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shadowed-dancer · 3 years ago

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My Thoughts on the New MHA Opening and Ending

I have thoughts, and I will share them because oh boy if I don’t get this out I’m gonna explode

Vague Spoilers for the manga (up to chapter 258 and vigilantes) because I discuss the upcoming arcs, but I don’t discuss any major plot points in detail. Still, proceed with caution if you’re anime only

Keep in mind, this OP and ED will cover the Endeavour Agency Arc and the MVA Arc, so I will be judging them accordingly.

First, the OP

This is a good OP... in theory (that’s going to become my catchphrase for this post). It’s nice to look at and flows pretty well, but my biggest problem is that it doesn’t do it’s job. An OP is supposed to be a sort of... summary (?) of the Cour it plays for. That means any cool plot points, emotional beats, and important characters should be featured in some way, shape, or form. We’ll talk about that more later, but first let’s discuss the music.

The song is really good. I have a feeling it will continue to grow on me as I listen to it more often, but yeah my first impression is that the song sounds great. My only complaint about the music itself is that it ends kind of abruptly (I noticed this is the JT opening too). The previous openings used to have a bit of instrumental to “play us out” and lead us to the end card, but this one feels like it ends very suddenly and unnaturally.

As for the visuals...

Yeah alright I’ll admit, the visuals are stunning... in theory. I appreciate the variety in backgrounds and colours, it makes the OP really interesting to look at. This was actually one of my biggest problems with the JT Opening, it all took place on the training grounds, so there was no variety (everything was metal tubes with a blue sky, with only 3 shots set somewhere different). I appreciate the style of this OP.

But like I said, that’s only in theory, as in, through screenshots these are all pleasing to look at. The pacing of this OP is wild, and I truly don’t know who to blame for this.

That sunset shot above? It lasts approximately 12 seconds, zooming in every few to make it seem like something is happening (when in reality it’s still the same poses, angles, etc). While there’s nothing wrong with a nice, drawn out shot, it becomes irritating when compared to the pacing of the rest of this op.

At the 41 second mark, we are given the shot above. It has flowed directly from the previous sunset scene. We still have not moved away from the image of the trio (aside from the opening shot and the title card) yet we’re approaching the halfway mark of the OP.

The next shot is the MLA, which lasts about 5 seconds. Ok, perfect. Not too long, but also not short enough to be confusing. It cuts away a little fast once the dude on the far left appears, but does anyone actually know who that is? No, seriously, I’m asking. I don’t remember his name and he’s not on the wiki, so I can only assume he’s not important. Therefore, it’s not all that bad if the shot cuts away shortly after he comes into frame. The audience is able to take in the scene without having to pause...

... And then the problems start

While this shot is fine in theory, it pans up fast and cuts away quickly. You know how hard it was for me to get this screenshot? Really hard. You want to know why I struggled so much? Because, due to the timing of the cut and the way it pans upwards, it’s almost impossible to pause on Dabi’s face. I literally had to go frame by frame to get it, because he’s in shot for so little time that naturally pausing is guaranteed to miss him.

When watching this in real time (without pausing) the cut away makes you feel as if you missed something because “something was there, I just couldn’t register what because now it’s gone”. Unlike Compress, who wears a very colourful coat you can recognize the entire time, Dabi’s pants are more blended into the background.

It also doesn’t help that this shot is literally composed to draw your attention away from Dabi until the last possible second. Due to framing, your eye is naturally drawn to the brightly coloured Toga in the foreground, making it super easy to miss Dabi in the back (until, of course, his bright face appears and contrasts against the background, drawing your eye just in time for the scene to change, leaving you to wonder who or what you missed).

I know this sounds like nitpicking, but this shot is the only group shot we get of the League, and is also the start of a seriously weird trend for the villains in this OP getting the short end of the stick.

Anyways, then we get what I’ll call “The Carousel Shot” in which every Class 1A kid shows up and poses dramatically, as if they were on a carousel. It’s a lovely sequence and I really enjoy watching it but... why is it in this OP?

Seriously, this is a genuine question. Class 1A barely shows up in the Endeavour Agency Arc, and NONE of the students are in MVA. This sequence (not counting the three boys at the end) lasts 8 seconds. Why is this much time dedicated to characters who are barely in the arc? (Unless Studio Bones extends their work studies into fuller plot lines which oh my gosh please don’t do that, or if they do, do it quick).

We then get what I call the “Oh God I Blinked And Missed Everything” sequence, which lasts 3 seconds (not including the longer, moving shot of Shigaraki at the end) and features NINE INDIVIDUAL IMAGES, none of which are related to each other. Not only is this 3 images per second, but the fact that they are all unrelated means you can’t even use previous information to fill in the blanks.

What do I mean by that? Well, imagine if I show you 9 images of various pro heroes posing. If I play that in 3 seconds you’ll absolutely miss some of them, but as long as you catch some you’ll still get an idea of what I’m trying to show to you. Your brain is able to fill in the gaps that “I recognized 4 pro heroes, therefore the rest must have also been pros” even if you didn’t register every single frame.

That doesn’t work if every frame features a completely different subject. The shots in this sequence vary so widely that it’s impossible to find a through line. Some feature multiple characters, some feature one, some are closeups, some are super far away, some are character’s we know, others are characters we don’t. It’s impossible to get a solid read on what you’re being shown.

Now, again, there’s nothing wrong with these super quick shots... in theory. The problem comes from the fact that these shots are the only indicators for some of the major themes that will be explored during this Cour (like Twice’s growth and young Shigaraki).

That being said, let’s move away from criticism and talk about speculation, because hidden amongst this sequence are two... interesting images.

This All Might one is very reminiscent of the shot in Chapter 257, where Aizawa and All Might have a conversation while staring up at the stars. However, this is technically the start of the “War Arc” (or the “prologue”, if that’s what you want to call it), so this might indicate that we’re going to get farther into the series than a lot of us guessed.

(Many people suspected we’d get to that cliffhanger at the start of the season (if you read the manga you know the one), but after seeing the pacing for JT a lot of us assumed we’d be lucky to even finish Endeavour Agency. It seems we’re back to the cliffhanger now though lol).

This is another really interesting shot because it’s indicative of Shirakumo, meaning we might get to see Aizawa and Mic confront him some time this Cour (this also makes sense, since this confrontation technically happens before that All Might scene I mentioned in the previous paragraph).

But the cat specifically is a really strange addition. That cat is named Sushi and, correct me if I’m wrong, but I don’t think Sushi is ever mentioned in the main series. I think he’s only in Vigilantes.

This might just be a little Easter Egg for Vigilante readers, but I’m personally hoping that they’ll add at least a few Vigilante shots in there to really tug at the heart strings. I’d say I want a whole Vigilante episode but I don’t think they have the time (unless they really cram MVA, which I do NOT want).

I don’t have much to say about the last bit of the OP. The action shot between the 3 boys was nice, and it follows the sort of narrative through line they established from the early shot of them sitting at the sunset. I also like the shot of Endeavour fading in to replace All Might, even if it’s very simple.

But I want to talk about an overarching problem I touched upon earlier in that villain shot: the way the villains are handled in this OP.

This is a good OP... in theory. The problem is, it doesn’t represent half the arcs in the cour! Every shot of the League is so rushed that you can barely register that they were on screen before they’re gone.

I have no idea how many Episodes Endeavour Agency will take, but I’d assume 3 (4 if you count the Christmas episode). 12 episodes for this Cour minus 3 for Endeavour Agency = 9 episodes left. If we truly do get the prologue for the War Arc (and if we assume it’s only 1 episode) that leaves us with 8 villains episodes.

8/12 episodes (aka two thirds of the Cour) will likely be about the villains. And yet they’re pushed to the background so hard in this OP.

I want to dream, and I want to believe that this OP is going to magically change when MVA starts. The song fits super well, and I can imagine like an inversion of the OP but from the Villain side! Wouldn’t that be neat? Imagine right after the “it’s alright” part Shigaraki just freaking decays the title card... oh man that would be so cool. But, alas, I highly doubt they’d do that.

Side rant, but you know what was so fun about MVA in the manga? It’s that, for 21 chapters, we leave the kids behind and the villains become our protagonists. Suddenly Shigaraki is the one we’re rooting for, suddenly we’re learning backstories for everyone, and suddenly we find ourselves just as attached to the villains as we are to the kids. It’s an inversion that’s SO RARE to find, and I think many people (myself included) were hoping it would be reflected in the OP.

A big part of being the protagonist means featuring heavily in the OP, and a lot of us just wanted the villains to get that honour, even if only once. As is, the OP still treats them as the antagonists when... really they aren’t. Not right now, at least.

So yeah, final thoughts on the OP are that it’s good, it’s just not very representative of the arcs it’s supposed to cover. If this was just for Endeavour Agency, I’d say it’s actually really cool, but if we assume that this is what will play for the Villain Arc, then it simply doesn’t do it’s job. And it makes me sad to say that because, again, this OP is really well done.

If I had to rate it? Hmmm

If Studio Bones actually grants my wish and creates a different visual for the Villain Arc (while using the same song) and then this version only plays for the Endeavour Agency Arc and the War Prologue? I’d give it an 8/10. It’s really good, but it could use a few more elements that are clearly derived from the Agency Arc (ahem, Todoroki siblings).

But if this is the OP that will play for the entire Cour? a 6.5/10. It’s nice, but it’s not representative of one of the arcs it’s going to cover. And, unlike other arcs like Pro Hero or Summer Exams, the villain Arc is so important and takes up so much time that it honestly feels like a bit of a disservice.

Now for the Ending

I want to say that I appreciate how soft this ending starts. This cour will likely feature a lot of episodes that end on... heavier themes, and I think the sight of peaceful, falling raindrops is the perfect way to let the audience process their emotions before starting the ending in earnest.

The song itself is very nice, and I like that it’s a bit slower than the more recent endings.

(Side note, but the FUNNIEST moment in the entire series is when Sir Nighteye dies because it’s so emotional and everyone is standing around his bed in his heartwrentching silence, only for the ending to come BLARING IN out of no where. If you forgot how jarringly hilarious it was, go listen to the Eri ending and tell me that’s not the funniest thing this series ever did. Anyways yeah I’m glad that’s not gonna happen this Cour).

This ending is a bit all over the place in terms of it’s visuals, but honestly I think it works. Most endings usually have a theme tying them together (all the Class 1A girls, a fantasy AU, old photographs, planning a party, etc) but this ending’s theme is a bit harder to identify.

That being said, I think it’s just supposed to show everyone going about their day. It’s calm, it’s peaceful, and it’s just very sweet to think about

I like this shot. Actually, scratch that, I like this whole sequence. I enjoy anything that allows Class 1A to chill and have fun.

Hawks is featured quite heavily in this ending which, fair. He’s pretty important in this arc.

I really love the shot where Endeavour immediately switches to Hawks, I thought that was a lot of fun, and very good symbolism on how Hawks wants to be like Endeavour. I also love all the shots of Baby Hawks, because it’s adorable.

Something about this shot is just so cute. It’s the little domestic things like waiting for a bus that make this ending feel... idk the word, real? It shows a side of the characters that we’ll never see in the episodes, but we know have to exist.

Like yes, of course the kids have to wait for the bus. We never see it, but of course there are those moments of quiet. Agh, I love it.

The villains also make an appearance and I’m very happy about that (I’d love to see more of the villains just chilling around, I think they deserve it). I kind of wish they weren’t sitting in a dark room for the sake of being edgy, since I think it would be nice to see the villains just... sort of existing, but honestly it’s still a nice shot. I also like how this shot sort of mirrors the first one with Class 1A (someone coming in while everyone else is sitting and waiting for them).

That being said, as much as I love looking at Dabi and his stupid face (affectionate)... why is Dabi the one getting the closeup?

Mind you, endings don’t need to be connected to their Cours (they can be, like the Eri one, but they don’t have to be). But this ending does seem to be connected to the arcs it intends to cover, given all the Hawks appearances, the boys wearing their work study scarves, etc.

So, I ask again, why Dabi? Out of the six League members, we learn the backstory for four of them in this arc (Shigaraki, Toga, Twice, and we very briefly learn about Spinner). The only two left out are Dabi and Compress.

I can only assume they chose Dabi because he’s constantly in contact with Hawks, and therefore that makes him important? If the OP told us anything, it’s that Bones values the Endeavour Agency Arc over the Villain Arc lol...

... Oh my gosh please tell me that’s not actually the reason Dabi is focused on here BONES WAI-

Anyways, the ending comes to a close with Hawks watching over the kids and Endeavour. The relaxing time is done, it’s time for work studies.

Overall impression? It’s great. It’s hard to screw up an ending, so as long as you have something pretty on screen, it’s wonderful.

I’ll give this a 9/10

#bnha #bnha season 5 #dabi #keigo takami #bnha season five #katsuki bakugo #shoto todoroki #mha season 5 #mha season five #bnha op #bnha opinions #izuku midoriya #bnha hawks #ok to reblog #actually yes please do reblog if you found this interesting #I worked hard on it

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aestheticaxolotl · 4 years ago

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Lets Talk About Gunnar Maelstrom

Evil Daddies is where it’s at.

One of the meanings of the word "Maelstrom" is 'A situation of state of confused movement or violent turmoil.

Let me start with Maelstrom, usung the Carmen Sandiego Wiki to break him down as a whole, starting with appearance and personality (Excluding the comments around his action in the show, this will be hard seeing his major inclusion to the story so please bear with me once more as I do this).

Professor Maelstrom is a middle-aged man with pale skin and white hair with a receding hairline. He has broad shoulders and wears a black blazer over a dark gray turtleneck. As stated previously, Maelstrom is seen as being an almost unnaturally pale color, hinting towards possible Albinism.

Now, Middle aged according to the wiki page is between 50 and 60. Seeing the receding hairline and the lines on his face (Also can someone point me to a source about those random chin hairs? Like please I need context).

He obviously has stress and sleep lines. I imagine these are due to his life choices and idiot operatives. His ethnicity is stated as being Swedish but continues to contradict itself when it later states that Maelstrom is from Scandinavia. I think this is to throw the readers and deep show watchers off and it would work better if both ethnicity and race were left as unknown.

Now we move on to the easier things, personality, which is LONG. So let me start writing!

Of the five members of V.I.L.E's faculty, Maelstrom seems to command the most authority and serve as the de facto leader of the group, being the first to speak as well as hand out orders. As one may expect, Professor Maelstrom is criminally insane, which is ironic, considering his forte is psychiatry. Professor Maelstrom often likes to tinker with his patients' psyches and enjoys psychologically evaluating students, much like someone finding joy in pulling the wings off a butterfly. He does possess some level of awareness to his own insanity, though he is quick to brush it off as a mere label that other weak-minded people have given him. He also has an apparent fondness for the more psychotic recruits. In keeping with his name, his main desire is to spread chaos and disorder, with any actual gain being a secondary concern at best. Carmen considered him to be creepy, and rightfully so after he and Dr. Bellum collaborated to wipe Crackle's brain. Professor Maelstrom loathes Cookie Booker as he has no tolerance for her stuck up behavior towards him. He seems to have a fondness for marine life, as his office hosts a giant aquarium filled with jellyfish and other specimens. His use of the term "bait" as a pun is in reference to fishing bait, and in the novel adaptation, it is used twice. Further expanding the psychological exam scene from the show, in the novel, he declares that Carmen gave the "wrong" answer to the Rorschach test, stating that the image was a seahorse. The novelization expanded his sense of humor, though it mentions that even that had a dark and unpredictable tinge to it, showing delight in the lengths that his students would go in order to not be called upon in class. The show does have him throw a small quip every once in a while, often tinged with exasperation at his colleagues' antics or ignorance. He also enjoys making Countess Cleo envious of his fashion style, having asked Le Chevre and El Topo in the "The Fishy Doubloon Caper" to acquire an Ecuadorian Eight Escudos doubloon to be melted into solid gold cufflinks.

As done in my previous post, I will be diving deeper into the statement in the bolded font.

Maelstrom seems to command the most authority and serve as the de facto leader of the group,

I don’t see any major reason for this face besides that there is a level of respect among the Faculty that centers around Maelstrom, seeing as he is one of the psychologically smarter than any of the other members, except Shadowsan but that is a post for another day. He is a very scary character because he is unpredictable, and possibly in the minds of the other, can be blamed for their crimes should they ever had been caught, but this leads me to my second quip with Gunnar Maelstrom.

Professor Maelstrom is criminally insane, which is ironic, considering his forte is psychiatry

When one looks up the term ‘Criminally insane’ we get the following “an accused person that is deemed to be suffering from cognitive illness or fault which frees then of lawful accountability for the unlawful behaviors” from https://psychologydictionary.org/criminally-insane/.

I cannot at all say that I support this terminology on the stance that Maelstrom is more than aware of his action, to the point where he logically makes the choices to leave his fellow faculty behind at the prospect of capture. One cannot say that a “Criminally insane’ person is able to make these choices so quickly and with such calculation as to pack a go bag and hire an escape driver. But I digress.

He does possess some level of awareness to his own insanity, though he is quick to brush it off as a mere label that other weak-minded people have given him.

I don’t think that Maelstrom can stand to be labeled by other people. The exact use of the phrase “Weak-minded’ points me to believe that Maelstrom sees himself as mentally stronger, powerful, and far beyond that of the average person. This points to his class, and I’ll explain this in the next part, being the most critical and important to V.I.L.E as a whole.

His main desire is to spread chaos and disorder

This is WAY too specific to just be a drop in detail. No character is created be be a chaotic mixture, but they are built to SPREAD chaos, and Maelstrom is the perfect character to do this. His favor to Paperstar is a direct jab at this detail about him, she is an element of chaos that he put into play, the disorder of her is why he places her, while the other faculty hate Paperstar, he finds her the perfect wild card.

Professor Maelstrom loathes Cookie Booker

I fully think this is, as the wiki and al of my sources say, Cookie Booker represents the original 1998 Carmen Sandeigo. And the loathing between them is a reference to the original game and books.

He seems to have a fondness for marine life, as his office hosts a giant aquarium filled with jellyfish and other specimens.

Not gonna lie, but I love this detail. The details, that caused me to GO BACK and watch the episodes with Maelstrom, was that the man likes fish. This adds onto the effect that he is rather cold and uncaring towards people, seeing them a thing to observe and keep. I also just love the idea of him having a fish tank and spoiling his goldfish that he named Clyde or something equally related to big time crime, like Al Capone or as said before Clyde.

He also enjoys making Countess Cleo envious of his fashion style

I’m sorry but Cleo and Gunnar challenging each other to see who is better in fashion? I’m sorry but they are the fashion police. Also I think this places WHO he is close to in the Faculty. I am very willing to bet that Maelstrom, who left Coach Brunt to drown and die, would NEVER leave Cleo or Bellum (Possibly) to die because they align more with HIS goals.

Brunt is... Dare I say... THE DUMBEST OF THE V.I.L.E FACULTY

WHAT DOES SHE DO?!?!

WHY IS SHE HERE?!

SHE’S STRONG AND THAT’S IT!

I digress (i used that phrase twice now), I just think his goals line up more with Cleo and (Again, possibly) Bellums’.

Now I go onto my favorite part of these paragraphs, the trivia/abilities. I love trivia/abilities, just because everyone sees this word and they are like ‘oh it’s just dumb facts’. BUT NO! It’s DENSTRAMENTAL to the character and links to their personalities.

He is capable of expertly performing a bait and switch. Professor Maelstrom specializes in psychiatry. He has been shown to have a favorite student, similar to the other faculty, in Paper Star; despite her disregard of the protocol in Mumbai. His grudge against Cookie Booker could be a subtle reference to the hostile relationship that his previous incarnation had with Carmen Sandiego in the 90's cartoon. As shown in the season three episode, The Haunted Bayou Caper, he has a fondness for Halloween.

Most od this is already covered, i know, so I won’t go over what I already did. SO let me just say... I know-

He is capable of expertly performing a bait and switch

I NEED to SEE Maelstrom just- *Pulls and Bait and switch* -STEAL FROM SOMEONE. Like. I could totally believe that Maelstrom is the sleekest, most sneaky, most Swiper is swiping guy in the world. I am okay with letting them tell me this, but NO okay with them not SHOWING ME.

Netflix, I HOPE you see this so you can give me a SHOW on HOW GUNNAR MET MY MOTHER, COUNTESS CLEO.

He has a fondness for Halloween.

Charlie Pants.

Do I need to say any more?

Okay, big ending time. So Gunnar Maelstrom, a deeply interesting character, mysterious backstory that a person can read into, different fun facts that lead to speculation and interest and amazing stories. I love Gunnar Maelstrom’s character, his personality, and his appearance. His effect? 100. His story? 100. His ability to make me rewatch the series? 100.

Thanks for reading this. I’ll have another one out soon! Requests are open

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letapollojusticesayfuck · 4 years ago

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💎⛰️🎢☀️📜✏️⭐📣🔦 for currents & 💡 for the scurvy fic. i need to know.

sparrow that’s. so many. (but you’re asking me to talk about currents and I am always looking for a reason to talk about currents so. Thank You)

(also, obvious spoilers under the cut for undeniable you (the currents pulling me onward so. if you care about that you might want to read the fic first)

💎- What was your favorite part?

I’d probably say...the beginning of chapter 7? Where it’s immediately post-trial and Klavier and Apollo are just so tired and at loose ends and they go and sit on the courthouse steps and talk. I basically wrote the entire fic in order to write the last 4 chapters--the emotional aftermath of the trial, but I had to write the trial first so it would have context.

⛰️- What was the hardest part?

Figuring out the whole Gramarye Siblings situation, for sure. Because--the thing is that canon isn’t entirely cohesive on who did what when. I did a ton of research by perusing the wiki and taking notes on Jove, Thalassa, Magnifi, etc--and then I kind of just decided that if there was no coherent canon timeline, then I didn’t need to stick to it--and made as much of it up as I felt was necessary.

🎢- Were there any scenes you were nervous about? For audience reception or otherwise?

With every single courtroom scene, I was worried that it would be super boring or wouldn’t live up to the games or that all of the arguments I used would be Wrong and Bad? also this isn’t unique to currents but every single time I write a kissing scene I worry that it’s going to be bad

☀️- Was there symbolism/motifs you worked in?

A little? If anything, I was trying to emphasize the symbolism and Themes that I felt the canon games after AA4 didn’t utilize at all--like, I deliberately used Apollo flying across the ocean after hearing about Klavier as a parallel with Edgeworth flying across the ocean when he heard something happened with Phoenix, and obviously the “POV defense attorney defends rival prosecutor” is a deliberate parallel with 1-4. I guess Klavier’s hair might be a bit of a motif but that’s mostly because I think it’s pretty and less of a deliberate choice lmao

📜-Do you want to write something like this again in the future?

Depends! I would maybe write another casefic if I had a really good concept for one, sometime In The Future (because they are So Annoying to plan)--but as for multichaptered fics, I definitely want to write another one sometime. I just need to have a Good Idea and the motivation to stick with it--currents was written mainly out of spite at the dropped plot threads from AA4 and my determination to resolve a bunch of them and also further my Klapollo Agenda.

✏️-Would you go back and change anything if you could?

At the moment, I don’t think I would--but if you asked me again in a year or so, I probably would change things. I still want to write a series of oneshots in the currents universe--stuff focusing on characters we didn’t see enough of, like Trucy and Phoenix; and Kristoph pre-fic; and Phoenix and Miles; and Klavier and Apollo after everything

⭐- What’s a scene/paragraph you’re proud of?

“We can’t dwell too much on that part. But one more thing—if they planted the nail polish back then, and the powder in the mortar and pestle—how could they be sure you wouldn’t...accidentally…”

Apollo trails off, but they both know how that sentence ends. Klavier shudders.

“I almost never use that thing, anyway—it was a housewarming gift, and I’ve only ever been ambitious enough to grind my own spices about twice. Otherwise, it’s just easier to use the stuff in jars. I guess they must have known that, somehow? Either that, or...it didn’t matter if…”

“So, they’re someone who either wanted you to be found guilty for a murder you didn’t commit, or didn’t mind if you were poisoned by accident—and who probably works for that dogsitting company,” Apollo murmurs, pulling out his planner and jotting down a few notes. On the other side of the glass, Klavier sighs, tilting his head so that his fringe obscures his eyes.

“I wonder...if they’d gotten me, accidentally...would they still have killed Kris? Or would they have been satisfied with just me?”

The question is nearly inaudible, but Apollo looks up sharply, staring at Klavier.

“You think they killed him just because...it would hurt you?”

Klavier shifts, meeting Apollo’s eyes. “What would be the point, otherwise? Vengeance? Apollo, who’s left alive that would need to enact revenge on him? He was already on death row—what does this accomplish, besides hurting me?”

As much as Apollo tries, he can’t come up with an answer.

I don’t know if I can think of too many specific scenes I’m proud of--but I really do like this one, because I think it shows Apollo’s pragmatic side--trying to solve the murder mystery, pushing his emotions aside when he can--while illustrating Klavier’s attitude of “usually I would brush this off but we both know this premise is a little wonky and this isn’t adding up.”

...that might not have made sense, I’m not always the best at analyzing my own writing. I just throw words at the page and what happens, happens.

📣-What was the best piece of encouragement you got?

It’s cheesy, but everyone who commented on each chapter was an invaluable source of encouragement? like, the absolute best feeling in the world was posting a new chapter and then seeing all the comment notifications come in, and spending the rest of the day replying. I’d written 6 chapters before I posted the prologue, but having people give me their reactions to each chapter really was the most important thing that made me keep going <3

🔦-Did you learn anything while writing it? About yourself? Writing?

I learned a lot about How To Write A Murder-Mystery--first and foremost, that it involves so much planning. And I maybe had to spoil the ending of AA6 entirely for myself--fun fact, I still haven’t finished the game, I’m stuck on Trial Day 1 of the Maya case (because I’m Tired, okay?). About writing and myself--I learned that I definitely need a deadline, and that using external “word count goal” tools is pretty essential for me if I want to write anything longer than a oneshot.

For The Scurvy Fic:

💡-What was the motivation behind the story?

okay SO. There was a conversation going on in a Klapollo discord server. Somehow we ended up talking about Klavier and/or Apollo being cheapskates. I think I mentioned something about Klavier surviving entirely on ramen noodles because they’re cheap? and then it devolved into a conversation about how they’d totally get scurvy if they did that. And I started thinking about how Klavier and Apollo are inherently pretty competitive, and how they’d totally just get into a stupid bet and be so stubborn that they wouldn’t back down, because they have to Prove A Point, even if they get scurvy from their awful diet of Whatever’s The Cheapest. And then...Scurvy Fic Happened. (along with the Other scurvy fics, because there’s Three of them!! I was just the only person who went with the obvious title).

Thank you for the ask!! Hope this was...enlightening??

#ask #asks #thank you!!#ask game #aa currents #exitcorners

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noragami-ru-manga · 5 years ago

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Shinki Names. Part 1

I should probably add a disclaimer that I don't know Japanese. I did spend a lot of time looking up all the kanji though and also consulted someone who does know some Japanese

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A name is one the most important things a human can have. In ancient times, it was used to separate humans from nature, to guard them from evil spirits. Nowadays it’s more of a necessity, a primary part of one’s identity; a person without a name virtually doesn’t exist in the society.

In Noragami names, their meanings and functions are key elements of the magic universe created by Adachitoka. This two-parter is devoted to one of the name groups present in the manga – those belonging to shinki.

General rules of forming

Since shinki names are a part of Noragami’s magic system, there are certain rules for making them up. Many (if not most) of the readers of this post must already know those rules but I’ll list them just in case.

1. A shinki’s name is always (well, almost always, but we’ll get to that in Part 2) is written using a single kanji – a character that came into Japanese from Chinese. A kanji can have several meanings, one of which is chosen to be the name. The meaning’s two respective readings become two shinki names: kun-yomi, or Japanese native reading, refers to a shinki as a person while on-yomi, or Chinese sound reading, refers to their instrument name.

2. Even though shinki names are represented on their bodies by a single kanji, the kanji reading isn’t generally used as a name on its own. Another kanji is added to the kanji forming a shinki’s personal name to make yobina, which is the name a god uses when referring to their shinki in everyday life. Generally it’s a kanji that the gods use towards all of their shinki, i.e. their family/clan name. Here are examples of family names in Noragami:

音 – “ne”, Yato’s shinki’s family name. Means “sound”.

喩 – «yu», Tenjin’s shinki’s family name. Means “metaphor”.

大 – «dai», Kofuku’s shinki’s family name. Means “great”. The only prefix in this list.

麻 – «ma», Bishamon’s shinki’s former family name. Means “flax”.

巴 – «ha», Bishamon’s shinki’s current family name. See the meaning in the family names paragraph.

弥 – «mi», Ebisu’s shinki’s family name. When read as “mi” isn’t really a noun. One of the meanings is “more and more”.

云 – «un», Takemikazuchi’s shinki’s family name. Means “cloud”, “to talk”.

Known exceptions:

Noras: three out of four of Nora’s known names – Hiiro, Eyami, Mizuchi – do not include a family name (“chi” in “Mizuchi” isn’t actually a kanji for a family name, it’s part of kanji 螭's reading). Tenjin also refused to give Kugaha the “yu” clan name when gave him the name “Saku”;

Sakura and Nana, who aren’t noras but still have no family names;

Daikoku and Daigo – their clan name is added to their instrument name, not their name as a person

3. The instrument name also isn’t used on its own: kanji “ki” 器 (“instrument”) is added to it. As seen in the manga, characters in Noragami prefer to use “name + ki” when talking about a shinki’s instrument form.

Keeping these rules in mind, I’ve made this table that I borrowed from Wiki and expanded upon:

On the one hand, it seems like there’s no common theme in the names of the shinki belonging to the same god. There’s also no connection between a shinki’s name and instrument form in most cases. All in all, gods appear to name their shinki intuitively without actually thinking much about the meaning of the name. If we take Yato’s shinki as an example, three of them were named based on whatever Yato saw nearby: Yuki (snow) – it was snowing that day; Tomone (partner) – he just wished for someone to stay beside him; Sakura (sakura) – they met under a sakura tree. Momo has got a name that actually corresponds to his instrumet form – 100-yen store scissors; Hiiro’s (scarlet) and Kazune’s (calendar) seem to be a little more symbolical. Father, on the other hand, seems to be the only one to choose the names of his shinki deliberately. He gave Mizuchi the name of the monster that she turns into as an ayakashi; Edachi is literally his “servant”; and now he has Hagusa as well, “something that appears good, but isn’t”.

On the other hand, everything is not as simple as it seems. For example, look at these two translation notes about Nana’s name (Volume 16):

Moreover, “shi” means “death” in Japanese. Anything that sounds like “shi” has a connotation of “death”. A warrior is also “shi”. Number 4 is “shi”, number 7 is “shichi”. The Japanese mostly say 4 and 7 in kun-yomi in order to avoid saying “death” as much as possible. Bishamon, on the contrary, invites it. She is a warrior (“shi”), calling “shichi” to her service by her instrument name (on-yomi) – all of that does not bode well for any Japanese.

And here’s another example with Kiun’s name form Volume 17. When he recalls the day he was named by Take, he says that he was given “a very noble name” Ki.

Yellow is also the color of Amaterasu and her descendants, the Imperial dynasty. There are even several shades of yellow that can be used for dyeing the emperor’s clothes only.

So the reason why there’s no clear theme in the names of shinki of the same god and why they usually have nothing to do with shinki’s instrument forms is because each name has unique circumstances that surround it.

(BTW, regarding the “seven tools”: it’s a little far-fetched, but Yato technically has all of them as well. Yukine is his long sword and short sword while Kazuma is the rest – clothes (armor), bow, arrows, the scarf that also covers his head (helmet & cloak), and katana, because sure, why not).

Naming incantations

To give shinki a name, either for the first time or to someone who’s had a name before, a special incantation needs to be used.

This translation note was super helpful back when I first started reading Noragami. However, it was made in Volume 1, when little to nothing was known about the significance of names in the lore of Noragami, so I’m going to update it a bit.

Apparently, imina is the real name of a deceased person or a noble that is changed to a posthumous name; a forbidden, avoided name. Early on, before I reached the part with the gods’ greatest secret, I assumed that imina referred to the kun-yomi reading of a shinki’s name (like Yuki for Yukine). I thought that the reason gods added a family name to the kun-yomi reading was, just like it says in this note, to avoid the repetition of that name. But then there are noras, who almost always don’t get a family name, and shinki like Sakura and Nana, who are not noras and still don’t have family names either. So imina can’t possibly be the kun-yomi reading - if it really is an “avoided name” that shouldn’t be used for any purpose other than reverting a shinki from their instrument form, surely gods wouldn’t risk using it as a yobina (the name the gods call their shinki in everyday life, like Yukine) as well? That’s why I think that the first two lines of the incantation are a literal description of how the god’s greatest secret works. The god “grasps”, i.e. learns and conceals, a deceased person’s actual name – grasping thy true name, I bind thee here – and replaces it with the name that he/she makes up for that person – with borrowed name, I dub thee my servant. Karina, or the borrowed name, is the one that seals away the true name that should never be spoken. Lines 3 and 4 are pretty much an instruction for using a shinki. And the part about “mei” meaning both “command” and “destiny”,“life” explains why the last line was translated as “I use my life to make you my servant” in the anime. Wiki says that the reason why gods and shinki have this connection that can end up killing the god is because they use their life to create shinki, and I support the notion. After all, if there’s a line or word in Noragami that has more than one meaning, it’s 99% chance that it’s intentional. The last line shows that a shinki isn’t just a servant but a huge responsibility that a god may end up paying for with their life.

There aren’t any specific conditions to be met when naming a shinki (apart from the fact that a corrupted soul can’t become one, and even that’s… debatable); a spirit can receive a name voluntarily or forcefully. With regular ghosts who get a name for the first time it’s often not consensual since they don’t even know that’s a possibility (though there’s actually a cute scene in which Yato tries to persuade an old lady spirit to become his shinki freely). A shinki who has been released before can ask another god to name them, like Sakura did. Or, they can ask for a name without being released and become a nora. Finally, a god can forcefully give a name to a shinki who’s already serving another god, which is what Tenjin did to Kugaha. This, however, doesn’t mean that a shinki is defenseless against a god who wants to name them against their will, as shown in this scene with Yato, who wanted to make Kazuma a nora “for a bit” but helped him learn how to use borderlines instead:

Another interesting detail regarding the naming incantation is that it can only be used once – a god doesn’t get to name their former shinki for a second time (chapter 72).

Apart from the naming incantation used on shinki, there’s also a similar one for ayakashi (chapter 27).

The name Ebisu gives the ayakashi is Ryōki (菱鬼).It sounds like a shinki name (Mineha’s instrument name is also Ryōki), except here “ki” means “ghost”, “demon”. The first two lines of the incantation are very similar to the one used on shinki. Which is strange if you think about it, ‘cause unlike shinki, ayakashi don’t really have a name that must be concealed. Though they are born from human emotions, and some of them are even former humans (former shinki), so maybe that’s it. The difference in the first two lines of the two incantations is that an ayakashi is also tied to a mask. And there’s an entire translation note to be made about the rest of it.

The “one visage” probably really is the god using the incantation since Ebisu seemed to get blighted by his ayakashi the way shinki sting their masters when they sin – not on a surface level but with a deep, indelible blight.

Also, an ayakashi gets only one name, not two.

Finally, there’s also a hybrid incantation Father used in chapter 84 in combination with kotonoha to give names to shinki who started turning into ayakashi.

The first lines aren’t shown but they are probably the same as the ones in the regular incantation. Like any other shinki, Hagusa receives two names, as a person and as an instrument. The part resembling the incantation for naming ayakashi is the line about “obeying one name”, though with ayakashi it was “one face”. The last line is unique to this version of the incantation – using the kotonoha, Father orders Hagusa to retain his human form (in fact, we don’t know for sure if the incantation is actually necessary or if Father is simply imitating the gods while the only thing really needed for the naming is the brush).

Family names

Kazuma explains the existence of family names in chapter 18.

As mentioned earlier, “ne” and “yu” mean “sound” and “metaphor” respectively. The reason for the “ne” name, as we know, is very personal, while “yu” might have something to do with Tanjin being the god of learning and also a poet in his human life. Explaining the “ha” name will take a little longer.

Kazuma might think that family name is “really nothing”, but gods would clearly disagree. One of the things indicating that they don’t consider a family name “a nothing” is refusing to give one to noras. Tenjin did not give Kugaha the “yu” name when made him his nora Saku. Nora only has one name that has a family name attached to it – Tsutsumi, which she received from Ebisu. Ebisu himself is an exception though since he would name any shinki capable of drawing a borderline, so all of his shinki have the “mi” name, whether they are a nora or not. Another exception is Kazune but that is a special case since Yato and Kazuma have known each other for a long time; no wonder Yato decided to give Kazuma his family name.

Yato’s first two shinki, Sakura and Hiiro, didn’t have family names either, but that’s because Yato didn’t know he could or was supposed to give them one. Kazuma’s guess about creating a family bond through a common name is also correct – Bishamon explicitly states she doesn’t want to give Nana the “ha” name ‘cause she doesn’t want to become too attached to the girl who’s supposed to be her “disposable” weapon.

Finally, gauging the importance of a family name without knowing its backstory is hasteful. Yato’s family name “ne” simply meaning “sound” doesn’t seem to be very important at first. But to Yato it’s more than just a sound:

And Bishamon had a similar reason for not giving Kazuma the “ha” name after the Ma clan was wiped out.

This makes the names Father gives to his shinki – like Mizuchi and Edachi - all the more interesting. They sound like they have a family name “chi” but are actually written with a single kanji. So Father is basically creating an illusion of a family name that isn’t there. Another notable thing is that he did not choose a name ending with –chi for Hagusa. Does it mean that Father doesn’t want to make him a part of this “family”, however fake it is?

Summoning a shinki

To summon a shinki, all you need to do is call their instrument name. There are some nuances though. Firstly, sometimes shinki can have a delayed response, like how Yukine only answered to Yato’s call after his second attempt in chapter 26.

It’s hard to tell whether all shinki are capable of this. Yukine is a hafuri here, so we can’t be sure if his new status affects his ability to resist his master’s call or not. It’s also not clear if Yukine decided to help out on his own or if he couldn’t refuse his nature as an instrument after all. There are, however, other instances of shinki not coming after being summoned. Takemikazuchi’s senior shinki outright refused to respond to his call the night they killed him:

And then there’s Kiun who apparently can simply sleep through being summoned.

The reason why this is important is because it influences our understanding of the nature of the bond between a god and a shinki and shinki’s level of autonomy. Are shinki bound to transform because of a magical contract embodied in their name, or can they choose freely? The second option suggests a more trust-based connection between shinki and their masters. If they are able to ignore the summoning but willingly come to the gods’ aid without questioning the need to do so, it means they want to support their masters no matter what. New shinki can’t resist the call though, as seen here:

Secondly, there’s an entire group a shinki who definitely can choose whether to respond to a call or not – noras. Hiiro ignored Yato several times: when Yato and Ebisu called her at the same time, she chose Ebisu; when Yato was calling for her to fight off the masked ayakashi, she did not respond.

Noras’ ability to choose if they want to take their instrument form or not makes sense regardless of whether it’s something all shinki can do or just them. Even if they are magically bound to transform when called, in a situation with two masters summoning then at the same time they will have to do something eventually. If they can’t ignore the summoning and also can’t split into two different instruments, it makes sense that they’d be at least able to choose whose call to answer. And as for Hiiro ignoring Yato’s call in a situation where there was no need to choose, there are several different explanations here. Maybe the ability to choose is simply always present for them, even when they aren’t summoned by two gods at the same time. After all, noras are resistant to name-binding spells in general. Another explanation can be that Hiiro is a half-shinki, half-yakashi who was named using the kotonoha. If her bond with Father is stronger than with any of her other masters because of that, then no wonder ignoring Yato was so easy for her.

Another thing I’m curious about is long-distance summoning. It wasn’t a thing in the beginning of the series – Yato did not call for Sekki when Kugaha attacked him near Suzuha’s sakura tree; the seven gods of fortune didn’t even try to summon their shinki when they were under arrest by the Heaven’s guard. However, Takemikazuchi calls his shinki from Takamagahara to Earth like no big deal (well, except for Kiun, who overslept).

And he also expects them to appear in Takamagahara if he summons them there:

I can see two possibilities here. 1) There had to be a reason why gods didn’t try to summon their shinki in the the cases mentioned. Like Yato not wanting Yukine to find out that Suzuha was dead, or the seven gods of fortune not wanting to get their shinki into trouble with the Heavens. 2) Adachitoka didn’t think of long-distance summoning in the beginning of the series and added it later.

Finally, shinki only answer to their master. Someone else pronouncing their name as an instrument or name as a person won’t work. There’s only one exception – the ruler of Heavens, the goddess of sun Amaterasu, who knows the name of all the gods and shinki and can call them. She was able to summon Sekki to put him into the box where he was supposed to spend the rest of the eternity. She also reverted Kokki by calling his name “Kuro” when she saw how he was trying to do something on the ground.

Releasing shinki from the name

Gods can release their shinki on their own will and upon request; no special incantation is needed. All a god needs to do is to write the name in the air and say that they release their shinki. After that the kanji tattooed on the shinki’s skin breaks and vanishes.

A released shinki looses their abilities (such as using borderlines) until they find themselves a new master but other than that the procedure is harmless.

However, there’s also Liberation, which breaks shinki names forcefully. Saying their original human name in the presence of a shinki or a direct question about the cause of their death leads revealing the gods’ greatest secret. That destroys their god-given name and the shinki turns into an ayakashi under the weight of all the regrets about the life they could have lived. There are only two shinki known to have survived the Liberation – Nana and Mizuchi. Mizuchi can even reveal the secret herself, although that power seems to be limited to her Chiki form.

Finally, there’s another unpleasant aspect of the lore that’s tied to releasing a shinki: if a god vanishes before taking the name from their servant, that name still remains. It’s one of the reasons some shinki end up being noras – a name no one can call is useless, so the only way to get a home and a shelter from ayakashi is to find another master. It’s not as easy as it sounds since the gods’ distaste towards noras is so strong that simply having a name given by another god is a reason enough not to take in an abandoned shinki.

Conclusion

I think it’s brilliant – to use the linguistic peculiarities of the Japanese language to form this unbelievably interesting and probably one the most memorable aspects of the magic system. I’m even more amazed at how much significance it has for the plot and characterization of the manga’s, well, characters. This theme will probably be further developed in the series, so I can’t wait to read new chapters of Noragami to find out other secrets of shinki names that Adachitoka have in store for us.

#noragami #noragami manga #theories #shinki #noragami meta

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zaph1337 · 4 years ago

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Monster Hunter Rating 31: W̶h̶i̶t̶e̶ ̶V̶e̶l̶o̶c̶i̶p̶r̶e̶y̶ Giaprey, the Carnivore

Well, now that I’m done with talking about the monsters in the first game, it’s time to move on...to the first game’s expansion! Monster Hunter G is a Japan-only game that’s the same as the first, but introduces “G” Rank quests, which are more difficult than High Rank ones. The game also introduces subspecies of several monsters which are more powerful and sport different colors. However, those are the only new monsters that G introduced, which means that yes, every monster I’m going to talk about for a while is going to be a recolor, so rating them is gonna be tricky.

I would normally go in the order of the Quest Lists on the wiki, but the wiki doesn’t have a list for the Village Quests in the game, meaning that I have to rely on the Town Quest List. This isn’t a huge problem because almost all of the new monsters are on it, but two of them aren’t, so I’m gonna cover those first, then go in quest order. Now, enough talky talk; let’s start things off with the White Velociprey...wait, what?

Uh, okay, so when I went to the White Velociprey’s wiki page, I found out that the image used for it is for another monster called a Giaprey, which apparently looks exactly the same. I was confused for a while, ‘cause the page compared them to each other like they were different creatures, but according to the Notes at the bottom of the page, they’re the same; the reason they have different names in English is because the first game they appeared in outside of Japan called them White Velociprey because localization be like that sometimes. So, for the sake of actually accomplishing something, I’m just gonna talk about what later games call the Giaprey.

(How it appears in Monster Hunter 2 [No, the wiki didn’t have anything from MHG])

(How it appears in Monster Hunter Generations)

Appearance: Look, I was gonna make a sassy comment along the lines of “what do you think monsters also known as ‘White Velociprey’ look like?” but considering every monster I’m gonna talk about for a while is a recolor I think that would get old pretty quick. Instead, I’m going to ask “how does the monster look with this new color scheme?” And Giaprey don’t look too bad; rather than a white, they’re a color the wiki describes as “crystal blue,” which sounds more pretentious than white so I can see why they chose that for the name.

However, while Giaprey still have a pleasing color scheme, I still prefer the cerulean used for Velociprey, so I’m giving the former a 5/10.

Behavior/Lore: Giaprey are the only dromaeosaurid monsters that can and do live in frigid environments; their lighter colors are likely an adaptation to aid in camouflage, though I don’t know how much that helps considering that they’re not actually white. Fun fact, though: apparently Giaprey were once thought to be albino Velociprey, but they are now considered separate species. There have, however, been sightings of supposed albino Velociprey in the Forest and Hills region that have not been seen using any of the Giaprey’s ice abilities, nor have they been seen with any larger pack leaders, so it’s possible that there are packs of albino Velociprey that have somehow survived despite the absence of any leaders. This is obviously a lore explanation for why the White Velociprey of Monster Hunter G/Freedom lack Giaprey abilities; Giaprey as we know them were introduced in later titles. It’s a neat little callback.

Like every other raptor introduced in the First Gen, Giaprey are led by a Giadrome, though the wiki doesn’t say if their packs are as efficient as Velociprey packs. That being said, Giaprey that live in the Great Forest region will sometimes cooperate with Velociprey, but sometimes the packs will compete with each other instead; Giaprey are very territorial, after all. In warmer regions, such as the aforementioned Great Forest, they’ll freeze their prey to preserve the meat for later, suggesting a high intelligence.

It’s interesting how Giaprey will sometimes work together with Velociprey, and their understanding of how cold keeps meat from going bad is a good way to show that they’re likely as smart as their bluer cousins, but there’s not a lot here to talk about; if it wasn’t for the White Velociprey retcon being a part of their lore, this section would just be the above paragraph and a concluding one like this one. Then again, there wasn’t much to say about Velociprey, either, so I’ll cut Giaprey some slack and give them a 6/10.

Abilities: So, how do reptiles live in an arctic environment? Well, Giaprey have an...interesting biological adaptation for that; their skin is warmer than their blood, so it prevents their internal temperature from dropping. Look, I’m a biology enthusiast and not a biology major, but I’m pretty sure that’s not how that works. Why is their skin warmer than their blood? What keeps it from getting colder when it’s exposed to below-freezing temperatures? The wiki says their skin “is able to repel high amounts of the cold,” but that’s not even how cold works. Cold isn’t an actual thing, it’s the lack of a thing; specifically, heat. If the explanation was that there’s a special layer of fat under their skin that’s really good at preventing heat from escaping, then it would make sense, but instead, we get what’s basically a pre-teen’s best guess for how keeping warm works.

God, I just spent a paragraph ranting about something in fiction not making any logical sense--who am I, my older brother?

Anyways, Giaprey can also spit a freezing-cold liquid that can hit with enough force to knock a Hunter back, but is mainly used to freeze prey and Hunters solid. That’s all they got, really; they’re slightly stronger than Velociprey, sure, but the only interesting things they have in the abilities department are warm skin and insta-freeze loogies. 5/10.

Equipment: Look, we both know that the equipment for the monsters that debuted in MHG is going to be all recolors since the monsters are all recolors, too. So instead of complaining about how unoriginal it all is or showing off a recolor of a weapon I covered previously, I’m going to look at this equipment the same way I did the rest of the categories, which is “is this better than what the original monster does?” That being said, because the raptors share so many weapon designs, there are almost no weapon types that I haven’t covered across their reviews, so the weapons I’m going to show off here will be recolors of ones I’ve already talked about. I have a tradition to uphold with the raptors anyways, so here’s the Giaprey Sword and Shield, the Snake Bite:

Honestly, this is my second favorite of the raptor SnS’ thanks to the whitish blue (da-ba-dee-da-ba-die). Next up is a pair of Dual Blades called Snow Venom, which are made with both Giaprey and Ioprey parts:

This is a cool contrast, though I don’t know where the teal they used for the Giaprey blade came from. Moving on to the armor, I bet you forgot about the Raptor Ranger outfits, so let me jog your memory with the Giaprey Suit:

As expected, it’s just a recolor of the Velociprey Suit, which I only really liked because of its color. I like the colors on this one, too, but not as much. As for the actual Giaprey armor (at least the Blademaster one):

Same deal as with the suit. I’m still confused as to why the scales on the women’s set of this armor design are more vibrant than the ones on the men’s. It’s not as much of a contrast here as it is on the Velociprey armor, but it’s still annoying.

I’m still ambivalent on the equipment designs, but I like the colors; several of the weapons and pieces of the armor have descriptions which talk about how beautiful the scales that made them are. I’m giving this one more point than I did the Velociprey equipment, but that’s only because I docked the Velociprey equipment a point or two because I thought it was all recolored from Genprey equipment, and like I said, I’m not using that logic here. 6/10.

Final Thoughts and Tally: I’m a little surprised that the Giaprey ranks the same as the other “-prey” raptors, but I guess that says a lot about them fundamentally. They’re all way too similar for my tastes, even though they have unique characteristics. I’ll give the Giaprey props for being ice dinosaurs, but they’re no Frigisaurus, that’s for sure. 5/10.

#monster hunter #monster hunter rating #zaph1337

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woulddieforperrytheplatypus · 4 years ago

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To distract myself from this awful political scene I'm forced to watch for history class: can you give us some obscure side characters (like, Dr. Diminutive, Newton the Gnu, type characters) you absolutely love for no reason? :) <3

Okay I am literally so late because I was doing my chem reading and my writing hw BUT I can’t refuse a chance to scream about my favorite characters (but y’all can refuse to listen to my scream about them so here’s a cut)

First of all, I want you to know that I haven’t even started listing characters yet and this ask has already lead me to spend almost $4 on Agent P’s Guide to Fighting Evil and that’s why I don’t look at the PnF wiki when I’m tired thank you for coming to my TED talk

I almost feel like I’m cheating by starting with Dr. Diminuitve but HOW CAN I NOT LIKE TELL ME THAT LIL MAN IS NOT THE BEST CHARACTER THE WORLD HAS EVER SEEN OKAY FUCKIN DO IT JUST KIDDING YOU CAN’T I mean come on, one of his first lines was literally “I don’t have a Napoleon complex; Napoleon had a ME complex!” I had to check the wiki to see if that was his first line ever and I’m very disappointed that it wasn’t and then in OWCA’s Going Down when all the evil scientists were just vibin against the fence and they started doing that West Side Story snappy walk and Diminutive was so into the snaps that he just didn’t fucking move and then he opened his eyes and the rest of the gang was halfway off the screen fjdskhfkalsfhaskl I just really love him okay the more I think about it the more convinced I am that he’s actually my favorite character

Idk if this counts as an obscure side character but he is incredibly underrated so I gotta throw in: LAWRENCE FUCKING FLETCHER. He’s just such a pure and innocent lil dude. He sees the boys doing dangerous shit and he’s just like, “Well that’s happening,” or better yet, “Hey, that looks fun!” I mean, the airplace? The flying carpet? The monster trucks? He genuinely gives zero fucks and I love him for it. I wholeheartedly believe that Lawrence knows Perry is a secret agent -- or at least that he’s smarter than he acts -- but he’s literally so indifferent to everything going on around him that he never mentions it because life is full of fun and exciting things like that and he can’t talk about them all, you know? And he gets so excited about his antiques and he’s so passionate about history and ughhhh I love him

I was about to say I feel like I’m cheating by using a special but it just occurred to me that that’s lowkey how I’ve prefaced all of these so no, fuck that, I’m using a special and that’s just how it’s gonna be. CARL FROM THE LAND OF INTERNUS WOULD HAVE MADE A MUCH BETTER ENDING THAN THE ACTUAL BOOK HAD AND FUCK YOU MONOGRAM FOR CUTTING CARL OFF BEFORE HE COULD TELL IT HOW HE WANTED TO

These two kinda go hand-in-hand but Bunka Da Bunkaquan and Sweary the Swan are my favorite alternative Perrys. As far as the specials go, Steampunx isn’t one of my favorites, but Sweary the Swan is just... How do you even describe Sweary the Swan? He is life. He is the reason I wake up in the morning. He is the only thing worth living for. And then Bunka Da Bunkaquan is just so fuckin cute and anyone who disagrees needs their eyes checked. And tbh while we’re talking about Tri-Stone area, I gotta throw in a mention of Doofengung no of course I didn’t have to google what his name was what are you talking about because I love how he just stares at the water and every time it drips he just fuckin cackles lmaooo

Okay one more special (maybe) but Doofenshmirtz in The Temple of Juatchadoon brooo I just googled it to make sure I spelled that right and I did woah my power is unmatched is lowkey my favorite Doofenshmirtz. I don’t know if it’s because I actually like him more than every other Doof or if it’s just because his first scene was with Phineas Ohio Flynn and they knew each other and they had actual interactions throughout the episode and the Doof/Phineas relationship is my favorite underexplored relationship, but Juatchadoon Doof makes the list anyway

The “what did you think, _________ was just going to fall out of the sky?” couple — who 100% deserved that cameo in catu

I’m almost afraid to say this in public, but I actually really like Roger. I was mostly indifferent to him at first, but then Delivery for Destiny happened and I was like wait a minute, why am I sleeping on his man who literally orders boxes just to give to his cat? And once I realized that he was kinda cool, it started sinking in that he was never actually a bad guy. Heinz never even really claimed he was -- if anything, his problem is that Roger isn’t a bad guy, and everyone in Gimmelshtump and Danville knows it. And I gotta give Roger credit for not being too harsh on his brother, because yeah, he can be a little stuck up (I’m looking at you, stupid golf game), but you can’t really blame him for thinking he’s better than Heinz, you know? But at least he’s not a dick about it like their parents are. Also the entire latter half of this paragraph was me trying to find a way to work in the other part of that scene with the cat box and it didn’t work so I’m just gonna tack it on to the end because this isn’t an essay for English class and I can do that lmao. Paul mentions that he just delivered something to a Heinz Doofenshmirtz, and Roger is like 😬 because let’s be real, no one wants to be represented by the type of dude to try to juice City Hall, but he’s obviously not going to say that because he’s still a respectful dude, so he’s just like “Charming... man... isn’t he...” and he’s literally so uncomfortable and it cracks me up every time but also it’s lowkey kinda wholesome because Heinz may make it his life mission to embarrass his brother but Roger doesn’t reciprocate. but I accidentally discovered a few weeks ago that John O’Hurley is a raging Trump supporter so I gotta dock points for that one

In the same vein, Paul the delivery guy. What more do I have to say?

If my love of Roger didn’t turn the world against me, this one probably will, but I’m going to say it loud and proud anyway. I LOVE PETER THE PANDA. He’s just??? so??? cute??? Like when he was tearing apart Doof’s inator and he was just... actually no scratch that I need pictures for this because I can’t explain this in words

THIS IS NOT EITHER OF THE PICTURES I WAS LOOKING FOR BUT LOOK AT THIS LITTLE GUY OH MY GOD

Peter really said “this bitch empty, YEET!”

okay but the ones I was actually looking for are...

I mean, how can you not find him adorable? And don’t even get me started on his relationship with Perry because Meapless in Seattle was just... B R O Perry flew halfway across the country (probably I mean idk where exactly Danville is but they use EST so Seattle is probably halfway across the country?) just to go grab a coffee with him. They went on a lil date at a fancy restaurant I know Dan said it wasn’t a date but he's been wrong in the tiktok comments before which means none of his opinions are canon lmao. They’re just? So? Cute? I don’t even know what to make of their relationship but I live for it.

And I can’t mention Peter without bringing up his nemesis, who, to be entirely honest, I also don’t know what to make of and he’s mostly on this list because I like the line “How did you get chorus girls in here?” and when I downloaded and cut a bunch of songs that you can download from Google Drive here if you want, I specifically kept that part in because I love it lmao (I do gotta point out tho because it’s been bugging me since I last watched the episode: I don’t think we have any proof that Professor Mystery even exists in the PnF dimension. I had just assumed he did for the longest time, but that entire episode takes place in a dimension where Lawrence is a polar bear. Who knows what other differences there are?)

I love all the grandparents and I don’t even have an explanation they’re just all adorable

Okay I know I said no more specials but TECHNICALLY at2d isn’t a special; it’s a movie. I am physically incapable of not brining up the muffin time Normbot and the “I use aggression to mask my insecurites” Normbot.

While we’re talking about Norm, his old head would 100% swear all the fucking time if it wasn’t a kids’ show and i gotta respect it

Dan Povenmire does one line for a dude named Vinnie in Mission Marvel and off the top of my head I don’t remember who he is but it was the beginning of the episode and I think (?) it was during the New York scene and he does it in the Vinnie Dakota voice long before Dakota was even a concept (I’m assuming) so he gets a mention

Jerry the Platypus gives me Paper Jam Dipper vibes and they are both valid as fuck (the fucked up Doof copy is not valid as fuck tho we’re gonna pretend he didn’t exist)

Don is literally the best part of Where’s Pinky and I’m not just saying that because I’ve been watching Whose Line for years and I was super excited to see Wayne Brady in the credits (and the fact that he was also in both the quarantine rap and catu makes me incredibly happy)

Ooh I almost forgot OWCA Files existed but Harry the Hyena playing the trumpet and the subsequent “you’re gonna be wearing that in a minute” is the best part of OWCA Files and tbh just Doof, Perry, and Harry could have carried an entire series by themselves (though I do also love Karen and Maggie)

WAIT A SECOND THE BUG TRIO FJDSAHFLKSAJD I was trying to pick a favorite last time I watched OWCA Files and every time one of them spoke they were my new favorite like I lowkey thought their plotline was boring but the characters themselves were hilarious

WAIT ANOTHER SECOND HOW DID I GET THIS FAR INTO THE LIST WITHOUT MENTIONING MONTY HOLY SHIT I’M SUCH A FAKE FAN BUT I LOVE MONTY OKAY HE IS LITERALLY JUST OZ FROM BTVS EXCEPT MONTY AND VANESSA HAVE BETTER CHEMISTRY THAN OZ AND WILLOW AND NO I WILL NOT BE ACCEPTING CRITICISM

Wait I forgot Vlorkel too omfg these two belong way higher on the list but Vlorkel is the love of my life (and I lowkey wish she had met Steve the giant chameleon because they would have become best friends)

I wanna keep going but it’s currently 1:45 in the morning (this is why I’ve been avoiding asks during the day: I get way too into them and spend a solid hour and a half on them and I’d never get any schoolwork done lmao) and it’s far from the first time I’ve stayed up this late but I figured it was fine because I have no classes tomorrow but it occurred to me like four seconds ago that I DO HAVE A CLASS TOMORROW SHIIIIT I had an anatomy exam on Tuesday during my usual class time (which if you read my tags you might have known about because I was having an existential crisis over it) so he moved our class tomorrow excePT IT’S NOT TOMORROW IT’S TODAY IT’S LITERALLY IN LESS THAN SEVEN HOURS FUCKING HELL I GOTTA GO TO BED ASAP

#shoutout to Sam for sending me this ask so i stayed up this long raving about my babies #because i would 100% have gone to bed without setting an alarm if i wasn't still awake #why did i buy a calendar if i dont use it lmao rip #pnf #look i have an ask

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rattlung · 5 years ago

Text

sorry this took so long! it kinda got away from me after a bit (it’s like 6k words so i’m rlly hoping this read more works on mobile lmao) and turned into a lot of introspection, as my stuff often does when it comes to mirage for some reason. hope you enjoy :^) and ty for sending smth in

(yeah ik mystik keeping in contact through fuckin fan mail is a bit of a stretch especially since crypto mentions burning letters, implying communication through paper, but it was the only thing i could come up with and i didn’t want this to take longer than necessary. just kinda shrug it off because at this point - eh yknow??? the letter mirage comes across is based off the one crypto sends to mystik in the loading screen with him and gibby

also, i looked up a ton of different sites and even checked the wiki but i’m still nervous about crypto’s name and how to write it properly. if i’m still doing it wrong, please please PLEASE let me know. i will literally rewrite this entire thing lmao)

established relationship kinda idk and also set in a kinda canon divergent au where the games hold seasons that last a few months with set teams

----=----

Despite popular belief, Elliott was a smart guy. He lived and studied under his mother, an amazing engineer in her own right, and even had a huge part in the development of some of the tech he used in the arena. It’s just that, sometimes, even he forgot about his own intelligence. Standing next to his fellow legends, it was like any confidence he had left in one fell swoop. He would stutter under their gazes and second guess himself on anything he said the second he said it. It’s something he’d always berate himself on later when he’s alone in his dorm where no one could see him.

Because he was smart. He’d tell himself that when he looked at his own smiling face, as surrounded as he was by it. Apex merch, some fanart, some cutouts they had stood up in stores he’d been sent. Elliott would stare at it all and remind himself that Mirage in the media was who he was. He’d gotten to legend status on his own, and that wasn’t something to write off. He was as intelligent as the rest of them, he just needed to remember that.

Though, admittedly, it did take Elliott a good minute to realize that the message he’d been sent wasn’t for him.

But, in his defense, this wasn’t an issue that had ever come up before. After their breach that forced them to move planets, the Apex Team had taken extra precautions when it came to legends getting fan mail. Elliott hadn’t blamed them, but he still couldn’t help but raise a brow at the extent they went to. In his opinion, it was just, like, two steps above sending it in on paper the old fashioned way. Honestly, that would go faster, since that didn’t need to be scoured by security software. Sometimes the dates lagged by so much that Elliott would get things months after a someone sent it.

So, yes, it did require a few read through’s for him to parse what was going on in the small paragraph. To be fair, it had his name in it. Don’t act so pretentious, TJ, everyone knows who Mirage is. The rest of the message was written in the same way: to someone who wasn’t actually Elliott and from someone who’s seemingly exchanged letters with this “TJ” before.

Maybe the program was on the fritz, picked out Elliott’s alias and sent it over to his inbox. It was something worth mentioning to the higher ups, because that absolutely had to be a liability in their new safety protocols. But more importantly - and definitely the thing he was going to address first - who was this letter for? Who was TJ?

There were only a few options, as most of the legends had opted to come forth with their real names when signing up for the Games. Elliott knew Bloodhound still operated under a veil of mystery, but he doubted they could be TJ. From what he remembered when he walked passed their dorm - which was usually something he tried to do quickly, since the bird Hound kept in there with them seemed to like Elliott only a little more than it liked Pathfinder - they didn’t even have a computer set up. No contact to the outside world unless it was through interviews.

Wraith just recently came across her name, Elliott remembered. She’d mentioned it in passing before disappearing for a few weeks in an abrupt request for time off. Wraith never really talked to anyone, so it kind of made sense. Everyone needed someone to vent to, even if it was about Elliott. What could TJ stand for? Taylor Jenkins? Tanya Jones?

Tilly Junior.

But then again, it really could have been any of them. Elliott wouldn’t put it passed Caustic to be using a fake name. Any of them could be using a fake name, and he doubted going around and asking would get him anywhere.

Elliott let the holopad slip onto the cushion of the couch he’d been lounging on, his head falling back to thump against the wall. Crypto would be able to help with the new mystery, that was at least something he was sure of. The amount of badgering and begging needed to actually get the hacker to relent and do any helping? Now that was unknown as well.

In the months that the season encompassed, he and Crypto ended up getting closer than probably either of them would have liked - at least in the beginning. Elliott couldn’t imagine what he would have thought then if he was told that most of his nights out of the arena would be spent at the other’s side, in his dorm, Crypto fiddling with some of the tech Elliott had lying around as Elliott himself talked his ear off.

Crypto was a good listener, he found. It was something in the quiet he maintained around him, a whole lot different than, say, Bloodhound’s. Not that Bloodhound was cold and off-putting; it was more so like what Elliott imagined stepping into an ancient library would be like. Something about Bloodhound made anything above a whisper seem too loud, and out of respect for said library, Elliott left them alone.

And then there was that time Crypto had caught Elliott staring at him when he blasted Caustic with a Charge Rifle from about 300 meters away. The only thing he’d done was give Elliott that knowing smirk then followed it up with an honest to god wink. Elliott was gone after that.

Things had changed in a steady progression. Instead of Elliott being the one to find him, Crypto would seek him out rather than hide away in his own dorm. When Elliott would invite him to his dorm, mostly joking, Crypto would surprise him by accepting. There wasn’t any verbal confirmation in the shift, though, and sometimes Elliott would worry about it, wonder if he was reading too much into things. Not that it was a big deal. He never cared much about labels, except when he really, really did.

But then Crypto would sometimes push Elliott against a wall in the downtime during the games while they were looting, or even when they were just hanging out. He’d silence ramblings by covering Elliott’s mouth with his own, and who was Elliott to tell him no?

They were close, now, yes, but for as good as Crypto listened, he didn’t talk much. It was something Elliott attempted to change. He tried to get him to open up in various ways, but the longest he’s ever gotten Crypto to talk was when he asked about the Holo Gear Mirage used on the field. Even then, Elliott did most of the talking. He’d gushed about his mom, how she did a lot of the work and he handled more of the fine tuning, reminisced about their workshop, the long days they used to spent together. Elliott remembered picking up something different from Crypto, then, something almost sad. Like maybe he’d been missing something, too.

Elliott never got to ask about it. Crypto had retreated to his own quarters pretty fast after that. He was too confused to wonder what he’d done wrong, and the worry was put to rest before he ever actually got to worry about it at all when Crpyto sidled up next to him the next day right before the drop. The situation just reaffirmed that there was a lot that Elliott didn’t know, like what kept Crypto so quiet, who he thought about when Elliott talked about working with his mother, what he always seemed to be working on when he was alone.

Or his name, Elliott realized.

After a pause, he scrambled back into a sitting position and grabbed the holopad again. There was public information on every legend that signed up for the Games, but the last he’d checked there had been something wrong with the page dedicated to Crypto. It showed multiple different error codes that were random upon opening the page and sometimes it would even crash a browser entirely. Forums still existed, though, and Elliott would use that to his advantage.

Quietly, in the back of his mind, he felt guilty, felt like he was doing something he shouldn’t.

A lot of the threads were just talking about the recent games and Crypto’s happenings in them. They talked about his marksmanship, which was pretty impressive, Elliott had to say. It wasn’t until a few minutes of scrolling - spent looking through GIFs and videos of highlights, that he won’t admit to - brought him to a specific thread. The person who posted was wondering about the drone Crypto had in his possession, asking about its name, speculating on the model. The top comment on it claimed to have spent time behind the scenes on the Apex Games Production team and declared that the drone Crypto used had a lot of similarities to the ones they use to film the Games.

The next comment didn’t exactly discredit the correlation, but they did say it was likely that the drone’s blueprint was leaked and got sold to another company, not Crypto having the clearance to use Apex equipment.

I doubt they’d let him have one of the official ones, with all the controversy surrounding them, the commenter said.

Elliott bit the inside of his cheek and narrowed his eyes in thought. It was a stretch, but it didn’t stop him from backing out of the forum and searching “apex filming drones”.

The first result wasn’t a link to the Apex Game’s website. It was another website with comment threads, its title “look what i found???”.

So, Elliott did.

i was doing some VERY LEGAL digging around, because i was wondering where the new guy came from and all that, but there’s literally NOTHING that isn’t hidden behind encrypted messes that would take like ten years to get through but when i tried, i got something on some dude named hyeon kim but when i went around looking for more i found this

??????

Below the post was a screenshot of an article from a news site called Outlands’ Journal. Elliott read it over, but the only thing he processed was “Disgraced computer technician, Tae Joon Park” and “Mystik, Joon’s former caretaker”.

And then, a little more down, was the comment, “Isn’t that the dude who’s wanted for murdering his sister or something?”

----=----

Despite popular belief, Elliott was a smart guy. In that moment, though, it really didn’t seem like a good thing.

----=----

The decision was one he made almost subconsciously: Elliott was not going to tell anyone what he’d found.

How would anyone even believe it? Elliott was hardly sure he even believed it. Spoken out loud, it would seem like such a tin-foil-hat conspiracy, and it’s not like he could use the thread he’d found the information in to back the claim up. He’d checked it again when he woke the next day, wanting to make sure he hadn’t had some fever dream, but the entire thread had disappeared. Even the account it was posted from was wiped from the site. On a whim, he checked his history and went to the link directly, but that only got him an error page.

The code was something he remembered from Crypto’s buggy Legend profile.

Elliott had almost been late getting ready for the games, he sat there for so long and stared at it. Luckily, the turbulence that signified they were getting close to the closed off arena literally jolted him as a physical reminder. Elliott shook his head and stood, making his way over to the collapsible, garage-like door in order to pull it down.

Isn’t that the dude who’s wanted for murdering his sister?

He was almost regretful that he wanted to go looking for more information. What if Crypto was somehow able to track the searches that were relevant to the article? That could be how the thread was taken down so fast, how the account disappeared. Was that what he was doing all the time, bent over his computer? Working to hide what he’d done?

Why even join the Apex Games, a program that was widely broadcasted across planets? Wouldn’t he want to keep a low profile? How did he even get the clearance to sign up? The producers had run background check after background check when Elliott had been brought in for an interview. So his public intoxication got put under the microscope, but the murderer they let in for free?

And yet, that didn’t sound right, even when he thought it. Sure, yeah, they all technically participated in a blood sport - but the technically was heavily implied. No one actually ever died; sometimes bones were broken and people had to retire after a serious injury, but that was just about it. Everyone who signed up was capable of killing.

But capability of killing was different than cold blooded murder. At least in Elliott’s opinion.

He was just pulling on the last of his Holo Gear when the door rattled in its frame. “Pull y’self outta bed, we got a game to win!”

“Door is closed for privacy,” Mirage berated.

Lifeline only cackled shortly before replying with, “I ain’t lookin’ at you, am I?”

Mirage pulled the door up so she could see his put-off pouting, which didn’t do much of anything besides getting her to laugh again. He followed her into the loading bay, passing Bloodhound and Wraith. They each gave him a respectful nod, always frighteningly eager to board their dropping platform. Still, Mirage responded with a courteous wink and two solid finger guns.

As the automated commentator announced the approaching drop zone, Mirage was suddenly very aware of the empty space beside him being taken up by another person. At first, neither of them said anything, but that was weird for him, so he had to say something, didn’t he?

“Fashionably late, as always,” he greeted, going for something half-joking, half-flirty. Honestly, he would proudly say he hit the mark, but Crypto didn’t say anything back. “Long night?”

Then, a too long second of silence fell between them as the dropping platforms began to hiss. Freezing air blasted, chilling his face, blowing his hair around, but it wasn’t the reason why his blood went cold in his veins. A voice went off in his head almost like an alarm. He knows, it said. He knows you found out. He knows.

“Always,” Mirage heard, just barely above the wind whipping between them.

And it was stuff like that that made him felt immediately guilty for the fear he held just moments before. There was that haunted, pained tone that took hold of Crypto’s voice that Mirage always seemed to catch when he knew he wasn’t supposed to. Just like how he caught something like longing when Mirage had spoken of his mother. How Crypto’s empathy felt different than others when Mirage mentioned his brothers.

He didn’t talk often, sure, but Crypto couldn’t stop himself from expressing in some ways. Not around Mirage, not anymore.

Obviously, there was the possibility that Crypto had done something - that very specific something - but Mirage just couldn’t see it. He had that gut feeling, and following those types of feelings got him to where he was right then. Standing among Legends.

Legends, and Tae Joon Park.

----=----

It’s about a month of doing his best of forgetting what he’d uncovered when he realized a problem he’d overlooked. Elliott had already come to the conclusion that Tae Joon and Mystik were close, close enough to risk each other’s safety by maintaining their pen pal status. They kept in contact that way, so the fluke Elliott had gotten in his inbox was not the first letter that had ever been sent between them.

Which meant that Crypto was going to be expecting a letter from his former caretaker that Elliott didn’t know how to give him without starting a shit show.

Just another thing to add to the reasons he wasn’t getting sleep at night, because “doing his best to forget” was awfully hard. Tae Joon’s silences were just periods of dreadful anticipation to him now. Every time they were together and the tapping on Crypto’s keyboard would pause, Elliott would expect to look up to see Crypto already staring at him, glaring, asking him how long Elliott had known -

But Tae Joon’s eyes would be on the monitor when Elliott would brave looking up, watching text wrap around the screen at all kinds of speeds. Sometimes it would freeze all at once, certain words blinking, and a corner of Tae Joon’s mouth would pull in an annoyed grimace - meaning he’d done something wrong, and the typing would start back up with a new kind of spiteful energy to it. Elliott would go back to what he was doing, wishing he could let out the breath he felt he’d been constantly holding, because sooner or later the typing would stop again.

Elliott was stressed out of his mind and it was starting to affect his performance on the field, but a horrible, evil little part of himself relished in knowing something others didn’t. That stupid, childish thrill of secret keeping. He wanted to hold it close to where no one else could see it, because he really, really wanted to. If not telling anyone meant protecting Tae Joon, then he wouldn’t tell a soul - even if that included Tae Joon himself.

But that was kind of backwards, wasn’t it? He was literally harboring a criminal, wasn’t he? Regardless of what Elliott’s stupid gut told him. Crypto was wanted for murder - but what was he supposed to do? Tell the authorities and get a potentially innocent man potentially killed? Or tell Tae Joon himself and be proven wrong, find out the very dead way that people Elliott found attractive really are out to get him.

Knowing what he did and not doing anything about it was dangerous either way. Hence the trouble sleeping.

People were starting to notice, too. Tae Joon noticed - and it was stuff like that that was going to get Elliot into trouble. He found himself switching the names around in his head. Tae Joon Park and Crypto were now interchangeable; the only way he avoided not messing up out loud and inadvertently revealing himself and what he knew was just by... not talking.

Which was hard to do.

It was easier than trying to condition himself to stop using the name, though. Because Elliott liked knowing it. There was a certain level of intimacy to it; it felt different now whenever Crypto would corner him or when he’d let Elliott turn him away from his computer. It felt like he was holding someone more, in a way. Not a mystery, but a person. He was holding someone. He was holding Tae Joon, kissing Tae Joon in secret, making a mess of Tae Joon’s bed. It was so much, and in those moments the secret was something he almost couldn’t bear. He’d just barely hold himself back from breathing the name, he’d bite his tongue to stop it.

And then the guilt would flood into his head, because he was lying. It felt so wrong to know this when Tae Joon wasn’t the one to tell him. So, Elliott withdrew. He was polite in the games, communicated as much as necessary, still bantered with Lifeline. Slowly he weaned himself off of flirting with their other teammate and reverted back to the beginning of the season. Except, not quite, really. Even in the beginning Elliott couldn’t help himself when it came to Crypto, but back then it was petty arguments that he didn’t know he craved. Now, it wasn’t much of anything besides civility.

The worst part of it might have been that Tae Joon never asked why. He allowed the regression to happen nonchalantly, but that was on purpose. Every so often, Elliott would still get pushed against a wall, when no one else was around. Tae Joon wouldn’t ask why Elliott didn’t talk to him, didn’t visit him, didn’t invite him to his dorm anymore. He would just kiss him, hard, desperate. It was almost like it wasn’t surprising to him. Like maybe Tae Joon had been waiting for it to end the entire time.

Shame would tear Elliott up after he’d pull away without a word. It would tear him up even worse when the next time Elliott saw him, Tae Joon would act as if nothing happened. Business as usual.

----=----

It had to end in some way, so Elliott really shouldn’t have been shocked when it actually happened - or that it was his fault that it went down the way it did.

----=----

He never had liked fighting Wraith. Mirage had been on her squad a few seasons ago and they’d spent a lot of their time in the arena watching the other work. So Mirage knew her tricks, but worst of all, Wraith knew his. Besides his good looks, charm, and being a crack shot with the Wingman, tricks were just about all Mirage had.

She had followed the sounds of his footsteps when he’d cloaked earlier in the gunfight to heal, weaving through the decoys he’d dropped without skipping a beat. It was a mess of bursts from SMGs, Wraith phasing away to duck behind cover. Another few bursts and MIrage would get sprayed down, only to disintegrate into lights and have him reappear around another corner.

Mirage strained to hear over the firing outside for her footsteps, placing her somewhere downstairs. He continued up, for once being grateful for the Skyhook buildings and the buffer they provided with their multiple levels. It gave him time to repair the damage done to his shields as Wraith presumably did the same before she began her chase again. They were bound to run out of supplies and floors at some point, but all Mirage needed to do was buy time for his teammates to secure their kills so they could come and take her off his hands.

It was a good plan up until it stopped working. Thing was, Wraith was fast, and Mirage was learning that if you’re not in her squad as often as you used to be, you forget just how fast she could be.

He heard the cocking of a Peacekeeper after he was a few paces onto the roof, which is also when he remembered seeing a fucking zipline in the building on his way toward the stairs. He hadn’t thought about it, immediately stored it under the dumb idea section; zipping straight up to the top floor just for Wraith to light him up and have him fall straight back down like a ton of bricks? No thank you, he’d take the stairs.

“Fuck,” Mirage said quickly, just as a shotgun blast exploded in front of him. Most of the spread was dodged by running around one of the pallets stacked with construction materials, but it still cracked through what was left of his shields.

He was dead, Mirage was absolutely dead. There was no way his Wingman was going to win against a Peacekeeper, not unless he hit every shot and Wraith missed all of hers - which she didn’t, she never missed.

A kick was placed neatly between his shoulders and Mirage flailed wildly, gripped at the metal framing of an empty wall and used the momentum to swing around -

- directly into another shotgun blast, one of which he took right into the stomach. That sent him sprawling. He landed hard on his back and the air was knocked out of him, leaving him gasping for it as he skidded a few paces forward.

Calmly, Wraith sauntered over to stand above him, reloading the few shots she’d used in her Peacekeeper. Mirage wanted to say something to maybe lessen the blow his pride and his body just took, but the only thing he could get out was a wet cough.

She grinned at him and knelt, shotgun going to one side so she could show Mirage the blade she held before pressing it to his throat. “Don’t worry,” she whispered, leaning in close. “I would have gotten you either way. Zigged or zagged.”

Mirage would’ve rolled his eyes had it not been for the kunai at his jugular, so all he did was swallow and wait for the push. But it never came. In the very next moment, Wraith was sent flying to the ground next to Mirage, her side smoking from a fresh Mastiff shot, the sudden sound of it nearly deafening him.

She pushed up unsteadily in an attempt to get to her feet, but Crypto beat her by grabbing at the scarf at her neck. “It seems like you zigged,” he started, mocking her previous low tone with his own smug lilt. Mirage watched as he raised his hand and his drone seemingly appeared in his grip while he finished with, “When you should have just quit and gone home.”

The drone came down against Wraith’s head hard, and in the time it took Mirage to blink, she was replaced with a golden case.

Crypto turned to face him, then, showing off the small smirk he’d been wearing. “Fashionably late,” he announced with a shrug.

Mirage couldn’t help the relieved grin that spread across his own face. “As always. Love that about you, kid.”

Crypto knelt at his side, taking the place Wraith had left behind, and fished around in the pack around his waist for the syringes he kept there. Once it was plunged into his chest, all of Elliott’s muscles seemed to twitch, but he felt his heart rate lower down to something manageable. He lost a lot of blood, though. He was going to have to huddle in a corner and lick his wounds for at least another five minutes before he’d be anywhere close to mobile.

“Thank you,” Mirage said in between a few deep breaths. “You’re a lifesaver.”

“Match isn’t done yet,” Crypto chided lowly. He stood up straight and held out his hand for Mirage to take.

Which he did, but he only got halfway up before he hit the ground again. The cracking snap of a Kraber shot echoed in the empty air above the buildings and Mirage stared up at the blue sky, wondering why he wasn’t feeling any pain. Then, he heard the sound of himself hitting the floor for a third time and thought, that’s weird, I thought I already did that.

After that, he thought, I lost a lot of blood.

Tae Joon, is the next thing that came to his mind in the form of a horrible realization, one that he ended up voicing out loud in fear, in panic. He sat up from the adrenaline that panic gave him, hysterically hoping that maybe that the other hadn’t heard him, but mostly to satisfy the need of having to see if Tae Joon was okay.

And he wasn’t, not really. He was on his back, too, propped up on one elbow, one hand clutching at his shoulder that was spilling red between his fingers. But worst of all, he was staring at Mirage like the pain was second to the shock.

Mirage didn’t like the look he was getting, and it was especially devastating that it was Tae Joon who was the one giving it to him. Underneath the cloud from the medicine coursing through his system, he knew he had to explain, had to make it so Tae Joon could understand that Mirage knowing his secret wasn’t a big deal, that’d he’d known for a long time and nothing bad had happened.

So, he began with “Tae - “ and then, for some reason, finished with, “Tae - tuh - tuh - uh - totally thought you were going to die from that.”

Finally, he thought, Nice save, and collapsed.

----=----

They didn’t win, but that was the least of their worries. Well, maybe not Lifeline’s, but that was beside the point.

Elliott left the medbay as soon as he could, which still took a good amount of time. The nurse had mentioned something about the side effects of the Revival Syringe along with blood loss and not using anymore meds to stabilize after he was injected. They spent extra time checking his vitals and Elliott didn’t have to be a doctor to tell them that those were going to be skewed.

His heart was still racing when he made his way back into the dorms. It was a little relieving to find that it was empty; after the games, everyone typically accumulated in the mess hall to celebrate the winners. But the at the same time, it was disappointing. He almost wanted to see Tae Joon standing around every corner Elliott rounded waiting to confront him, because getting this over with meant getting back to normal, and Elliott couldn’t wait for that.

So, he risked a glance over at the other’s dorm across the sitting area as if getting a look at it would help him decide on whether or not he should knock, initiate it himself. The door was pulled up, though, left open. Elliott blinked at it once before wandering closer.

The room had always seemed bare, but the emptiness was emphasized now. He noticed that the blanket that was supposed to be folded and draped across the back of the couch to show off the South Korean flag was missing. The box Tae Joon had shoved under there and filled with parts and drives was pulled out, tipped over and empty. Even more, the drone’s docking station was gone.

Elliott rushed over to the desk and tapped the first key he could reach. Only one of the monitors flashed on, glowing blue and asking to proceed with setup.

“Oh, no,” Elliott muttered. He hurried back out to the seating area and looked up to the screens displaying that day’s match stats. Scrolling across the top was the ETA for the ship’s landing. Ten minutes. “Oh no, no, no you fucking don’t,” he continued to say, practically running to the hall for Boarding.

It Tae Joon got into the city before Elliott could catch him on the ship, it was likely that he’d never see the man again. He couldn’t let that happen.

But Boarding was empty, too, bar the few bots that managed the floor. Elliott practically skidded to a stop in front of one of them, startling the unit’s arms up and out.

“Hey, buddy, you wouldn’t have happened to see a guy, this tall - “ He holds up his hand, palm down, level with the top of his own head. “ - might have looked pissed off, which would be my fault, so I’m trying to find him. Have you seen him?”

The bot’s screen on it’s chest flashed red in the negative, then blue in an apologetic sad face.

Elliott grunted in disappointment. “Nah, don’t sweat it,” he assured the bot, even thought he was absolutely going to.

He was biting his lip when he exited, nervous. The ship held at least sixty people on it at once. It was a decent size and if someone like Crypto was hiding on it, someone like Elliott wasn’t going to find him.

Elliott swore, once in frustration, twice in shock when he was thrown roughly against the hard, metal wall of an empty hallway. Someone held him there with a fist against his shoulder and the threat of a pistol pressing into his abdomen. He was blinded before he could gather his bearings by a sudden flash of green light, leaving him blinking rapidly to clear his vision.

“Where did you get a gun?” Elliott chose to ask, deliriously, for some reason. “They don’t let weapons on the ship - “

“Who are you?” Tae Joon questioned. The aggression in his voice was something Elliott hadn’t heard since the first few weeks, around the same time Tae Joon was just as likely to twist his arm as he was to snap at him.

“What? Babe, you know who I am - “

“Elliott Witt is too clean, everything on him was too easy to find - they wouldn’t send an Elliott Witt to hunt me down.” His expression was neutral, but there was so much going on in his eyes that Elliot couldn’t look away, even when the gun reminded him of its presence with little jabs. “So who are you?”

And maybe there were a few things Elliott should have been offended by. Like how he wasn’t prestigious enough to warrant a protected record, or Tae Joon’s implication that he wasn’t capable of something he had already done - mostly on accident.

But what he ended up asking was, “You think I made everything up? You think I lied about my entire life for, what? Getting into bed with you?”

Tae Joon didn’t seem taken aback by the hurt that was evident in Elliott’s voice, but it did leave enough room for one second of hesitation. “Then they got to you,” he whispered, somehow sounding equal parts flat and devastated.

Elliott shook his head in confusion. Who was they? “No one fucking got to me, I actually don’t know who or what you’re talking about,” he tried to explain.

“Then how?” Tae Joon asked - angry. Elliott was finally able to identify one of the things burning in Tae Joon’s glare. Anger, and maybe confusion as well. Fear.

How did this happen, they both seemed to be thinking. How did I let it get to this?

“How did you find out?” Tae Joon snapped when Elliott spent too long watching him. “Who told you?”

“Mystik,” Elliott blurted, shocking the other enough to pull back just a little bit. “Kind of,” he went on in a hurry. “She sent you something, and I - I think the new software they implemented for security read my name enough times in it so it got forwarded to me - I don’t know exactly! I didn’t do it on purpose, it must be mald- malfuk - bugging out! So, I went to check, and I’d show you the forum post I found, but it’s gone already, I swear.”

Tae Joon took a step back, then another. “What did you find?”

Elliott let out a breath, wet his lips in a nervous tic. He shrugged. “Just - just an article.”

Disgraced computer technician -

Wanted for murdering his sister -

Tae Joon looked away suddenly and down the hall, like he was planning on running again. His frown was so intense a crease began to form between his brow.

“I didn’t tell anyone,” Elliott said firmly. “I promise. But - what happened?”

“I can’t tell you that,” Tae Joon told him quickly. “If you don’t know, I can’t tell you.”

“Okay,” Elliott replied, despite how much he wanted to push.

Tae Joon seemed to sense that, gave him a troubled look. “I didn’t do it.”

“I know,” Elliott told him. “I believe you.”

It it was so easy to say, but they both knew it was more than the words spoken out loud. The admission meant Tae Joon’s shoulders could drop from their high strung, protected hunch. It meant they could both breathe. It meant Elliott could push off from the wall, get close - slowly - and gently retrieve the gun Tae Joon held to find that the safety was on. Because if he didn’t have to, Tae Joon wasn’t going to hurt him. He‘d never wanted to hurt anyone.

He put his fingers on the cool metal lining Tae Joon’s jaw to get him to look at Elliott.

“I believe you,” Elliott repeated, and Tae Joon kissed him for it. He put an open hand on the back of Elliott’s head and threaded his fingers through the curls that were there, pulling him in roughly. Elliott made a surprised noise but recovered fast enough. He pushed an arm underneath Tae Joon’s open coat to wind it around man’s waist and pressed his front to the other’s, hoping that somehow he’d get Tae Joon to feel the honesty in his words through an embrace. Thinking that he could show off the part of Elliott that was dedicated purely to him by just holding him against his chest.

Anything to get Tae Joon to stop kissing him in that same, desperate way as before, like he was still waiting for the other shoe to drop.

“I’m not going anywhere,” Elliott said when they broke apart. He didn’t let the other go, though, and rested his forehead against his. “So you can’t either.”

Tae Joon’s features darken in a very particular way. “Don’t say that.” When Elliott lifted his head a little to show him a confused expression, he goes on to explain. “They take everything.”

Who’s they? I’ll kick they’s ass.

“They can’t take Mirage,” he said, smiling. “According to you, he’s too hard to carry.”

Instead of laughing, or giving that smarmy little smirk, or even rolling his eyes, Tae Joon raised a brow and asked, “What about Elliott?”

“Elliott’s yours,” he told him without thinking. “No one’s taking that.”

Tae Joon Park moved back in to kiss Elliott again.

=====

thanks for the prompt :^)

#apex legends #crypto #mirage #elliott witt #cryptage #cryage #those are the tags i know i'm sorry #kon's a writer #tae joon park

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disworl · 4 years ago

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Alive, indefinitely.

So, since I’ve been dutifully informed that since this is my blog and I can post hwhatever I want, I thought I’d talk a little about my ‘fic ‘Alive, indefinitely’.

The ‘fic was birthed by me realizing the implications of Hussie’s revision that all burgundy bloods have the ability to commune with the dead. For the most part, I dislike his changes where the trolls from Homestuck proper become near stock representatives of their entire bloodcaste, but at least, this one has compelling subtext instead of just seeming lazy. And it is that the bloodcaste that has the ability to commune with the dead is also the bloodcaste that lives the shortest and is the most likely to have friends and acquaintences who die often.

And who better explore that topic than Aradia? So I wrote the ‘fic, and it did branch out to be about her, partially as her role as a rustblood on Alternia. And so it grew bigger than just exploring the subtext. I knew I wanted it in little numbered parts that made vignettes, as I’d been working on writing longer stories and was worried I was losing my edge in vignettes and short fiction. Though the resulting ‘fic ended up 1,677 words (I intended to keep it under 1,000, though I’m not disappointed!), I’m still very satisfied with it and think the vignettes work. With the numbering of the vignettes, I also wanted to do an sort of Epileptic Bicycle and start skipping around numbers, to show that there was different amounts of time passing, and that things were happening in between. And because I just thought it was neat. The idea of a story with missing numbered chapters is very compelling. And anyway, I did have a skip, with the penultimate vignette being 5, and the ultimate being 10 (which upon thought really does make the ‘a lifetime later’ after the 10 work out mathematically*), but it played nowhere near as a big role as I would want to. Maybe some other time.

*Which since all the numbers are roman numerals, 10 ends up being ‘x’, which as a symbol is associated with death. I planned none of that (or at least I don’t remember it consciously) but I will take credit, regardless.

II.

For a second I thought Tumblr was more competent than it is, so I tried to insert a line break, but Tumblr is not competent, so have a fancy second section with big roman numerals instead.

Anyway, I’m just going to note and comment on some specific parts of the passage, because I can.

The internet is wide and wonderful, and it is through there that she learns about archaeology, the wonders lying just beneath the ground and thinks, to be an archaeologist would be an awfully grand adventure.

What Aradia thinks is a fairly straightforward play on the phrase, ‘to die would be an awfully grand adventure’. It's a neat way to both tie back the theme, and it also spared me from figuring out exactly how to phrase it.

She finds especially good company with one boy, his troll tag resting at the top of her chumproll. He’s a rustblood like her, a bit reserved but passionate about the mystery book he’s writing. Occasionally he sends her snippets from it, and while it’s a bit clumsy, he is always eager to hear about her archaeological expeditions, so she never mentions it.

When I wrote this part, I suddenly realized I needed an unnamed rustblood to die. I also realized it would be a good idea to also characterize him a little bit before killing him off, so you get at least the idea of what his and Aradia’s relationship was like, so I decided to use one of my long-derelict fantrolls.

So she starts to rebel. She grows her hair out, longer than the modest shoulder-length cut she had before. She lets it become wild, a sign of her own spirit and power. She starts painting her lips and lining her eyes in burgundy, a mockery of the high bloods who wear their blue hues as a fashion statement.

This is a combination of two of my headcanons about Alternian society: that long, wild hair is seen as a sign of power and sexuality (as expressed by the Condesce and other highbloods), and that wearing hemo lipstick and eyeliner is a high blood fashion trend.

When she is five sweeps old, she makes another close friend. He’s a bit shy, but unapologetic about what he likes – his fiduspawn collection, pupa pan, FLARPing – and that, as much as she loves Sollux, is a breath of fresh air.

Tavros is often done dirty by fanfic and fan-interpretations of Homestuck, and it often intertwines with apologism for Vriska and her abuse of him. He’s treated as a perpetually and naturally weak and insignificant, when having a person who is abusive like Vriska will make anyone unsure and rattled like that. It takes some digging, as the majority of Homestuck takes after Vriska’s batted around Tavros for quite a while, but underneath her abuse (and the effects from that abuse at the hands of Alternian culture) it’s clear that he’s still that unapologetically dorky kid, and even cocky at times. In his trollhandle adiosToreador, he’s not the Toreador - he’s the bull. And hopefully I could express that well in the space that I could.

She befriends Karkat through Sollux, and Terezi through Karkat, and it’s through Terezi that she learns about Vriska.

This is one of several sentences in this ‘fic that employ a certain sense of repetition and rhythm. Part of that is because it gives a motif of time, which is tied to death and destruction in Homestuck, and the other half is because I just... really like writing ‘em.

She still talks with Tavros, however, but now he’s uncertain, hesitant and ashamed, and a fair number of times when she trolls him he doesn’t reply, and when he does more than anything he talks about the things he’s experienced in his dreams, and she knows exactly who has been trolling him even if he doesn’t say it and –

– and Aradia watches her friend become a living ghost, bit by bit.

This is place where I forwent canon the most, earning the ‘fic its ‘mild timeline fudgery’ tag. Throughout writing this ‘fic I constantly had a tab open to either a page in Homestuck or the wiki, or both, in order to make sure I stayed as accurate to Alternian culture that I could (at least, in Homestuck proper). While there were a lot of gaps that I got fill in for myself, it’s just plain canon that Aradia sends the ghosts after Vriska immediately after she knows that Tavros is likely going to be paraplegic for the rest of his life. But I had written the sentence already (one of my favourite lines, really), and it just makes for a better story, at least in this ‘fic. So I kept it like that. There’s also a sort of cut-and-paste fudge in that sentence, too. I remembered that Tavros spent most of his time dreaming on Prospit just so he didn’t have to deal with Vriska’s abuse, but as it turns out, it happens after she god-tiers. So I just turned it into regular dreaming and thereby folded into the above canon discrepancy. But it’s definitely based on that later detail.

iv.

The shock of seeing Sollux actually at her hive is quickly overtaken by the shock that courses through her veins right after she realizes what is about to happen, and far too late to do anything about it.

I knew pretty early that I wanted the vignette of her death to be one sentence long, though I certainly ended up stretching that one sentence fairly far. Either way, it’s very isolated from the rest of the ‘fic, which is fairly on-par for the ‘fic style where a particularly hard-hitting or important sentence gets its own paragraph. Anyway, everyone knows how the story ends, and it’s sudden for Aradia, so I think putting it in one sentence both works structurally and artistically.

She’s tired of temporal inevitability.

She’s free of the endless orders and voices of the dead.

She, for the first time in her life, feels truly alive.

Instead of the pale shadows that clung to her hive, the hollow ghosts that people left behind, the dream bubbles are filled with countless iterations of her friends, and numerous others.

But even then, dying and waking up in foreign surroundings is a shock.

And really, there’s no-one else who would be a better guide to greet the dead.

At this point, I feel again, that going into detail would be dragging things out. I also wanted it to feel significantly different from the rest. So, where the other parts of the story are told through a sort of rolling tone of voice, through ‘the lens of age old history’ the rather straightforward sentences here are meant to sound very present.

#Homestuck #Aradia Megido #Fanfiction #Hemospectrum #Long post-#Commentary #Andrew Hussie's Earthbound fanfiction

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salty-dracon · 5 years ago

Text

More YTTD Theories Because I Forgot A Bunch

A continuation of this from a couple of days ago.

More theories, spoilers go up to 3-1A, and also include YTTS spoilers. Also I appreciate all of your thoughts on the matter.

In the previous post I said there were a few reasons to be suspicious of Gin. I forgot to mention one important point:

Remember the locker room and the Discussion there, where Hayasaka and Gin got magnetized to the ceiling and almost hung? According to vgperson, you can win the discussion by letting time pass three times after Hayasaka is magnetized. But after the second turn, Gin gets magnetized as well. And one turn after that, the mechanism is shut down by Midori. He makes sure “those two” are still alive via the intercom, and once confirming that they are, says “oh goodie, we can still play some more!“ and fucks off. Basically, you’ll win no matter what, because Midori doesn’t want them to die.

Midori says he observes all of the floors in the painting room, but he doesn’t really give “instructions” once they arrive or anything similar. Depending on what he’s using to monitor the room, he more or less uses his abilities to mess with the participants and the dolls. Think about how he spooks Sara and crew by saying “I’m not a painting!” if you look at the painting of him, or how he lets the crew get their hopes up about the transceiver until he speaks through it. However, he says he observes all of the floors, meaning he knows what goes on in each one. And though he’s not about losing well (he wants to kill people with the gun if he’s in a bad position, after all), he seemed to be concerned enough about Hayasaka and Gin to try and save them.

Considering he didn’t try to save Hayasaka the moment he could, and seems to have some form of disdain for the dolls, I wonder if it’s Gin he was trying to save. That brings up the question of why someone like him would want to save Gin in the first place. Maybe he’s allied with Gin somehow, whether Gin knows it or not.

-------

(Danganronpa 1 and AI: The Somnium Files spoilers in the next paragraph)

One interesting prediction rule when it comes to murder mystery games is that the culprit is “someone who’s been mentioned several times, but who we’ve never actually met”. They almost pulled that twist in Danganronpa 1 with a certain missing student. They mentioned her by name, making us think she was the mastermind for a while, before revealing the truth. The other big example I can think of is AI: The Somnium Files, wherein the serial killer in question is mentioned by name more than once, but we don’t actually meet him, knowing it’s him, until near the end of the game and after we’ve unlocked most of the other routes.

Extrapolating this to Your Turn to Die, there is one character we haven’t met yet who’s been mentioned more than once- that being Sara’s mother. We see her at the beginning of the game, passed out presumably due to an attack by Sara’s kidnappers. She’s brought up again by Sara’s dad in a flashback before Chapter 2, and then again when Kai leaves a message for Sara on the laptop. The password to that file is her mother’s name. Furthermore, we know her rough appearance, as based on seeing her passed out in Chapter 1. And taking the events of YTTS as canon, we know that Sara, or someone that looks exactly like Sara, is somehow involved in Asunaro’s AI experiments. There’s also one interesting oddity about her. As far as I remember, she’s one of two characters to get a background sprite, but not a foreground sprite. Here I’m referring to “background sprites” as the sprites that appear inside environments without black outlines, and foreground sprites as the sprites with different expressions that usually appear when you talk to a character. Every other character, notably all of the Death Game participants, the Floor Masters, and now the Dummies thanks to Chapter 3, have both foreground sprites and background sprites. Some characters, like Sara’s father and the man that Keiji killed, have only foreground sprites. The only two exceptions, that is, the only two characters whose faces we haven’t seen in perfect detail, are Meister and Sara’s mother.

Furthermore, we don’t know what Sara’s mother’s name is. Granted, we don’t know what her father’s name is either, but her name is apparently important. What if her name was also Sara Chidouin? What if she was somehow also Sara- as in, the Sara we know is a clone of her created using a doll? It’s a mystery why she’d be raising a clone of herself, but people are weird like that, sometimes.

Another related theory people have had is that Sara’s mother is in fact a part of the game- she’s just disguised as someone else. That someone else could be Miley. Though in my opinion Miley looks nothing like the background sprite I’m using for reference, a good wig can change everything. This theory might have become even stronger with the release of Chapter 3. There are a couple of situations in which Midori can say something along the lines of “Miley said you were cute when you got angry” to Sara. Though we could just take it as Miley being an asshole (she’s totally an asshole), I think there’s only one situation in which Sara got mad in front of Miley, that being when Mishima was killed. Maybe this was lost in translation, but it’s a rather sweeping generalization and a somewhat weird thing to say about someone if you aren’t familiar with them. Meaning Miley’s really familiar with Sara. Or Miley was just being an asshole.

After looking up Sara’s mother on the wiki the manga only has a picture of her wearing a mask over her mouth. The plot thickens.

Regarding the other character, Meister... people have made a couple of interesting observations about him. First, he shows up in collaboration artwork. Second, there is a person who looks very similar (albeit with grey hair) in the room above where the monitors were in Chapter 2. His clothing color scheme is exactly the same. Also it’s a big ass painting. Third, with the release of Chapter 3, there’s the entertaining feature of naming Midori whatever you damn well please, unless he makes some joke about it and tells you to pick another name. Most of his responses to you picking something like “Alice Yabusame” and “Tia Safalin” are either “here’s a fun anecdote about that character and/or what I think of them, but I don’t want that name“ and “that’s mean :( pick another name please“. Elect to name him Meister, and he only says “... Pick another name, please”. Considering his personality can be accurately described as “Kokichi if he were Monokuma”, it’s out of character. He fears Meister, or doesn’t want to be associated with him. So yeah, Meister’s probably important. Maybe he’s even the Meister-mind. (Feel free to boo me for that bad pun.)

-------

Regarding the game’s endings, most people seem to believe there’s two- a logic ending an an emotion ending. I agree with this viewpoint, as “choosing logic“ has been explored a few times throughout the game. With the release of Part 3, the choice of which ending’s which has become a little more clear.

If Alice lives and Reko dies, Q-taro says something along the lines of “The Dummies may be dolls, but they’re human just like us”. Implying that we, the humans, are also supposed to think of dolls as human as there’s no difference appearance or personality wise. Q-taro talks about Doll Reko being almost perfectly human, as a supporting argument, in reference to Alice who was unable to tell the difference between the Doll Reko and the real Reko. Remember also that the only reason we pushed Reko down the Impression Room was our logical conclusion that she was a fake. On the other hand, if we choose not to, Sara comments that despite the logic, she can’t see the Reko standing before her as anything other than real, even though there’s lots of evidence to the contrary. In that ending, the real Reko dies. Furthermore, there’s a little bonus snippet in the “afterlife” scene after Nao’s death, where Reko shows up, but Alice doesn’t appear if she lives.

For this reason I strongly believe that the emotion ending is Alice/Kanna living. Therefore the logic ending is Reko/Sou living. I have yet to test out to see if there’s any changes in dialogue with those two combinations specifically, as most people online seem to be playing Alice/Sou and Reko/Kanna. I’m streaming this game for a couple of friends on Discord, and also all my midterms are over the next couple of weeks, so it’s hard to find the time to play this right now.

I also believe that we’ll soon be facing another path split- maybe at the very beginning of 3-1B- that has to do with logic and emotion. Whatever that consent form is, it scared the other participants- it’s definitely a bad thing. However, Sara now faces the choice between saving Keiji and consenting to Whatever Evil Thing’s Going On, and sacrificing Keiji to avoid it. Logic would be sacrificing Keiji, while emotion would be saving him, in this case. Perhaps that’s not true, as Midori is the kind of person who can and would pull a fast one on Sara for funsies. Perhaps there’s something in his language implying that Keiji’s going to end up dead no matter what. He does seem to want to antagonize Keiji, after all. That, or someone else is going to die instead- probably Q-taro, having just been stabbed by Mai and being in bad shape. Even so, I wonder which will be which- whose death would be considered “logical” and whose is based on “emotion”.

TL:DR So many mysteries with so many possible answers. I just want to see someone vibe check Midori like he vibe checked us already.

#your turn to die #kimi ga shine

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