#not even getting into characters with trauma

[dalishious]

Zevran Arainai is an Underrated Delight

There is so much depth to Zevran Arainai’s writing that is often overlooked in favour of either sexually objectifying him or ignoring him altogether… which is kind of ironic, considering that’s how so many people in his life have treated him within universe. And then, of course, there’s the biphobia directed at his character back when Dragon Age: Origins first released. He was a joke in many Gamer Bro circles about how they killed him for flirting with their male protagonist. It’s such a shame, really. Because personally speaking, Zevran is one of my favourite characters in the entire Dragon Age franchise.

Zevran’s introduction to the game immediately sets him apart from every other character who is capable of joining the party. He first appears as an enemy; an assassin hired to kill the Warden by Loghain, the Warden’s political opponent. You immediately have the option to either kill him, or add him to the party roster. Zevran does not initially join the Warden’s cause out of the goodness of his heart; he does it because he knows that the Antivan Crows who essentially own him – which we’ll get to – will kill him for failing to assassinate your character. This really paints his original placement within the group’s dynamics in an interesting light. No one really trusts him; Alistair and Morrigan both outright voice this. Zevran himself believes he is only safe with the Warden so long as he makes himself useful, per how he sells his worthiness to the Warden when trying to convince them to let him join. There’s tension there that really makes getting to know him extra interesting, because before anything else, you need to build trust. So, when he’s finally ready to start revealing parts about his personal history, you the player really get to feel like you’ve earned something special from his character.

Zevran’s mother was Dalish, but fell in love with an elf from the city and left her clan behind. Unfortunately, Zevran’s father was assassinated, leaving her with nothing but his debts to pay. She turned to sex work, until she died giving birth to Zevran, and all that debt fell onto him in turn. Zevran was raised by the sex workers in the brothel his mother worked at, until the age of seven, when the Antivan Crow Guildmaster Talav Arainai bought him for seven sovereigns; one of eighteen children made into “compradi” (recruits) that year. In his training, Zevran was tortured in a variety of ways, and in his own words, “taught to know nothing else but murder”. Of those eighteen, Zevran was one of two who survived the training, the other being a human boy named Taliesen. Then, a woman named Rinnala (“Rinna”) was placed into House Arainai from the Azul Contract that dictated the Crows were to take in unwanted bastard children of the Antivan Crown. For a time being, Zevran, Taliesen, and Rinnala worked well together as a professional and romantic trio. But when Zevran and Taliesen were tricked into believing Rinnala betrayed the Crows in an internal Crow scheme, they killed her. When they learned otherwise, Zevran took it particularly rough, combined with the realization of how little he himself mattered, too.

The trauma that Zevran has experienced is something he often makes jokes about, or speaks detached from. I’ve been called out many times on doing the same thing with my own trauma, and I know it’s a pretty commonplace response in others as well. That makes it feel all the more real; his responses are so authentically relatable. It’s also in a way, I find a little therapeutic to get to comfort a character whose survival mechanism has been to downplay his trauma for so long. The Warden is able to tell Zevran that what he’s been through sounds horrible, and even though Zevran tries to excuse things as not being that bad, you gain significant approval from him, just for showing him sympathy. Sympathy is something he’s severely lacked in his life. For all Zevran jokes about his traumatizing experiences, they clearly left a mark on him. Zevran eventually admits to the Warden that he did not actually anticipate being able to kill them, and that what he really wanted in taking on the job was to die. Again, sorry to get personal here for a moment, but I too have attempted suicide, and honestly I still struggle with ideation sometimes. And yet again I must say that I find something really beautiful in a character like Zevran, who is able to find peace and happiness on the other side of surviving such a thing.

As for Zevran’s romance… oh, Zevran’s romance path is such a delight. He is so multidimensional in that he’s very flirtatious and fun, while also showing genuine vulnerability in time. He admits that his role as a Crow meant he was encouraged to use seduction as a tool. His only experience with a true relationship ended very poorly, with Rinna’s death and a wedge forming between him and Taliesen, who he is eventually forced to kill too in the game. One of my favourite moments in the entire game, is when you invite him to your tent and he says no… and if you accept his consensual rights, that is what changes everything for him and the Warden’s relationship. Zevran feels safe and loved, and he gets to be happy. As of Dragon Age: Inquisition, a romanced Zevran is still at the Warden’s side, too, if they’re alive.

I love Zevran Arainai so much. He truly is an amazingly well done character, and deserves so much more respect and interest than he gets.

*Sourced from in-game dialogue and World of Thedas vol. 2

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[sototallynormaliswear]

I'm kinda bummed that more people don't care for Isaac and Stiles' canon dynamic

you put them anywhere near each other, they are already fighting, insulting everything about each other, the haircut the trauma the outfit, no bars held. Isaac puts his hand too close to Stiles' face, stiles bites him. they have a staring contest while Isaac slooooowly pushes all of his stuff to the ground

but Isaac is one of the only people to go "hey stiles I think you're really fucked up are you straight up dying??" and stiles refuses to answer so Isaac is immediately more on edge. and Isaac was trusted to finally trap the nogistune, which I imagine stiles would have some pretty heavy sway over.

also, the scene at the lunch table? "you could try being helpful for once" "for half my childhood I was locked in a freezer so being helpful is kinda new to me" "you still milking that?" it's so easy to read this as stiles being a dick (because he kinda is) but watching back season two, Isaac is actually fairly reluctant to talk about his father, even to people that FOR SURE know what happened. further more, stiles just doesn't care in the same way about the pack that other characters do, so the pack isn't trying to justify themselves to him. so Isaac doesn't want to talk about it and stiles isn't pressuring him, but suddenly its four months later and Isaac is bringing it up casually and stiles isn't surprised about ANY of that. and they both refuse to skate around it despite that fact that that is one of their strongest skills. whether or not Isaac actually uses his father's abuse as a way to get out it isn't QUITE as interesting as the way that the two of them seem comfortable talking about it, especially when everyone around them DOES seem visibly uncomfortable

anyway. those two are my favorite pair of angry cats. they would die for each other. last week Isaac ate Stiles' homework. about a month ago stiles broke into his house to hide his spoons. they got each other for secret santa, Isaac got him a box full of pennies and a bottle of his mom's perfume stiles got him bottles of dirt and a handknit scarf

[gossippool]

so i do think it's very interesting how, at least from what i've observed, people see/depict worst logan as kind of different from the x men logan in terms of their propensity for violence, or rather how this violence is released. i think it has to do with a couple of things:

as many have pointed out, wade is the only one who has ever been able to match him in a fight. so it makes sense that people would headcanon their relationship as involving fights on the regular. but also;

most of what we see from him in the movie is him fighting, and so we assume that he has a tendency towards it, especially since the past he's trying to escape from is exactly that: him being violent towards others, including those who don't deserve it. i think this has definitely subconsciously shaped some people's perception of him in some way.

but i think it's good to remember that what we are shown isn't proportionate to who he is, because the movie necessarily can't develop his character much outside of the plot. i don't think worst logan and x-men logan are different at all in the sense of x-men logan being "gentler", because not only have we just not had the chance to see worst logan act otherwise, but x-men logan also has this same animalistic violence in him. we can see how quickly he unleashes himself in the movies when the situation calls for it, and even when he's doing it to protect, there's still that rage underneath it all.

worst logan is violent towards wade because 1. he's projecting, and 2. wade can take it. but also it's a symptom of something else that he hasn't worked through, possibly decades of trauma he hasn't worked through. i'm working on a fic that explores this rn, but my headcanon is that his post-x-men rampage was a sort of addiction for him because of the release it gave him, which he then replaced with getting shitfaced, and finding someone who could take him in a fight (wade) could be a reversion to the former addiction if he doesn't work on it. (i think that especially with superhero movies, it's so easy to brush off violence as just another normal thing, but realistically, a failure to unpack all that baggage could escalate his problems into something way worse.)

so imo i think worst logan is practically the same, if not very similar, to x-men logan, just that he's a variant that was dealt the worst card, but we interpret his character differently because all we're shown is what he became because of it. we all know logan is gentle with his lovers, and i think that unless wade shows that he enjoys it, logan would not be violent towards him just because wade can take it. just because you can doesn't mean you should, and i think he of all people would understand that

[endless-weightless]

Ford Pines x Fem!AFAB!Reader NSFW headcanons

Oh lord I am so obsessed with this 12-fingered nerd.

These are kinda messy and not thoroughly proofread so apologies for any typos or grammatical errors.

WARNINGS: Brief mention of BDSM and trauma-based kink

The best way to get this man to listen to you or to shut up is to whip out your tits. Deadass. Whatever was going on in that big brain of his will instantly be silenced by the sight of your boobs. He really likes your boobs.

HE CAN FIND THE CLIT!!! 

He’d ask you what feels the best when eating you out and would want specific instructions. Honestly, he’d write journal entries about his “research” if he could (he probably would LMFAO).

Whimpers when you rake your nails down his back.

Has a written list somewhere containing every necessary part of aftercare. He’d have it memorised pretty quickly but is always ready to add anything you’ve mentioned wanting to do post-fuck.

And although he’s perfect with aftercare, the second you guys are done taking care of each other and making sure you’re both alright he’s knocking the fuck out. He will never beat the sex coma.

He’s so smitten by you it’s not even funny.

I doubt he’d be super into kink or BDSM but he’d be down to try it. I feel like he’d enjoy being dominated the most but any sex with you is the best sex. However, I do think he’d enjoy pain more than the average person (this is probably the result of all the shit he went through, like kinks formed from trauma).

This man is both a nerd and a geek so if you cosplay your character from DD&MD he’d probably faint.

Gets all flustered and nervous when you eye him up. He still doesn’t understand he’s hot.

Definitely gets teary-eyed when he finishes. Partly because he’s just a physically sensitive guy but mostly because he’s so in love with you and despite how rough and raunchy sex can be for you two he still sees it as something super intimate and romantic.

Aftercare always consists of you two holding each other for a while. Then if you’re both up to it he’ll run a hot bath (where you both fight to stay awake because y’all are so damn tired).

One of his fantasies of you is you giving him head under his desk while he researches or writes. He’d be too scared to admit it though so he’d just quietly pray you one day find the urge to do it on your own.

[rotisserory]

When you consider the aventurine x ratio quest is a clear nod at the movie double indemnity, it’s even more obvious that their bickering is part of aventurine’s plan and they need to pretend they don’t like each other’s company so that Sunday doesn’t think they’re in on it together. Which, makes ratio’s moments of slipping up so much more endearing to me LMAO

Like I was just thinking about their first on-screen back and forth and how ratio calls him a “sigonian thrall” and calls out his branding scar (which lowkey, STRONG start ratio we could have started with an above the belt jab but alright get into the role ig 😭) and aventurine does look hurt for a second, but he catches himself fast and ends up laughing and is like “you’re funny lol so true!”

But then when ratio jabs at him for being sigonian again and asks if the notion “escaped his sigonian upbringing”, aventurine doesn’t laugh and actually claps back and drops the trauma of “well Idk bc i didnt go to school i was busy dealing with my family dying and my country being destroyed so 🤨” and then ratio immediately apologizes LMAO 😭 like it’s so out of character when you’re playing the scene for the first time bc it’s like dude imo the first thing you said was way ruder than that why is this the one you’re apologizing for ?? but I think by him getting defensive that second time, aventurine was tryina be like ‘ok maybe lay off the insults about my race and my enslavement that’s really not something i feel great about lol’ which is why I think it’s sweet ratio would be caught off guard and be like ‘oh oops was that one too far I’m sorry I didn’t mean to actually offend you I was just getting into my role’ 😭 and then correct me if I’m wrong but I’m pretty sure ratio doesn’t bring up either topic again for the rest of their interactions, he sticks to his insults about aventurine being a crazed gaudy gambler who talks too much

Ratio has a handful of moments where he breaks character but I think that one is my favorite. Dude is not the best actor but he’s trying his best for his clamorous little peacock huh

[alpaca-clouds]

BG3 fans, we gotta talk CPTSD

Okay, I have spend about a week considering writing this blog, but I really gotta say, that it is something people really need to understand. See, I mostly see this issue with Astarion and his depiction in fandom. However, I would argue that it is a thing that affects literally all characters that play some sort of bigger in this entire game. Including many NPCs.

But let me start with Astarion. See, I wrote the blog two weeks ago about people being judgy on people, who do not want to have graveyard sex with him. Mostly people will argue how Astarion should be allowed to have his agency in that moment - while I argued that whoever the player is playing should have also agency in that scene. Including the agency to say "no" for whatever reason. I also included that my Tav absolutely denied Astarion, because he was not trusting that Astarion in the scene really was ready for it, for a variety of reasons. Which is very much a valid reason for someone not to want to sleep with someone else. (Literally every reason is a good reason for that, mind you.)

And obviously there came the comment, that went basically: "As someone who was raped I am very appalled by you saying that raped people cannot consent." Which is very much not what I said.

What I said was, that my Tav did not consent. Yes, he did not consent because he thought Astarion was not ready for it - but he is the one not consenting. It does not matter for this whether his assumption about Astarion is true or not. Tav does not feel comfortable in the scene, so Tav does not want sex right there.

However... If you consider the drow orgy scene, Tav is also very much right. If you do that scene after defeating Cazador, Astarion is enthusiastically consenting to that orgy, but he still ends up dissociating during the scene. (And in that scene, even if your character notices it, you cannot go "Stop!" Which I hate.)

Here is the thing. If you are in the BDSM scene, you might actually have encountered a scenario in real life where someone was enthusiastically consenting to something - only to them realize, that they were not into it at all. And people can withdraw their consent IRL at this point. Only that in this game, obviously you can't. So within the game choices I will just start out with "no" for this character.

Still, that is actually not what I mainly wanted to talk about. No.

What I wanted to talk about is the other thing. I absolutely know that for a variety of reasons a lot of SA survivors do identify with Astarion, and I do not want to take that from anyone. I think it is amazing that we got a character with whom we see this issue portrayed seriously. And let's face it. Especially in tumblr fandom circles, we will have a lot of SA survivors, because the userbase of this website is majority afab, and many are queer. And we know from statistics that queer afab people are even more likely than non-queer afab people to experience SA at some point in there life. So, yes, Astarion is going to be embraced by this community makes sense - even without his dashing looks.

But here we get to the actual meat of the issue: Astarion was not just raped. Astarion was abused in a variety of ways - some of them sexual - over the course of 200 years. He went not through a single traumatic event, but an ongoing trauma that, again, lasted for 200 years.

Or to put different: Astarion does not have PTSD. He has C-PTSD. Complex trauma. The kind of trauma that develops when the trauma lasts over a long, long time, without the survivor getting a chance to ever really properly ever relax. Something that was very true for Astarion's time under Cazador. He was under constant threat of rape, torture, and other forms of violence.

While CPTSD is a form of PTSD, it has some differing symptoms - and additional symptoms from plain old PTSD.

I found this graphic on this blog here, and found it fairly good in the depictions. (If you google CPTSD you will find several graphics like this.) It shows very well the additional symptoms, compared to normal trauma.

Generally speaking, CPTSD brings a lot stronger issues with self-worth, interpersonal problems, and emotional regulation. CPTSD folks are often prone to emotional outbursts (this graphic names anger, but technically it can be all other kinds of emotional outbursts - which is why at times CPTSD gets confused with BPD).

And Astarion is written like this. He shows very much all the symptoms of CPTSD. And let's be honest: That is an issue he will have to deal with for a long, long while.

But... As I said, the same is actually true for pretty much all the characters.

If you look at the companions, it is obvious.

Gale spent at least a year in constant fear of blowing up. While Mystra's abusiveness towards him within the relationship prior the orb is more fanon than canon (though the relationship was defnitely not an easy one), the "one year in constant fear of death" is very likely going to instill some form of CPTSD in him.

Karlach was a slave for 10 years, forced to fight in the hells. While she will also probably suffer from certain forms of PTSD more common in soldiers. Additionally I would argue that she also has some CPTSD from tiefling-racism. While she does not bring it up often... She does seem to have a thing there.

With Wyll it is a bit more complicated. Yes, for him I would see the kind of CPTSD I have - parental abuse related. Ulder was not openly abusive, but neither was my mother, and guess what fucked me most up in my childhood, despite experiencing some really bad violence elsewhere.

Shadowheart was abused by Viconia and midwashed and tortured and was forced to kill her fucking pet mouse. Bonus points that a lot of it happened during her childhood. She very much is gonna suffer the consequences.

Lae'zel... Do I really need to say something about her upbringing among the Gith?

Then we have Halsin. We know fairly little about his background, given that he is very coy in talking about it. But his "three years as a drow slave" definitely make it likely that he has developed some form of CPTSD.

And then we have Jaheira and Minsc. For whom just the... Well, look folks, the adventuring lifestyle would logically also leave you with CPTSD of some sort.

Even if you play a Tav who entered the game after having a very untraumatic life... They will spent what has to be at least two months with a tadpole in their head threatening to kill them - while half of Baldur's Gate is trying to do the same. They'll have PTSD after this at the very least, if not CPTSD. (Even though, let's face it, chances are we all gave our Tavs more than enough background trauma to go along with it, right?)

And same goes for so many other characters. The tiefling refugees. Our main villains (especially Gortash and Orin). Cazador. The other vampire spawn (duh). The list goes on.

So, what am I trying to say here?

Well, for once I just want to make sure folks understand that CPTSD is a thing that exists and while being similar to normal PTSD differs in some points. Including the fact that people with CPTSD have a high likelihood to make very rash decisions driven by instable emotional states, that might be harmful to them on the long run.

And mind you. In real life most people with CPTSD have it because either they were bullied for a long time, or were in an abusive relationship of some sort. (Abusive parents, abusive partners, abusive friends/roommates.) But even in those heightened scenarios the game represents for the most part - the issues are gonna be still mainly the same.

[partywithponies]

Common subtypes of comfort media:

Comfort Blanket Media:

Usually either media aimed at very young/preschool age children, or very gentle lowkey old lady media that you used to watch at your nan's house when you were 8

Uncomplicated media that reminds you of early childhood, when everything seemed simpler, and gives you that warm safe feeling

A hug for your inner child

Comfort Trash:

Usually some kind of reality show or gameshow, or otherwise just utter substanceless brainrot nonsense

The junk food of comfort media: contains literally no intellectual, mental, or emotional benefit, but it's very comforting to switch your brain off to when you need to de-stress, or you can't sleep or don't feel well

Comfort Learning:

Anything educational, like a well researched documentary, or a non-fiction book, or an educational podcast

Both the opposite and the very close cousin of Comfort Trash: requires your full brain and focus so you can't think at all about whatever going on in your real life or how you currently feel.

Comfort Character Petting Zoo:

Media you only really engage with to get a quick burst of content of a character or characters you're wildly overattached to, that you probably then use as fuel to switch off and immersively daydream about the character(s) for hours

Quality Time With My Close Good Friends:

Any (usually entirely mundane) footage of the celebrities you have the fattest crush on/you're in a parasocial relationship with that's unreasonably fascinating and entertaining to you, even when they're just sat there eating a sandwich or whatever the fuck

Discomfort Comfort Media:

Media that makes you upset. Makes you cry. Makes you uncomfortable. Makes you feel an ache in the pit of your chest and a dull heavy feeling in your tummy. Maybe even reminds you of personal grief and trauma. It's cathartic. It's personal. It's beautiful. You greet the pain like an old friend.

Maybe I Like The Misery™️

You Again?

Media you've been a fan of for so long that it's become a part of you. You can’t cut it off, it's melded onto you like a parasite. Even if you think you've moved on, you suddenly become aware of it again, and realise it's been there this whole time. Echoes of it bleed into all your other interests. There is comfort in the familiarity. It's with you til the bitter end.

(Can and often does overlap with any of the former)

[sage-nebula]

Kristoph Gavin's black psyche-locks have remained unbroken for 17 slutty, slutty years.

[ann3ofabyss4lred]

SPOILERS FOR CLSSS OF 09: FLIPSIDE..

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I'm disappointed in flipside...was worth it show us foot fetish? Jecka being s3xu4lly traff1cked? Like they didn't implied it ..they showed her half naked..very draw in detail..they showed her body naked when she off herself. Nicole sitting and putting her feet on Jecka's dad's mouth????....it was misery p0rn...it also feel like the creator disliked how much people were saying "oh the girls are so cool".. like they wanted to criticized men but also paint the girls from using men as hypocrites?? So they butchered their characters?..Idk..now looking back at it..there were things that I disliked about the first game...but didn't see right well with me... Like there are red flags..even if Nicole is really depressed and Jecka too. They acted like "I want to be d3pr3ssed..I'm making a d3pr3ssed playlist on iTunes" "if I fake this disorders" u know for the audience to laugh at them as if they weren't really depressed...(not saying they aren't..NICOLE AND JECKA ARE REALLY DEPRESSED) ..but there's q lots of people ..that believe girls love to pretend they have disorders...as misogynistic and ableist it is..some people think that way..that's why they put it there as humor...

I think they had luck on flipside because instead of saying "ha they hypocrites,many girls empathized with the fictional girls in some way..or don't feel them bad about those men being used...because they were bad and they still see the girls as victims...even if they aren't good people" and they didn't shame Nicole for being misandrist and was always proven right.

I don't know how to redact this shit..it does feel like they criticized society...but also...get off on misandrist girls....and many stuff feels for shock value..more than actual criticizing or creative comebacks...

In flipside is basically disguised fetish...and do have in mind some men get off misandrist girls..(aside from the real valid reason to be misandrist like s3xu4l trauma) like some boys and men get off or also mock (or both) women reduce them to "u guys only play videogames and do anything thing for s3x".

So just disappointed in the game.i did got bad vibes on the first game..but didn't see about it..also we got queerbaited with Jecka and Ari...and have in mind this written by a weirdo and a man..

Also the joke of "was it q Pakistani or Palestinian Man traff1cking me" was not it..

Maybe I'll do q post explaining why flipside was disguised fetish and why I got those vibes from the first game but not very high..

Still love Jeckole and any girl pairing there..except Nicole and Ari...

READ THE REBLOG...THERES SHITTY THINFS ABOUT THE CREATOR

[dunmeshistash]

Dear Meshi Master, is Marcille despite being much older, wiser, more experienced, more serious about studies and career (I mean this very kindly) less mature than the Toudens? In the sense that she needs hugs, praise and reassurance which she was not getting w/ Falin gone (Laios tries but he's not comfortable giving hugs). I think about this when she's crying her eyes out and/or hugging someone like a baby koala.

I think maturity level is something hard to quantify, people "mature" differently depending on their life experiences and especially in Marcille's case as a half-elf it's pretty inconsistent

There's also a difference between being someone smart/wise/responsible and having emotional maturity (or emotional intelligence idk). I'm not that knowledgeable in the subject and Marcille still has lots of growing to do in the emotional side but I don't think she's really that immature.

Needing hugs praise and reassurance and I'll even add the fact she keeps toys and is invested in fictional characters, I don't think those make her immature, tbh some people like Shiro who bottle up things instead of letting it out like Marcille could be considered more immature. Look at how Izu reacts to Marcille letting her emotions show.

Izu is still very young so she doesn't have the "emotional maturity" to deal with someone who wears their emotions so genuinely like Marcille (She's trying tho, very cute). In this situation I think Izu is the more immature even tho Marcille is crying out like a baby, cause Marcille is allowing herself to feel what she's feeling while Izu isn't equipped to deal with those feelings properly.

I think there's some aspect she's still working thru tho (which I don't think there's an specific age where you're supposed to be done working thru) and the others aspects to me seem more like parts of who she is, she cries and hugs and wants words of affirmations but it's not like that side of her impacts how she deals with important things. Marcille can be serious and calm when the situation asks for it, for example when Senshi is taken by the Griffin Marcille manages to calm down enough to think of something while Laios is in full panic, he relies on her when he can't deal with things himself.

And after that she fully takes lead of the situation. She's whiny and a crybaby but she's still "mature" (whatever that means) if you ask me. There's several other examples but it's easy to tell if you compare with how the younger characters like Izutsumi and Pattadol act.

Hopefully this makes some sense, I'll admit I don't really understand what is being "mature" or not, it's something that feels pretty arbitrary to me.

Edit: just to add, I do think Marcille has a childish side to her and that it is part of her character, her childhood had lots of inconsistency and trauma associated and she even gets the childish ear warmers in her dungeon lord outfit. That's the part I mean when I say she still has things to work thru due to past trauma and she's also just young in general.

[genericpuff]

Hi! So this is coming from a place of genuine concern, LR Persephone isn't going to have DID right? I know you probably can't reveal much but DID is already a very stigmatized disorder so I'm always worried when I see the Signs, I hope you understand lol

I understand fully your concerns, and I hope I can reassure you in my own intentions regarding Kore / Persephone that the goal is not to demonize or stigmatize DID in any way. I actually do regularly interact with a family member who's currently seeking an official diagnosis for it, and have my own firsthand experiences with my own mental health and symptoms of childhood trauma that are intersectional with that of DID. Of course, that doesn't mean that I'm immune to stigmatizing, but rest assured that I am aware of the stigmas surrounding DID and the misconceptions that a lot of people have about it, no thanks to how it's been portrayed in mainstream media.

If I can add some additional and necessary context as to why I chose to write Kore like this, much of how I'm writing her is based on how she was initially presented to us in S1 of LO, particularly through the personification of her wrath:

I really liked this concept and was subsequently disappointed when it seemed to get left behind (though considering how LO turned out, maybe that was for the better lmao) I've always enjoyed these "inner conflict" character dynamics, but I also understand from years of writing characters like this that much of these types of tropes are often intersectional with common misconceptions and stigmas surrounding personality disorders and mental illness.

Within the context of Rekindled, Kore does not specifically have DID but her experiences are clearly intersectional with it. Ultimately my goal is to empathize, not demonize. As much as "Persephone" may be currently presenting herself as a sort of snarky "alter ego" of Kore, she is not evil, no more "evil" than Kore herself, because they're ultimately of the same mind and body, flaws and all. Persephone is often speaking truths that Kore is simply not willing to admit or able to face, the worst of which we've yet to uncover, but will be necessary to overcome. There will certainly be times when Kore's actions - spurred on by the voice of Persephone in her ear - may be ugly or wrong, but I hope in the end that I'll achieve my goal in expressing that everyone - even immortal gods - can always have another chance to heal, to forgive themselves for their past, and to do right by themselves for the sake of a brighter future. This will apply to other gods in the story as well, many of whom also share Kore's struggles and experiences.

And, assuming I do my part and deliver on my promises, there will be closure for Kore/Persephone, the readers who relate to their struggles and experiences, and many of the other characters who were hung out to dry in the original comic. That's definitely one of my biggest goals with this retelling, at least! (•̀ᴗ•́)و It's definitely one of my riskier moves as the nature of the subject is very sensitive, but I'm giving it my all in the hopes that it pays off in a more nuanced and in-depth character arc for Kore/Persephone than what we got in LO that can hopefully be embraced as a message of acceptance and self-love. And y'all can hold me to that (๑•̀ㅂ•́)و✧

[yannaryartside]

WE NEED 5 SEASONS

Okay I need to vent a little. Please indulge me

This is for this article that says the 5th season is up to Storer.

Storer said they filmed most of season 4, and some things still need to be filmed. So we will have s4 next summer, and we don't know if there will be a 5th one.

I could put my hand on fire to my belief that we will have 5 seasons. Mostly, because regardless of the importance of showing “being trapped in negative patterns” that was s3 for multiple characters, is not gonna be a satisfying conclusion if all those patterns are resolved in one season.

Realistically, i would not make sense.

Even if you think Claire is Carmy’s salvation, this graceful, perfect angel that came to serve Carmy’s redemption, and when they get together, everything will be fine (that narrative sucks ass, by the way, is perpetually insulting to everyone that had ever had a mental illness to suggest them they only need to fall on the hands of someone that ignores all their defects and are determined to please them). You could believe this is all about self-sabotage, and Carmy will wake up next season, apologize to Claire, save the restaurant by ex-maquina magic, and get his happy ending. Yeah, that will be 4 seasons of a conclusive story and an objectively terrible narrative. It is also very insulting to every person who has a romantic partner who struggles with addiction and/or mental illness to tell them they need to be this fairy tale of a person who is Claire to bring "peace" to their partner and basically solve their life. Fuck that. I refuse to believe they are doing that on purpose.

But if they put the “sleigh of hand” and Carmy has to realize that his emotional dependence on Claire is toxic and only contributed to his depression and disassociation, since you spent all S3 pulling him in that direction, making him believe that is what he wanted/needed, you are going to need a whole season for him even to “scape the illusion.” All of this will align with the Bear having to close, Syd potentially leaving, and starting dating Luca. So, S4 is going to be the “wake-up call.”

S5 should be the season of creating new patterns. Carmy will get into therapy. Syd will come back. The two will create new recipes and work on the menu (collaboration, vulnerability). They will realize they have true feelings for one another. Each character will move towards the place they are gonna end up with.

If you created a whole season about "being in the freeze response" and another two previous seasons of extending trauma and bad coping mechanisms, you are gonna need more than one season to fix that; mental wellness is not like that; it should be treated like something that requires more time combined with efforts.

Not to mention, if SydCarmy is indeed happening, you have spent 3 fucking seasons creating distance between them. I also feel like so much of Sydney's life (to her and to us) is trapped around Carmy's issues, and it actually would make more sense for her to realize being with Carmy is too taxing for her, regardless if she had the most realistic tools to actually help him to grow.

You also had not given Sydney a proper arc to grow from her insecurities and follow her dreams. She still seems to be as insecure of her own skills as when she came in, because Carmy insist on creating a menu based on his trauma. Regardless of his good intentions and the beauty of their connection, she will leave the "bear narrative" as if Carmy is the closest thing she had to a chef David, as if Carmy was the monster she needed to endure to "grow" or "decide better." Fuck that.

[sepublic]

Hunter is NOT Luz’s brother, he’s not a Noceda, he’s not even that important to her compared to many other relationships Luz has and vice-versa. Like genuinely, go rewatch the show with this consideration in mind, cleanse the fanon for a fresh slate.

People just latched onto them as siblings because they found their Hunting Palismen dynamic funny, but also because they wanted to ward off Lunter. And they couldn’t articulate their dislike for Lunter as stemming from Luz’s longstanding dynamic with another female character being immediately replaced by fans for some white boy who just showed up, so they said they’re actually more siblings. It wasn’t an issue of biphobia it’s just people being tired of fandom thinking everything would be better if a woman was replaced by a guy. It’s the same reason Huntric also sucks because people replace a female character with some dude, it has nothing to do with bi/homophobia.

And FTR I hate Lunter, for the same reason I now hate the Luz & Hunter as Siblings take; It’s the fandom’s obsession with making Hunter more important than he actually is, to the point of replacing Luz’s actual important relationships with him. And hell even replacing Luz herself in her dynamics with her loved ones, because people portray Hunter as more Camila’s child than Luz when Darius is right there.

This fandom has a massive White Favoritism problem with Hunter, and he’s not even a female character he’s another White Boy, the most bland and milquetoast choice to raise as the fandom darling. He’s not THAT interesting and while him and Luz have their parallels and shared trauma and are still friends, what about Hunter and Gus? Or Luz and King, the latter explicitly calls Luz his sister but Hunter sure as hell didn’t! What about explicit on-screen dynamics huh???

ISTFG this fandom is overrun by Hunter content everywhere, he drowns out everyone except the literal main character and even she struggles sometimes! It’s because he’s a White Boy, that’s it. It’s not illegal to like Hunter, but you need to actually appreciate and engage with other characters accordingly instead of acting like that’s illegal. Hunter does the bare minimum and is lauded meanwhile everyone else goes above and beyond and is still overlooked for him.

Stop inserting him into everything we do not need Luz and Hunter angst we can just settle for Luz angst. She has other relationships and priorities you know and there’s so much more to this show than Hunter suffering. Sometimes you’ll even take Luz’s canon angst and give it to Hunter even! And try to make him more of a main character by inserting him into everything but he’s a side character.

So yes, your AU where Hunter is the main protagonist is racist. Especially if it doesn’t even explore Darius as his mentor, and has Eda take his place despite her barely interacting with him. And constantly praising Hunter for being a weird passionate nerd gets aggravating when Luz does the exact same thing but with greater emphasis, but gets ignored in favor of Hunter as she’s relegated to just Lumity.

And all of her additional depth and angst is just ignored for Hunter’s instead, sometimes they’ll even make up angst for him when other characters actually have it; I’ve seen popular fanart of a Luz moment where Hunter is in her place. Because fandom will sooner micro-analyze Hunter’s hands for nothing, than Luz going on a suicidal rant.

They’ll cradle Hunter’s trauma and suffering in their hands as a sacred and delicate subject, gnash at Darius for not being nice; But then sweep over Luz’s trauma and not realize how much certain things affected her, and why it’s fucked up to just ignore that in favor of bad AUs where Luz is a friend to Belos, who prompted a lot of her suicidal depression and scarred her face too.

They’ll insist Hunter should’ve been a bigger part of the finale and that Luz’s nightmare should’ve been her guilt for hurting him, as if it wasn’t already about Flapjack’s death and just her guilt towards ALL of her friends. So you know what, in addition to Hunter not even needing to kill Belos, I’m glad he wasn’t in that final battle and that the show reminded fandom who the actual main characters are (Luz, Eda, and King), which obviously pissed off a lotta people. Because it’s not like Hunter didn’t have major focus in the last two specials and S2B!!!!!!

[stormz369]

☕💖 Can I Get Your Number? ☕💖 Ch 3

Jason Todd x Chubby! Reader (fem)

written with a female reader in mind, first person pov, no use of Y/N, fluffy, mild angst, will probably get NSFW later, let me know if there's anything else I should tag this with!

warnings: reader character dealing with anxiety from previous chapter (non-descriptive),hinted at trauma from fatphobia, hints of Jason's self esteem and body image issues, otherwise it's fluff central

word count: 2.2k (oops? 😅)

Chapter 1 Chapter 2 Chapter 3

Ding!

I looked over at my phone, briefly considering not picking it up. When I got through my front door I had ripped my jeans off, suddenly hating everything touching me. I showered, scrubbing the night off until my skin was raw and tingling, and now I was curled up on my bed sheets, having a good cry. I didn't really want to talk to anyone right now…

Ding! Ding! … Ding!

God, whoever it was was insistent though … I sighed softly and picked it up, checking the messages:

Jason: Good morning! I am so sorry for the sudden disappearance - my phone broke on my way to visit my brother!  3:15am Jason: Just got back into town, so I've finally got the sim card in an old one for now. 3:17am Jason: I feel bad, I owe you a week of good mornings! 😭 3:17am Jason: And sorry for spamming you - I just didn't want you to think the worst for a second longer than necessary… 3:18am

I stared at the screen for a long while. Jason was back … just like Red Hood said. Huh… 

Me: Don't worry about it, shit happens! 3:40am Jason: … What are you still doing up?  3:41am

I briefly considered telling him everything. Maybe it would feel good to tell someone … or maybe it would feel even worse. We didn't really know each other yet, who knew how he would react? Nausea gripped my stomach and I shook my head, taking a few deep breaths before replying.

Me: Just got home is all. Picked up a late shift tonight. 3:50am Jason: That's a hell of a late shift, that must have sucked! 3:52am Me: … Yeah, honestly it wasn't great… 😔 3:53am Jason: What are you doing tomorrow? 3:54am Me: Nothing in particular, y? 3:56am Jason: That settles it then! No more excuses, come hell or high water I will see you tomorrow! 3:56am

I stared at the screen, not sure how to feel about that idea. I did want to see him again, but I also really just wanted to sleep for 48 hours straight…

Jason: Seriously, name a time and place. We'll do anything you want! 😁 3:59am Me: You don't have to do that, Jason - you just got back! Don't you need to work? 4:00am Jason: Nope! We came back a day early, so I am all yours! 4:02am Me: … All mine, huh? 😏 4:05am Jason: 100%! Anything you want, name it! 4:06am Me: … Gotham City Mall, meet in front of the bookstore at … say 4? 4:08am Jason: Perfect, see you in 12 hours! Good night 4:08am Me: Good night Jason 4:09am

I was exhausted, but couldn't seem to sleep. I was still coming down from the anxiety and adrenaline from being attacked, and now I was also nervous and tentatively excited about seeing Jason. This was the step that usually proved someone was playing games with me. I sighed softly, sliding a hand down my soft tummy. I didn't mind the way I was shaped, but other people sure had a way of making it seem like the end of the world… I silently begged the universe; let this one be good. No more games, let it be real this time…

When I finally did sleep, my dreams were filled with red. Blood all over the pavement, staining everything. Red chrome staring me down as I cried. Large hands, so gentle against my cheeks, pulling me against a warm, broad chest…

I woke with a start and peered over at my discarded clothes in a heap from the night before. Red Hood's flannel peaked out from under my ruined pants, taunting me; I was about to go on a date and I was dreaming about another man? A man I was surely never going to see again no less? That's real healthy, well done Brain.

I stepped over the clothes on the floor, not wanting to deal with the mess left over from last night, and selected a cute but comfortable outfit. I ate a quick breakfast, spent longer than I'd care to admit on my hair and makeup, and headed downstairs to catch the bus to the mall.

My anxiety grew as I approached the front doors. It’s a trick, it must be a trick. The cold air conditioning hit me in the face, a welcome respite from the summer heat, and I made my way toward the bookstore. He's a hottie, and really sweet. Or at least knows how to play sweet. He's definitely not actually interested. I could see the sign for the bookstore on the other side of the mall. And he's a Wayne too! What could a Wayne want with me?? … Oh god, I threatened them, didn't I? I told the little one I'd stab them if they came back to the table. Why did I say that???

I blinked a bit, pausing. That was him, leaned against the wall right next to the bookstore. He had actually shown up. I watched him scroll on his phone for a minute before looking up and scanning the crowd. When his eyes landed on me I continued walking toward him. He pocketed his phone, kicked off the wall, and walked over to meet me, a little grin lighting up his face.

“You're actually here…” the words left my mouth before I could reconsider, my disbelief apparent in my tone. Jason looked a bit confused at that, awkwardly rubbing the back of his head.

“Well, yeah? … You said 4, right?”

“Sorry! Yes, I said 4. I just … I honestly wasn't sure this was … real…”

“Why wouldn't it be real?”

I blushed a bit, clearing my throat slightly; “n- never mind! Sorry, I had a weird week; my brain hasn't fully caught up.”

He nodded a little, smiling gently. “Well, I hope it's getting better at least.”

I nodded. “Yeah, it is. Thanks. … So, what should we do?”

“Like I said last night; anything you want.”

“Well, … we're right here, do you want to start at the bookstore?”

He nodded and fell into step beside me, smiling gently. I could feel his eyes on me as I walked into the store, browsing the aisles. It was odd how comfortable this was; he was a good half foot taller than me, and at least 200 pounds of pure muscle. If his arms and cheek were any gauge he was absolutely covered in old scars, and he had a bandage on one forearm so whatever gave him the scars probably wasn't confined to the past.

I should be terrified - everything about my upbringing told me this was a dangerous situation to be in. But when I saw the look in his eyes, like I was the most interesting thing in the world, all of my self-defense training fell out of my head. The voices urging me to get to safety quieted, all my instincts stilled, and there was peace. His eyes were so beautiful… 

“... Is there something on my face?” He blushed a bit, chuckling awkwardly.

I blinked, looking away. “Sorry! I wasn't staring, I just …”

“... Did you want to ask about this?” he pointed to the scar on his cheek.

“Huh? No! I have a policy of not asking people about stuff like that; you'll tell me or not on your own time. No, I just … I like your eyes is all …’’ I blushed brightly, staring at but not reading the back cover of a book.

“... My eyes?” I nodded, still pretending to read the back cover. “... You're really not going to ask about my scars?”

“Unless you want to talk about them, it's not any of my business.”

“... You're a very unusual girl.”

“Because I'm not going to pry about something you may or may not want to talk about, particularly on a first date?”

“Well, they're usually the first thing anyone wants to talk to me about. If they don't avoid me in the first place…”

I frowned a bit at that. If we met under any other circumstances, I would have taken one look at him and ducked my head to avoid an interaction. “... People suck…”

“It's not their fault; I'm intimidating…” I cautiously looked over at him. He was also staring at a book cover, a pensive little frown on his face.

“... I don't think you're intimidating.”

His eyes darted over and back to the book, and the corner of his mouth curled up ever so slightly. “... Thanks.”

I nodded, setting the book down. “.... So …”

“So? …”

“... Play a game?”

He chuckled, looking over at me. “A game?”

I nodded. “You tell me some of your favorite things in books, I'll tell you some of mine. We separate, select a few of our favorites that the other might like, and reconvene.”

“Alright. Is there a way to win this game?”

“Well I assume we'll each pick at least one book the other hasn't read, so we'll get to make each other read at least one of our favorites. That sounds like a win to me.”

He chuckled. “Alright. Meet back up at those comfy chairs in the back?”

I nodded, telling him some of my favorite tropes, genres, and settings. He did the same, and we darted in opposite directions. He beat me back there, but I eventually approached with a small stack, falling into the seat next to him.

He gestured toward my books; “ladies first.”

I tucked my feet under me, passing him each book in turn and making a case for it. He took each one, read the back cover, and listened intently. He had read one of them, and I figured he'd pick one of the others, if that, but he insisted he was going to get them all. When it was his turn, I wasn't entirely sure what to expect, but Pride and Prejudice wasn't the first thing that came to mind. 

“I've seen a few movie adaptations, but I haven't gotten around to reading it.” I smiled softly, taking the book. It was a beautiful blue cover with swirling calligraphy font in gold.

“An unparalleled tragedy - I insist this is the one you're taking home!” I giggled at his determined tone and nodded.

“Yes, sir!” I made a little mock salute, trying not to smirk at the sudden wave of pink overtaking his face. “... Well, what else do you have for me?”

He cleared his throat awkwardly, looking at the books in his hands. “Ah, um …”

One by one he passed me, Hamlet, the Three Musketeers, a book of Greek myths, and … a trashy romance?

“... Not gonna lie, this is an unexpected choice.” I read the back. It looked like your typical bodice ripper.

He chuckled, blushing a bit. “Look, it was the only book I had access to one day and I was losing my mind with boredom. But if you give it a chance, it's actually really well written, and the love interest isn't one of those creepy possessive guys the genre is known for, so …”

I nodded, taking a picture of the book covers. “I will give it a chance then!”

“... Why are you taking a picture of them?”

“... To get later? I'll start with this one, since you were so determined that I read it.” I held up Pride and Prejudice. Jason gathered up the others, putting them on his stack, then gently took Pride and Prejudice from me as well.

“Or I could just get them for you.” 

“What? Jason, no. I mean, that’s really sweet of you, but that's way too much!” Between the books he'd picked out for me and the ones I'd selected for him, he was holding at least $200 in his hands. And he'd picked the pretty hardcovers too! 

He shook his head. “I've had to cancel on you at least 5 times, and then I disappeared with no warning. You have been incredibly patient and understanding, and I will make today worth it.”

I blushed brightly, a bit surprised. “Jason, … you're worth waiting for. I enjoy talking to you, you don't have to spend money on me for today to be worth my time.”

He looked away uncomfortably, bright red, holding the stack of books to his chest. “... I … I like talking to you too … just let me do this, yeah? Call it a first date splurge.”

“... Alright, if you're sure. But I don't want you making a habit of this.”

He nodded, smiling softly. “Don't worry; I know you're a strong, independent woman.”

I nodded once, chuckling. “Damn right.”

Jason grinned, god he had an infectious grin, and led me to stand in line together. He held the stack of books in one hand, and we chatted a bit more while we waited for our turn. I was looking at a selection of little plushies in the impulse items when I felt something brush ever so slightly against my finger. I looked down; his trembling hand was next to mine, his pinky slightly extended toward me. I chuckled softly, extending mine toward him, and gently linked our fingers together. He stiffened ever so slightly before relaxing into it, gently squeezing back.

Divider by @saradika (and my thanks for making them free to use!)

Taglist (let me know in the comments if you want to be added or dropped!)

@jawdropforkpop @krys0210 @snowy-violet @superthoughts @wordsfromshona

[a-secret-bolton-vampire]

CW: Rape, incest, CSA

This is actually not a strictly A Song of Ice and Fire post here, but it overlaps in some ways so I figured I'd write this.

Anyone who has not read the web serials Worm or Ward and wishes to avoid spoilers, don't read this post:

Disclaimer out of the way, I've found striking parallels between fandom reaction for both A Song of Ice and Fire and Parahumans regarding how characters who survived sexual abuse view their abusers, in a dangerously disturbing way.

For this I'm going to specifically be using the examples of Aeron and Theon Greyjoy from A Song of Ice and Fire to compare and contrast to Victoria Dallon in Ward. All three were psychologically and sexually tormented by their abusers during the course of the series. Theon is a young adult by the time Ramsay gets his hands on him, but Aeron and Victoria were both children when they were molested by family members so they will be the main two characters to compare.

In the case of Euron and Aeron, there are a (sadly very vocal) minority who are ready to dismiss Euron's danger to others by specifically using Aeron's abuse against him. Sure, Euron is evil and horrifically abused him and Urrigon when they were children, and it is understandable that Aeron would be mortified of Euron. After all, he tries to warn people about Euron repeatedly, only for his attempts to stop him to all fail.

The response by this section of the fandom to claims of Euron being built up as a major threat are essentially that Aeron's trauma is in the way of his ability to perceive Euron objectively. Is Euron actually as dangerous as Aeron claims? You can say the same for Theon and Ramsay. After all, Theon is half-mad warning Stannis about Ramsay, and Stannis is bringing some Rational Realness to the forefront by saying "what do I have to fear him for?"

Since GRRM is never releasing another A Song of Ice and Fire book it's hard to say what he intends but he could definitely intend for this to be the case. That said, there is a story featuring a similar character that is completed. Ward!

Victoria Dallon's sister, Amy, is a cape with healing abilities, though as the series progresses we know that healing is just the tip of the iceberg; she can change the biological makeup of living things. Amy is adopted, and has never felt any love from anyone other than Victoria. Amy develops deep romantic love for her sister, however, and then begins a series of bad decisions that just serve to deepen her already deep mental breakdown.

Amy proceeds to; alter Victoria's brain chemistry to give her compulsive romantic thoughts about her, then following healing Victoria after a battle, she spends several days alone with her, during which she repeatedly rapes her, erases her memories of said rapes, until her mental health deteriorates even further and she is unable to use her power properly and turns Victoria into the Wretch: a mass of flesh and limbs and heads, rather than anything actually human.

Then Victoria spends 2 years in a mental institution, stuck in a body she hates, all the while fighting the compulsions Amy left in place. When she finally returns Victoria to normal at the end of Worm, it is actually against her will and not because she had a change of heart or got more confident.

Then we get to Ward, where Victoria is the main POV. As is very obvious, Victoria is struggling with extremely intense PTSD, mentioning Amy is enough to trigger a dissociative flashback, and she wants absolutely nothing to do with her anymore: and fucking rightfully so.

Victoria also warns people about Amy. She warns her therapist to try to reach out to Amy before she hurts someone else, she warns literally anyone who will listen about Amy and what she might end up doing. We may not know what it is that Ramsay and Euron end up doing, but we do know what Amy does.

She refuses all help and doubles down on bad decisions, enslaves people with her powers, later imprisons and torments and touches Victoria again against her will, and becomes the dictatorial monster in charge of an entire planet. Victoria's warnings prove to be extremely prophetic and extremely real.

Now lets get into some discourse shall we?

Despite Amy being a rapist who rapes her sister, enslaves others via mind control, and literally never once improving as a person or acknowledging that her actions even caused harm, there are still those who think Amy isn't at fault. Some might find this post, but I don't really care. Amy is at fault for things Amy did. Victoria is not at fault for hugging her sister like a normal human being when Amy is upset, Amy didn't do her a favour healing her because then she just raped her and then really couldn't fix her back to a human body, and Amy isn't absolved of these sins because she healed a lot of people.

Essentially, Victoria is sometimes blamed for being raped by her sister, the rapist, despite Amy canonically being a manipulative lying liar rapist.

Okay so that doesn't seem to related to what the fandom says with Euron and Ramsay, right? After all, we don't really blame Aeron for being molested and Theon for also being sexually tortured and abused by Ramsay, do we? There are factors as to why that is (mostly that Aeron and Theon are men and Victoria is a woman; if you don't buy this argument look at people who say Cersei deserved to be sexually assaulted by Robert or try to use "the times" as an excuse to overlook Daenerys also being raped by Drogo) but there is an overlap here.

Amy being able to get away with that she did only to go on and hurt so many other people is a meta-commentary on the way survivors of sexual abuse are disbelieved or blamed for what happened to them. Naturally, those real like abusers end up going to abuse other people too. Fuck, even in the fandom, Victoria is still fucking blamed for things that she had absolutely no choice in the matter.

Which leads back to Theon and Aeron. Yes, trauma impacts the way you remember traumatic events, and that means objectivity can get lost at times. It can for Victoria and Theon and Aeron. But that trauma, the dissociation, memory problems, all of these together, are there for a reason. And that's because someone came along, ruined another persons life for their own pleasure and satisfaction, and then got away with it.

Victoria warned the world about what Amy would do, and she was unfortunately correct. Theon and Aeron warned others about Ramsay and Euron. Survivors should be believed, and not be dismissed. After all, it isn't our fault that we got abused. People may hear things about Euron or Amy or Ramsay, but the people who truly know who they are---what they are capable of, what they are actually like---are the people they abused.

So yeah, it's kinda fucking lame when I hear someone go "Stannis gonna prove Theon wrong with facts and logic" as if he doesn't, I don't know, have insight into Ramsay's psychology in ways Stannis doesn't. Same with Euron. Same with Amy.

Also fucking read Ward it hurts as intensely as it kicks ass.