#not intended to be a ship post but interpret it however u like

[intjean]

taking the local puppy for a walk

[nightly-nightcat]

way way overdue pinned post

hello and welcome to nightly nightcat!! this blog is pretty much what it says on the box; most days you'll get silly slugcat doodles of varying quality :3 i do consider nightcat & watcher to be different character but you'll probably be seeing a bit of both here, and i will try to keep watcher content to a minimum/tag any spoilers until it's been out on console for a bit

the inbox is OPEN for requests/suggestions, questions !!! it may take me a bit to get to things (especially requests) but i promise i see all of them + am planning drawings accordingly

tagging system guide:

#daily nightcat: daily drawing posts #not a daily: everything else #pearls: answered asks (non-art posts) #chatter: my textposts

i will use #rain world spoilers, #watcher spoilers, and #rw watcher spoilers to tag posts with any watcher campaign content! if there are any other tags people use/have filtered & would like to be included let me know and i'll make sure to add them :]

note: i am not big on shipping/ship art and will be doing it sparingly if not at all! occasionally i will draw characters interacting and i can't stop u from interpreting it how you want but it's almost guaranteed not to have been intended as romantic from my end (however do what you want forever etc)

thank you for stopping by and for all the support this blog has gotten! sorry this post's a bit long; theres also faq/further notes under the cut divider credit + the other one

faq type thing!! (most of these questions havent actually been asked that much but still might be nice to clear up)

☆ what drawing program do you use? i primarily draw in krita though you'll see me using ms paint + wigglypaint in here occasionally too

☆ can i used your art as a pfp/banner/etc? yes as long as this blog or @/lilypucks is credited somewhere :3

☆ what the hell is going on with ur nightcat great question i don't know . i have many headcanons and theyre all different and also exist at the same time i do think she is separate from watcher yet also inextricably linked

☆ are there any guidelines for requests/submissions? nope! as long as its a nightcat and not like. actively harmful/inappropriate go crazy (also i won't be drawing people's ocs either sorry)

[wendytestabrat]

Hello! I’ve been making a big google doc explaining why I think Kyman is an intended ship and the subtext involving their relationship, however I hit a roadblock when I heard about Trey and Matt’s commentary at the end of the Imaginationland Trilogy. Trey said that Cartman only wants to humiliate Kyle but that there’s nothing more going on, however there are so many different pieces of information that clearly point towards this claim as false. Your amazing long ass posts about Kyman are the reason I started believing it’s canon, so I was wondering what you have to say about this dilemma??

well first of all i’ve said before how kyman may not even be canon and a lot of it is just trolling from matt & trey making jokes about them being gay bc it’s funny lol and yeah the imaginationland is def not meant to be taken seriously that whole plot with cartman trying to get kyle to suck his balls was clearly just humorous lol. but ofc there have been more serious kyman moments later on where shit gets all emotional so that’s when i started being more led to believe there’s def more going on especially with the drama in s20. it could be possible that all these gay moments started out as a joke like cartman making kyle suck his balls or making kyle stick his finger up his ass and all that LOL, but then when people started to notice this shit was a pattern and suspecting cartman is gay especially in s11 maybe matt & trey decided to take kyman more srsly later on and just run with it lol. they might just enjoy writing stories with deep romantic or passionate subtexts in them bc their dynamic is fun, but they may not want to actually make them a couple over fear it would ruin the show. as someone who’s written screenplays myself writers tend to just write from their own experiences and use it as an outlet to let out their complex emotions through their characters. sometimes things can turn out a certain way in ur work that the people who absorb it will interpret and dissect a certain way but it meant something completely different to the writer when they wrote it bc these complexes the writer has tends to come out in subconscious ways in the characters’ actions. so i think when they were explaining that episode they were just explaining the plot as they wrote it that cartman was trying to get kyle to suck his balls to humiliate him (bc cartman consciously doesn’t understand that he was doing that for gay reasons). and when u write simply from a character and their goals and motivations (which is typically where all good screenwriters start by figuring out what their main character’s goal is in the story and what they’re trying to accomplish, for cartman his goal was to get kyle to suck his balls to ‘humiliate’ him), other complexities will end up coming out of the story and you kind of learn more about your own character as you go lol. i tend to joke around that screenwriting is basically the introverted version of acting. in acting you have to get into your character in some way by relating parts of urself in them, like when a director tells an actor to cry in the scene by remembering something sad that happened to them if you know what i mean lol. screenwriting is the same way you’re writing dialogue that the characters say by putting yourself in the shoes of the character and understanding their perspective. it’s like improv acting, you get into a character come up with some lines and learn more about your own character as u go on. a theory i’ve had (i shouldn’t be talking abt this bc it’s fucked up to speculate abt someone’s sexuality publicly LOL) is that all these subliminal gay scenes between cartman and kyle has just been trey writing any unresolved gay feelings he has for matt. (and matt voices kyle, but i mean i’m not the first to speculate this there was also that lazy joke they cut from family guy about it, matt & trey may have even joked about them being a couple too) they’re two men who work very closely together so it wouldn’t surprise me if thoughts like that pop up every now and then. and i def feel like cartman is loosely based on trey, obviously stan is the character he based off himself but i def feel like there’s some of him in cartman too which is also why he voices cartman. i def feel like trey’s more lighthearted funny side is what he lets out through cartman also the side of him that’s scheming in business (i mean how do you think south park became such a huge franchise? this didn’t happen by chance lol) which we also see through cartman.

[faerielleart]

GIRL GGFJFJVGDJD OK UMMM let me see... what do you like about levihan? or do you have any unpopular opinions? or headcanons!

oh boi i hope i won’t rant too much, i don’t want this answer to be a thousand miles long i don’t want to seem boring-

OKAY let’s start

What i like about levihan: i have to start with a lil background a say that levihan is my longest ship i’ve ever had, it’s the only one who survived time and the only ship i have never stopped shipping/lost interest into, which is kinda rare for me since i switch interests a lot and go through hyper-fixations, so i tend to lose interest quickly in something once i’ve found something else to pay attention to

this, however has never happened with levihan: started shipping them when i was 12, still trash 7 years later skdjdjfjf i didnt start shipping them for special reasons tho, at the time aot was my first ever still on air anime and i was completel new to the community, plus i didnt really speak english well and the first episodes i watched confused me A LOT. However, amidst all that confusion and trying to remember names and plot points, episode 9 came, i got introduced to this character who apparently is named levi, the first information the scene gives the watcher is “this guy is a grump” based on his reaction to the crowd, the second information the scene gives to the watcher is “this person next to him, despite him being a grump, isn’t afraid to tease the shit out of him and we still don’t even know their name” which i found ??? Cool??? I immediately paid attention to this lil dynamic, then the next scene was the hairgrab scene and,,,,,, yeah my 12 year old braincells went into overdrive and i was completely sold

i just needed them to interact once and BOOM

but OBJECTIVELY i still find extremely telling, years later, how these were the first informations of these characters. In a narrative, character’s introduction is absolutely crucial to the story, you can understand millions of things just by the way a character is presented and says their first lines and honestly choosing to introduce levi and hanji together was imho very, very telling of what role they’d play in the story/what role they play in each other’s lives.

isn’t it strange that the very first infirmation we get of these two is that the grumpy one is okay with this person teasing him? that means there’s gotta be a level of familiarity among them, right? and the hairgrab? requested by isayama himself? in the official book of season one it also says that the scene was added to “show their relationship”??? i mean 2+2 is 4 where i’m from 👁👄👁✨

so yeah my dumb 12 year old brain had FORESIGHT apparently-

as i picked up the manga and read through the uprising (and got older and my english got better) i noticed more and more things about them and i just really freaking fell in love with their relationship okay it wasn’t “oh cool grumpy and sunshine who teases him”, more like “holy fuck grumpy has a sad backstory, seems unapproachable but is the kindest person ever, just wants to be a hero and save everyone, has the most tender heart, sunshine is a multi dimensional character who has fears and doubts and they work so well together despite being polar opposites but at the same time their oppositeness results in somehow them being completely in sync with each other and almost thinking with the same brain as if they were one person split in half”.

since they’re grown adults and they’re so close, their relationship has something that i always seek and almost never find in other ships, which is emotional maturity. You never see them purposely tearing each other down just to hurt the other, they work out their problems and C O M M U N I C A T E ✨ they don’t act childishly around each other, they tease and bicker but it’s completely different than full blown arguments where both parts disrespect the other just to prove their point. They are willing to listen to what the other has to say and their judgment is precious and welcomed, since the basis of their relationship is complete trust. levi is rough with words, but he means something else entirely despite what he conveys, as seen during the aftermath of eren’s first hardening experiments, and hanji totally understands what he wants to say, which is why they never reprimand him or take offense to what he says.

what i’m trying to say, i believe in a way that nothing is half-assed about how they were written in the story as a pair, despite how i disagree with certain narrative choices *ahem*; as much as i would have wanted them to have more screentime and more interactions, i believe it wouldn’t have been “in character”, lemme explain because i realize it sounds weird and my wording probably doesn’t help: their relationship is subtle and as such it should remain subtle and in the subtext, simply because it is none of our business as readers. Show, not tell, but show in a way that it is evident only if you pay attention. levi is blunt when he speaks, but at the same time his words have another meaning than what he conveys and his actions are subtle.

isn’t it obvious with how often it was remarked that the only person who is able to understand levi completely is hanji? and this is where chapter 132 comes into play with this amazing analysis post that i’m sure we all read a thousand times and screamed over it

all this “ambiguity”, all this subtlety, all this subtext, all this wordplay, words that have more than one meaning, i believe are all indicators of one thing: us readers are not able to understand comple what levi wants to say and his words result ambiguous to us and not 100% clear, simply because the readers are not hanji. but fortunately, i believe that hanji understood that levi too wants to “stay in the forest”. this is not the reaction of someone who is confused by a sentence, this is the face of someone who finally had a realization:

what kind of realization? it’s not up to us to know (tho we know *wink wink*), because we’re not hanji and we can’t understand what levi says.

plus, 心臓を捧げよ, “dedicate your heart”, can hold a million different meanings. 心臓 is heart, を is a particle that denotes the object, 捧げよ is the verb “to offer, dedicate, devote, sacrifice”, there are no adjectives that indicate possession as you can see; levi using his own left (not right) fist and placing it on hanji’s chest instead of just taking hanji’s hand and placing it on their chest is ambiguous too. i interpet it in different ways but the conclusion is one, and i can’t honestly see it in any other way. one of the interpretations i like the most is that levi is implying that they both share the same heart, which is why he used his own left hand, meaning that both of them are dedicating their hearts in that moment to humanity, because they are actively choosing to put their desires aside to live a peaceful life away from everything (as jean too has wished in chapter 127, as hanji has expressed in 126 but in 127 too and jean seems taken aback by their confession) since they’re soldiers and duty comes first.

so yeah if i have to choose something i love the most about levihan, it’s gotta be the subtlety and the ambiguity that at the end of the day, is absolutely not ambiguous at all. everything is expressed for a reason, if an author actively chooses ambiguity, in this specific case of a relationship, he intends the result not to be ambiguous. it sounds like a brain fart but i blame it on my inability to articulate my thoughts well, i hope what i want to say can be understood 😭 and in a way, this can be considered as an unpopular opinion i think?

meaning that i get that commonly someone might want an explicit declaration that leaves no room to doubt and I honestly wish for it too, but I don’t think it would be in character, and the ambiguity (if we can call it that, i’m calling it that just to avoid backlash and controversy jshfsjdjmd) in this case speaks enough volumes to me considering both of the characters we’re dealing with, the story as a whole, the interactions with other characters.

ALSO going back to their bond, i want to copypaste something i posted on twitter regarding chapter 126 and the blush: it doesn't make sense, character-wise, for Hanji to feel in any way embarassed around Levi. They have no filters whatsoever around each other. They are close, closer than anyone in the series, the author hasn't shown any embarassment between them. Back in Uprising, when Hanji was hesitant and wanted out, Levi was the one who encouraged them. So, this thing has in a way already happened, since back then they admitted to wanting to abandon responsibilities to Levi's face and didn't blush. So, in 126's context, it doesn't really make sense for Hanji to blush "only because they were embarassed at being caught wanting to run away". It happened once already and there was no blush. So yeah, the blush means something else. And that something else is definitely much, much, MUCH deeper than "embarassment". 🙌

since smartpass stories can absolutely be taken as part of the canon universe as they’re supervised and approved by isayama and published with the manga, i am adding the rain story as further proof of what kind of relationship they have. also levi being a 30 year old tsundere is adorable but movING ON

SO YEAH MY FINAL TWO CENTS ARE : i love everything about levihan and there isn’t a single thing i would change, because wanting aot to be a huge slice of life of them doing the most random things just to watch them interact doesnt count sjdjfjdjdjfjsmdm, my unpopular opinion is that i find the subtlety and the ambiguity KEY to doing justice to what they have because it’s none of us readers’ business because only they are able to understand each other and i fucking LOVE that, my headcanon is that they totally kissed once during the timeskip, maybe on the first anniversary of the battle of shiganshina, i see them not being able to sleep alone and finding comfort in each other and in a moment of weakness and vulnerability they kiss, but pretend it never happened because things are messy and they can’t afford to get involved because again, duty first, but the YEARNING™️ and the PINING™️ only intensifies after that, but they manage not to make things awkward and they are close as ever.

my GOD i rewrote the odyssey, sorry 😭

[officialleotolstoy]

Oh Dolokhov/Hélène Brainrot We’re Really In It Now, aka Dolokhov/Hélène playlist annotations!

I stole several songs from a playlist my friends have and I’m not gonna put those on this list, I won’t pretend I came up with those

The ship playlists (since they aren’t for canon couples) are very much based on my headcanons. We don’t get to see them interact literally ever so I’ve just extrapolated what I can. Several of these songs are at least alluding to sex, I don’t really think they actually slept together for various reasons I can enumerate if someone asks, but it’s more about the vibes of the song.

Casual Affair - Panic! At The Disco

It’s literally in the title. Bestie how much more explanation do you need? I don’t even like this song but it’s got the right energy

Those Nights - Bastille

“Aren’t we all just looking for a little bit of hope these days? Looking for somebody you can wake up with?”

Being drawn to each other because of mutual loneliness is a Thing in my interpretation of their relationship, and this hits the nail on the head.

But It’s Better If You Do - Panic! At The Disco

“Praying for love and paying in naïveté”

Again, mutual loneliness and desperation for anything resembling love. Also the “isn’t this exactly where you like me” bit fits because they won’t admit to liking each other outside of their weird intimate moments.

Hurricane - Panic! At The Disco

“Drop our anchors in a storm”

The circumstances of their lives arent super fun at the moment so they find refuge in each other but in a very weird kind of unhealthy way! “We are a hurricane” sort of alludes to knowing that you’re causing problems/your relationship isn’t great.

Almost (Sweet Music) - Hozier

“I’m almost me again, she’s almost you”

It’s about not really being In Love but kind of convincing yourself you are because it makes you feel better in the circumstances. I don’t think either of them were fully into their relationship for various reasons. Not as in they didn’t want the other, more that they were both too aware it would never work for long.

Hall & Oates - Satchmode

“I want to be in love again, with you”

This one’s about wanting the idea of love and companionship more than you actually like the other person, which I feel like kind of fits. This song is framed as one person in love with the other and one hesitating, but i think this works for both of them to hesitate.

Feel Something - Jaymes Young

“Touch me, someone, I’m too young to feel so numb”

The I have tried like six times and I can’t word why I think this song works. I don’t even like it, I skip it every time, but I think it’s got something to do with loneliness and desperation for love driving them to look for it in places they wouldn’t normally? Who knows. Send me an ask if u do.

Another Place - Bastille

“Don’t make promises to me that you’re gonna break”

They could never actually be together for SO many reasons and I think they’re both pretty aware of that. They have no desire to pretend that their relationship is anything other than what it is (“we only ever wanted one thing from this”).

When You Were Young - The Killers

“You sit there in your heartache, waiting on some beautiful boy to save you”

I do not think Hélène expected Dolokhkov to save her from anything except maybe monotony and loneliness, but this song slaps and if I can stretch the lyrics to work, I will

broken - lovelytheband

“I could be lonely with you”

Almost every song on here (including this one) is just. We’re messed up and I know we won’t really find love in each other but we might find solace for a while and be less lonely so uhhhhh wanna kiss me or what

Bleed Magic - I DONT KNOW HOW BUT THEY FOUND ME

“You stand up, stand up, before I drag you down”

They are NOT good for each other! Toxic relationships uwu

Sweater Weather - The Neighbourhood

I believe in bi4bi Hélène/Dolokhov

Enemy Fire - Bea Miller

“Sweet words from a serpent’s tongue”

This song is kinda complicated and parts of it don’t fit but the energy of “everything sucks including you but at least we can hide from the suckiness together” is sorta there. Originally I just added it for the soldier vibes because I was testing out songs but I realized i can fit some of the lyrics so on the playlist it goes

Angel of the Small Death and the Codeine Scene - Hozier

“Her sweetened breath and her tongue so mean”

They are horrible and cold to each other as a love language. This song is essentially just “Wow my evil scary gf is so hot” and you’re right Fyodor. She is.

Shut Up and Dance - WALK THE MOON

I won’t lie this one’s mostly a joke, I just think the vibes of telling someone to shut up as (maybe because) you’re falling in love with them is Dolokhov/Hélène energy. Ignore all the parts about wanting to be with her forever and her being his destiny that is not why I added it.

Lone Ranger - Rachel Platten

“I’m just gonna leave, ‘cause baby I’m a lone ranger”

I do not think Dolokhov was intending to stay with her forever at all. Very rude of him. However, she probably also knew it wouldn’t last forever, she’s not stupid.

House of Memories - Panic! At The Disco

“Promise me a place in your house of memories”

This is very much post-duel, their relationship has fizzled out but it was pretty important (do I mean emotionally or to the plot? I’ll never tell) and deserves to be remembered.

American Beauty/American Psycho - Fall Out Boy

“I’m the best worst thing that hasn’t happened to you yet”

SO MANY of these lyrics are so good for them like. Hélène’s beautiful Dolokhov’s a psycho... “you take the full truth and you pour some out” can you imagine them being open and honest with each other? Yeah, me neither. “We were pity sex” They were just sad and lonely! That was what allowed anything to happen at all in my head (not sex but bear with me it’s not my fault those are the lyrics). “All those dirty thoughts of me, they were never yours to keep” because Hélène is married to someone else, they really have no right to think of each other that way.

Sk8er Boi - Avril Lavigne

“He wasn’t good enough for her”

UNIRONICALLY THIS SONG. Hélène’s complaints about Dolokhov staying with them are just the quoted lyric. “They had a problem with his baggy clothes” yeah Dolokhov’s not as rich and bougie and the rest of them and he’s certainly rough around the edges. And then the skater boy ending with a successful music career vs Dolokhov ending with a successful military career and a great reputation and both the women in the songs having sad endings...I’m not wrong.

Headfirst Slide Into Cooperstown On A Bad Bet - Fall Out Boy

“Does your husband know the way that the sunshine gleams from your wedding band?”

The affair vibes. The AFFAIR VIBES. And the concept of “I will never end up like him [the husband]/ behind my back I already am” in reference to using Hélène and deciding he hates her right after deciding she’s hot...okay! I see you kinning Pierre, Dolokhov. You ARE being just like her husband :/

You Give Love A Bad Name - Bon Jovi

“Shot through the heart and you’re to blame”

This is just Dolokhov’s massive I Hate Women monologue condensed. Stop blaming beautiful women for YOUR attraction to them maybe 🔫

Death Valley - Fall Out Boy

“Don’t take love off the table yet”

This is not a table sex joke this is not a table sex joke this is not a table sex joke this is n-

I didnt add it for that reason it was about a vibe but then. I realized. Now the original reason doesn’t even matter.

Nobody Puts Baby In The Corner - Fall Out Boy

“I’ll be your best kept secret and your biggest mistake”

Tell me the quoted lyric does not SCREAM Hélène/Dolokhov. You can’t. Also “I’ll weigh you down I’ll watch you choke/You look so good in blue” really captures hatred as a love language.

This is Love - Air Traffic Controller

Ok I stole this from my friends’ playlist but I did want to explain it because it’s not JUST Dolokhov and Hélène in my mind. The whole jealous fool second verse gives me Pierre around the duel energy as well

Bad Boy - Cascada

“Be my weekend lover but don’t be my friend”

Bernie Sanders voice I am once again asking you to hear me out about the unironic meme songs on my War and Peace character playlists. It’s got the refusal to admit that she actually likes hanging out with him down. The line “after some time you just pushed me aside” referring to Dolokhov teasing Pierre about their affair because he got bored. “I dont need you in my life again”...YEAH I’m fairly sure they dont interact in canon again after that.

Hayloft - Mother Mother

“My daddy’s got a gun”

This song started playing on accident once when I was listening to this playlist and I was like huh. It fits though. The gun thing is twofold: 1) Though he is not her father, Pierre does have a gun in the duel and 2) I think Vassily would happily shoot Dolokhov for his relationships with Vassily’s kids. It’s also just the general forbidden love vibes mixed with the violence vibes.

affection - BETWEEN FRIENDS

“I’m looking for affection in all the wrong places and we’ll keep falling on each other to fill the empty spaces”

Have I been clear enough about my thesis that their relationship is based in mutual loneliness? Also, I like the acknowledgment that this is in fact the wrong place. I think they’re both very aware of that.

Walk Away - Franz Ferdinand

“Yes I’m cold but not as cold as you are”

This song is for them post-duel. Especially the “I cannot stand to see those eyes as apologies may rise/I must be strong, stay an unbeliever” because 1) I hear the word eyes, I think of Dolokhov and 2) I think she’s too smart to believe any apology he would give her, she knows he doesn’t really mean it. The song kinda reads as someone trying to convince themselves they’re happy that the relationship is over, which I think is definitely what happens for both of them.

Van Horn - Saint Motel

“Tell me do you hate me? Or do you wanna date me?”

Obsessed with the dynamic of “I like you but that’s embarrassing for both of us I’m gonna act like I hate you instead”

[izzyizumi]

Digimon Adventures ~ featuring DUO/SHIP: Jo[u] Kido  [Jo[u] (“Joe”) Kido in US] x Mimi Tachikawa ; [ JOUMI ] + ~ STORYLINE PARALLELS + J[Y]OUMI CHALLENGE 2020, DAY 5~6: { Combined } ~ CRESTS of JUNSHIN {Purity} and SEIJITSU (Month long challenge created by blog jyoumifeels!) { Note: I often see a lot of debate on how to translate the Japanese themes involved + with Jou + Mimis Crests’ names (in the original) especially in regards to Jous’, which can have multiple meanings. Honestly, I think the show pretty much spells it out quite plainly for BOTH at the very least, in regards to how the themes should be interpreted. EVEN IN TRI, this can be seen BLATANTLY. }

(Tri commentary+Ketsui spoilers under the ‘read more’!)

BONUS: ( with comparisons cameo from 02′s Iori Hida, Jou’s kouhai )

( Mimi catching Jou blatantly LYING TO HER AND HIMSELF ): { “ AND SO YOU’RE SKIPPING PREP SCHOOL ? “ YOU GOT ME THERE . ” }

{ “ IT’S BETTER TO BE JIKOCHU ... ” }

{ “ LIES THAT hurt people

AND LIES THAT SAVE PEOPLE ” }

{ “ THERE ARE bad lies AND GOOD LIES. ” }

{ “ YOUR LIE DIDN’T HURT ME AT ALL . ” }

{ “ SAYING THAT YOU HAVE TO BE AN ADULT ? [ JOU, realizing his OWN LYING to himself : ] YOU COWARD ! ” }

{ “ I THINK YOU’RE FINE THAT WAY {AS JIKOCHU} TOO, MIMI-KUN. ” }

{ My personal interpretation of Jou’s Crest (based on the above scenes and various possible meanings in Japanese) is TRUST as in, Trusting in one’s self to be something similar to Truthful / “Faithful” to one’s self / TRUE {PURE} FEELINGS. } { Fan translations have translated it as simply “Faith” in the past. ‘Officially’ Jou’s Crest has actually translated before by Bandai as, SINCERITY itself, but it has also later been translated officially as Honesty. Even Seijitsu itself can also translate directly as PURITY. This however can obviously cause some clashes with Mimi’s Crests’ name. So, please note my interpretation is a headcanon, but it does fit Jou pretty well in my opinion, encompassing most of the various other ‘possible’ meanings as well! }

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[littlesailorinthesun]

manifesto no. 790: why nikki/bobo is the best ship

(Author’s note: The title is in jest. It’s just for fun!)

In this essay I will explore the appeal of why Nikki/Bobo is actually the most narratively interesting ship you could choose for Nikki and for Bobo. Note that I don't intend to bash other ships or cause ship wars, because if you know me, you know that I am a multishipper and I support and enjoy ships like Nikkimi. I just want to explain why I personally like Nikbo and why it is the most interesting one to me as it exists in canon. Also note that because of the way I experience "ships", romantic ships and platonic ships have a very blurred and sometimes nonexistent line for me. 

Shared Experiences

Not only do Nikki and Bobo first meet at the very beginning of the story, they spend nearly 100% of Volume 1 together, and all of Nikki's moments in Miraland as she learns about the world and forms impressions are spent with Bobo. Because of this shared time together at the beginning of the game, a lot of base game items and early events also have interaction between them, outside of what you see in the main story. By and large, they spend their happiest moments together. (There are way too many of these moments to list! Thank you, writers, for all the wonderful interactions.)

Of course, they also go through low points together. The rebellion in Chapter 12 was one of the few times they were separated before Bobo's eventual departure, and Nikki refused to leave Royal City with Ace until both Bobo and Momo were back with her. Bobo went from uncontrollable crying in V1:12-2 to feeling entirely certain that Nikki would be able to get them out of the mess by V1:12-7. (After all, she's Nikki's biggest fangirl!) The opposite happens in V1:15-9, when it's Nikki who's crying and Bobo giving her the strength to get up and fight. Despite that this was likely part of Bobo's mission, she makes sure to ask if Nikki's okay after Nidhogg defeats her for the first time. Neither situation actually involves much comforting, but they are both there for each other during those moments. 

Relationship Arc

To me this is what makes the ship very interesting. Nikki and Bobo do not have a static relationship. It's something that morphs and changes and develops as the story goes on. We all know the feeling of discovering that Bobo and Nikki's meeting was not a coincidence at all and that she was actually ordered to befriend Nikki! But beyond this we also know that Bobo realized quickly into her mission that she actually really did like Nikki, which is a driving force in Bobo's storyline. Without her genuine affection for Nikki, I think her story would have actually been very different.

On Nikki's side of things, she had her faith in Bobo tested in V1:19-5 when it was suggested that Bobo might have been putting Nikki in danger on purpose. Of course, this wasn't far from the truth given Bobo's mission, though we don't know if every instance brought up (like Bobo tripping in the League Till outpost) was on purpose. But Nikki is so loyal to Bobo that she refuses to believe that she could have done anything like that. Reflecting on the matter in her dreamweaver The Girl's Decision, she says to herself, "Maybe you have your own difficulties, but I have always believed in you. You are my best friend on the Miraland. Your sincere wishes and dear heart, I have never doubted them." She also realizes then that she did not know how much she would miss Bobo until she was gone, which I think is important for contextualizing some of the earlier chapters.

We see their "low point" in the relationship at the end of Sunflower in Long Night, when the True King, who has been successfully manipulating Bobo for what seems like a while, forbids her from reuniting with Nikki who is actively searching her out. Paralyzed, she listens as Nikki leaves, and wonders to herself if that was the last chance she'd get, to which the True King responds, in the most ominous and chilling line to end a Dreamweaver ever, "You're right. There's no turning back." 

Nikki does eventually find out the truth in Brave New World, but by then she's seen the turmoil Bobo's been going through, and assures her that even if her goals were false, their time together was not, and that her memories were proof of their true and real connection. Their bond of shared experiences was so true that even the lies could not break it - even if it could shake it.

Personally, I just find it more interesting when the ships have, like, literally anything that might stand between them. The deception in this - even if it's a double layered deception where Bobo was only deceiving Nikki because she herself was being deceived - is a fun dynamic to me. They formed their relationship despite the factors that worked against them, Bobo's conflicting motivations and Nikki's being kept in the dark. In a story where many of Nikki's relationships just happen because she ran into them on the street, this is a really refreshing relationship: a dynamic story underlied by a beautifully simple bond.

Mutual Desire to Protect

Both characters are marked by their overwhelming desire to protect each other. It is natural that Nikki wants to protect Bobo. Nikki sees her at her absolute weakest, disappearing right before her eyes in the Cloud Realm due to her uncertain status in the real world. Of course, that's what prompts Nikki to make that promise that the writers will totally make her follow through on, because they would never ignore a plot detail involving a major character: "Bobo... I will find you... I won't leave you anymore, I will face everything with you. Wait for me."

But it's also very important that Bobo wants to protect Nikki just as much. Immediately after leaving Nikki, she's already worried about her, thinking: "Nikki, how are you doing? Are you safe now? Have you found any new clues? I'm sorry I didn't protect you." (This actually reminds me a lot of how Orlando will address Flynn while talking to himself.) She's put in an even more precarious situation because she was meant to involve Nikki in the disputes of the world, which inevitably meant that Nikki was put into danger, over and over.

In my point of view, I think this is why Bobo left. It's canon, as stated in Daymare Fairy Tale, that the gun was what caused her to leave, because it caused her to "wake from her dream" (presumably referring to the good times with Nikki). However, the specifics of this are where I lean into theoryville. I think Bobo did mean to trip in V1:19-4 and that's what caused her to realize her actions crossed a line. A gun was pointed at her - and, presumably, at the nearby Nikki - and she realized she could not protect Nikki and involve her in disputes at the same time. She could not complete her mission. There's another more personal reason she could have decided to leave, and that would be that the sight of a gun pointed at her brought up the trauma from the events surrounding the death of her father. Regardless, I don't think either interpretation - that it was related to endangering Nikki or that it was related to her personal trauma - is wrong, but rather, it is easy to read more into it than what's stated so I thought it was worth mentioning.

Their desire to protect each other continues into Brave New World, both the day and the night sections. Really, these two are basically in an endless "no let me protect u" battle. Bobo breaks through the possession of the True King twice, once in Day and once in Night. Both times, she tells Nikki to run, to leave Miraland and herself, so that at least she can be safe. Both times, Nikki responds by telling her she isn't going anywhere: "No matter what you want to do, I will be with you. [...] I choose to stay here to protect the Miraland and keep everyone's dreams and future, to also keep our precious memories. I will not let you face this all alone. Trust me!" Eventually Bobo does accept this and tells Nikki that she trusts her to protect her. I can't wait for Nikki to make good on that promise and find her!

Personalities, Compatibility, and Character Analysis

I realize I have not touched on why their personalities work together, so here are some thoughts on them as individuals. (I will lean into hypotheticals and headcanons here.)

I see Bobo as someone who indulges too much in escapism. She likes to pretend things are okay when they really, really aren't. We see a bit of this when she refuses to believe Nidhogg could have betrayed Lilith in Chapter 12, and of course it's sort of... the entire thing about why she spends so much time gallivanting around with Nikki. After this she's pretty much forced to understand and accept the realities of the world all at once, and I think this is a major component of her character development. Nikki is both a source of her escapism and the entire reason why it comes crashing down. I think, in a hypothetical post-canon context, Nikki could still be that type of person who could help distract Bobo from things for a while (because god knows that girl needs some comfort).

At the same time, just due to Nikki's nature, she wouldn't let Bobo wallow too much in the past. Nikki believes strongly in moving on and becoming the best version of herself. This is a theme mentioned in her most recent birthday suit, Sparkling Cupcake. More personally, she reflects on it in her dreamweaver. She recognizes that she used to be a passive person and vows to change that in order to better protect the people she loves. So I know she would also do her best to help Bobo, because that's just who Nikki is.

As I think about Nikki's main goals and motivations beyond this, I keep seeing one theme pop up over and over: she places a strong value on happy memories. (Really, I cannot overstate this - she talks about it all the time.) She treasures her memories of Miraland more than anything, so much that she is willing to face its impending destruction, because they mean so much to her. These memories are something crucial she and Bobo already share. It's why I think she would find true happiness with Bobo.

(I will also touch on the obvious things here, albeit briefly: they have shared interests, like cuteness, the color pink, and romance, and they... uh... quite obviously get along.)

Comparison to Nikkimi

Really, like I said, this is not an attempt to bash or put down any ship. Nikkimi is great (and canon), but there are a few things that frustrate me:

Their relationship is largely focused on Kimi, not Nikki. Nikki is the one who comforts and supports Kimi on her journey, and Kimi is not there for most of Nikki's moments of weakness, nor does she accompany her on her journey. Kimi doesn't even know Nikki isn't from Miraland until... the very last stage of Volume 1, 19-SS3.

They get together quickly and stay together with no major interpersonal challenges. While yes, this is definitely ideal in real life, it's just not that narratively interesting.

Concluding Thoughts

If there is anything that marks the earlier chapters, it's Bobo's sadness over still being single. Yet, I love the trope of when someone didn't realize the person they were looking for... was with them the whole time!

Bobo has so many countless lines where she is fangirling over Nikki that it is very easy to read more into that. I think people ship her and Kaja for this reason but oh my god there are just as many if not more where she is Nikki's cheerleader, constantly complimenting her and hyping her up to the people she meets (just open Dreamweaver for this).

And even if you still prefer Nikkimi, Bobo having unrequited feelings for Nikki is also pretty fun.

[sherlockedfanshani]

Johnlock: Two years on

I posted the following on a Sherlock fan forum in August 2016. I’ve just found it again and revisited it. It thought it might be interesting to reflect on how things have panned out in the Sherlock fandom: 

OK if you can bear with me, this is a long one! I wanted to set down some thoughts on this whole situation, which - frankly - I think has become a bit of a mess. Whether it can be resolved to everyone’s satisfaction at this stage I think is unlikely, but who knows?! As far as I can see it, there are two entrenched sides now: TJLC shippers on one, TPTB on the other, and other fans - both non-Johnlockers and Johnlockers who don’t want or don’t expect their ship to become canon - caught somewhere in the middle. This is just my personal interpretation. I realise others will see things very differently so please accept that my intention is only to try and set things out in a non-inflammatory way. I will set my cards on the table from the start. I don’t think it is or has ever been Steven Moffat & Mark Gatiss’ intention for Sherlock and John to enter into a romantic or a sexual relationship in their version of this story. I take at face value what they have said about addressing the fact that, in the 21st century, two close male friends living together would make some people question whether their relationship was more than platonic. And that, combined with the fact that both Moffat & Gatiss’ careers began in comedy and sitcoms, the way they have explored this in ‘Sherlock’ has mostly been through humour. That humour, incidentally, is never at the expense of gay people or gay relationships. If anything it’s a gentle mockery of any characters (Mrs Hudson, Angelo, the innkeepers in THOB) who make erroneous assumptions. In fact, humour is derived from the notion that homosexuality is so unremarkable these days. Therefore characters automatically jump to the conclusion that what Sherlock and John are gay, simply because such a close male friendship is more unusual! Do I think the “gay jokes” are always successful? Not entirely. Even Gatiss is on record as having said maybe they overdid them. However, I don’t think for a moment that they ever expected any section of their audience to interpret these occasional moments in each episode as hints or subtext that Sherlock and John would actually get together as a couple. So what happened way back in 2010? The show airs and becomes a bigger hit than Moffat & Gatiss could ever have imagined. At some stage it becomes clear to them that the show is attracting a very devoted collection of predominantly young and predominantly female fans. And via social media interaction, the creators become aware that for this fanbase, the largest part of the appeal of the show is the relationship between John and Sherlock. I’ve no idea if they’d heard of slash fiction and shipping before it became such a phenomenon in the Sherlock fandom, but presumably they became aware pretty rapidly. In the early days, the cast and crew responded in different ways whenever the fourth wall was broken and they were confronted with the Johnlock-related stories, photo manips and artwork that the fandom was producing. Initially they seemed amused and even played along. However, their responses to some of the more explicit, NSFW stuff that was shoved in their faces - either by fans or by journalists such as Caitlin Moran or Graham Norton - was less genial, and you got the definite sense that they weren’t entirely comfortable. The image of these fans that was being presented then was that they were hysterical, teenage, heterosexual girls: unable or unwilling to have physical, real-world relationships of their own, and fantasising about two men getting together for their titillation in much the same cliched way that straight men fantasise over lesbians. (Note: I’m not saying this was the reality - just the perception which was promoted all the time and which presumably TPTB also inherited.) So their responses began to shift. The creators have always said that fans are absolutely at liberty to write or create whatever they like. To my knowledge they have stood by that. No legal action of any kind has ever been threatened against any of the Sherlock fanbase for anything they have written, drawn or photoshopped. They have even expressed admiration for some of the artwork. However, they definitely took a step back and cooled on this stuff. Over time, both Gatiss and Moffat’s attitude towards and relationship with online fanbases has definitely suffered. They are fans themselves as they frequently remind us. Massive fans. And although there was no ‘Sherlock’ when they were younger and growing up, there was of course the other big TV show that has shaped their careers: ‘Doctor Who’. Remember, they are from a different generation. When they were kids, teenagers, even young men, the fan experience was totally different and almost entirely passive. You couldn’t post your opinions on a massive global forum, there was practically no way to contact other fans outside your immediate geographic locality, and there was no way of contacting the people who made the series, or at least certainly no way of guaranteeing they could see what you wrote or elicit a reply from them. Maybe this means that they haven’t adapted to the way modern fandom works. Maybe it means that as middle-aged men, they expect their fanbases to be more respectful and more passive, and ultimately to accept what they are given or, alternatively, exercise the only other option: stop watching and walk away. So what do they experience in this brave new world? Steven Moffat takes over the show-running job on ‘Doctor Who’, and has a colossal amount of vitriol flung at him by its fanbase. So much so that he decides to quit twitter altogether. He’s also routinely accused of misogyny, to the point where he is forced to give interviews rebutting the notion. I’m not going to get into whether or not the claims have any validity, I’m just trying to make the case for why he he may appear prickly or thin-skinned when it comes to criticism in general. Fan interaction also complicates matters just because the vocabulary that fans use is different. Young fans tweet “u lil shit” to Mark Gatiss in the way they would to their friends, and this is unsurprisingly not interpreted in the way it is intended. Offence is caused, people are blocked, and more barriers are erected between TPTB and the people who love and are inspired by their work. At some point, attitudes within fandom began to shift. Rather than just shipping two characters whose relationship nobody ever believed would become canon, many of the online/tumblr fanbase began to believe that Johnlock could and should do so. The notion took hold that if Gatiss were solely in charge of the show, this would indeed happen, and it was only Moffat - the nasty heterosexual - who was getting in the way. Gatiss was tweeted countless times to this effect. Only recently, someone on tumblr discovered an old League of Gentlemen sketch where Gatiss plays a gay character whose relationship (and its subsequent break-up) is fetishised and patronised by an overbearing straight woman called Tish. Whilst this sketch is problematic and can certainly be viewed as being misogynistic on some level, I don’t think it’s stretching credulity to speculate that ‘Tish’ is probably based on a real-life person and that Gatiss was indulging in some therapy by yelling at her on stage night after night. Did Gatiss connect this person with the Johnlock shippers? Did it seem to him that he was now having his professional career diminished by a bunch of pubescent teenage girls with a crush on Benedict Cumberbatch who counted him amongst their number “shipping Johnlock”? It also presumptuously placed him in the position of junior partner to his straight colleague Moffat, banning him from writing what he really wants. Another patronising assumption. This is total speculation, but I wonder if John’s vehement “I am NOT GAY!” to Mrs Hudson in the Gatiss-penned “The Empty Hearse” was provoked by all the online speculation directed at Gatiss via his twitter feed. Was this intended as the ultimate response - to shut down the Johnlock debate once and for all? Ironically, of course, it had the opposite effect. It was interpreted that Mrs Hudson was the ultimate Johnlock shipper, and she of course could see the fact staring in her face that John and Sherlock were simply made for each other! Then we come to Mumbai in 2014. And Gatiss - in a departure from the creators’ habitually evasive and jokey means of answering questions about forthcoming plot points - embarks on a lengthy and heartfelt explanation/justification when he is questioned about Johnlock. I’ve watched this video more than once and I can’t interpret his speech as anything other than sincere. And this is also why I think Gatiss and Moffat’s reactions to whenever Johnlock is raised are becoming more irritable, more frustrated and with none of the playfulness they exhibit everywhere else. Gatiss must be aware of the accusations of “queerbaiting”. They have appeared on his twitter feed, apart from anything else. And just as Moffat feels hypersensitive to accusations of misogyny, Gatiss must surely feel the same way about being accused of effectively betraying his community and having internalised homophobia. He tries to set the record state but what happens? He still isn’t believed. Of course, a big part of this is a problem entirely of Moffat and Gatiss’ making. When you spend the bulk of interviews smugly declaring that you lie to protect future plot points, you can’t then be surprised when your fans don’t then believe you about other things: no matter how impassioned or frustrated you might sound. They really have made a rod for their own backs. The With An Accent journalist detected a difference in tone and attitude to the Johnlock denials compared to other obfuscations about plot, but if you’re not in the room, AND it’s not something you want to hear, why would you believe them? Johnlockers have varying degrees of expectation of their ship becoming canon, ranging from those who want it to remain strictly in their own heads and never be actualised on the show, via those who think it would be nice but is unlikely, through to those who desperately want it to be but remain unsure. And then we have TJLC. TJLC is a conspiracy in the truest sense of the word. Every piece of data is viewed through the prism of an utter conviction that not only should Johnlock happen, it will. Costume choices, set designs, drinks, lighting, everything is presented as evidence of confirmation of Johnlock, and some of it in the most convoluted way, with no acknowledgment that there could be any other possible interpretation for what appears on screen. A coincidentally commissioned survey into LGB representation is cited as conclusive proof, as well as a quote from Gatiss from an interview years ago that the way to introduce more LGBT representation is “softly, softly”, so as not to frighten the horses, so that everyone just sees it as mundane, everyday and normal. Ironically, if the conspiracy is true, and Johnlock is ultimately going to be the ‘big reveal’, that would be precisely the opposite approach to what Gatiss describes. It would make gay representation into a sensational shock twist, just like Mary’s reveal as the assassin or Jim from IT being Moriarty. That’s not treating LGBT issues with the respect they deserve in my eyes, and maybe that’s what Moffat is getting at when he describes that approach as ‘trivialising’. The TJLCers express the certainty that such a shock reveal would shake the foundations of society to its core, and it would be such a landmark, water cooler moment, that TV and gay representation, and indeed society itself, would never be the same again. Even if I remotely believed Johnlock were on the cards, I actually think the reverse would happen. The show would be universally derided as having ‘jumped the shark’. Not because its viewers are homophobic or resistant to the idea of gay couples, just because it would genuinely come out of nowhere for them. It would be perceived as pandering to a tiny minority of its fanbase - that is for those few of the general audience who are even aware that this is what some of the fans expect from the show. And for the vast majority of the audience it would come completely out of the blue and be utterly confusing. After all, in their eyes, at no point in the show, have John or Sherlock ever exhibited any kind of sexual attraction to another man. And this is another problem, and I’m sad to say, feeds into the sense of entitlement which some fans do exhibit. ‘Sherlock’ is a massive, mainstream, worldwide hit show. It is very easy to forget that in the little bubble of tumblr where you’re speaking to a self-selected group of people who all feel the same way and all agree with you. But the online fanbase is a tiny minority of the people who watch the show. Threats to ‘desert it’ and expect that to hold any weight with the creators really are meaningless. It’s not a niche, cult show where a fan can expect to stamp her feet and automatically get her wish. To put it bluntly, when your worldwide viewership is in the hundreds of millions, if a few thousand storm off because their ship is not actualised, it really makes no difference. What really makes me sad is that I can’t see any way that this is not going to end horribly for some people. I don’t think Gatiss and Moffat realise that - whatever it may have been to begin with - the fanbase now, or at least the ultra-ardent TJLC part of the fanbase, contains a number of young people who identify as LGBTQIA. For these young people - again predominantly women but also with a number of trans, non-binary and gender queer members - they feel their sexuality, their gender and indeed their whole identity has been helped and in some cases shaped by ‘Sherlock’: specifically by their conviction that Johnlock will be realised in the show. Watching the youtube video TJLCExplained Episode 25 “Why it matters” gives a glimpse into the passion and the desperate certainty these people have. It grieves me to see these bright, passionate, articulate and intelligent young people ploughing their energies into this conspiracy. They’re politically aware: educated in and fired up by gender politics and sexual awareness. So why waste all that energy and passion on two white, middle-class, middle-aged fictional men who - if the conspiracy is correct - are so far into the closet they have been unable to express their true feelings emotionally or sexually for many years to the one person they have shared a home with in all that time? I wish Gatiss and Moffat could see these inspired yet vulnerable people. I wonder what they would think. Would they be gratified that their show has had such a profound and positive effect on their fans? Or would they be sad or bewildered that these young people’s convictions have foundations built on sand? I’m not sure how or when it will end. Of the TJLCers who were fully signed up theorists before last week’s interview dropped, I have observed a couple of reactions. A few of them seem to have now been convinced that it isn’t going to happen and have already expressed disappointment and anger that they were duped or queerbaited. Presumably if they do feel so betrayed, this marks the end of their relationship with the show. However, most of the fan responses I have seen on tumblr have assimilated the new data as ‘yet more lies’ and rejected it, along with anything else that does not fit the conspiracy, whilst at the same time reserving some anger at the way Moffat and Gatiss spoke in order to protect their great ‘lie’. So what happens in five months’ time when Series 4 airs and - as I fully expect - Johnlock doesn’t happen? Will there be an explosion of rage and bitterness which will make last week’s little flare-up look minor in comparison? Or will the conspiracy continue on the basis that Series 5 is the ultimate destination? Or the special after that? Or the one after that? Until sufficient time elapses and everyone moves on? Only time will tell. It just makes me sad that fandom - which should be a positive, happy place - and which, when everything works, means friendships are made and creativity flourishes - can and has become such a toxic environment for both fans and creators. I’m sorry this has been so long and I apologise if I have offended anyone with either what I said or the way I said it. I guess I wanted to lay out my position - to clarify it in my own mind if nothing else!  

[mordredbi]

Why do you hate u/v?

Disclaimer: I chose for myself to stop supporting the hack for various reasons and by no means do I intend to harm anyone with what I have to say. I feel like I should not be brushing this off with only a few sentences. I do not wish to find hatred for any of the mods there, as I want things to improve sooner.

I’m assuming that this ask was prompted by a recent eyeroll I had towards the blog. I’m a bit critical about the fact she made mommy kink jokes with a character she established to dislike daddy jokes about. It’s hypocritical to do that and constantly bring the post back and continue to add stuff to it until it hits like what, 1k notes? It’s inappropriate to be bringing up the subject of kinks on a blog that’s the main hub of gay supports and information on the hacks themselves. There’s a fine line I have to draw here because at this point there’s things that are much too personal to keep posting on such large platform with young teens (like 13 year olds who are beginning to discover themselves through various media, much like how I was) who look up to her and want to be a part of it. If it were a separate personal blog I wouldn’t have a problem with that, but she publicly asked all of her followers to send in kinks which is a little bit worrisome for people who do not have access to blacklist.

There’s also the departure of Mod GF from the blog has caused a lot of attention and sympathy for the situation. The people that are part of the “mean girls bullshit” are people who expressed why they are frustrated with how the blog presents itself and have tried to contact UV directly to no avail. No one has intended to upset anyone to the point of committing suicide, and the person criticizing UV in the first place has said they had stepped too far out of line for that. However, having legitimate concerns voiced is important, and if a lot of people are coming forward with those concerns, they shouldn’t be ignored.

In addition to my growing concerns, she has become mutuals with dash*ng*cecream, who I am reluctant to follow or idolize ever again since I discovered that she has drawn futa porn and interprets a black-coded character (and agrees that she’s black-coded) as the one with the penis and sexually dominating. Like, there’s a ton of reasons why this is bad, especially when the other character in the ship that she projects onto is an uwu pure white girl (and they are teens that are brushed off with “everyone is 18+ on this blog”). Other artists that she follows generally like azu///rrin, so I’m very cautious about what kind of people she gives open support to when the ship itself is actual incest, and they all give the same attitude of wanting to ignore that fact.

And for the final thing that made me choose to withdraw my support for the hack: the allowance of incest itself. I never checked until recently, but I saw that she herself had taken the time to write and implement an S-support for Hinoka and Azura, which by all means is hypocritical because Hinoka is treated the same as Ryouma and Takumi marrying Azura. There’s of course the various content for azu///rrin which shouldn’t need the boost and endorsement honestly. I remember that it caused a huge incest debate about Lucina/Owain, which she is not willing to implement or support but is still going all the way through for Corrin to marry any sibling and Azura. Again, if she could put all of her ship content to a personal blog, there wouldn’t be nearly as much of a problem with certain bias seeping through their posts, but since she’s still giving her open support to azu///rrin and had implemented an incestuous ship from the beginning, I began to rethink my decisions and unfollowed for the time being. I’m hesitant to look at their work again, but I still want them to improve for the sake of younger people who may necessarily not know what’s wrong to say aloud and follows their example.