that deserved to be vanquished. They were told by narinder that shamura was the big bad, so they figured there was nothing to it beyond that. But then they actually MET shamura, who wasn't at all what they were expected to be. Every other bishop is just like "RAHH I'LL KILL YOU" when you meet them, and then shamura is the only person who actually tells you about what happened, speaks to you like a person and not an obstacle, and doesn't seem bothered about the fact they're going to die. So that got them thinking....hmm...perhaps these people are slightly more realistic than I anticipated. Still gonna kill them tho

I'm not sure the lamb hates the bishops, especially after the realization that they're a fucked up family acting out in desperation rather than logic. When you're born into circumstances you know will eventually doom you (like being a sacrificial lamb destined for slaughter) you kinda...lose the ability to care after a while. They don't really *forgive* the bishops for the slaughter of their people, and definitely enjoy bullying them and kicking them around now that they're powerless mortals- but the initial horror of being born to die has subsided. Now that they're presumably in some kind of afterlife, and have better, more fun things to move onto now that they're the ruler of everything- it's not worth it to hate those five forever.

I think *because* the lamb has only been a god very briefly and still remembers mortality well, that's why they're the one god who does things "because they're funny" but also is respectful of people like shamura. It's like when you're playing GTA V and you accidentally drive over a dog while trying to pull over and look at it closer. Is it a real dog?? No but you're still gonna feel bad!! So like I said, in the lamb's mind they have NO reason to care about any of these people or show them mercy, but the fact that they're not as detached from mortality as the bishops were makes them a benevolent god. I'll be doing a comic about this very subject in the future and it WILL be depressing >:)

Also. Unrelated. But if you read this far, I feel the need to justify why heket and leshy suddenly have boobs in this comic. I'm sure it's obvious that I headcanon the gods don't have sex characteristics cause like...why would they need those. I don't want to draw that. But as MORTALS they would probably need to have all their organs intact to function properly, so pour one out for shamura + leshy who probably completely forgot they were transgender until they woke up in mortal bodies. NOT SURE HOW KALLAMAR WOULD REACT, I think they're more just horrified they lost all their tentacles

I debated doing another silly comic about the concept but I don't want this blog to get too raunchy, so instead have this epic ms paint art (I CAN MAKE THESE JOKES, I'M AFAB TRANS I DESERVE THIS ONE THING)

[mimiiiiiiiiisstuff]

"Real Man"

Older Au Chapter 3.

THIS IS A MATURE STORY. IT HAS SOME SEXUAL SENCES, IF YOU DONT LIKE DON'T READ. Ok yall ik i said i was gonna post this last night but i hated it so i rewrote it! if it sucks don't say anything pls. sorry if it's repetitive, lmk whose team ur on!!! And what you want to happen next. comments, reblogs, likes and kind asks are always appreciated. If this one random anon keeps sending theses crazy things, i'll have to remove anon asks, which I dont want to do. I love my anons, so pls be nice. Send in asks, I miss yall, I've been sooooo busy with school lately and I havent had time to get on here. THIS IS MY 1ST TIME WRITNG ANYTHING LIKE THIS SO LMK HOW IT ISSSSS

WHY AM I GETTING THE FEWLINF EVERYONE HATES THIS??? IM ABT TO DELEYEB TS NGL 😭

Six months had passed since that night—the night you let Slade’s words sink into your skin like venom and made the choice that changed everything. For better and worse.

You hadn't accepted his offer easily. Not after what happened with Two-Face. That betrayal still sat in your chest like a dull ache, a constant reminder of how easily people could take what they wanted and leave you with nothing. You had sworn not to trust so easily again, not to let yourself fall into another cycle of being used and discarded. So when Slade made his offer, you hesitated.

"You're smarter than this," you had told yourself that night. "You know what happens when you trust the wrong person. You know what men like him want."

And yet, here you were. Living in his world.

Not as a prisoner, not as a puppet, but as something more. The lines were blurred, shifting with every glance, every order he gave that you didn’t question, every moment that stretched too long in the dim glow of your shared space. Because that’s what it was now, shared.

The apartment Slade had set up was far from a safe house. It was huge and spacious, Slade wasn't a cheap man. It felt lived in. Your things mingled with his, your scent lingering in the air. You bought vases and filled them with flowers, you organized the kitchen and bought him real groceries, not just canned food. You hung pictures you developed of you and him. Ones he didn't know you took. You roped him into painting your room a baby blue, a color he swore he hated, yet he still slept in your room every night. It was comical to see such a large man laying in a pastel colored room on your floral bedsheets, the last man you let into your bed was equally large. But we don't talk about him.

Slade cared for you deeply, or at least tolerated you. At first you were always at each others throats, each person throwing a more cutting remark than the other. When your arguements got so bad that you began to ignore him, he brought home women, made sure he heard them moaning through the walls till you snapped and began screaming.

You hated Slade Wilson

But after the first month things began to change, Slade never said anything about it, but you caught the way his eyes would darken when he returned from a mission, his gaze sweeping over you like he needed to confirm you were still here. Like he expected you to disappear.

You leaned against the counter, watching him from the corner of your eye as he cleaned his weapons. The rhythmic motion of his hands, the way he handled each blade with the kind of care most reserved for something fragile, it was almost mesmerizing. Everything he does is.

“You’re staring,” he said, not looking up. God, he's so smug.

You scoffed. "No, you are. I don't stare at creepy old men. In fact, it's usually the opposite."

His lips curled into that knowing smirk, the one that made something tighten in your chest. “If you say so, sweetheart.”

The nickname used to irritate you. Now, you weren’t sure what it did. All you knew was that it made your heart race the way only one person had before. He used to call you sweetheart too.

Slade’s presence in your life was suffocating, an unshakable force that wrapped itself around you, squeezing tighter with every passing day. He was cruel in the way he trained you, brutal in his expectations. If you failed, he had no patience for it. Slade trained you for greatness and he wouldn't tolerate anything less.

“You call that a punch?” he sneered one evening in your early days of training, after you had barely managed to land a hit on him. “Pathetic. I’ve seen senior citizens put up more of a fight,"

Gritting your teeth, you launched at him again, only for him to sidestep effortlessly. A sharp pain bloomed across your ribs as he shoved you down, hard. The thing that you loved and hated most about Slade was that he treated you like an equal. He didn't see you as his younger, fragile, kind-of girlfriend; he saw you as an equal opponent.

“You hesitated,” he said, standing over you. “That hesitation will get you killed.”

You spat blood onto the mat and glared up at him. “Or maybe I just don’t care if I live or die. Nothing is ever really this serious.”

Something flickered in his eye, dark and unreadable, before he crouched beside you. His fingers dug into your chin, forcing you to meet his gaze. He didn't understand your humor sometimes, considering he's old enough to be your father.

“Oh, but you do, you want to survive. To be great, ” he murmured, voice dangerously soft. “If you didn’t, you wouldn’t be here.”

He let go of you with a sharp shove and stood. “Get up. We’re not done.”

The tension between you both had only grown over the months. Slade had a way of pressing in, invading your space without ever needing to touch you. Sure you guys fucked almost twice, sometimes three times a week, but there was that small sliver of confusion and hesitation.

Sure, he slept in your bed ever night now, called it "our room," and sure you stayed up waiting when his missions would take too long. Yeah, you would run and jump into his open arms, feeling nothing but content as he kissed your forehead and took you to the bed, it's normal that ya'll didn't even have sex some nights, that you just cuddled.

Sometimes, you swore he was waiting, waiting for you to be the one to close that final inch between you. But you never did. You couldn't bring yourself to do it.

Instead, you fell into a rhythm. Training. Fighting. Learning with him and laughing with him. He pushed you harder than anyone ever had, demanding perfection, never letting you slip back into old habits. He didn’t coddle you like they did. He didn’t pretend you were something delicate. He made you strong.

Most nights, after an exhausting day of training, you would sit on the brown leather couch cuddled up to him with your head on his chest and his arms around you, the dim glow of the television flickering between you. Slade wasn’t much for small talk, you talked enough for the both of you, but the silence between you felt... comfortable, almost warm

“Why did you take me in?” you had asked once, voice barely above a whisper.

He had taken a slow sip of his whiskey, eyes never leaving yours. “Because I saw something in you,” he finally answered. “Potential. Something you’re too afraid to admit to yourself.”

You wanted to argue, to tell him he was wrong, but deep down, you wondered if there was truth in his words. You liked that he believed in you, no one had done that before.

Then there were the other moments. The ones that made your chest tighten in ways you didn’t want to acknowledge. The way he stood too close when showing you how to hold a blade properly, his breath warm against your skin. The way his hands lingered too long when correcting your stance. The way his gaze dropped to your lips before he forced himself to look away.

Neither of you ever acknowledged it. You weren’t sure if you wanted to. It's completely normal for your teacher/mentor/enemy to sleep in the same bed as you every night. It'd be weird if you didn't make breakfast and dinner for the two of you. It'd be weird if you didn't know his favorite foods and if he didn't know how to braid your hair. It'd be even weirder if he didn't make you coffee exactly how you like it and help you put away the dishes.

Slade had become an inescapable presence, his control over you extending far beyond training. He knew where you were at all times, had a way of appearing when you least expected it, his eyes always sharp, always knowing. Some nights, when you tried to slip out for air, you’d find him already outside, leaning against a wall as if he’d been waiting for you. He let you do what you wanted, think you were free, but he was always watching you.

If you were singing at a bar, you could count on him to be in the crowd. If you met with Selina at a restaurant you could count on him to drive you home. Slade was always there. Selina thought it was strange, you took comfort in it.

“You really think you can go anywhere without me knowing?” he had mused once, a shadow of amusement in his voice.

It should have bothered you. Maybe it did. But part of you had started to crave it, the way he made you feel like you belonged to him, even if neither of you would ever admit it.

Slade had been… watchful lately. More than usual. He came back late from missions, missions he didn't let you come to, sometimes with a tension in his jaw that hadn’t been there before. He was hesitant to let you go and preform at bars, sometimes convincing you to just play the songs on your guitar in the living room and run your fingers through his hair as you both laid on the couch.

There were the calls—brief, coded. You were offended, Slade told you almost everything these days but somehow no amount of sweet talk and bedroom eyes could get him to budge this time. And then there were the other things. The subtle shifts in the city’s underworld. More movement in Gotham than usual. The quiet whispers of old ghosts stirring, names you hadn’t spoken in almost a year.

Dick. Jason. Tim. Damian. Bruce.

You saw it in the way certain streets had too many eyes. As if waiting. As if listening.

And then there was the whisper of something else. Something darker, something clawing at the edge of your awareness. A name that had once sent a thrill through you, now only bringing unease and resentment.

Harvey Dent.

A name you hadn’t spoken in months, yet it clung to you like a shadow you couldn’t shake. A man you couldn't bare to even think of. A drink left for you at a bar you hadn't performed at in weeks, a coat draped over the back of a chair that looked too familiar.

Slade noticed before you did. “You’ve got a ghost,” he murmured one evening, the flicker of a knife between his fingers. “One that doesn’t know how to stay buried.”

You didn’t ask him what he meant. You didn’t have to. You already knew. You just didn't know why. Had he finally seen through Tiffany, now that it was too late?

At first, you didn’t question it. Slade had always been territorial—watchful, overbearing when he wanted to be. He had a way of controlling things without seeming like he was. That was how he worked.

So when you first noticed the shifts, you didn’t react. Your schedule changed, but not because you changed it.

You used to go out when you wanted. Walk the streets when they were quiet, feel the Gotham night press against your skin, the air cold and sharp. Not anymore.

Things began to change this week. Now, every time you thought about leaving, something stopped you.

The fridge was always stocked, eliminating any reason to step outside. Your favorite food. Your favorite drinks. Little things appeared when you needed them; new clothes, supplies, anything that might have made you leave for even a moment. Things you mentioned only in passing, like the new lipstick you wanted or a pair of vintage heels or a new bag.

If you reached for your coat, Slade would speak before you even touched the door. Asking where you were going, trying to be casual.

It was never a command. Never outright control. But the implication was there. And every time you hesitated, he won. If you needed to leave or just wanted to go out, he would come with; a silent yet protective figure always in the shadows.

The night was quiet, the kind of stillness that should have been peaceful but wasn’t. The apartment smelled like old wood and gun oil, the faintest trace of smoke lingering from Slade’s cigar earlier. You had just stepped out of the shower, skin still warm from the heat, hair damp as you walked barefoot across the floor in your towel.

Your hand brushed against the pretty golden door knob absentmindedly.

And then you froze. Something was different.

Your fingers curled around the lock, tracing over the new ridges, the reinforced structure. The weight of it felt wrong.

It wasn’t your lock. Not the cute one you insisted on buying at the antique shop that Slade hated. It didn't match the walls.

Your stomach twisted. You turned slowly, your damp hair clinging to your skin as your mind raced. This wasn’t an accident. You hadn’t imagined it. Slade had changed the locks. The thought sent something icy down your spine. Alarm bells blared in your mind.

You tried to shake it off, tried to tell yourself it was nothing. Maybe it was security. Maybe he just wanted better protection.

But deep down, you knew that wasn’t it. Because he didn’t tell you. Because Slade never did anything without a purpose. Because Slade Wilson didn't need a lock to keep people out. And because you hadn’t noticed until now. You took a slow, steady breath and turned toward the living room.

Slade was there, like always, seated in his usual chair by the window, sharpening a knife. The sound of steel against whetstone was rhythmic, deliberate. His posture was relaxed, but you weren’t fooled. His fingers were too steady, his shoulders just a little too still.

He was waiting. Watching. Like he had already predicted this moment, like he was ready for an argeument. You leaned against the doorway, arms crossed, heart pounding too fast, not caring if you were in a towel.

"Planning on keeping me in a cage?" you muttered.

Slade didn’t pause. Didn’t even look up. “Planning on keeping you alive.” The words were so smooth, so easy, that your stomach turned.

Your breath caught. Because he wasn’t hiding it. He wasn't denying it. Not anymore. This wasn’t a mistake. This was intentional.

You forced a laugh, though it felt hollow in your throat. “Right. Because I’m just so incapable of keeping myself safe. Even after all the training we've done. Even with my literal super-human abilities.”

Slade finally looked up. His eye locked onto yours.

There was no humor in his gaze. No smirk, like he usually had on while teasing. Just that slow, assessing stare that made your pulse stutter.

"If I thought you were capable of that," he murmured, voice quiet, too quiet, "we wouldn’t be having this conversation."

Your chest tightened. Because the way he said it sent something sinking into the pit of your stomach. This wasn’t just about protecting you. This was about making sure you never left.

Two days later, you decided to test it. Just to see what would happen. Slade had stepped out—or so he wanted you to believe. The moment you heard the door shut behind him, you moved.

Your fingers curled around the knob.

Turned it— but a large, scared hand beat you two it

"Going somewhere?"

Your entire body locked up. You gulped and licked your suddenly dry lips, he had you cornered with one hand on the knob and the other caging you in as he towered over you. His voice was smooth, calm—too calm. You turned slowly, pulse thrumming in your throat. Slade stood right behind you.

The door was still closed.

Your heart stuttered. You hadn’t heard him come back. Hadn’t even realized he was there. So much for super hearing. Nothing worked on Slade Wilson. You kept your expression neutral. Didn’t let him see the panic creeping up your throat.

"Didn’t realize I had a curfew," you muttered with an uneasy grin, trying to start your usual banter. Slade didn’t smile. Didn’t smirk. Just watched you.

“You don’t.” He leaned against the wall, arms crossed. But he didn’t move. Didn’t step aside. Didn’t let you leave. The silence stretched too long.

Finally, you forced a smile, tilting your head. “Then I’ll be back in an hour.” Nothing changed in his expression. But you could feel the weight of his stare. Then he tilted his head, eye dark and calculating.

“It's not safe out there anymore. Not for you.”

You blinked. Something in his tone shifted.Not amusement. Not control. Something else. Something darker. Like he was waiting for you to figure it out.

Your stomach twisted. “What are you talking about?” He didn’t answer. Didn’t even move.

Just let the question hang in the air, stretching the silence tight between you. And that’s when it hit you.

He wasn’t stopping you because he was afraid you’d leave.

He was stopping you because something else was waiting outside.

Something he wasn’t telling you about.

Your mouth went dry. Slade finally let out a slow, amused breath, pushing off the wall.

And then—

He stepped aside. A challenge. Daring you to open the door. You hesitated. And that was all it took.

The moment you hesitated, you lost. Slade smirked, shaking his head like he had already predicted every move you would make. "Let's get to bed." He rasped out, looking at you with dark, seductive eyes.

And then he turned, walking past you like the conversation was over. Because it was. Because he knew you wouldn’t leave now.

The next morning, the locks changed again. The windows were reinforced. Your pretty pink curtains replaced with black shutters. Your phone stopped working. You couldn't call Selina. Every excuse to leave was removed before you could even think about it. You tried not to panic. Tried not to question it.

But Slade was closing the walls in. And you weren’t sure if it was to keep someone out—

Or to keep you in.

The first time, you thought it was a coincidence.

You had slipped into a bar down the street, needing to breathe, needing something normal.

The moment you stepped in, your stomach turned. Something familiar. Cologne. Not just any cologne. Expensive. Sharply tailored. The scent of whiskey and authority.

You froze.

Your mind screamed at you. It’s just someone else wearing it. It’s just your imagination. And then you saw it. A glass at the bar. Untouched. Neat. No ice. A double pour. your breath hitched.

Harvey’s drink.

It wasn’t until you came home that you truly realized. Because that’s when you saw the rose.

A single red rose on the kitchen counter.

Waiting for you. Your entire body went cold. It wasn’t from Slade. It couldn’t be from Slade. Slade would never bring you roses, he wasn't a gentleman. And he knew you liked hydrangeas and peonies now.

You turned slowly and nearly threw up.

Slade was already standing there. Watching. Waiting. His jaw was tight. His fingers twitched at his side. He didn’t say anything. And that’s when you knew,

He had seen this coming.

“Where did that come from?” you asked, voice thin. Why was he doing this? Was shattering your heart not enough? Did he want to ruin things with you and Slade?

Slade didn’t answer. Instead, he walked forward, plucked the rose from the counter, and rolled it between his fingers. Slowly. Deliberately. Then, he crushed it.

Your stomach dropped. The petals crumbled to the floor. His voice was dangerously calm. "You tell me, sweetheart."

For the rest of the night, he didn’t let you out of his sight. Not directly holding you hostage, but you felt it. The way he lingered in doorways. The way his hand ghosted too close when you passed him.

Like he was waiting. Waiting for you to ask. Waiting for you to figure it out. Waiting for Harvey to stop playing games and make a real move.

You weren’t sure when it had happened; when you had stopped keeping track of time, stopped caring about the difference between one night and the next. Slade made sure you had no reason to count the days. He made sure you had no reason to want anything. You woke up every morning in his arms and went to bed satisfied and well loved. It wasn’t a prison but it wasn’t freedom either. It was something in between. A limbo of his design. A small slice of heaven in hell.

You were happy. But something was off, Slade was being more paranoid and he got less subtle about it each day.

You weren’t trapped, not physically. Slade let you leave the apartment. You weren’t chained to the walls, weren’t locked in a room. He took you out on missions, let you get your hands dirty alongside him, let you breathe in the crisp Gotham air under the cover of night. In some ways, those nights were the only times you felt alive, other than when you were with Slade. The weight of a blade in your hand, the burn in your muscles from the chase, the sharp adrenaline rush of the fight, of using your powers on someone they affected; it reminded you that you still existed outside of this quiet game he played with you. Because that’s what it was. A game.

Slade never said it outright, never told you he was keeping you on a leash, but you could feel it tightening with every passing week. At first, it was small things. The way he subtly redirected missions away from Gotham’s city center, keeping you to the outskirts, where the shadows were deeper and the chances of running into familiar faces were slimmer. The way he always made sure you stayed close during a job, always just within arm’s reach. It wasn’t just protection. You knew better than that. It was control. He was testing you, waiting to see if you would try to slip away, if you would give him a reason to remind you just how easily he could pull you back.

You weren’t stupid. You knew the real test wasn’t in the field. It was what happened after.

After the job was done, after the adrenaline had settled into exhaustion, after the long, banter filled walk back to wherever Slade had decided to keep you that night. It was in the way he never let you wander too far. The way his hand would hover at the small of your back without quite touching, guiding you down the streets like he was the one who decided where you went. It was in the way he never left you alone for too long.

At first, you told yourself it was coincidence. Slade was always working, always had something that needed his attention. But then you started to notice the patterns. You ate together, you slept together, trained together, hell; you even showered together. You were never alone for more than a few hours. If he had business elsewhere, you were given something to occupy your time—training, surveillance, a task that kept you exactly where he wanted you.

You tested it once again, just to see what would happen. After he had left for what you thought was a routine meeting, you had grabbed your coat and made your way to the door. You weren’t even thinking about leaving him, not really. You just wanted to see if you could. If there was still a part of you that could step outside without feeling the weight of his presence pressing against you.

Your fingers had just curled around the doorknob when you heard his voice. Low. Even. Inevitable.

“Going somewhere?”

You were getting de ja vu. This happened last time too. You had swallowed hard, pulse spiking in your throat as you turned. He was standing right behind you.

You hadn’t heard the door open. Hadn’t heard his footsteps. He was just there, watching, waiting. The worst part was that he wasn’t even angry. He wasn’t trying to intimidate you, wasn’t raising his voice or blocking your way. He didn’t have to.

Slade had simply leaned against the wall, arms crossed over his chest, eye scanning you with that sharp, unreadable expression that made your stomach twist. “Didn’t realize I needed permission,” you had said, forcing your voice to stay steady. You wouldn't let him control everything, not another man would be in charge of your life.

“You don’t.” He tilted his head slightly, studying you like you were a puzzle he had already solved. “Just wondering if you really think it’s safe out there.”

Not this odd shit again.

That made you pause. The way he said it. Not like a threat. Not like he was trying to scare you into staying. He said it the same way as last time. Like he already knew something you didn’t.

Your grip on the doorknob tightened. “What are you talking about? You said this last time.”

Slade didn’t answer right away. He just let the silence stretch, let you feel the weight of your own hesitation. Then, slowly, he took a step back. Another challenge.

“If you want to go,” he said, gesturing toward the door, “go.”

Your breath caught. You should have. You should have walked out.

But you didn’t.

Because you knew that if you did, if you stepped outside now, you wouldn’t just be walking into Gotham. You would be walking into something else. Something waiting.

Slade knew it. And now, so did you.

You swallowed hard, stepping back from the door. Slade huffed a quiet laugh, shaking his head like you had just proven his point. Then, without another word, he walked past you and disappeared into the other room. That was the moment you knew, whatever was waiting for you out there was worse than what was waiting inside. You just didn’t know what it was yet.

You found out a week later. A part of it, at least.

The envelope was waiting for you when you returned from a job with Slade, slipped under the apartment door like a whisper of something you had tried to forget. You had bent down, fingers hesitating just for a second before picking it up. The paper was thick, expensive. No return address. No markings. But you didn’t have to open it to know who it was from. The sharp smell of cologne gave it away.

Your stomach twisted, nausea rising in the back of your throat as you tore it open, your hands gripping the edges a little too tightly. The letter inside was simple. Only four words.

You won't forget me.

Your breath hitched. Your hands trembled. Because the worst part was, he was right. No matter how much Slade consumed you, or your occasional fantasy about Clark; he also stayed on your mind

You barely had time to process it before you heard the apartment door shut behind you. Your fingers snapped the letter closed, chest tightening, but it was too late.

Slade had already seen.

His expression didn’t change, but you could feel it. The shift in the air. The way his shoulders set just a little too still, the way his single eye flickered from your face to the envelope with something dark and unreadable. He stepped forward, not rushing, just closing the distance between you with the kind of inevitability that made your breath come short.

You turned, but before you could move, his hand shot out. Not rough, not gentle like usual, just firm. His fingers wrapped around your wrist, halting you in place.

“Let go,” you muttered, voice barely above a whisper.

He didn’t.

Instead, he reached for the letter.

You pulled back.

Slade’s grip tightened. “Let me see,” he said, his voice low, controlled. He wasn't used to you denying him these days, not when you loved him.

Your stomach clenched. You didn’t let go, but it didn’t matter. Because Slade never asked twice.

With one sharp tug, he tore the letter from your grasp, unfolding it with a lazy flick of his wrist. You watched as his eye scanned the words, his jaw tensing, his fingers tightening around the paper just slightly.

Then, finally, a quiet chuckle. A dark, amused sound. “You’ve got to be fucking kidding me.”

Your breath hitched. Slade looked at you now. Expression unreadable.

“Do you miss him?” Your heart stopped. You denied it, but you could see in Slade's eyes that he didn't believe you. In the way he turned away from you that night. You didn't blame him, you didn't even believe yourself.

Harvey always knew how to play the long game.

Small things began to shift in your life and you knew who was behind it. The song on the radio. A scarf. A photo photo. They were never coincidences, he didn’t believe in coincidence. The man was calculated, meticulous in his pursuits. When he wanted something, he played patient, steady, unyielding, watching from the shadows, striking when you least expected it.

Slade was the same way, but Slade never needed patience. Slade took what he wanted. Harvey waited for it to come back to him.

The jazz playing in the bar was nothing, just white noise in the background while you sat beside Slade, nursing your drink, your head still fogged from the last mission. You weren’t thinking of anything other than how good it felt to finally sit still.

Then, days later, the scarf appeared. Neatly folded on the couch, like a gift wrapped in silence, waiting for you to pick it up. You hadn’t touched it at first, just stood there, staring at it, fingers twitching at your sides. It was a trick of the mind, an old memory manifesting in a way that didn’t make sense.

Except it wasn’t.

He had been here. Or close enough to touch. You should have told Slade. But you didn’t. You couldn’t. And then, the photo. A photo Selina took of you and him dancing at the Pink Pony Club. It smelled like him too.

That was what shattered the illusion of security, the idea that you had control over this. The moment you saw it, you knew.

Harvey had always been a sentimentalist, clinging to memories long past, treasuring things most people would discard.

You, once upon a time, had been one of those things. And now? You weren’t sure. You weren't sure what he wanted, especially since he had Tiffany. You had placed the photo down carefully, afraid to crumple it, afraid to acknowledge what it meant.

You had kept your movements neutral, your breath steady, but Slade had been watching. His presence in the other room was a solid weight pressing into your chest. The shuffle of files, the slow deliberate sound of metal being set down, he was waiting.

He had noticed. Of course, he had. Slade noticed everything. And yet, he didn’t say a word.

You lay awake that night, staring at the ceiling, feeling Slade’s presence next to you like a silent storm waiting to break. He wasn’t asking. He was waiting for you to give yourself away. To tell him the truth, to trust him like he trusted you.

Slade had been watching you too closely, keeping his invisible leash tight without ever pulling. That was the way he worked, he let you think you had freedom while keeping you within his reach. If you had tried to leave through the door, he would have known.

So, you didn’t.

You waited, feigned sleep, forced your breathing into something slow, even, something convincing. You heard him move in the other room, heard the creak of his chair, the slow inhale of a cigar.

You moved the moment he shifted. Window, not the door. Silent steps. A fire escape that groaned beneath your weight. By the time Slade glanced back toward the couch, you were already gone.

Harvey knew you would come.

You knew that from the moment you stepped onto the rooftop, the Gotham skyline stretched out behind him like a kingdom.

He turned before you could say anything, a slow, easy movement, his face shadowed beneath the dim glow of the streetlights. And then, he smiled. Not a smirk. Not the sharp, dangerous grin you had been expecting. It was something softer. Something more desperate. Like a man in the desert coming across a well.

“Took you long enough, didn't think you got my message. I started thinking that maybe the note didn't reach you.” he murmured. The message he left in the women's bathroom at a bar you and Slade frequented.

Your throat felt tight. You felt hurt all over again. Like someone reopened the wound of his betrayal. Like the same broken girl Slade took in six months ago. You came here for closure. So that it wouldn't hurt when you said his name or sang the songs you wrote for him. “How did you find me?”

What did he want? To torture you? Rub salt in your wounds?

Harvey exhaled sharply, shaking his head. “Sweetheart, I never lost you.”

Only Slade called you that now. The words made your stomach twist, a cold knot settling in your chest. You should have walked away then. But you didn’t. Because you had to know.

“Why are you doing this? Why are you haunting me? Not letting me move on?” Your voice shook as you said it. This conversation was long overdue.

Harvey’s fingers gripped the railing, his knuckles white. “Because I need you to listen to me. Just once. Just this once. Hear me out.”

Your heart hammered. Hear him out? He could've started with an apology.

“You think I’ll forgive you?” you spat. You would, because when you looked at him, you still felt the same warmth you did all those months ago; only this time it was mixed with resentment and longing.

He flinched. And for the first time, you saw it—the raw, desperate emotion that he had always hidden behind sharp words and confident grins. The mask cracked, just for a second.

His voice turned rough, unsteady. “I don’t deserve forgiveness. I know that. But I need you to hear me out.”

You shook your head, stepping back, but he reached out—not touching, not yet, but close.

“You don’t know what’s happening,” he continued, his voice dropping into something urgent, pleading. “Your family—Tim, Dick, all of them—they’re figuring it out. They’re finding out the truth about Tiffany. They'll realize what she's doing, like I did.They'll know soon, maybe not today or tomorrow; but soon. They'll realize she's been using her powers on them like she did to me.”

Your breath came too short. No. This was not happening. Not when you were finally happy again. Not when you think you've fallen in love with Slade.

“No,” you whispered.

Your vision blurred. It was happening. Everything you had tried to scream about for years, everything they had ignored, it was going to come to light. Harvey’s fingers brushed your wrist.

Soft. Careful. Like he was trying not to scare you away.

“And when they realize what they did to you,” he murmured, “they’re going to come running. Crawling back like I am.”

Your stomach twisted.

“They’re going to act like they care,” he continued, voice soft, insidious. “Like they’re sorry. But they’re not. Not like I am. You know that, don’t you?”

Your lips parted. You hated how much sense it made. Hated how deep the doubt had already burrowed into your skin. Hated how genuine and honest he was being, you could sense it. Harvey tilted his head.

And then, voice lower, almost fragile he said, “You don’t have to go back to them.”

Your stomach dropped. You stepped back. “I’m not going back,” you said, voice shaking. Never.

Harvey swallowed hard. And for a moment, you thought he might break, that the weight of what he had done, what he had lost, might finally crush him. But then, he looked at you.

And you saw it, the shift. The danger. Not Two-Face. Not the cold, calculated criminal.

Just Harvey Dent. The man who never let go. “You think you’re free?” he murmured.

The words sent a chill down your spine. Harvey smiled, but it wasn’t kind. “You think he just let you leave?”

Your chest tightened. You tried not to show the flicker of doubt, the small crack in your resolve. But Harvey saw it.

And then, voice so soft, so dangerous—“He’s not going to let you go either. He'll keep you locked up. I won't.”

You should have never gone to him.

You had known it was a mistake the second you saw him standing there, leaning against the rooftop railing, the glow of Gotham’s skyline making him look almost human.

But you had gone anyway. Because Harvey had always been a mistake you kept making.

You clenched your fists, how dare he talk about Slade? What right did he have to tell you who to trust. "Yeah and I'm gonna take advice from you. That's rich."

He softened immediately, his regret and remorse so obvious; yet he refused to apologize. You wanted to hit him, hurt him like he hurt you; yet when he stood in front of you in the moonlight, your treacherous heart still beat for him. Your heart didn't want to hurt the man who showed you what love is. The man who picked up the shattered pieces your family and Clark left and rearranged them beautifully. It didn't care that he broke them again; he could fix it.

“I made a mistake. I paid for it, I know the truth now.” He said steadily stepping closer, sensing your reluctance.

Your pulse pounded. “What do you want from me?” You were here for answers, not to rekindle an old flame. Not when you were starting one.

Harvey exhaled sharply, shaking his head. “Nothing from you. ”

The words hit you too hard. You understood what he was implying, what he wanted. You knew he would come crawling back someday, you just didn't expect it so soon

You clenched your jaw, forcing yourself to keep your voice steady. “Why?”

His smile faltered. His hands curled around the railing, gripping it like he needed something solid to hold on to.

"You know why. But that's not what i called you for. I called you to warn you about your family and Tiffany,” he said, his voice lower now, rougher. More desperate. “I can throw them off for a little while, lead them off track and make sure they don't know the truth. If that's what you want. But once they know the truth, they won't leave you alone. Certainly not with him.”

You hated the way your chest tightened with affection at his consideration. You hated that you were here. You hated that he still had a hold on you. You hated how he talked about Slade. You hated hearing him say Tiffany's name, it brought back so much hurt and hatred.

“I don't care about them Keep them away for as long as you want. You know I'm not here to hear about them or your whore.” you said viciously, your eyes shining and your teeth sharpening.

Slade would be proud.

Harvey didn't react to your fangs, he wasn't afraid of you. He came closer and grasped your hand, his eyes so heartbroken that it gave you satisfaction, only for a minute.

His voice cracked slightly. “Nothing I do or say can make up for what I did.” His jaw tightened. “I know that.”

You should have walked away. But you didn’t. Because Harvey’s voice dropped lower, his words curling around you like a trap you should have seen coming. “But I need you to know something,” he whispered.

You swallowed hard. He stepped closer, slow and deliberate, watching your reaction. “She wanted to be you, she tried so hard.”

Your breath hitched. You knew this. But hearing Harvey say it made you feel so much better.

Harvey’s voice was soft, almost reverent. “But she never could.”

Your stomach dropped. Why did this have to happen now? Why now when you finally forgot about him?

“She dressed like you,” he continued. “Talked like you. Watched the way you moved. The way you laughed.” His voice hardened. “The way you loved.”

You shook your head, backing away. You couldn't take this anymore. You wanted to run back into Slade's arms, where nothing could touch you. “Shut up.”

Harvey didn’t.

“She wanted to take everything from you.” His expression twisted. “And maybe, if I had been a different man, I would have let her.”

Your skin crawled at the thought. Harvey let out a breathless laugh, bitter and sharp. “But I couldn’t. I had to go digging, looking for clues.”

His hands clenched at his sides. “Because she wasn’t you. No matter how hard she tried to be. No matter how much she played with my mind, she could never replace you.”

You hated him.

You hated that you believed him.

You hated how you still loved him.

Harvey exhaled sharply, tilting his head, watching you with something frighteningly raw. “Every time she touched me, every time she tried to take something that wasn’t hers—” his voice dropped into something dangerous, low and dark and broken— “I was thinking of you.”

Your breathing came too fast.

Harvey stepped closer.

“Every time I kissed her,” he whispered, “I wanted it to be you.”

You squeezed your eyes shut. “Stop. I don't care.” Lies.

“She wasn’t you,” he repeated, voice almost pleading. “She never could be.”

Your throat closed. Your eyes watered and your teeth burned with unshed venom just thinking of his betrayal. Why was this happening.

Harvey’s fingers ghosted over your wrist. Not touching, not quite.

“I never wanted her, not really” he murmured. “Not once.”

Silence stretched between you, thick and suffocating. This was all you wanted to hear, all you wished for for so long. So why did you feel trapped. Harvey’s voice dropped even lower. He moved even closer

“Tell me, sweetheart.”

You forced yourself to look at him.

“If you don’t care,” he whispered, eyes burning, “why are you still here? Why do you want answers so bad? Why do you still look at me like that?”

You shouldn’t have come.

But you hadn’t been able to help yourself.

Because Harvey always knew what to say, how to linger in your mind like an open wound that refused to heal.

And now here you were, standing under the dim glow of the rooftop’s city lights, your eyes watering, the weight of his gaze pressing into you, sinking into your bones like something familiar, something dangerous.

You forced yourself to keep your stance steady, your pulse even. “You don’t get to ask me those questions.”

Harvey let out a breath, almost a chuckle, but there was no humor in it. His hands curled around the railing as he moved away from you again, gripping the cold metal like it was the only thing keeping him from reaching for you.

“Do you know how many times I told myself you were gone? That I lost you, ” His voice was steady now, but there was an edge to it—something dangerous. “How many times I tried to let you go, to let you move on?”

Your chest tightened. You weren’t sure if it was anger or something else, something more dangerous. “I didn’t ask you to wait for me. I didn't want you to regret your choice. I didn't want anything but happiness for you. No matter how much you hurt me.”

Harvey’s fingers twitched.

“No.” His lips pressed together in a thin line, he knew the truth, that you always wished the best for him. “No, you didn’t.”

The wind curled between you, cold and sharp, carrying the weight of everything unsaid. You should have turned away. Should have walked back the way you came.

But then Harvey laughed, a bitter, broken sound.

“She used her little snake charm but somehow,” he continued, “after a week I was thinking of you. I never loved her. Couldn't even bring myself to like her, honestly.”

Your stomach dropped. It was a gut punch, sharp and unforgiving. He saw it—the flicker of emotion in your face, the tightening of your jaw, the way your breathing caught for just a second too long.

And Harvey, Two-Face, the man who never let go, moved forward, voice soft, eyes burning.

“I love you,” he murmured. “I never stopped loving you”

Your fingers curled into fists at your sides. “Shut up.”

He ignored you. Again.

“I love you so much,” he said, voice low. “You love me too or you wouldn't be here.”

“I said shut up.” He was right, he always is.

Harvey smirked, but there was nothing victorious in it. It was almost self-loathing.

“I never loved her,” he whispered again. He was making sure you knew.

“She wanted me to,” he continued. “She wanted to take everything from you.” His jaw tightened. “And maybe, if you had been a different woman, I would have let her.”

The thought of it made your skin crawl.

Harvey, Tiffany. Together. The ultimate betrayal.

“But I couldn’t.” His voice cracked slightly. “Because she wasn’t you.”

He kept repeating it, trying to speak his remorse into your heart directly. You hated how much it affected you. Hated how your chest ached, how your mind burned with the thought of what could have been. You shouldn’t care. But you did. And Harvey knew it.

“You’re lying,” you whispered, forcing steel into your voice. “You used her, just like she used you. You wanted to spy on Bruce and I wouldn't do it.”

Harvey let out a sharp breath. “Yeah.” His eyes met yours. Unflinching. “I did.”

There was no shame in his voice. Just cold, simple truth. No regret anymore. He didn't regret using her, he regretted hurting you.

“But it wasn’t revenge, sweetheart,” he murmured, his Gotham accent slipping in the angrier he got. “It was survival. She had me under her little spell at first; when that stopped working, her little dream team made sure I never stepped outta line. Never came crawling back to you, never told anyone the truth. But I'm done with them now.”

Your heartbeat pounded in your ears. Harvey stepped closer.

“Every time I kissed her, every time I played along, I was thinking of you.” His voice dipped, lower, darker. More desperate. “Every time I called her by her name, I wanted to say yours.”

Your breathing came too fast. This wasn’t fair. Harvey was not supposed to be able to do this to you. Not anymore. He was supposed to be dead to you. He had killed himself in your mind the day he let himself be used, the day he betrayed you.

And yet—

Yet.

You couldn’t move.

Because deep down, a part of you knew—you had thought of him, too. When you weren't with Slade, Harvey consumed your thoughts.

Your stomach twisted as he stepped closer again. “You’re smart, sweetheart,” he whispered. “You always were. Choose carefully.”

You swallowed hard. This wasn't about your family anymore. This was about him and Slade.

“You don’t have to go back to them.” He repeated himself again trying to convince you. His words settled in your bones, heavy, unshakable.

You clenched your jaw again. “I wasn’t planning on it.”

Harvey’s eyes flickered, something dark and pleased curling at the edges. And then, voice low, almost dangerous, “Then why are you still with him?”

Your breath hitched. Slade. Your body went rigid.

Harvey took another step closer. Your noses almost touched and you nearly threw yourself into his arms.

“You think he's better than me?”

Your chest tightened. Doubt crept in. You had been so careful. So quiet. Hadn’t you? Harvey saw it. And he smiled.

A slow, knowing smirk. “He’s not going to let you go, he won't give you a choice. I don't blame the man, if I hadn't fucked everything up; I wouldn't let you go either.”

Your stomach dropped. The realization hit you all at once, suffocating, crushing. You hadn’t been careful. You had been playing into Slade’s hands all along.

Because Slade always knew. And if he hadn’t stopped you?

That meant he was letting you dig your own grave. A shiver ran through you.

The moment Harvey’s voice dipped, the second his fingers ghosted over your wrist like a lover’s touch—you should have walked away. But you didn’t. Because part of you needed to hear him say it. Needed to hear him tell you what you already knew.

That he still wanted you. That he never stopped. That you were never meant to be replaced. And it felt amazing to hear the regret in his voice and see the pure longing in his eyes.

The wind curled between you, cold and biting, but Harvey’s presence was stiflingly warm. He was watching you the way he always had; like you belonged to him, like the months between you hadn’t changed a thing. And for the first time all night, you let yourself look at him.

Really look at him.

The scars on the left side of his face had deepened, his two-toned gaze more piercing than before. The weight he carried in his shoulders was heavier, more defined. He was still Harvey, but he wasn’t just Harvey anymore. He had become something darker, something rough around the edges, something broken in a way that made you feel like a piece of you had broken along with him.

You swallowed. “I have to go.” Before you did something you couldn't take back.

Harvey exhaled, slow and deliberate. He nodded, but he didn’t move. He didn’t stop you. But he wasn’t letting you go, either.

“You’re going back to him.” It wasn’t a question. A statement, like he knew it was coming

Your pulse stuttered. “It’s not like that and you know it.” You still felt the need to defend yourself, even though you knew you didn't owe him an explanation.

You still loved him, that much was clear.

Harvey let out a quiet, humorless laugh. “Sure it isn’t.”

You took a step back. He didn’t reach for you, didn’t say anything to stop you, but his presence curled around you like a shadow, wrapping itself around your spine, keeping you anchored in place. And then his voice dropped. Low. Certain.

“I’m letting you walk away. But I'm not letting you go. Not when we still love each other.”

Your throat tightened. He wasn’t chasing you. Not yet. But you felt it. The promise in his voice. The inevitability. You didn’t respond.

You didn't deny that you still loved him, it was like a child insisting they didn't eat cookies when they have crumbs all over them.

You just turned and forced yourself to walk away.

The apartment was silent when you returned. Slade was waiting, seated in his chair, drink in hand, legs spread, glaring at the walls. He didn’t turn when you entered. Didn’t move when you stepped further inside, carefully shutting the door behind you. You weren’t sure if that was better or worse.

You slipped off your shoes, moving slowly, watching him, waiting. Nothing. No reaction. Just that unshakable stillness. The kind that had always been more dangerous than his anger.

You took a steadying breath. If you didn't speak first, he wouldn't speak at all. “Slade—”

“I knew you’d come back.”

His voice cut through the room, sharp and even. Your fingers curled at your sides. “Of course I came back.”

Now, he looked at you. Finally. And when he did, it felt like a blow. That single eye, cold and assessing, swept over you, taking in every detail, every movement, every breath you tried to keep steady. Then, his lips curved. Slow. Controlled.

“Did he tell you what you wanted to hear? Make you want to run into his loving arms again?”

Your stomach dropped. You didn’t let it show. “I don’t know what you’re talking about.”

Slade exhaled through his nose, the faintest huff of amusement. “Don’t insult me.”

Your jaw tightened. Silence stretched between you, heavy and charged. You weren’t sure if you were waiting for him to snap, or if he was waiting for you to confess. Then, finally—Slade leaned forward, resting his elbows on his knees, hands clasped together, voice lowering into something dangerous.

“Tell me something,” he said lowly.

You didn’t move. “What?”

Slade tilted his head, watching you like he was already playing out the end of this game. “Did you hesitate?”

The words hit harder than they should have. You swallowed. You could lie. You could tell him what he wanted to hear. But it wouldn’t matter. Slade always knew. And that was the worst part.

Slade was quiet for too long. Then—he sighed. Tired. Expectant. And that was worse than anger. You hated when he treated you like this, so indifferent. You liked his anger better, at least then you could get a reaction out of him.

“Take off your coat,” he said. You hesitated. Slade’s expression didn’t shift. “Now.”

Slowly, carefully, you did as he asked, slipping the fabric from your shoulders, letting it drop onto the chair beside you. Slade’s eye flickered toward it. Then, back to you.

You weren’t sure what he was looking for. Maybe he was looking for something Harvey left behind. Something you didn’t even realize you had carried home with you.

Then, after a long pause—Slade smirked. And it wasn’t kind like the ones you've grown accustomed to.

“You don’t even realize it, do you?”

You stiffened. “Realize what?”

Slade leaned back again, completely relaxed. Like he had already won. “You'll know soon.”

Your breath caught. Where was he going with this? You hated when he spoke like some ancient being and he knew that. He was gonna be insufferable these next few days; he always is when you do something he doesn't like.

“Doesn’t matter where you go,” he continued, his voice so damn certain. His smirk widened, mocking. “You’ll always come back to me.”

Your chest tightened. You hated him. Because he was right. He knew you hated it, too.

You lay awake that night. Not because you couldn’t sleep. Not because Slade was in the other room, making you sleep alone for the first time in months, still awake, waiting, watching, knowing.

But because you couldn’t shake the way Harvey had looked at you before you left. Not angry. Not resentful. Just patient and remorseful. Like he already knew something you didn't.

Slade never brought it up again. Not directly. You weren’t sure if that was worse. You weren't sure if you wanted him to scream at you and demand you never see Harvey Dent again. You would rather anger than the silent treatment.

He didn’t demand answers. He didn’t press the issue. He simply carried on as if nothing had happened, as if he hadn’t watched you walk through the door smelling like another man’s presence.

That should have been a relief. But it wasn’t. Because Slade didn’t let things go. He let them fester.

It was in the way he touched you now, more deliberate, more possessive. The way his hands lingered a little too long on your waist when he passed you in the kitchen, the way his fingers grazed your wrist, as if reminding you that you were still there, still his.

It was in the way he watched you. He had always been observant, but now it was different. Sharper. He wasn’t just looking at you, he was reading you.

Every twitch of your fingers. Every slight shift in your breathing. Every time you looked over your shoulder without realizing it. You had brought something back from that rooftop, and Slade knew it.

And still, he said nothing. Instead, he tightened his hold.

It was late. The apartment was quiet, but neither of you were asleep. Your back pressed into the cool sheets, heartbeat steady but too aware of the man beside you. It'd been three days since Harvey and Slade was finally sleeping next to you again, but you knew he wasn't truly letting things go.

Slade’s fingers traced slow circles against your wrist, his grip loose but present. “You haven’t been sleeping,” he murmured.

You exhaled, shifting slightly beneath his hold. “And you have?”

A quiet chuckle. “I sleep when I need to.”

You turned your head, meeting his gaze in the dim light of the bedroom. “And when do you need to?” You missed teasing him.

Slade’s smirk was lazy, knowing. “Whenever you’re not around to keep me entertained.”

You rolled your eyes, but he didn’t let you pull away. His grip tightened, just enough to remind you he was there.

“You think too much,” he murmured, voice lower now. “Keeps you restless.”

“Maybe I like thinking,” you shot back booping his nose. You lived to annoy him, to push his buttons in a way only you could get away with.

Slade hummed, shifting to prop himself up on his elbow, still watching you. His fingers trailed down your arm, you would've though he was trying to start something if his movements weren't so slow and calculated.

“What are you thinking about now?” He said reeling you into his trap, his eyes hard. You hated when he tried to trap you. Your pulse skipped. Nothing you said would be the right answer.

Slade’s lips quirked up slightly, but there was something in his expression—something darker, something expectant.

“You can say it,” he mused. “Say his name.”

You were tempted to do it, moan Harvey's name just to piss him off, but that was a line even you knew not to cross. You rolled your eyes, "God, just let it go Slade. It wasn't important."

Why couldn't he just let this go? Slade smirked, mocking. “That’s what I thought.”

You didn’t break his gaze. Didn’t look away. Because he knew. He always knew. Nothing goes over Slade Wilson's head.

The next morning, you woke up to a message. Not a text. Not a voicemail. A gift.

The small wooden box sat on the kitchen counter, neat, precise. Like it had been waiting for you. Your blood ran cold. You hadn’t heard anyone come in. You hadn’t even felt him. But Harvey had been here. You swallowed, fingers brushing over the lid before carefully lifting it open.

Inside was a single playing card.

The Two of Hearts.

And beneath it—folded carefully, as if it was meant to be unwrapped like some kind of sentimental treasure—was the same scarf he had left before.

Except this time, there was something else. Perfume. Your perfume. It smelled like you and him. Like Harvey had held onto it. Like he had kept it close. Your stomach twisted.

Harvey had been here. And you hadn’t even noticed.

Your fingers curled around the edge of the box, breath coming a little too sharp, too shallow. The walls of the apartment felt smaller. You didn’t hear Slade approach, but you felt him before he spoke.

His voice was smooth, dangerous. “Something I should know about?”

You forced yourself to breathe. “No.”

Slade leaned against the counter, eyeing the box like he already knew exactly who it was from. And then—he laughed. A quiet, amused sound, as if this was a game he had already won. “I should have killed him when I had the chance,” he said, in the same tone some used when regretting not buying a book before it sold out.

Your stomach dropped. Slade tilted his head, eye still locked on you. “But you wouldn’t have liked that, would you?”

You said nothing.

Slade smirked, shaking his head. “Soft spot for old flames.” He reached out, fingers brushing your wrist. “That’s your problem.”

You clenched your jaw, jerking your arm away. “And what’s yours?”

Slade’s gaze darkened. “I don’t have problems.”

You let out a breathless, humorless laugh. Always with the tough guy persona, honestly it must be tiring always acting untouchable. “Right. Sorry, I forgot. Because you don’t feel anything.”

Slade didn’t respond right away. He just looked at you, unreadable. His hand reached for your jaw, firm, demanding. His thumb traced your cheek, slow, deliberate. And when he spoke, his voice was quiet.

“I feel plenty.” You swallowed. Slade smirked. “You just don’t like what I feel.”

You stepped back before you could do something stupid. Something that would make you forget about the box on the counter, the scent of Harvey still lingering in the air. Something that would make you forget that you weren’t sure who you were more afraid of losing.

Your phone wouldn’t stop buzzing. Harvey was right. They were going to find out the full truth soon. And when they did, they would come for you.

Now, a week after your meeting with him, your phone wouldn't stop buzzing. Message after message, call after call, each one from Tim Drake-Wayne. All asking you questions about Tiffany, about yourself. About where you were.

Your breath caught in your throat as you scrolled through the texts, hands shaking, stomach twisting itself into knots so tight you thought you might be sick. Of course Tim was the first to figure out something was wrong. He was about five years too late though.

Tim: We need to talk. Please answer. I have questions. About Tiffany..

You could barely breathe. He wanted to investigate, to look deep into Tiffany. Now?

Now, after years of pushing you aside, after ignoring every cry for help, now he wanted to take your warnings seriously.

Your eyes burned, fingers tightening around the phone, your mind screaming at you to respond, to finally say all the things you’d held in your chest for too long.

But you didn’t. Instead, you turned the phone off. You shoved it under the pillow, pressing the heels of your hands into your eyes, trying to push away the tears, trying to ignore the way your chest ached with something ugly and desperate.

The moment you walked out of the bedroom, you knew he had seen.

Slade was leaning against the kitchen counter, arms crossed over his chest, gaze heavy with something unreadable. The phone was still buzzing beneath the pillow in the other room, and somehow, you knew he had heard it.

He had been waiting for this. You swallowed, standing stiffly near the doorway, trying to pretend like everything was fine. Slade didn’t say anything at first. He just watched.

“Took him long enough,” he mused, his voice casual, controlled.

You rolled your eyes. He's been bitchy ever since the whole Harvey thing.

Slade’s eye flickered to your hands, still clenched at your sides. “And let me guess—you ignored him.”

You hated how easily he could see through you. You glared at him, jaw tight. “None of your business.”

Slade chuckled, shaking his head, pushing off the counter and closing the distance between you in slow, measured steps.

“Oh, sweetheart.” His voice was lower now, smoother, curling around your spine like a threat disguised as affection. “Everything about you is my business.”

You tensed. Slade reached up, tracing a gloved finger along your cheek, tilting your chin up slightly, forcing you to meet his gaze.

“He’ll keep calling,” he murmured. “He’ll keep begging. He'll figure it out and tell the rest of the little squad and they'll all come running back. Just like your dear old Dent. ” His lips curled into something mocking. “That’s what they do, isn’t it? Make mistakes because they know you'll forgive them?"

You tried to pull away, but his grip tightened. Not to hurt you, just enough to remind you who was in control.

His thumb brushed over your lips, slow, deliberate. “What are you gonna do?”

Your breath hitched. Slade leaned in slightly, voice dropping even lower. Dangerous. “Do you want Tim to tell the others? Want your family back? Want him back? Even after he fucked your sister while you were lying sick in your bed?”

Your throat tightened. He was toying with you. Mocking you, trying to hurt you. Making you say it. And you didn’t want to say it. Because you didn’t know. Your family had been your world.For so long, all you wanted was to be seen.

To be loved.

To be something more than just a ghost standing in the background, watching them fawn over someone who had stolen everything from you. And Harvey gave that to you, before he betrayed you.

And now, he was sorry. Soon, they would all know the truth and be sorry.

The emotions clawed at your throat.

You wanted to scream at Tim. Tell him it was too late. Tell them that he could never fix this. No amount of investigating and apologies could make up for years of neglect.

But another part of you, the part that still ached for their love, the part that still wanted them to prove you wrong,

That part whispered, “What if?” What if when they found out the truth, they would love you? What if this time, they actually stayed?

What if this was your chance to finally have the family you always wanted?

The war inside your head made you dizzy. And Slade knew it. He was still holding you, still keeping you rooted to him, while your world spun out of control. After a long, suffocating silence, Slade finally sighed. “You’re a mess.”

You glared at him, pushing away from his grip. “Fuck you.”

Slade chuckled, unfazed. “You do it almost every night.”

You scoffed, rolling your eyes, "You're a child, you know that?"

You turned away, grabbing a glass from the counter, hands still shaking slightly as you filled it with water. You weren’t thirsty, but you needed something—anything—to keep yourself grounded.

Slade leaned against the counter again, watching you with amusement, but something deeper lurked beneath it. Then, in a voice so casual it almost didn’t register, “I’ll make him stop. I'll make them both stop.”

The glass almost slipped from your fingers. You turned sharply, eyes wide. “What?”

Slade shrugged, like it was nothing. “You don’t want to deal with them. You don’t want to make a decision. So I’ll make it for you.”

Your breath caught. Slade never dealt with things peacefully, he got rid of problems permanately. “You can’t just—”

“I can.” His smirk deepened. “And I will.”

Your stomach twisted. Because the worst part was; you weren’t sure if you were relieved or horrified. Because Slade was right. You didn’t want to make a choice. You wanted someone to do it for you.

And Slade was more than happy to take that burden.

The first thing you noticed the next morning was the silence. No more buzzing. No more messages lighting up your screen. Slade had done it.

He hadn’t waited for you to argue. Hadn’t given you the choice. By the time you checked your phone, every number had been blocked. Every contact erased like they had never existed at all.

And maybe that’s what Slade wanted.

For them to be nothing but ghosts in your past. A clean break. A fresh start. So why did it feel like your chest was splitting open?

You had spent years craving their attention. Years begging for even a scrap of love. And now? Now you had the chance to get it. And you ignored it. You told yourself it didn’t matter. That you didn’t need them. That you had spent too long chasing something that was never meant to be yours.

And yet, as you stood in the quiet of the apartment, phone gripped too tight in your hands, you ached. Because you had wanted them to fight for you.

Slade had left that morning, his usual teasing smirk in place, but there had been something off.

Maybe it was the fact that his mission was dragging out longer than expected.

Maybe it was the way his fingers had lingered under your chin before he left, thumb brushing over your jaw like he was making sure you were still his.

Or maybe it was the way he had muttered, “Be good while I’m gone, sweetheart.” as you kissed him goodbye.

Like he already knew you wouldn’t be. Like he already knew something was coming. The apartment felt too big without him. His absence wasn’t something you should have noticed.

But you did.

It was in the empty space beside you when you sat on the couch. The extra portion of dinner you made out of habit. The lack of footsteps behind you. The missing weight of his presence pressing against your world, keeping you safe.

It was the first time in months you had been truly alone. So you did the only thing you could think of.

You took a nice, long, hot, shower, trying to dull the ache below your hips. You and Slade had sex last night, but somehow you were already wanting more. It was like your body could sense his absense.

You stood under the hot water, letting the steam curl around your skin, letting the heat scald away the thoughts clawing at your mind.

Maybe Slade was right. Maybe it was easier to just let go.

There was a sound. Soft. Distant. A creak where there shouldn’t be one. You wouldn't have heard it, wouldn't have sensed the body heat if you didn't have your powers. Your heart stopped. You turned off the water immediately, listening.

Nothing.

Maybe it was just—

Another creak. Closer this time. You swallowed, pulse hammering, every nerve in your body screaming at you that something was wrong. Slade was gone.

No one should be here. But you weren’t alone.

The second you stepped out of the bathroom, towel wrapped around your damp skin, fangs reader and a knife in your hand, you felt him.

The shift in the air. The weight of someone watching. And then, his voice.

“Gotta admit,” Harvey mused, voice smooth, mocking, as if he had any right to be angry “didn’t think you’d be the type to shack up with a guy like him.”

Your stomach dropped. You turned sharply, eyes darting across the room, breath catching in your throat when you saw him.

Sitting on your bed. On Slade’s bed.

Harvey was leaning back against the headboard, one leg crossed over the other, looking far too comfortable. Like he belonged there. Like he wasn’t the intruder in this equation.

Harvey sat there like he hadn’t broken in, hadn’t shattered what little peace you had left. The moment you stepped out of the shower, still dripping, wrapped only in a towel, you knew, he was waiting for you.

Your fingers clenched around the towel’s edge, jaw tight, pulse pounding.

"You’ve got some fucking nerve," you muttered, stepping further into the room, closing the distance between you and him.

Harvey leaned back against the pillows, one arm draped lazily over the headboard, watching you with something smug, something knowing.

"Had to see you," he said simply. Like it was normal. Like it was nothing.

Your stomach twisted. It was never nothing with Harvey.

"And let me guess," you bit back. "You just let yourself in."

His smirk widened. "Door was unlocked, it’s not breaking and entering if you used to live together."

You let out a sharp laugh. "Bullshit. That’s exactly what it is, Dent. We don't like together anymore. Never did officially either."

Harvey didn’t flinch. Instead, his gaze slid lower. Over the damp strands of your hair. Over your throat. Your collarbone. Your bare legs.

You knew that look. It made something ugly stir inside you.

He looked at you, gaze slow, deliberate, taking in every inch of you. The damp strands of hair clinging to your skin. The way the towel barely covered enough to keep you decent.

His lips curled into a smirk. “Don’t stop on my account. Nothing I haven't seen before.”

Your fingers clenched around the towel, pulse thundering. “What the hell are you doing here?”

Harvey let out a quiet chuckle, tapping his fingers against his knee. “Relax, sweetheart. Just thought I’d drop by. Say hello. You wouldn’t answer your phone, so I figured—” he spread his arms in mock innocence, “—why not pay a visit?”

You hated how calm he was. How easy he made it look. Like he hadn’t just broken into your home. Like he hadn't broken your heart. Your chest rose and fell in quick, shallow breaths, heart hammering against your ribs. Slade was gone. Gone.

No one was coming. But you could handle yourself. And Harvey knew it. His eyes flickered down your body again, this time slow, calculating. Looking at all the marks and love bites Slade had left the night before. “You always did have a thing for older men,” he mused.

Your jaw clenched. Low blow.

Harvey smirked. “What’s the matter? Did you think I wouldn’t find out? Thought you could just run off and play house with Gotham’s favorite mercenary and I’d let it slide?” He tsked, almost disappointed. “That’s not how this works, sweetheart.”

You glared at him. Where did he get the audacity? “You don’t own me. Especially not now. Especially not after what you did. Your apology didn't change anything. You've got no right to be here.”

Harvey’s expression darkened, but only for a second. Then he grinned. “Funny. That’s exactly what I was thinking about him.”

Your stomach twisted. Because you knew what he was doing. He wanted you off balance. He wanted you to doubt. It was working. Because a part of you—a part you hated—was already wondering what Slade would do when he found out. Because he would find out. How jealous would he be? Would he finally drop the whole nonchalant act, ask you to be official?

Harvey’s smirk widened. “You think he’s coming back soon? You waiting for him? That's real cute princess.”

Your throat tightened. “He'll be back tomorrow.”

Harvey shrugged, stretching out like he had all the time in the world. “It’s funny, isn’t it? How missions can just drag out longer than expected?” His grin turned sharp. Cruel. “Would be a real shame if something happened to keep him… occupied.”

Your blood froze. Harvey watched you, waiting for the realization to sink in. He knew. He knew Slade wasn’t coming home anytime soon.

Your fingers curled into fists and suddenly you were on top of him, fangs bared, “What did you do?”

Harvey simply leaned back, enjoying himself and the view of your almost naked body on top of him. He turned his neck, as if trying to give you more access to him.

Harvey raised an eyebrow. “Now, now. Don’t go blaming me. I didn’t lift a finger.” His grin widened. “But that doesn’t mean I don’t know who did.”

Your breath was coming too fast, too shallow, panic creeping up your spine. Slade was gone. Harvey was here. You were trapped. And Harvey knew it. Your pulse pounded. Slade was gone. Harvey was here.

Your fingers dug into his shoulders, pinning him down harder against the mattress, your fangs bared, breath coming in sharp, furious exhales.

"What did you do?" you hissed again, voice low, dangerous, shaking with barely contained rage.

Harvey smirked up at you, completely unbothered. His eyes gleamed with that same smug amusement, like he was playing with his food.

"Relax, sweetheart," he murmured, voice infuriatingly smooth, teasing. "No need to get all worked up."

You pressed your thighs against his sides, pinning him harder. "Answer me, Harvey."

He let out a slow breath, his smirk twitching, dark amusement flickering across his features. "You always were so determined. I love that about you."

Your fingers tightened, nearly scratching his back, sharp acrylics pressing into his skin through the fabric of his white button down. You didn't want to hurt him, not badly at least.

"Tell me why Slade’s mission is taking so long," you demanded, your weight pressing down on him, your legs gripping him tighter.

Harvey’s hands moved then; sliding slowly up your thighs, gripping just hard enough to make your breath catch.

"You really think I’m gonna make this easy for you?" he murmured, voice dropping to something lower, something thicker with something he wasn’t bothering to hide.

Your stomach flipped, heat creeping down your spine, twisting through your limbs. He knew. He felt it.

His smirk widened, his hips shifting beneath you just slightly.

And that’s when you felt it.

Hard. Throbbing. Pressing against the thin fabric of his slacks, against the barely-there barrier of your towel. You nearly moaned, stop being a slut, you tried to tell yourself.

You froze, just for a second. And Harvey noticed.

You were straddling him, baring your venomous fangs. You could kill him. And he was hard. You could feel it, it was impossible not to, thick, twitching against your inner thigh, pressed right against you.

Your powers didn’t help. They never fucking did. The second you got close enough to feel body heat, it was over. It was a constant hum under your skin, that ache, that need, clawing at your sanity. Your towel barely clinging to your damp skin, the heat of his body seeping into yours, you didn't know how much longer you could hold on.

He let out a low, pleased chuckle, his good hand settling on your waist, just barely gripping. "Didn’t know you missed me this much, sweetheart. Thought you were over me?"

Your nails dug into his chest even harder, but he didn’t flinch. He never fucking did. "Tell me where Slade is," you demanded.

Harvey hummed, mocking. "You sure you wanna talk about him right now?" His fingers flexed against your skin, his smirk widening as he shifted slightly beneath you again. "Because from where I’m sitting, you got bigger problems."

Your breath hitched, and you hated it. Hated the way your traitorous body reacted to him. Hated the way he felt so familiar.

His gaze flickered, taking in the flush on your skin, the way your thighs squeezed involuntarily around him. He felt it too. The heat. The tension. The pull that never really disappeared, no matter how many times you had tried to convince yourself that you were done with him.

"You always were greedy," Harvey murmured, tilting his head, eyes dark with something wicked. He was loving this. "You just can’t get enough, can you?"

Suddenly, you were angry at him again. You remembered Tiffany. Your grip tightened around his wrists, holding him down, pressing harder into him, and his smirk twitched, just slightly.

Good. Let him fucking squirm. "You still think you have control here?" you whispered, lowering your head, your breath grazing the sharp line of his jaw.

His breathing faltered. Just for a second. Just enough.

Then, just as quickly, his lips curled again, sharp and taunting.

"Sweetheart," he murmured, voice deep, smug, full of sin. "As long as youre on top of me or under me, I don't give a shit who's in control."

Your entire body tensed. Your nails dragged down his chest, slow, teasing, right over his shirt. You could feel his heartbeat pounding beneath your fingertips, fast, erratic, out of sync with the smug bastard act he was putting on.

He was burning for you. Just as much as you were for him. But you weren’t going to give in.

"You still think you can do whatever you want to me?" you whispered, leaning in, letting your lips hover just over his.

Harvey’s eyes flickered. A muscle in his jaw ticked. And for the first time since he had shown up, his smirk finally fucking dropped.

You grinned. Then you moved your hips and ran your fingers up and down his chest.

Harvey cursed sharply through his teeth, his grip on your waist tightening instantly, fingers digging into your skin like a vice. His dick twitched against you through his slacks, so fucking hard and aching that you could almost feel the pulse of it.

You let out a slow, breathy chuckle. "Guess you do still want me, huh?"

Harvey’s breathing was uneven. "Careful," he rasped, voice lower, darker, more dangerous now. "You’re playing a real stupid game, princess."

"Why?" you taunted, grinded your hips again, watching the way his fingers twitched like he was fighting the urge to snap. "Because you can’t handle it? Because you can’t handle me?"

It was fun being in control. Slade never let you do whatever you wanted to him, barely ever in the bedroom. You loved control, especially when it meant having a man at your mercy beneath you.

Harvey’s eyes flashed. Then, he flipped you. Fast. Brutal.

You barely had time to react before you were the one beneath him , your towel barely hanging onto your body, his hand locked around your wrist, pinning you down, his body hovering over yours, pressing you into the mattress.

His breathing was hard, uneven, tense.

"You really think I don’t know what you’re doing?" he murmured, so close now.

Your chest heaved. You got too cocky, too confident, and now you were paying the price, "I don’t know what you’re talking about."

Harvey laughed softly, mocking, brushing his nose against yours. "Liar."

You swallowed, pulse hammering.

"You love this," he said, voice like gravel against your skin. "The attention. The desperation and groveling. You love seeing me beg. The way you talk like you want to kill me, and the next second," his lips ghosted your cheek, his cock pressing hard against your thigh, "you’re grinding against me like a fucking addict."

Your breath hitched. His grip tightened.

"He ever let you get on top?" he murmured, lips just barely grazing yours.

Your stomach twisted. "Don't."

His voice dropped lower, rougher. "Did you think about me when he had you at first? Did you close your eyes and pretend it was my hands on you even after I broke your heart? Should I tell him that?"

Your nails dug into his shoulder, your body betraying you, the heat between your legs only getting worse, stronger, overwhelming, unbearable.

"You wish," you rasped, but it sounded too breathless, too shaky.

Harvey smirked. He knew. "Say you don’t miss me," he challenged.

You clenched your jaw, turning your head away, trying to ignore the way your body burned beneath his.

"Say it," he demanded.

You tried to, but the words wouldn't come out.

Harvey hummed. Then, his fingers slid lower, trailing along your bare thigh, teasing the hem of the towel.

"Yeah," he mused, smug and cruel. "That’s what I thought."

His fingers flexed against your thighs, his grip tightening.

"Little desperate, aren’t you?" he murmured, his voice thick with something smug, something rough.

You scoffed, but your heart was hammering, your body betraying you. "If I was desperate," you whispered, leaning forward until your lips were just barely brushing against his, taunting, teasing. "You’d already be inside me."

Harvey let out a low groan. He flipped you back around, giving you full control. Letting you be on top. You lost yourself for a moment, lost the plot. You melted into him and began kissing his neck slowly and unbuttoning his shirt as you slowly moved against him. But then, you saw the picture frame you hung of you and Slade, right behind Harvey.

Slade made you take down all the photos whenever he went away on a mission, in case someone broke in and saw them, and decided to hurt you to get back at him. It was the only one you refused to remove.

It was of you and him, two months ago. Slade had a mission in Paris and he let you tag along, after you were done, you made him go to an ice cream shop. Some sweet old man asked if you wanted a picture together, Slade wasn't smiling, barely even smirking, but you could see the happiness in his eyes as he had his arms around your waist, looking down at you.

You felt nauseous, all the arousal you felt was gone. You were a whore. How could you do this to Slade? You stopped moving as your eyes watered, what if Harvey had done something to him?

Harvey's hands snapped up, gripping your hips, grinding you down onto him. He wasn't gonna let you stop now.

"Fuck, baby, I forgot how good you are at this. Don't stop, please." he exhaled, almost begging, his jaw tightening, his cock pulsing against you.

You bit your lip, trying to fight the heat clawing through your body, the way your nerves lit up at the sheer pressure of him beneath you. It felt so good. You were horny again. But you could use this to your advantage, Harvey wanted you even more that you wanted him.

"Tell me," you whispered, rolling your hips just slightly, torturing him. "Tell me what you mean when you say Slade's occupied.."

Harvey’s smirk curled, his hands dragging you down harder, making you feel every inch of him. " What’s it worth to you?"

Your breath hitched. Harvey’s fingers trailed up your back, slow, possessive, teasing. "You wanna make sure your merc comes back in one piece?"

You swallowed hard, your body thrumming with frustration, anger, something else. All control you had was slipping, your powers were making you horny but they weren't working. Harvey wasn't listening to what you told him to do.

"Make me happy, sweetheart. If I’m happy," his smirk deepened, his voice dripping with dark amusement. " the bastard stays alive."

Your chest tightened, heat roaring up your spine, burning you from the inside out. You hated him. You wanted him. You needed to keep Slade alive. Harvey’s hands slid lower, his thumbs tracing slow, burning circles into your skin.

"Make a decision, pretty girl, his flight leaves soon." he murmured, his dick twitched against you, heavy with need. God, how could he be horny while threatening your teacher/ mentor /situationship's life?

You couldn’t lose Slade.

So you kissed him. Hard. Desperate.

Harvey groaned against your lips, his hands flying up to grip your waist, dragging you down harder against him, practically trying to merge your bodies together.

"That’s my girl," he muttered, his voice rough, victorious, possessive.

Your stomach burned with shame, with need, with something twisted and terrible. You hated him. You loved him.

You needed Slade to live.

But you couldn't do this to Slade, couldn't betray him on the bed you shared every night. He would be livid, what would he do in this situation? Probably kill Harvey. But you weren't Slade, you weren't as brave or as cruel as him.

So you did what you do best: You ran.

You jumped off of Harvey, punching him in the nose, still only in your towel that somehow stayed on, and shut the bedroom door in his face. You had powers, you were faster than Harvey, maybe even stronger than him. You made it to the front door in seconds, but your heart dropped as you saw the three new deadbolts.

Fucking Slade. You debated letting him die at that point.

Suddenly, you felt him behind you, grabbing you and pinning you against the door.

“Goddamn,” He laughed, amused, mocking, “you really thought that would work?”

You snarled, struggling harder, but he didn’t budge. His grip only tightened.

“Let me go, Harvey.”

His breath hitched at the way you said his name. Not Dent. Not Two-Face. Not some alias meant to keep distance. Just Harvey.

And it made something in his chest clench. His fingers flexed, his other hand dragging up your spine in a slow, deliberate motion, making you shudder.

“You always run, don’t you?” His voice was low, smooth—but there was something dangerous beneath it. “Always running from someone.”

His grip tightened on your wrists, pressing them into the wall, “From them. From me. From yourself.”

You hated how well he knew you. You hated that he was right. You hated how he got you into bed willingly even as the guilt ate you up. You hated how good he made you feel, how you couldn't bring yourself to say no. If you did, he would stop, and you didn't want that.

"Don't act like you don't want me now. You were all over me not even a minute ago." He sneered, as he ripped off your towel like it offended him.

You didn't know how many times you came, or how long you went for. You felt so good, but somehow you've never felt worse. Even as Harvey made you scream his name, you thought of how Slade would react.

You felt even worse as the night wore on, and instead of rough sex, you began to make love. Harvey buried his face in your neck as he muttered apologies, still buried inside you, and swore he would make it up to you.

You began to cry, it felt so good. But it was so wrong, so disgusting.

And you knew you never felt true regret until you woke up the next morning in Harvey Dent's arms, naked on the bed you slept on with Slade Wilson.

WHAT YALL THINK?? 1-10?? ALSO COMMENT DOWN BELOW TO BE ON THE TAGLIST FOR THIS STORY

[bonus-links]

rereading with the latest update to get caught up, and now I know its an option I am desperate for director's commentary on Ruins pt7, if you're willing, please

(Also I first started reading this before taking sign langauge classes, and while I am learning a different SL to ASL/whatever Slate is using, some things translate well. Which is to say I was very excited seeing Loft use thank you and other small signs, or recognising Slate's signs. Its very cool!)

OH AN OLDIE yeah sure!! i will do my best to remember wtf i was on about lol

first of all. this was posted in 2023. what do u mean it's 2025 and im only on ch2. explodes. ANYWAY.

I'm still proud of myself this this panel thing w the arrow lol where it's both coming towards the octorok and has already gone through it. this is something that didn't rlly end up making it into the final product but I don't think Slate actually makes a habit of just killing monsters willy nilly. I don't see him hunting down every monster in Hyrule after the calamity ends. He kills this octorok bc they antagonize the horses but also because. I needed an excuse for his bow to already be out HAHA

I have complicated feelings about the yiga and what their lore implies lol but for Slate's part, he has personal beef with them on account of how many times they're tried and nearly succeeded in killing him. I like to imagine the Yiga as both deeply goofy and also a serious threat at the same time lol, which i think sums up how Slate feels about them.

I did however want to take this opportunity to show his capacity to be a brutal fighter, the same way Loft is in the opening of ch1. Actually the idea for this scene even came about because in my own late-stage game I kept getting attacked by a blademaster literally every 2 feet in certain regions, and I was getting so frustrated by it I just started obliterating them with ancient arrows 💀 Slate using way more arrows than necessary was a nod to that. idk maybe this guy lived lol

this scene was also to spur comparisons between Slate and Loft's experiences. Loft is brutal with monsters, but he's never killed a human being. Realizing that the Yiga aren't monsters shocks him.

this is a failure of my own paneling bc I didn't have enough room on the page and refused to add another, but Loft is hallucinating this guardian being active. all the guardians are inactive since defeating the calamity. actually what I should have done was add a red targeting line that then disappeared in the next panel. MAN.

alright and probably what you actually wanted commentary on, first Champion sighting! The first time Slate actually sees Champion is at the end of ch1, so if you're wondering if Slate knows he's there in this scene, the answer is no. I think rather than following Slate around all along, Champion has spent most of his time just sort of. barely existing here at Fort Hateno, or sitting with the master sword. He's not exactly like the ghosts of the other champions, or King Rhoam. sorry buddy :-(

i do have a bonus comic the works re: ghost lore that I will hopefully finish. someday so I think that might answer some questions ppl have. and possibly introduce a few more. but on the whole I like to keep whatever's going on here a little ambiguous. like I said in this update's commentary, one part literal and one part metaphorical. maybe two parts metaphorical lol

I think that's all I got for this one!

[tiredsmashbros]

SMG34: LIPBITE COMIC WIP UPDATE

oh boy... i know a bunch of folks are hyped for this comic... and boy oh boy are ya'll's prayers going to be heard... kind of... butt for the celebration milestone, and granted majority are from this comic, i thought it was best to give EVERYTHING that i have currently.

starting off STRONG with what you freaks most want: the completed pages. andddd yep that's it that all that i have done LMAO. i've been fixated on my own smg4 oc: tsb, and during the end of my summer was unfortunately fucked over by some personal issues that fortunately got resolved last minute good grief the anxiety prevented me from drawing the gays sigh... aNYWAYS LINEART WIPS!!!!

here are linearts i have completed / in the progress of!! want to aim like i did in the past by finishing up lineart first, and then speed through with color + minor rendering. the reason i have a few colored is to test out what it would look polished and my god... i have improved A LOT. THESE GAY PEOPLE GIVE POWER I AM NOT KIDDING BELIEVE ME IM NOT CRAY- anyways onto wip pages!

jumpscare: tsb stickman sketches. oh yeah. this is how i sketch and i blame sensei eiichiro oda /j. and in case anyone is unable to understand it {i don't blame u LMAO}, smg4 wakes up from the dream and is startled to see mario by his bed. they have a short convo before mario leaves, and we get a job to smg4 in the bathroom trying to put up a brave face. until the moment he leaves he's stunned due to seeing smg3 at his front door. will i elaborate more on specifics or unwritten dialogue? NOPE! gotta keep secrets to make it even more enjoyable at the end!!

currently at 13 sketched pages total, but this is probably gonna be reaching towards 20-ish pages, surpassing part two, but it will depend on how i come up with how to end it. additionally to confirm there will be a PART FOUR / chapter 3, to end this story. my goal is to have it done before i finish my senior year, or at least during the summer after i graduate bc good lord who knows whats gonna happen.

and lastly, before i end this crazy update, SCRAPPED PAGESSS!!!!!

CONTENT WARNING : NSFW SKETCHES !!!! PLEASE LOOK AWAY IF YOU ARE A MINOR OR DON'T LIKE THIS TYPE OF STUFF!!!

oh boy... dont draw comics while sleep-deprived at 6am... idek what i was even aiming with this ngl other than just for fun, but i scrapped it due to not being what i had in mind for the story. if it doesn't serve a purpose or narrative, its bye bye YEAH BYE BYE THIS IS THE CLOSEST NSFW UR GONNA GET FROM ME HAHAHAHAHA- i say that despite writing a nsfw jojo wattpad smh im only confident doing it in words good lord. btw not watermarking these bc i gen don't care since they're legit scrapped {left top part was kept and completed} so idk what to do with these. im just throwing it and walkin away

now to end with this update, i can hear your question, "when will this be done?" and to answer that question: i'm not entirely sure due to my heavy focus on my smg4 oc: tsb, but my best chance is postponing my oc lore a bit and complete this before november UOIYGJDSIUHJKDWSXYUGHJKCS but we shall have too see...

if you want to join the ping list comment on this post LMAO [click]

ignore below if you're not from the tsb birthday partydddjdhdhdjd

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thurs: smg34 is canon in the tsb universe / au. though most of their encounters are platonic or best-friendy-way, they eventually express their feelings to one another and start dating 3/4’s way of the tsb storyline arc. tsb is a supporter of his friend's relationship and admires and takes inspiration from their relationship heavily to input his future love life. yearning to be in a similar position... to learn what is to really love someone... or what it's truly like to be loved...

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[kyri45]

✨ShadowPeach Bio Parents Bio AU Q&A! 23/12✨

Welcome to the Q&A! A space where I can answer related or similar question about the Shadowpeach Bio Parents AU! If you submitted your ask anonimously, then you’ll have to check the whole post if it’s answered here, if it’s not, worry not! Your asks might have been used for a future comic or just in the queue~

@boonalina ha chiesto: Question: Why does Wukong's biblically accurate form have two faces? Also, was there some inspiration for you that made you want to design him like that? (Since I know he doesn't have any canonical Kaiju form in LMK) Also also, DAMN that Kaiju fight was so freaking pretty!! The colors were so well done!

thank you!! He has 3 actually, but in the panels you can see 2 bc the third is facing away from the camera aha.

Anonimo ha chiesto: would you make a Shadowpeach bio parents au zine?

yes I would. But it requires an enormeous amount of organization, plus you need multiple people to organize a zine, from contacting, to marketing, to production, to logistic etc… I don’t have the time right now as I’m already working.

@stro-lmk-enjoyer ha chiesto: Head canon that Red Son uses/used to use the ‘rubber duck’ method while working. The rubber duck method is: when making something by yourself you may get stuck/stressed out because you can’t find a solution to a problem. Have a rubber duck on your desk just so you can verbally explain your problem, which could help you solve it by actually hearing it out loud. But a side effect of this is now Red Son will talk to himself while he works, even if it does help it still freaks his parents out hearing him mumbling to himself when they pass his room. Just something I learned recently when watching a video about writing a characters backstory 👍 I thought you might like this too! Bye <3

i know need Red Son just talking about project to a cute rubber duck and MK finding it adorable.

Anonimo ha chiesto: Will LBD come back ? Even if it is just in a dream ?

maybe

Anonimo ha chiesto: how old is MK ? Like 18-21 ???

almost 22.

@haru7110 ha chiesto: IS MEI IMMORTAL LIKE MK AND REDSON IN THE SHADOWPEACH AU??? I NEED TO KNOW!! Fornoreasonwhatsoeverobviouslyhahahahaha (angst purposes)

no Mei is not immortal, but I would guess she has a lifespan slightly longer than average bc of her family.

@cutvdo ha chiesto: When you first draw Red Son in his human form he looked small, but later he looks bigger (probably from you getting more comfortable drawing him). I like to think he changed his human form a bit because he found out MK likes big man

this is the best conclusion ever. He would fr fr

Anonimo ha chiesto: Guess you could say MK got his own personal monkey tree

omfg-

@aizieweex ha chiesto: Hey Kyri!!! I LOVE your art, aaaand thanks for the recent repost of my animatic (or animatik?...I honestly don't know which is more correct, I'm not a native speaker at all), I literally screamed, lol (And still screaming). I wanted to ask, how many parts of the comic are you counting on? Do you already have a certain planned number of chapters? Anonimo ha chiesto: Hello! How long will the shadow peach bio parents au be?

there will be 9 parts in total. I don’t know the exact number of chapters left but I can assume around 30.

@copyrightedbystarkindustries ha chiesto: Love your art!!! Are you planning on putting shadowpeach au stuff on your redbubble in the future?

Yes I do! But first I need to finish my job which will be more or less on the 20th of January.

Anonimo ha chiesto: Does MK use a glamour to hide some scars or something his parents aren’t supposed to find out about ?

yes

@twilight-bai-he ha chiesto: When you said during the livestream that MK will have a new outfit when he is magical girl, What do you mean by that ?

that he will eventually own a new outfit as “official outfit” let’s say. That isn’t his temporary fighting outfit he has now.

@magician-kitty ha chiesto: You think Mac will get more flustered now that Wukong’s more muscular thanks to all that weight lifting from the previous chapters?

a little bit yes.

@whotookfinn ha chiesto: Hey!! I’m absolutely in love with your art, it’s so beautiful and wonderful and IM OBSESSED. Anyway, I’m not sure if you’ve been asked this before, but who’s your favorite lmk character to draw?

macaque and Mk, they fluffy.

Anonimo ha chiesto: I HAVE A QUESTION! after your shadowpeach AU will be finished will you do other lmk Au????

nope.

@cjtuy ha chiesto: My question is about tang and pigsy are they married I've always wondered this

no they are not married, but it’s something they have been thought for a little bit. They known each other for years and got together for one. They know they work very well as a couple, and marriage would only be a more “official” way to show their union. It’s on their mind, maybe they will plan it in the near future

Anonimo ha chiesto: Have you seen that Brandon Roger's clip where he loses his kid? I can just imagine macaque going through that right now with mk being kidnapped. "Mothers adrenaline is kicking in!!" "have you seen my son, he's about this tall, clearly gay but we haven't had the talk" https://youtu.be/dJJUFrENZ_o?si=lbacsYlJr8XpaDQQ (this is the sound just in case)

LMAO I know that video by heart yes absolutely those would be the parents.

Anonimo ha chiesto: In the Bioparents AU, is Redson actually going to be able to court so Mk in the end after the whole celestial situation?

they will have time to do their stuff after the heaven shenanigans.

@ashmeertheimp ha chiesto: I hope you are having a lovely day/night and are healthy and well AND TYSM FOR THAT SPICYNOODLES KISS I LOVED IT AND MY HEART WAS ABOUT TO BURST! Anyway I was wondering if mk and Redson parents are gonna have quality time with there Nephew in spirt/potential son in law?

mm yes. Post heaven shenanigans but yes.

@cpazy ha chiesto: About that,

It means that Mac and MK's powers have to do with the moon cycle, like on a full moon they get stronger or something like that? And if there is an eclipse where the moon turns red, their powers would go out of control?

Yes, but the opposite. On a full moon they are weaker, while on a new moon they are stronger.

Anonimo ha chiesto: Hello! Not a question but I just love and ADORE your shadowpeach bio parents au! ❤️ Recently you had posted about LMK fic recommendations, I wanted to recommend "The Constellations Within Us" and it's sequel "Epilogue: Axis" (ongoing) by cloud_somersault on AO3. It's one of my favorite LMK/Shadowpeach fics! The writing and world building are stellar and it includes similar themes as the ones in your comic, like the themes of reconciliation, shadowpeach angst and repairing their friendship and their joint custod- I mean- mentorship of MK! It's a really good fic and I highly recommend giving it a read! https://archiveofourown.org/works/48308065 And again, love your comic so much! Have a great day! ❤️❤️❤️❤️❤️

aaahhhh I will definetely check them out!

@astro-nomaly ha chiesto: Per ur Bio Parents AU, what happens when a courtnapping occurs, but the person getting napped isn’t actually into the courtnapper, and doesn’t want to be napped? Does courtnapping have a “leave whenever you want” clause or..? (I love ur au akshhenwb)

they are allowed to refuse anytime. If the kidnapper doesn’t allow the he’s a dick

@thecardboardbutterfly ha chiesto: Since everyone is starting to fear for tomorrow, I decided to share my convoluted thought I got yesterday night at like, 3AM to lighten the mood a bit (.3.)~* So Technically, given that Lmk is very much based on Journey to the West, maybe it's not that much of a stretch to call Lmk fan content of JTTW, like some kind of future AU or something. Which means your AU is fan content of Lmk. See where I'm getting at? Because your comic is so popular in the fandom, there is fan content of your AU out there, which is already fan content. Which means we reached a point where we have fan content (fanarts and various inspirations of the bio parents AU) of fan content (said bio parents AU) of fan content (Lmk) of a piece of content (JTTW). The chain is GETTING LONGER BOYS. I personally think it's funny. My apologies for everyone who lost their brain/ last remaining braincell reading this x)

omg. It’s a fan-inception!

Anonimo ha chiesto: Will Red Son and MK ever have a bad date?

I like to believe EVERY date will have would be comically bad. But I think that’s because they still need to understand that they don’t fall under the “typical demon date” or “amatonormativity” umbrella. The best date they could have is just them training and having lunch later, or them playing videogames or netflix and chill.

@sollythesalt ha chiesto: Dumb question but do you remember the scene in lmk where Wukong said he has stage fright? I wonder if you're gonna do something with that knowledge…. Ps: Keep doing your magic queen we love you and your art✌️💅

oh u bet I did

[livelaughpeg]

I'm writing this from a throwaway account, because you know...Scientology.

I want to preface this post by saying I am not one of those "I knew it all along!" people. I can't stand that attitude. I was pretty ambivelant towards Neil Gaiman. Prior to the allegations, I didn't hate him but I wasn't that interested in him as a person either. I don't think you can always tell when someone is a bad or good person simply by the topics they write about. If that was the case we'd be arresting every horror writer on earth.

But one thing that did always rub me up the wrong way was the way he talked about getting work.

I borrowed and read "Make Good Art" (a small book based on a speech he gave to graduates at the University of the Arts) at a time in my life that I was really struggling to get by (I still am to some extent, but in a different way). I expected to see some practical advice. Instead it was a bunch of glib shit like:

I got out into the world, I wrote, and I became a better writer the more I wrote, and I wrote some more, and nobody ever seemed to mind that I was making it up as I went along, they just read what I wrote and they paid for it, or they didn’t, and often they commissioned me to write something else for them. Looking back, I’ve had a remarkable ride. I’m not sure I can call it a career, because a career implies that I had some kind of career plan, and I never did. The nearest thing I had was a list I made when I was 15 of everything I wanted to do: to write an adult novel, a children’s book, a comic, a movie, record an audiobook, write an episode of Doctor Who… and so on. I didn’t have a career. I just did the next thing on the list.

Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do. Make good art. I’m serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. IRS on your trail? Make good art. Cat exploded? Make good art. Somebody on the Internet thinks what you do is stupid or evil or it’s all been done before? Make good art. Probably things will work out somehow, and eventually time will take the sting away, but that doesn’t matter. Do what only you do best. Make good art.

Yeah, well, no shit. If you're a writer or artist you probably do anyway. Whether you get paid for it or not, whether you draw fan art or original art. But the point of Gaiman's speech was to give advice to people who wanted to be paid for their art. To make a career of it. Making art every day isn't always enough. You have to pay the damn rent, you have to eat, you have to network and do social media and promote yourself, and you have to do it while thousands of other people are doing the same thing in a massive crowd of people who want the same thing. Practical advice is much more valuable than platitudes and theory.

I am not a writer, I'm an illustrator, and let me tell you that for most people, 'getting your foot in the door' isn't a one time thing. Quite often you have to work at getting your foot in the door again and again until you become established, and it's very easy to be forgotten. I still feel like I'm in that stage now.

I watched my peers, and my friends, and the ones who were older than me and watch how miserable some of them were: I’d listen to them telling me that they couldn’t envisage a world where they did what they had always wanted to do any more, because now they had to earn a certain amount every month just to keep where they were. They couldn’t go and do the things that mattered, and that they had really wanted to do; and that seemed as a big a tragedy as any problem of failure.

The implication was that he was successful because he wrote every day and his friends weren't because they didn't, because you know, working a second job is tiring. He called this a tragedy, but there was something very glib about the way he narrated this.

I think someone had more financial cushion that he was letting on.

And yes, sometimes it does work that way, (some people are very lucky and make all the right connections) but Gaiman was getting Big Jobs right off the bat and something about that never smelt right to me after the way he talked about it.

And then I saw Jeff's tweets. Oh, that's why...

I suspect the truth is he was living off his family's money and connections, and while I don't think there's anything inherently wrong with that if you're a struggling artist, his family are Scientologists, and I don't think he ever struggled.

I suspect it's all a lie.

[sanguineterrain]

Hi Sanne! Could I please request a Wally x reader where she’s super clumsy and kinda shy so when he flirts with her she gets all flustered and clumsy and Wally thinks it’s the cutest thing in the world? Thank you!

got this request AGES ago and forgot to post. hope you like! I don't know much about wally's personality admittedly except for the few comics I've read with him 🫣

gn!reader. wally makes your body and mouth clumsy. kissing and confessions. drinking.

****

"So what exactly is this again?" Roy asks, peering at his glass.

"It's a mocktail," you say.

"No, I get that, but why is it blue? And sparkly."

"It's supposed to be the ocean," Dick says. "Duh."

"Oh, sure. As usual, I'm the idiot. Never had the creative mind to find worlds in drinks. 'S like I'm drinking a snow globe."

"I can get you something else," you say, laughing.

"No, I like the snowglobe." Roy curls his hands around the glass protectively. "My snowglobe."

The team's decided to try their hand at a trivia night at a local bar. It's gone better than you expected, with only one near-blowup and no glasses thrown. All in all, a good night.

"I would like another daiquiri, please," Donna says, holding up her glass. "These are delicious. What flavor did you say this one was?"

"Passion fruit."

She nods. "Indeed. I'm passionate about this fruit."

"Don't get my team too hungover," Dick says, eyes shining and cheeks pink from two drinks.

"I'll do my best," you say.

If only Wally were here, you don't say. He'd be a big help in getting everyone back to the Tower. You have no idea how you're going to manage the Wonder Twins and Garth wobbling all over the sidewalk. Roy, though perfectly sober, will provide zero help, too busy giggling at Dick's lack of motor skills.

You take Donna's glass because she deserves another passion fruit daiquiri if she wants it, darn it. You order that and another two baskets of fries. Dick's got the tab. Everyone's taking advantage.

"Need a hand?"

You turn with the fries cradled in one arm and the daiquiri in your other hand. You don't anticipate Wally to be standing as close as he is.

The baskets go flying.

"Whoa!" he says, darting out to catch the food. He does so perfectly, of course.

"Oh!" Your face goes hot as Wally grins at you.

"Careful," he says. "All those heroes and not a single one came to help you carry the food? They should be ashamed of themselves."

"They're, um, having a good time. It's okay, really." Did you manifest him being here? "I was just thinking about you."

Wally's grin widens. "Oh, yeah? Anything in particular?"

Now, why did you say that? Your tongue just gets so clumsy around him.

"I was—I mean, it wasn't—I was thinking about how helpful it would be if you were here. I was hoping you'd come."

"Well, hope no more! You've got an official superhero on your side."

Wally wriggles the glass out of your hand and gestures for you to go ahead. Now you're carrying nothing. You go, knowing that protesting does no good with Wally.

"Seems like wherever you go, Wally isn't far behind," Roy says, waggling his eyebrows. "You two psychically linked or something?"

Dick and Donna exchange smiles. You look at Wally, mildly mortified by the teasing.

"We're soulmates, actually," Wally says, and that makes your whole body hot. "Wouldn't expect you to understand, Arrow Boy."

"Dude, I'm hurt." Roy clutches his chest. "I thought we were soulmates."

"You wish. Where's Garth?"

"Bathroom," Dick says.

Donna makes grabby hands for the drink. She takes a long sip and gives you a thumbs up. You return it.

"We should play pool!" Dick says.

"No way, you cheat," Roy says.

"I do not! Donna, do I cheat?"

"Physically, Dick doesn't cheat, but he has a long history of psychologically manipulating opponents," Donna says.

Roy snaps his fingers. "Bingo."

"I don't cheat, I'm just that good." Dick smirks. "Anyway, I'm tipsy, so my aim will be off."

Roy rolls his eyes. "Yeah, right. No bets. I can't afford to lose anymore money to you."

"Fine. You two joining us?" Dick asks, looking at you and Wally.

"I don't know how to play pool," you say, a little embarrassed. Working on a team of superheroes, the least you could do is know how to play pool. Pool is obviously a cool people game. Batman probably taught Dick pool when he was, like, eight.

"That's fine, we can teach ya," Roy says.

"No, we suck at teaching," Dick says. "Remember, Roy? Remember how we suck at teaching people? Wally's way better at teaching."

Roy glances at Dick, then at Wally. He nods slowly. "Ah... yeah. Our, uh, shortcomings as teachers—yeah, we suck. Wally, you're up!"

Wally squints at them. "What're you talking about? You guys are better at pool than me."

"Not true! You can calculate physics in your head and shit. Go on. Shoo, fly," Roy says, waving him away.

Wally looks at you, questioning. You shrug, trying to play off how nervous you are at the prospect of being alone with him.

You follow him to one of the pool tables. He takes down a cue stick and gives it to you.

"You really don't have to teach me," you say, suddenly self-conscious. "It's not a big deal."

"I don't mind," he says, smiling. "Plus, what if you're a pool prodigy and we never find out because I never taught you and unlocked your ability? Tragic."

You laugh. He beams. You back up against the table and the wooden edge hits your back. You wince.

"You okay?" he asks, inspecting you.

"Fine." You sigh. "Okay, I'm ready to unlock my special abilities."

"Right on. So you're gonna hold the cue like this."

He puts it in your hands and adjusts your grip.

"Okay, and you're gonna stand like—uh, is it cool if I touch you?"

"Uh-huh," you say, hoping your voice isn't high and breathy.

Wally gently bends you forward and moves your hips so your legs are planted. He's behind you, mouth near your ear.

"Alright," he says, and your whole body goes aflame. He's so close. "So pull back..."

You pull back the cue and promptly elbow Wally in the stomach. He grunts and you drop the stick, mortified.

"Oh my God," you say, spinning around. "Oh my God, I'm so sorry. God—"

You dart away, the humiliation too overwhelming. You're making a beeline for the bathroom when Wally appears in front of you. Damn superspeed.

"Hey, hey," he says, hands on your shoulders. "I'm okay. Seriously, don't even worry about it!"

"No." You shake your head. "I give up. I'm too uncoordinated for this stuff. There's a reason I'm not out on the field."

"Aw, c'mon, none of that," Wally says, rubbing your arms. "You're a valued member of the team even if you don't go onto the field. What you do is important. You're like our Oracle."

"I've been tripping over my own feet all night," you say, looking down.

No guesses as to why you've been so clumsy. Starts with a W, ends with a Y.

"Well, I'll always be there to catch you," Wally says warmly. "I have great reflexes. It's kinda my thing."

You busy yourself with picking at a loose thread on your shirt, so Wally won't see your response to that.

"I'm still sorry for elbowing you." You cover your face at the memory. "Ugh."

He laughs. "Nah, it's okay, honestly. I'm a tough guy. Put on my own suit and everything."

And now, your mind is inundated with images of Wally in his suit.

He carefully tugs your hands from your face, gaze soft. You're caught off-guard as Wally rubs your knuckles with his thumbs.

"Listen, I..." He glances around as if searching for words. You've never seen Wally at a loss for words. He's usually talking too fast for anyone to keep up. "I don't know if maybe I'm misreading this. I don't think I am. But if I am, feel free to elbow me again."

Your eyes widen. "I would never—"

And quick as anything, Wally leans in and pecks your lips. It's warm, like a shock of electricity. You barely have time to process it.

"Oh," is all you can say.

Wally smiles nervously. "Is that a good oh or a 'I'd like to punch you in the face' oh?"

"I like you," you blurt.

He relaxes into a grin. "Know what? I kind of suspected. Especially after those idiots practically forced us into playing pool. I'm dumb but I'm not that dumb."

"You're not dumb, Wally."

"When it comes to this stuff, I really am. But I'm happy you like me because I really like you. Like, a lot."

"Yeah? Elbows and all?"

Wally laughs, draws you in again for a kiss. "You can elbow me any time, babe."

[sabertoothwalrus]

hi !! just curious because i was looking at your adventure time episode guide and i love hearing other peoples adventure time takes !! how come you don't like finn's characterisation in together again?

I've talked about it before here and here!

But also I'm gonna say more and share some art I did in 2021 for a rewrite comic that I never got around to doing

So again to reiterate: Adventure Time is usually VERY good at making it feel like time passes, even when you're not watching. It's something about what they don't show that tells you everything you need to know.

Together Again did not do this.

It really really felt like they were avoiding showing Finn as an adult, as if they wanted to leave his post-show life ambiguous. Which, now that Fionna and Cake has shown us literally that, it makes Together Again feel even more wrong?? Like. imagine you have to pick a moment from your life that represents You™ the most. Together Again said that Finn, after living his whole life and dying as an old man, feels most represented by how he was at 17. I do not buy this. I am 25, and I cannot fathom identifying by my 17 year old self. I was a completely different person then, I was still cooking. I can imagine most people feel the same. And ok, so maybe Finn DOES for some reason feel stuck at 17? Explain to me why!! What needed to happen to him that made him feel that way?

And before you just say "it's because Jake died," there's still too much that was left out. How old was Finn when Jake died? What was Finn like, at that point? What else had they accomplished? What was he doing at the time that was on the forefront of his mind? Where/with who did they spend most of their time? Where were they living after the treehouse got destroyed?

It was like,,, it was like the story Together Again actually wanted to tell was about Finn's grief, and how poorly he copes, and how too much of his identity is tied to Having Jake, and how he struggles to move on. But that's not the story we got. I honestly think-- as interesting as it was-- everything with New Death and Tiffany and Lich just did a disservice to the focus, which was Finn trying to get over Jake.

I think Together Again should have gone like this:

Finn and Jake had always planned that whoever died first would wait in the dead world for the other to die so the two of them could reincarnate. Jake dies first. Jake would be able to "watch over" Finn as he lives the rest of his life, so Jake wouldn't miss Finn as much as vice versa, since he'd feel like he's still there with him. Eventually, Finn dies.

Finn's appearance would change with his emotional state. I thought it'd be interesting to show different phases of his life through the stages of grief.

There'd be a room where they could watch Finn's memories. Finn would walk Jake through the events of his life. We SEE exactly how Finn dealt with grief, with heartbreak, with love, with friends, with community. All the good and all the bad.

By the end of it, Finn is quiet. "Jake... when we reincarnate, will we.. lose all of this?" "Well, do you remember anything from any of your other past lives?" "No.. But that's the point. I don't want to forget you." Finn, despite their promise, despite Jake waiting for him all this time, declines reincarnating. He doesn't want to move on, because that would mean forgetting everything. He wants to say with Jake!! He JUST got Jake back!!

“What if— in the future— what if they forget about us? What if they don’t know about all the stuff we did?” We see Ooo in its current state. It’s changed, but it’s clearly been affected by the two of them. Every person they’ve saved, every civilization they helped build, every hero they’ve inspired. They’ve left their touch everywhere. “They’ll know,” Jake says with certainty. “We’ll know.” We see the future, with Shermy and Beth. We see the Finn Sword, and BMO with all their old belongings. Everything stays, but it still changes. Will happen, happening, happened. These have always been the themes of the show. They reincarnate, together.

[aleksiej]

does rottmnt donnie dislike touch?

i have rewatched all of rottmnt and am ending this debacle once and for all (at least for me lol)

based on the two seasons, the movie and the comics (tho the comics don't really bring anything to this conversation) i think i have the answer to one of the more controversial topics in this fandom

(no, it's not the yuichi vs usagi debate, usagi obviously wins that no sweat)

so, does donnie dislike touch?

in the series, he is shown being fairly touchy with his siblings throughout the series, with some exceptions i will try to list now, tho not with proper episode names as i am not looking them up, sorry not sorry:

pilot episode, captured by draxum in a cacoon with mikey he's visibly uncomfortable and tries to get away

mikey's solo mission, he doesn't look at any of the and in response to a hug he pats mikey's head with a metal arm from his battle shell.

glued together, he's showing visible discomfort at being forced into close (touching) proximity of his brothers, tho that discomfort is somewhat elevated when they do a second go-round after the sticky foam ball got crushed

that time splinter caught everyone in a trap hanging in the lair (i think it's the forest survival episode?), he's, again, uncomfortable and the first to find a solution to their entrapment, be it on his phone

there's probably more, but that's what i remember from the series and spread out on about 60 episodes it's noticeable, but not a deciding factor, especially since donnie's also seen being fine with touch. now, the movie offers us even more of a look into donnie's relationship with touch. this list will include every instance presented i can think of, in no particular order.

during leo and raph's fight after they lost the key, donnie jumps on raph's back in an attempt to stop him from advancing in the fight, as mikey tries to shield leo. it's a very quick decision and doesn't seem to particularly trouble donnie.

after the kraang come through the portal and the turtles escape-pod out, mikey's panicking and grabbing cj, also causing him distress. donnie grabs mikey under his arms like a plushie and is shown to carry him until leo gets back with a panic attack and news of raph, upon which leo starts at cj with a fight in mind and donnie and mikey keep him away. again, no distress is coming off of donnie, no more than the regular situation call for (although he gets more logic-minded and quiet as the movie goes on with only small donnie moments breaking it up, which seems to be how he reacts to stress, but that'll be in another fever post)

he's touching mikey sometimes during the subway battle, but it's most likely he either didn't notice or didn't care, considering everything else happening in that fight (ps the kraang train is my favorite villainous entity in the franchise, give me more of the kraang train and i will give you my soul)

he's shown very visibly having sensory issues (very relatable) throughout the whole movie because of the kraang. not necessarily to do with touch, oh except for the part when he had to get EATEN BY THE TECHNODROME THROUGH HIS BARELY TOUCHED AT ALL SOFT SHELL which is shown to be a sensory nightmare and awful to touch and yes, i had night terrors if that, thank you very much.

at the very end, they all hug with no visible problems except for the fact that they are on staten island. that is to say, there's one important scene still, it happens before the end, but i wanted to have space to gush about it so here we go.

the famous scene of raph grabbing donnie and mikey flying through the air, yelling "don't worry donnie, it's not a hug, it's a rescue". probably the most important thing said in accordance to donnie's relationship with touch.

in my personal opinion, donnie doesn't mask (i mean look at his behavior) or if he does, he does it, rarely in public and even rarer with just his brothers. so every one of the hamato clan knows at least the most important of donnie's boundaries, especially related to the autism, as it's handled well within their family structure (both donnie's and mikey's autism is) . so, if raph calls out to him to warn about the hug he's giving donnie and treats it like a potential bad thing, there are really only two conclusions we can get to.

one, donnie doesn't like/hates physical contact. disputed by just about everything else in the show, except for the listed above exceptions.

two, donnie being open to touch or not is conditional. and considering the mentioned exceptions and raph's rescue from the movie, there's one similarity we can notice between them.

the touch affecting donnie is happening without his consent and without a form of escape.

(except for when donnie's hugged by mikey in his solo mission episode, but considering he's already kind of detached, i'm assuming he's just not up to it and so he uses his robotic extra arms to give comfort instead of ignoring his little brother which aww)

that's the uncomfortable part, the unpredictability and lack of a way to detach himself. aka, donnie's just like me for real. lmao.

donnie probably doesn't mind touch and welcomes it, but needs to be in control of the process and be able to leave if he gets overwhelmed. and his family knows that, hence raph's words in the movie that led so many people astray...

this might just be another evidence of how well donnie is written as an autistic character, both with his low empathy not being demonized and not preventing him from creating bonds (tho sometimes making it difficult) and the fact that the most common opinion of autistic people (that they hate touch, which is something a psychiatrist brought up as evidence of me not being autistic) doesn't apply to everyone.

as a summary, rottmnt donnie is probably the best version of donnie right now and he doesn't hate touching, he just has to touch on his own terms. extremely valid, extremely relatable.

[meanbossart]

Ask compilation: DU drow, Orin, Astarion, lore things and little fun facts.

Trying to make a dent in this dang inbox. As always, thank you so much everyone for your patience and curiosity! Sorry that it is straight up no longer possible for me to reply to everyone, but I will keep doing my best within reason. Enjoy!

Absolutely! I had a lot of requests for bottom Astarion on my patreon which is why I was kind of on a roll there for a minute.

Though, for the record - I am really not very invested in strict bedroom roles at all. Or clear and distinct dominant/submissive dynamics. So please don't overthink it whenever there's a switch, no pun intended.

You wanna know how often they smash? Man, I don't know, I guess fairly often considering their lifestyle post-game (very active, often on the road).

Assuming that everyone agrees that sex doesn't have to involve penetration, I'd say once every other day or less, really depends on the circumstances though. DU drow's libido is much higher than Astarion's, but he's not an animal and can hold off fine. Astarion is likely to be pickier in regards to location and how-recently-have-we-bathed status as well.

I keep meaning to draw him, but I have like... A million things I want to do 😂 so its rough!

BUT you will at least continue to see him in ANE! And I'm sure i'm bound to draw him again in the future.

[MORE UNDER THE CUT]

If you mean in his bhaalist "AU", where he has the red robe and the extra scars, I imagine he would have gotten it through killing Isobel.

I think as a changeling she probably has the ability to just... Transform her hair however she likes at will, right? And based on her attitude plus some lines we get from Sceleritas about her own former-butler, it sounds like she would be really opposed to being serviced in that way, to me at least.

I see her as pretty aggressively independent with the way she operates, which is another factor that sets her apart from DU drow, who really enjoyed lording over the other Bhaalists and making an errand boy out of Sceleritas, to the point where he practically depended on their help to function.

Neither! I wasn't willing to let anyone take either of my eyes in my first playthrough, LOL.

I have since always given the Volo eye to SOMEONE, usually Gale, but I don't consider that canonical. I don't think anyone was desperate enough to let mister frumpy-hat over there ice-pick their eyes out.

He did do them himself. It was a profoundly stupid display he got caught up in because of Gortash. Also, de-handment is kind of a theme in his life, at least inside his head.

I have a comic about it planned for the future ;)

What do you mean, that's canonical to the game and everything! He loves the cuck chair!

He is an angsty 29-year old in denial. Your interpretation is still perfectly accurate.

Hates the guy. Hates when Shadowheart Astarion people joke about him being the Drizzt of his generation. Hates the guy like literally any countercultural weirdo hates Taylor Swift or the Weeknd. If he saw him at the line in the grocery store DU drow would find a way to roll his eyes loudly just so he could notice being an asshole.

Stay tuned, I'm cooking 🧑‍🍳

If you're asking about game strats, badly, LOL. Pretty sure I died twice to her in my first run and it was a rough way of being thrown into "serious" DnD combat.

With the exception of a couple of encounters that just so happened to turn out SURPRISINGLY cinematic, I'm just realizing that I actually don't think too often about how most of the fights went in real-time! I imagine Autie Ethel's in particular wasn't one that DU drow went into of his own accord, probably rather at a companion's insistence. That's as deep as I've thought about that personally.

Now... Back to game strats. I personally try to get a surprise round on her however I can by sneaking and shooting an arrow or AOE in her general location, since she always stands on roughly the same spot while invisible. I have my companions spread about the arena so we can take her clones down as fast as possible, and as soon as I identify who the real Ethel is I just have the strongest martial characters wail on her until she begs to be let go. Hers is one of the few fights that is actually pretty dang easy at this point for me - and I SUCK at this game.

That would certainly take a while! But, Bhaalist DU drow does kind of have an end goal, actually.

That might also turn into a comic eventually, but it would a rough one.

He pretty swiftly disposed of her, DU drow doesn't like being talked down to, which Minthara very promptly does. Him (and I, by extension) had very limited exposure to her and she was just kind of a speck of dust in his story in particular. Though I have since grown to adore her character in my proceeding runs where I do recruit her!

I guess if he got an invitation and it wasn't particularly painful to arrive at the venue, sure! He would specially love to take Astarion to Gale's wedding ceremony and purposely upstage him at every at every opportunity, LOL.

Yes. He got pretty freaky with the pain-priest. This is gonna sound like a lie but I made him get naked for it without even knowing there was a buff to be gained (I didn't get it, unfortunately, I don't remember whether I failed a check or if I had camp clothes toggled on, so it didn't count as being truly nude). I wasn't taking the game very seriously and just doing dumb roleplay things to see what would happen, LOL.

And I consider that canonical. I think DU drow saw the opportunity to show off his physique And had a strange inkling that this was a practice he was... Somehow familiar with.

Imagine my joy when Astarion and Shadowheart start having a back-and-forth about my absurd display. That's when i knew those were my people, to be honest.

[beryllineart]

The Cost of Mercy

This is my 100th post, I wanted to do something special and I liked this idea. It was not originally going to be this long. (20 pages! Wow!)

Because this took me half a month to create, I think I'll probably do a little "making of" post just to discuss how the end result differed from my original plans for this comic. I wish I could say I have a backlog of art to post, but I don't, and this comic might have given me burnout.

Ughhhh, my stupid brain has been telling me non-stop how "talentless" I am and how all of my drawings look terrible and that made making this comic an uphill battle. But I did it, and I hope that eventually I can feel proud of it. In the meantime, I think I need to do a couple of art tutorials so my brain actually acknowledges that I've been improving.

(Update: took a break between page 10 and 11 which improved my mental state, I still feel it's important to acknowledge that time of low self esteem and how I pushed through it. Also, I learned what a pen stabilizer was on page 12.)

I deserve a small ramble about this comic, right? Actually, it's pretty much as long as the comic itself, so you have been warned.

Yeah, so, this was inspired by my Susie vs. Lancer comic. In that, Susie does not admit her vulnerability to herself in time and that leads to her making a mistake she regrets. I wanted to show Asriel showing false vulnerability (my headcanon of him being an actor coming into play here) and creating a betrayal similar to Susie's, only this one was on purpose.

"But Beryll," I hear you say, "doesn't Asriel think Frisk is Chara? Why on earth would Asriel kill his best friend?" Well, besides the fact that a) Asriel is both a god of hyperdeath and a LV 9999 maniac b) he's already killed Frisk dozens of times in this battle alone and c) the image of black silhouettes on a red background with a glowing white sword is too cool to pass up, I have a little interaction I couldn't fit in the comic that should explain things.

That's my way of reconciling the whole "I thought you were Chara" thing when Chara and Frisk do not physically look alike at all. Remember, Flowey's genocide dialogue in the Ruins says, "I have a plan to become all powerful. Even more powerful than you and your stolen soul." Meaning that he knows this human physically is not Chara come back to life, but something in their mannerisms or something is so similar to Chara that Flowey convinces himself that they are. And in this comic, Asriel was so desperate for Chara to remember him that he takes Frisk's soul for himself, in the hopes that when they are reunited Chara will come back as well. (And he had to get up close and personal because of the soul's annoying tendency to crack before he can take it, also, glowing white sword. That's why I don't show the heart as broken on page 4, even though that would give the off the "dead" vibes more clearly.)

And now we come to the part where he says, "Hey, remember that time you wanted to kill all of those humans? Want to try again?" I think Flowey has been holding on to the whole "kill or be killed" mentality because he thinks it was his fault that he and Chara died. He fears being weak and being a coward, which is why he became a sadistic LV 9999 psychopath. Again, the whole acting headcanon thing that I rambled about in a different post.

Asriel's last memories of being with Chara are of feeling Chara's anger towards the humans, and when they finally reunite, he can't accept that, as a ghost, Chara learned to let go of that anger, having realized their own mistakes and realizing that it was their anger that got them into trouble. But Asriel has been holding on to that anger that wasn't even his own, all because he believes that it was his fault that they both died, since he fought against that anger.

So yeah, Asriel and Flowey's strongest emotions are actually guilt. Flowey's got a bit of survivor's guilt because he was brought back, albeit as a flower. But most of the guilt comes from convincing himself that it was his fault he and Chara died. That guilt causes him to reject all of the positive emotions that come his way and hold on to the hurt for so long that he hardly realizes it's there, causing that empty feeling that he thinks is a lack of emotions. But if he ever managed to actually let go of his guilt, he would realize that he actually can feel emotions. I have never believed that soulless = emotionless, given the way Flowey acts.

I just want to say, when Asriel resets in this comic, I'm definitely imagining a thing like when Majora's Mask Link plays the Song of Time, where all of the souls are leaving him like Link's items leave as he falls through the void, finally waking up as Flowey. Also, from a mechanics standpoint, Asriel has access to several save files when he's got Frisk's soul. He can reset to the moments after he got Frisk's soul, to when Frisk took away his control over resets, and to when he was first brought back as Flowey. He can't go further back than that because he can't go back to a time he didn't have that power. The only reason he can go back further than the moment he stole Frisk's soul is because of the enormous amounts of determination from all of the souls he has, both monster and human.

Okay, now I want to talk about the ending of the comic. All sweet and nice because Flowey's finally learning to let go of some of the things that made him evil and mean, right? I'm writing this ramble halfway through drawing the comic, so I'm assuming how that ends. (Also, if it's not clear, Frisk has forgotten their entire time in the Underground before. To them, this is the first time they've been down here.)

Well, that leads me to wonder, how will Flowey act since he has decided to be nice and stuff? Honestly, I don't know how the boss battles would go, but I think he and Frisk would develop a genuine friendship. He would hang around places he's pretty sure have save points, maybe give some tips and share a joke or two. Basically, imagine something like what he does for Clover in Undertale Yellow.

But, because we can't have happy Flowey, let's give him a new source of guilt. Now, Flowey lives in fear of Frisk finding out what he did, how he preyed on their sympathy just so he could kill them and steal their soul. He's been acting nice now, and enjoying their friendship, but he can't convince himself to fully commit to it (acting headcanon mention three) because he's afraid he might lose that friendship. Which is why, when Frisk chooses to hug and forgive Asriel, he refuses both, since he remembers what happened last time they hugged (on page 4) and he doesn't feel he deserves forgiveness when they don't even remember the truly horrible things he did. (Again, I'm not completely sure what the boss battles would have been like.) <Actually, I've taken a few days since writing this ramble and have figured it out but will discuss it in a future post.

But Frisk is a determined kid, and after they watch the sunset with everybody (and decide to live with Toriel of course) they go all the way back to the Ruins where this happens.

I hope you are noticing the parallels between Frisk and Chara that help defend Flowey/Asriel's confusion, because I worked hard on integrating that. They are very much alike.

So, that's the end of my ramble. I guess a long comic needs a long ramble, huh? Despite my brain's attempts to convince me otherwise, I actually really enjoyed making this comic. If you did read this whole thing, good for you! I'm not the best at explaining these things in an understandable manner, so I know it might have been hard to read.

Also, January 16th is/was Appreciate a Dragon Day. So here's Douglas, who guards my things while I do art. (I did 6 pages today, so Douglas got plenty of work in.)

[thewertsearch]

@manorinthewoods asked: Vriska and Eridan have now killed one person each. Tavros and Feferi's respective moons have been destroyed; as such, they cannot be revived via dream selves or the moon-crypt slabs. What do you think will happen now? ~LOSS (18/5/24) @manorinthewoods asked: Welcome to Murderstuck, aka Homestuck's version of Canaan House. Who do you think's going to survive this? ~LOSS (22/5/24) Anonymous asked: tavros and feferi are D----EAD! do you think they'll stay dead? you've already stated your opinion that there are death flags like crazy all over vriska, so do you think anyone else will die? if so, who? Anonymous asked: Now that the bodies have started to hit the floor, what's your prediction for who's gonna survive to meet the humans?

I'm actually doing to do something a little different this time, and analyze the situation primarily from an author's perspective, rather than an in-universe one. I had a lot of fun doing that with yesterday's Kanaya post, so I want to try it again.

Let's enumerate the remaining trolls, in ascending order of how likely I think they are to kick the bucket (😳) during Murderstuck.

There's no chance whatsoever that Sollux will die. His Doom prophecy is fulfilled, and if he were to die a third time, it would break his long-established duality theme. Plus, he'd have predicted it, and would have been complaining about it since Hivebent. He's fine.

Death flag score: 0/10.

We just got Aradia back. She's not even involved in Murderstuck, seemingly travelling to the Furthest Ring after being resurrected, so none of the murderers can touch her anyway.

Aradia is a powerful time manipulator who can freeze even the most dangerous enemies. It would take a lot more than Eridan and Gamzee to defeat someone who can stalemate Perfect Jack, and I predict that she'll survive the rest of the Act with ease.

Plus, killing her again so soon would feel really cheap. Been there, done that.

Death flag score = 0.5/10

Karkat and Terezi are too important to die.

This doesn't always guarantee a character's survival - A Song of Ice and Fire comes to mind - but ASOIAF kind of proves my point, doesn't it? Martin can throw all the Red Weddings he likes at us, but everyone still kind of knows that the really important characters aren't going to die until their arcs are complete. If A Dream of Spring ever actually comes out, Daenerys will still be around, and you can take that to the bank.

So no, I don't think Karkat and Terezi will be going anywhere. Now that Kanaya appears to be dead, they're undeniably the most important trolls remaining, alongside Vriska. And we'll get to Vriska.

Death flag score: 1/10.

I know it's weird to predict that an already deceased character won't die, but I wrote an entire post last night about why I believe this to be the case.

tl;dr: it doesn't make narrative sense for Kanaya to stay dead.

Death flag score: 2/10.

Now, we're onto the characters who I think might actually die.

Gamzee's still alive at the end of the countdown, so he'll at least survive the next couple of hours.

Certainly, his position seems rather precarious. His stated intent to wipe out the entire Veil will make him a lot of enemies very quickly - and based on the image above, he clearly gets into some sort of trouble. That scratch almost looks like it could be the work of Jack's sword.

However, I have a hard time believing the Most Important Character In Homestuck is going to die less than halfway through Homestuck. He's been saying all sorts of cryptic nonsense lately, and he strikes me as someone whose role in the story will expand even more than it already has. Gamzee is the one character on this list we know will stay relevant for the entire comic.

I don't think he's going to achieve his murder mission, of course. I think he'll probably be 'defeated' somehow, and expelled from the Veil by the surviving trolls, only to pop up again sometime later. There's still a chance that he'll be killed - but if he is, I'm 100% sure that he'll return in some form. Gamzeesprite would be even worse than Calsprite, in my opinion.

Death flag score: 3/10.

Yes, I still believe Vriska will die - but I don't know if she'll die in Murderstuck.

Scratch positioned her as someone who will perpetuate a monumental, large-scale mistake, and I don't think there's anything she could do on the Veil that fits the bill.

However, Vriska is more imaginative than I am. She could easily pull a trick out from up her sleeve that I didn't see coming - some terrible, horrible idea that earns all of Scratch's foreshadowing in one fell swoop. Vriska is known for her Incidents, and you never know when the next one is on the horizon.

Death flag score: 4/10.

There's not a lot tying Equius and Nepeta to the Veil, is there?

They don't have strong relationships any of the remaining trolls, and even among the B-team, they've barely had any prominence since we've left Alternia. Killing one or both of them would up the stakes of Murderstuck without introducing the narrative issues that, say, a dead Karkat would cause.

Plus, if one of them dies, then the other would immediately gain an incredibly strong motivation, and become a more prominent character overnight. I already like Nepeta - but a heartbroken, vengeful Nepeta hunting Eridan down across time and space? That's a fucking arc.

They could also both die, and return to the story from another direction. It hasn't escaped my notice that almost all the 'important' trolls are Prospit Dreamers, and the two Furthest Ring explorers are Derse girls. I've been wondering for a while now if the solution to the Veil's bloated cast is to split the trolls back into the Red and Blue Teams, with the Red Team joining the kids outside the session, and the Blue Team joining Aradia in the Ring for some secondary mission. I guess that implies Tavros will be resurrected, but there do seem to be hints that that might happen.

I don't want either of these two to die, but... well, killing them would raise a lot of interesting possibilities.

Death flag score (both of them together): 6/10

Death flag score (one of them) : 7.5/10.

Eridan is screwed.

Neither the story nor the trolls can allow him to ally with Jack and lead him to the Veil, and they'll do anything they can to stop him. I don't think anyone's inclined to show him mercy, either - Kanaya and Feferi were very popular.

I don't really see any way out for him. He has no allies, he can't Hopesplode everyone at once, and he's never shown himself to be particularly resourceful. I think if there's one troll practically guaranteed to be Murderstucked, it's him.

Death flag score: 9/10.