#not me going nationalistic on main

[2deadkat]

You know I’m thinking about the Sticky Rice caper and as an Indonesian I have literally never heard anyone refer to Jakarta as the “Big Durian” here…is that a foreigner thing? Or did they pull a Brazilian caper.

I mean if you want a Statue of Liberty we have “Monumen Nasional” basically the country’s commemorative independence piece and the worlds most longest torch where the flame is made out of actual gold.

Or or the giant Garuda statue in Bali. Which is based off an Iconic god and iconic story. Imagine a caper out of those two, that would be so fun, just them trying to steal a monument while fighting on top of it. Plus the Garuda statue is green so knowing this shows’ color symbolism, Vile go crazy.

Just so you know I like the actual episode itself, just representational-wise I thought it was funny.

[coyote-fawn]

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[jbk405]

Okay, so, either the trailer for Monkey Man was horribly put together, or I completely misunderstood what was presented, because I had NO IDEA what I was getting into. The entire plot took me completely by surprise several times.

This film is deliberately political. I can't recall the last time I saw an action film have such a clear focus on government. It's relatively common for the Big Bad to be a person in government -- that makes them an even bigger threat because in addition to the Criminal Thugs they employ they also have the Police and Media on their side -- but when this happens their actual politics don't matter. They're also a drug dealer, or human trafficker, and that's what the hero is fighting against. Usually we don't even learn what their politics even are. We may see them give a speech saying "Family values!" intercut with them doing drugs and having sex so we know they're a hypocrite, but that's the extent of it. In this film we know that the villains are part of the Hindu Nationalist movement, and are encouraging violence against religious minorities and gender-nonconforming people throughout India.

The condemnation is so direct that I'm not surprised Netflix backed out of distributing out of fear of the backlash in India. The only way the film could have been bolder would be if they used actual political party names instead of the "We're not actually saying 'Bharatiya Janata Party'" angle.

I was also completely unprepared for the inclusion of the hijra temple commune. I was already surprised just by the mention of crime against trans people on the news in the film, but then the main characters finds himself rescued and rehabilitated and welcomed into their society with open arms. They counsel him both philosophically and physically, and prepare him to resume his quest. And then they join him!

A literal army of trans women toppling the oppressive power structure was not on my BINGO card, I'll tell you that.

This movie was intense and an experience, and if you can see it in theaters I say you go right now!

[vulgar-mary-p-ppins]

A glorious and stunning movie, well worth going to see. Miyazaki has not shied away from talking about the war before: The Wind Rises, albeit at it’s core a love story is still about the problem of creating the kamikaze planes and how life continues even in war time. As Miyazaki’s work has matured and his son has taken over more and more of the production, I find that his stories have become darker and his story-lines more complex. As such, I am delighted to see him make something so unsettling and mature as a (extremely loose) Dante’s Inferno. This is a far, far, FAR cry from something like Kiki and Totoro.

The details in which the shadow of the ongoing Pacific War color this film lend to Miyazaki’s style of talking about calamity in the softest way possible. Barring the opening sequence in which the main character witnesses the firebombing in Tokyo, there is no other “war violence”. However, at one point, his father stores something his factory is making in their house: the cockpits of the kamikaze planes. A character in the other world mentions off hand “soon, your world will be enveloped in fire”, which is clearly in reference to the bomb. Background details show wartime propaganda posters, nationalistic symbols, and children and adults performing the volunteer work usual for late stage war time. Much like Nausicaä, these are all details of the setting and are almost never overtly mentioned or pointed out.

This is a story about grief, just as Dante’s Inferno is, but also about the processing of war time trauma by a country besieged. Mihito, the main character, means “sincere one” and, when looking at this piece through the understanding that many Japanese perceive themselves as victims of World War II, he is a symbol of the victim mind-set of Japanese war time. He takes things as they come, never having a strong reaction either way. He isn’t bitter or angry, neither is he sad or grieving. He is numb. He goes through the motions of politeness, the motions of nationalistic fervor, the motions of life; but he is numb. It is only when the promise of retrieving his mother from death comes to him that he begins to break through his numbness, but it is the retrieval of his aunt that makes him a little boy again — a symbol of processing the loss of his old way of life, pre-war Japan, by embracing the new, post-war Japan.

I need to do more research into the symbolism of particular birds, because the usage feels too specific for me, but frankly, I haven’t yet. I loved the movie. I can’t wait to watch it again. Its a movie about sitting with your emotions, however, so, much like Miyazaki’s other more mature works, it is almost painfully slow. But that is what makes him a master storyteller; as an artist he reminds us to sit down and wait. The world is too fast now, and he has stated in interviews that his works is supposed to instill nostalgia for a time when we were younger and the world wasn’t so fast nor demanding. He wants us to sit: with the whimsical, with the painful, with the romantic, and in this case with the unsettling. And he does it again.

[harleyxhoward]

Analyzing The Abilities of Characters From The Boys

-Le Finale-

🇺🇸Homelander🇺🇸

Thank you to everyone who sat by and waited for this grand finale, it truly means a lot to me! You’re the heroes, truly! I added Superman by Ivory Layne because I associate it with America’s #1 Supe, plus I wanted to plug one of my all time favorite 2010s throwbacks.

I think Homelander’s “Evil Superman” pitch is definitely the main draw of the franchise, but I wish he wasn’t always shackled to that identity. He acts as an introspective analysis of the true evil of corruption on a radical/political level. I mean, the man was birthed in a lab and raised on straight looping American nationalist propaganda. He was essentially being hypnotized by Vought to be an All-American boy, and yet he turned out exactly like America itself; overpowered, inescapable, and caked in far too much makeup.

Homelander/John’s wide range of abilities stems directly from the versatile torture methods Vought used on him in infancy in order to rig the results of the V and produce the most amount of abilities. For example, my assumption is they would drop him, along with other flying Supes, from high places, and if they managed to float for survival they would grow up to be able to fly at dazzling speeds. This is based on the number of trials he endured, such as the oven he would be placed in for hours on end. He’s now invulnerable, but he had to quite literally be forged through flame to be so.

In addition to his range of abilities, the episode of Diabolical that depicts Black Noir feeding him his lesson on optics makes his inability to swiftly dispose of those who show no fear all the more reasonable. When he’s viewed as the monster he’s always been seen as (the whole “you ripped out of your mother and beamed through the bodies of the doctors in the room while flying like a scene from the exorcist” thing) he’s incentivized to be what they expect of him, almost like how he was taught to be what the masses wanted from him. The careful crafting and hardwiring of a monster stays, even though he’s subverting Vought’s benevolent persona.

When a character shows indifference or truly just a lack of terror, he spares them, deeply yearning for genuine human connection with an individual who doesn’t recoil from his advance. Whether it was Madeline, Stormfront, or Maeve, they all proved themselves to be fierce women who he had difficulty letting go of. Madeline in particular managed to survive up until the exact moment she admitted her fear of him, to which he incinerated through her skull with his laser vision.

Even when analyzing how he spares Hughie, Butcher, Annie, or the rest of The Boys, Homelander has ample opportunities to fly over and murder them all. He could kill them all in broad daylight and get away with it, but whether he’s consciously aware of it or not, he fully needs humans on this planet who know the truth about him and refuse to be afraid. The alternative would be too boring, and as I could imagine, horrifying. He doesn’t want to be a king, we see into his psyche too frequently to know he hates himself. He truly hates what he sees in the mirror, and masks it with a veneer of egotism until he eventually breaks down again. He wants people unafraid to challenge him, otherwise he would have used one of his several powers to slaughter The Boys ages ago. You may call it plot armor, but I think John needs someone to go blow for blow with. Butcherlander

John never had the chance to be human. He was directed how to be a god, and given the power to match. While every part of me sees him as the monster he is, rape and murder included, I almost feel like killing him wouldn’t be the karmic serve fans think it would be. I agree with the sentiment that he should be stripped of his power and condemned to live an average human life without access to Compound V (I like to imagine they’ll just blow up Vought tower in the finale, but we’ll see). His scenes with Ryan almost make me believe that he wants to be human, but he can never do that as the supervillain he is today. Maybe if he could try out being a human, he wouldn’t have to try and escape his humanity.

[bestworstcase]

@tumblingxelian from here

As the person who started the "Give that girl a cult" tag, I kind of disagree. RWBY Beyond already made it clear Ruby has a lot of people focused on her in a Great Uniter sense. Add in how many issues she's been having and judging by the movie continues to have with playing the role needed of her. & that there's a nationalistic/fascist movement being aided by the villains & I feel like Ruby being admired not playing into it makes zero sense. The memes of Jax just screaming in frustration cos Ruby is much, much, much closer to the icon he only pretends to be are just memes and not realistic expectations for the volumes story. I should also clarify, cult was just picked cos "Fan club" doesn't have the same connotations.

mm to clarify where i’m coming from, my main point of disagreement with the "ruby gets a [celebrity] cult" angle is with Where and How it will have narrative impact (i think ruby’s celebrity will be more of a personal stumbling block for her tied into the summer rose mystery and an issue that exacerbates the nascent civil war, not smth she can take advantage of in the political conflict vs the crown) and how prominent it’ll be in terms of the amount of specific focus put on people adoring her.

but the main bone i have to pick is with specifically the "ruby is literally going to be deified / silver-eyed ascended savior / tea as communion wine" type stuff (like this other anon) where "cult" is being used explicitly to mean religious veneration. THIS variant makes me want to bite people 

but anyway, to your actual points: i get that the jax meme-ing is largely exaggerated joking around, but at the same time the main thrust of all the real speculation in this vein is that ruby’s celebrity functions to set up a personal conflict between herself and the asturias twins and strengthens her coalition’s hand against the crown because she’s admired, an inspiration to the people, etc. 

in the same way that "salem’s gonna show up a year late with starbucks to explain her ninety step plan for beating the gods" is an unserious joke that follows from things i do seriously believe, that salem’s ultimate goal is to get rid of the brothers and the heroic side will hear her side of the story as probably the last major narrative turning point… no one is joking about jax going "NOOOO!!" while he bleeds supporters to ruby’s accidental cult of personality because they don’t think her celebrity is going to play a meaningful part in defeating the crown, yeah?

i’m also using the memetic joke phrasing in the prev post mainly because i didn’t want to just repeat stuff i’d already said in the one right before, but—well, okay:

1 - the crown isn’t a vanity project. jax is arrogant, but he does also fundamentally believe that he’s doing what is best for his nation; it’s an ideological project. and the ideology is more or less, "vacuo was broken and exploited by foreign invaders long ago. outsiders and those who aren’t willing to fight to the death for vacuo make this nation weak; to become strong again, loyal vacuans must band together to get rid of these people and fight for ourselves and our way of life." when jax imagines the "old ways," he envisions himself as the kind of king who holds himself equal to all his people ("he wasn’t going to hold himself above them")—he’s tying himself in a mental knot here to hold this belief while also putting half his forces under mind control, obviously, but the cognitive dissonance here is buried very deep. 

2 - the MAINSTREAM, NORMATIVE city vacuan cultural view—expressed by many different vacuan characters, including sun—is "we lost our identity and our way of life because people were too soft and content; we let the other kingdoms come here and take what they wanted, and then they left us with nothing but sand, heat, and bitter memories. but hardship and fending for ourselves for so long has made us strong, so we don’t need anyone telling us what to do!" <- i am condensing but much of this is lifted verbatim from the speech sun makes to rally eleventh hour support against the crown. in that speech, he rhetorically equates the twins to the "other kingdoms" who, like the crown, "promised prosperity and paradise."

3 - now. i don’t believe rwby is going to play straight this idea that vacuans were to blame for the conquest of vacuo, because a) the nomadic vacuans in after the fall hold very different cultural attitudes, b) in the 9.11 animatic oscar explicitly refers to all this as a "history of colonization," and c) rwby doesn’t blame faunus for being persecuted or the people of mantle for being repressed, why would vacuo be different?—these are cultural views that i expect to be challenged in v10.

4 - notice how similar these normative/mainstream views are to the crown’s ideology! the crown is more extreme, more violent, but it’s really not that far off from stuff the good-guy vacuans say. before the 9.11 animatic, this was the whole basis for my thinking that the crown would be the arc antagonists in v10—at the end of the book, the defenders turn the tide by flipping the nationalist rhetoric around; ideological victory to the crown. dump tens of thousands of refugees from another kingdom into this situation, and what happens? popular support for the crown explodes. 

5 - BTE is a villain origin story. it’s just the prelude that sets the stage for this explosion of popular support; the main event is in v10, and i think this time the crown is going to be much stronger. in the book, it’s a fringe movement extremists and a roughly equal number of unwilling "recruits" under jax’s thrall, but almost every city vacuan character we meet expresses hostility toward "outsiders" and "traitors" and a lot—not all, but a lot—of what the crown believes is normalized to some extent; a really significant number of vacuans were just one refugee crisis away from breaking for the crown. vacuo has had two refugee crises in swift succession and there’s atlesian and mistrali warships allied with the faction that welcomed the refugees flying over vacuo now.

6 - it doesn’t matter that those foreign ships are there to defend vacuo too; vacuan nationalism is grounded in centuries of colonial occupation and the optics are really, really bad for the coalition. here is what jax is going to be screaming from the rooftops: "half or more of vacuo’s population is outsiders now, people from atlas and vale who never lifted a finger to help us but expect us to sacrifice everything to save them—give up our food and water when we scarcely have enough to sustain ourselves, give up our homes, spill our blood and defend them with their lives. they’re weak, pathetic cowards who came running to hide behind us instead of fighting for their kingdom, and they expect us to believe they’ll fight for us when the time comes? no, they’re just here to do what the other kingdoms have always done to us—they’re the real threat. are we really going to sit by and let these foreign invaders take our country from us again?"—and a lot of vacuans are gonna buy that bullshit.

7 - not least because a lot of it is… kind of true. vacuo has a very long, very real history of suffering at the hands of these other kingdoms whose people it is now being asked to make very real sacrifices for. both CFVY novels emphasize that food and water are already scarce before the kingdom doubles in size and vacuo is weathering onslaught after onslaught of grimm because of the refugees. it’s a really tough situation, and for someone like jax it is a massive political windfall because it’s so easy to twist that reality into a justification for hatred and violence.

SO,

here’s what really stands out to me about the 9.11 animatic and ruby’s celebrity in B4:

nora’s section: establishes that the vacuans are really angry, like "throwing junk at small orphaned children in a screaming rage" angry

oscar’s: the shade coalition is holding on by its fingernails against grimm drawn to the city in droves.

ren’s: the asturias twins get broken out of prison, and he reflects that salem has the advantage because it’s easier to exploit fear and anger than to overcome them. 

winter’s: popular support for the crown is booming ("atlas go home" and "long live the crown" grafitti)… and then the second refugee crisis arrives, provoking what is quite likely another days-long unrelenting assault of the city by grimm. also, when the shade coalition isn’t running itself into the ground fighting grimm, they’re distributing food and water to refugees. (=the crown’s talking point here is "see? they only care about helping THEM, not US")

qrow’s: he feels optimistic because he sees the refugees coming together, trying to support each other through this crisis and atone for past wrongs. the old divide between atlas and mantle is healing. every single character in this section is a refugee, and the "remember her message!" mural seems to be something the happy huntresses organized. 

"it was a relief for us," says nora of reaching vacuo, "but for the vacuans…"

and boba: yang takes ruby to specifically a boba shop that relocated from patch to vacuo after vale was evacuated; so this is likely a neighborhood where a lot of valean refugees settled and that means the vacuans who live here are going to mostly be the type of people who were willing to open their community and absorb that second wave of refugees, i.e. the shade coalition’s support base, people like the nomadic vacuans in ATF who would never be swayed by jax’s rhetoric at all because they weren’t already xenophobic… which BTE implies pretty strongly is a minority position within vacuo proper.

B4 is a character-driven piece focused on ruby’s personal struggle, and the beyond spots are all pretty light, pretty hopeful, and pretty opaque about the situation in vacuo for reasons of being optional side content.

the 9.11 animatic, on the other hand, was meant to be an episode of the show proper, so it does not hold back on the foreshadowing / setup at all: from nora to ren to winter there’s a pattern of escalation with vacuan support for the crown gaining ground, getting louder and bolder, and then qrow’s optimistic conclusion is focused very tightly on the refugees, with an acknowledgment that things are "bad, probably never been worse" beyond the small good he chooses to focus on… which conspicuously does not include any vacuans participating in these small acts of kindness or atonement: it’s klein and willow and the happy huntresses looking out for other refugees.

here’s what i think is going to happen with ruby’s celebrity in v10: the refugees from atlas and mantle will adore her—she’s the girl who rallied the whole world to come help them, and got them out alive when salem attacked and their general lost his mind. the refugees from vale will love her—she’s theirs, after all, born and raised in vale, and look at what she’s started. the minority of vacuans who threw open their doors to welcome the refugees will think the world of her—if atlas hadn’t fallen so quickly, these are the people who would have done whatever they could to send help, and her example is an inspiration. 

and the rest of vacuo is going to fucking hate her. she’s the girl who asked the whole world to come running to help atlas and then the very next day dumped atlas and its problems into vacuo’s lap. is it fair to pin the blame for everything on ruby? fuck no, but she’s the face of this crisis for better and worse.

she’s not a threat to jax; he literally could not ASK for a more perfect scapegoat. she’s the girl from beacon who abandoned her school instead of fighting to save it. (<- explicitly how the crown and basically the entire shade student body views the beacon survivors.) she’s the girl who begged the world to come help atlas and then not even a full day later ran away AGAIN, dumping atlas on vacuo. she’s the reason the sky is crawling with atlesian and mistrali warships. she’s the reason grimm attacked the city every few days for months on end. the satellite she used to send her message is a fuckoff huge battleship looming over vacuo now. she keeps asking vacuans to set aside their differences and work together with the tens of thousands of refugees burdening the kingdom, and all of those refugees think she’s the best thing since sliced bread…

i think ruby will be a polarizing figure—possibly divisive enough that her return might be the final straw that rips the kingdom in half. ’cause like. the people with the most reason to admire her are also the ones the villainous nationalist group despises and wants to get rid of, and the 9.11 animatic flags hard that the crown’s support among vacuans has skyrocketed since the refugee crisis began. they’re not a fringe group anymore.

so on the one hand, the pressure put on ruby is going to be orders of magnitude more intense than ever before because she’s a celebrity beloved by the coalition’s supporters, most of whom are refugees, and between that and finding out vale is just gone now right after getting back, to judge by her characterization in rwby x jl2, ruby is NOT going to be coping well in the wake of her resolution to be all summer was and more. 

and on the other hand, to the crown’s supporters, who could very well now be the majority of vacuans living in the city proper, she’s the perfect scapegoat and they’re going to utterly despise her, inflaming the existing divide and maybe splitting what fence-sitters still remain at this point one way or another. ruby is both the girl who united the world and the girl who tore vacuo apart—rwby does love its contradictions!—which is a) not going to help her mental health situation at all, and b) a problem she and the rest of the shade coalition can only solve by winning the ideological argument. 

to put vacuo back together again they need to beat the idea that "outsiders" make vacuo weak and therefore to be strong vacuo has to drive out everyone deemed un-vacuan. more to the point, they’ll need to overcome the feeling that vacuo is suffering because the rest of the world came together for the refugees. which… is difficult and unfair, because the crown are the ones refusing to play ball and making everything harder than it needs to be, and because if the crown goes into open revolt then the coalition is going to have to fight back and that will make it even harder to make a convincing case that the coalition really does want to be fighting for vacuo, for all vacuans, not against them. it SEEMS impossible. but saving everyone in atlas and mantle seemed impossible, too. 

also, waves vaguely, i expect the vacuo arc will mirror atlas in various ways and this is one of them: the ascendant political movement are bad guys this time, reactionary nationalists, and the heroes are going to defeat them the hard way, no cheating, which will incite the healing of vacuo.

[thewebcomicsreview]

The Webcomic Reviews Mini Reviews Masterpost, Part 1

People always ask me what I think of various webcomics, so I decided to start collecting my thoughts in one place! Click the images to go to the comic! Comic titles with a ⭐ after them are recommended, but even if I don't give a comic a star, that doesn't mean you won't like it.

[un]Divine ⭐

What is it: A highschooler sells his soul for a big titty demon gf, and now has to have anime battles against angels who keep trying to eat him.

The Good: Excellent art and monster designs, some of the better fights in webcomics.

The Bad: Danny is kind of a bland protagonist. The comic keeps threatening to veer into femdom porn, which may be a good thing for some of you. Comic is on permanent semi-hiatus and updates very infrequently

You should read it if: You wanna read a comic with big fights, big angels, and big titties.

Ava’s Demon

What is it: A bunch of kids possessed by demons have space adventures and are sad

The Good: Extremely good art. Occasional "high production value" moments with music and limited animation. The single-panel page format really highlights the art.

The Bad: Bland writing, weak characters. The single-panel page format really slows the flow of reading it.

You should read it if: Learning that the Wrath demon is named “Wrathia” doesn’t strike you as comically dumb

Awkward Zombie ⭐

What is it: It’s a comic that makes jokes about video games

The Good: It’s the best comic that makes jokes about video games

The Bad: If you haven’t played the game in question, you might not get the jokes. Awkward lack of zombies.

You should read it if: You like jokes about video games. I don't....it's not a complex premise.

Camp Weedonwantcha ⭐

What is it: A bunch of kids are left at summer camp forever by parents who’ve abandoned them to die. Wacky comedy and feel-good moments ensue.

The Good: Cute adventures with kids, reminiscent of some of the better Nicktoons from the 90s. Surprisingly emotionally effective when it wants to be.

The Bad: While the ending is satisfying in its own way, many plot threads go unresolved

The Terrible: Nickelodeon bought the rights and is sitting on them.

You should read it if: You like slice of life adventures with blasts of dark humor and feels

Cloudscratcher

What is it: Ducktales, with Genocide!

The Good: Cute and generally likable characters. Decently paced

The Bad: Doesn’t really excel at anything. Weirdly insistent about totally not being a furry comic even though it obviously is.

The Terrible: The author is a white nationalist, and the lack of link is intentional.

You should read it if: You like 80s cartoons and hate minorities

Cornucopia ⭐

What is it: A ninja is sent on a mission to literally steal candy from a nation of morons, fails.

The Good: Good art and well-paced storytelling. Clever use of different types of word balloons. High joke-per-page ratio

The Bad: Doofy tone may not be your cup of tea. Seems to have died young, though the first chapter is still a complete story

You should read it if: You like JelloApocalypse’s videos on YouTube, or his series Epithet Erased, since he made this

Dresden Codak

What is it: A genius inventor has wacky adventurers, then goes to a flying city and spends most of the comic’s run embroiled in a conspiracy run by evil anime villains.

The Good: The drawings are pretty. The early comedy adventures are quirky and charming.

The Bad: Panel layout and composition, especially early in Dark Science, is atrocious. Presents the comic as a feminist power fantasy, but the main character usually has her tits out and has had her clothes burnt off on multiple occasions.

The Terrible: The author is a notorious jerk. As of this writing, The Dark Science storyline has been running for eight years and has yet to reach a triple-digit number of pages, even though it’s a full-time job for which Diaz earns $4,000+/mo on Patreon.

You should read it if: You thought the best part of Ghost in the Shell was the lesbian orgy boat.

Drop Out (NSFW) ⭐

What is it: Two girlfriends go on a road trip to kill themselves in style

The Good: Short enough to be read in one sitting. Surprisingly good visual storytelling for a first comic. Realistic dialogue and high tension keeps you engaged even when not much is happening. Subtle details that don’t become apparent until a second read reward paying attention.

The Bad: Heavy subject matter. Lettering can be tough to read in early pages.

Content Warnings: Drug Abuse, Suicide, Mental Health Issues, Detransitioning….a list of all the difficult content in this comic would be so long it’d look like I’m making a joke. This is a heavy comic.

You should read it if: You like arty dramatic comics that deal with uncomfortable topics

Dumbing of Age

What is it: College students obsessed with late 80s-early 90s pop culture have relationship troubles

The Good: Of all the popular comics it’s trendy to shit on, this is by far the best. Solid gag-a-day strip with plots that move at a decent pace.

The Bad: Realistic depictions of abusive parents co-exists in the same comic as a literal superhero, leading to some jarring tonal confusion.

You should read it if: You like newspaper-style drama comics.

Everything Is Fine

What is it: Maggie and Sam are a normal married couple in a very strange world where proving your loyalty is the key to winning, and the best way to prove your loyalty is to show someone else is disloyal. And also everyone wears mascot suit cat heads all the time.

The Good: Well-written characters, a novel premise, and excellent pacing. I’m not the biggest fan of the webtoon “really tall page” format, but it’s taken advantage of at times for nice transitions

The Bad: The webtoon format can be irritating, and the worldbuilding is toeing the line between “compelling mystery” and “If there were two astronauts on the moon and one shot the other wouldn’t that be fucked up?”-ism.

Content Warning: Gore, Suicide themes. Every page with such content has a warning on it (which works better in Webtoon format, actually)

You should read it if: You liked the dystopian fiction fiction books you had to read in high school.

Gunnerkrigg Court ⭐

What is it: A girl attends a scientific school in a magical world that’s honestly not even slightly like Harry Potter but people say it is because they think J. K. Rowling invented British schools

The Good: Good art and fantastic panel composition. Slow-burning dark fantasy mystery.

The Bad: Takes a little while to find its groove. Starts feeling rushed and confusing near the end.

The Terrible: Boxbot

You should read it if: You like dark fantasy stories, or stories in general.

Homestuck ⭐?

What is it: A kid wants to play a video game but it’s downstairs and he doesn’t feel like talking to his dad yadda yadda yadda the universe explodes. Was briefly ungodly popular.

The Good: High production values, many updates are music videos with excellent music. Great character writing, especially in Act 5. Toby Fox, the creator of Undertale, did a lot of the music, and arguably isn’t even the best musician featured.

The Bad:The early part of the comic is brutally slow-paced, and is an impossible hurdle for some.

The Terrible: The ending is widely considered a major disappointment, and attempts to turn the comic into a franchise have been met with mixed reviews. The prose epilogues are deeply divisive.

Content Warning: A lot gorier than you might expect, mitigated by the cartoony art style, abusive relationships, the epilogue is just generally gross.

You should read it if: You want to see what the hell all those kids in grey face-paint at anime conventions were about

You should also consider: Just getting the music off the bandcamp, it’s really good.

Homestuck 2

What is it: A “dubiously canon” sequel to Homestuck, following from The Homestuck Epilogues, made by a different creative team. Follows two intersecting future timelines

The Good: The art is quite nice, and the new characters are fun and likable. Very bold in its ideas, for better or for worse it’s rarely boring. One of the few webcomics to be able to integrate trigger warnings clearly while remaining non-obtrusive with them. Faster-paced than the original Homestuck (low bar!) and has a few clever presentation ideas. Willing to be its own thing. If you’re worried it’s just “Homestuck 1 but more of it”, this is not that.

The Bad: Not at all a stand-alone comic, Homestuck 2 is completely incoherent if you’re not familiar with Homestuck 1 and the Homestuck Epilogues. Does not have the big multimedia productions Homestuck 1 was known for. Beloved characters from Homestuck 1 can come off really badly, which upsets a lot of people. If you’re looking for “Homestuck 1 but more of it”, this is not that.

The Terrible: At times, this comic is actively trying to piss off the readership by dragging out unpopular plot revelations. I actually like this about it, but unsurprisingly a lot of people don’t.

You should read it if: If you have to ask “Should I read Homestuck 2?”, the answer is probably “No”. This is a comic for people who are riding the Homestuck train to the bitter end.

You should also consider: Reading my Liveblog of it 

Kiwi Blitz ⭐

What is it: A precocious young girl gets a Kiwi-shaped robot and decides to become a superhero ridding the world of nefarious furries. More of a cute character drama than a superhero comic, and more of a superhero comic than a mecha one.

The Good: Cute artstyle. Not without dramatic stakes, but fairly light and fun throughout minus a few people getting shot. The android 42 is stand-out great character.

The Bad: Prone to long hiatuses as the author's main comic is now Sleepless Domain.

You should read it if: You liked Sleepless Domain, and are looking for a somewhat lighter comic by the same author.

Latchkey Kingdom ⭐

What is it: A girl goes on adventures in a magical land of idiots

The Good: Good but not overbearing comedy. Tight chapters. Strong side characters

The Bad: Thanks in part to Patron-backed stories in between the “main” chapters, can feel like an episodic series with no main character or driving plot

The Neutral: Willa is a semi-silent protagonist, and often gets overshadowed by the wacky people she meets. Cerberus Syndrome, executed well

You should read it if: You like adventure, silly characters, and jokes about Dark Souls.

Leasebound

What is it: Two lesbians are contrived into sharing an apartment, then the comic becomes a polemic about how trans people are evil. The second-best TERF webcomic on this list

The Good: This comic has no redeeming qualities

The Bad: It’s hella transphobic, and not even particularly interesting about it the way Sinfest can be. Everything that’s not hateful is boring, and the comic is practically going “Go on, be offended, blog about me, give me atteeeennnnttttiiiiiooooonnn!”

You should read it if: You really shouldn’t, and I’m not linking to it

Least I Could Do

What is it: Rayne Summers is the best at everything and you should listen to him

The Good: This comic updates on time regularly. Sometimes it updates without word balloons by accident, making it surreally funny

The Bad: Poorly thought-out political rants; few jokes, severe overuse of beat panels, copy-pasted art.

The Terrible: Designed to go viral, not to be entertaining; makes panels wordless just so they can be used as preview images

You should read it if: You have committed horrible sins and wish to atone

Legend of the Hare

What is it: I wrote this! A white trash loser girl is peer pressured into becoming a magical girl by a pair of pushy rabbits. A spinoff of the print comic Blade Bunny, written and drawn by the current creative team of Saffron and Sage.

The Good: Bouncy and cartoony art. Strong and memorable characters. Very weird and freewheeling.

The Bad: The plot is an absolute mess, stalling out and even going backwards at times, though it mostly comes together at the end. The tone is wildly inconsistent.

The Terrible: Kind of South-Parky in its humor sometimes

You should read it if: You like Saffron and Sage and want to see a comic by the same team when they were less experienced.

Nan Quest ⭐

What is it: In this spiritual sequel to Ruby Quest, a goat girl electrician sets out to fix a broken fuzebox and ends up ensnared in a psychological horror conspiracy.

The Good: Much more effective use of the simple MS Paint art style, with more color and some simple animations (animated panels being marked [A], a convention Homestuck would later adopt for its [S] sound panels). The characters are better fleshed out than in Ruby Quest, and the horror is more effective as well, with less gore and more tension.

The Bad: Though used effectively, the art is still MS Paint doodles. The story mechanics behind the mystery are much more ambiguous, which can be a plus.

Content Warning: Gore, threatened sexual violence.

You should read it if: You like Ruby Quest and/or psychological horror comics that can be read in a few hours.

Moby: Back from the Deep

What is it: A zombie killer whale attacks a small town.

The Good: The art is nice

The Bad: Egregious overuse of narration.

The Terrible: It’s a beat for beat ripoff of the movie Jaws, down to some characters having their names only marginally changed from their Jaws counterpart (e.g. “Alex Gardener” is the name of the Alex Kintner analogue)

You should read it if: You can’t find a Jaws torrent.

Mokepon ⭐

What is it: A dickhead teenager is forced on a Pokemon adventure, and learns a valuable lesson about friendship while being dragged into a criminal conspiracy. A Pokemon fanfic that’s somewhat darker than the source material (though not really “grimdark”)

The Good: Good action scenes, nice manga-style art. Notable improvement in art and storytelling over time. Atticus’ slow-burn character growth is satisfying.

The Bad: The early chapters are almost a completely different comic, and it takes a little while to find its groove.

You should read it if: You liked Pokemon Special

Monster Pulse ⭐

What is it: Kids’ internal organs become sentient external organs, and they have to keep it a secret from an evil orginization.

The Good: Cool twist on the surprisingly rare monster pet genre. Not afraid to upend the status quo

The Bad: No real obvious flaws, but if you don’t find the premise interesting, you probably won’t like it.

You should read it if: You were a fan of monster-pet stories like Digimon Tamers

The Monster Under The Bed

What is it: A teenager finds a demon girl under his bed, rom-com ensues

The Good: Cute anime-esque premise

The Bad: Gets progressively hornier to to point where I'm not sure if I should even leave it on this list. Egregious use of photos instead of drawing backgrounds, making outdoor scenes look awful

You should read it if: You like trashy Japanese animes

Narbonic ⭐

What is it: A shlubby loser gets a job working for a mad scientist. Mad sciencey things occur, and the comic experiences an incredible jump in quality in the back half

The Good: Short comic, comfy and easy to read. The best and most satisfying ending arc of any webcomic ever.

The Bad: Some “LOLRANDOM” humor, especially early on.

The Terrible: The first few comics are almost literally unreadable due to messy handwritten lettering and low quality scans.

You should read it if: You love seeing a story build to a proper conclusion, and you don’t mind a rough start.

Octopus Pie ⭐

What is it: Slice-of-life dramedy where twenty-somethings try to become adults and/or get laid while navigating New York life. Completed comic.

The Good: If you direct your attention above, you will see the incredible coloring. There are other comics that have better plots and even better characters, but Octopus Pie is uniquely good at hitting a mood. Occasionally does some infinite canvas stuff that’s neat.

The Bad: This is a comic about exploring ideas and kind of drifting around through life, and isn’t a big plot-focused comic with a lot of big dramatic reveals. Which I don’t think is bad, but it might not be your thing.

You should read it if: You liked stories about adults trying to figure out how to grow up, and like seeing characters age.

Out-of-Placers ⭐

What is it: A human man is turned into a female rat creature, and has to navigate a low-fantasy world while learning their incredibly stupid ways and trying to get himself back to normal.

The Good: Really good worldbuilding, with interesting, fleshed out, and unique fantasy races. There are licensed Dungeons and Dragons books with less cool ideas for a campaign in them.

The Bad: Can get kind of edgy in ways that don’t always work, and occasionally gets a bit gross. If the premise made you think it was a furry fetish comic, it’s not, but it keeps threatening to become one if you don’t whap it with a newspaper and say “No” very firmly every now and then.

You should read it if: Your favorite DnD race is kobolds.

Paranatural ⭐

What is it: Kids bust ghosts in a parody of shounen anime tropes

The Good: Good banter, creative panel layouts, and characters you want to root for.

The Bad: The story rapidly increases in scale, causing the pacing to slow down somewhat. The story later transitions to an illustrated prose format, which some people can't really get into.

You should read it if: You liked Bleach before it became Dragonball

Prequel -or- Making A Cat Cry: The Adventure ⭐

What is it: An Elder Scrolls fanfiction, in which an alcoholic catgirl heads to a new land to try to make a better life, and generally fails.

The Good: Inventive use of the web as a storytelling medium. Great character writing. Lovable protagonist. Excellent payoff to years or life kicking the protagonist in the face.

The Bad: Years of life kicking the protagonist in the face. Can thus be depressing, especially early on, sometimes to the point of being offensive (see Content Warnings)

The Terrible: Very slow and irratic update schedule

Content Warnings: Alcoholism, Depression, the protagonist gets blackout drunk and wakes up in bed next to strange men several times, which is played for comedy.

You should read it if: You like slow burn character development. You like stories where the protagonist has a hard time

Problem Sleuth

What is it: A detective tries to leave his office using user-submitted commands, and gets in a few tangents along the way. Mostly known now as “The thing Andrew Hussie did before Homestuck”, but it was a popular comic in its own right.

The Good: Much better art than most reader-driven comics, bizarre and clever, with a dramatic finish.

The Bad: Holy shit, you thought Homestuck meandered? Problem Sleuth will do nearly anything and everything readers asked him to do, and this is a veeeeeery convoluted comic that has thus aged somewhat poorly.

You should read it if: You thought Homestuck was best before the Trolls got involved.

Questionable Content

What is it: Humanity achieves a technological utopia in the background while hipsters in Massachusetts complain about their dating lives. Later begins focusing much more heavily on all the robots.

The Good: A rotating menagerie of quirky cute girls. Had a major trans character before it was cool.

The Bad: The comic kind of transitions from being about one thing to being about another thing several times, to the point where onetime protagonists show up less and less or even get dropped altogether in favor of the New Thing the comic is.

You should read it if: You want a comfy and diverse slice-of-life comic.

[piracytheorist]

I feel like one of the best ways Spy x Family presents its anti-war sentiment is how it presents the other side, the side that any lesser media would present simply as "the enemy".

Yuri is an interesting case, because he's not the average "Ostania 4 evur!" type of supremacist - and considering the target audience for this show is very much NOT nationalists and supremacists, this is a very smart move. What we've seen (in the anime) up to now from him, he's not in it because he believes Ostania is supreme for some reason - his only reason to work so hard in its service is because his sister lives in it. Sis lives in Ostania, I shall dedicate myself to Ostania! And while it's taken to an extreme, it's still way easier to relate to wanting to protect a beloved family member than to fucking nationalism.

And yet, even though we can understand why he's protective of Yor, we're not supposed to relate to the lengths he's taking that protection - either by being possessive of her or by wanting to take down Twilight. We saw Twilight's point of view, we know why he does what he does. It's his journey we follow - but then we see the other side. A young man who believes that this Twilight wants to make the world fall into chaos. Our immediate reaction is "No, he doesn't, you're an asshole and you should stop going after him!" but then you take a step back and think, hol'up. He's twenty. He idealizes his sister and his main reason for joining the secret services is to protect her and the country she lives in. Of course he would have been exposed to propaganda about how Westalis is filth and how its spies only want to destroy the beautiful world we have established as Good Ostanian PeopleTM. He's as much of a victim of it as anyone else in the country. And because of that, he not only opposes the character whose goal we're supposed to root for - he calls him a villain and his natural enemy.

The humanization of the "other side" is presented brilliantly here, because again, no extremist will watch this show and relate to it. People who love their family will. So making the antagonist's motivation be his love for his sister (even if it's to the extreme) is how it works to make the audience understand that war is not a natural instinct of humans; that even people who love their family, people like us, can be brainwashed into supporting war.

Our "enemy" is not the "other side"; it's the dehumanization of people, the propaganda and the lies the higher-ups promote in order to keep their high positions. And when we lose sight of that, we lose part of our humanity and understanding.

(Anime only fan here, don't spoil me for the manga)

[guangchuans]

The thing about Beyond Evil is that, to me, it's a story about obsession.

Dongsik's obsession with Yooyeon. Juwon's obsession with (first) proving Dongsik guilty and (second) taking down Han Gihwan. Han Gihwan's (and Do Haewon's, Lee Changjin's etc) obsession with power. Park Jeongje's with what he can't remember, with deers. Kang Jinmook's obsession with easy, petty murder.

And all these obsessions, they all have one thing in common which continues to drive the story further. The intensity of them. Some last their whole lives, some more than two decades. It's the running, living force that runs and then ruins manyang.

How Han Juwon's obsession changes tracks though... that's to me the main point of the story. I think I've said it before; you come into Manyang just like he does: suspicious of everyone and everything. With the passage of time and Juwon's cardinal mistake you begin to realise this talk of Manyang people banding together is not a fable but reality. You become one of them thus your loyalty changes (from the sense of self-served justice and need to prove yourself to the need of protection and actual, tangible effects).

In Polish romanticism there is two archetypes of the romantic hero: first, the unhappy romantic, the forever tormented soul, heavily inspired by Goethe. Someone who was born alone and is destined to die alone. The hero then undergoes a metamorphosis, some external (usually sacred or nationalistic) force pushes them to use that emotion to fuel their sense of justice, righteousness, the need to fight for what's right.

In a way, I think that this trope can very much be applied to Han Juwon for many reasons. The sacred nature of the force isn't lost entirely either, with clear religious imagery hidden around the act of Han Juwon declaring to repent and go to hell to Dongsik, all while kneeling behind the other man. Similarly, as he lies down his head on Dongsik's handcuffed hands, is that not a prayer? Before the only one he ever swore to protect? Before the one who calls him his "saviour"?

In the end, Dongsik doesn't let Juwon fall. He stays, the only constant in his life from here on now.

[girlfriendsofthegalaxy]

tuesday again 6/18/2024

might flood today! might not! who knows! i live in the paved over swamp! mackintosh’s main concern is this bowl of grapes

listening

sligo river blues performed by john fahey. part of the point of doing this weekly is when i sit down to draft these, i am occasionally forced to go "ooh. i forgot to listen to music while pacing around last week. maybe that's why i was a tremendous cunt and wanted to claw out of my own skin."

anyway i care about two people on tiktok and one of them is a couple renovating a stunning house in the pacific northwest from a level 5 hoard (DK Dreamhouse), and one is this guy dylanwesch who is i guess music nerd tok? a lot of ambient stuf which i love to click around on the computer to. listened to part of this album while debugging a GIS problem this week

-

reading

i read six books this week, which is really the clearest possible sign i need to up my antidepressants. read the shepherd king duology by rachel gillig (Fine but i had some issues with the authorial style, felt very YA as opposed to NA, did have a very cool magic system, unfortunately i liked the second couple’s banter and relationship Way More than the main couple’s). finished the last three books in the temeraire series, i have not much to say about them except i adored them wholeheartedly. also before i read those i wrote all the below in a fit of pique

the great state of west florida by kent wascom. instagram kept serving me ads for this book and i am once again a little unnerved by meta's advertising.

publishers' weekly synopis

In Wascom’s wacky and wild fourth adventure for the Woolsack clan (after The New Inheritors), lawless gunslingers and reactionary Christian nationalists face off in a divided Florida. The year is 2026 and 13-year-old orphan Rally Woolsack is rescued from the abusive foster family who brought him to Louisiana by his long-lost uncle Rodney, who regularly responds to challenges of mortal combat on the app DU3L. Rally is thrilled to get away from his tormentors and return to Florida, although it turns out Rodney has pulled him from the frying pan into the fire. Troy Yarbrough, a state legislator whose family runs a creepy evangelical Christian college in its mansion on Florida’s panhandle, has introduced a bill calling for the region to secede from the state. Rally, reckoning with the long-running bad blood between his family and the Yarbroughs, derides Troy’s vision as a “Jesus-riddled white ethnostate with a beachside pastel tinge.” With the bill on the floor of the state legislature, and with everyone packing firearms, the Florida Wars begin. Fans of pulpy dark humor will relish the climactic showdown between Yarbrough’s henchmen and those loyal to an elusive figure called the Governor, as right-wing nutjob Troy is saddled by mad cow disease and Rally is rescued by his crush. This high-octane satire feels all too plausible. Agent: Gail Hochman, Brandt & Hochman Literary. (May)

i had some trouble with this one! on its face it seems like the kind of thing i would eat with a spoon. in practice it's more of a coming-of-age than a just-before-the-apocalypse story and i have a lot of trouble relating to a thirteen-year-old boy. even if he is bisexual. in this interview wascom says he's "re-mythologizing the Western" which i can kind of see? it's very pulp and ultra-violent in a spaghetti western kind of way, and seems written in a way easily adaptable to the screen. not quite vaporwave but a lot of anime influence: the author thanks twelve Japanese directors and manga artists at the end of the book.

there's an odd authorial quirk where the thirteen-year-old boy often points out (internally and externally) that the adults in his life are just talking at him about politics. which is a pretty accurate portrayal of childhood, but lampshading it in this way doesn't really make me excited about wascom's authorial chops? this is your fourth book. this book revolved around a couple brutal fight scenes (and one giant setpiece crowd scene, which has vibes and atmosphere in spades), and that's a perfectly fine reason to write a book, but if that's your strength i would be very happy to have you focus on that instead of sections where both the kid and i the reader are bored.

there's a scene with babysitter/babysittee sexual abuse that unlocks how the abused character makes decisions for the rest of his life, but it was extremely graphic and i wasn't really prepared for that. i don't know that i would have read this book if i had that knowledge aforethought.

overall not quite what i wanted it to be: the author in this interview said he's been working on it for over a decade and had to keep throwing out parts coming true during trump's presidency. i picked this pulpy novel up as an escape from the terrible politics of today, which is not what this books is. i don't know if i buy that he was simply too good at predicting the future, but i do like the choice stated in his interview "I abandoned the predictive stuff and tried to tell a story like it was written on an obelisk in the future, like what Denis Johnson did with Fiskadoro, or Joanna Russ with The Female Man". it does feel very much like the narrator from Mad Max 2 telling his story of meeting Max as a feral kid. again, some interesting ideas in here, does deliver on the Southern Gothic doomed political family aspect, as well as the same flavor of heat-wave climate tragedy as JG Ballard's The Drowned World, but i would have liked to focus more on his cool furiosa-like aunt in a white mustang with an anime mech arm. criminally underused character

-

watching

watched The Hunter (2011, dir. Nettheim) because of the Temeraire books! they used an archaic name for Tasmania that made me go “where the Fuck is that” and then i looked at the media mentions section of the wikipedia page. beautiful film in a very spare way. lots of long loving shots of willem defoe in the wilderness enduring various weather conditions.

i don’t know if it stuck the landing quite as well as i would like, but like defoe you fall in love with the land and the family so slowly it’s very startling when you finally do fully realize it. i think i was supposed to cry at the end but didn’t quite manage it. one of my favorite springsteen songs is part of the diagetic score in a way that made me cry, which i also did not expect.

-

playing

shoutout to the Thing Matching genre of phone game. this one is very much watch-ads-to-win but the levels are pretty long and i like shuffling objects around while listening to podcasts and trying to fall asleep

-

making

fallow week

[whoiwanttoday]

I have sadly fallen behind on my Olympic watching and it's awful. I know I am the world's main source of news about the Olympics as well as doing a service of waking the world up to the fact that talented, hard working women in amazing shape are attractive sometimes. But I have been sleeping a lot and something had to give.

Which leads me to the real start, here is some Molly Caudrey, who England has been pushing pretty hard. I assume. Look, it's a country full of spies and stuff, I can only assume they have their foot on the scale here and that's why she keeps just popping in front of my face with words telling me she's Britain's hottest athlete. She actually got eliminated a few days ago but I keep getting articles about how she was eliminated and what it means for England (guys, you have so much going on right now, I promise this is not the fall of the empire. The White Nationalists seem more distressing). Either way, the result is she keeps appearing in front of my eyeballs. Well, you got me guys. You never could sell me on marmite and I'll be honest, I know someone passionate about Chip Butties but they sound very bland to me. I have never once had a french fry and been like, "What this needs is bread". But I also season my food and have never once added sugar to my curry so I get that my tastes don't align with Britain. I am not here to tear down Albion though but to praise it. Or praise it's athletes. And also @femalecelebrityoftheday who is Scottish but you know what? I know what the English do, when the Scottish do something they want to claim suddenly they're all British so I think he gets to be British and claim Molly Caudery as such for this as well. So this is for him because he doesn't really like sports, I get that, they aren't for everyone. A lot of people like sports but many don't. Very few people like marmite and many don't. Different strokes for different folks. But I am convinced he could find a place in his heart to root for Molly Caudery so I am posting her. Also she's hot. Today I want to fuck Molly Caudery.

[queer-geordie-nerd]

"As if Croatia and Serbia were competing, desperately wanting to match the level of vulgarity, hateful war-mongering and fascist inclinations of the other side, both sides began spreading rumors, half-lies and panic among their people. Who was to blame for all the troubles? It was crucial to find a culprit. Just as the Albanians were seemingly the chosen guilty party for most Serbian troubles (according to the Serbian media), in Croatia citizens of Serbian descent were quickly singled out as the main historical wrongdoers never to be trusted (according to the Croatian media).

The very fact that someone’s mother happened to be of Serbian ethnicity made that someone automatically suspicious. The second most hated group became the Yugoslav National Army, which the Croatian media portrayed as sympathetic to the Serbian cause (which would soon prove to be tragically true). Suddenly, the families of Yugoslav National Army officials became targets too. In shock, Goran and I realized that his family fulfilled both criteria for being suspicious: a) they were Serbs (since when? I was clueless, as usual) and b) Goran’s father used to be a military officer. I myself had a Serbian biological grandmother. (Would the fact that she had abandoned my mother at birth be an exonerating fact, I asked myself. Does nationalistic blood counting even care for details like this? And what about Jewishness? Was my mother right in advising me not to talk about it?)

I noticed that my Croatian friends and colleagues began speaking to me in a slightly changed tone. So did my Serbian friends. Over and over, I would hear the same exact sentence, spoken with a different accent: “You don’t understand this. You’re not from here.” In Croatia: “You don’t have a right to say anything. You’re not a pure Croat.” Pure? In Serbia: “What do you know about this? You’re not Serbian.” The same verdict would come out in myriad different versions: you don’t belong, you’re not “one of us,” you don’t have the right, you don’t understand, you don’t care about “us,” which side are you on anyway, what are you doing with “them,” why don’t you stay here where you belong, why don’t you go back to where you belong…? The noise was deafening. My mind was boiling.

One thing was clear: I was no longer trusted, in either of the two opposing camps, not even by my friends and colleagues. One of the most effective tactics in the production of hatred is abolishing all contact between opposing sides. This was exactly what both sides were frantically trying to achieve. You could not buy the papers from the other side anymore. You could not listen to the radio from the other side anymore. You could not catch TV programs from the other side anymore. The simple fact of my traveling between the two antagonistic cities was a subversion of the crucial idea of disrupted communication. Very often, in conversations on both sides, I would find myself screaming at the top of my lungs, trying to explain, explain, explain. But nobody was listening anymore.

The other technique in the production of war, an enterprise that was developing daily in front of our eyes, was the rehashing of old World War II wounds on both sides. More and more, the Serbian media began using the word “Ustaše” (the Croatian WWII fascists) to depict the whole Croatian people. The Croatian media, in turn, began using the word “Četnici” (the Serbian WWII monarchists who eventually sided with Hitler) to talk about the Serbian people. What was planted in the media at the time would later become reality. It would become a clear case of self-fulfilling prophecy. The old foes “Ustaše” and “Četnici” would soon rise and take up arms again. Sometimes it would literally be the same arms and the same uniforms that had been hidden away in dusty cellars since 1945.

In Serbia, Milošević, although nominally a Communist, aligned himself tightly with the Serbian Orthodox church. In horror, we were watching processions of Christian Orthodox priests carrying the bones of some important Serbian saint, on national television. The bones of Serbian civilians killed by the Croatian Ustashas during WWII were being diligently dug up from their long-forgotten graves. What was exactly the same on both sides was a harsh and merciless anti-Communism. And a newly discovered religious fever. What was most shocking, on both sides you could feel a deep, intense hatred for the land we had all been taught to love and cherish since our births, our shared country – Yugoslavia. Suddenly, the former loudest, flag-waving Yugoslav patriots became its main vilifiers.

And on both sides, WWII history was being frantically rewritten, picturing the winning anti-Fascists as the bad guys and their foes, the homegrown Fascists, as the good guys. What was inconceivable to me was the absolute readiness of people on both sides to accept the new “truths,” as if they had silently always believed them. The loudest, most enthusiastic revisionists proved to be the former members of the Communist Party. Old uniforms were being quickly replaced by new ones, both physically and metaphorically. As the world around us was crumbling down, my father’s take on things became especially valuable. He knew his history and his politics well. He was an active participant in, and a firsthand witness to a history that was repeating itself before our eyes."

- Mira Furlan, Love Me More Than Anything In the World

[aurorawest]

I finished The Mars House last night and have been trying to gather my thoughts beyond ADJFAWEHDHA; and AHHHHHHHH. Let's see how this works out.

In a lot of ways this is a pretty typical Natasha Pulley book, which makes you love complicated people who have done bad things, possibly for good reasons and possibly not. The love interest is to all appearances a xenophobic nationalist, but you better believe I loved Gale pretty much immediately.

In other ways this book is different from her past work—obviously there's the far future setting, but it's pretty clear that Pulley wanted to Say Something about gender with The Mars House. This book is a response to and shots fired at the terf ideology and it is not at all subtle about it. And of course, it's a Natasha Pulley book, so there's still empathy for the far-future Martian terfs.

So I would definitely call it the most...political? of her books, which for me was not at all a bad thing. It has everything that I love about Pulley novels—her gorgeous use of language, her ability to wring beauty and pathos out of the small and ordinary, the gay pining, the morally dubious main characters. I've seen reviews say both that the science is ridiculous and that the book is hard science fiction, and I would come down on the side of the science probably being a bit ridiculous, since it's definitely not hard science fiction (lol at the reviewers who are throwing that term around and not knowing what it means). I actually have no idea if the science is plausible or not and I honestly don't care, because that's really not the point of the book.

Anyway, now I'm just going to list things. Doing a read more for spoilers! And I'm not joking, I'm going to spoil the whole book under here so really, if you haven't read it and you care about that, don't keep reading.

The worldbuilding was so good. I mean, this is one of Pulley's strengths, but I had wondered how it would stack up in a sci fi novel versus her historical fiction. As usual, everything was so visceral and textured. Tharsis and Songshu feel like real places I could visit.

THE MAMMOTHS OMG OMG. When they decided to ask the mammoths for help pulling up the gravity train, I almost jumped up from the couch yelling (I would have, but I couldn't disturb my cat who was on my legs). The entire idea of communicating with mammoths and studying mammoth society almost made me cry. Having spent even a tiny amount of time around elephants in the wild, all of that rang 100% plausible. And true in my heart.

I need a sequel where River and January go to Alpha Centauri to talk to the aliens that the Penglai mission is going to find there.

I'M ABOUT TO SPOIL THE ENTIRE BOOK SO DON'T READ ANYMORE IF YOU DON'T WANT THAT.

Speaking of River, yeah I guessed that "Aubrey" was actually River. The clues were well done and I felt smug when I was right.

But!! I actually thought River knew more than they did! A literal chill went up my back when River revealed they had NO IDEA AUBREY WAS LITERALLY IN THEIR ROOM WITH THEM.

The scene in River's bathtub had me screaming crying throwing up.

Is Natasha Pulley working through something re: waifish orphans? I knew Yuan was going to end up being adopted into House Song within pages of their (his?) introduction.

I love that we never find out if River is biologically male or female. I love that January says it doesn't matter and he means that and never tells us.

Speaking of gender abolition, can I have that please for myself.

All of the animals were, as always, a delight. Shoutout to the puffin at the beginning who we never see again, as well as Shuppiluliuma in her basket.

The ancient Mediterranean references littered through this book (see above) were also a delight.

When you think about it, both of Aubrey's consorts fell for River, and that's funny.

The flashes of love between River and Aubrey were devastating.

The haptic implants are a dystopian nightmare and absolutely a realistic prediction of where we're going to end up.

Mori and Daughter!!

[aesterblaster]

Just saw a really clickbait-y youtube video that called Blue Lock fascist in its thumbnail and I will admit first and foremost that I didn't watch it and yes I've been informed that it isn't implying that Blue Lock is some fascistic propaganda but it still got me thinking so-

here's my rant/breakdown about the ways that Blue Lock is specifically anti-fascist

So first of all, popular animes and mangas having possibly fascist undertones is nothing new. I won't deny that there's a long history of Japan being a colonizer and commiting atrocities that are still brushed off or forgotten about to this day. And this does seep into some works that I personally choose to not engage with for exactly that reason. Miss me with trying to be an apologist for or glorifying real world war crimes- But Blue Lock specifically? I'd be extremely hard pressed to call it fascist.

Fascism is defined as an alt-right, ultra nationalistic political ideology usually characterized by a centralized autocracy, forced suppression of opposition, belief in a natural social hierarchy and subordination of individual interests for the believed good of the nation or race according to Wikipedia. First let's go through the ways Blue Lock does match up with that.

Ego can be easily viewed as a dictator near the beginning of the manga

Most characters thrive on putting others down for their faults and strictly believe that there is some sort of natural order where people who lack "ego" are at the bottom

There is a sort of central autocracy with the top 6

Near the beginning especially, there is a violent snuffing out of any ideology that dares oppose egocentrism or the idea that you need to be a solid team to win a game

Now let's go through the ways Blue Lock denies and even goes against Fascism.

BLLK's main goal is to make a Japanese soccer team that can win a World Cup. In a more fascist manga, we would see racism ga-fucking-lore. We can see this in animes that have more right wing leaning undertones like Attack on Titan where when race is brought in it's for conflict. There's no possibility of harmony, only winners and losers. Those protected and those put down and punished.

And Blue Lock does have an extreme focus on who wins and who loses. It is not afraid to include racism against Japanese people like with Adam or portray black people in unsettling and kind of racist ways like Dada's original design. But these elements don't automatically spell fascism. Blue Lock is careful to portray characters of color as just that, characters. They don't exist to tell you about their lives of hardship and struggle and they don't exist to justify Ego's obessesion with creating a good Japanese team. As you read BLLK, you'll notice that the artist has taken care to get better at drawing different body types and facial structures. The character design isn't trying to sell some perfect ideal like fascism so famously does, it tells you a peak athlete doesn't have one distinct look. It tells you characters from other countries are just as if not more capable than the Blue Lock boys. Hell, even Sae's hatred of Japanese football is portrayed as less of a betrayal of country and pride and more of a cultural clash. The issue to be solved in Sae's character is the way he looks down on his brother, not how much he despises Japanese football teams' tactics. We know this because Ego himself rails against them too.

A fascist manga would paint Sae as a villain for even learning from and joining teams from other countries, lending them his talent instead of keeping it in his home country. But Blue Lock encourages diversification and collaberation with other nation's teams so heavily that it is literally an entire like 5 part arc right now. Ego isn't ultra nationalistic, he just wants to make a better soccer team for his country and he isn't afraid of praising and adopting from other countries in the process. The biggest win to come out of a Blue Lock team wouldn't be that they're all Japanese but that they all follow his ideology.

Speaking of his ideology, Ego is extremely harsh and controlling, yes, but he also believes in the boys. He lets them do what they believe is best. He pushes them to their limits, not because they disobey him, but because they dissapoint him. A true fascist dictator would rule with fear with no introductions of other ideologies, he would strike at any sign of weakness or opposition. At the beginning, he does do this. But as the manga goes on we see how much wiggle room he's willing to allow. He lets Isagi curse at him and question his leadership, he lets Shidou play even though he's clearly queer and extremely volatile, he doesn't punish any of the boys for injuring each other. In a fascist society, you are expected to fit an ideal or be othered, be perfect and work together with a sense of comradere because that's the only way to prove your claims that you are the best race/nation. There can be no imperfections or cracks in the facade...But Ego lets the boys be messy. He never forces them to change who they are, only forces them to believe that they can do great things all on their own. Even with Kunigami, Wild Card wasn't a correction of his disbelief in some nation or race, but instead a correction of how limited his mindset was. In fact, in a more fascist society, Kunigami's love of playing hero and protecting his teammates would be praised and celebrated. Ego putting individuality and aspiration over the good of the team as a whole is literally a middle finger to fascism.

The villain of the series is literally a greedy Japanese man that wants to commercialize the team and make them less individualized. I don't know how much more anti-fascist you could get-

Also, Blue Lock handles disability very carefully and very well. In more alt-right ideologies than not, something you'll see again and again is this idea that disabled people don't deserve the same rights because they can't contribute to society. Disabled people are a stain to be pushed away and hidden because they contradict the central idea of a "perfect" nation. In a fascist retelling of BLLK, Chigiri would be kicked from the program, not given power and influence. In a fascist retelling of BLLK, Kenyu would be attacked and beaten as soon as it was discovered that he made it into the top-six with failing eyesight. Any physical disadvantage could easily put an athlete at the bottom of the social hierarchy as well, Blue Lock could have very very easily made fun of its disabled characters for even trying. It could get away with mistreating these players and be defended for it so fucking quickly. But instead, it lets you root for them and gives them just as much care and weight as the others. It's trying to tell you that being a good player sometimes means knowing your limits and getting help, not punishing yourself because you have some biological disadvantage. It also takes care to demonstrate that no race is inherently worse at soccer than the other.

And, of course, the elephant in the room, Noa and Kaiser. Okay...if you see German characters and immediately think OMG NAZIS??OMG FASCISM?????OMGGGG HE HAS BLONDE HAIR???AND BLUE EYES?? That's a fucking you problem and you clearly aren't reading the manga. Even Noa Noel being an older man and still being allowed to play and looked up to as the best is an example of how Blue Lock goes against steriotypes about athletes. Kaiser does have blonde hair and blue eyes yes, but he also wears eyeliner and eyeshadow and has a tattoo and dyed hair... None of that would be allowed in an actually fascist Japanese manga unless it was as caricature to make fun of and dominate. But instead, Kaiser is an actual threat who has complex arcs and behaviors. Also, Kaiser isn't fascist himself, he clearly views Isagi as an equal even though they're different nationalities and he doesn't believe in any one authority or greater cause except for himself. Noa is very strict yes, and he does rank and rate the boys, but he specifically doesn't factor race into it. He also, just like Ego, allows other ideas and patterns to emerge even if they mess up his own plans for matches. He doesn't suppress anyone and is actually extremely lax. If you think he or BLLK is "fascist", look at actual real world sports teams and their strict practices or past statements about other nationalities.

Isagi as a protaganist is anti-fascist too!!!! He's a Japanese everyman who has good Japanese parents, no disabilities, an honest personality and believes in a future where Japan wins the World Cup. In a fascist story, he'd be fucking untouchable (ESPECIALLY against characters from other countries) and all of this would be paraded as proof that a Japanese soccer team is clearly superior and all-dominating. But no! He gets beat down, questioned, disrespected and constantly shown up by others. He's not special and he's extremely self-centered. He doesn't water his own beliefs down for the "good of the nation" or whatever the fuck and he grew up idolizing foreign players. Isagi never supresses other people's ideologies, he just makes fun of them if they fuck up. He's never xenophobic, even when other characters have moments that have xenophobic undertoens like Adam or Sae's comments. Isagi Yoichi's character could have a few traits flipped and be a poster boy for some alt-right manga about how superior Japanese people or hell, Ego's pupils are. But he doesn't. He's simply designed and he's rude and he looks down on people, but he also apologizes, humbly accepts when he can improve by questioning his own ideals and is open to talking with everyone he comes across.

Calling Blue Lock a "fascist soccer manga" is not only demonstrating that you have no idea what fascism is, but also disgustingly painting over all the beautiful themes and messages within the manga.

Again I'm aware that that original video wasn't aiming to negate any of these points but I have seen people make claims and jokes before that about Blue Lock's more *beat it into your head* tendencies with ideology. And I've seen jokes specifically about the German team/the way Sae seems to just hate Japanese culture. I just dislike the painting of Blue Lock as a jumping point for discussions about fascism and its effects because of the way it handles themes like cross cultural connection, family pressures, capitalism and disability so carefully.

[francisjohnpatrickmulcahy]

Okay different poll because I'm confused about canon.

This remains my pinned post, so info and a small DNI under the cut

Hi!

Do your clicks!

Okay, on to business!

My main is @plebeiangoth so you'll probably see that name liking and following you if you see your stuff here. I go by Pleb on social media. I've been a fan of MASH since my early teens going back about 20 years at this point. I'm really glad to see so many Mulcahy stans!

Not a lot of original content here, it's as it says on the tin: Father Mulcahy Echochamber. Mostly queued reblogs of whatever I find and want to stuff into the echochamber.

But I did make this silly thing:

Feel free to DM me, though fair warning I'm a little social phobic and might take some time to respond, and I won't discuss NSFW unless I can see in your blog description if you're an adult. Also at the time of typing this I'm having trouble with my inbox on all blogs, so that sucks.

Here's a list of tags I regularly maintain

DNI:

Pro-police, war, military, etc. You're probably missing the point of MASH so I don't think you belong here.

TERFs

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Anyone considering talking to me about actual priest-fucking

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If you're under 18:

Also refrain from interaction

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What I post:

Primarily Father Mulcahy

Including thirst posts and Hawkahy

I have no gods and no shame of saying whatever affectionate/appreciative/horny things I want about a fictional character who happens to be a priest. Hierophilia, plain and simple. If that's a problem, this space isn't for you.

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Mostly reblogs, not much original content

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As an atheist and former Christian, please understand that I would never post anything that is intended to be preaching Christianity.

Okay now I'm done being a buzzkill. As thanks for reading here's my favorite recipe for gluten-free cinnamon rolls. My secret ingredient is a few cranks of a pepper grinder in the cinnamon-sugar filling!

Hope you have a wonderful day!

P.S. I found what looks to be a better gluten free cinnamon roll recipe, it uses psyllium husk to make it more soft! Will update when I try it out if it's indeed better.

[dreamchasernina]

do you lile the comics or do you think the characters or are they OOC

Aang in the promise reminded me of zuko in season 1.

Hotheaded, even kinda nationalistic with no social awareness. How comes he completely forgets katara

Oooh I love that question.

First of all, starting with the Promise. Yeah, they are mostly out of character in that comic. Aang agreeing to kill Zuko after we spent the whole finale establishing he refuses to kill? Like, that’s baffling. Plus, Zuko acting like a child, going to his father for advice and marching his army to Yu Dao, instead of sitting down with Aang and talking it out? We spent 3 seasons watching Zuko grow into a mature young man and he just goes back to his old ways in the first comic? That wasn’t great. Although I did like the overall conflict of the series, the characters were not done right.

But, I wouldn’t call Aang a nationalist. You have to remember, Aang lost his entire culture and he’s the only one who’s left to preserve it and to pass it on. Seeing people blatantly disrespecting his culture and using it as a costume made him see things differently. He was just afraid that his way of life would be lost if he let the nations clash. Yes, his way of thinking was wrong but it was also justified in the context of the comic. Of course he came to a realization that he cannot gatekeep his culture and people from different nations should be able to live together. I think it was a good character growth for him. Which is a lot more than I can say for Zuko, at least.

Now, I’m not sure I understand what you mean by saying he forgot Katara? Are you referring to the first comic? Cause they were together the whole time and I feel like her opinion and counsel were what mattered the most to him. In terms of Kataang, I think they were written really well in the comics. They have cute little romantic moments and also moments where they realize they’re pretty much the ones responsible for the fate of the world and really sit down and think things through and reach a decision together. I love that.

I could say Aang kinda forgot about Katara in the Rift for a while there, but it’s kinda minor. Other than that, in every other comic, they’re always together and written well so I like Kataang in the comics a lot.

Overall, the comics are not for everyone but I do enjoy them, I think they’re cute additions for the universe if you don’t think too hard about them. They’re pretty entertaining, for the most part.

My favorite one is definitely Imbalance, it just balances the characters perfectly, everyone gets a moment to shine and the main conflict is actually really ineteresting and sets up the main conflict in Korra really well.

My ranking of the comics if you’re interested

1. Imbalance - like I said the main conflict is awesome and the characters feel like themselves, Toph is a freaking badass in this one.

2. The Rift - I love Toph in this, she really gets to shine and again, Aang’s inner conflict is what makes this comic for me. The way he wants to preserve his people’s memory and culture in middle of all the inevitable progress.

3. The Search - it’s cute. Just the Gaang on an adventure, that’s always fun.

4. The Promise - it has its problems but I like the conflict after the war, I think it’s very nuanced and interesting.

5. Smoke and Shadow - Kinda boring

6. North and south - it was a bit repetitive and the main conflict seemed a little bit silly in my opinion. Katara is also a little out of character.