#not really but its the closest thing
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ciderjacks · 6 months ago
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despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,
theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.
#dungeon meshi#chilaios#OK SORRY. THE DEMONS. I REALLY DID NOT WANT TO LIKE THIS PAIRING. I DIDNT. BUT. HHH. FHFHJFJV. I FEEL CRAZY. LET ME EXPLAIN.#Pre canon it seems Laios is the person Chilchuck is really the closest to#He gets along with Namari and they are probably way better as buddies than he and Laios but#He and Laios seem *closer*#If that makes sense#Laios calls him his first name enough and without any issue or hesitation from Chilchuck#That I sort of inagine its not like. A misunderstanding. Laios is on a first name basis with him for a reason.#He also worries probably more than anyone about Laios#And his biggest criticism of him is that hes “reckless”#he’s comfortable around Laios in a very specific way and so is Laios around him#and in the series he shows many times that he’ll risk his life to protect Laios#Like staying with him to confront the elves because he was worried Laios would say something stupid#Hes the first one to run up to him when Falin punches him#I mean I think he was also going back for Falin like its not like I think he doesn’t care about her or anything#He clearly does#But I don’t know if he’d have gone back if Laios hadn’t#And if Laios had been eaten I think he wouldn’t have even had to be convinced by Falin#I also think Marcille would’ve gone back for him but probably more bc Falin was going back#Like sort of a reversed thing#AGAIN not that I don’t think she cared about Laios at the beginning either#But she before the story she was mostly Falin’s friend who knew Laios through Falin#She only really got to know him when Falin got eaten and they had to do a team building exercise#Though now I sort of want to see an actually reversed scenario#Bc we also know that Chilchuck is sort of uncomfortable around Falin (said in relationship chart)#So I would love to see them be forced into a team building exercise to find a person they both love the way Laios and Marcille were
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goldensunset · 6 months ago
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when people refer to canon story-relevant kingdom hearts games as ‘spinoffs’ it makes me sad not only for the obvious reasons i always say but also bc like man i WISH this series had spinoffs. imagine what they could do if they had permission from nomura to truly go off the rails and ignore the greater canon for a second and just do some fun whimsical plotless thing in an alternate universe. imagine a fishing/boating game on destiny islands. kh fighting game. it is an injustice that we have been deprived of kingdom karts. can anyone hear me
#in terms of alternate gameplay and lack of reliance on plot#i feel like melody of memory is the closest thing kh has actually had to a spinoff#but even that is important in its own way in the end#union cross to a certain degree as well what with being an online multiplayer gacha type game#its original concept i would definitely classify as a spinoff game#bc it was set in a totally different world and time period and was supposed to be about customization and fun with friends#and nomura or someone said it wasn’t meant to be connected to the plot#but then like. he did very much go and give it a plot. like he went back on that almost immediately#and even then. given that the game is still very much combat and exploration#even from the beginning can it really be called a spinoff? it’s just kh in a different format#i’m talking like a game in which the objective is something totally different.#racing game or cooking game or fighting game or (another) rhythm game#ace attorney style detective game. dancing game. dude i don’t know#there are so many different flavors they could go with here#alas nomura is allergic to genuine whimsy which is hilarious given that this is a disney series#like he apparently was like ‘ohhh should we really let sora in smash? would it make sense in the story?’#my brother in christ surely we’re not supposed to interpret this as canon to kh right? right????#i guess it’s just that the kh franchise has a very specific pristine vibe he wants to maintain#which is disney shenanigans as a seasoning on top of a main dish of Stone Cold Serious Anime Plot#kingdom hearts#kh#mine: kh
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chasedeys · 14 days ago
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from sportscenter because their vid was the clearest and closest!
RIGHT so play-by-play bc i can't keep it all in:
the social media team gives ja'marr the donut telling him to smush it into joes face and he also chooses the biggest donut -> ja'marr sneaks up behind him and drags his arm to smush it against his face -> joe's initial reaction was to smile at him and then playfully lunges like he’s going to slug him the next second -> ja'marr flinches back smiling -> they both immediately go in for a hug after and joe says 'love you bro' 😊 -> the social media team tells joe to 'give him one back' -> ja'marr is all ‘you're talking about giving me one back?’ and joe instantly gets a donut and smushes it to his face -> pretty laughs all around -> joe calls ja’marr a bitch and it doesn’t get bleeped off at all by any official accounts posting this thing
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novasteri · 10 months ago
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when u do a quite unsavory joke about the Lamb's bebé (probably something about lamb chops lmao)
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ruporas · 2 years ago
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bound to want (part two) /// part one rest of pages under READ MORE after ID
[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.
It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."
Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.
A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.
A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.
A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.
A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."
"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.
If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."
Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.
"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."
A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.
The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.
The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.
Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."
With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.
"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.
This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."
The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.
Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."
In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."
The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.
The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...
That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."
The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]
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#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#its done.... after 2 months.... collapses on the ground#theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up#they deserve a little sap too!!! and in the end this is the closest they could get to a first confession#through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their#lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time#vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually#ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security#or at least vash does. or at least just for this one moment#a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood#and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just#naturally in wolfwood to give to those that he love#but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to#enjoy and share their company in this manner. to be a little less restrained and love each other freely#ruporas art
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seawolvesanddragons · 1 year ago
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There was a beautiful era in the 90s/early 00s of fun, female lead teen movies that just hit different, were like this golden age of girls just being girls and celebrating that feeling, and no matter how Hollywood tries they will never replicate it.
I'm talking "She's the Man," "Bend it Like Beckham" "Princess Dairies" "St. Trinian's" "What a Girl Wants" "Clueless" "Uptown Girls" "John Tucker Must Die" "DEBS".....obviously there's probably a few I missed but you get the idea. Maybe the stakes weren't as high as saving the entire world, but they were important to the characters and had friendships and silliness and the goal was almost never to get the guy and you just don't get to see that anymore. Also almost all of them had banging soundtracks.
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serpentface · 29 days ago
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Retconned Wardi firearms- a basic handgun, a highly decorative ceremonial handgun (belonging to Faiza), and a lance-gun.
Gun tech has officially been nerfed down to hand cannons (press F) (this has been a long time coming but I'd been fallacy of sunk costs-ing myself out of retconning).
Handguns are held similarly to a shotgun, with the butt pressed into the user's shoulder, one hand gripping under the barrel, and the other free to ignite the gunpowder. These represent the most advanced firearms in contemporary usage, both in make and in their use of uniform iron projectiles built to match the gun's bore for greater range and efficiency. Lance-guns are the more basal form, usually larger and mounted with the pole held over the shoulder, and are most effectively used by two people (one to hold and aim, one to light the gunpowder).
The spread of firearms is currently mostly limited to the Eastern Inner Seaway peoples (with some additional distribution via overland trade), and actual manufacture of hand cannons and gunpowder at Significant scale is limited to the region's core powers.
The reason for this limited spread is partially due to specific elements of the technology's history. Gunpowder was first synthesized by Burri alchemists and considered to be the discovery of the legendary divine weapon + solar fire of the deity Inanariya, and its formula (along with techniques for ideally refining its components) remained a closely guarded state secret. It was used predominantly in priestly contexts to generate flame and explosive sounds (in conjunction with earlier practices of generating multicolored flames with use of other chemicals), then integrated into combustible weaponry in the forms of fire lances, which would eventually develop into early handcannons.
The treatment of gunpowder as a guarded sacred or semi-sacred substance continued with Wardi adoption, where knowledge of its making is considered a closed rite. It's name (inya tsatsul or just tsatsul, a derived adoption of the Burri iñazatsūya) still reflects a divine solar association (the Burri word means 'sun's thunder', the Wardi 'inya' invokes the sun, 'tsatsul' is an adapted loanword and has no meaning independent of the substance itself), though its priestly use is now predominantly associated with the firearm'ed Odonii (rather than priests of the solar Face Inyamache). The composition of gunpowder can no longer be regarded as a Secret by any means, though efforts to obscure the methods of its creation are still moderately successful and has kept knowledge of gunpowder manufacture more limited than the total sphere of firearm usage itself.
The actual strongest limiting factor of firearm usage is the rarity of natural saltpeter deposits necessary for making gunpowder. The practice of actively producing saltpeter via nitraries has not been developed anywhere in the setting, and all is instead obtained via natural sources. These sources are rare and limited within the current spread of firearm technology, and result in gunpowder being a limited and expensive substance to produce. The weapons themselves are also very expensive to manufacture (a good quality steel SWORD is far too material-cost prohibitive for most people to own), particularly high quality firearms designed for use with standardized ammunition.
These guns are also very basal, and logistical difficulties in their use (weight, very slow loading and firing speed, high visibility, Relatively low reach and accuracy) along with the restrictive cost of production has kept firearms far from rendering conventional weaponry, armor, and projectiles obsolete (even within the societies that have access to them). They are still, however, very devastating in use within their contemporary context, particularly in that high quality guns have a longer range than the best arrow-based projectiles, and utterly negate most contemporary forms of armor at close range.
#I'd consider the setting to be like.....most closely analogous to like 3rd-1st century BCE earth (in terms of the average scale of#societies + Most of its technology (aside from major exceptions like this) + trade interconnectivity)#There are VERY few Very Big states capable of mass-manufacturing and resource extraction (like nothing the size of#the Roman empire has Ever existed in this setting. The biggest empires aren't even close. Cynozepal has a pretty massive territorial#span so is probably the closest thing but its actual control is highly fragmented along disconnected central hubs)#There's significant seaway trade connections but the Vast majority of transmission of goods is localized (even moreso over land)#So point being firearms have developed '''''earlier''''''' than in IRL history but the conditions that enabled very rapid spread are#not really present (though it's fairly inevitable that they'll become widespread over the next few centuries)#Also the likely trajectory of adaptation is going to be the development of Plate armor (which could absorb/block shots#from some types of firearms More advanced than these).#The types of armor used in this particular region is mostly lamellar/scale/padded fabric/leather and rarely involves#full body protection (using a shield to compensate) so developing thicker and fully protective armor would be the next logical#step in the arms race#I think it would be a fun constructed history for armor technology to outpace these simple firearms enough that they end up largely#abandoned in favor of re-specializing in close combat but I don't really care to plan out the far future that much
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theinsomniacindian · 10 months ago
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In theory, I'm dark academia. In practice, I'm chaotic academia
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bananonbinary · 11 months ago
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god i hate smug athiests so so much
if you go around saying shit like "lol religion is stupid and only idiots have faith" you are just as much of an obnoxious asshole as christian proselytizers sorry
if you wanna have a real discussion on the merits of faith you need to start from a good faith perspective where you DON'T assume everyone who disagrees with you is a moron who can be disregarded. consider for two seconds that you arent the super genius you think you are, and something that is present in literally every human culture throughout history might, in fact, be slightly more load-bearing than you think.
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fearforthestorm · 8 months ago
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the thing they don't tell you about being raised in a high-demand religion is that everyone who you grew up with at some point will either have a faithbreak or they will continue to stay. and both of those are kind of the hardest thing ever to watch someone you cared about go through.
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possamble · 6 months ago
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I'm not allowed to be on social media for more than two seconds today but I just wanted to say that Laios will absolutely have his own reaction to all this as someone who would die for Falin but has also imprinted on Marcille as his Emotional Support Comphet White Girl Not-Girlfriend along the way
#a little creature#sometimes i look at the way i want marcille to be the closest thing hes ever had to a girlfriend but in a 100% platonic way and im like#is this what they mean by queerplatonic or have i just never had a dude best friend who wasnt like. a super fruity gay twink#anyway its gonna be as hard on him as it is for us bc he loves them both so much#the most important women in his life bar none#marcille probably slapped him when she got back tho. like she just saw his face and all the misdirected anger at him 'taking falin' just#rose up and burst again#its ok tho. you know she immediately broke down crying in his arms again blubbering incoherently bc she felt bad but also shes still mad#and she just doesnt know what to do with herself#the hardest part about this fic is that like. there are SO many juicy things going on offscreen#but. i have to breathe deep and keep calm and let them happen out of falin's POV#the ryoko kui method. what happens in the story happens and what happens outside can be explored in extras if need be#edit: also just figured out why ive been chafing a *little* bit against ppl assuming that it's the fear of falin dying that motivated#marcille's denial of her feelings so far#bc it's technically true but something just didn't sit right and i didn't wanna say anything until i figured it out#in little creature she has in part already realized that falin's passing is going to hurt no matter what she does right now#bc she's already passed the threshold of preemptive grief and sealed her own fate by how much she cares about falin#so it's not really... about that as much as it would have been during the canon story#it's just that. to acknowledge that she has romantic feelings for falin means recontextualizing their relationship in a way where#she has been the one hopelessly chasing while falin didn't realize/ignored her for the most part#and she couldnt allow that to be true both bc she couldnt bear to make falin the 'villain' in her love story#and bc she subconsciously knew the scope of pain would be too much for her to handle#so now my problem is. how do i make that clear in the fic from falin's POV without getting too heavy handed about it
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Another of my favourite post-fall headcanons is that whenever Will and Hannibal fall out, Will proceeds to order the cheapest, most greasy take out food he can find from whatever city they're in.
He refuses to eat it at the table and instead plods down on the couch opposite Hannibal, making full-on eye contact with every bite just to piss him off.
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springcatalyst · 4 months ago
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My dearest, tell me about your conlang scripts, please❣
Yeassss thank you beloved I will now kill for you <3 Ask me to kill for you.
I truly do not know how long this is going to end up but I'm just gonna go for it.
Montaran
Montaran is fauns' native language: it is alphasyllabic (rather than alphabetic), made up of character 'blocks' that are themselves composed of syllabic components. It's based off a mix of Korean and Sanskrit (mostly Brahmi script).
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⬆️ "This is an example sentence" written in Montaran. Pronounced "Bavna mōskadatōk nin."
Components are arranged in blocks of three max, with spaces between words. It's written and read top to bottom, left to right. In three-component characters (called full blocks or complete characters), the arrangement of the components tells you where the syllabic emphasis is.
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Here's the same sentence but with the components split up. The first word bavna has it's emphasis on the syllable na, and you can tell by reading because it's alone, as opposed to the other two components, which share space on the top of the block. The second word, Mōskadatōk, has its emphasis on the first and fourth syllables mō and da- the ones that are alone in their vertical placement. For partial blocks, like the last word nin, you can't tell emphasis by reading it.
Montaran is an abugida, which means its alphasyllabary is made up of consonant letters and small, diacritic-like additions that determine vowel sounds. Consonants can exist alone, but vowels must be connected to a consonant.
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Where vowels are connected to a consonant can vary- usually there is a standardized method, but handwriting can alter it.
Montaran doesn't use any articles or particles, is written subject-verb-object (though the verb to be is considered an implied verb and therefore not actually written or spoken in sentences which would need it in other languages). Adjectives and adverbs are placed before what they alter.
Homonic
Homonic is humans' native language. It's alphabetic, made up mostly of vowels. The consonants are just 6 'base' ones, the sound of which changes with the inclusion of diacritics. It's based off of mostly English and Japanese.
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⬆️ "This is an example sentence" written in Homonic. Pronounced "Goa ja ikaruth zonosh hfow."
Likewise I had more explanation for those weird phonetics but once again I am going to joker out so what the fuck ever. The r is a tapped r though.
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Consonants base form is considered the default, while the diacritics change what sound it makes. The handakuten indicates a harder sound (P to B, F to V, L to tapped R), the tilde indicates a softer sound (hard G to Y, L to R, F to a sort of harder H that's not quite an english H), and the dakuten indicates a much softer, sometimes voiceless sound (P to W, F to H, T to Th). I should say now that I wrote out the phonetics of these in a way they make sense to me, so they might seem like nonsense to you. Because I don't understand international phonetic alphabet. But I digress. Vowels are never given diacritics.
Homonic uses both articles and particles, but particles are mostly used for action and subject indication. It's written subject-object-verb: Adjectives go after the noun they alter, but adverbs go before the verb. It's written left to right.
Paitarō
Paitarō is ipotanes' native language. It's an abugida, but unlike Montaran, consonants cannot exist alone. Instead, letters in their 'default' state are assigned the inherent vowel a, and all alterations from that indicate different vowel sounds. It's based mostly on Ge'ez and Eastern Cree.
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⬆️ "This is an example sentence" written in Paitarō . Pronounced "Roujih myudae ba raisakō louhayka".
Paitarō has a bunch of different versions of verbs depending on context. They have general vs current forms, constant vs transient, beginning vs ending, and some verbs have a gladly vs reluctantly form. I gave examples, but this is my third time trying to edit this and I can't be assed to write it all out again without becoming the joker.
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Rotation and diacritics determine the vowel sound of a letter. It's very consistent, so while it looks like there are 8 million letters, really there's just 12 that are altered slightly for different forms. A clockwise rotation 90 degrees will always result in the vowel ay, an macron will always result in the vowel i, etc.
It's written left to right, subject-verb-object, and uses no particles (but does use articles). It's also one of the harder languages to learn from an outside perspective, because many of the vowels (particularly o, oo, ou, and ō) sound similar to the untrained ear.
Arbor
Arbor is satyrs' native language. It's alphabetic, and has the largest alphabet of any language, with 42 letters (Paitarō beats it only if you consider all rotations and diacritics separate letters, which I don't). It's based mostly on Russian and Japanese.
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⬆️ "This is an example sentence" written in Arbor. Pronounced "Shleya bouk dzyañen aotal voh."
It's written right to left, verb-subject-object. It doesn't use articles, but does use particles, which make up far more of the grammatical structure than of any other language. Particles indicate time, possession, location, direction, vocatives, pragmatics, formality, connectives, and conjunctions. For example, in the above sentence, the particle voh indicates certainty- what is being said is fact- not up for debate.
Formality particles are something that is mostly unique to Arbor: Homonic uses some, but they are loanwords from Arbor, and not used near as often. The only circumstance in which a satyr would not use formality particles is when speaking to children (or if the speaker is a child). Because of this, for an adult to speak without these particles is perceived as immature or patronizing or both. There are generally four 'levels' of respectful particles: familiar (for friends and family), peers (for acquaintances and strangers), respect (for superiors or elders), and higher status (for governmental or religious leaders). There are also degrading particles that are only used explicitly as insults, but are naturally not used in everyday life.
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There are no true diacritics in Arbor, similar letters (like eh, ih, and uh, or v and fh) are considered distinct, not the same letter but altered).
Shotali
Shotali is nightlings' native language. It's syllabic, written calligraphically from top to bottom. It's made up of common humanoid phonemes as well as a clicking sound that is unique to their physiology. It's mostly based off of Khoisan and Vulcan.
⬆️ "This is an example sentence" written in Shotali. Pronounced "Sikosha taori niloth zhoi."
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Here's the same sentence twice, one with the letters and other aspects of the sentence pointed out. The letters are designed to run into one another, where one letter ends another begins. Words are separated by a small open circle at the beginning and end to make clear the joint between the two.
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It uses only two diacritics: a handakuten and a macron. In natural Shotali, they are used sparingly, but their usage has since expanded to allow for other sounds to be transcribed into Shotali. The macron traditionally changes just a few letters from an i vowel sound to an e (ri->re, ni->ne, li->le), but now can also be found to alter any letter with an i to an e, even if it was not originally allowed. The handakuten, in natural Shotali, indicates a click, made as part of the syllable alongside the voiced pronunciation, and is not actually considered a diacritic in this form. It's present only on hard consonants (k, v, d). These consonants can be written/spoken without the click and therefore without the handakuten, but only in very specific words or it is incorrect. Some words only define meaning by the presence or absence of this click- this makes things tricky for any other species trying to learn/speak Shotali.
Now, though, the handakuten is also placed as a diacritic on some other letters- not to indicate a click, but to harden the sound (Th to T, P to B, Zh to Z, J to hard G). These characters are not included in the base alphabet as they are considered adopted characters, meant to transcribe sounds from other languages- Shotali has a lot of technically allowed ways to write/speak that arent included in the 'official' alphabet.
Only d, j and th (or t with a handakuten) can exist as a consonantal sound without a vowel, considered a whole syllable by themselves in Shotali. It's written verb-object-subject, and uses no articles or particles. Adverbs and adjectives go before the noun or verb they alter.
Bonus: Chimerae's sign-morse
The chimerae, which live in the depths of the ocean and thus do not interact with any other humanoid species, converse with a form of sign language that utilizes their bioluminescent abilities. It is untranscribable, and so doesn't have a proper name. It's made up of similar signs as that of shallower merfolk: large, slow movements of the hands and caudal fin, but is additionally altered by light. Light carries meaning in: where on the body it is located, how quick the flash is, and what physical sign it accompanies.
Chimeraes have two distinct dialects of this language: a distant and close dialect, both used in conjunction with each other depending on context. Because detail gets much harder to see at distance, and the deep sea is big, the type of sign-morse used when far away from your conversation partner is different than that which is used when you are right next to each other. The former is vaguer, but more obvious, while the latter is more intricate and specific.
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batbabydamian · 1 year ago
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i've seen you reference a couple times that you're not into the idea of Damian being batman when he grows up which i completely agree with on a narrative level as well. this begs the question though...what do you think would fit Damian best when he grows up? (and why is it Nightwing COUGH COUGH)
ideally, i would love for him to create a new identity and forge his own future without any ties to a legacy 😭
i’m a sucker for the whole Grayson legacy aspect they tease with Damian so i would be happy with him as Nightwing, but i’m content with just seeing fan interpretations of it 🥺 i think Nightwing is so tied to Dick Grayson it’s hard for me to imagine it as a mantle that needs to be passed down unless Dick’s choosing to do so
anon i do see the vision though 😭
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Nightwing (2016) #19/20
not that heirs should automatically get the mantle but if Dick did have the option. like. Dr. Hurt outright calling Damian as Dick’s heir, on top of Dick’s own subconscious in the form of a Nightwing Damian
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Nightwing (2016) Annual #2
AND THEN THIS PAGE AS THEY ZOOM ON DAMIAN WITH THE TEXT SLAPPED OVER HIS FACE “…WE BOTH KNOW YOU’RE THE LAST OF THE GRAYSONS”
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sidhewrites · 4 months ago
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Life is so hard when you have the most vanilla ass romance without so much as a love triangle now there will never be discourse about whether kaz and lucy's age gap is problematic 😔
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ratatatastic · 5 months ago
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i did not expect forsy and bo to be the greatest comedy duo to grace this earth but despite my tenure here i am pleasantly surprised all the same
each addition to the "this is the best day of your life until—" hypothetical is another glimpse into how this man ranks his priorities which apparently least to most is:
marriage→kids→drafted by the nhl→first goal
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happy papa alert! happy papa alert!
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Forsy Cup Day | 8.2.24 (x)
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