#not enough to draw an 8 page comic but like

[hemlock-dreams]

Hi hello I found you like three days ago and every waking moment of the last 72 hours has been consumed by Hunting!Spider is there somewhere to see the entirety? A gumroad a substack, anything? I'm DESPERATE. But in a cool nonchalant chill way

Tysm! Glad to have you in the circus!

If you're asking about just art, then no, there's isn't one place to see all of the artwork all at once. However, there is the hunting!spider art tag you can click!

And if you're talking about hunting!spider in general, this whole blog is nothing BUT the AU.

Unfortunately, i am FAR too lazy to put anything (chronologic) concrete together. I've been trying to get myself to update the master list but even that feels like an avenger's level threat lol.

[birdcatt]

[poorly-drawn-mdzs]

Sorry I'm a bit late on this, but I just wanted to say congrats on finishing season 1 !! 🥳

LOSING MY MIND AT HOW PERFECT THIS IS!!!!!! THANK YOU PIO!!!!! B'*)

[candyheartedchy]

[theunconcernedembalmer]

Part 1 // Part 2 // Part 3 // Part 4 // Part 4.5 // Part 5 // Part 6 // Part 7 //

Yes this is part 4.5. I almost took this part out but felt like it was nice to a bit of Vic's POV that i will not be explaining. At least in this comic series.

[remmys]

🎃 TFTOBER 2024 !!

Hey there!! I really wanted to participate in an October prompt list, but seeing as I've been really hooked on TF2 for this entire year, I figured it would be fun to do a TF2 themed list!!

If you participate, feel free to tag your posts w/ #tftober !!! I'd love to see what other people do <3 This list should be perfectly doable for any medium (art, writing, sfm, etc!)

Below the cut is a list of all the prompts with some extra flavor text/ideas! Things are kept vague in a typical drawing prompt fashion

DAY 1 - Main

Who's your main? Who do you play most often?

DAY 2 - Hats!

It's not called a glorified hat simulator for nothing! There's plenty of cosmetics at your fingertips in the game!

DAY 3 - Relationships

Everyone knows someone. Whether it's a family member, a friend, a lover, or even an arch nemesis!

DAY 4 - Pyrovision

Put on the goggles and take a look at things with a new perspective!

DAY 5 - Battlefield

Probably where a mercenary spends most of their time

DAY 6 - On Break

Battles don't rage on forever. You've gotta take a break eventually

DAY 7 - Offense

The front lines. The moving force

DAY 8 - Defense

The back lines. Makes sure nobody gets too far

DAY 9 - Support

Everything in between! Perhaps even the foundations of some teams

DAY 10 - Teamwork

It's not called TEAM Fortress for nothing, right?

DAY 11 - Fem Fortress

Happy Friday! Give some love to the girls!

DAY 12 - Free Space

Draw, write, or SFM to your heart's content! Do whatever you'd like!

DAY 13 - Respawn

Nobody stays dead.

DAY 14 - Capture the Flag

That briefcase isn't going to steal itself!

DAY 15 - Backstab

Should've checked behind you.

DAY 16 - Mann vs Machine

Guns and bullets or nuts and bolts? Who knows what could be running through those metallic minds...

DAY 17 - Expiration Date

Teleportation and bread. What else can I say?

DAY 18 - Headcannons

Think a little deeper. What do you just know has got to be true about the mercenaries?

DAY 19 - At home

Everyone comes from somewhere. Everyone has a home.

DAY 20 - Headshot

Looks like you stood a little bit too still.

DAY 21 - Alternate Universe

Emesis Blue? Lil' Pootis? A universe where the mercenaries are all alligators? The world is your oyster.

DAY 22 - Australium

A divine and valued substance rarer than gold

DAY 23 - Administrator

There's more to a war than just the fighters

DAY 24 - Pets

Some people have a soft spot for certain animals. Others choose to keep theirs around 24/7.

DAY 25 - Injury

An inevitability of war

DAY 26 - Control Points

A constant back and fourth

DAY 27 - Comics

Ink, panels, and pages. A story through words and pictures.

DAY 28 - Custom Class

Is nine really enough to cover everyone needed in a war? Probably not!

DAY 29 - Ubercharge

A miracle of medicine

DAY 30 - Sentry

Sometimes the best way to get good aim is to not be the one aiming

DAY 31 - Scream Fortress

Happy Halloween! Scream out to your heart's content and enjoy the spooks of the night!

[seirindono]

TMS - Author's note (Arc 1)

Today I'm stepping up to talk about TMS for a while. It's going to be a lot of blah blah, no TLDR, so hang in there or save it for later if you're brave enough, haha (¯▿¯)

So, another chapter of TMS draws to a close, with the difference that this time it's a whole saga that's coming to an end! That's a big relief for me, given that we recently celebrated the comic's 4th anniversary! That's almost the entire duration of my college life, and that's both an impressive and terrifying achievement lol.

The comic is divided into 3 arcs, each separated by an interlude. The first runs from part 1 to 8, with 201 pages total (wow!). In it, you are introduced to Mel, a young skeleton with a rather unclear past, who accidentally arrives in a a foreign timeline, along with other well known skeletons. Nowadays it's just an isekai haha. Throughout the arc, she proves to be a cautious Monster, quiet and somewhat withdrawn compared to the other skeletons we come across, notably Rus, Blue and Axe, who each got their own sequences.

Still, Mel in the last few scenes is starting to show more initiative, and the interlude will make this even more obvious, but we can expect her to open up a lot more during the next Arc, about her past, motives, goals and thoughts.

I could go on at length about what's in store for us in the interlude, but given that it's due for release sometime in 2024, I'm going to talk about the general story line instead. Although we follow Mel who is foreign to what's going on in this universe prior to her arrival, the other characters and events suggest that strange phenomena are taking place in Ebott, leading many people to become embroiled in a highly unusual affair. Crossing timelines, earthquakes, mysterious apparitions in the forest, something is afoot and the situation seems to be at a turning point when Mellow gets here.

Everyone has their own way of dealing with the situation and what to do next. Some are serious and pragmatic, like Black, others optimistic, like Blue, and others, like Papyrus, find themselves completely backed into a corner, forced to do their best to fix whatever needs to be.

A special case, however, is Axe, whom Mel meets in the forest as she investigates Mt. Ebott. The two have diametrically opposed views of their current condition. One wants to return to her world by any means necessary, regardless of the advantages of a peaceful world. The other, not so much. Both refuse to talk about their past and ignore the other's circumstances, but a sense of familiarity drives them to try to convince the other to stay or go. These are two stark positions to reconcile, and while we can expect Blue and the other skeletons to have their own views on the subject too, Mel and Axe are strangely "committed" in this interraction and resort to violence, spurred on by a unknown substance that causes Axe to momentarily lose control.

Mel is wounded, Axe unconscious, and the status quo disrupted. Other consequences follow this confrontation, and several questions are raised: Can Blue really help Mel when Axe accuses him of having already given up on going home himself? What is this mysterious entity Axe came across a few days earlier? The vibrations? What was that substance that made him go berserk? And what made him stop? Can we trust Mel and what she tells us? And many others.

Because as I'm sure many of you have come to realize, Mel has proven to be a rather unreliable narrator (or at least character since you don't follow her actual POV). Blatantly lying or omitting facts to others and readers alike, it's hard to know her next move and whether she's genuinely forgotten important infos (for it's well established at this stage that she has hazy memories and that they continue to deteriorate. The same applies to her health).

In the same way, each part of TMS so far has raised more questions than it has answered, but I can confidently say that the road is paved for Arc 2 to answer and put in perspective most of them, ahah.

Ah, this is also the moment when I can announce that ALL skeletons will be featured in the Interlude. Should be. Hopefully.

I'd also like to point out a few narrative changes for Act 2! The central characters, in particular. Original cast characters such as Undyne, Metatton and a veiled character will be more formally introduced, but we'll also meet up with characters we've already bumped into, but in a much more concrete way, such as Frisk and Alphys. I can't wait for you to get to know them! You can also expect more pov changes, more elipses and so on. Things are moving fast.

But that begs the question. When is it due? As said before, the first Arc lasted 4 years and I'm entering my last (and most crucial) year of college. I still don't know if I'll have time to get much of it done in 2025, but on the other hand, I'd like to strike while the iron's hot lest TMS be discontinued after a 1-year hiatus and my entry into the working world. Student loan, life and all. There are still plenty of things I'd like to bring to this project, and I now have the skills to actually carry them out, but on the other hand, the time involved has also increased exponentially.

Tbh with you, as an animation student, it's been one of my dreams since 2020 to do one of TMS's sequences in animatic or full anim, or even a trailer for the comic! But as a solo team, it's just unreasonable and I know it. But the parasite ----. Don't get me wrong, I could, but it would take me months and it's just not realistic when 80% of my time has to go into professionnal work that goes into my portefolio or adult stuff. I can't affort to invest time in solo-ing it or to recruit and lead a team over one side project of mine ( ´ ▿ ` ) So we'll most likely stick to classic pages.

But the same goes for collabs, community events, side stories, asks, edits, dubs, testing other platforms, regular animatics. Love all of that. Really. But I never have the time to because, man, I'd love to actually finish TMS someday ahah. It all comes back to the age-old problem of “lots of ideas, little time”, and it's so frustrating but, it's a choice I have to stick to, so bear with me as I vent my frustration. Just for tonight (´ ∀ `, *)

So, yes. Act 2. Next year? Probably? It's a long interlude, so you'll get smth in the meantime, but it's likely to decide the future of TMS and whether Act 2 sees the light of day as I imagine it or if...well, something else replaces it.

bringing back this doodle cuz it seems fiting lol

Anyway, I also wanted to thank you for your engagement with Part 8!

I don't know how other comic artists experience it, but for me it's a very isolated work, and as much as I love working alone, I enjoy the interaction with readers most of all.

Seeing people losing their mind over a serious scene, or chuckling at a dumb gag, or just simping over the characters and art. It's just great, and very rewarding. Likewise, I have a blast answering questions about the TMS universe, reading tags and receiving memes, witnessing people go increasingly mad with messages full of indecipherable screams and hearts. Makes me giggle and kick my feet everytime and I can't wait to drop the next lore bomb or funny scene bwahahah

And while we're on the subject, I'd like to say a special word of thanks to the legions of rebloggers who make it their business to spread the word about TMS. You sweet, lovely, candy scented folks. And to my dear mutuals - with whom I interact objectively so little - who have no idea how a single message or note from them drives me bonkers. Thanks for dropping by. And of course to my super Patreons who support me despite the sparse updates, but to whom I'm more than grateful. Love you all.

Sounds like a farewell message. It's not lol. Just making sure they get the love they deserve.

The post is getting long and I'm kind of done pretending I know how to write organized notes so to wrap things up, here's an exhaustive list of what I'd like to get done this year and/or discuss in more detail another day. •Make a new masterpost (for Act 2) •Analyze/Comment certain sequences from Act 1 to clarify or give context •Redraw and rewrite part 1 and 2 •Make more bonus content again *ahahahahahaha*

•Re open or close the Discord (partially abandoned and it's all on me, but I'm still mulling it over).

•Finish the Interlude and enjoy and nice hiatus

And that's about it? Congratulation for reading this and making it this far! You were there!

Be well, and see you next time.

Seirin-

First part | Prev | Next (INTERLUDE)

Ko-fi | Patreon | Comic | Commissions  | To support the comic

[miviaceleste]

A Blackrock Story: A Boy with Turquoise Eyes

Happy 12th Anniversary to Blackrock Chronicle!

This comic ended up being 47 pages long (when I first sketched it, it was only 20 pages long). Since I can only upload 30 images in a post, I had to combine 2 pages into 1 image so hopefully it's still visually fine and not annoying to scroll through!

I wrote this mini-story more than 10 years ago, so I figured it was time to finally make it into a comic (after editing the writing a lot because I became a much better writer since lol).

Be aware of the TWs, and I hope you enjoy this comic!

TW: Violence || Blood || Injuries/Scars/Burn Marks || Kidnapping || (Temporary) Death || Loss of Limb / Amputation

Thank you all for reading one of my most insane projects ever!

Now, here’s another long story:

About 8 years ago, my life became so busy that to stay on top of my studies and activities, I stopped watching a lot of YouTubers, including the Yogscast.

I’ve grown up throughout the years. I had to stop acting like a kid to figure out what I wanted to do for the rest of my life. I’m still an artist today, but I haven’t drawn in this way for about 3 years to pursue my real passion. I love to draw, but I didn’t have the time or inspiration to make something grand.

About 3 months ago, I suddenly got curious about how all those YouTubers I stopped watching were doing, so I checked out their channels and watched a video or two before moving on. When I got to the Yogscast channel, on the other hand, I quickly fell in love with the new content and with everyone again.

It was insane to see how immediately my love for them came back. In 3 months, I’ve watched so many videos and streams/VODs. It’s all so comforting, funny, and uplifting. Clearly, I missed so much content in the past 8 years, but at least I don’t have to worry about running out of things to watch for a while.

What made me most happy was that despite changing a lot, I never stopped being that kid who laughed at the Yogscast’s shenanigans. It just goes to show that no matter how much the world tries to push you around, you never lose that sense of joy you had as a child.

Now, about Rythian:

Since I started watching the Yogscast in 2011, Rythian has always been my favorite. I loved his series so much, especially with how he got into character to give us an immersive experience. It was an escape for me as a kid. When difficult moments were thrown at me, I watched Rythian’s series to find a sense of comfort.

So when I started watching his and Zoey’s Blackrock series, my mind was blown. The storytelling, acting, humor, and drama of the series were so immersive and touching that my creativity exploded.

I mainly use art to express myself and my interests because I struggle to talk about it. But funny enough, Blackrock was the only interest of mine that got me to not draw, but to write. I wrote a lot of short stories about the series—even how I envisioned the series would end. I was so inspired to create all the time from this series.

And what’s crazy is that at the beginning of this summer, I found all of those written drafts and notes from when I was a kid. I kept them all for 10+ years and found a very loose (and not that good) draft of this comic and I felt really inspired to finish it.

It was roughly when I was first watching Blackrock too when I realized that I can be creative in the future. The Yogscast helped me understand that I can do whatever I want for the rest of my life. If they could do it, then why can’t I?

What’s also wonderful is that even after so many years, Rythian never stopped being my favorite. When I started watching the main channel again a few months ago, I immediately found myself rooting for him whenever he was in the group videos. I just remembered how much happiness he brought me when I was younger and it makes me so happy that I still get so much joy whenever I hear his voice.

While working on this comic, I watched all of Kirbycraft and caught up on Kirby Farm. I can’t help but smile the whole time Rythian, Briony, and Kirsty interact with one another. The dynamic of these three brings me so much laughter and comfort. A part of me is upset that I didn’t get back to watching everyone when Kirbycraft was still live, but better late than never, right?

I also originally started this comic without the intention of posting it. But then I figured, Hey, it’d be great to share it with everyone who’s also been impacted by this series and the Yogscast in general, so I made this blog to post it here. Honestly, I’m not sure when the next time I’ll be able to draw is (who knew building a career takes away a lot of your energy and time?). But I think that’s what’s so wonderful about my love for Yogscast and particularly Blackrock: I didn’t make this comic for the likes or views. It was just because I wanted to, and I’m so happy to see there are so many people on here who feel the same love for them as I do.

This series and the people who made it, along with the people who supported it and loved it and continued to love it, impacted me for the better. I learned so many years ago that I can be creative for a living, and have been working hard towards doing that since.

Happy 12th Anniversary to the Blackrock Chronicle. To Rythian and Zoey who put a smile on this kid’s face even during the toughest of times.

And to the Yogscast, thank you for being there for me when I needed you all the most and for still being here when I came back. Your ability to inspire me and make me laugh never disappeared throughout the years I was gone, and I’m ready to laugh some more.

[starheavenly]

hiii!!! loving your locket comics!!!!!! just wanted to ask a few questions about your process, if you dont mind :D

whats your general process like?

do you do thumbnails, how do they look like?

roughly how long does it take you to complete a comic panel or page?

how detailed are your sketches? do you do multiple?

do you have any specific techniques for lineart?

do you typically use references for your comics?

generally, how much effort and focus do you put into your comics?

do you have any advice for drawing comics?

sorry for for the absolute bombardment of questions, lmao. just really enjoy your art and comics and very interested in the behind the scenes!! feel free to skip any questions (or this whole ask) well wishes and salutations!!! :D

Hello! I'm so glad you enjoy my comics, and I totally don't mind breaking down the process!

For a normal comic page, I would likely actually write a script since it's much easier to keep track of dialogue and actions. But since these are short, I just write it into my thumbnails.

Step 1: Thumbnails. Easily one of my favorite parts, since I get to throw all my ideas down. I do these comics on a 2-panel grid, so I don't have to worry about actual paneling, and it allows me to focus more on the setup of each shot. Think of it like storyboarding!

Step 2: Add cleaner thumbs if needed. I actually made 3D models of Deadlock and Ratchet's chest in Blockbench, so I often trace them to save myself some time! (It might look insane, but I promise, for me, it's not.)

Step 3: Lettering! I actually like to get the lettering out of the way right away since it can take a while. Ever since I started treating lettering as its own form of art, my skills have gotten better, but it also takes much longer.

Step 4: Clean sketch! I'm just now finding out that people think I’m doing lineart for these? I am not… these are all just clean sketches. Maybe doing the blackwork gives the illusion of lineart?

Step 5: Color! Most of these comics are in black and white to save time, but it also lets me focus on values and shot framing again. I add my glow overlay to the eyes, and boom, done!

Roughly how long does it take you to complete a comic panel or page?

It really depends on how complicated the panels are. I like to step out of my comfort zone. I know the Grimlock and Misfire one took longer because of how many panels there were and the fact that I was drawing characters I’d never drawn before, but I’d say it usually takes around 5-8 hours for a whole page.

Do you typically use references for your comics?

I'm literally the reference GOD- we all know this. But yes, I love using references and doing character studies. I have yet to do a study on LL Drift, but I have a few references of him that I’ve made.

Generally, how much effort and focus do you put into your comics?

I mean, I wouldn't say I don't put in a lot of effort? I put in enough. I don't know… there's a point in the clean sketch process where you can kind of just turn off your brain. I'm passionate about comics, but we can all agree there's a point in a drawing where you just zone out.

Do you have any advice for drawing comics?

I think being able to balance dialogue and visuals is super important. I don't know if you guys have picked up a graphic novel from Barnes & Noble recently, but if you open a page, you'll see a character sitting with the biggest bubble you've ever seen, filled with paragraphs of text. While I get it—being a novel as much as it's graphic—I personally like to visualize emotions more. If it means adding two more panels to make an interesting dialogue setup, I don't mind doing it. Another thing to remember is that not all panels need to have details or 100% effort. Sometimes you need to simplify and move on, and that's okay! Those two extra panels that are giving you a better stage setup might be the ones that need fewer details and less time. I would consider my comic page work and my 4-panel work very different. One is about paneling, setup, and visuals, while the other is very much like storyboarding. Both are skills you learn with practice and study.

[floridecuts]

Part 1 Part 2 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12

And here's the next part, with 3 more pages! Couldn't wait so I uploaded it a bit earlier! Thank you very much for the nice tag comments again, I'm reading and treasuring all of them!! I'm really glad there's people who enjoy this comic idea! Hope you're gonna stick around some more, because there's still a lot coming!

Sadly, it's not going too well for Yashiki at the moment. Mashita's gotta think of something to help him. I really enjoyed drawing Daimon here, he's one of my favorite mark bearers and we definitely will be seeing him again in this story!

I hope the transition between the 3rd and fourth page wasn't too confusing. Adding a chase scene with The Departed would've taken longer than I would have liked (and also challenging to draw) so I chose the easy way out with that skip. What's supposed to happen there is that Mashita shooting at The Departed scared them off long enough to free Yashiki and make a run. The Departed kept chasing them trough the forest but they managed to keep them at a distance (probably with more shooting from Mashita's site).

Thanks for taking a look! :)

[moons-of-dewclan]

Hellooooo! I’m working on a clangen blog of my own, so I’m going around asking my favorite clangen blogs some questions. I’m happy to get answers to whichever you feel like answering (or none at all if you don’t feel like it!)

What program and file size do you use?

If you use a font, what font is it?

How far ahead do you recommend playing?

Do you have any advice for layouts?

Do you have any tips for lighting/drawing fur?

Do you have any tips for making cats look more unique?

If you do backgrounds, do you have any advice for creating them?

If you use them, where do you recommend finding reference images?

NYELLO! 1. I use Procreate on Ipad! File size is pretty small because i feel more easygoing working small. it forces me not to worry too much about details. Dewclan comic pages come in 1200px wide and.. however tall the page calls for. 1200 DOESN'T SEEM SUPER TINY BUT!! when you think about adding in the speech bubbles and doing usually two panels per 'row', make space for the panels themselves, etc, you end up with only like.. 350/400px to work with. s'LIL 2. FONT is copperplate! 3. this entirely depends on you. if you wanna be able to plan ahead to connect some events, you gotta go a few moons ahead to know what to connect. but sometimes going moon by moon really keeps up your muse and excitement, because even YOU wonder what's gonna happen next. if you need to stay excited about something to keep up with it like ME, i recommend not going too far ahead. keep it Fresh 4. advice would be.. keep in mind/sketch out the placement for your characters AND their speech bubbles in their panels. i don't do this and it shows ALSDNKLSD. sometimes my speech bubbles are squARSHED, or sometimes i have to adjust the size of the font to make it fit. it's silly. PLAN AHEAD. otherwise i'm not so great at layouts and composition in that i don't have a lot of confidence in it, so i can't give much advice OGH 5. shade fur like you'd shade anything else! don't overthink it. but drawing fur can be done in a billion ways so that's a tough one to answer. in my clangen comic it's very simple, bc there's just the illusion of fur. YOU JUST.. ASSUME THERE IS FUR BC.. cats. but there isn't much definition really. sometimes i throw in a tuft or two bc for fun. outside of clangen, uHHHGH.. my fur rendering is sort of a mess. look at how your favourite artists do it! there's no one single way 6. unique cats.. play with shapes! cute round soft shapes, pointy angular shapes. play with the shapes of their ears, give em tufts or give them no tufts. think about silhouettes if you're not going with realism! if you figure out what makes a cat look like a cat enough, you can warp that anatomy and keep them looking cattish 7. i do backgrounds!! i dabble, i partake, in the backgrounds. BUT UAA advice is hard there too. what kind of bgs do you wanna do? :( I'M SORRY I NEED VERY SPECIFIC QUESTIONS I'ASKDNLK I'M EASILY CONFUSED. general advice is again, look at ones you like! think about what you like about the bgs you see and HAVE AT EM. do studies :3 8. Pinterest is good for references. at least it was last i checked before the big AI boom.. bc it'll recommend you similar things. tho i find the layout pretty disorienting. IF YOU CAN GET USED TO IT, IT'S HELPFUL THO

[randomyuu]

the way it follows you home, the stories i never told

My guy Vox once again graced us with lovely Goyuu fanfics, and the way it follows you home, the stories i never told, made me go FERAL.

Time travel? Two Gojou Satorus? Double affection for our sunshine Yuuji? Yuuji sandwich? What feels like possible continuation of (you'll whisper, serpent tongue) what you fear you have become???

FUCK.

I need to stop indulging my imagination too much. I should’ve been content with writing long-ass comments but noooooo, my brain goes “you gotta draw it”. DAMMIT VOX, YOU AND YOUR DELICIOUS WRITINGS HHHHHH

So… usually I should’ve picked a favourite scene that is within my drawing capability, but I just… love all three chapters??? So I made a questionable time investment? I can’t stop??? Help???

This is probably the most ambitious fanart project I’ve ever done so far. Fair enough, considering I might combust if I keep these welled-up emotions inside from reading Vox’s Goyuu fics. Fuck.

Fic info:

Title: the way it follows you home, the stories i never told

Author: @voxofthevoid

Pairing: YuuGoGo. Future!Yuuji, Future!Gojou, Teen!Gojou

(idk why I laugh writing YuuGoGo. I’m beyond help)

Currently, it is 3 chapters out of 8. And it’s gonna be NSFW chapter 4 onwards, so don’t forget to read the tags first, folks!

The drawings are under Read More, because I have lots of thoughts surrounding each chapter and drawings. It’ll be hella long if I didn’t hide it here. It was a mess down there. A combination of hours before, during, and after I read said fic. I’d say good luck finding the art among the sea of jumbled words but… you’ll find them easily. Don’t worry about it haha

SPOILERS FOR ALL 3 CHAPTERS! I highly recommend reading those first before diving into these drawings!

Also for the comics, read from right to left please!

From here on, I will be referring to the Future!Gojou as Gojou and the teenage one as Satoru.

Overall, drawing all these is fun! Really fun! This project pushed me quite hard, forcing me to test my limit (because I rarely draw this much back to back). Since this is a combination of drawings and comics, the coloring style will not be consistent. In a way, I want to try some brushes I never get to use, as well as try out my new graphic tablet. Drawing these got me giggling because I was finally able to let loose during line art. It's much easier to do so, and sometimes I just get to reread the fic and giggle to myself for the nth time.

CHAPTER 1:

Whooo. Whooooooooo—

Ok, ok, the premise is just that good. It intrigued me, fascinated me, and I just… oomph. I cannot refuse a Time Travel Yuuji Sandwich. Sign me up.

Honestly, there are two scenes that are just… a bit too clear in my mind when reading this chapter. That would be the one I drew above, and the other is when Yaga called Gojou to come outside of the class. I love, loooove how Vox wrote Satoru’s POV. And when Yuuji fucking giggles?

I lost it.

Can you imagine, drawing Yuuji grins, with shiny stuff, maybe some sunlight, just purely happy and indulging Gojou?

Help me, for I am drowning in my love and adoration for Yuuji.

Page 2 is an experiment on using harsh black as shading (kind of?). I really enjoyed colouring Yuuji, and drawing those buffalo skulls! I wish I can grasp the concept of contrast a bit better tho :v

CHAPTER 2:

This is probably the only chapter where I picture still images instead of comic panels. A bit like those cool chapter covers in mangas. The one I really, really want to draw is the scene with Satoru on the table. Can’t pass the opportunity to highlight Satoru being a brat, albeit a really cool brat.

Cool idea drawing always proves to be a challenge, because of course my artistic skill just so happens to be below the requirement. Thank you, Sketchfab, for the chair and desk’s perspective otherwise I’m screwed lmao

The second scene that I want to draw the most is this:

Gojou is one step away from climbing Yuuji. Also, I have a bit of a problem picturing a man pouting that makes him look crazy instead, so please have Gojou pouting adorably instead. Because, as Yuuji said (with love), Gojou is (also) a brat.

This is possibly my favorite art in this project, after Yuuji's in Chapter 1 page 2. It's clean because I don't have to draw background, and I was having a fun time drawing Yuuji. And Gojou's squishy cheek as well.

Oh, actually, there is a “manga” scene in this chapter. It’s when Yuuji said, “I love Satoru.”

I just—

AAAAAHHHHH YUUJIIIIIII YOU AND VOX ARE GONNA BE THE DEATH OF ME. That secure relationship between Yuuji and Gojou? Satoru’s description of how Yuuji’s smile could blot out the sun??? Not me screaming 💀 I also see bits of hints of possible co-dependency, though I could be reading those wrong, but either way I’m good. Secure and possessive relationships are fun to consume hhhhhh

But yeah. There are too many wholesome Yuuji smiles in this fic, and I… I am not confident enough to draw genuine happiness. It’s too much for me ∠( ᐛ 」∠)＿

For this chapter, another reason why I chose these two scenes is just because I want to try and draw cover-worthy pictures of Yuuji and Satoru, and Yuuji and Gojou (cough)

CHAPTER 3:

We start the chapter with Nanamin. Ah, Nanamin. I forgot what his teen self looked like and was surprised to see his design again lmao

I want to draw Yuuji and Nanami scene because… I just want to, I guess. I have never drawn him before (Yaga as well) so that's an interesting challenge. I got two ideas on how I want to draw it. One is a bit painting-esque, and the other one is like another chapter cover. In the end, I chose the cover one because I want to emphasise the difference between teen!Nanami and the Nanami from Yuuji’s original timeline, and how the watch feels like a connection between the same (yet not) person. It’s a bittersweet feeling? In a way?

I’m not really good at explaining my intention ∠( ᐛ 」∠)＿

I love Yuuji’s answer to Nanami's question.

AND FINALLY.

A Yuuji SandwichTM scene.

And oh B O I do I love it. Have I told you I like every chapter? I probably have. But this one? Satoru’s curiosity, Yuuji’s on-brand self-deprecation, and Gojou come strolling down to show more of Yuuji to his mini-self. I want to draw this whole scene, from Gojou finding them, feeding Yuuji snacks, bitch-slapping Satoru into the backroom, to Yuuji growling. Them trying to hide a boner from Yuuji’s growl got me cackling so hard I LOVE IT 😭

I love it all. Please love Yuuji in my stead, Satoru and Satonyan :3

Oh! Also! 40-finger Yuuji sounds really, really cool! I’ll be happy with whatever Vox will give us in future chapters, but 40-finger Yuuji… possible scene with this timeline’s Sukuna… my god. The action! The drama! The bloodshed! One can only hope.

However, as much as I love that whole scene, it’s still too much for me :”) I’m still not yet confident in delivering the humour and action. Also my already-long drawing plan had my brain groaning in protest so I can’t push my luck :'D

When Gojou said "He looks sweet, but he's a bit of a beast", I kept picturing Yuuji staring innocently, but there was an edge to his look. As if the moment Satoru looks away, he will pounce. But in the end I just stick with innocent-looking Yuuji because I accidentally drew his eyes that way and I want to keep it in lol

Since Satoru points out how soft and cuddly Yuuji is, I also want to draw soft Yuuji :v

And the last one… is the last scene. For some reason, I read that both Gojou and Satoru share Yuuji’s lap and was having a frustrating yet fun time figuring out how it’s… physically possible, without having their butts on the ground because they both are not small at all. As I lined the art, I reread it again and… perhaps I read it wrong? Satoru is beside Yuuji, and not on his lap? So yeah, this one might be the least accurate, but hey, at least you can view it as a crack drawing or something :v

AAAANNNDDD I HAVE EXCEEDED TODAY’S BRAIN CAPACITY OF FORMING WORDS

Have I told you I love this fic?

…I probably have.

Have an amazing week (❁´▽`❁)*✲ﾟ*

[nerves-nebula]

start | Prev | The End! you're here!!

page 50

AND SO HERE WE REACH THE END. THE EPILOGUE. THE 50TH PAGE OF MY 20 PAGE COMIC. BRILLIANT. I hope i never do this again. good lord. I can’t say it isn’t satisfying to end something like this but MAN did this balloon. This was because I got an ASK, do you guys remember that?? Do you remember that i started this comic on a whim?? Because I got an ask?? And then i held a poll about what comic I should make??? THAT WAS MONTHS AGO.

I considered adding one more page that's just a wide shot of Raph watching Splinter looking at Leo but I figured you get the point well enough already.

here's some round up fun facts under the cut!

this script is 3596 words long

it spans 8 pages of my 90 page tmnt google doc

it was originally supposed to be around 20-30 pages AT MOST

the reason behind its specific style choices is that I was IN THE MIDDLE OF COLLEGE when i started it and i wanted to be able to make pages as fast as possible. so i created a limited color palette so that i wouldn't over do things. i still kind of over did things tho.

because the point was to draw pages as fast as possible I frequently make little mistakes like forgetting to draw bandages, knee/arm pads, masks, and donnie's entire glasses.

one of the most frequently forgotten things i think is Raphs hand bandages. i think i draw him without them more than i draw him WITH them ;_;

when I started this i wasn't going to include anything to do with CSA, because I was unsure that people wouldn't be weird about it

halfway through the comic, I started to write Donnie with a stutter. this is because I was still developing the characters when I started this comic and it was supposed to help me figure out their emotions more, so quite a few decisions were made about them in the middle of script writing & the days/weeks between drawing pages. that's how you end up with shit like Donnie suddenly developing a stutter.

because of the placement of when i decided to write him with a stutter, it kind of looks like he develops it after a particularly traumatic memory, and i think thats kind of funny.

THIS IS OFFICIALLY THE LONGEST FINISHED COMIC I’VE EVER MADE.

anyway, thanks for reading :)  

[naomistares]

Would you be willing to show a bit of your process for planning out comics? If not that’s ok! I’m curious how you plot things!! 💕

yes for sure! it consists of about 8 steps

1- write down every page into a little outline, basically just writing down the dialogue and a little description of each panel, it's not super descriptive i tend to solidify things as i do them

2- messily sketch it (sometimes i don't do this and just draw it clear enough that i could just lineart it immediately it)

3- clean up the sketch!

4- clean it up again, aka lineart

6- color the characters (last comic's process was a lot different than my previous comics, i just straight up colored it like That in one layer, that's why it took forever, but i think it's better to learn, the others i'd color as if there is no lighting and it's a clay figure, and then i'd go over it with overlay layers and multiply layers to add different colors and lighting)

7- color the backgrounds

8- mess around with color balance a bit, add textures and noise

9- that's it i think, i'll attach some screenshots i had that show almost of these steps!

[indieyuugure]

indie do you have any tips on comic making? (coming from someone who's trying to make their own tmnt comic)

Sure! I can try my best!

Plan your story beginning to end! It doesn’t have to be a movie script but just something that keeps track of the plot, its twists, characters and their motivations and stuff. ROTP’s plot was almost entirely written on a week to week basis. The only chapters that were planned out were 1, 2, 8, 9, and 10. It seems counterintuitive, but it’s not fun to write a comic shoot-from-the-hip that way. You’re more prone to writer’s block and thus giving up entirely. Do yourself a favor and write the story ahead of time!

Establish a style! You want something that when people scroll through social media go “Hey! I know that style!” I unfortunately can’t give you many tips on this, but I’ve had people tell me that the way I the way I draw faces is very unique. If you don’t feel like you have a style, just try a ton of different stuff until something clicks with you! Adopting techniques from other styles is okay too!

Go at your own pace! Pacing your progress to your own life and speed is very important, especially for avoiding burnout! For me, I have enough time to do 5 pages a week, but maybe you need more time, or maybe you need less, or maybe you wanna do more pages or fewer, it’s all up to you and how you’re life functions! Whatever you choose though, I highly recommend setting it to a schedule if you can. When people discover your comic and really like it, they’re gonna want to know when to come back for more; repeat costumers, if that makes sense. Eventually that predictably will make your comic grow!

Sorry, that was a bit long, but yeah, there’s 3 tips, most of which I learned from experience. Hopefully you found these helpful, and I wish you luck in comic making!

Good question! :]

[junkworldusa]

have not posted about this at all because i've become increasingly superstitious about art-making as i get older, but i'm in the process of printing a 28 page zine. everything should be ready to ship out in january, at which point i'll make an actual post. it'll also be available as a cheap pdf, and i will eventually post it on here for free. more zine thoughts under the cut

My first two zines are technically lost media at this point. The first one was called 'ACID BRASH' and was about a girl going on a date with an older man who was sexually interested in her teeth. It was 8 pages long and everyone who read it commented on how bad it made them feel. The second one was called 'Tabitha Waves' and was about a young woman who had a chance meeting with an old movie star whom she admired. It was 12 pages long and pretty toothless, which is ironic since the characters in question were both crocodiles.

I moved around too much in those days, and so did the indie comics school where I printed the zines, and neither of us were organized. But I don't regret losing the original artwork, or the files, or the zine copies themselves. They're floating around somewhere. I'm glad I made them.

My third zine was a collection of comics from this blog. Emma Jensen from SAW designed the cover and did the lay-out. She has a great eye for editing (and is also a wonderful cartoonist). After the gallery show/zine launch with other cartoonists in Gainesville I was going to sell the remaining copies online, but I realized I didn't have enough (I've got about a dozen left). You're not missing out on anything, though! No extra comics in there, just the hits.

Finally, it's my fourth zine, which I've titled Junk World #1. I'm pleased with this one. I don't think any comic I've read captures the abyss between drawing comics & printing comics like BL Metamorphosis. It's not a bad thing. It's kind of miraculous. It becomes something entirely new.

Hello to all my new followers, much love to all my old followers, and thank you for reading.