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phoenixyfriend · 4 years ago

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The Naruto/Frozen Crossover

So I was planning on just doing an image ID thing for this post, but apparently the formatting on desktop is such a mess that it’s easier to just make a new post that’s text only. I can also like. Bulletpoint it so that it can be a little neater. All ideas were made with @firebirdeternal��‘s help, because they are the most efficient enabler I have.

Also I added some bits at the end.

Under a cut, because it’s Long As Heck.

I originally had two options: either Mid-teens Elsa and Anna being transported to ninja land sometime pre-canon and running into Haku and Zabuza... or just like. Born as a Daimyou's daughters.

Spoiler alert, we’ve got nukenin and I’m a sucker for an intrusive crossover, so transported to ninja land it is.

Suggestion from Birdie:

Mechanism for crossover: Elsa ices over a Wishing Well by accident after having Wished for someone else who understood her, Anna and her fall in and get Ice Mirror Portaled to Ninjaland, falling out of an iced over pond near a shrine that Haku recently prayed at for similar lonely child reasons?

Which I like! They don’t end up there soon enough to run into Haku, because I want a dramatic chase first, but I like it.

Obviously, Anna is forced to learn about Elsa's powers because it's the only thing keeping them safe

Or at least alive

(Elsa will do ANYTHING to keep Anna safe, and if that means she has to get her hands dirty...)

...neither of them knows Japanese, so, you know. There’s that.

I'm thinking that they end up in/near Kiri at first

And they aren't FAST ENOUGH to get away so Elsa panic-enchants a giant reindeer made of snow to run away across the suddenly-frozen ocean.

She and Anna have to ride and Elsa is probably crying the whole time.

Oh shit this is like. RIGHT after their parents die, I forgot. So that’s a thing! They are in mourning and all that fun stuff.

Point is, they use the powers for a Self Defense thing and BBY Haku is just !!! "Master can we rescue them for Ice Cousin reasons?" Zabuza: Yes, and only for those practical reasons and not because I collect endangered children like people collect pokemon cards.

I imagine that maybe they track rumors of a Yuki-onna down, or the Giant Snow Reindeer rides by and Haku’s just like Wat

The girls just tag along with Zabuza because. Like.

Do they like him? No. Do they trust him? No. Do they enjoy the fact that he considers them pathetic civilians? No.

However, Haku is Baby.

Zabuza is REALLY annoyed at them being Useless Civilian Royals “but Haku likes them so I guess they can stay.”

Age at meeting, three years pre-canon:

Zabuza - 23

Elsa - 18

Anna - 15

Haku - 12

Elsa is 90% anxiety/depression master combo BUT if Zabzua protects her then she's WILDLY dangerous so like. Whatever

Elsa's bingo book nickname options, uninspired:

Winter Witch

Winter Queen

Ice Queen

Snow Queen

Something about a Yuki-Onna maybe

She's Very Stately and kinda breakable but Winter is her Bitch

I mean like, the fact that, if protected, she can shut down the agriculture of a fucking country? That's an S-rank even if she's not that useful in a fight.

She's like. Jinchuuriki-level destruction. Generally speaking she wouldn’t. But she could.

Elsa: What the fuck is a chakra? Elsa: my snow monsters are self-sustaining. Elsa: I'm gonna build us a house.

Zabuza has NO idea how her powers work and it is INCREDIBLY frustrating but “there’s no chakra cost to keep these things going and we have shelters on demand” is too convenient to question after a while.

Haku: Delicate, deadly, incredibly fast ninja work. Elsa: I can't dodge a kunai but watch me wreck your entire country's ecosystem in under a day.

Elsa is a siege weapon.

Meanwhile, Anna is really, really into the physicality of ninja practice.

She's clumsy and she's not very good at ninja stuff, but she sure is determined!

Anna also gets on Zabuza's nerves because she keeps insisting that Haku get to be a kid.

Anna: Let's make flower crowns! Zabuza: No, he needs to train, not- Anna: FLOWER CROWNS

Consider: Haku saying Elsa-nee-sama and Anna-hime.

Or just calling Elsa “onee-sama.”

Anna is also younger than Elsa and way more Fun so she probably gets adjusted to Anna-chan or Nee-chan.

If Zabuza calls Elsa “Hime-chan” or “Elsa-hime” or, Sage forbid, “Elsa-sama/dono” then he’s VERY MUCH making fun of her and he’s probably getting his soup frozen that night.

At one point, Elsa... tries to like. Convince herself to have a crush on Zabuza or Kakashi or something until Zabuza just puts a hand on her shoulder and asks "do you even like men?" "...that's an OPTION?"

Zabuza urging her to try and ask out a Cute Kunoichi and Elsa's like.... I can't decide if she's bright red and a useless lesbian or uncomfortable and ace.

I am SO invested in the siege weapon thing.

SHE IS THE SQUISHIEST WIZARD.

It's not her fault that every single other combatant on the continent is Massively Dangerous in melee! She took a very traditional back-line build!

Enemy: Doesn't it GRATE to protect someone so pathetic, Zabuza? Zabuza: She literally froze an entire castle of enemies to death because they harmed her sister, so. No.

Most Ninjas: Sharp Knife. S-Rank Mega Ninjas: Gun. Elsa: High Yield Explosive Rocket Launcher. Literally loses fights to the Knife People, because she can't bring her power to bear on that scale. But if you can give her Time and Prep? No contest.

Long distance AoE

Like you know how Nagato is literally dying of starvation due to illness and can't walk, but he's also capable of leveling powerful villages more or less on his own?

Elsa is the same Vibe.

It’s like sealing a bijuu in a civilian.

She's honestly both more and less powerful? Like it'd be hard for her to kill everyone in Konoha in the snap of a finger? But also, she could starve out the Country of Fire in a summer.

She WOULDN'T, but she could.

I always read Elsa as gay or ace but my brain keeps trying to ship her with dude ninjas and I have to yank it back on a child leash.

People insinuate that Zabuza is interested in Elsa and he's just "What? Ew she's like five."

"I'm eighteen."

"Five."

BUT

Elsa! Might mistake trust and companionship for a crush!

I can see THAT happening despite gay/ace.

Also like. I don’t think Zabuza is straight.

So mlm/wlw solidarity?

And Haku is probs genderqueer.

So Anna is THE TOKEN STRAIGHT.

Anna is like, the Straight Friend who will go to the mat for her queer friends. Like vicious. In-your-face barking like a mean dog at people who were being bigots.

You know how Elsa in the second movie uses her powers to make toys for kids out of ice?

Okay, so her practicing by making things with Haku.

But yeah, Elsa can't really do "throws ice senbon," but she can do Delicate Geometry Things since she apparently, canonically studies math for fun and loves fractals.

Haku: I can trap you in a prison of ice mirrors, and you are at my mercy. Elsa: LOOK AT THIS CASTLE I MADE???

Haku wants to do Pretty Things like Elsa

OH.

Elsa makes... snow bunnies..

For the ninja distraction reasons but also because it's a Soft Thing that makes her feel better about, uh, everything. And Haku likes bunnies.

Zabuza still takes The Dirty Missions but Elsa gets upset when he does something that hurts innocents and Nobody wants Elsa upset. Even Zabuza doesn't want Elsa upset.

When Elsa gets upset, overnight accommodations are suddenly Very Uncomfortable for everyone except her and Haku.

And then Anna gets upset, which makes Elsa even MORE upset.

And then things just keep getting colder.

Zabuza doesn't want Elsa upset for many reasons, not limited to: "Is actually capable of killing me from outside of Sword Range if she's mad enough, even if it’s not that easy" and "the Small Children would be unbearably sad if she died and honestly so might I."

She's more of a friend than a ward and he's not entirely sure he's okay with that.

Zabuza: "Ew, friendship."

He has absolutely no idea how to have a social interaction with people he isn't Bullying, Raising, or Threatening to Kill.

Elsa and Anna have no trouble convincing people they're related, at least. Different coloration with almost identical bone structure.

A tendency to burst into song when they feel emotions.

Identical weird accent that nobody can place.

FOOD

The girls are royalty, they don't know how to COOK.

But they also want food from HOME.

It's a lot of trial and error.

More error than not, since they have both no knowledge and also a language barrier to overcome. It probably takes YEARS before they can describe things like Unfamiliar Flavors well enough for people to say "OH that sounds like spearmint."

When they run into something they know that’s familiar, it’s life-changing.

Chocolate is more common in the elemental nations than in Arandelle and Anna may or may not cry about it.

Anna is loudly bossy, even at Zabuza.

Zabuza is gruffly commanding, to everyone.

Elsa doesn't actually like being in charge, but when she talks, people LISTEN.

(Haku is just happy to be here.)

Elsa radiates two things: Anxiety, and Natural Command, and she basically just fluctuates between those.

"I don't want to be in charge but also I'm vetoing this."

So, obviously, the main reasons that Zabuza keeps the girls around is that Elsa is a living siege weapon and he thinks she could be convinced to help him run a revolution in Kiri, and also that the Ice Queen schtick is like. Really good for Haku and Zabuza can’t really say no to the kid.

HOWEVER, Anna is clumsy and messy and all that, so Zabuza starts training her in Ninja stuff. Elsa joins in on the “I need to know how to Run Fast to get away from fights I don’t want to have in the first place,” but Anna’s the one that’s like “TEACH ME HOW TO SWORD.”

It’s honestly not that hard to teach her, she’s just really, really, REALLY enthusiastic.

Once or twice someone asks why she’s so bad at this yet running around with an A-rank nukenin and Zabuza’s just like “I’ve only had her for a year and a half, shut up!” because it’s not that he’s a bad teacher, it’s that she was a very pampered civilian until like a week before he met her.

He should get a MEDAL for even getting her to low Chuunin.

Zabuza: I'm taking a job from Gato Elsa, who has Training in economics and politics and bureaucracy: I have a better idea.

This is actually not entirely what I’d do but I wanted to make the joke first ANYWAY here’s an actual plot or something.

Oh, also by this point everyone is Canon Ages so Elsa’s 21 and Anna’s 18 and Zabuza’s 26 and Haku’s 15.

Elsa is getting paid to keep the water from interfering with construction, by way of....

ICE COFFERDAM

Elsa with Haku as her Guard while Zabuza is off running his own mission? Which Anna begged to go on because Cool.

Elsa also kind of keeps her involvement on the ice front semi-secret by claiming she’s there as an engineering consultant.

LISTEN canon made her like geometry, I can ENTIRELY believe she’d be excited about the bridge-building.

Gato has hired someone else on the danger level of Zabuza, who is Threatening to Team 7 + Haku? But then when things look bleak Anna and Zabuza arrive and then Scary Sword Man is on our side and oh dear that's a lot of blood.

Which, you know, fun!

Birdie suggested Raiga which I’m not feeling but I do feel the need to bring up as an option.

It’s also not Kisame BUT

Kisame: [giant lake dome filled with sharks]

Elsa: uhhhhhhhhhhh...

Giant lake dome: [is now a giant ice dome]

Anyway

Gato: I'm hiring an army. Elsa: [giant ice wall around his compound] Gato: ... these guys can walk up walls! Elsa: [adds snowman guards] Elsa: ... Elsa: [adds a ceiling]

Just puts Gato's entire mob in a fucking snow globe.

Zabuza shows up twenty minutes late with (Throwing) Star(buck)s just like "Oh, they dead? No? Want 'em to be? Okay cool I'm gonna go pick up Haku, I'll be back in like an hour."

Anna would... LOVE Naruto

ENERGETIC FRIENDLY GOOFBALL

"I found us a baby brother!" "No, we already have Haku." "BUT LOOK AT HIM."

Anna is only a year or two older than Itachi.

OH RIGHT

I wanted to make a joke about how Naruto also vibes with her because he's less judgmental that she can't really... talk properly.

Sasuke is Judgy and Kakashi is Paranoid and Sakura is Uncomfortable.

Meanwhile Naruto is just like "And I Shall Scream."

Anna, who learned Japanese from Zabuza (rude) and Haku (uber polite): WELL FUCK YOU, GOOD SIR Naruto: YEAH WELL FUCK YOU TOO, LADY Elsa, overly formal: I am... so very sorry.

Anyway, generic missing nin fights and all that.

Elsa gets injured in the process and after a variety of arguments, Naruto manages to convince them to take her to Konoha for medical attention.

Elsa is... usually the one getting injured.

Zabuza and Haku are FAST and Anna is at least learning (even if she’s only been doing it for three years), but Elsa is The Squishy Wizard.

If someone throws a kunai... she can’t... really dodge...

So yeah, gut wound.

Normally they find a nukenin medic to patch them up but Konoha is reasonably close and has some of the more skilled medics on the continent and they DID technically help the Konoha nin so like. Gah.

That’s Zabuza’s final thought. Gah.

Just “Fuck it, let’s save the ice queen.”

Elsa ends up in a half-literal-ice stasis state on the way there and it’s happened before (it is not the first time she��s been stabbed), but it’s always terrifying.

Especially to the Konoha genin who are just like WHAT THE HECK IS THAT.

So they get to Konoha, there’s a whole bunch of stuff about extradition treaties and “you are bringing a literal WMD of a woman into our town” and “we can’t just let MOMOCHI ZABUZA in.”

Anyway, it ends up being that Zabuza has to wait outside the village while Elsa is treated inside, and one of the Teenagers goes in. Obviously, it’s Anna, because Zabuza is INCREDIBLY UNCOMFORTABLE with letting Haku enter a village that’s known for having lots of bloodlines, and anyway, Anna’s the sister.

Bunch of stuff, she’s healing, etc, and then one day Anna comes in and is told “your sister had a bad reaction to the anesthetic, we couldn’t save her, I’m sorry, she’s gone.”

She flips out, gets shown the corpse, flips out MORE, gets escorted out to the village walls where Zabuza and Haku are waiting.

Horrified reactions

Zabuza doesn’t want to admit that it’s EMOTIONS because this is his FRIEND, he is clearly just upset about losing the living siege weapon.

Haku is just super confused and goes “But she’s not dead.”

“What.”

“She’s not dead, I can feel her, I can always feel her, it’s like sensing but just her, because we’re both ice. She’s alive, somewhere over... there?”

And points right in the direction of the Hokage Mountain, which for the purposes of this fic and also Drama is where ROOT headquarters is.

YEP we absolutely have that plot point.

Is Danzo overused as a plot device? Probably. Am I going to diabolus ex machina him anyway? Ye.

They kick up enough of a fuss that the Hokage gets called down.

He wouldn’t, normally, he’d leave it to a couple of skilled jounin and call it a day, except Naruto got involved so like. You can’t. Ignore that.

There’s lots of shouting.

Just like. A lot.

And then part of the mountain explodes!

AS ONE DOES

Elsa comes flying backwards out of the hole, catches herself on a spontaneous ice slide, gets to her feet.

Girl is swaying like MAD.

There are absolutely ANBU (both fake and real) coming after her.

At least one of them gets speared through by an ice spike.

Anna runs up to her, tries to hug her, gets batted away.

Elsa’s staring at her in sheer TERROR and starts muttering something about how Anna died years ago, this isn’t real, etc.

Nobody except Anna understands most of it, but Haku picks up enough to translate when Anna’s freaking out.

Elsa starts doing her Ice Castle thing in the middle of Konoha as a coping mechanism, mostly so she can get Up and Away and Shielded By Ice.

This is not a good look.

Especially because she’s singing, which Zabuza always thinks is a bad omen because it means shit is getting real and one or both of the girls are about to get a powerup or be beaten even harder than otherwise. When they start singing, things get More Dramatic And Extreme).

(Zabuza does not like Disney Musical Rules)

Danzo shows up.

There’s a bunch of arguing.

All the medics insist that nothing she was given at the hospital should have caused amnesia, psychosis, hallucinations, delusions, etc.

It’s. Not hard for Hiruzen to guess what happened.

Namely that Danzo, upon finding out that chakra dampeners didn’t do shit since none of Elsa’s powers come from chakra, decided to keep her drugged up and start using genjutsu to make her more malleable.

Because like. An injured WMD just showed up in your village. What are you supposed to do, not try to kidnap her and turn her to your side? Like, come on. What was he supposed to do?

Not that, Danzo. Literally Not That.

IDK how it gets resolved, probably Anna getting to her with the power of love, because Elsa is ultimately Super Disney.

I also don’t really know where to go from there other than “Maybe Jiraiya can get you home, but also I’m pretty sure Zabuza wants you all to get the hell out of here and take over Kiri” but who knows.

Also

IMAGINE ELSA MEETING GAI.

Imagine Ino getting a puppy crush on Elsa.

IDK that’s it for now.

#Frozen #Naruto #Momochi Zabuza #Yuki Haku #Zabuza #Haku #mini fic #Phoenix Babbles #Crossovers #Phoenix Posts

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mcmactictac · 3 years ago

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Always Gold by Radical Face is a c! crime boys song please let me elaborate.

First of all, Welcome home son by radical face is a c! Tommy and c! Techno song. So as an sbi enthusiast I think it’s fun to give them songs by the same artist who have very similar vibes. Radical face has a wonderful job of calmly showing intense emotion. When you listen to the words in a lot of their songs it’s very emotional, but you can also tune out and just listen to the music. I’m working my way through their discography but they just radiate fanon sbi vibes. Same energy as a piece of fanart I saw a long time ago with Tommy sleeping on Wilburs lap as techno leans against them. Just that calm and relaxed sense of love and belonging.

Anyways analysis time woo let’s crank out some lyrics. Honestly the lyrics are so perfect throughout I’m basically going to include most of the song oops.

“We were tight knit boys, Brothers in more than name. You would kill for me And knew that I'd do the same”

Already off to a good start. I mean the tight knit part is obvious, like they’re both incredibly close with each other, especially at the beginning. Brothers in more than name?? Canonically Wilbur and Tommy aren’t siblings but they still SHARE that brotherly bond they still think of each other of family after everything. “You would kill for me and knew that I’d do the same” at the start? When they’re protecting their country together?? Yeah because they’re FAMILY they care about each other so much.

“And it cut me sharp, Hearing you'd gone away. But everything goes away, Yeah everything goes away”

Do I need to explain this one. I’m taking gone away as a reference to death here, like he’s up and left Tommy, and suddenly he’s just. Gone. Also the everything goes away is a great way to show the beginning of c! Tommys trauma, how he always feels like good things are going to be taken away from him. No matter what he has, his friends, his country, his discs, it’s all going to be gone eventually. Good things never seem to last for him.

“But I'm going to be here until I'm nothing but bones in the ground. And I was there, when you grew restless”

Wilbur talking about lmanberg as “here”. He knows he’s never going to leave it, the country he built. He lived there and that’s where he’ll die. The captain always goes down with his ship. The restless line reminds me of pogtopia, like Tommy watching as Wilbur started to lose it, started to grow more and more unstable. He was there for everything, the good and the bad even as he watched his brother descend into this downwards spiral and not being able to help him.

“Left in the dead of night. And I was there, when three months later. You were standing in the door all beat and tired and I stepped aside”

Now there’s two ways we could take this one. We could take a brief tour to sbi land and make this about Tommys exile, like he left exile at night after dream blew it all up, and he ended up at technos. And when Techno finally found him there it’s still that same kid he knew before who is just tired and needing someone, and so he lets him in. OR we could make this in reference to Wilburs revival. The three months later would be a reference to the time passed before Wilbur was revived. Now I could make this soft or I could make this angsty so I provide multiple options. 1. Tommy steps aside so Wilbur can see the sunrise, see the works that he’s missed and truly enjoy it again (not canon but shh) 2. I stepped aside but it’s Tommy moving away from Wilbur. Going no, you hurt me and I’m sorry that you’re suffering but I can’t be here for you anymore. 3. Or we got that nice metaphorical door of Tommys life and tommy seeing the brother he lost and choosing to let him “inside”, back into his life despite everything.

“We were opposites at birth I was steady as a hammer, No one worried cause they knew just where I'd be. And they said you were the crooked kind, And that you'd never have no worth But you were always gold to me”

Tommy is steady! Tommy wants the same things, he wants to protect his country, his friends and his discs. Everyone always knew what Tommy wanted and he was very open about what he cared about so everyone knew what was going on with him. Referring to Wilbur as the crooked one, the one who causes problems by creating a drug van, starting a war, blowing up his country. He had no worth because he thought so little of himself that he had to replace his personality with his actions. But tommy still sees him for who he is and up to Pogtopia that’s his big brother. That’s the man he would follow anywhere and trusts his whole world with. Wilbur was always special to tommy, even when he wasn’t to others.

“And back when we were kids, We swore we knew the future. And our words would take us half way 'round the world. But I never left this town and you never saw New York”

My main focus here is on the “but I never left this town” Wilbur always stayed in L’manberg, till the very end. He could never go anywhere else, and he didn’t. This also relates back to another song on my crimeboys list, two birds by Regina Spektor. Wilbur is never going to let go of L’manberg. It’s a part of who he is and he’s never going to be able to “leave” it. The you never saw New York line could be tommy because who knows Tommys plans before l’manberg. Then he got so wrapped up in this country he built that it became his everything, and he never got a chance to do anything else because of the effect it had on him. (I know this is stretching canon bear with me I like angst)

“And we ain't ever cross the sea. But I am fine with where I am now, This home is home, and all that I need. But for you, this place is shame. But you can blame me when there's no one left to blame. Oh I don't mind”

So many thoughts I don’t even know if I can make this coherent. For you this place is shame for Wilbur ESPECIALLY. It’s a reminder of the explosion he created, the hurt he caused the people who’s lives he ruined. He wants it to stand for all it was before, but he has to think about how it’s a source of hurt for so many people and how he sees that as his fault. I don’t think I can form coherent thoughts on the rest of this, enjoy

“All my life i’ve never known where you've been. There were holes in you, The kind that I could not mend. And I heard you say Right when you left that day, Does everything go away? Yeah, everything goes away. But I'm going to be here till forever, So just call when you're around.”

Final paragraph folks!! Ive never known where you’ve been! Tommy can never get a read on Wilbur and his emotions because he internalizes and hides them! He’s never going to be able to know and understand because Wilbur won’t let him! Holes in you the kind that I could not mend? YES. Wilbur is mentally ill and tommy cannot fix that, and he shouldn’t have to be the one responsible for helping Wilbur. Right when you left that day, the 16th, the day he left for the last time. Another reminder to tommy that everything leaves, nothing is guaranteed. L’manberg is gone and so is Wilbur. If we look at this pre revival, I’m gonna be here til forever could be Wilbur at L’manberg. He died there, and that’s where he’s always going to stay. He might be gone, and L’manberg might be gone but they’ll still always be there in spirit (get it spirit. Ghost. Ghostbur building L’manberg? Anyways...)

Mhm that was longer than I meant it to be I am working on multiple more dsmp playlists and I will share once I’m done and maybe do some more of these cause I find them fun. I also did not edit this at all so sorry if this is incoherent

#c! wilbur #Wilbur soot #dream smp Wilbur #dsmp Wilbur #dream smp #tommy and Wilbur #crimeboys #always gold #radical face #crimeboys songs #crimeboys music #Wilbur song #tommy song #c! crimeboys songs #lmanberg #l’manberg #lmanburg #fanon crimeboys

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sole-cuore-amore-e-droga · 4 years ago

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Croatia brings no men in a hamster wheel to Rotterdam 2021

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Now could this be the teddy bear uprising invasion Muse has warned us about 12 years ago?

And LITERALLY, these review series make me feel like Croatia is openly taunting me - I watch the days go, I’m losing track of time, and when another day comes, I’m screaming “oh no I forgot to publish a review sooner than wanted!!”. Guess I’m for one glad there’s a time related song this year, hum?

ARTIST & ENTRY INFO

Repping the Adriatic coast nation that got all the sea instead of Bosnia & Herzegovina is some 22 year old Albina Grčić, who first popped up on X Factor Adria back when that was a thing, and got lumped into a girlgroup in later stages, but to that she said “hvala ne” and moved on with her life, getting eliminated just like that. Queen <3 She did get her second chance to compete as a soloist and make a more prominent mark on her career when she ended up on The Voice in Croatia. She did well, placing third overall in the season, but somehow, during the duel stage, her coach initially favoured her fellow Dora 2021 contestant Filip Rudan:

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Her Voice success landed her a record deal with the Croatian division of Universal Music, she released a debut single, sometime later ended up on Dora, and here she is now, on Eurovision.

“Tick-Tock” is the song, a standard upbeat pop song, and one of the ones that talks about a girl leaving a terrible relationship and being so well over it that she “found [her]self and [she’s] finally free”, and the “tick-tock” here is used to represent the time passing by, not the sound of her heart, unlike a fellow ESC entry of a similar title. The tune (or its lyrics only) is co-authored by some dude you might’ve heard of from France’s 2018 preselection Destination Eurovision, and that is Max Cinnamon - some half-English guy with a half English song about love (”Ailleurs”) that did moderately averagely in the final... I don’t even know if his influence shows, I just love how 2021 has sort of become revenge of the NF flops but they’re writing other entries instead (Suzi P, “Adrenalina”).

REVIEW

I often don’t really fully vibe with female bops in Eurovision as much as I want to, like, for the most part they’re overhyped, and I let the “yass queeeeen” audience gorge on the everything their favourite bops give them. But this year there are plenty of great ones to choose from, as I think that it’s safe to say that most, if not all, are tucked in somewhere inside my top 20, top 25 at the very minimum. Croatia managed to even do the impossible and land into my top 10.

Why?

Well, the answer is that the song is just so damn good.

I mean, what’s NOT to like about it? It’s a catchy and upbeat song that incorporates xylophones (or whatever is it that sounds like them), guitars and synths; has a good bassline in the chorus; and it’s just... a very good composition overall, like, all the instruments in it are just in their right place and uplift the song massively. I also like Albina’s performance on it, both live and studio, it clearly shows that she’s a very good singer (also shown on her cover of the scandalous Oscar award snubbery “Husavik”). Sounds like a song a common pop loving Eurofan could gear themselves towards. Besides, it also has possibly my favourite pre-chorus section of the 2021 year? Oh wait, there’s also Switzerland, scratch that. “Tick-Tock” has one of my favourite pre-chorus sections of 2021. It builds up so well instrumentally and the way Albina sings it is even better. I obviously like to believe Albina heard those voices from far away that helped her to escape, has found herself, and she’s finally free from her “partner’s” bad lovin’ and restraint. Yas queen go be free you didn’t deserve his tomfoolery anyway! 👏 (Also I admire a section that’s not quite the pre-chorus but is still before the 1st chorus, the one that goes “If you pull me down then I'll come around” - literally just a lot of the parts of the song are full of nice vocal performance and I don’t regret ranking this in my top 10 not a second.)

If it has any drawbacks, it’s just that it gets a tad too repetitive after the halfway mark... like, the pre-chorus before the second chorus is the one to be repeated once again, and no new verse, nothing - but it does launch itself into something extraordinary, and that is a chorus in Croatian, which I assume she would perform in Eurovision because there’s no Eurovision version on the song promo bundle, I suppose. Comparatively the Croatian chorus is not as complex in lyrics as the English language one, and flows slightly differently too. But the song still has a long chorus by the end, and song with too many choruses is never a good sign for those that look for a song that’s constructed well, but I guess it’s a good factor for those that value the song’s catchiness. I guess that’s what one of the two Eurovision 2005 hosts valued the most when writing the Ukrainian 2006 entry “Show Me Your Love”, which if you ask me, is straight up 75% chorus, lol.

So yeah my verdict is that almost everything about this song, I like. I’m just a little devastated that in a usually very easily gorged on category of female bops, this just tends to lag behind in love, like a fellow song I really like this year, Israel. Instead people tend to prioritize Cyprus (which I get because they’ve established themselves as a girlbanger nation since Fuego swept Eurovision) and... probably even Azerbaijan? (which I might also get because Eurovision rarely has this thing called an ethnobop anymore, and it has more ethno than “Cleopatra” did, but still unnecessarily underwhelming lol.) Well then, in a year of female bangers, I would just like Croatia to not be swept under the rug come semis I guess. Yeah “Tick-Tock” may not sound like it brings something totally never seen before in a Eurovision environment (foreign language lyrics, themes about a break up, hell even her dancers looked like they were wearing the same hats as Tamta’s dancers), but you got to have a lot in you to sell a worn out idea to the new heights, and Albina does exactly that in my eyes.

Approval factor: Yeah! There is a lot of it in here for me. Follow-up factor: A great follow-up, not so great in regards to panini but musically it’s just going up and up from what we had in the past few years. I’ve actually not minded “The Dream” for the most part but I knew it was a chanceless plodding ballad and Roko harboured heaps of wasted potential working with Jacques Houdek and having wings as part of his performance, uff. *_* And then there’s “Divlji vjetre” which I also like a lot - a much better male ballad winner choice! If the Dora re-up winners keep being decent imo just like this, I have a feeling I will follow it a lot more often than I did just this one time this year. I am just saying that panini-wise, it was a sucky move from HRT for not allowing their last year’s winner promote his new song with Tijana (from Serbia 2017) on the Dora night, so we sadly only heard a pre-recorded opening version of “Divlji vjetre” to start off with :( Otherwise I think it’s not Dora’s fault in itself that Damir himself chose not to even submit an entry this year because he hadn’t found a good one - much like with Diodato for Sanremo (he was NOT rejected, if you think he still was, shush). But aside that, musically, it just keeps going up for me. Well done Croatia, for you’ve used to be a Eurovision country I don’t necessarily care about, that you brought two pretty damn good entries in a row. Qualification factor: I can absolutely trust in Albina bringing in a little bit of her charisma and well-likedness, and on top of that, a great vocal performance, in Rotterdam. Don’t ask me why, I just do. She doesn’t really perform her song live on pre-parties as much as I’d like to hope she would, but you heard girlie on the national selection, she didn’t win for nothing. Yeah yeah there might as well be female uptempo songs hungrier for the last spot, but I’d like to think Albina is one of the ones ready to devour than to be devoured. Go girl! Take us all dancing!

NF CORNER

To be honest with you, “Tick-Tock” winning Dora caught me by surprise. Ever since its re-up, the last two editions were kind of won by male ballads, and maaaaybe the dancey females were doing moderately well enough for themselves, but not overall? But look, juries were very keen on Albina, probably because she can SANG and she creates one hell of a fancy presence on her performance. And somehow she ended up snatching a win out of the hands of 5G conspiracy theorist 2016 representative Nina Kraljić, who was at first too drunk to care, but too unexpectedly sober to yell all over the soc. media how she was robbed and how the contest was rigged against her with her being on first and all that. Which is a shame that she is one of THOSE people, because her NF entry “Rijeka” is kinda nice? We did have the Balkan-esque ballads coming from Croatia in recent memory, but we haven’t had a truly proudly folksy one at that from Croatia for a long while, if not ever. Nina could’ve very well brought that to Rotterdam (and another mismatched wardrobe choice oops). But instead she was the one screaming “oh no, oh no, oh no”.

Actually I regarded Nina as one of my faves pre-show, and Albina was on her way, though she didn’t really cement the personal fav status until after all performances, thus making Nina and Albina switch spots for me. But truly, the one song that was my top favourite, iiiiiiiiiiis

youtube

GIMME AN OCEAN! OF LOVE!

2021 made me realize that damn, maybe anything that’s funky is my favourite music genre afterall. Up until then I vibed with entries like “Tonight Again” and “What’s the Pressure?” that had this sort of energetic flair and very rhythmic kinda sound to it, but 2021 just simply cemented it to me that my music world has probably been about nice and smooth and funky all along. I owe so much gratitude to ToMa first and foremost along the lines of more to have come in this year’s lineups - I just can’t not want to dance to “Ocean of Love”, and ToMa is quite alright at selling it live as well. There are small gripes with some instrument usages but that doesn’t detract from the fact that I love love LOVE funky guitar tunes.

Aside from that, I can give shout outs to Beta Sudar, whose song not only was underrated, but also had an underrated meme format throughout its performance:

My other props go to Bernarda, who not only competed in a national selection singing a song about seeing “Colors” while blind (and ironically there was a song called “Blind” in that same NF sung by a well-seeing guy!!), but also for finally putting this every country’s reject to rest. Seriously. That particular song was passed on to everyone in need of a competitive Eurovision bop, from Poli Genova to Helena Paparizou as of recently. Oh well, at least the song died a honourable death - well performed slice of good typical Eurovision pop (maybe even overperformed a little towards the end), that got a good rank with the regional juries, but somewhat murdered in televote, fellow Boris Milanov composition “Chameleon” style.

This one Mia Negovetić chick was promising too! Her song was written by the Debs and you might be tired of them trying to continue infiltrating Eurovision at this point, but a lot of their Eurovision songs are usually something I enjoy, “She’s Like a Dream” is no exception. Nothing but 3 minutes of pastel-dressed Croatian Ariana Grande doing what she does best <3

Oh and also some dudes tried to play chess on stage too I guess. But their song is not worth looking into, because one of the acts on it is apparently also a conspiracist, and maybe because oft this their entry is aptly titled “Sing, for the freedom has arrived!” lol I wonder what exactly is the kind of freedom you’re thinking of my guy

Was this the “better mood game” Laura was warning everyone about? Beats me

NF CORNER (NON-COMPETITIVE)

• It’s still hilarious to me as to how one of the acts this year, Brigita Vuco, was planning to bring in backing dancers, only for them to show a fake COVID test or something and outright BARRED from coming with her on stage. <3 Whatever she intended to do with them dancers, I have absolutely no idea, but at least she committed to her song being about drunken nights visually by having all these blurry shots

• Nina Kraljić’s greenroom shenanigans, from the “1-2-3, 1-2-3, drink” to numb the sadness over some results (and the 8 she got from the region Rijeka for the song “Rijeka” lmao), to whatever she saw on the phone that made her smile or go neutral

• Greenroom reactions in general. I swear, this year had cameramen in every single corner everywhere just to make sure something covers up for a human audience instead of severals of Zoom screens permitted to act as an audience. Random people in greenrooms were doing some sort of emotions after random acts, and also randomly they ended up pointing a camera towards an act that lost, but the act didn’t treat losing as if it were such a big deal <3

• All the other memes the Croatian Twitter might’ve noticed me for:

seriously Bernarda was locked in a bluelight mathematical dice contraption. how fucking cool is that

ANY LAST WORDS?

I just fucking hope that Albina shatters any doubts that people have had about her song come rehearsals, and somehow Croatia AND Israel slip through, because never too many female bangers I appreciate in the final, if they all are the bangers I appreciate, lol.

#eurovision #eurovision 2021 #rotterdam 2021 reviews #croatia #Albina Grčić #albina #tick-tock

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mhaccunoval · 4 years ago

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i finallyyyy finished the explanations for my tlb playlistttt so come get yall juice

if you haven’t already seen my first (official) post about this silly little playlist then you are still in luck !!! here is the spotify and the youtube links !!! oh yeah also all of the songs are in chronological order (maybe not by month but definitely by year) because i had to be organized like that sbjhshsjbs

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❥ title

i mean. there isn’t much to explain about it but sbjshbsjhs it’s based on sam’s line “you’re a creature of the night, michael!” of course but i made it plural because this playlist is sort of a. general boys / movie playlist, if that makes sense??? but yeahhhh they’re all littol creechers who love the night >:o]

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❥ paint it, black — the rolling stones

so !!! i was kind of trying to relate it to the boys vampirism and. love of black clothes sbhsjbshjs but no. similar to the title, they. literally live in darkness because of not being able to go into the sun and because of the few lights in the lair but there’s also a sort of duality where being vampires in an internal darkness??? like. each of the boys takes heavy advantage of the benefits of being undead but i can’t imagine it’s without its faults outside of the lack of sunlight and such. i’m sure there’s a kind of uh. monster complex that follows it, especially with the way outsiders view them, which certainly fits with the song’s vibe of being washed with this sort of sensory overload to color and earning weird looks for it

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❥ riders on the storm — the doors

first of all, there’s a giant ass jim morrison poster in the lair therefore the boys definitely listen to the doors (if not idolize jim) so jot that down. but also !!! it has very Them vibes !!! i think the storm effects definitely relate to boys in how storms create a darkness that is soothing in its own way, and comes on strong, just like the boys’ presence. and. technically they Are killers on the road that Will kill a sweet family sbhjsbshjsb but no most of all the !!! “into this house we’re born // into this world we’re thrown” and !!! the found family that the boys have going. like, if you look at. vampirism as the house they have LITERALLY been born into it and been thrown into a whole new world, depending on each other for comfort and pleasure !!! oh also. they ride motorcycles so they’re also literal riders sbhjsbshjs (fun fact, according to genius lyrics: apparently it was the last song jim recorded before he died a few weeks later 😳)

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❥ love her madly — the doors

whole jim morrison poster and listening to the doors reasoning is sustained. HOWEVER for the rest of reasoning… perhaps it’s more straight up 95060 than anything but sbhsjbsshj the whole woman walking in and out of the audience’s life is very symbolic of michael being in and out with the boys, never really deciding whether he wants to fully join them and straining. all of his relationships with that indecision and sitting on the picket fence (those who sit on the picket fence are impaled by it). although, it could also be partly symbolic of that indecision, as he does find Some charm in the boys’ lifestyle and keeps finding himself drawn back enough to even consider partaking in it. also, if you wanna go the parko route, paul loves marko madly enough to go after the frog bros personally for killing him <3

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❥ walk this way — aerosmith

i am. blanking on how to tie it in other than being on the movie’s soundtrack (yes i avoided it and people are strange until the very end of making the playlist, but one of the evils got me clearly— have always ADORED people are strange though). but. i guess you can make the case that the song is full of innuendos and some scenes, like the feeding scene, are lowkey horny sbsjhbshjsbs and YES it’s the aerosmith version instead of the run dmc one because. i prefer this one and it’s my silly little playlist <3

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❥ the boys are back in town — thin lizzy

technically the boys never Left town but !!! *christopher walken voice* Boys !!! them cast ARE crazy and they’re ALWAYS dressed to kill, ready to spill some blood and pick a fight !!! yeah no it’s just a very fun song that i think really works to. represent their crazy lifestyle and infamy around town due to causing trouble !!! and you can almost say that in this scenario star is the girl who used to dance a lot and slapped the shit out of someone <3 just girlboss moments <3

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❥ xanadu — rush

hehehe… this started as the. desire to add more rush to the playlist for my own amusement but the more times i listen to it, the more i’m like “!!! it actually fits”… like. xanadu here is meant to a sort of utopia that’s long searched for, partly BECAUSE of the promise of immortality which !!! the boys have (unless. harmed in one of the ways at the end of the movie) because of their vampirism. like even if we don’t know the exact reasons they got turned, they all still, mostly indirectly probably, sought out that same principle. And the dining on honeydew and drinking the milk of ‘paradise’ is similar to their thrill-seeking tendencies and general enjoyment of being unable to die, leaving them to enjoy their undead lives to the fullest. not to mention, in [b part 2] (as genius refers to it) there’s talk of many, many years passing and waiting for the world to end, which we know there’s been quite a few years in between the boys getting turned and the movie, as well as i’m sure they sit back and wait on Some apocalypse, if not just to watch the world burn. in writing this, i’ve ALSO realized how it can be considered very Michael; he didn’t exactly seek this life out but he found it and indulged, only to be that “mad immortal man” towards the end of the song

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❥ runnin’ with the devil — van halen

i just van halen is neat sbjshbsjsh and would definitely be something the boys would actually listen to hsjbshjsb i don’t Necessarily think vampires are in any way tied to the devil but. here it’d be more like a metaphor of “taking a walk on the wild side” if you wanna call it that; also, they all truly live their lives like there’s no tomorrow (not that they have to worry about death until the very end), have stolen a lot of things just to get by (probably in life AND death), don’t bode well with the ‘simple’ life (likely including the idea of a nuclear family like max proposed) because of it’s lack of pleasures, and don’t exactly have any “love [that] you’d call real” unless you read into the subtext

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❥ hot blooded — foreigner

originally this was going to be another joke about the. lowkey horniness of the boys and the movie as a whole but i’ve realized in writing these explanations thus far and rereading the lyrics that it’s. it’s just michael-centric sbshjsbsh sam is “at the mercy of his sex glands” and so is the audience of both the movie and the song sbhsjbshsj like. michael finds himself attracted to star immediately and tries for two secret rendezvouses, with only one working, and. can be said that he also finds a fever running within him when he’s around david and the boys sbhjsbshjs i just 🙈

———

❥ renegade — styx

renegade is my favorite styx song so i just said “fuck it” and added it sbshjsbshj but !!! you can say that, again, the boys live their lives on the wild side and. probably commit enough crimes to warrant dozens of sentences, some that would lead to death row (like, ya know, the. manslaughter) but they manage to get away unscathed. And the law man serving as an allegory to all of the people, including the frogs and grandpa, that want them dead for being vampires, with the bounty to be rewarded being the ridding of their trouble from santa carla

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❥ big shot — billy joel

mikey :o) … ok yeah he isn’t the. silver spoon in hand (nose) type but he’s LITERALLY the type to open his mouth and get himself deep in enough shit that a fight breaks out, potentially bloodied his eyes, nose, and/or fists. i don’t have much of an explanation outside of he is a himbo jock who pulled a “i didn’t know how to talk to my crush so i wrote a note telling them to get out of my school” except he said it with his fist instead of his mouth sbjshbshsj

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❥ boys don’t cry — the cure

pretty sure this is one of the ones i stole off of shovel (@/iswearimavamp) sbshjbshjs but i do love this song in a general sense too. in regards to the movie, like. none of the guys. obsess over masculinity or anything— and both david AND michael cry at different points— so that’s not necessarily an issue. but, there *is* still a lot of hurt and stepping on toes in many of the relationships in the film that can be stretched to fit, i would think sbjhsbshjs

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❥ highway to hell — ac/dc

this and back in black were some of the last two i put on here because i. wanted to make an ‘even’ 35 sbsjhsbshjs BUT, like with runnin’ with the devil, it’s about a devilish lack of care for one’s own life or the “status of their soul” and just doing what feels right or like the most fun, no matter if it lands them in hell or not. and !!! “my friends are gonna be there too” fits with the friendship within the boys’ found family and how they’ll all always be together, no matter what !!!

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❥ back in black — ac/dc

i can’t really think of an explanation that differs from highway to hell so just reread the above sbsjhsbsh

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❥ witch hunt — rush

OK !!! this is the song i’m the MOST excited to explain !!! right off the bat, moving pictures as a whole is an IMMACULATE album, absolutely love it. right so !!! this song literally SOUNDS like it belongs on the movie soundtrack; it has the same overtones and sounds as cry little sister and it’s just !!! and with the title, a witch hunt is BASICALLY what sam + the frogs went on in search of the lose boys, relying on little else but hearsay and catching glimpses at what was happening to michael, “confident that their ways are best” and moving along like a mob of three to get to the bottom of it. “features distorted in the flickering light // faces are twisted and grotesque” is very reminiscent of the faces the lost boys pull when they’re about to attack, and “they say there are strangers who threaten us” is symbolic of them being outsiders/outcasts that make everyone uncomfortable, even if You aren’t going to be their next victim. “the righteous rise with burning eyes” AND “quick to judge, quick to anger // slow to understand // ignorance and prejudice // and fear walk hand in hand” can apply to any number of characters, particularly the mains who are all pitted against each other, the humans fighting for their lives and the vampires fighting for their Right to live, neither taking into consideration the other’s perspective. i just… ADORE this song…

———

❥ red barchetta — rush

this one was mainly just because of the car that grandpa keeps in the barn and both sam and michael’s fascination with it sbhjsbsshj and just to get more rush on here shjsbshjsbsh

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❥ maneater — hall & oates

one of the first songs to hit the playlist !!! because the boys eat people !!! they’re the lean and hungry type that only come out at night !!! they’ll be sitting with you but their eyes are on the door and if you want love from them, you won’t get very far !!! the beauty IS there but there are beasts inside that can rip your world apart !!! they’ll chew you up but also leave you begging for more :o)

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❥ hungry like the wolf — duran duran

the second song to have gone on the playlist !!! the boys are always on the prowl for fresh meat (in both the food AND turning senses) and they come alive while on the hunt, blood no doubt rushing through their veins (assuming it still can) !!! and in the movie, michael is the one they’re after for the turning connotation, all wanting a taste of him for themselves !!!

———

❥ subdivisions — rush

this rush song actually went on before the others shbsjsbshj but !!! it still fits just as well (certainly better than red barchetta)… the movie all takes place on the fringes of the city, “in between the bright lights // and the far unlit unknown”, and while it’s not exactly in the suburbs, there’s still little comfort to soothe the restless dreams of youth. there IS a drawing like moths into the city, for both the emersons and the lost boys, which is what ends up bringing all of them together, although it starts are cruising for action just to feel the living night. and just !!! NOBODY fits in !!! if you take the movie title as them being Lost instead of an allusion to peter pan, then you get slapped with thinking about what actually makes them lost and how they don’t conform in any way, shape, or form to just about. anything. and !!! the emersons are new, which immediately puts them at a social disadvantage, but they Also don’t seem too terribly great at making new friends in general so !!! “nowhere is the dreamer or the misfit so alone”!!!

———

❥ abracadabra — steve miller band

i just love this song for whatever reason. and i think the allusion to magic to very fitting for the hallucinations that david gives michael, putting a sort of magic spell on him if you want to look at it that way. not a lot of silk and satin going gone but plenty of leather and probably some lace in there somewhere ( ;o] ) … also michael DOES heat up like a burnin’ flame whenever his name is called and the situation with the boys just keeps going round and round with no exact end in sight, only the calling of desire

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❥ separate ways (worlds apart) — journey

you would think i would have more journey on here ??? because i love them ??? but instead i stole this off of shovel too ??? it’s fine. time to be back on the 95060 bullshit sbsjhbsjhs we all know david Really wants michael to join them but. michael is reluctant, so that hesitance sets them worlds apart from each other— as if they weren’t already— and there’s still love between them, or at least the bgeinning sparks of it, even if michael refuses to act on them and only keeps pushing david away

———

❥ cum on feel the noize — quiet riot

just some boys loving to party <3 some boys with evil yet dirty minds, out of time singing, funny faces, and that have a lazy time <3 yeah no this is one they’d rock out to and someone would probably pull a muscle over because it’s just such a banger sbshjsbsjh

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❥ rebel yell — billy idol

Another stolen off of shovel sbjhsbsjhs also ever since it’s been pointed out to me that david looks like billy idol i’ve just been losing it a little sbhjsbshjs Anyway. they’d definitely idolize him to some degree, even if just for looks, and it certainly fits the way that they. most Definitely let out a rebel yell at the midnight hour if you know what i mean— *taken out by a sniper*

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❥ every breath you take — the police

would to believe to know i took it from shovel (i swear the last three where i say that will be rock you like a hurricane, livin’ on a prayer, and cherry pie sbshjsbsh) BUT !!! the watching every move is yet another. david keeping watch over michael and uh yearning from afar moment, heart aching the longer he’s away and the longer he keeps up this game of not knowing what exactly he wants to do

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❥ handsome devil — the smiths

ok THIS one was lent to me by ej (@/maybe-strawberry-blue) sbshjbshjsbs and let me tell you. this song (especially when paired with this charming man) is Very homoerotic, aka perfect for this movie shbjsbshjsbs like what got me first was “let me get my hands // on your mammary glands” and just. thinking about trans parko sbhsjbshjs but also in general the. “and i would like to give you // what i think you’re asking for” and “a boy in the bush // is worth two in the hand” and just sbhjsbshjs Everything. fits the ambiguous homoeroticism. And i think the boys would listen to the smiths (will elaborate more in the other smiths song explanation)

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❥ panama — van halen

i Told you all i think van halen is neat sbsjsshjb what can i say. the boys like fast moving vehicles, hard partying, and tender loving sbsjhsbhsj also forgot to mention that i think they’d all be :eyes: about pre-1985 david lee roth and i cannot blame

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❥ rock you like hurricane — scorpions

third to last shovel snatch sbshjsbh Here you can replace any one of the boys with the animals mentioned, as they’re always hungry and need to feed… they come out scratching and ready to win, willing to rock anyone who gets in their way like a hurricane— including with lust, depending on the situation

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❥ livin’ on a prayer — bon jovi

i actually can’t even manage an explanation for this one either just because of the song’s plot and how greatly it differs the movie plot <3 however it will stay because shovel said one of the boys (i forget which) would listen to it and friendship is more powerful than my small brain <3

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❥ the queen is dead — the smiths

rightttt so here’s the deal, buds and duds. something in my gut just tells me that david would pull a me and. listen to this entire album on repeat, particularly bigmouth strikes again and i know it’s over when in dramatics bshjsbsjh BUT to make a case for the title track itself, breaking into buckingham palce— or really any major building— with only a sponge and rusty wrench would ABSOLUTELY be an endeavor the boys would get up to And they’d all pale (worse than normal) about finding out they’re the descendant of some royal. “oh, has the world changed, or have i changed” and “life is very long, when you’re lonely” is quite fitting of their immortality, which i can only imagine would leave them questioning how the world has evolved and, although they have each other, i’m sure living forever still can get a Little lonely. And they’d certainly celebrate the death of a royal (because anarchy <3). mostly i’ve just been listening to this song on repeat for days sbhjsbshj but, i think it’s the most. generally related to all of the boys, whereas like. cemetry gates would be more solely 95060

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❥ need you tonight — inxs

my favorite inxs song… technically the 21st century Wasn’t yesterday when the movie came out nor when the song did sbhjsbshjs but there *is* a lot of sweating from desire and aiming to put that passion into use, very blatantly letting everyone know that sbjhsbshjs

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❥ bad medicine — bon jovi

there’s just something so fun about this song… and while listening to it on the drive home, i was thinking about it from a 95060 perspective where. david’s a bit lovesick (hence the love like bad medicine) and the choir of voices in the bg, saying “that’s what you get for falling in love”, would be the other boys knowing he’s gotten himself in over his head over what was supposed to be a minor tease or a small fling (would be a real fun and poppy animatic i think)

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❥ pour some sugar on me — def leppard

legitimately this started as a “haha what about my ‘what if the blood was kool-aid instead’ joke” and then i realized it was. a fair enough fit, especially with the feeding scene. except they’re actual vamps not just video vamps sbjhsbshjs anyway. sugar highs and red hot flames of passion for one another <3

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❥ cherry pie — warrant

ok THIS is the last song i took from shovel and. my reasoning is pretty much the same as pour some sugar on me and. Friendship

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❥ somebody told me — the killers

i wasn’t going to add any modern songs but. i thought it’d be funny if michael had had a girlfriend before leaving phoenix that looked a bit like david sbshjsbshj and then it only just added to angst sbhjsbshj

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❥ you know what they do to guys like us in prison — mcr

i was reminded that vampires will never hurt you exists but. i went with my favorite mcr song instead because. vwnhy is more like ??? a vampire that fears themselves ??? so like. an edward cullen type ??? while ykwtdtgluip is more about the homoeroticism and community ??? i said what i said

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❥ house of wolves — mcr

thank god this is the last song because i’m getting tired sbjshsjshb a little less homoeroticism, a little more general sinning and egotism <3

#pant rambles #playlist #ramble #in the last like. ten you can Tell i started getting tired

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zekroudon · 4 years ago

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The Song of our Hearts (Lukadrien June 2020)

Day 10: Sacrifice

@lukadrien-june

Luka is waiting for Adrien on the Liberty when his photoshoot ended early due to a storm. ( I guessed most people would write something angsty for the Sacrifice prompt so I went with something more lighthearted. ) You can read it on Ao3 here.

Adrien is supposed to arrive soon. He had a photoshoot scheduled this afternoon but it stated to rain quite heavily when the storm hit. It’s gone now and the sun is starting to peek through the clouds, but the ground is still wet and apparently it wasn’t the look they were going for. I never really understood it, but it must be like me when I don’t vibe with one place to play music. I won’t complain, the rain allows me to see my boyfriend.

The deck of the Liberty is slippery with all the puddles. I walk across the deck with the ease of someone who was raised on a boat. Juleka and Rose leave for a walk chatting between themselves. I sit on a dry spot near the edge, my legs dangling over the water. Some would be scared of the height, but I learned to swim very young and when you’re a superhero, a jump into the Seine isn’t the scariest nor the most disgusting thing you’ll do. I take the guitar off my back and start strumming some chords. The light of the sun slowly piercing through the clouds and reaching the ground, chasing the greyness. It’s similar to how Adrien lights up any room he’s in. In that big manor, he’s the only source of warmth. Well, his bodyguard is nice when you get to know him, but Mr. Agreste and his assistant: two cold hearted beings with shattered heart songs. I would pity them if they weren’t so horrible to Adrien.

I wouldn’t even be surprised if at our wedding, it’s his bodyguard standing beside us rather than his actual father.

Wedding, I’m getting ahead of myself. I should leave the overthinking and over planning to Marinette. Knowing her, she may already have started to design our wedding clothes as well as hers and Kagami’s.

I trust Adrien and I know that even if things between us don’t work, we’ll still be friends. I’ll make sure he’s happy, even if that’s not with me.

I hear someone walking onto the boat, though they must want to continue to listen to my music because they don’t say a word. I’m pretty sure it’s Adrien, he can be incredibly sneaky when he wants to, the only reason I heard him is the puddles. Mom and Jules would just say hi or ask me if I’m still thinking about Adrien, which is actually the case.

He walks closer to me, probably wanting to sit next to me as usual when I’m playing. Suddenly, he screeches and I see him fall forward beside me. I drop my guitar and catch Adrien with both arms while launching myself backwards so we don’t fall into the water. We land on the hard wood of the floor, water drenches the back of my jacket and my shirt. Adrien’s face is into my lap but he quickly straightens up and massages his face. After a few seconds, he looks at me and grins.

"Um, I didn’t pin you down as the guy to do wet t-shirt contests, he purrs.

- I could have let you fall into the Seine and you’d be completely wet… Where’s my guitar?

- Didn’t you have it in your arms… Oh no…

- Oh no what?"

He points to a floating mass onto the Seine, drifting away too quickly to hope to catch it. The belt was already starting to tear and I guess the push to catch Adrien was enough, it fell into the river.

"I we’re fast enough, we could get to one of the nearby bridges and we could try to catch it? Don’t you have a fishing rod or something?

- It’s no use, it would be too heavy and the rod would snap.

- I’m so sorry Luka, you should have let me fall instead, I know how much it meant for you.

- It’s okay… The guitar is replaceable, not you…

- It’s not like I would have died or anything? I’m not fragile, you know. Ladybug and Chat Noir went into the Seine, they would have said it if there was a monster or something.

- What is done is done, we don’t have any second chances."

He circles me with his arm, keeping me close. I snake my arms around his waist and lay my head on his shoulder.

"I’ll buy you a new one, it’s my fault it’s in the Seine.

- What? No! It’s not your fault. No matter what your father or his assistant may have taught you, it’s not your fault. Accidents happen all the times.

- Still, I know you don’t have the means to buy a new one, let me buy it for you…

- Adrien, no. It’s my guitar, it’s an important part of my life, I’ll work to get a new one. It’s really kind of you, but I don’t want your money. You’re more than your father’s fortune to me…

- But what will you do in the meanwhile? Music is everything to you… Are you sure you don’t want…

- Yes, I’m sure. Mom has an old ukulele, I’ll borrow it. It’s not like a guitar, but it will be fine."

I’d give up more than my guitar to make you happy, Adrien.

#Lukadrien June 2020 #Lukadrien #adrien agreste #Luka Couffaine #day 10: sacrifice #zekroudon's fics

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khalifaalsuwaid1 · 7 years ago

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Drag Race Winners Ranked

I should start out by stating two things:

1) This is not a “least favorite to favorite” list. If it were, these would be in a completely different order. I’m ranking the queens based on their runs on the seasons they won in, the queens they were up against, and their overall C.U.N.T.

2) These are my opinions, and mine only. If you disagree, fantastic! People have different opinions, it’s what makes us human.

Edit: Updated with our Season 10 winner, Aquaria!

13) Trixie Mattel

Trixie isn’t a bad or mediocre queen by any means, despite undoubtedly being the most undeserving Drag Race winner as of yet. If it weren’t for All Stars 3′s (one of the most disappointing, soulless Drag Race seasons, but that’s another post entirely) ridiculously flawed jury twist, where previously eliminated queens decide the top two All Stars, and BenDeLaCreme eliminating herself, she wouldn’t have won. Her performance on All Stars 3 was mediocre in the first half of the season, but she turned it out in the second half. There were, however, other queens that did much better than her throughout the season, and were solid all the way through. I think Trixie’s great, but her win felt extremely anticlimactic, and it wasn’t really her fault.

12) Sasha Velour

“Four challenge wins, four challenge wins..

Then the finale comes and the crowned queen is?…”

Sasha is a great queen. She’s intellectual, artsy, unique, annoyingly endearing with her history lessons that pop out of seemingly nowhere, and her run on Season 9 was relatively great, landing in the bottom once and never having to lip sync for her life. She’s winner material through and through. Why is she this low on the list, you might ask? Two words: Shea Couleé.

Let’s be honest, Season 9 was Shea’s season. She won four challenges, a record which she shared with two queens at the time, Sharon Needles and Alaska Thunderfuck (AS2), both of whom won their respective seasons. Even the editors weren’t expecting Sasha to win, since Shea was very clearly getting the winner’s edit. Season 9 felt like Season 8 most of the way through in terms of how obvious the winner was. “There’s no way in hell Shea isn’t winning this” the majority of people thought. Then it happened. In one of the most iconic moments in the show’s history, rose petals came flooding out of Sasha’s wig during her lip sync against Shea, and it all came crashing down.

“It’s not right but it’s okay” was the perfect final lip sync song, indeed.

11) Violet Chachki

This is where things get tough, because from here on out, I genuinely believe every single winner deserved the title of “America’s Next Drag Superstar.”

Oh, Season 7. Such a great cast wasted on a stupid amount of acting challenges. It’s a shame Violet never got the chance to REALLY shine during the non-runway parts of the season, because she’s a fantastic queen. Interestingly, her best moment came from an episode of Season 8, not 7. At the end of Season 8′s crowning episode, she came out wearing what is, in my humble opinion, the best thing to walk down a runway in the entirety of the series, stealing the three finalists of Season 8′s thunder.

She might not have always been at the top during the challenges in her season, and she can come off a bit rude, but when it came to the runway, she never under-delivered. Being up against, in the words of Trixie Mattel, “a partially sedated twink from Brooklyn” might have helped her win the crown, though. Ginger Minj was stiff competition, but in the end, Violet prevailed. Thank God she did, because she gave us one of the most iconic moments of Season 8, one which I’m obviously still not over.

10) Tyra Sanchez

Let’s get this out of the way: No, Raven was not robbed.

Look, Tyra can be mean-spirited, hateful and rude. Tyra on Season 2 was, in all honesty, a bitch. But you know what? She fucking deserved the crown. Her reasoning behind being a bitch was that she was focused on winning the season, and while I’m not sure if that’s true or not, she definitely slayed the game. Tyra delivered in almost every single episode of her season, and has her fair share of iconic moments (”DIS GROOB IS FOR MAH GIRLS” remains one of my favorite Drag Race moments ever!) She unfortunately gets a lot of unwarranted hate from “fans” of the show for “robbing” Raven of her crown and being a bitch.

Being nice is great and all, but Tyra showed us that you don’t have to be Miss Congeniality to be America’s Next Drag Superstar.

Unfortunately, Tyra has lost her way recently. It’s extremely unfortunate, because she’s extremely beautiful and talented.

9) Chad Michaels

I’m going to try my best not to reference The Hunger Games during this section.

If there’s one thing the Drag Race fanbase can universally agree on, it’s that All Stars 1 is objectively the worst season of Drag Race ever, because of its oh-my-god-this-is-so-stupid-who-thought-this-was-a-good-idea teams twist. This is why Chad’s win is usually swept under the rug in the community, but in all honesty, I’m just glad Chad won something.

During Chad’s run on Season 4, he showed us how a professional drag queen acts, dresses and talks. If it weren’t for Sharon Needles, Chad would have probably won the season. There’s really not much else to say other than Chad was a really polished queen that deserved to win something, even it was the worst season of a great show.

8) Bebe Zahara Benet

Dubbed “The Lost Season,” Season 1 of Drag Race is kind of a mess. The best kind, of course. The budget was paper thin, they had that awful vaseline filter throughout the whole thing, and nobody knew what they were doing. Not Ru, not the producers and definitely not the contestants. In a way, Season 2 was actually the first season of Drag Race, whereas Season 1 felt like an elaborate pitch. There was no “Snatch Game,” a challenge that would become a staple in the series, for example.

However, Season 1 has something later seasons lack in a major way: genuineness. The contestants of Season 1 didn’t really come in with catchphrases prepared, or cared how “fans” would harass them on social media. They were a bunch of men in wigs having fun. One of those contestants, Bebe, really stood out. Born in Cameroon, as she likes to remind us (she really, really likes to remind us) she had and still has a sense of presence none of the other contestants on the show have. When she walks on stage, you really feel like a Queen is walking down the runway. To this day, she is the sole queen that gives off those vibes.

She is sadly always forgotten, despite having a stellar run on Season 1 and being the OG winner. Thankfully, All Star 3, where she had another great run, put her back on the radar. May she never be forgotten again. Cameroooon!

7) Aquaria

In all of my years watching Drag Race, I’ve never done a complete 180 on a Ru Girl as hard and fast as I did on Aquaria. Rewatching her “Meet the Queens” video, I still have no idea why she presented herself the way she did. Going into the Season, I saw Aquaria as a bratty look Queen that was extremely full of herself, and to be quite honest, the first few episodes didn’t change my viewpoint.

As the season went on, however, she started to show her true self. Aquaria went from a brat to a sweet, awkwardly endearing dork, and I loved every single microsecond of it.

I’ve failed to mention her runway looks, which were nothing short of excellent. Every time she walked out on the runway, all you saw was polish from head to toe. Her Mermaid, Hats Incredible and Evil Twin looks are absolutely breathtaking. Her performance in the challenges was just as good. If you had told me Aquaria would win Snatch Game at the beginning of the Season, I would have laughed in your face. But she did. Week after week, she defied expectations and was always full of surprises.

She didn’t deserve the crown, the crown was deserved by her. It truly is the dawning of the Age of Aquaria.

6) Bob the Drag Queen

I’m paraphrasing, but Thorgy Thor, a contestant on Season 8 of Drag Race, said something along the lines of knowing she wasn’t going to win when she saw Bob walk into the werkroom for the first time in an interview.

Season 8, perhaps more than any season of Drag Race, had the most predictable winner, and yet, nobody was really mad about it. The reason being is that Bob deserved every single fake jewel on that crown. Season 8 had a fantastic cast, but Bob was so much better than the rest of them, it bordered on being unfair. You could sense that the moment he walked into the werkroom.

Fashion and Makeup is where Bob usually faltered, but more than made up for it by being absolutely hilarious in acting challenges, killing Snatch Game, and all around just being a good sport.

There’s this thing about Bob that other winners lack but I can’t quite put my finger on it. He feels…”Real,” I guess? I don’t really know how to put it into words, but whenever Bob talks, he exudes friendliness, whereas most of the other winners have an “aura” around them. It makes him very, very special.

5) Jinkx Monsoon

Everyone loves a good underdog story!

For the first half of her season, Jinkx mostly flew under the radar, despite constantly doing great in challenges. The other queens started realizing that she was a threat around halfway point of the season, when it was a little too late to be able to do something about it.

Because of this, Rolaskatox, a clique created by Roxxxy Andrews, Alaska Thunderfuck, and Detox Icunt, started going ham on Jinkx, bullying and hating on her every time she did as much as draw a breath. It felt very similar to Season 3′s “Heathers vs. Boogers,” except this time, “Boogers” was made up of one person. Seeing Jinkx take them down one by one felt fantastic and oh, so satisfying.

Jinkx, out of all the winners, is probably the nicest and most innocent one. She’s kind and completely unbothered by any kind of drama whatsoever. She marches to the sound of her own drum, and it’s honestly so refreshing.

4) Raja Gemini

Raja gets major props for winning hands-down, the most difficult season of Drag Race yet. Queens frequently say that Drag Race is the “Olympics of Drag,” and rightfully so (Yara Sofia wouldn’t have broken down during a lip sync if it weren’t. Season 3 in particular was pretty bad.) But other than that, Raja served some of the most creative and iconic looks to ever grace the runway. Her Marie Antoinette and Native American looks, I imagine, are engraved in everyone’s minds because of how beautiful they were. Her drag is extremely different than everyone else, especially than the ones that were on her season.

She also gets props for beating Manila Luzon, who is undoubtedly the most talented runner-up in the show’s herstory.

To this day, Raja still delivers some of the most gag-worthy looks to come out of Ru girls, and managed to stay relevant by being the co-host of “Fashion Photo Ruview,” a show where she and Season 2′s Raven Toot and Boot looks from episodes of Drag Race.

3) Sharon Needles

When Sharon walked down the post-apocalypse runway dressed up as a half zombie, half mummy thing, with blood pouring out of her mouth, she made an impact on the entirety of drag. Up until that point, drag, especially on Drag Race, hadn’t gone there.

This is why Sharon is celebrated, because she showed everyone that drag wasn’t just about looking fishy, pretty or anything of the sort. Drag can be spooky, disgusting and horrifying. I don’t believe Sharon invented this kind of drag, but she certainly brought it to the forefront. I honestly believe that Dragula, another drag competition, would not exist had Sharon not won Season 4.

She was also a part of one of the best Drag Race storylines, if not the best: Sharon vs Phi Phi. No matter how hard the show tries, it just can’t replicate the legendary rivalry between those two girls. Sharon obviously prevailed at the end, but it was a story for the ages.

2) Alaska Thunderfuck 5000

I’m going to say something a bit controversial here: Alaska isn’t really one of my favorite queens. She comes off as a bit of a perfectionist, something I personally despise. Why is she this high on the list, then?

As I stated at the beginning, this isn’t a “least favorite to favorite” list. It’s a list based on queens’ strength, and I struggle to find someone as unapologetically talented as Alaska.

She is, in my opinion, the most well-rounded queen in the show’s herstory. She can act, sing, lipsync, serve looks, read…I could go on. She’s the epitome of “Jack-of-all-trades, master of all.” She absolutely swept the floor during All Stars 2. Yes, it might’ve been rigged for her, but even if it weren’t, she’d still easily sweep the floor and win.

She’s also a Drag Race superfan, and will probably get any sort of reference you throw at her.

1) Bianca Del Rio

Pretendstobeshocked.gif

I mean, was there really any other choice? We’ve reached a point where I personally believe we’re never getting a winner as good as Bianca, and a season as good as Season 6 of Drag Race, and I’m at peace with that.

Bianca is the living embodiment of C.U.N.T. She’s charismatic as all hell, unique and unlike any other queen, can and will read a bitch whenever she gets the chance to, and she’s out-of-this-world talented.

She sailed through her season, never landing in the bottom 3. Just like Bob, everyone knew Bianca was going to win the moment she walked in, but nobody cared because it just felt right.

It felt right.

#rupaul's drag race #rupauls all stars #trixie mattel #sasha velour #violet chachki #tyra sanchez #bebe #chad micheals #bob the drag queen #jinkx monsoon #Raja #sharon needles #alaska thvnderfvck #bianca del rio #Aquaria #Drag Race #Season 10 #Rupaul

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midwesttiltking-blog · 7 years ago

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08-Baseball, But Better

This chapter Is about trying to take a girl on a date in the zombie apocalypse. Hope you like it. -------------------------------------------------------------------------------------------------- “Are you sure you should be drinking this early?” Kevin pat Darrin on the back who was hunched over the bar his face barely above his glass.

Darrin turned to look at Kevin his eyes were still red and his face had lost most of its color “I think I’ll just stay here for the day”

The bartender smirked as he began to draw another beer for Darrin. He was a large man with facial tattoos and a nose piercing his head shaved clean. When he set the drink down he leaned and whispered “I’ve got a few other things that could make you feel better too, if you need.”

Moon grabbed Kevin and pulled him away from the conversation “Well...This bar is kinda creepy so we’re going to go wander around the city a bit. Right Kevin?”

Kevin noticed many of the patrons were watching as the walked out of the bar. All of them males, long beards, bandanas, sunglasses and leather jackets, “yeah...let’s get the fuck outta this place”

They made their way back into the sunlight and city streets. The city was contained to just a few roads. It probably was host to a few thousand people before the outbreak. Only a few builds had been destroyed unlike many of the town's Matt had liberated which often boasted burnt ashes of government building, banks and mansions. Kevin and Moon explored the city streets not finding much to do. To their surprise despite the city being in pretty good physical condition many of the people there were living in squalor. The city streets were almost completely empty, and those that did cross their path looked as though they had not eaten or bathed in days. They stopped and sat on a park bench. Kevin fiddled through his backpack and pulled out an old off brand MP3 player and some earbuds. He placed one in his ear and offered the Moon. She smiled and placed it in her ear. Kevin scrolled through the artists, for a moment then finally landed on one and hit play. They kicked back and looked up into the sky for a few minutes in silence.

“Say Anything huh?” Moon slowly turned her head towards Kevin.

“Yeah they are my favorite band”

“Oh yeah? You love those sappy love songs, or just the angsty vibe of ...Is a real boy?”

“I love everything about them. I always thought Max and I were kinda the same, and if someone like him could find love after all the emotional struggles he went through when he was younger, maybe I could too.”

Moon giggled a little “Yeah you just gotta have the perfect voice and the perfect bod first before you can find your Sherri”

Kevin shrugged “Ok ok, maybe we’re not super similar, but you know what I mean.”

Moon turned back to the sky “Yeah I get it you are a Cusack boy”

Kevin smiled “Are you Molly Ringwald girl?”

Moon put her hand on Kevin’s back prompting them to stand up together “Hm, I don’t know. But I’m sure there is a guy out there writing shitty pop-punk songs accusing me of being his Molly”

Kevin nervously pressed the conversation on “Oh yeah? Did your last boyfriend write music?”

Moon responded almost automatically “No”

“What was he like”

Moon shivered involuntarily “He was nothing more than a body”

“Oh...um, we don’t have to talk about that if you don’t want to, I’m sorry for always asking you about it.”

Moon looked up at Kevin. Her eyes welled up, but she kept a smile on her face “Yeah, sounds good.” They continued walking through the city passing the MP3 player back and forth taking turns picking songs. They ended up at a diner which boasted having the best food that stayed dead. The menu was carved into a wall above the grill, notably it did not include prices, just money symbols. “Rabbit $, Deer $$, Pig $$$, Water, Beer $$”

Kevin chuckled at the simplicity “Hm, doesn’t look like this place has any specials or a seasonal menu, you sure we should eat here?”

The cook turned around exposing a scarred face and missing eye “yah can order something, or fuck off”

“Well take 2 orders of deer and waters” Moon took a place at the bar not intimidated by the chef.

The chef smirked and extended his arm putting a finger on the center of Moon’s chest “And how exactly do you propose to pay for this missy”

Moon grabbed his wrist and squeezed as she bent his arm away from her “Were good for the money, now I believe your job is serving us not harassing me.”

“You let this little bitch act like this? She’s gunna get killed out here” the chef turned to Kevin looking for someone to take his side.

Kevin had partially drawn his short sword “Look man, you are lucky you didn’t get killed when you touched her so maybe you should start cooking if you plan to make a sale here.”

The two waited in silence as their food was prepared. Kevin pulled out an old flip phone and began typing a text message trying to be quiet about it. He passed it over to moon beneath the bar.

“This guy is a dick, lets just go somewhere else”

She shook her head and began typing back “No, we’re not backing down. But you are probably gunna have to fight him to prove you are more macho than him”

Kevin laughed aloud a bit prompting the cook turned around. He slammed two waters on the counter with a grumpy stare. Kevin quickly hid the phone in his jacket. The cook grunted as he scanned over both of them, then turned back to the grill. “You are outsiders huh?” he paused and cracked his neck “Bet you got a lot of nice stuff on you” He spun around thrusting a knife forward. Kevin barely dodged it. About to fall off the bar stool he reach out and grabbed the man’s arm, accidentally pulling the cook over the bar counter. The two of them tumbled to the ground wrestling for control of the knife. Kevin push the knife clear of his head, then let go with one of his hands and began elbowing his assailant in the head. The cook let go of the knife and grabbed Kevin, pulling him to his feet. He lifted Kevin off the ground and tossed him crashing into a booth. Kevin braced the attack and attempted to draw his sword but the hilt was stuck under the tabletop. Rolling over onto the floor he dodged a plate which was hurled towards his head. Kevin struggled to get out from under the table, before he could clear it the cook stepped on his right hand. Kevin cried out for a second in pain then he bent over wedging his sword’s sheath into the man’s stomach. He flipped forward shoving the man backward while simultaneously drawing his blade. Kevin stumbled to his feet using a bar stool to prop himself up. The cook reached over the counter, and pulled out a shotgun. Kevin took a deep breath and audibly exhaled. *TWACK* The back side of moon’s blade smashed against the chef’s head. He lost his balance falling over onto a table. Silverware and coffee cups shattered as the body spilled to the ground.

Kevin sighed as he put his sword away “I would have paid him too”

“Well I’m still hungry” Moon gestured her head toward the grill.

Kevin pulled up his sleeves and dusted off his clothes “Ok ok, give me a minute.” He search through the building finding a few things not listed on the menu. He finished the dish able to serve the meat seasons with garlic powder and a side of lettuce, with a dessert of half a chocolate bar. The two took their food to go. Before leaving Kevin dug in his pack to find a few old dollar bills. In very teenage angst fashion, He had drawn the anarchy A over the president’s faces. He left $60 laying on top of the unconscious body and lightly patted him on the face “See you could have all the useless money you want and we wouldn’t have beat the shit out of you.”

The pair ended up at an abandoned movie theater and decided to take refuge there to avoid another run in with a less than friendly member of the city. They sat side by side towards the back eating their food. Kevin sat with his legs on top of the seat in front of him while Moon kept to her space respecting the potential viewers in front of her. A piece of meat fell from Moon’s plate and almost immediately a rat scurried out to procure it. Before he could make it back to his hiding place beneath the seats a throwing knife pinned him to the ground.

Moon nudged Kevin her face half smiling “Well if you are still hungry, I found some more meat”

Kevin pretended to gag then brushed the body away with his foot “Nah, I’m good… you know, the projector here is probably digital, I bet I could rig it up to play something. What do you want to see?”

Moon sat for a minute pondering, “Hm, it doesn’t have to be a drama, but just something you really connect with emotionally”

Kevin took off to the upstairs and made his way to the video room. Sure enough it was a digital projector. He opened his backpack and poured out a few electrical devices. He cut off the plug for the projector and stripped the cables, then tapped them to a laptop battery. After a few seconds the projector powered on. He took out a tablet and scrolled through a movie folder. Eventually he settled on the first Gurren Lagann movie. With his chest puffed out Kevin proudly walked back into the theater signing the opening theme song of the movie.

Taking his seat next to moon he placed a smartphone between them with the speakers facing up.“I don’t have enough electricity for the sound system...So this will have to do”

“Meh good enough for me.”

Kevin very energetically watched the film explaining to Moon the parts which had been left out from the original anime, and the cool new scenes that were improved in the movie. He echoed all of his favorite lines from the film, sometimes even standing up and pointing to the sky copying the pose of the characters on screen. As the film came to a close, the scene which Kevin dreaded began.

He sat back with his arms crossed. “Bitch” he whispered under his breath

Moon turned to look at him “What?”

“She’s a bitch”

“Yoko?”

“Yeah she comes between Kamina and Simon and causes him to die”

Moon threw her arms up “How is that her fault? What did she do, have boobs, and that ruined their friendship?! Maybe if men could control their desire to want to fuck every woman they see this wouldn’t have happened.”

“You don’t get it”

Moon very frustratingly rubbed her forehead “No. You don’t get it. Look, Simon does nothing, he just sits there and watches. How can that be Yoko’s fault?”

Kevin crossed his arms and turned back to the screen. Moon got up and began to walk out. Before she left the theater she stopped and looked at Kevin for a minute. Kevin noticed and adjusted himself to be facing away from her. “Just leave. I don’t want to talk to you” She sighed as she walked out of the theater, rubbing her eyes.

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usstatesofsong · 8 years ago

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Countdown to #Eurovision: Yearly Reviews - 1982

We’re approximately three months away from the next edition of the Eurovision Song Contest, and while we’re waiting for more of the 2017 songs to be released before reviewing them (as we did last year), we’re going to revisit Eurovision song contests from the past and rank our favorites in each contest.

Welcome to Harrogate! Well, where is that? In North Yorkshire, apparently... as if all people should know where that is, of course... It’s in England, where I participate in watching the last contest that I’m not too familiar with - for a while, that is. From 1983-1996, I’m well-informed about the songs and the presentation. However, I’m curious enough to watch this edition in full; it’s only a little over two hours long. British efficiency – but of course! Jan Leeming (I think that’s her name) would lead a very structured and quick songs presentation and voting sessions; the first song is already starting about 8-9 minutes in! When we get to 1997, it’ll be an entirely different era of Eurovision starting to take form, and I’m interested in seeing that, too. Her French is a bit awkward and clumsy, but so will be 1983’s English and French, soo… what can we say. They didn’t try to pull anything crazy, but the presentation of 1982 wouldn’t be very memorable as a result. Moreover, there were only 18 countries – Greece, Italy, and France all jumped ship. For shame!

Again – I only know a few of these songs. I also know that everyone’s immediate reaction to Bucks Fizz winning the year previously was to start dancing and actin’ a fool. But I’m ever-so-eager to learn what else will surprise me here. Let’s go!

(Click the titles of the songs below to listen to the full-length songs.)

youtube

1. PORTUGAL – Doce, “Bem-Bom” - 13th place, 32 pts

God damn, Portugal! For two straight years you sent really fun and interesting music! They don’t usually do ‘wacky’ entries, but this was as close as they got back in that day. I love the thumping drums that keep the song moving and interrupt this from being a true disco-beat. The four ladies who sing the song have fun dance moves, all black and white ensembles, and the “Hey!” shout followed by two claps during the choruses enhances this song. The only thing I could fault them for is the vocals themselves, which are very basic. It’s just fun, and a great start to the contest.

2. LUXEMBOURG – Svetlana, “Cours apres le temps” - 6th place, 78 pts

With a name like Svetlana, I’m going to guess she is not a native Luxembourgian. Well, whatever – she’s beautiful, and her voice soars high into falsetto-land. High and above the heavens, at the end! She is attempting to fly like a bird and starts prancing like a ballerina. I’m not sure how I feel about the song itself, given it’s simple pop feel, very typical for that era. But I think it holds up well for what it’s setting out to accomplish. This is much different, and much better than, their 1981 entry – but they would perfect it even more in ’83.

3. NORWAY – Jahn Tiegen & Anita Skorgan, “Adieu” - 12th place, 40 pts

Gah, they’re back! Actually I read somewhere something interesting about this – apparently Norway was getting tired of being relegated so lowly in the voting, so they put forth some ridiculous amounts of effort in ensuring the lyrical and musical quality of the song would sound less ‘Norwegian’ and be more accessible. I think it paid off! I am fonder of this than Luxembourg’s song already, and it’s simple but steady… at least, steadier than Jahn’s microphone. Calm down, dude, no need to be nervous! It’s cute, it’s cuddly, and very loving. Good on you, Norway!

4. UNITED KINGDOM – Bardo, “One Step Further” - 7th place, 76 pts

Alright, so you’re at home in the UK, watching your act take the stage and thinking how awesome it is that your country is hosting the biggest television show in the world. Two singers, a male and female, proceed to sit on the stage. Then this tribal drum sound starts up, the title comes stuttering up the screen, and the dancers start rolling and … air-humping? Wow, Mom and Dad, we sure are a great country! The problem with this song is that it tries to do EVERYTHING at once. It’s over-the-top. There are great parts, and horrible parts. Her singing is more inconsistent than the guy’s, too. I wanted to really like this, but all I can remember is how the first 10 seconds of the song were completely unnecessary.

5. TURKEY – Neco, “Hani?” - 15th place, 20 pts

“Not there, honey!” Okay, then where? Well, it’s obvious to me that the 1970’s aren’t completely over yet in Turkey. Now, Neco has a great voice; it takes a lot of confidence and experience to lead an effort like this. Also, the sounds that take over toward the end – the electro-disco synthesizers and drums - make this song so much better than the year before. A solid effort from the country that had yet to see a Top 10 placing.

6. FINLAND – Kojo, “Nuku pommiin” - 18th place, 0 pts

Oh… This is that song… LOL. Well, Finland makes sure to expand your idea of music, that’s for sure. I don’t know how they expected to score well with this song; the first two lyrics (in English) sound like “Yo sir Kunaka, eating cock-aaaa” and the credibility flies out the door. The chorus is “Bomb me – bomb me – nuku bomb me – lean on help a bomb”… It’s a rock song in Eurovision, and it’s very new-wave 80’s rock. Now, this is one of those “so-weird-slash-bad-slash-odd-that-its-good” entries. I’m having a hard time doing anything but making fun of the song. But in 1982, this was too progressive, and he literally screams half the song. The breakdown at the end is very cool, and he has a Bruce Springsteen vibe. He loses that rep when he makes a snore sound at the end. I don’t care if this was part of the original composition, it’s dumb. Why do the Finnish insist on making awkward sounds in the last five seconds of their music? (See 1980.) The man at the giant drum does this pirouette move and fails to pretend to hit the drum on queue. Watch it, it’s hilarious!! I will have to balance these things towards the end with my voting. Summary: this song is awesome. But it’s challenging.

7. SWITZERLAND – Arlette Zola, “Amour on t’aime” - 3rd place, 97 pts

Well this pondered right into the hearts of the 50 and 60-year-olds watching from home, huh? I get a weird half-Aunt vibe from Arlette; not to mention, she’s trying to be Kate Bush a-la Wuthering Heights during her ESC performance, dress and all. She has the right voice to take this song to new heights, though, and it’s very schlager. But it’s not in a category of song that I wish to pursue after I’m done watching this song contest.

8. CYPRUS – Anna Vissi, “Mono i agapi” - 5th place, 85 pts

This has a very melancholic feel for a ballad, and I sure do love it. It harkens to “Johnny Blue” but carries a true sense of lament. This song shows off Anna’s vocals so much more than “Autostop” did, not to mention, her intonation is flawless. Literally not even one note was out of tune! I can definitely feel something going on here, and it’s probably the best ballad of the night thus far!

9. SWEDEN – Chips, “Dag efter dag” - 8th place, 67 pts

There was supposedly a band named Chips in the Irish National Selection, which could have caused the very interesting and odd situation of two groups with the same name in one contest! This is so lame, I’m sorry. Interestingly it’s similar in design and content to the 1985 winner, but for whatever reason I could feel the energy and jubilance of that song. This just looks lame, and outdated. Maybe it’s those loser saxophone players; I don’t know. There’s also some weird thing going on toward the end that lends influence by ABBA themselves. And ABBA you are not. Get off stage, please.

10. AUSTRIA – Mess, “Sonntag” - 9th place, 57 pts

You named your song ‘Sunday’? You... named your group “Mess”? This song is a mess. Well, this is the reverse of the UK – the female singer is much better than the male. But again, it’s a lame throwback song. Are there any redeeming qualities to it? Uhhmmm… well, they look colorful on stage? And the man did a good job at catching the girl? No, this is definitely a candidate for the big goose egg from me, which hurts – I really like most of Austria’s songs from the 1980s.

11. BELGIUM – Stella, “Si tu aimes ma musique” - 4th place, 96 pts

Yes! We have officially entered the world of 80s pop! It’s a bit schlager, but not too bad. And dare I say that Stella is knock-dead gorgeous. Yes, I do love your music! Now the lyrics end up coming off as a bit corny, and I’m not sure how well the Francophone countries scored this, but the composition boosts this one for me. It has a very sunshiney feel that was missing from the previous two songs, since those came off as so fake. This actually makes me happy!

12. SPAIN – Jan Lucia, “El” - 10th place, 52 pts

I was listening to the Spanish commentary leading up to this entry, and it was really conserved – but I imagine the hype was there! Lucia is such a diva on stage, and she controls the audience with her delivery. It’s very Spanish and it’s basically tango music, but I have to love the dance breakdown halfway through the song. What an interesting way to enhance its uniqueness. Spain has recovered from an otherwise dull past two years! So, knowing that ethnic can work, what do you think they’ll send in ’83? …. :D

13. DENMARK – Brixx, “Video-video” - 17th place, 5 pts

Oh my god, Denmark, you actually sent new wave music to Eurovision!!?!?!? YES! The music television era has begun! Now, let me guess – the song did horribly with the juries. It is a tad short, and the front-man’s voice is a bit cringe-worthy at times. But talk about a song that can get stuck in your head… “Video! Video! Ja, video mej”. I’m definitely rewarding this some points if I can!

14. YUGOSLAVIA – Aska, “Halo, halo” - 14th place, 21 pts

Okay, I was watching the first 15 or so seconds of the beginning of this performance thinking, “Okay, so the only really bad comment I have so far is their clothing. Not a deal breaker!” but then they started singing, and I put my hand to my face. Not only does the orchestra have to literally quiet down so that these ladies’ voices can be heard, but then you’re welcomed with a bunch of 45-year-old housewife voices grooving and sidestepping to a schlager-fest. No thanks. There are… okay elements to this, especially towards the end, but it’s too late. The lady in the black dress looks so bored. It’s too bad because I recognize one of the singers (the one in blue) – she’d return in 1983 as a backup singer for a much better song.

15. ISRAEL – Avi Toledano, “Hora” - 2nd place, 100 pts

This is one of the other few songs I’m aware of (save for the winner) for a very hilarious reason. Problems with the design of the British stage become evident during this performance; at about 1:27 in from the beginning of the song, the female dancer on the back-right knocks over her microphone, making a very audible fall. You don’t actually see it fall, but when they cut to the next shot, you see it on the floor. The female dancer on the back left is looking over to her like, “God damn it you messed this up for us!” and I laugh it off. There’s just not enough space to do those dances on that stage. But listen – the song itself is fantastic, perhaps even the best dance song of the night. Very Israeli, but powerful, driving, and led by Avi, who sings it with all he’s got. An excellent entry! And just when you think it can’t get any louder and bombastic, it does! Whoever composed this song for the orchestra deserves a gold medal. For real.

16. NETHERLANDS – Bill van Dijk, “Jij en ik” - 16th place, 8 pts

Okay. I had to pause this video and get over some laughter – what is it with people not realizing how their lyrics could be interpreted in other languages? Surrounded with girls, Bill runs up in surprise, points to the audience, and croons, “Cake!” As for the song itself, it’s so 80’s. And then the female drummer winks at you with total honesty. And then Bill grinds against the magenta-dress-wearing backup singer. And then Bill gargles a Dutch lyric. Then he screeches a bit. And then he does the reverse splits. And points some more. And pirouettes. Good luck winning, guys. Now I want cake.

17. IRELAND – The Duskeys, “Here Today, Gone Tomorrow” - 11th place, 49 pts

The Irish brought disco schlager to Britain. Fitting! Given what the Irish have accomplished in all the years they’ve been doing this contest, prior and later on, this seems so lame and effortless compared to others. The only thing I can think of is that this music was big at that time in Europe. For what it sets out to accomplish, it’s not the worst thing in the world – I like the harmonics of the voices during the “Here today, gone tomorrow” lyrics. But it has not aged well. And the “la-la-la”s are a cop-out.

18. GERMANY – Nicole, “Ein bisschen Frieden” - 1st place, 161 pts

You know, this is a quite peculiar song to end the series of songs prior with! The order of the songs was always random in these days, so only one could wonder how Nicole would’ve finished if she were placed differently amongst the other tunes. Despite all this, this song rocked the show so hard because everyone felt the need to capitalize on what Bucks Fizz’s win brought to Eurovision; even Britain. Germany stripped it all down and sent a girl with a guitar to center stage, sit down, and sing a song about peace. And it was a great song, too; probably the best folk song ever entered into Eurovision. Definitely deserving of the win; Germany’s first win!

Just another anecdote - Israel and Germany would trade each other the douze points on the night, which was seen by many as a sign of putting past histories aside for the sake of music and peace. If only some of the countries participating today could do such a thing! Ahem, Azerbaijan...

My votes:

12 - Germany 10 - Israel 8 - Portugal 7 - Cyprus 6 - Belgium 5 - Denmark 4 - Norway 3 - Spain 2 - Turkey 1 - Finland

(Luxembourg and Switzerland come close to scoring, though!) The “Big Fat 0″ award: Austria Honorable Mention: Luxembourg Worst Dressed: Sweden

And here is the overall count of points thus far:

1st - 26 - Germany (1982) 2nd - 19 - Portugal 3rd - 18 - Greece (1981) 4th - 17 - Belgium 5th - 13 - Ireland (1980) 11 - Denmark 11 - Norway 10 - France 10 - Israel 8 - Luxembourg 8 - United Kingdom 7 - Cyprus 6 - Spain 5 - Turkey 3 - Finland 2 - Sweden

- 50SS

#eurovision #esc 1982 #esc #eurovision 1982 #ein bisschen frieden

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