#not knowing that they're mirroring each other

[auclairedetoru]

“This has been y/n and Satoru, thank you so much for watching, bye!”

The moment they reached the greenroom, y/n's smile drops. God, her cheeks hurt, nobody talks about how hard it is to fake a smile all day, it's like a workout for your face except you gain nothing at the end.

Her co-star walks in behind her, a cocky smile on his face. If she was him she would get tired of herself. How can someone be so egoistic? He loves himself more than his own mother loves him. Every second she's in his presence, she feels herself losing brain cells and getting gray hair, and as much as she loves silver locks on other women, she does not want the cause of it to be Gojo Satoru.

“Great job today, everyone! Y/n you could've been a little more cheerful toda-”

“Shut the fuck up.”

She plops down on the sofa and rests her head against the back of it. They still have one more interview left to do, so she's forced to tolerate that dumbass for a couple more hours, and it's a recorded one so she has to pretend she likes him too.

Why did she choose to become an actress again?

Right, childhood dream, worked hard for it, blah blah blah.

“Whoa! Careful there, tiger! Someone might be filming and you don't want to ruin the season before it even starts.” Gojo smirks, eyes glinting with mischief as he continues to push her buttons.

The people in charge decided to promote the filming of the new season of their show to remind people of it and get them excited, not that anyone was able to forget the last two seasons. According to the statistics, people love a slow burn story, especially when it stretches over multiple seasons. Yes, that does mean y/n has been stuck with Gojo as her co-star for three years now, as known as the longest three years of her life. Everyone around her tells her that time is passing by too fast, but it's been the opposite for her.

She's dreading this season the most. It might be the last, but it means the story will finally reach its long-awaited climax, which means her character and Gojo's will become more than friendly.

She doesn't even want to think about it.

“Leave her alone, Satoru. You still have one interview left.” his manager scolded him making the bright blue eyed man pout like a four year old not getting the candy he wanted.

The fact Gojo and y/n can't stand each other is something known only between them and their close staff, not even the director and producers know that the "chemistry" between them is something they make up on the spot and doesn't come naturally at all. They're surprised no one has figured out they don't like each other in any way, but y/n takes that as a compliment because it means that she's a really good actress who has perfected her craft and is able to fake getting along with a menace like him.

After touch ups, she goes to where the interview is being held, greeting the staff on her way and telling them she's excited to be working with them. Gojo smirks at her from his seat as she makes her way to sit on hers next to him. She mirrored him to keep up with the "we're best friends behind the scenes" thing they somehow built for themselves.

“Why are you looking at me like that?”

“Can't a man admire his friend and co-star?” he teases, milking the hell out of the act they put on for the camera. Y/n wanted to roll her eyes but instead she forces out a laugh and takes her seat.

She ignores the way her heart flutters at his words. No need to focus on that.

A few months into filming...

“Alright, everyone!” the director calls out as he claps his hands, “Cameras rolling, sound is up, let's do this.”

Ah yes, the most important scene of the entire franchise. The first kiss scene. This is what the show has been leading up to, this is the moment everyone has been waiting for, this is the thing y/n has been looking forward to the least, in fact, she has not been looking forward to it at all, she wishes it wouldn't happen.

The scene takes place at her character's apartment, a place the set design team has made so cozy looking she wishes she could curl up and take a nap on the couch. Gojo's character is her coworker and he's coming to check on her because she disappeared from the office party after seeing him flirt with someone. That's when she confesses that she's been pinning over him for years and he confesses back before pulling her into a kiss.

“Okay you two,” the director looks at them, “not to put you in any pressure, but this is the most important scene of the entire show. All your hard work has led up to this moment. Satoru, you're the one leading the kiss, remember that she's very vulnerable and heartbroken, so you need to be gentle and soft, she's the person you love most so you're gonna handle her with the most care. Alright? Here we go!”

The apartment door closes between y/n and Gojo as the clapper loader steps in and holds the slate in front of the camera, “episode 11, scene 45, take 1!” they call out before snapping the clapper shut and stepping back.

The director pauses, glancing around one more time to make sure everyone is ready.

"And... Action!”

Y/n steps into character and hesitantly opens the door. Her expression shifts to shock as she sees Gojo standing across from her, hair and clothes disheveled. “What are you doing here?” her voice is a mix between surprise and hurt, just as the script calls for and just as they rehearsed. Gojo's eyes soften, exactly how he was instructed.

Yes, she can't stand him, but that doesn't mean she won't admit that he's really good at his job. He's not one of the most sought out actors for no reason.

“I was worried about you, you left so abruptly.” he says, letting his eyes dance all over her face only to catch her wet cheeks and red eyes, and no, it isn't makeup and fake tears, she spent half an hour before filming started watching "soldiers reuniting with their dogs" videos to get to that point.

He moves to cup her cheek, but just as scripted, she steps back, her expression flattering. She starts to remind herself of things that make her emotional to start tearing up, “I-I'm fine, you can leave.”

Gojo stares at her a bit longer than he's supposed to, but she blames it on his love to suddenly improve, and not that he's admiring her or anything, not like she wants him to admire her, that would be crazy on her part.

"You don't have to hide from me," he says with the same soft tone.

She tries to hold back the tears to keep up the strong and always optimistic personality her character is known for, and after a moment she allows a couple to flow down her cheeks. Gojo's face morphs into a concerned expression.

“I don't like seeing you with someone else,” she mumbles, her voice breaking with every word that slips out of her lips, “it hurts me, right here,” she taps on her chest with a shaky hand.

Gojo's eyes widen to feign surprise, a perfect mix of confusion and disbelief on his face, playing the oblivious character to perfection, “you... You like me?”

“For the longest time,” she sniffs, her voice thick with emotion as she starts opening up, “I held back, I tried not to make it obvious, but i can't anymore.” She drops an octave to deliver the last line, showing as much vulnerability and pain as possible.

There’s a pause, and everyone on set is on the edge of their seat. They could feel the tension between them, the two playing their roles better than what everyone imagined from reading the script. Gojo goes to take a step closer, stopping half way.

“Can I kiss you?” he asks, his voice shaking to show that his character is feeling nervous. The director looks intensely between the scene in front of him and the one on the screen, making sure that the intensity they feel in the room is accurate on camera to what's happening in real life.

It's her turn for her to be surprised, playing unsure and hesitant, not expecting those words to come out of his mouth, “w-what?”, her voice trembles as her eyes search his face like she's trying to find any uncertainties.

“can I kiss you? Please?”

Gojo takes the step forward. His voice is soft and his gaze holds hers, intense yet tender, leaving no doubt that his character has been lounging for this and wanting it for just as long if not longer than her.

Y/n takes a deep breath. This is it, she's about to kiss Gojo Satoru, the person she despises the most. She hopes it won't be awkward, the scene was going smoothly and the last thing she wants is a retake from the top, she also doesn't want to embarrass herself in front of the whole crew and become the topic of their gossip.

After a small pause, just as instructed by the director, she gives Gojo a small nod. Gently, and hesitantly, he cups her cheek as he brings his face closer to her. The nervousness on her face is mostly real and she doesn't know why she's feeling that way, she wants the scene to end already.

The moment their lips touch, something surged within Satoru and his free hand quickly grabs her waist to pull her closer to him. Did she always smell so... Devine? Why are her lips so soft? Is her lip balm candy flavoured? Why does she taste so sweet? Why can't he pull away from her?

The kiss is supposed to be gentle, a tender moment of affection, yet the way his hand was gripping the pajama top she's wearing betrays his character's intentions. But the way his thumb caresses her cheek is the opposite, grazing the warm skin softly like he's handling a little kitten. He knows he’s supposed to pull away now. He wants to. He needs to, for the sake of this scene. But something holds him there and it's making him not care about the script anymore.

It’s only when he feels a gentle squeeze on his arm that he finally pulls back. He looks down at Y/n, her lips slightly swollen from the kiss, her wide eyes bright with a spark that stirs something deep within him, making him want to lean down and kiss her again.

“cut !”

The pair jumped away from each other. They both forgot they were on a set, filming a show, and not in the comfort of their own homes.

“that was just... Wow,” the director shakes his head with a smile, “Satoru you went a little out of what I told you with the kiss, huh?”

“yeah, sorry,” he smirks with fake confidence, acting like his heart isn't beating faster than a racing car, “I just thought the moment needed that intensity, ya know? He's been waiting to kiss her for so long after all.”

“No I agree, you did the right thing. Go ahead and take five, everyone. This is one of those rare times when there's no need to do multiple takes, the first was perfect.”

Y/n lets out a breath she didn't realise she was holding and quickly leaves to go grab a water and get some fresh air. She can't believe what just happened. That was definitely not a normal kiss, it felt too real. What was Gojo thinking!? Why didn't he stick to the script and kept it short? And why did she like it so much? She's not supposed to! She's supposed to hate him and everything he does.

“Y/n? Can we talk in your trailer, please?”

Fuck... Please don't let that be Gojo, please let her ears be mistaken and it's not his voice asking her to talk in private, please-

She turns around, and it's him. He stands there, hands tucked into his pockets, looking a little... Shy? Since when does Gojo Satoru feel anything less than bold and confident? There's an unusual softness to his expression, one she only sees when he's playing his character, but without the little voice in the back of her head reminding her that he's just acting.

Despite not wanting to talk to him, she still nods and follows him to her trailer that wasn't parked far away from where they stood. She lets him in first and closes the door behind her to ensure no one can hear whatever they're about to talk about.

As they stood across from each other, Gojo's eyes dart everywhere except to her face, something he has never done before. His usual bravado is gone and replaced with an unusual hesitance. She watches him with a puzzled look on her face. Why is he acting so out of character? It's as if he's nervous to talk to her.

Eventually though, he opens his mouth.

“I apologize for going out of script during the kiss. I didn't plan it to happen and I'm sorry if it made you uncomfortable.”

Now he's apologising? Okay, something is definitely wrong. Gojo has never apologised to her in the three years they've been working together. She is starting to feel nervous herself.

“It's okay, really,” she crosses her arms across her chest, “like you explained to the director, it's what you felt the scene needed, and I respect you as an experienced actor to know what you're doing.”

“That wasn't my reason, though.”

Her eyes nearly bulge out of her skull. Huh?!

“what ?”

He takes a step closer to her, a look on his face she couldn't describe, “that's just a lie I made up on the spot. I felt a pull when our lips touched, I don't know what happened to me and it's driving me mad,” he runs a hand through his hair, a habit his manager told her he does when he's anxious, “I couldn't stop myself, so I just let whatever it is take over, but I still couldn't stop, I tried but I just couldn't pull away and I— I want to kiss you again! I want to kiss you right now!”

“Gojo, calm do-” her words fall on deaf ears.

“No! You don't understand! I want to kiss you, but you hate me! You can't even look at me without being disgusted, and I keep making it worse! I keep showing the worst version of myself around you and it makes you hate me more and-”

“Gojo! Stop!”

The look on his face is breaking her heart. He seems so desperate, struggling to put his feelings into words, but every attempt only makes him more anxious, his words stumbling over each other as he tries to make her understand.

“I don't hate you, Satoru”, his heart flutters at the sound of his first name coming out of her lips. Even in interviews, she always used his last name, this is the first time he hears her call him Satoru, “I hate how you act when we're together behind the scenes. You're always so sweet to everyone but I'm always the one you tease, and sometimes your teasing hurts.”

“I'm sorry, I'm so sorry. It's just- I've liked you, as a person, before we even started working together, and I treated you how I treated my close friends. I didn't realise I was overstepping boundaries.”

Why is it so easy to forgive him? It must be something to do with the blue I'm his eyes, it holds some sort of spell that makes everyone want to be on his good side.

“It's okay, as long as you own up to your mistakes and don't repeat them, I'm willing to see past it all and start new.”

A huge smile takes over his face, content with her answer. He is so happy, he's been wanting to do this for so long. He knew he wronged her and needed to apologise for his actions, but he never knew how to approach it.

Without warning her, he lifts her up in a hug. A squeal left her lips followed by a melodic laugh as she hears him thank her over and over again. She allows herself to enjoy the warmth of his hug. His fans didn't lie, he is really good at them.

He pulls away enough to look at her face without unwrapping his arms from around her, “Can we start new by allowing me to take you on a date? I promise I'll treat you like the princess you are.”

She feels her cheeks heating up with a blush as she nods, unable to hide the small, shy smile tugging at her lips. Gojo grins wider, his eyes lighting up with an unmistakable spark of excitement and something tender, “can I kiss you again? Please?”

She barely finishes nodding before his lips are on hers. He’s smiling into the kiss, unable to hide the joy bubbling up inside him as he realizes his newfound feelings are reciprocated.

And yeah, she did like him more than she let on. The small crush she had on him before they met definitely didn't disappear like she thought it did, instead it stayed hidden away and came back out when she felt his lips for the first time.

She never expected this nor planned on letting herself fall for The Gojo Satoru Charm™, but with him here, holding her close, and pressing a kiss filled with passion on her lips, she realises maybe, just maybe, she’s been wanting this all along.

The ending looked way better in my daydream lol. Hope y'all liked it still 💕

[capuccinodoll]

Honey love, dark eyes

Summary: Halloween night arrives at the Hoffman barbecue, and you find yourself masking feelings again. Word count: 8.5k A/N: Oh, i'm not over... - thank you for your comments, they're so fun lol you all make me laugh !! <3 Hope you enjoy this part.

October 31st. You let your feet drag across the cool bathroom tile, feeling every step. There was something comforting in that small heaviness, your body still lulled by the weight of lunch, and your mind restless, carrying the remnants of memories you'd been revisiting all afternoon. You turned on the shower, waiting a moment before stepping in, the heat closing around you like a second skin. As your fingers combed through your hair, scrubbing it softly, your thoughts slipped forward, out of your control, toward the evening ahead, as inevitable as the pull of gravity.

Last year felt impossibly far away. Sarah had wanted to be a vampire. You’d found her a set of plastic fangs, which she wore with a grin that pushed her cheeks high up on her face. Her cape was metallic, shiny as foil, falling past her shoulders, and she looked so delighted, bouncing on her feet in front of the mirror. You'd managed to take more photos than you ever needed, laughing at her exaggerated grimaces and capturing her tiny poses. Joel had been there, too, playing along, wide-eyed with pretend fear, leaning away from her “fangs” in a way that made her giggle. Every single picture was still on your hard drive—photos from a time you could hardly believe was only a year ago.

This Halloween was different. Sarah had decided on her costume weeks back—an astronaut. You’d spent the better part of September helping her piece it together, and she was beyond excited. She’d be with her friends tonight at a “scary” sleepover, which she’d told you about, bright-eyed and practically bouncing with anticipation. It was strange that she wasn’t here. It felt like there was a piece of Halloween missing, but she hadn’t felt it that way at all. To her, this was the most exciting plan in the world. You’d felt it too, in her voice, like a little pinch in your chest.

This would be the first Halloween in years you’d spend without her, alone at the Hoffmans' barbecue. And without Sarah, Joel wouldn't come either. His attendance at these neighborhood gatherings had always been more about you than the event itself, which you’d always appreciated without needing to say it out loud. You could picture him, standing with a beer, blending into the background, jokingly complaining about the crowds. He’d said he didn’t care for the noise, the small talk, and the endless kids weaving through adults like they were on a secret mission. But you’d noticed the way he’d watch Sarah, his face softened as he looked on, his attention lingering in that way that showed he didn’t mind being here, really, because it was with you and her. And the two of you—Joel and you—could talk about anything. He made everything feel like a continuation of one long conversation, like you’d just pick up right where you’d left off, glancing at each other and knowing what the other meant without even saying it.

You could also picture Clara, who’d come over to him every year, her voice lilting as she placed her hand lightly on his arm, her laugh soft and maybe a bit forced. She had that amused smile, that slight lean toward him whenever she spoke, and you couldn’t resist teasing him about it later. He’d always looked so puzzled whenever you brought it up, though you were sure he knew exactly what you were hinting at. She’d been living in the neighborhood for years, a few houses down, in that bright yellow house, and you knew she’d nursed a quiet crush on him for a while. And Joel, for his part, never seemed to notice.

The thought made you smile, picturing him in that moment, eyes narrowed, brows creased, looking at you as if to say, “Why would she be interested?” But as soon as you felt the smile, the weight of reality caught up. Joel was no longer in your life in the same way. He wasn’t “your” Joel anymore, the friend you’d poke fun at and swap knowing glances with. He wouldn’t be coming to the barbecue this year. With Sarah gone and things fractured between the two of you, he’d have no reason to come. 

Maybe this would be the year he’d finally spend Halloween as he’d always said he wanted to—in the quiet of his house, watching a horror movie, the occasional interruption of trick-or-treaters breaking the silence as he handed out candy. The picture of him there, his small, self-contained world entirely separate from you, felt like an ache that had been growing for a long time, quiet and steady.

You missed him. And it made you furious to feel it, like he had somehow taken something from you by hurting you, even though you knew, rationally, that wasn’t true. Still, the feeling stuck, simmering somewhere in the background. You hated that you missed him at all.

*

Your steps matched Travis’s as you left the house, his voice filling the space around you, his hands carving shapes in the air with his animated gestures. The crisp October air wrapped around you, a lingering autumn sun casting a warm, golden wash over everything—the leaves curling on the trees, the lawn stretching out beside you. You hugged your flannel a little closer, fingers brushing over the thick fabric. It was just the right layer—a deep green fleece, oversized, over a worn black T-shirt. You were warm, content, happy even, if only you could hold on to that feeling.

Beside you, Travis was recounting a work spat, his colleague’s tone and insults reimagined in Travis’s flurry of hands. You caught the edges of his words, murmuring a few responses that seemed to satisfy him. By the time you reached the Hoffmans’ house, you were both following the gentle glow of orange lights strung across the yard, stepping into a scene that felt dreamlike, suspended in that late afternoon haze. There was a large oak tree strung with little yellow lights, glowing faintly in the dying sunlight, the whole place set up in the same meticulous, festive way the Hoffmans always did. 

Every corner had been turned into Halloween, with cobwebs woven over bushes and pumpkins large and small lining tables, some carved and flickering with candles, others untouched, casting shadows across the tablecloths. Guests mingled at scattered tables, warm drinks in hand, their voices and laughter filling the air with a kind of warmth you hadn’t known you’d needed. The grill added a woodsy scent, smoky and rich, mixed with spices that made your stomach hum with anticipation. A few feet away, kids dressed as witches and monsters zoomed around, their laughter spilling into the light breeze, punctuating the chatter of the adults.

It was the kind of evening that felt ripe for sinking into, letting go of all the worries that had weighed on you lately. You wanted to let yourself simply be here.

Travis glanced at you then, his gaze softening in that way he had, his question as warm as his smile. “I’m heading for food—want anything?” he asked, eyes moving from you to the spread at the far end of the yard.

You pushed yourself up from the table, your hands planted firmly as if grounding yourself.

“I’ll come with you—this is the best part, right?”

The food was better than ever. Tender, perfectly cooked meat, salads piled high, and a sense of community humming through every bite. You found your spot at the table again, balancing your glass of beer on the edge, the faint strains of music drifting from the outdoor speakers blending into the buzz of voices around you. And then, like some personal invitation to memory, you heard the familiar intro; Eyes Without a Face, by Billy Idol, that unmistakable beat curling around you.

Your shoulders started to sway, almost without permission, and then there he was again—Joel. Just like that, back in your mind, as clear as if he were standing beside you. You could picture it—two years ago, slightly tipsy, singing that song in his living room, his hand on your waist, both of you spinning each other slowly to the rhythm, his head tilted back in a deep laugh, voice just slightly off-beat, and you trying and failing to contain your own laughter.

“You okay?” Travis’s voice pulled you back, concern lacing his tone as he looked at you. Your gaze had been locked on some invisible point on the table, your head leaning slightly, reliving a memory that suddenly felt all too close.

“Oh—yeah. It’s nothing. I just love this song.”

He smiled, nodding knowingly. “It’s a classic,” he said, his fingers tapping along with the beat.

You looked up and there, just beyond Travis, the Hoffmans’ glass door slid open. You stopped breathing for a second. Joel stepped out, looking like he’d walked out of some old photograph, hair a bit damp, dark jeans and a gray and black flannel layered over a plain white T-shirt, a pair of black converse grounding him to this moment. He moved toward one of the tables, brushing his chin absentmindedly, his lips moving in time with the music, glancing around as if he were taking it all in for the first time.

And then his gaze found yours.

You held your breath, as if that could somehow make you invisible, as if that would erase this moment. But his eyes stayed on you, unreadable, a half smile on his face or maybe just a neutral expression—some mix of familiar and distant, like he was watching you from a place you could never fully reach. You swallowed, shifting your focus back to Travis, who had his eyes on his phone now, idly typing something while he continued to eat.

“I should’ve dressed up tonight,” you said, your voice intentionally light, trying to shake the weight that had fallen over you. “I don’t know what I’d be, but still. It would be fun to pretend for a night.”

Travis chuckled, leaning in closer, but you could still see Joel over his shoulder, that steady gaze, watching from his own table.

“I know a party tomorrow night—my friend’s hosting, if you want to go with me. We can pick out costumes tomorrow morning, make a day of it.”

You smiled, surprised at how genuinely it formed, pushing your hands together in excitement.

“Really? I’d love that! I haven’t dressed up in years.”

Travis’s face lit up. “Then it’s a date. We’ll figure out the costumes in the morning. Anything you want.”

For a moment, you let yourself lean into that feeling, that lightness in his offer, something to look forward to. Your gaze wandered to Helena and her little daughter by the pool, her laughter carried to you on the breeze, her face illuminated in the soft glow of fairy lights. You patted Travis’s hand and stood up, gesturing for him to follow. He caught on, falling into step behind you as you made your way to greet them. 

But as you moved, you couldn’t shake the feeling of Joel’s eyes on you, lingering there in the space between.

It had been more than a month since you'd last seen Helena. She had traveled back to her home country after her father’s death, sorting through family matters, settling things that couldn’t be left undone. Now, with her daughter Iris perched on her lap, she looked better, lighter even. There was a calmness in her eyes that hadn’t been there before, her fingers tracing gentle circles over Iris’s shoulder as the little girl, dressed as a bumblebee, poked unenthusiastically at a slice of pumpkin bread. You sat next to her.

“Hey,” Helena said, catching sight of you with a warm smile that seemed to melt away everything around you—even the awareness of Joel, somewhere behind you, his gaze like a whisper you couldn’t quite shake. “It’s so good to see you. How are you?”

“I’m… fine,” you answered, hesitating as your eyes drifted to Iris, who looked up at you with a shy, dimpled smile. “When did you get back?”

“A few days ago. I was actually planning to stop by tomorrow,” Helena replied, brightening as she added, “I thought we could have dinner, get the girls together, and our guys.” She gave a little chuckle, nudging Iris lightly. “Paul would probably love having Joel around too. The poor guy spent the entire trip surrounded by women—my sisters are wonderful, but you know how it is. It was just him and my dad with all of us, and now…”

Helena had three sisters, each one of them stunning, with the same striking green eyes and dark hair that she had. When you’d met them last Christmas, it was as though you’d stepped into some enchanted fairytale—they moved with an effortless grace, magnetic and ethereal.

Helena’s eyes twinkled as she turned toward Travis. “You should come too, Travis,” she said, a mischievous glint in her expression. She shot you a knowing wink, which Travis, ever polite, caught with a smile.

“Sounds great,” he replied with an easy grin, though you felt a twinge of discomfort at the mention of “our guys,” the thought of Joel slipping into your mind unbidden. Trying to brush it aside, you nodded and shifted the conversation.

“Is Paul not coming tonight?” you asked, hoping to keep things light.

“No,” she sighed. “He’s been swamped at work, trying to catch up after our trip. But I really can’t complain. He was so great, staying home with me all this time, so I told him tonight he should just take his time.” 

Suddenly, you heard a familiar voice.

“Helena, it’s so good to see you!” Brenda, always the life of these gatherings, came over with her usual warmth, her gaze lighting up as she reached out for Iris. 

Brenda’s costume was a striking homage—her spiky orange hair and dark lipstick made her look both bold and playful. She wore a white shirt stamped with slogans in block print, a chunky pearl necklace framing her smile. As she was sitting in front of Helena, she caught your eye and grinned.

“I'm Vivienne Westwood!” she announced proudly, preening a little under your gaze.

“You look amazing,” you said, meaning it. “And the food is, as always, incredible. You outdo yourself every year.”

Brenda gave your hand a squeeze in response, her gaze softening, but just as she was about to respond, her attention shifted beyond you, a pleased expression lighting up her face. “Oh! Joel, come over here!”

Your body tensed at the sound of his name, feeling as though the space behind you had just closed in. He was there, his footsteps echoing toward you until he was nearly at your back. You wanted to stand up, to avoid the moment entirely, but it would have only made things worse—too obvious, too awkward. Brenda couldn’t have known. Joel had always been a fixture in your life; it wasn’t strange to see him here, even if, for some reason, it felt like he was moving in a world that was no longer entirely yours.

You glanced up, catching sight of Joel as he leaned down to kiss Brenda’s cheek while she patted the seat next to her. His smile was casual, easy, as he greeted the others with a nod, his eyes lingering just a second longer on you and Travis than felt necessary. He looked completely at ease, unbothered by the tension knotting up inside you, sitting comfortably in front of you.

Brenda’s hand rested on his arm as she looked up at him with a fond smile. “Where’s your Sarah? I haven’t seen her all night.”

“She’s at a friend’s sleepover,” Joel replied, a hint of concern threading through his words, though he tried to disguise it with a smile. “So I’m here on her behalf, I suppose.”

“She’s growing up so fast,” Brenda said, her tone nostalgic as she gave him a soft smack on the arm.

Joel shook his head slowly, a bittersweet smile flitting across his face before his gaze moved to Iris. “Tell me about it. I remember when she was this little…”

Helena’s hand drifted over her daughter’s hair as she smiled back at him.

“It all flies by, doesn’t it?” she said, her voice soft. “We really have to hold on to these moments.” She turned toward Travis, and he nodded, a gentle look in his eyes as he watched Iris. 

“How old is Sarah now, Joel?” Travis asked, and you noticed a subtle shift in Joel’s expression, a kind of hesitance before he replied.

“Twelve,” he said, his voice quieter, his gaze falling briefly before meeting Travis’s, smile dissapearing.

“Twelve?” Brenda’s tone was incredulous. “I still remember the day you moved in, Joel! She was so little then, a perfect little angel! And you—how old were you then?”

“Twenty-seven,” Joel answered with a wry smile, a hint of nostalgia in his tone.

“You were just a kid yourself,” Brenda replied, shaking her head. “Always working, always rushing somewhere. And always putting your baby first.”

Joel’s smile softened, his eyes meeting Brenda’s with a warm gratitude.

“I couldn’t have managed without you,” he said simply, as though she understood all the years of support and help she had given him.

Helena glanced over with a thoughtful look. “Didn’t you just have a birthday, Joel?” she asked, her voice casual, but the question landing with a weight that made your heart leap. 

“That's right,” he murmured, looking down at his hands as he fiddled with his fingers against the edge of the table. “September twenty-sixth.”

“Hey, happy belated birthday then,” Helena said brightly, her smile lighting up the words. “Did you have a nice time?”

Joel looked at you briefly, and something flickered there, like he was turning over a memory he hadn’t expected to find. He shifted his gaze back to his hands. “It was good. Full of… surprises, I guess. Pretty sure Sarah told you all about it, huh?” He shot a glance at Brenda, as if grateful for a way out of the conversation.

“Oh, I heard all about it from Sarah,” Brenda said, grinning, her gaze settling on you with a warmth that made you blush. “You’re a lucky guy, Joel, to have two sweet girls looking out for you like that.” She patted his arm. “I’ll make up a little bag of candy to take home to her, all right? I know she loves the caramel ones.”

You smiled, trying to ignore the prickle of Joel’s gaze on you. And then a feeling dragged you back to years before, to when his Sarah was just three. You could pictured her as a toddler with wide eyes and a toothy, mischievous grin. Joel had shown you those old photos once, and you remembered how adorable she looked, her tiny hand clutching a toy tightly. Sarah had his smile—that same easy warmth, with eyes that crinkled and all but disappeared whenever she laughed. That gesture was even present in Tommy, now that you thought about it. Maybe it was purely a Millers thing, but it—

You realized Brenda was talking to you and straightened up, feeling your cheeks warm.

“Sorry, what?”, you asked.

Brenda chuckled, looking at you with a soft smile. “I was just asking, how old was Sarah when you first met her?”

“She was eight,” Joel answered before you could, glancing at you with a faint smirk.

"Yeah, eight," you echoed the number, ignoring the way his gaze moved over you, lingering with a warmth that felt almost invasive.

At that moment, Helena called Brenda’s attention back to a conversation about Christmas and Iris’s upcoming birthday, but Joel’s eyes stayed on you, searching your face like he was looking for something only you might understand. You tried to keep your own expression neutral, feeling Travis’s hand come to rest on your knee under the table, giving it a gentle squeeze. The warmth of his touch helped you to breathe a little easier, though Joel didn’t miss the gesture. His gaze hardened as he glanced down, the line of his jaw tightening slightly.

Clearing his throat, he leaned forward, finally addressing Travis. “So, how’s business going, Travis? I heard something about real estate taking a hit. Times are rough, aren’t they?”

Travis, completely unfazed, nodded, his hand still on your knee. “It is. At least for now things are still good, but of course, I can speak for myself.”

Joel gave a slow, mocking nod, feigning an interest he didn’t feel. “Well, you seem quite competent. I have no doubt you sure are handy with business. Is your dad still running the company?”

Travis smiled, oblivious to the subtext that hung in Joel’s question. “Yep, still going strong, but I think he’s planning to retire soon. My old man is tired, I think.”

Joel raised his eyebrows in a mock gesture of understanding. “Makes sense. I’m sure you’ll do fine. You seem like the kind who’s got a knack for that… you know, the charm. Every successful businessman needs a little bamboozling spark, don’t they? And I... I think you fit the role.” 

“Joel,” you warned quietly, hoping to temper the tension you could feel growing at the table. But Joel merely looked back at you with a faint, defiant smile, ignoring the caution in your eyes.

Travis, patient as ever, simply shrugged. “I appreciate your good faith, Joel. It means a lot coming from you, I know what a hard worker you are.”

The kindness in his tone, the sincerity in his eyes—it made your heart soften. You turned to look at him with a warm smile on your face, how was he immune to the sharp words of the man in front of him? And Joel had a special talent for formulating painful and provocative sentences, but apparently Travis was not the easy guy to gnaw on. And you were grateful for that. 

He turned to you, his eyes warm as he pressed a quick kiss to your cheek. “I’m going to get us some drinks. Need anything, beautiful?”

You shook your head, managing a small smile. “I’m good, thanks.”

As he rose and walked away, he gave your shoulder one last affectionate squeeze. You noticed Joel watching Travis’s every move, his expression darkening, and once Travis was out of earshot, Joel’s gaze returned to you. He didn’t bother to hide his irritation, his eyes narrowing in an almost accusatory way as they moved over your face, searching.

“Joel, really,” you whispered, leaning in so only he could hear. “You don’t have to treat him like that. He’s never done a thing to you.”

A smirk flickered across his lips, and he leaned closer, eyes dancing with a kind of challenge. “Treat him like what?”

You shook your head, pulling back to put some distance between you, but Joel’s gaze followed, steady, like he was waiting for you to react, hoping for it even.

Murmuring an apology to Brenda and Helena, you stood, slipping away to the table by the big oak tree where your empty plate and half-full glass still sat. You picked it up, taking a long drink, grateful for the quiet moment, even as you felt his eyes on you from across the garden.

Travis appeared in front of you, a warm smile on his face as he handed over a small plate with a chocolate cupcake, topped with a dollop of cream shaped into a ghost and dusted with coconut. The sweet smell hit you right away, and you leaned in, inhaling the scent, your mouth already watering. You took a bite, savoring the rich chocolate—it tasted like all of Brenda Hoffman’s best baking, delicious and indulgent.

“Maybe after the barbecue, we could head back to my place for a while,” Travis said, his expression slightly tentative, as if he wasn’t entirely sure of your response.

“That sounds perfect,” you replied with a small smile, trying not to feel self-conscious. As you savored another bite, you glanced toward the pool where Joel was still deep in conversation with Brenda, Helena, and Iris. A moment later, you noticed Clara, all golden hair and easy confidence, sliding into the seat you’d left vacant. She placed two plates on the table, one for herself and one for Joel, who glanced up as she settled in, looking pleased.

Travis followed your gaze, then turned back to you with a knowing look.

“He hates me, doesn’t he?” he said, sounding almost amused, though his eyes held a faint hint of confusion. “I think I might understand why, i mean, i think i know why but…”

You blinked, feeling that all-too-familiar twinge of guilt.

“No, he doesn’t hate you,” you said, brushing off the thought. “He’s just acting… well, like a jerk.”

Travis nodded slowly, digesting your words, but then his eyes softened with curiosity.

“You don’t have to answer this if you don’t want to, but… what happened with you two? Weren’t you best friends? I remember you two were always together, but lately…”

You sighed, feeling the tension build as you searched for a way to answer. Travis didn’t need the full story, not yet.

“Like I just told you, he's acting like a jerk,” you said, and it didn't take long to sense that Travis wasn't satisfied with your answer.“Honestly, we just… had an argument a few weeks ago,” you said, carefully choosing each word. “It’s been weird between us since then, I guess.”

Travis seemed to sense that you didn’t want to go deeper, and thankfully he let the topic slide, moving the conversation in a new direction as he began to tell you about the last book he’d read.

“I just finished The Red and the Black, actually,” he said, his gaze turning thoughtful as he picked up his fork, poking at his plate absently. “I didn’t like Madame de Rênal. I thought her choices were a bit… unconvincing.”

You laughed, covering your mouth as you swallowed the last bite of cupcake. “Well, we're talking about revolutionary and passionate times, you know. I mean, Stendhal had his characters reflecting all that intensity. Have you read Goethe’s Werther?”

Travis smirked, shaking his head. “Ah, yes, the Werther book. The one with the famous suicide, right?”

You grinned, raising an eyebrow. “That’s the one. The famous suicide and the iconic outfit. I know it gets heavy, but I’ve always liked it.”

He chuckled, nodding as if to humor you.

“My sister made me read it as a teenager, actually. I thought Werther was too… sentimental for my taste.”

You tried not to smile too widely, picturing a young, disinterested Travis, brow furrowed over Goethe’s verses.

“I get it. I was probably more sympathetic to Werther than I should’ve been. I’ve always been a bit of a romantic myself, so maybe it made sense to me. Though I’ll admit, he does get insufferable.”

“Definitely insufferable,” Travis said, still amused. “I’ve always been more into horror anyway.”

The comment made you smile—Travis had a whole shelf at home stacked with DVDs and old VHS tapes of classics like Nightmare on Elm Street, Cujo, and The Birds. You’d teased him about it, of course, but there was something oddly endearing about it too.

As the conversation flowed, a faint twinge made itself known in your stomach, and you shifted in your seat, trying to ignore it. You’d had a glass of beer and two tall glasses of water before coming over, so the feeling wasn’t exactly a surprise.

“I’ll be right back,” you murmured, excusing yourself as you rose from your spot.

In doing so, you glanced over Travis’s shoulder, only to catch sight of Joel and Clara by the pool. Brenda had moved elsewhere, leaving Clara at Joel’s side, closer than casual. She was leaning into him, her hand resting against his shoulder, tucking a stray curl behind his ear, her laugh light and flirtatious. Joel didn’t seem uncomfortable with her proximity. In fact, he was smiling back at her, his gaze locked on hers in a way that made your heart sink just a little. 

You looked away, feeling a strange pang that you couldn’t quite justify. Had he been ignoring Clara before simply because you were there, next to him? But now, alone with her… he didn’t seem to be ignoring her at all.

As you headed toward the house, you forced yourself to shake off the thought. You slipped through the door and let out a sigh of relief, the cool interior air calming your nerves. Walking quietly down the hallway, you reached the bathroom and knocked gently to check if it was free. It was unoccupied, so you slipped inside and closed the door behind you. You paused by the mirror, glancing at your own reflection, almost surprised by the tension in your eyes.

What was Joel doing, looking at Clara like that? Wasn’t he still with Sienna? And what would she think if she saw him now, flirting? It was hard not to wonder if Sienna was like Clara, someone completely different from you. 

Clara was a flash of brilliance, a woman who looked like she’d walked off a magazine cover, golden curls that fell like soft waves of sunlight, her skin bronzed from Texas summers, her green eyes glinting with a brightness that made her seem almost elemental, like an extension of the sun. Her voice was soft, delicate; every word felt chosen, measured. She was flirtatious, always laughing, always seemingly content with the way things were. You could almost imagine that Clara might be Joel’s type—a vibrant, sunlit presence. It would make sense; he was her opposite in every way. When you thought of Joel, you thought of nighttime, the murmur of crickets outside a darkened window, strong coffee and smoky whiskey, a deep, hidden undercurrent. 

And you? You weren’t sure what you were. You weren’t quite the night, nor the day. Maybe you were something in between, or maybe you were just… undetermined. You wanted to think you had some affinity with the moon, but even that seemed too defined.

You sighed, breaking your gaze from your reflection as you felt an urgency to finish up. A moment later, you were washing your hands, the warm water and lavender soap grounding you a bit as your mind drifted again, wandering along with the suds down the drain. You dried your hands with a soft cotton towel, inhaling the fresh, clean scent.

But when you opened the door, you froze in place. Joel was standing there, leaning casually against the wall, his hands tucked behind him. He had been staring at the floor, but as soon as he heard you, his gaze flicked up. There was an intensity in his expression that made you pause, waiting for him to say something, to step aside, to let you pass. But he didn’t move.

When he finally spoke, his voice cut through the small space like a slow crack.

“Are you with him now?”

“With who, Travis?” you said, sounding more dismissive than you’d intended.

He raised an eyebrow, the faintest trace of a smirk pulling at the corner of his mouth.

“Who else? Or is there another I don’t know about?”

You took a few steps closer, folding your arms, letting your expression go cold and tight, the same way it always seemed to be now, whenever you looked at him.

“I really don’t think that’s any of your business, Joel.” You lifted your chin. “I mean, last time I checked, you haven’t been all that open about your life either. So why would I tell you anything about mine now?”

Joel’s smirk twisted into something sharper. “Didn’t stop you from telling Tommy, did it?”

You shrugged. “Well, you’re not Tommy.”

Joel scoffed, crossing his arms, clearly entertained. “Telling Tommy is practically the same as telling me.”

You lifted an eyebrow, unfazed. “If it makes you feel better, go ahead and believe that.”

But his amusement faded, and he looked at you with something almost searching, like he was trying to find a trace of the way you used to be with him—kind, understanding, open in a way that had made him comfortable. You saw the shift in his face, in the way his eyes flicked between yours, like he was looking for some doorway back to that version of you. But she wasn’t here. Or maybe she was, just not for him anymore.

Then he leaned forward slightly, his voice dropping lower, almost a whisper, as he asked, “Did you sleep with him?”

The question hit you, and you stayed silent, unsure if an answer would expose the bitter knot you felt at your center. You hadn’t slept with Travis, not yet anyway. But Joel didn’t know that, and you found a petty thrill in letting him wonder, letting him believe what he wanted—that other hands, other lips had erased him from your memory, replaced every touch. That he had no longer been the last man to touch you.  It was pathetic, you knew it, but the curiosity to see his reaction was stronger than anything else. So you decided not to answer, to let the silence lie for you.

So you simply met his gaze, letting silence serve as an answer, your lips lifting in a faint, cryptic smile. And then you saw the moment he believed it: his jaw tightened, his breath went shallow, and his eyes seemed to darken, hardening.

“Like I said, none of your business,” you finally said, feeling something small and satisfied flare inside.

Joel chuckled, but it was a grim sound. He looked down briefly, and when he looked back up, there was an almost cruel gleam in his eye.

“Did he know where to touch you?”

You scoffed, turning the question back on him. “Do you really want to know?”

The moment the words left your mouth, you regretted them. You knew Joel well enough to know he would go there if he could. But you couldn’t let him gain the upper hand, not here. If anything, you needed to keep him off-balance, keep him uncomfortable.

“Oh, I’m all ears,” he replied, his smile gone now, leaving only a hard, steady gaze that felt like it was drilling into you.

You felt your cheeks flush, but you held his gaze, determined.

“He was the best I’ve ever had,” you said, letting each word hang in the air, daring him to question it. You tilted your head, feigning a fond, private recollection. “Gentle, but rough when I wanted him to be. And you want to know the best part?”

Joel’s throat bobbed as he swallowed, and for a moment, his expression softened. The dark look in his eyes deepened, his smile long gone.

“Afterwards, when I woke up,” you went on, drawing out each word, “Travis was still there.”

Joel’s head dipped, his eyes dropping to the ground, and you took a brief, selfish moment to take in the sight of him, almost broken in front of you. But something twisted in your chest; the satisfaction felt hollow, quickly replaced by a pang of something closer to pity, almost regret. You had an impulse to reach out, to tell him you hadn’t meant it, that Travis wasn’t even in the picture, that he hadn’t been the best or the first or anything. But you couldn’t allow that. 

You had to remind yourself why you’d stopped letting Joel in—how he’d left you out in the cold, how he’d made your feelings seem like nothing, as if they didn’t matter enough to consider. You had to remind yourself of Sienna, this woman who felt like a ghost, hovering between you and Joel, even though you’d never even met her. And if he was really with someone else, what was he doing here, pushing and prying, acting like he had the right to know these things about you? Why was he acting like he cared if you’d moved on, or if you were with someone else, when he was so openly flirting with Clara just a few minutes ago in Brenda’s backyard? Had he become a complete asshole, or had he always been like that and you were just now realizing it?

As the memory of it all flooded back, the tenderness you'd felt earlier drained away, replaced by a familiar, suffocating anger. It surged up from somewhere deep inside you, visceral and sharp, and before you could stop yourself, your body moved instinctively—stepping back, away from him—until your back hit the cold wall by the bathroom door. The impact was jarring, but it felt like a small, needed separation. 

Joel didn’t speak right away. He stood still, his eyes shifting downward, slowly, moving over your body, before meeting your face again. His expression was unreadable, like a mask he didn’t quite know how to remove. It irritated you, this silence, this uncertainty that hung between you two like an unwelcome guest.

Finally, you broke the tension, pushing yourself off the wall and stepping back, away from him. But just as you tried to distance yourself, his voice vibrated through the air, low and deliberate, cutting into your thoughts.

“That’s mine,” he said.

“What?” you managed, almost gasping, your eyes darting between his face and his hands, as if looking for something—anything—to explain this new, impossible tension. 

Joel didn’t move. He was still, a presence that loomed larger by the second. His gaze was steady on you, tracing your body and your face, slow and deliberate.

“The flannel,” he repeated, his voice dropping lower, rough around the edges. “It’s mine.”

You looked down at the fabric, the soft, familiar warmth of it, and felt a sudden jolt. God. He was right. It was his. But it had been yours for years. You'd worn it so often, so comfortably, that you'd forgotten it ever belonged to anyone else. Maybe he'd lent it to you once, a lifetime ago, on one of those cold nights when you both sat under blankets. But he’d never asked for it back, had he? He never seemed to care, and you never thought to return it. It had just... stayed with you.

When you lifted your eyes back to him, Joel had moved off the wall, stepping toward you with slow, deliberate steps, closing the distance between you. Too close. He was too close, and you could feel the heat radiating off his body as his presence engulfed you.

“What happened?” His voice was soft, but there was a simmering undercurrent, a teasing tone that made your pulse quicken, though you weren’t sure why. “Did you forget to include it in your little box when you gave everything back to me?”

You felt a bitter chuckle bubble in your throat, an angry little sound that you couldn’t quite hold back. You shook your head slightly, irritated, your chest tight as you opened your mouth to speak, but he interrupted you, his words coming fast, sharper than before.

“Doesn’t your little boyfriend mind you wearing another man’s clothes?” he asked, his voice dripping with something like disdain, like he had been holding that question inside for far too long. His eyes darkened, gliding down to the fabric again, then to your body, before he reached forward, his fingers brushing the edge of the flannel as if testing the boundaries. “Or does he already know this isn’t the only thing of mine that’s wrapped around you?”

A shiver ran through you, a mixture of anger and something else—something hotter, something less easy to define. You didn’t want to feel it, but it was there, and it was impossible to ignore.

No. This wasn’t about that. This was about him—how dare he?

In a sudden movement, your hands moved to the buttons of the flannel, fumbling with them in a rush, eager to take it off, to rid yourself of him. But as you tugged the fabric down over your shoulders, you felt Joel’s hand close around your left wrist, his palm warm against your skin, halting you, slowing you down. The touch was too familiar, too intimate, and it sent a jolt of something you couldn’t quite identify straight to your stomach.

“No,” he said, his voice suddenly low and commanding, like he was trying to anchor you, like he was trying to hold you in place. “It’s yours. Don’t take it off.”

You snorted, a dry, incredulous sound, and with an almost violent motion, you yanked your hand away from his, finishing the job of removing the flannel with a sharp tug. 

Joel’s jaw tightened, his eyes darkening further, and for a moment, you could see the effort it took him to stay still. His eyes lingered on you, tracing your every move, as you held the soft fabric against his chest. You could feel the air shift, feel the weight of his gaze on your skin, and your heart beat a little faster. 

You looked up at him, the anger suddenly spilling out of you. “No. You’re right. It’s yours. I should have given it back to you a long time ago.”

His hand moved up to his chest, over yours, taking the fabric from you with a slow, deliberate motion.

“Put it back on,” he said, his voice softer now, like he was trying to smooth over something that had frayed. "It's cold outside."

You wanted to fight it, to say something sharp, but your irritation bubbled up before you could stop it.

“Good thing I live across the block, then,” you blurted, the words coming out thicker with frustration as you pulled your hand free from under his, feeling the heat of his fingers linger on your skin.

Joel's patience was running thin. His hand shot out again, grabbing the flannel in a fist and pulling it closer to you, the fabric stretching between your bodies.

“Stop being so stubborn and put it back on,” he said, his tone more demanding, more urgent. His voice had a sharpness to it now, almost like a warning.

Something inside you snapped. You shoved his hand back hard, with as much force as you could muster, pushing him away—not enough to hurt, but enough to make your point. His body didn’t move, though. It stayed solid, unyielding, the broadness of his shoulders making you feel small, like you were being swallowed by his presence.

Frustration bubbled inside you, gnawing at your chest as you turned sharply on your heels, determined to leave. Your steps were quick, purposeful, as you made your way toward the hallway exit, the air heavy with everything left unsaid between you and Joel. But then, a firm grip wrapped around your wrist, dragging you back to him. You pivoted on instinct, meeting his gaze with eyes darkened by anger, sharp and focused.

For a moment, your mind flashed with the impulse to tear his hand off your wrist, to wrench it away and walk out of this whole mess. But you let it go. Instead, you locked eyes with him, your breath catching as your irritation turned into something more potent—exasperation.

“Enough, Joel,” you said, your voice cutting through the tension like a blade. “I'm tired of fighting with you.” The words spilled out before you could stop them, and inside, you couldn’t help but wonder how it had come to this—how two people who once fit so easily together had ended up here, so broken and scattered. 

“Then let’s not fight,” he said, his voice softer now, almost like he was pleading. There was a quiet desperation in his words, a slight hitch, as if he was offering a fragile truce. “We can—”

“I’m afraid that’s impossible,” you interrupted, your words sharp and cold, the bitterness clinging to every syllable. “I can’t stand you anymore.” As soon as they left your lips, you realized how hard and cruel they sounded, but you didn’t care. You were exhausted. Tired of the games, tired of the back-and-forth. The anger inside you surged again, hotter than before, as his fingers tightened around your wrist, forcing you to feel the weight of it. Desperation.

“Don’t look for me,” you continued, the words raw and unrelenting. “Don’t talk to me anymore. Don’t look at me. I don’t want anything to do with you. I’ve had enough of all of this. If I could go back in time, I’d change everything, I’d avoid all of this shit.” The heat in your chest built as tears threatened, burning behind your eyes. “But I can’t. I can’t do anything about it, and neither can you, so leave me the fuck alone for once. Avoid me if you can and I’ll avoid you. Pretend I don’t fucking exist. I don't know. Just stop it, Joel.”

The impact of your words hit him like a physical blow. You saw the flash of pain in his eyes, the way his mouth twisted, his face contorting in a wince. Something inside you sank, and for a moment, regret pierced you. But then, the anger pushed the guilt aside. He hadn’t been considerate of you before, had he? And that thought, that realization, let the remorse slip away.

His grip loosened just slightly, but he didn’t release you. Instead, his fingers trailed down to your palm, stroking it gently with his fingertips, his breath shallow and measured, like he was holding himself back from saying something more. 

For a moment, you both stood still, suspended in that space, him looking at you, and you trying not to look at him—waiting, anticipating what would come next. What was the right thing to do now? You should walk away. Right now. Now. 

But then his voice, quiet and soft, cut through the air.

“You don’t need me anymore?”

“No,” you said, the word escaping before you could stop it. The lie tasted bitter on your tongue, and the second it left you, you could feel it: the squeeze in your chest, the twisting of your heart. It wasn’t true, not really. But you wanted it to be. You wanted it to be true more than anything.

Joel’s eyes flickered, just for a second, like they were searching for something in your face that wasn’t there. His expression faltered, his hand falling away from yours, his gaze dropping to the floor, as if the weight of your words had crushed him. 

“I know that’s not true, baby,” he whispered, his voice rough with something you couldn’t name, but it was too much. You couldn’t bear to see it.

You shook your head, refusing to let the crack in your own resolve show.

“Maybe not, yet,” you said, your voice colder now, harder. “But I’ll do whatever it takes to make it true.”

With that, you turned away before you could second-guess yourself, before you could see his reaction and let the guilt undo you. You didn’t want to stay. Not now. If you stayed a moment longer, you knew you would apologize, you’d cave, you’d let him back in. But you couldn’t. You couldn’t keep doing this. 

You walked quickly back to your seat, each step carrying you farther away from him, from the tension that had become unbearable. You barely noticed Travis’s worried look when you sat down next to him.

“Are you all right?” he asked, his voice laced with concern. “You were gone a while.”

You nodded, forcing a weak, half-smile. But inside, it felt like everything was crumbling. Your bones felt brittle, as if they might snap with the weight of it all. Your body had turned to lead, your muscles drained of all strength. Your eyes, heavy with unshed tears, were a reflection of the ache in your chest. 

You just wanted to go home, crawl into your bed, and never come out. The lump in your throat grew larger with every second, and the cold air stung your neck, making you shiver.

“What happened to your shirt?” Travis asked, noticing the way your body had become tense and cold.

You didn’t answer, relieved when he stood and came to stand beside you. You watched as he shrugged off his jacket, his movements gentle, as he draped it over your shoulders and helped you tuck your arms into it. 

Once you were warm, Travis slipped his arm over your shoulders, pulling you into him, his soft kiss to the top of your head offering a fleeting moment of comfort. You couldn’t help but lean into him, resting your head on his collarbone, inhaling the familiar scent of his perfume. For a moment, you allowed yourself to feel the comfort of being held, the peace of someone who wasn’t trying to tear you apart.

But then you heard it—the sliding door opening. And you knew. 

When you opened your eyes, you saw him. Joel. Walking out of the house, his pace slow, deliberate, as he clutched the flannel shirt in his left hand. His eyes were cast downward, but when he looked up, they locked on you. His expression shifted, something unreadable in the way he looked at you, and your stomach dropped. 

He walked toward his table, his fist clenching the fabric so tightly that his knuckles went white, his gaze never leaving you. You couldn’t look away either. It was like a magnetic pull. 

At his table, Carla was waiting, her eyes fixed on him like a hawk circling prey. You felt an involuntary surge of disgust. You wanted to stand up, to march over there and shake her, to tell her to leave, to stop, that she was being pathetic. But then, the sharp, bitter truth hit you: Carla wasn’t the problem. You were. She reminded you of yourself—the way you’d clung to Joel, the way you’d let him define you. 

Joel spoke, his voice angry and loud enough for you to hear from where you sat. 

“I’m going home,” he said, his eyes cutting through Carla as he raised his head to her height. Then he pulled back, holding out his hand. “Y'wanna come with me?”

And there it was—the knot in your chest tightened. Carla nodded, flushed with a victorious smile, and took his hand. The same hand that had held yours just minutes before. 

You closed your eyes, sinking further into Travis’s embrace, the ache in your chest spreading, overwhelming. 

You couldn’t leave now. Not with him walking out, not with her next to him. What would you do? Cross paths with them on the way out? Watch them walk away together? The thought was unbearable.

“Can we go to your place for a while?” Your voice was small, almost breaking as you whispered into Travis’s chest. 

“Sure thing, honey,” he murmured, the warmth of his body offering a small, fleeting comfort against the storm of emotions inside you.

-

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[homoquartz]

i've made this post before but i can't get over the way DBDA shows that charles and edwin feel exactly the same about each other. it's demonstrated in everything they do.

it's the way they echo each other's feelings about their relationship, beat for beat, through the whole first season. the same promises to never be apart, the same jealousy over the other's new date, the same opinion that their other half is "the best person they know."

they both keep serious secrets from each other, offer themselves genuinely as a caring ear, and eventually confess - though not the whole truth. they both bring the same lantern when the other is lost and alone, a comfort to each other. they tell strangers that first and foremost, before they are partners, they are best friends.

"you, edwin payne, are my best mate." / "you, charles rowland, are the best person i know." not just the same words, but both of them soothing their best friend's deepest fear. edwin, that he will be abandoned - charles, that he isn't good enough.

and even without all that, they're mirrors of each other in all sorts of clever ways. the way they move in sync and borrow each other's phrases, and the way they exchange glances that communicate their thoughts without words.

they have felt the same the entire time. i think now that edwin has realized he's in love, it won't take long for charles to realize he feels the same in that, too.

[thenationofzaun]

Fans can come up with a million analysis posts, interpretations, metas, and theories as to why a character acts the way they do. But if none of those things are ever explored within the story itself, what the hell is the point? It's great that fans can come with their own interpretations but there comes a point when the writers have to actually put in the work and not expect the audience to fill in every single blank for them lol. You could pull a thousand and one reasons for Vi's decisions out of your ass, at the end of the day, every single one of those would be headcanon if there's not an inkling of it in the show.

Again, Vi is a main character and one of the two leads of the show. Her relationship with Jinx is at the heart of the narrative. Their mirror arcs of one becoming a fighter for Zaun and one becoming a fighter for Piltover should balance each other and be equally explored in depth. Vi's reason for joining the enforcers is driven by a complete rando side character giving her an ego boost. It is over and done with in one episode. The effect long-term prison as a child has had on her goes unexplored. Vi forgets about Ekko, her childhood friend whom she just reunited with, and never mentions him in 5 episodes. Vi wants to murder her own little sister whom she raised for reasons also unexplored. This is not a "flawed gray human character". This is a nonsensical mess.

"You just want characters to be Good and Nice", no I want characters to make sense. "Vi is just a bad person", almost every single fucking character in this show is a bad person. You don't see me complaining about how they're not believable as characters. "Of course it makes sense! Vi actually did this thing because xyz and abc and bla bla bla", are those reasons shown in the show? No? Then it's your own personal interpretation. I don't have to accept it and I expect the writers to actually put in the effort to. You know. Write their show.

This is actually pretty pathetic writing for a main character. It's insane to me that so many people have no problem with it. These are the standards we have for character writing?

[getsuuna]

KNY Fandom so fucking insufferable I'm gonna start behaving like those GiyuShino and SaneKana shippers and go around spreading misinformation and say "no you don't get it SaneGiyuu was implied!!!" /j

because I'd actually have more content to mention without even mischaracterizing them

wanna talk about how they're a two-faced mirror? almost as if they were written to parallel each other and there's so much to talk about on this matter

or, since not everyone in this Fandom can dive into analysis, wanna mention how Shinobu figured Sanemi could've made Giyuu smile by inviting him to eat his fav dish with him? why not ask him directly instead? why Sanemi out of all people?

wanna mention Sanemi's pseudo-obsession on that man? he disliked his ass, but if we go back to analysis, his intolerance to someone feeling superior can be tied to a multitude of factors and one of which is being low-key reminded of himself, and he loathes himself while at the same time he puts on that strong façade. he can't face it though. and he wanted to understand why Giyuu felt that way SO BADLY he went to him for training and tried to speak with him, he wanted a contact, he wanted to understand, he needed Giyuu to speak up but he didn't.

on the other hand don't we wanna talk about Giyuu's perspective? Giyuu never hated him nor did he really feel sad knowing he disliked him, contrary to how he felt towards Obanai. not to mention he even got to be sarcastic towards Sanemi's dumb ass at least twice.

and the iconic ohagi scene? idk about y'all but between the hashira I think that's THE iconic scene, alongside Giyuu and Shinobu beefing and Shinobu almost stabbing him (don't get me wrong platonic GiyuShino has my whole heart)

the first time we saw Giyuu smile in the series is while imagining to befriend Sanemi??? and out of everyone he chose Sanemi? the hashira who is canonically the most difficult to talk with?😭 he only ever smiled either for food, for Sanemi or Tanjiro

oh and let's not talk about how Tanjiro, after getting knocked up, wakes up and the first thing Giyuu says is "yeah Shinazugawa left" ..? or the whole novel chapter in which they end up talking about him (supposedly right after that scene in the manga) and Giyuu cheered up. what

anyways, likewise, the first time Sanemi was seen smiling genuinely outside of his family was with Giyuu. Obanai and especially Masachika were both closer to him, not to mention the most important person in his life, Genya...yet here we are ig?? (after Giyuu he also smiled more in general, the scene of him smiling at Nezuko was one of my fav panels ever so keep in mind I'm taking in consideration the chronological events and not the impact of the scenes per se)

or let's talk about the most important part in their development which is when they fought together.

Sanemi saving him, telling him not to zone out while throwing the sword at him, it made Giyuu realize he's the water hashira, it was the first time Giyuu acknowledged it. Sanemi influenced Giyuu's character positively, and so far Tanjiro was the only other one who managed to. Sanemi saw him as his ally (rightfully so), and hopefully seeing him fight also made him realize he wasn't that much of a conceited guy, he was just like him, as he initially wanted Giyuu to understand (despite the fact it was a miscommunication)

Sanemi teaming up with Giyuu out of everyone, in such an impactful panel.... idk, if it was a straight ship that would've felt like a confession for the Fandom 💀

they impacted each other's character, they were the only two hashira surviving after facing the same war, they faced similar struggles during their lives (but let's not get into analysis, once again...), they could've understood each other better than anyone else would ever have, and they ended up bonding and eating together

that panel was there, in the middle of other panels all portraying important bonds, whether canon romantic bonds or platonic and sibling-like ones (Tanjiro and Nezuko, the Kamaboko squad, the swordsmiths etc.)

if it wasn't important it wouldn't have been there, but the funniest thing is that if either of them was a woman it would've been considered canon since it also included TanKana, ZenNezu and InoAoi🙏🏻

but oh, if we try to name either of these things and more, people will rightfully say "can't they be friends anymore?", which is valid, but I wonder why this doesn't apply to equally fanon straight ships.

a show so peak has so many fans that are so dense😭😭😭

[sturniolosiphone]

introducing...morose!reader and pinning!matt

divider by: @bernardsbendystraws

In which morose!reader and pining!matt are best friends. Inseparable. They're there for each other..whether it's morning coffee, running an errand, or a night on the couch. There's connection, safety, and desire..they can feel it; they can tase it...

morose: sullen and ill-tempered.

⋆.˚morose!reader can come off as a little bitter, a little detached to strangers who aren’t in her inner circle. She finds small talk hard, and she simply does not have the energy to make new friends. 

⋆.˚morose!reader will disappear for days at a time. She is usually hidden in her room, racking up screen time on her phone or attempting to read the book she restarted four times. Her room is her safe space, filled with trinkets, clothes, and vinyls. 

⋆.˚morose!reader took "My Year of Rest and Relaxation" too literally.

⋆.˚morose!reader can watch movies for hours a day and constantly log them into letterboxd. She also loves the movie theater and often calls it her church. She allows herself to break down in the worn-down theater chair as her feet stick to the flooring covered in diet soda.

⋆.˚morose!reader is always saying she could do more, be more. She can’t feel fulfillment in any career path, any passion project…anything. She will come off confident and unnerving, but as soon as that bedroom door closes, she stares at herself in the mirror until she is unrecognizable. 

⋆.˚morose!reader is constantly changing her appearance. Cutting her hair, bleaching her eyebrows, small tattoos, and piercings. She is always trying to find herself, and understand why she is the way she is. 

⋆.˚morose!reader who knows Matt would be good for her but she just...

pining: suffering with or expressing longing or yearning for someone or something.

⋆.˚pining!matt, who is captivated by morose. He had been in love with her since the first time he saw her at that weird basement party, where they both decided to leave together and go to McDonald’s because the vibes were just off. He’s at her beck and call and is willing to do whatever to make her happy and satisfy her. 

⋆.˚pining!matt is soft and loving. He may come off as a little standoffish, but that is only because he is shy. 

⋆.˚pining!matt, who keeps his journal in his back pocket. He holds a list of all of morose's favorite things. What to order her at restaurants, how she likes her coffee, things that make her happy, and things that make her angry or upset. 

⋆.˚pining!matt is always lost in thought. He is having conversations in his head and lingering on other people's words. He keeps quiet most of the time, absorbing information and taking things in. 

⋆.˚pining!matt hates all of that “new age” shit but owns every Apple product. He refuses to use Apple CarPlay in his car and will only listen to CDs. He hates the internet and tries to keep off social media as much as possible. If he posts anything on social media, it's either morose or his album reviews that get five likes. 

⋆.˚pining!matt who prays one day morose will break, finally let him in completely and let him show her what it feels like to finally let go.

[A/N: this is my first AU! I have been absolutely taken by other writer's AU's and I love how free and creative you can be. I'd love to write for this AU if it is received well!! Please feel free to send in asks about morose!reader and pining!matt]

[naamahdarling]

What are the elevator game and Three Kings?

They're modern folklore/urban legend ritual games games akin to Bloody Mary, spread by creepypasta memes across the internet for thrills and chills. (I actually love creepypasta. There's some excellent horror in the genre. Ted the Caver and Candle Cove are both super cool, those aren't hard to find.)

The Elevator Game supposedly originates in Japan or South Korea, and involves getting into an elevator and pressing the buttons in a certain sequence in order to reach a surreal otherworld, with dire consequences should they fail to follow all the rules. It doesn't have a goal or reward, just the appeal of accessing a creepy alternate reality. It's a fairly popular bit of modern folklore and I enjoy it for its modern yet classic feel and its specificity. This is a game that it is actually feasible to play, unlike a lot of other modern creepypasta ritual games, which can be very complicated.

The Three Kings Ritual is another creepypasta ritual game, and it's a fucking banger. I HIGHLY recommend you read it in full.

It has a great name, great symbolism, a creepy as shit setup, and a genuine chance, I think, at getting something fucked up to happen (in the sense that you could very easily experience some trippy visual distortion and possibly some auditory stuff as well from the white noise of the fan).

It genuinely put my hairs up the first time with these bits (the bolded and italicized bits are of particular note):

Place one chair in the center of the room. ....Place the other two chairs exactly to the left and right, facing your throne. The distance between your throne and that of your queen and fool should be about the length of your arm to each side, more or less. Place the two large mirrors on the queen and fool chairs left and right of you, facing you (and each other). Try your best to have them stand at a 90 degree angle (or else you may get more or less than three kings). If you sit on your throne facing straight ahead (north), you should be able to perceive your own reflection in each of the two mirrors without actually having to turn your head nor your eyes to do so. If you see your own reflection in the corner of your eye, just barely there, then you've done it right.

So you can see how this would lend itself to seeing things. Mirrors are already creepy. With a small light in a dark room, it gets worse. This isn't about a demon or vengeful spirit, just...presences, which is much creepier to me because on some level it feels more plausible.

Look straight ahead, at the darkness. Not at the candle, not at the mirrors, just straight ahead. Eagle-eyed readers surely noticed I didn't say during setup which chair was queen and which chair was fool. That's because it's your job to find out. And from their point of view, you are either their queen or their fool, too. Hence three kings.

Fucking hell.

Again the goal is nebulous. The original text leaves so many things unanswered. Are we to converse with these entities, to ask questions? What the actual fuck happens if you get the angle wrong and get more than two spirits?

All I know is that I am curious. This is absolutely my favorite ritual game.

[activesplooger]

Lucifer comforting reader? Self image and body harm comfort, fluff (IF YOUR NOT COMFORTABLE DOING THIS ONE YOU DONT HAVE TO HUN GRAH)

-lovely 🫐

you got it!! bit of a short one tho, hope you enjoy :]

Tears roll down your cheeks as you stare at your reflection. You're not disappointed or upset by what you see anymore, just numb. Scars scatter your body, further blemishing your imperfect skin. A scowl etches on your features. Of course, you have to look like this. It's your fault. It's your fault for feeling this way. And you just had to make it worse by tearing up your skin.

You're overcome by a feeling of frustration, staring at yourself blankly in the mirror. Words plague your mind the longer you stare - useless, dumb, ugly, unloveable. That last word struck a chord with you. You start to sob, sliding your back against the wall until you fully sit. Hugging your knees, your body starts to shake as you sit helplessly on the ground.

Disgusting

Worthless

Pathetic

Defeated-

You snap out of your thoughts as you feel a familiar slender hand grasp your shoulder gently. Lifting your head up, you see Lucifer crouched down beside you with a soft expression on his face. "Hey, love. What are you doing down here?" he asks quietly. You shrug and look off to the side, avoiding his gaze. "Hey, look at me," Lucifer grabs your chin and gently guides you to look at him, "tell me what's wrong.". "I just feel... worthless. I-I can't help but hate myself... My body- My face- My fucking scars that I caused-!".

Lucifer notices you getting worked up the more you talk, "Shh, calm down my dear, it's okay... I'm sorry you feel worthless, my love, but you're not, I promise. If it weren't for you, I don't know where I'd be.". He smiles at you, almost a lovestruck grin, "And you're beautiful to me. You're Everything.". He softly pries your arm away from your knees and gently traces your scars, "These are a testament to your pain... to what you've been through, they don't make you ugly, they're proof that you're strong. The strongest person I've ever known.".

"No," you interrupt, "I'm weak, I can't just live life normally like other people...". "Oh, my love," he lifts your arm to his lips and kisses up and down it. He speaks between each kiss, each word a praise

"Beautiful"

"Precious"

"Strong"

"Mine"

His words comfort you, you weren't cured of your insecurities of course, but it helped a ton. He always made sure you knew how highly he thinks of you, and it never failed to help you. You lean into his touch, unfurling yourself of your closed-off position.

Lucifer lights up as he sees you open up. Without hesitation, you wrap your arms around him bury your face into his chest, and sob. "Shh, I'm here," he coos, arms tightening around you, "I've got you.".

Slowly and carefully, he lifts you off the ground and carries you to the bedroom. Once you arrive, he sets you down and kneels before you, taking off your shoes. He kicks off his own boots and lays beside you, patting his chest to signal you to lie there. Your tears slow down as you lay against him, the soothing rhythm of his heartbeat calming you down. "I love you, I'm so sorry you feel this way. I wish you saw yourself the way I see you," he whispers.

"I love you too, Lucifer. Just- hold me..."

"Of course, it'd be my pleasure," Lucifer holds you tightly against him, raking his fingers through your hair and softly massaging your head. He hums a melody softly, his angelic voice vibrating against his chest.

The two of you stayed in this embrace until you felt comfortable enough to get out, Lucifer staying by your side each step of the way. He made you all your favorite foods and listened to all your insecurities, making sure you felt heard and valid in your problems.

The End <3

[narcissosbythepool]

PriceGaz Pining Series

Part 6/14

Prev | Next

Prompt: Self-sacrifice //

The air in the office is tense. Gaz stands in attention in front of Price's desk, Price sat in his chair behind it. They're staring each other down, not saying a word. A storm brewing, right above.

"You could have died today," Price says, his tone one of barely held back irritation. Gaz doesn't reply, just nods. There is no sign of remorse in his expression and it just makes Price angrier.

"Is there a reason for your self-sacrificing streak lately, Sergeant?" Price asks, crossing his arms. "I can send you to psych eval if you want."

"That's not necessary, Boss." Gaz mirrors his posture, frowning. "I should probably ask the same of you. Do you not trust me to do my job properly?"

"Not if it comes at the cost of your life," Price snaps back.

Gaz narrows his eyes. "It's the risk of the job. You've never doubted me before."

"I'm not doubting you," Price says. "I just won't tolerate you acting stupid. I saw that enemy. I could have accidentally fired at you. Never come between me and a target again. Not unless I tell you to."

Gaz bites his lips into a thin line. He looks chastised, the apology fighting to slip from his tongue. Price doesn't want an apology – he wants a promise.

He sighs deeply.

"Death is always wherever we go. I'm prepared to face it. I know you are too, Gaz." He leans against the table with his elbows. "I won't have you risking your life for me."

"I risk my life for you every day," Gaz says quietly. "Ever since you picked me up."

Price looks at him, feeling helpless.

"Gaz, look, I appreciate it. But I don't want sacrifice from you." He looks for words for a moment, how to explain. "I've buried enough people. I'd hate to bury you too."

He has such a bright future ahead of him and some days Price wonders if he's robbed that future of him.

"I can't promise that, sir," Gaz says. "I won't."

"Gaz—"

"Today I was reckless, I'll admit that. But I won't promise not to interfere when your life is in danger." He shifts in place, looks down. "Not after everything you've done for me."

And to you, Price thinks, dragging a hand across his face. He knows it's a stalemate, them trying to out-stubborn each other, a pointless battle not worth fighting. He's dragged Gaz into this, this life filled with bloodshed and danger, and now he's expecting Gaz not to follow his instincts, honed into being by Price himself.

"Just... not against my orders." He looks at Gaz until he meets his eyes again. "That clear, Sergeant?"

"Crystal, sir."

[miriam-heddy]

For those who said that the end of Buck/Tommy came out of nowhere, color-coded Buck & Tommy’s First & Last Dates. See? Foreshadowing. Parallels. Mirroring.

Sorry it’s not neater. I’m better at analysis.

First Date (color coded transcript below cut)

https://tvshowtranscripts.ourboard.org/viewtopic.php?f=111&t=68587

Notice Buck's "keeping our options open, I like it"? They aren't committed.

Notice that Tommy says the 118 was "a regressive place under Gerrard" That's unspecific, considering he was a bully. And he insists, I'm not lying about who I am" but he also doesn't mention a 2 year engagement to a woman (which is a lie of omission).

Eddie and Marisol are a foil for Buck and Tommy. Eddie has just asked Marisol to move in. After their last date, Buck asks Tommy to move in.

Eddie mentions closets in his own house. And Tommy nudges at Buck.

And then they're back at the "so many choices" (indecision), foreshadowing. And it Eddie turns out to not want Marisol's armoire/closet after all., because he's going to choose JOY!

Last Date Before Breakup (color coded transcript below cut)

https://tvshowtranscripts.ourboard.org/viewtopic.php?f=111&t=71583

Notice that Buck doesn't know specifically what a Kinsey

6 means. (which does NOT mean he's never heard of Kinsey). And Tommy's answer is, "I'm gay," which doesn't clarify the number, does it?

Notice that, on the first date, Tommy assures Buck that nobody's looking? And on the last, they are?

Notice the way the waiter asks, "What's the damage?" This whole date is a disaster. Tommy's insulted both Abby (crazy but great hair?) and Buck (himbo).

Notice the divorce mediator's words about "dissolution of a marriage" and trying to make it less painful? Editing lets scenes reference each other. And this provides foreshadowing for the split at the end of the episode.

Reading is FUNdamental. Or fundaMENTAL. Fandom!

(Obviously, I did this for myself, but I do like comments.)

First Date:

Last Date Before Breakup

[another-damn-fandom]

Theory about BJBJBJ

When it comes to the prospect of BJBJBJ, I've seen fans mention five things:

Lydia should realize her feelings for Beetlejuice.

Lydia and Beetlejuice should become a kick-ass team against something big.

More Delores, she was under utilized. (Even if that means some Delores/Rory.)

The third wedding has to be different than the previous two.

Beetlejuice can't be enthusiastic about the prospect of marriage this time.

Which all make sense. Rule of three, more bad ass character developments, fool me three times, etc.

But what if you combined them?

Here's what I'm thinking:

At some point, some how, Lydia confesses that she's had a devastating crush on Beetlejuice this entire time and has been too terrified to mention it. Either because she didn't want to disappoint the Maitlands, or Chuck and Delia, or just basic self preservation and the hopes that he'd go away. But something has happened recently and now she's got to admit it to someone. And how much it has screwed up her mental health for not admitting it and facing it.

The someone she talks to (Astrid? Delia? Jane?) mentions that she needs to talk to Beetlejuice about this in order to get on with her life.

Lydia agrees. Then she doesn't.

Delores shows up and now she has a way to drastically hurt/kill Beetlejuice. (Possibly with Rory's help.) Her first attempt to do so is unsuccessful, but it shows that the Ghost With The Most is on a ticking clock, unless someone comes up with a solution. He mentions this to Lydia and asks for her help.

She says, sure, let's get married.

He says it's not going to work this time.

Whatever Delores did, it closed a part of the original marriage loophole for Beetlejuice. Sure, there are other ways for breathers to bring the deceased back to the world of the living via marriage. But those require both the living party and the dead one to be desperately in love with each other, and BJ admits that Lydia's lukewarm feelings means he doesn't qualify for that.

Lydia, like a liar, agrees.

So they agree to team up together to save Beetlejuice's life. Lots of shenanigans in the world of the living while Beetlejuice hides in the world of the dead to ensure Keaton's No More Than 17 minutes rule.

Eventually the plot corners them into a situation where the only option is to get married. Lydia is in a black dress (important!), Astrid and possibly Delia are with them, and all is lost. But there is some sort of church or justice of the peace nearby and, with everyone but Beetlejuice aware of Lydia's feelings, they go for a Hail Mary play.

Beetlejuice fights them the entire time. The bylaws of the underworld state that it would kill Lydia, him, or both of them to attempt a loveless marriage right now. But he knows they're running out of options, perma-death is inevitable for all of them, and the romantic in him would like to die marrying the woman he loves.

So Lydia more or less drags a "We can't! Not that I don't I want to. We'll die! Ooo, nice wedding rings, babes. Nooooo!" Beetlejuice to the altar.

Bonus points if Lydia says something like "C'mon, c'mon..." or "Let's keep it rolling, rev!" during the ceremony to mirror what Beetlejuice said during the first movie.

The terrified officiant reluctantly, barely, marries them.

They kiss to seal the union. Something otherworldly, lovely, romantic happens during the kiss, proving it worked.

Then Beetlejuice and Lydia suddenly and dramatically get dragged back into the world of the dead.

Lydia's black dress turns red the second she's in the underworld.

And anything she wears immediately turns red every time she re-enters the underworld moving forward.

Why?

It mirrors the poncho dress Lydia wore in the cartoon when she visited the underworld.

It implies that BJ thought that he could engineer true love by finding someone who was a good match on paper, dressing them like someone who loved him, and hoping for the best. (Which is why alllll of his past weddings failed.)

It implies that the most important part about loving and building a life with someone is giving them the option to choose you then letting them make that choice of their own free will. And that true love doesn't happen unless you do that.

It gives the audience a new red wedding dress without there being another red wedding.

When she's in the world of the dead, Lydia is better off wed.

Wolf or another dead denizen explains that their marriage has given them the extra juice they needed to take on Delores in a Boss Fight. It also allows the two of them to travel freely between the world of the living and the dead without repercussions. (With a few extra bells and whistles so we can get a bunch of cool action sequences with practical effects.)

As they're given their marching orders for the movie's climax, BJ is just... stunned.

"Wait. You actually like me? How long have you liked me?"

BJ eventually focuses on the task at hand, but as they fight for their lives, every so often Lydia looks over and sees him grinning like an idiot and doing this:

[hostess-of-horror]

I just had this AU idea all day today and I am so brainrotted right now that I need to put this down on a post. I haven't figured out a whole lot but at least it's enough to get the idea.

L'Opéra Numérique

(or The Amazing Digital Opera)

- A TADC AU that's heavily inspired by Gaston Leroux's The Phantom of the Opera but not verbatim

- Reeks of Showtime, as Pomni and Caine are the two main stars: Christine Daae and Erik the Phantom

- Takes place in L'Opéra Numérique where everyone is part of a massive opera house with Caine being the Host (Opera Ghost) that "haunts" it

- L'Opéra Numérique is a literal labyrinth (🎶where night is bliiiind~🎶) and has no exit that anyone knows of; every path circles back to the main theatre

- Pomni, like the show, is the most recent arrival and becomes a wildly popular soprano, replacing Jax as the main star

- This leads to Pomni being the Host's object of affection, tutoring her in the hopes of making her a national treasure within the digital world

- While everyone plays along, Pomni becomes an "agent" for the rest of the gang in the hopes of figuring out who this Host is and how to escape the Opera

- The Gang all plan to have Pomni visit the Host, which leads to the iconic Mirror Scene as well as the Phantom's Lair and Unmasking Scene (🎶Music of the Niiiiiight!🎶)

- Unlike the source material, there is no "Raoul" for Pomni; only her newfound friends

- The main romance is the tragic love story between Caine and Pomni, where Caine obsesses over her to the point of madness and Pomni pities him despite the circumstances

- Caine as the Phantom is deformed a la abstraction, with his glowing eyes and sharp teeth exposed like a dark eldritch horror

- The Gang's plan for Pomni are all written in multiple notes, passed around by each member of the Opera as to not let Caine figure out what they're doing (🎶far too many notes for my taste...🎶)

- Of course, Caine does in fact find those notes and things go south real fucking fast.

- Since no one can die in the digital world, Caine's Punjab Lasso (noose) paralyzes the victim rather than strangle them to death

- Caine still drops the chandelier though... a few times, actually!

- When Caine hosts a Masquerade party, he reveals himself to everyone in his "Blue Screen of Death" costume (🎶 Why so silent, good monsieurs? 🎶)

- Did I mention Bubble is the Daroga in this AU? Because Bubble is the Daroga in this AU.

- So, Bubble is basically a NPC controlled by an investigator who was trying to release the missing people (Pomni and the Gang)

- Turns out Bubble and Caine knew each other personally outside of the digital world, but Caine has been the Host of the Opera for God knows how long that he has completely forgotten who he was before

- Oh yeah, Caine is NOT an AI in this AU! He was actually a game developer who was rejected multiple times until he eventually got stuck inside his own creation (I haven't gotten the full story so bear with me here)

- So while that's being revealed, Caine does his Phantom thing and writes an opera where he and Pomni fall in love (🎶Past the Point of No Return 🎶) until Pomni reveals his face

- Final Lair ensues, which leads to Bubble and the Gang being trapped and tortured until Pomni agrees to marry Caine via turning the Scorpion (the Grasshopper would crash the whole Opera)

- The story ends with Caine releasing everyone, including Pomni, and telling Bubble/the investigator how having Pomni as his bride made him remember what he had lost ("I! I! ...I kissed her! And she did not die of horror!") and thus destroying L'Opéra Numérique and himself

[caitlynmeow]

no no it's how they have the same pose and the exact same smile you can totally tell they spend A LOT of time together they basically act the same way

[me-sploh-rada-imas]

they're so silly [x]

[silentsockfeet]

so when are we as a society going to talk about how cait hitting vi and then leaving her sobbing on her knees is a direct parallel to vi hitting powder and then leaving her in season 1

[shikai-the-storyteller]

Who is Luzu?

Luzu was just announced as a QSMP member, and since he's a very important character in Karmaland and a VERY important person to Quackity's character, here's a quick rundown of Luzu and his lore for folks who aren't familiar with him:

Luzu is played by LuzuVlogs, a Spanish Twitch streamer who's good friends with Quackity!

IRL, they're such good friends that Luzu once accidentally called his real life son "Quackity"

Luzu is bilingual and can speak English and Spanish.

Luzu's character used to be a very kind, friendly, and loving man who helped everyone

HOWEVER, during Karmaland 4 (the season before Quackity joined) when he campaigned to be mayor of Karmaland, he was betrayed and mocked by his friends and the person he loved (who then ran off with someone else)

Luzu before the elections vs. after the elections

These two animatics sum up his K4 lore pretty well if you want an even shorter TLDR: Lemon Boy, Karma (an animatic approved by Luzu himself)

As a result, Luzu is a very vengeful, distrustful, and all around tragic character

Luzu canonically has an evil side, and he made a deal with "dark gods" in the past to take revenge on the people who've wronged him.

Despite all his past heartbreak and lingering anger, he immediately took a liking to Quackity when they first met.

Luzu and Quackity's Karmaland characters are parallels to each other

Luzu and Quackity were canonically in love with each other, but they were too emotionally constipated to confess their feelings despite their many, many, many romantic and borderline sexual shenanigans.

Luzu warned Quackity not to trust anyone in Karmaland except for him. But despite Luzu's deep mistrust of other people, he trusted Quackity immediately.

Luzu is a very possessive man, and very protective of Quackity.

He calls Quackity "Quacks" (both in and out of character)

He and Rubius have a long-standing rivalry, and they normally don't get along very well.

Luzu and Quackity had 4 (adopted) kids together.

When campaigning for mayor of Karmaland, Quackity asked everyone what they wanted most, and Luzu's response was, "I want you to be happy, Quackity."

HOWEVER, the day of the election, Luzu joined as an opposing candidate at the last second and stole the election from Quackity, fearing that the position in office might leave Quackity with the same trauma he had in a previous life (a life which he can only half-remember).

Luzu says everything he did, he did to protect Quackity.

TLDR: Luzu trauma-projected onto Quackity, who then started a revolution that nearly destroyed Karmaland in retaliation.

For a good TLDR of the revolution arc, “I Can’t Decide” is a good one to watch.

Even though he was furious with Luzu, Quackity told Rubius not to kill him. He’s referred to Luzu as “My 100%”, and “the best person I knew in Karmaland”, and even expressed his gratitude that Luzu was always so kind to him to Luzu himself, despite the war and despite knowing one of them would probably have to kill the other to end it.

Luzu said the song that best fits his character during the revolution arc is Bloody Mary by Lady Gaga.

Edit: This isn’t about the character, but I just saw what Luzu said in response to people asking him if he knew about the invitation:

Luzu: A mi Quackity me invitó desde hace bastante, me dijo si quería participar, así que llevo tiempo calladito, calladito, para no spoilear nada, aunque yo soy invitado no sé nada jaja, lo lleva todo Quackity, así que veremos con qué nos sorprende nuestro querido Quacks.

Translation: My Quackity invited me a long time ago, he asked me if I wanted to participate, so I've been quiet for a while, so as not to spoil anything, although I'm invited I don't know anything haha, Quackity takes everything, so we'll see what our beloved Quacks surprises us with.

Other info posts:

Who is Spreen? | Who is Sapo Peta? | Who is Vegetta?